Adam Eckersley and Brooke McClymont Announce Album and Tour

Adam and Brooke
Image Courtesy of Adam Eckersley and Brooke McClymont

Australian country music giants Adam Eckersley (Adam Eckersley Band) and Brooke McClymont (The McClymonts) are coming together with the announcement of their self titled duo album Adam & Brooke, due on the 9th February.

The husband and wife duo recently released their debut single and video “Train Wreck” which you can watch here:

To celebrate the release of Adam & Brooke, Adam Eckersley and Brooke McClymont are heading out on a huge tour through the first half of 2018, with more dates still to be announced. The full list of shows announced so far are below:

Friday 9th February – Rooty Hill RSL, Rooty Hill, NSW
Saturday 10th February – Coast Hotel, Budgewoi, NSW
Friday 23rd February – Heritage Hotel, Bulli, NSW
Saturday 24th February – Southern Cross Club, Canberra, ACT
Friday 2nd March – Armidale Ex Serviceman’s Club, Armidale, NSW
Saturday 3rd March – Southwest Rocks Country Club, Southwest Rocks, NSW
Thursday 8th March – Lefty’s Old Time Music Hall, Brisbane, QLD
Friday 9th March – Lone Star Tavern, Gold Coast, QLD
Saturday 10th March – South Acacia Sports Club – Brisbane, QLD
Friday 16th March – The Pelican Playhouse, Grafton, NSW
Saturday 17th March – The Pelican Playhouse, Grafton, NSW
Friday 6th April – Young Services Club, Young, NSW
Saturday 7th April – Civic Theatre, Wagga Wagga, NSW
Thursday 12th April – Toff in Town, Melbourne, VIC
Friday 13th April – York on Lilydale, Mt Evelyn, VIC
Saturday 14th April – Gateway Hotel, Geelong, VIC
Thursday 26th April – Brass Monkey, Cronulla, NSW
Friday 27th April – Leadbelly, Sydney, NSW
Sunday 29th April – Oaks Hotel, Albion Park Rail, NSW
Friday 11th May – Brothers Leagues, Cairns, QLD
Saturday 12th May – Dalrymple Hotel, Townsville, QLD
Sunday 13th May – Mt Pleasant Tavern, MacKay, QLD
Tuesday 15th May – Glenmore Tavern, Rockhampton, QLD
Wednesday 16th May – Hervey Road Tavern, Gladstone, QLD
Thursday 17th May – Melbourne Hotel, Bundaberg, QLD
Friday 18th May – Caloundra RSL, Caloundra, QLD
Saturday 19th May – Highfields Tavern, Toowoomba, QLD

Bluegrass @ Yulli’s Announces Annual Bluegrassified UNHCR Fundraiser

Whoa Mule
Image Courtesy of Whoa Mule

Sydney jam night Bluegrass @ Yulli’s is all set to hold its annual UNHCR Fundraiser at Yulli’s in Surry Hills on the 15th November this year.

Following on from last year’s super successful “Bluesgrassified” theme, where a number of Bluegrass @ Yulli’s feature artists covered popular songs in a Bluegrass style, this year we’re going to be getting bluegrass versions of classic country music. Think Patsy Cline, Johnny Cash, Dolly Parton, Hank Williams, Loretta Lynn and beyond.

The Bluegrassified country classics will be presented on the night by the likes of Whoa Mule (above), Shelley’s Murder Boys, Flat Rock Boys, Simone East and more to be announced.

Entry to the night is free and all of the artists are donating their time. Yulli’s will be donating towards the night and the audience will be asked for donations throughout the night to support UNHCR.

As always Bluegrass @ Yulli’s kicks off with an all-in jam at 6pm followed by the performances from 8pm. For more information check out the official Facebook event here.

Listen to the New Single from The Bushwackers “Waltzing Australia”

The Bushwackers
Image Courtesy of The Bushwackers

The latest single from The Bushwackers’ new album The Hungry Mile is the song “Waltzing Australia”.

