New Music Monday – 23rd September

Georgia State Line
Image Courtesy of Georgia State Line

Devendra Banhart – “Taking a Page”

“Taking a Page” is taken from Devendra Banhart’s brand new album Ma and is once again a piece of quirky pop music from the freak folk singer-songwriter. The song skips and jumps over a funky baseline with stabbing synths and subtle guitar pieces. It’s weird and twisty, with some strange strange lyrics, but I think you’ll really like it.

Freya Josephine Hollick – “Nobody’s No Better Than No One”

Freya Josephine Hollick has just dropped “Nobody’s No Better Than No One”, the first taste from her upcoming 2020 album The Real World. The track features Hollick confidently swaggering her way through a bluesy, country-rock piece of art that feels like it could have been ripped from the 70s or 80s. Freya Josephine Hollick’s is absolutely on point and her ability to leave space for the driving melody is inspired. Great stuff.

Georgia Knight – “Samba Baby”

“Samba Baby” is the new single from Melbourne singer-songwriter Georgia Knight. The languid track feels like a hot summer day, with a soothing melody that slips over a lazy samba beat, punctuated by the occasional fuzzy guitar. Knight vocal style is reminiscent of singers like Roy Orbison or KD Lang, the perfect accompaniment to the sultry tone of the track.

Georgia State Line – “From Down Here”

Melbourne Americana band Georgia State Line released their brand new single “From Down Here” at the end of last week. The single manages to fuse the heartbreak and melancholy of country music with an upbeat, catchy melody. And then there’s Georgia Delves’ amazing voice – what a talent!

“This track is my antidote to life’s more challenging moments,” Delves explained. “We all, at one point or another, find ourselves on paths that we don’t necessarily want to be walking. It takes a lot of strength to accept the process as it is, and trust the greater plan. A lemons-to-lemonade situation, really.”

Hannah Acfield – “Searching (for more)”

Melbourne based singer-songwriter Hannah Acfield released her soulful new single and video “”Searching (for more)”. The single highlights Acfield’s incredible voice which powers through the track and is filled with so much emotion. I love the choppy electric guitar here and the way the song builds with it’s dirty drums, bass and organ.

Hannah Acfield is heading out on tour this October – dates are below:

Saturday 5th October – The Dusty Attic, Lismore, NSW
Sunday 6th October – Junk Bar, Brisbane, QLD
Wednesday 9th October – Folkswagon, Cafe Lounge, Sydney, NSW
Friday 25th October – The Wesley Anne, Melbourne, VIC

Musketeer – “Wolves”

Europe-based Australian troubadour Musketeer sent over his new single “Wolves” which he promises is the folkiest from his upcoming EP The North Sea, due next year. The single is inspired by the idea of wolves repopulating Scandinavia and has a really epic, nordic feel with heavy drums and droning vocals. Musketeer has really leant into the bigger sound of his four piece band for this track and the result is huge.

Pieta Brown – “Bring Me”

Last week Pieta Brown released her S. Carey (Bon Iver) produced new album Freeway. The latest single from the album is the Dylan-esque ballad “Bring Me”. I love the way that Brown bends her vocal style across the simple acoustic strumming of “Bring Me”, adding a depth and resonance to the song. Beautiful stuff.

Wallis Bird – “Life Is Long”

“Life Is Long” is the new single from Irish singer-songwriter Wallis Bird’s new album Woman, due for release this Friday 27th September. The track mixes the quirk of a Bjork song with the pop sensibility of someone like Sia, all the while staying true to the authenticity of Wallis Bird’s unique voice.

New Music Monday – 2nd September

Hayley Marsten
Image Courtesy of Hayley Marsten

Allison Forbes – “Hell Freezes Over”

Australian country singer Allison Forbes has released her brand new single “Hell Freezes Over”, taken from her upcoming album Bonedigger, due this November. The track delves more into the country-rock side of Forbes’ sound than we’ve seen in the past and is full of grit and fire.