Written by singer-songwriter Colin Buchanan about the migrant experience, the track features guest vocals from Sara Storer and John Williamson alongside Dobe Newton.

Check out “Waltzing Australia” below:

Listen to the New Peasant Moon Track “Our Timing Was Wrong”

Peasant Moon
Image Courtesy of Peasant Moon

Sydney (and sometimes Chicago) based alt-country duo Peasant Moon have just released their brand new single “Our Timing Was Wrong”.

The track, the first from an upcoming EP, was recorded at Love Hz Studio with producer Michael Carpenter and features Peasant Moon with a full band. “Our Timing Was Wrong” is full of classic country waltzing and swagger tempered with the duo’s melancholic sound.

“This song heralds a foray into a more traditional country genre for Peasant Moon on our upcoming EP,” singer and guitarist Harvey Russell explained. “But from a songwriting perspective, we’re still dark, moody and steeped in heartbreak.”

Take a listen to “Our Timing Was Wrong” here:

Bluesfest Review: Monday Monday

St Paul & the Broken Bones at Bluesfest. Photos by Stuart Bucknell Photography

It’s the final day of Bluesfest and emotions are a mixed bag of excitement for what ahead, sadness that it’s ending and a bit of relief from the continual stimulation and inspiration from so many amazing artists.

We have to see Blind Boy Paxton again after last year’s show, so we’re here at 1:30pm at the Delta stage as Paxton starts on the keyboard with a sound sentimental to the golden age of Hollywood, a delightful dash of honky tonk and and old times blues sensation. With a dextrous trill of the keys, he has us all enthralled. Paxton says he’s starting off easy “as you all partied to hardy at the festival” last night, and we all laugh, evidence of how he easily builds rapport with the crowd with delightfully timed jokes and comments. He quips “Y’all let me sit off centre [of the stage] and not tell me. Is there anything on my face!?” and breaks in to a huge grin, we chuckle and settle in to enjoy his acoustic guitar dripping in old time blues. The twinkle of his eye matches the twinkle of the guitar strings before he pulls out the harmonica for a spirited performance with rhythm sticks, which keep the momentum going as he sings the refrains.

As fans of early 2000s rockers, Jet, we thought we’d better check in at Crossroads stage to see where the band’s Nic Chester is at these days, and for a 2:15pm chill out, we’re not disappointed. A delicious blend of indie rock and blues soaked riffs greets. His signature vocals hammer home his comfort and familiarity on stage, bringing the crowd in to the fold of his stories.

At 3pm we wander to the Jambalaya stage for Tony Joe White and the crowd erupts in applause as the legend takes to the stage. It seems appropriate at Easter to have a voice as deep and smooth as chocolate smother you in blues, and we all revel in its seductive tones. White rumbles along like percolating coffee, earthy, enticing and altogether satisfying with tones and tales.

After yesterday’s teaser, we decide to head to Delta stage at 4:30pm to see more of Lloyd Spiegel than a passing glimpse. It’s clear pretty quickly that Spiegel is a tongue in cheek wit as he jests that he “might as well tune my guitar on stage” before showing off fingers moving so fast there we half expect to see smoke rising from the fast finger friction! Clearly this set should have come with a warning sign! Amazing sounds stream out of one guitar, the likes equivalent of multiple guitars, and a stomp box the stamp out a hectic beat. Just as we think it’s reached it’s peak, Spiegel unleashes a laconic voice that dances with his guitar string. Ever the comedian, stories are told between songs making us all laugh. Did you know “the Queen thinks he world smells like fresh paint? Because everywhere she goes has been freshly painted!” And blues isn’t safe as he declares “Jeff Lang has never seen a guitarist play to their full capacity because they all shit themselves when he walks in!” His infectious sense of humour has the crowd in stitches and his ferocious fret work has us all in awe. If you want a real laugh, ask his about the guy who “won” the guitar in the raffle – the story is a corker!

As 5pm rolls around we dash to see St Paul & The Broken Bones at the Mojo stage. Their set flawed us last year and this year they’re up there as a must see! With a pre-recorded intro like something out of old Hollywood, but overtaken by old soul, the melody acts like siren song luring people in to join the crowds eagerly anticipating their show. After their 2016 roustabout style performance, this year they deliver a much more soulful and serene performance. The crowds are absorbed, transfixed and transported to another time through the multilayer musings, the sultry, emotive dalliances, and the standing ovation inspiring instrumentals. As we’re all lulled in to their rhythm, they segue in to an upbeat and energetic full band piece laden with funk, just to wake up all of our senses and have us all moving to the beat!

Noticing a name we recognise, Ashleigh Mannix, as part of the folk-grunge duo line up for Little Georgia, we head to Juke Joint to catch their 6pm set. We’re greeted with “This Old House” in sublime harmonised vocals and one-two combination of an acoustic and an electric guitar working together like the best sweet and sour you’ve ever tasted. Delivering an electrified indie vibe with a side of dirty grunge, the duo still trips lightly along the line between acoustic sensibilities and a fully electric sound. The instruments sonically dance together rather than battling for supremacy and a gutsy, punchy opening cements them within the minds of the crowd. Mannix’s vocals offer a depth of tone and nuance, highlighted by Carter’s higher pitched twang. Together they have an intimacy on stage that connects the two yet invites the crowd in to fully experience the counterpoints of lyrical progression. As they both switch to acoustic guitars, the difference has a significant change to their sound and vibe creating a very upbeat and organic sound. Their set wanders deeply in to the folk and indie realms, revels in its joyousness, crosses in to mournful lament, a sentimental melancholy with the sweetest treatment musically, and dives back in to the grunge element seamlessly. Definitely an act to keep an eye on!

We decide to venture to the Craft Beer Bar and grab a stool out the front to catch some of Kasey Chambers‘ 6:45pm set at Crossroads stage. She has everyone singing, even the guy in the crowd sporting a full beard and passionate rendition of “Not Pretty Enough”. Chambers charms the crowd with her deliciously harmonised songs where country meets blues and spell binding rendition of crowd favourites.

Since it’s the last night, and we saw Sir Rosevelt the other night, we figure we should go and catch Zac Brown Band at 8:15pm on the Mojo stage. Our first reaction? “Holy shit!” That rumbling guitar opening and a whole bunch of country style toe tapping, hand clapping, clear plucking, good-time hoe-down style cacophony hits us like a wave, picking us up and taking us on a wild ride. There is wild fiddle tearing the house down with an electric boost smashing “Whiskey’s Gone” in to the ether. Lead singer Brown has the crowd in palm of hand, we’re cheering at the intro and singing along in a heartbeat, whether we know the words or not. A full spectrum performance where we traverse the upbeat, the solemn, the optimistic, heartfelt and the lamentful touch points of life. And to top it off, for the second time this festival, we are treated to a spirited cover of Bohemian Rhapsody.

To finish the night, and bring our festival to an end, we swing by the Delta stage at 9pm to witness The Record Company. Reminiscent of Ash Grunwald’s vigor with harmonica, distorted mic but with a kicking bass guitar and hefty drums backing up. As a delectable counterpoint, the fine harmonica trills are the main instrument when lead singer Vos is not singing. A powerful rock crescendo to finish our Bluesfest experience.

If you think you’d like to head to Bluesfest 2018, early bird tickets are now available to buy at heavily discounted prices. Essentially, every time we’ve ever been, it’s guaranteed a great line up and festival. If you’ve never been, do what you can to make it one year!