“The song is about finding a place where you’re comfortable to accept things that have happened and the preparation of not lying down to die because of it,” Allison Forbes explains.

Ash Grunwald feat. The Teskey Brothers – “Ain’t My Problem”

For his latest single “Ain’t My Problem” blues and roots singer Ash Grunwald has enlisted the myriad talents of current buzz band The Teskey Brothers. The result is a track full of foot stomping blues goodness, accentuated by the distinct vocals of Ash Grunwald and Josh Teskey.

“”Ain’t My Problem” is written about the concept that comes up often when we relive old relationships, we literally re-live emotionally everything that we went through. And there is no point, it’s holding you back and it ain’t your problem anymore!” Ash Grunwald explained. “It was a conglomeration of stories from friends and personal experiences about moving on. It was such a great honour to have Josh Teskey and The Teskey Brothers play on this track. Josh has one of the greatest voices to ever come out of Australia and I have such respect for the band, I love them both as people and as musicians.”

“Ain’t My Problem” is taken from Ash Grunwald’s latest album Mojo, released last week. He’s heading out on tour this October and November – the full list of dates are below:

Friday 4th October – Jive Bar, Adelaide, SA
Saturday 5th October – Howler, Melbourne, VIC
Friday 11th October – Rosemount Hotel, Perth, WA
Friday 18th October – Lansdowne Hotel, Sydney, NSW
Saturday 19th October – The Zoo | Brisbane, QLD
Friday 1st November – Waratah Hotel, Hobart, TAS
Saturday 2nd November – The Royal Oak, Launceston, TAS
Sunday 3rd November – Forth Pub, Forth, TAS
Friday 22nd November – Queenscliff Music Festival, Queenscliff, VIC

Asha Jefferies – “Bad Kisser”

Brisbane based singer-songwriter Asha Jefferies has just released the delitelful new single “Bad Kisser”. The coming of age song couples a sweet, catching melody with some biting lyrics and poignant observations. I really like the production on this track as well, the way it jumps from just Jefferies and her guitar to full string arrangements alongside a band.

“I wrote [the song] about an extremely euphoric and tragic moment involving a festival; lust, longing, intoxication & one ultra-big insult,” Asha Jefferies explains. “It takes a bit of growing up to realise not every interaction you have with a stranger you like and meet will be romantic.”

Asha Jefferies is touring “Bad Kisser” from the middle of this month:

Saturday 21st September – Low 302, Sydney, NSW
Saturday 28th September – Brisbane Festival @ Riverstage, Brisbane, QLD
Friday 4th October – Grace Darling Hotel, Melbourne, VIC
Saturday 26th October – The Foundry, Brisbane, QLD

Danika Smith – “Suit of Armour”

Melbourne based singer-songwriter Danika Smith has just released her new single “Suit of Armour”. Combining classic folk finger-picking with modern lo-fi production, the track takes Smith’s sound in a really interesting and mesmerising direction.

“”Suit Of Armour” is a track that I wrote when love and fear collided, and left me feeling confused and avoidant,” Danika Smith explained. “It’s a song that observes the reservations I have, when there is something potentially beautiful in front of me, and I look for the cracks and flaws, as a protective method to avoid pain. It is melancholic that the beauty of love is shadowed by so much skepticism and mistrust, but there is an optimistic message too. I have the power to move through the weight of these experiences, remove the armour, and eventually be more open to connection, in time.”

Danika Smith will be launching “Suit of Armour” at the Geddes Lane Ballroom in Melbourne on the 14th September as well as being announced for the Strawberry Fields Festival at the end of November.

Hayley Marsten – “Red Wine, White Dress”

Country singer-songwriter Hayley Marsten has released the amazingly titled “Red Wine, White Dress”, which she co-wrote with Timber and Steel favourite Brad Butcher. The track is a perfect piece of modern country rock music without any of the cringyness that sometimes plagues the genre. Marsten’s amazing voice shines through, accentuated by her amazing band.