Trip back over our full weekend at Bluesfest:

5 Things We Learned at Bluesfest 2017
Bluesfest Review: Good Friday is a fine day!
Bluesfest Review: Saturday Celebration
Bluesfest Review: Sweet Sunday

Head to our Facebook Page to see our full collection of photos from the festival

Highlights from Monday at Bluesfest

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Listen to the New Raised By Eagles Single “Shape & Line”

Raised By Eagles
Image Courtesy of Raised By Eagles

Melbourne based country-rock band Raised By Eagles have just released their new single “Shape & Line”. The track is the first taste from the band’s highly anticipated third album and points to a bigger more electrified sound.

Check it out here:

Raised By Eagles are heading out on tour this May and June supporting Mick Thomas – check out the full dates here:

Friday 19th May – Thornbury Theatre, Melbourne, VIC
Saturday 20th May – Suttons House Of Music, Ballarat, VIC
Sunday 21st May – Capital Theatre, Bendigo, VIC
Saturday 27th May – Wheatsheaf Hotel, Adelaide, SA
Sunday 28th May – Wheatsheaf Hotel, Adelaide, SA
Friday 2nd June – Leadbelly, Sydney, NSW
Saturday 3rd June – Lizottes Restaurant, Newcastle, NSW
Saturday 17th June – Caravan Music Club, Oakleigh, VIC

Amber Lawrence and Catherine Britt Announce Tour with Fanny Lumsden

Amber Lawrence
Image Courtesy of Amber Lawrence

Award winning country singer Amber Lawrence last month released her boppy new single “Cheers to the Girls” featuring guest vocals from Catherine Britt and Fanny Lumsden.

“I’m really proud of this song,” Lawrence explained. “A lot of courage went into writing this song, and telling it how it actually is for some women. This song in part eludes to domestic abuse, but also praises women of all types – those that were bullied at school, those that didn’t know their inner strength until the only choice left was to rely on and stand up for themselves. It’s a rousing song of strength and is already a crowd favourite – add to this, the stunning vocals of Catherine Britt and Fanny Lumsden, and this is also one of my favourites.”

Check out the video for “Cheers to the Girls” below:

And now Amber Lawrence has announced plans to hit the road and she’s bringing Catherine Britt and Fanny Lumsden with her.

The tour kicks off in March and will see the trio performing shows all over the country. Check out the full list of dates here:

Amber Lawrence & Catherine Britt w/ Fanny Lumsden
Friday 3rd March – Gloucester Soldiers Club, Gloucester, NSW
Saturday 4th March – Muswellbrook RSL, Muswellbrook, NSW
Friday 31st March – Red Hot Music, Devonport, TAS
Saturday 1st April – Granada Tavern, Hobart, TAS
Friday 7th April – Rooty Hill RSL, Rooty Hill, NSW
Saturday 8th April – Soul Central, Dee Why, NSW
Sunday 9th April – Lizotte’s, Newcastle, NSW
Saturday 13th May – Ettalong Diggers, Ettalong, NSW
Thursday 18th May – Loxton Club, Loxton, SA
Friday 19th May – Pretoria Hotel, Mannum, SA
Saturday 20th May – Trinity Sessions, Adelaide, SA
Thursday 25th May – Glen Innes District Services Club, Glen Innes, NSW
Friday 26th May – Grafton Ex-Servicemen’s Club, Grafton, NSW
Saturday 27th May – Sawtell RSL, Sawtell, NSW
Thursday 15th June – The Reef Hotel &Casino, Cairns, QLD
Friday 16th June – Innisfail RSL, Innisfail, QLD
Saturday 17th June – Dalrymple Hotel, Townsville, QLD
Wednesday 21st June – McGuires CBD Hotel, Mackay, QLD
Thursday 22nd June – Dooley’s Tavern & Motel, Capella, QLD
Friday 23rd June – Rainforest Ranch, Rockhampton, QLD
Saturday 24th June – Carrier’s Arms Hotel Motel, Maryborough, QLD
Friday 30th June – Commercial Club, Albury, NSW
Thursday 29th June – Club Barham, Barham, VIC
Saturday 1st July – Club Mulwala, Mulwala, NSW

Kasey Chambers Announces New Album Dragonfly

Kasey Chambers
Image Courtesy of Kasey Chambers

Australian country music royalty Kasey Chambers has announced a very exciting concept for her upcoming album Dragonfly.