“Red Wine, White Dress” is taken from Hayley Marsten’s new album Spectacular Heartbreak which came out last week. She’s currently out on tour – check out the remaining dates here:

Thursday 5th September – Oodies Cafe, Bundaberg, QLD
Friday 6th September – Captain Cook, 1770, QLD
Saturday 14th September – The Press, Tamworth, NSW
Sunday 15th September – Flow Bar, Old Bar, NSW
Thursday 19th September – Lazybones, Sydney, NSW
Friday 20th September – Toppy Hall, Wyalong, NSW
Saturday 21st September – Palladiam Palace Theatre, Morundah, NSW
Sunday 22nd September – Servo Bar, Woollongong, NSW
Saturday 12th October – VDM Fest, Biloela, QLD
Friday 18th October – Apple Cider Shed, Grove, TAS
Saturday 19th October – Royal Oak, Launceston, TAS
Friday 25th October – Springdale Hall, Springdale, NSW
Saturday 26th October – Gunbar Hall, Gunbar, NSW
Thursday 7th November – Wesley Ann, Melbourne, VIC
Friday 8th November – Bayview Country Art Club, Bittern, VIC
Friday 15th November – Loomberah Hall, Loomberah, NSW
Saturday 16th November – Glen Innes Hall, Glen Innes, NSW

Jenny Mitchell – “Let Me Be”

“Let Me Be” is the stunning new single and video from NZ based folk and country singer-songwriter Jenny Mitchell. Mitchell has crafted a sweeping, expansive song with a driving rhythm and beautiful lyrical quality.

The track is taken from Jenny Mitchell’s 2018 album Wildfires and tells the story of her parents. “It’s definitely a track on the album which crosses genre boundaries, and I’m really proud of it” she explains.

Jenny Mitchell will be joining Fanny Lumsden on a handful of Australian tour dates this December:

Friday 6th December – Jamieson Hall, Jamieson, VIC
Saturday 7th December – Newham Hall, Newham, VIC
Sunday 8th December – The Spotted Mallard, Brunswick, VIC

Little Quirks – “Life Wouldn’t Be”

Central Coast based indie-folk trio Little Quirks have released their catchy new single and video “Life Wouldn’t Be”. The track, taken from their upcoming EP Cover My Eyes, perfectly captures the Australian indie-folk sound of so many of their contemporaries, combining a pop sensibility with folky songwriting and harmonies.

Little Quirks are heading out on an east coast tour from this week – full dates are below:

Tuesday 3rd to Thursday 5th September – BIGSOUND, Brisbane, QLD
Saturday 5th October – Dashville Skyline, Dashville, NSW
Friday 11th October – Oxford Art Gallery, Sydney, NSW
Saturday 12th October – Junk Bar, Brisbane, QLD
Saturday 2nd November – The Espy, Melbourne, VIC
Sunday 3rd November – Lost Lands Festival, VIC

Michael Kiwanuka – “You Ain’t The Problem”

UK based singer-songwriter Michael Kiwanuka embraces the full sound of the seventies with his neo-soul track “You Ain’t The Problem”. Taken from his recently announced album Kiwanuka, due on the 25th October, “You Ain’t The Problem” is a funk-filled sonic feast combining Kiwanuka’s love of vintage sounds and his expert songwriting.

Milky Chance & Tash Sultana – “Daydreaming”

German indie-folk oddities Milky Chance have teamed with Australian roots legend Tash Sultana for their new single and video “Daydreaming”. The track is infused with a mish mash of genres, held together with Milky Chance’s quirky vocals and the wonderfulness that is Tash Sultana’s incredible voice.

“Daydreaming” is taken from Milky Chance’s upcoming album Mind The Moon, due on the 15th November.

Pat Tierney – “My Sweet Love”

Celebrated singer-songwriter and lap slide guitarist Pat Tierney has released the blissful new single “My Sweet Love”. The track is a a laid back, rootsy gem that you can get lost in – and with a really sweet video featuring Tierney’s son.