Due for release on the 20th January the album will feature two seperate sessions. The first, The Sing Sing Sessions, was produced by Australian music legend Paul Kelly, whilst the second, The Foggy Mountain Sessions, was produced by Kasey’s brother and longtime collaborator Nash Chambers.

The album also features a who’s who of special guests including Vika & Linda Bull, Keith Urban, Paul Kelly, Foy Vance, Harry Hookey, Ed Sheeran and Grizzlee Train.

“Working with Paul Kelly as my producer on one side of the double album Dragonfly was a dream come true,” Kasey Chambers Explained. “Paul brought out a whole new side of me, but then I also got to enjoy the comforts of recording with the person who knows and has shaped my original sound better than anyone, my brother Nash, along with my live touring band who have become a huge part on my sound. This double album shows who I am as much as any piece of work I have ever done.”

The track listing for Dragonfly along with two videos, “Ain’t No Little Girl” and “Satellite” are below:

Sing Sing Sessions
1. Pompeii
2. Ain’t No Little Girl
3. Summer Pillow
4. Golden Rails
5. Jonestown
6. Romeo & Juliet (with Foy Vance)
7. Talkin’ Baby Blues
8. You Ain’t Worth Suffering For
9. Behind The Eyes of Henri Young
10. Hey (with Paul Kelly)
11. This Is Gonna Be A Long Year

Foggy Mountain Sessions
1. Shackle & Chain
2. Dragonfly
3. If I Died
4. Satellite
5. No Ordinary Man (with Harry Hookey, Vika Bull & Linda Bull)
6. If We Had A Child (with Keith Urban)
7. Annabelle
8. The Devil’s Wheel (with Grizzlee Train)
9. Ain’t No Little Girl (FM Lounge Version)


Kasey Chambers will be touring throughout January on a co-headline tour with Bernard Fanning – the full list of dates are here:

Thursday 26th January – West Tamworth Leagues Club, West Tamworth, NSW
Tuesday 14th February – Orange Ex Services Club, Orange, NSW
Wednesday 15th February – Albury Entertainment Centre, Albury, NSW
Friday 17th February – Eastbank Centre, Shepparton, VIC
Saturday 18th February – Ulumbarra Theatre, Bendigo, VIC
Sunday 19th February – Lakeside Wendouree, Ballarat, VIC
Tuesday 21st February – Canberra Theatre Centre, Canberra, ACT
Wednesday 22nd February – Anita’s Theatre, Thirroul, NSW
Friday 24th February – Empire Theatre, Toowoomba, QLD
Saturday 25th February 25th – Saraton Theatre, Grafton, NSW

Review: 5 things we learned at Bluesfest

Kale plays at Bluesfest 2016Kaleo playing Bluesfest
Photos by Stuart Bucknell

Year after year, Bluesfest manages to bring the big names and the impressive acts to Byron Bay for the annual Easter pilgrimage. Heading to Bluesfest this year, we really didn’t know many of the acts listed on the bill and wondered just what was in store for us, Timber and Steel wise. So here’s 5 things we learned at this year’s wildly successful, ultimate music sampler opportunity that is, Bluesfest.

#1 – Peter Noble knows how to program…

One thing is for sure, Peter Noble knows how to curate an inclusive, diverse and engaging festival. The big names drew enormous crowds to all their sets. City and Colour had the crowd from the first note and Dallas Green was on form all night.  The Decemberists gave their usual charming set delving in to a fabulous back catalogue of favourites. Not to go without a bit of political comment, they also played a song they thought to offer Donald Trump as his new campaign tune, ‘The Calamity Song’. The Cat Empire delivered a solid hour and a half set jam packed with both new tracks and past hits and favourites to wow the crowd. The biggest coup was probably The Original Blues Brothers Band closing out the weekend with a stellar set of their signature blues.