“I wrote the beginnings of the song when my partner and I found out we were having our first child.,” Pat Tierney explains. “We’d just gotten back from an overseas trip, we were a bit lost, out of money and unsure of what we were going to do and where we would live. I wrote the song as, kind of a letter to my partner just to tell her everything was going to work out. When It came time to record the song, it just flowed together really seamlessly in the studio. I wanted the feel and vibe to remind me of my partner and son. Happy, dreamy and full of sunshine. That was also a big part of the video clip, showing the feel and story behind the song and what we’ve built for ourselves over the past few years. It’s definitely one of my favourite songs on the album.”

Pat Tierney has a bunch of tour dates towards the end of the year – check them out here:

Thursday 24th October – The Homestead, Hobart, TAS
Friday 25th October – Willie Smiths, Huon Valley, TAS
Thursday 7th November – Black Bear Lodge, Brisbane, QLD
Sunday 10th November – Peregian Originals, Sunshine Coast, QLD
Friday 15th November – The Wesley Anne, Melbourne, VIC
Saturday 16th November – Livefast Cafe, Halls Gap, VIC
Thursday 21st November – Django Bar, Sydney, NSW
Saturday 23rd November – No 5 Church St, Bellingen, NSW
Saturday 30th November – Good Nights, Bunbury, WA
Sundauy 1st December – Redcliffe On The Murray, Pinjarra, WA

Thomas Oliver – “Bulgarian Mountains”

“Bulgarian Mountains” is the super catchy new song from Kiwi singer-songwriter Thomas Oliver, taken from his upcoming album The Brightest Light, due in March next year. The track is an upbeat, soulful roots song with lots of rhythm and lots of heart.

New Music Monday – 13th May

Paul Kelly Dan Sultan
Image Courtesy of Paul Kelly and Dan Sultan

Brad Butcher – “Nature’s Course”

I’m really liking “Nature’s Course”, the new song from Queensland country artist Brad Butcher. As well as evoking classic country sounds (loving the subtle mandolin picking throughout the song) there’s also an epic quality that has echos of The Go Betweens. The track is tacken from Butcher’s upcoming album Travelling Salesman, due on the 5th July.

“It’s frustration,” Brad Butcher said of the song. “Now I believe in some pretty out-there stuff but I think there’s more that we can be doing as a human race to be smarter about technology and about everything moving forward. The song is a global idea but I also tried to humanise it so there’s this couple who are the narrative of the song and that was one way for people to understand this relationship [between humanity and the environment].”

Brad Butcher is heading out on tour with Felicity Urquhart from next week – the full list of dates are here:

Thursday 16th May – Merri Creek Tavern, Melbourne, VIC
Friday 17th May – House Concert, Torquay, VIC
Saturday 18th May – House Concert, Healesville, VIC
Sunday 19th May – Caravan Club, Melbourne, VIC
Saturday 25th May – The Music Lounge, Wollongong, NSW
Friday 31st May – Hardy’s Bay Community Club, Hardy’s Bay, NSW
Saturday 1st June – Acoustic Picnic, Dee Why, NSW
Saturday 22nd June – Cowora RSL, Cowora, NSW
Sunday 23rd June – House Concert, Carrum Downs, VIC
Saturday 13th July – The Pub, Tamworth, NSW
Friday 19th July – Milton Theatre, Milton, NSW
Thursday 19th September – Edge Hill Tavern, Cairns, QLD
Friday 20th September – Dalrymple Hotel, Townsville, QLD
Thursday 3rd October – Hamilton Hotel, Hamilton, QLD
Friday 4th October – Highfields Tavern, Toowoomba, QLD

Calexico and Iron & Wine – “Midnight Sun”

The ongoing collaborations between Calexico and Iron & Wine are some of my favourite in the folk music world. The artists have a joint album, titled Years to Burn, due on the 14th June and “Midnight Sun” is the latest single from it. The track combines Iron & Wine’s haunting lyrical style with Calexico’s deep cut traditional and Americana influences to create something really specia.