The festival was dappled with big names throughout the program. Archie Roach was in fine form, weaving his musical spell over the crowd and telling the tales of the land with strength and beauty, and a focus on songs from Charcoal Lane, the title track being a particular stand out moment of the set. Jason Isbell had his one an only set up against The Original Blues Brothers Band, so splitting our time between the two was challenging but rewarding as Isbell’s enigmatic style caught watchers in it’s thrall delivering a contemporary counterpoint to the old school blues on the other stage.

Kim Churchill plays BluesfestBut one of the most notable names for me, still playing midday sets, was Kim Churchill. Getting his big break on the Bluesfest Buskers stage all those years ago, Churchill has been a staple name on the line up ever since. His absence in 2015 was noted and the crowds that gathered for this sets this year spoke strongly of his popularity for the Bluesfest crowd. Watching him command the stage, with the occasional accompaniment of a fiddle player or percussionists, was a joy to witness and testament to the following he has. It felt like he had come home, and in the process had evolved from a keen boy with a guitar to a passionate man with a solid musical career stretching before him.

#2 – It’s never just about the Blues. Folk, Country, and Americana all strongly represented in 2016

Strolling from stage to stage, the peeling licks and plucky chords of the more folky persuasion were both notable and popular with punters, letting us stumble across all kinds of gems.  LA based Lord Huron made quite the entrance with a tension building soundscape and crescendo, an upbeat strummy and infectious style, inventive percussion beneath the acoustic lead and an ability to morph between styles, from the old school feel reminiscent of the 50s and 60s summer soundtracks, through alt country and indie folk rock vibes. A particular highlight from the four-piece was ‘Hurricane’, billed as a song about “getting in trouble”, turns out it was aptly named.

Described as an Icelandic Indie pop/rock/folk band, Kaleo was a light and lyrical delight. Building from their delicate opening style to gutsy, rhythm driven choruses, through alt-country sensibilities to deep southern style blues, and a soulful cover of Bang Bang, Kaleo didn’t hesitate to transcend styles and genres to sign off with a blues rock riff and howling vocals when warranted.

The Bros Landreth, hailing from Canada, brought their alt-country and folk laden cover of Wings’ ‘Let ‘Em In’ to break the ice and then let the Americana tinged goodness flow forth. A family affair, big brother David couldn’t attend so father Wally came in his place and whipped the crowd in to a cheering craze.

The Mastersons were touring with Steve Earle & The Dukes, and made appearances both on Earle’s sets and one of their own solo shows for Bluesfest. Their lyrical country styling, featuring voices working together in diverse melodic harmony gave their day opening set a contemplative mood, transporting the crowd to simpler days. Earle’s set was one great big treat of blues soaked tunes with toe-tapping jivey bluegrass edge, all with the sweet country counterpoint of The Mastersons.

Hound mouth playing Bluesfest 2016

It seemed to be a fatherly affair this Bluesfest, with Hussy Hicks welcoming Julz’s dad Greg to their set to deliver some blistering harmonica to their upbeat tempo and at times Joplin-esque wails and passion. Indiana’s Houndmouth however had no dad’s on their line up but did have plenty of twangy blues and American drawl to open their show and unravel your soul where you stood.

#3 – Word of Mouth is King

You know when you look at a line up and you’re not really sure what acts to check out? Well Bluesfest was that way inclined for many but within the first 8 hours, gossip was abuzz with recommendations and wild tales of phenomenal shows and must see acts to catch. So here’s what we checked out based purely on word of mouth.

Steve Smyth plays at Bluesfest 2016

OK, so Steve Smyth isn’t exactly news to us, but the stir on site had his name on the tips of peoples tongues and boy did he live up to the hype. Sheer genius stood on that stage in the form of master lyricist and vibrant stage presence. Smyth’s beautiful voice and stunning vibrato was just powerful solo as with the support backing instrumentalists. His performance of ‘Southland’ blew socks off across the festival.