Clio – “Silly Girls”

Melbourne singer-songwriter Clio returns with her lush new single “Silly Girls”, a comment on the trivialization of women in the music industry. I’m loving the layers in this track, with the harmonies building through the bridge and into the chorus.

“This is a song for anyone whose love of silliness and absurdity has ever been hijacked and used as a pretext to reduce, rein in and patronize; for all the ‘silly girls’ who have been made to feel trivial, given help they didn’t want and advice they didn’t need,” Clio explained. “I wrote it for myself and to encourage all those girls to embrace the joy and strength of their silliness and LAUGH at anybody who tries to change them.”

Clio is launching her new single with a handfull of upcoming shows – the full dates are below:

Tuesday 4th June – The Grace Darling, Melbourne, VIC
Sunday 9th June – The Bridge Hotel, Castlemaine, VIC
Sunday 16th June – The Union Hotel, Sydney, NSW

Emma Russack – “Winter Blues”

The title track from singer-songwriter Emma Russack’s upcoming fifth album Winter Blues (due on the 5th July) has just been released and it’s stunning. The track’s stripped back accompaniment compliments Russack unique vocals and invokes the sombre themes of the song.

“Thematically, the songs deal with love, loss and confusion in the context of a fairly confusing, complex world,” Emma Russack said of the upcoming album. “The songs pose many questions but refuse to give answers, and that’s the way I like it. That is not to say that the songs aren’t hopeful; they are – but it is my hope that the listener can engage with the songs freely, answering (or not answering) the questions for themselves in relation to their own lives and experiences.”

Garrett Kato – “Where the Vampires Hide”

Australian-Canadian folk-pop singer-songwriter Garrett Kato has gifted us with another live track, this time the stunning “Where the Vampires Hide”. This track, along with his previous track “River Mouth” will appear on Garrett Kato’s upcoming EP Distant Land which is due on the 14th June.

“It is a track about those things in your life that you feel are sucking your soul a bit. Pulling away from who you are. The vices that we sometimes can’t get a hold of that hide them selves in this mythological place like where the vampires are,” Kato explained.

Hayden Calnin – “Of Collingwood (Reworks)”

Electro-folk producer and singer-songwriter Hayden Calnin has released new reworkings of three of his songs: “Coward”, “Caution Cares” and “For My Help”. Each of the tracks are a different take on the original songs and not only show off Calnin’s skills as a producer, but also just how good the bones of these songs are.

“Musical reworks are something that in one way or another I’ve always done,” Hayden Calnin explained. “With a lot of my existing songs, they’ve gone through about 3 or 4 different versions of it before I ever release them. I like to try all angles on any song and try to make it fit into my world as best I can. These 3 tracks, were beginning to get a little dated and I hadn’t thought about them in quite a while, so getting back in to the emotional state that I was in while writing them was quite challenging. That being said, it was a brilliant exercise and a chance to give them some new life and a new sound”

Lucy Roleff – “Sometimes Do”

Melbourne harpist and folk singer Lucy Roleff delivers her haunting new single “Sometimes Do”. The track is taken from her upcoming album Open in a Room which will be available this week. This song seems so otherworldly – its the type of track that makes me want to close my eyes and emerse myself in – but from a lyrical point of view it’s very grounded in the here and now. Beautiful stuff.

Mumford & Sons – “Devil In Your Eye”

So you may not know that there’s a “music inspired by Game of Thrones” album titled For The Throne and its not good. But if you’re willing to look past the questionable RnB tracks detailing the exploits of Jon Snow and co you do stumble across the occasional gem, including this inclusion from Mumford & Sons. As I mentioned last week, when Mumford & Sons return to their acoustic roots their music is a lot more palatable, and “Devil In Your Eye” is a lot more classic Mumford than it is recent Mumford

Paul Kelly & Dan Sultan – “Every Day My Mother’s Voice”

When you have an artist of the calibre of Paul Kelly teaming up with the equally amazing Dan Sultan it’s hard not to sit up and take notice. This collaborative track, written by Kelly, is taken from the documentary film The Final Quarter which documents the final three years of champion AFL footballer and Indigenous leader Adam Goodes.