Shooglenifty, also known as ‘that band I can’t pronounce’, was not what you expect when you read “Celtic” on the program, but a glorious blend of traditional highland derived tunes that were heavy on the fiddle and a mandolin at the ready, intricately twined with modern rhythms, a few electric guitars and a toe tapping beat, drew punters in before they could saunter too far past the heaving tent.

Blind Boy Paxton plays at Bluesfest 2016

The was no way to walk through the site without hearing the name, Blind Boy Paxton. Listening to his set was like a walk through time, from a fiddle calling a country dance and bransles, to a lightning speed banjo frenzy, a soothing guitar tune and even a lone harmonica telling you it’s tale. All this from one man on stage – simply astonishing.

#4 – The Ladies are out in force! And you should catch all of them live

There was a lot of talk about various acts, and word of mouth certainly got us to see some great performers, but thanks to emphatic and multiple recommendations from all kinds of punters, we discovered some of the most phenomenal women who stamped their mark and left as some of the powerhouses of Bluesfest.

We caught Sahara Beck for her last set and were immediately struck by her stage presence, the smooth set up with band and back up singers added the pizazz to her swag and gave her sultry vibe a ‘pop’ on stage.

Elle King had tongues wagging as word spread that after her first, expletive laden set, her set list had to be ‘revised’. However her husky, growling vocal licks were well and truly flowing when we caught her set in a heaving tent overflowing in to the customary Bluesfest rain. Sass and attitude would be the plainest way of describing King, her vibrancy comes from her musical versatility and ability to weave country vibes and bluegrassy panache throughout her ballsy bluesy set. A chameleon of style, King bowled over crowds with big notes, fiery wit and feisty repartee.

Elle King plays at Bluesfest 2016

Hailing from Ireland, via Canada, Irish Mythen is a modern troubadour equipped with a powerhouse voice and emphatic lyrics. Mythen might have been the grittiest, most real musician seen at Bluesfest this year, armed only with her guitar and her stories, she held hundreds of people spellbound, hanging on her every word any time she took to the stage. We caught her multiple times, and laughed, cried, cheered and sung along to songs we had only heard the first time days before. She regularly had the crowd in stitches with her sense of humour and story telling capers, and woe betide any punter brave enough to heckle her! Four stand out moments stayed with me, even though I saw them all more than once. Her performance of ‘Tullamore Blues’ almost defies description, except that the crowd was with her, in that space, singing every word and feeling every sentiment. Jesus is an experience to behold, hilarious in it’s explanation and empowering in it’s performance, I sincerely hope every person gets to experience it live. Her a Capella rendition of ‘The Auld Triangle’ gives me chills and is simply astounding.  And finally ’55 Years’ had me (and most in the crowd) in tears for the beauty it captures in it’s tale. A truly moving experience. Irish Mythen is awe inspiring and we’re excited she’ll be visiting Australia again soon.

Rhiannon Giddens plays at Bluesfest 2016

And finally, probably the all-singing, all-dancing highlight of the ladies was Rhiannon Giddens. Establishing herself originally as a part of Carolina Chocolate Drops, Giddens’ solo work is a sight to behold and a treat to hear. Her stunning vocals are soulful yet soar high in beautiful arcs and trills of an almost Celtic style. The skill of her band melds electric with acoustic in wonderful instrumental breaks, bouncing off one another jamming to a crescendo and returning the spotlight to her lead when the time was right. Her banjo crept through tunes to pounce on you unawares, yet could alternate and become the hero of the song. Old Bob Dylan lyrics never previously turned in to songs until Giddens got her hands on them offered a treasure trove to discover. Doing a Dolly Parton cover can be tough, but Giddens’ rendition of ‘Don’t Let It Trouble Your Mind’ saw her own the song completely, from every element of style through to her emotive connection with both lyrics and sentiment. From start to finish and for each and every set, she wowed the crowd with fiddle, banjo, modern takes on traditional style, soul stirring lyrics and even a step back in time to the 1920s. Her fancy footwork went down a treat and her ability to connect with the audience and tether them to her tale as the most exquisite experience to behold. She could chat to the crowd but make you feel like she spoke to you and you alone, and yet at all times Rhiannon Giddens continued to exist as her own ineffable self.

#5 – Soul is in, along with BIG bands

Now strictly speaking, Timber and Steel doesn’t really cover Soul, but the prevalence of the big band style soul injections at Bluesfest is worthy of admiration and appreciation, so it gets a gong here.

Emma Donovan & The Putbacks were a sight to behold as Donovan put her own stamp on soul, with earthy tones and a voice that rolled over the crowd, calling to them, beckoning them to hear her story. The combination of her stories and passionate, soulful delivery made for a tight set and profound performance.

I wrote down 4 words when seeing The Word, and two of them were expletives… “holy f***ing sh*t wow.” The couple of songs we caught were incredible, full of funky groves and some sweet slide guitar, all topped off with an electric organ. Very smooth and cool indeed.

Ash Grunwald plays at Bluesfest 2016Ash Grunwald hasn’t moved in to soul, but his Bluesfet setup did resemble the big backing bands of the soul acts and boy did it compliment his wailing blues. Never conforming to just one genre, Grunwald drew on bluegrass vibes, some indie rock to his blues and of course his signature commentary on Australian life. Playing River from his new album, Grunwald spoke about the anti-CSG message prevalent throughout his most recent recordings and confirmed he was among friends int he Bluesfest crowd. His set was punctuated with old favourites as highlights, crowds rollicking in his passionate performance and joining in to sing along on choruses, and the utter delight when Kasey Chambers joined him on stage for a brand new song was palpable.

Another of the tongue wagging recommendations was for Vintage Trouble, and my first impression was that lead singer Ty Taylor was sex on legs, with enough swagger stuffed in to a cravat and suit to fell an army. And when the full band kicked in, it blew the show off the Richter scale. A set full of southern blues, call and response, screaming and wailing blues breaks and enough on stage antics to warrant a lie down after watching. This was my kind of place, 1950s style jazzy blues, complete with energy and onstage charisma!

Vintage Trouble plays Bluesfest 2016

Now, if you haven’t yet heard of the phenomenal popularity and praise for Bluesfest debutants St. Paul and The Broken Bones, then you haven’t been doing the internet properly. Of all the word of mouth recommendations, St Paul and The Broken Bones was THE most talked about act at Bluesfest, and not without good reason. A big band blues-laden soul outfit, oozing funk, with a big personality for a front man in Paul Janeway. Opening with an almighty wail and sliding in to a crooning style track, the crowd knew exactly where they stood and were rooted to the spot to witness the explosive show by one of the most engaging acts we’ve seen in years. Janeway, on behalf of the entire band, exclaimed that Bluesfest was the best experience they had ever had and they would definitely be coming back to Australia, to which the crowd erupted with delight. A set filled with rumbling soul, emotive ballads and big, ballsy blues, St Paul and The Broken Bones is sure to be a high rotation favourite on many punters playlists for some time to come.

St Paul and The Broken Bones plays Bluesfest 2016

Without a doubt, Bluesfest’s skillfully curated 2016 lineup was a smash hit success, sure to be spoken of for years to come. Can’t wait to see what Peter Noble comes up with for 2017!

Details of the New Hootenany Sundays at Miss Peaches

Miss Peaches
Image Courtesy of Miss Peaches

Sydney soul food kitchen and bar Miss Peaches recently launched a brand new bluesgrass, folk and country night, Hootenanny. Held each Sunday from 8pm, Hootenanny is already getting a reputation as the perfect way to close out the weekend.

Hootenanny has already featured the likes of Green Mohair Suits and Ross Tipper and this week will see The Sweet Jelly Rolls take to the stage.

For more information on the night check out the official Miss Peaches site here.

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