Stella Donnelly – “Die”

Indie pop favourite Stella Donnelly gifted us with her latest single and video, “Die” – a sugary sweet track with definite dark undertones. The song is taken from Donnelly’s debut album Beware of the Dogs.

Having just completed a successful run of shows overseas Stella Donnelly is back on home soil and has bunch of shows coming up in the next few weeks including feature shows in Sydney’s VIVID festival and a support slot with Maggie Rogers – full dates are below:

Tuesday 21st May – The Astor Theatre, Perth, WA
Thursday 23rd May – Festival Hall, Melbourne, VIC
Saturday 25th May – Thebarton Theatre, Adelaide, SA
Monday 27th May – The Enmore Theatre, Sydney, NSW
Tuesday 28th May – Sydney Opera House, Sydney, NSW
Tuesday 28th May – Sydney Opera House, Sydney, NSW
Wednesday 29th May – Sydney Opera House, Sydney, NSW
Thursday 30th May – The Tivoli, Brisbane, QLD

The Head And The Heart – “People Need a Melody”

“People Need a Melody” is the third single from The Head And The Heart’s upcoming album Living Mirage which is set to be released this Friday 17th May. What The Head And The Heart do best is craft timeless sounding pop songs, taking the storytelling aspects of folk music and combining them with hooks and choruses that are ripped directly from the acoustic rock of the 1970s. I can see this song soundtracking a Cameron Crowe movie.

The Teskey Brothers – “Hold Me”

The buzz around Melbourne band The Teskey Brothers is undeniable and its easy to see why with their latest single “Hold Me”. With their sound mostly stripped back to its bare minimum – harmonising vocals, foot stomps and body percussion for the most part – “Hold Me” is magical. The track is taken from their upcoming album Run Home Slow, due on the 2nd August.

The Teskey Brothers are currently on a mostly sold out tour of the east coast – if you have tickets catch them at one of these upcoming shows:

Monday 13th May – The Gasometer Hotel, Melbourne, VIC
Tuesday 14th May – The Night Cat, Melbourne, VIC
Thursday 16th May – Northcote Social Club, Melbourne, VIC

Tobias Hengeveld – “Separation Street”

Melbourne singer-songwriter Tobias Hengeveld celebrates the release of his new album Naughts & Ones with his brand new single and video “Separation Street”. The video’s retro roller skate vibe sits really well with the old school sounds of the track – not as folky as some of Hengeveld’s other work but we’re digging it all the same.

If you like what you’re hearing Tobias Hengeveld has a couple of album launch shows in Victoria that you don’t want to miss:

Sunday 19th May – The Bridge Hotel, Castlemaine, VIC
Sunday 9th June – The Gaso Bandroom, Melbourne, VIC

Watch the New Video from The Bushwackers, “Waltzing Australia”

The Bushwackers
Image Courtesy of The Bushwackers

Legendary bush band The Bushwackers have released the video for their new track “Waltzing Australia”. The video features guest vocals from the likes of Sara Storer and John Williamson alongside The Bushwackers’ Dobe Newton as well as a “bush choir” of backing vocals from some of Australian country and folk musics biggest names.

Check out the video below and see how many faces you recognise:

The Bushwackers will be making their way up to Tamworth for the Tamworth Country Music Festival this month. If you’re in town for the festival make sure you check out one of their shows:

Saturday 20th January – The Longyard, Tamworth, NSW
Sunday 21st January – The Dag Sheep Station, Nundle, NSW
Tuesday 23rd January – Tamworth Town Hall, Tamworth, NSW
Thursday 25th January – Shoppingworld, Tamworth, NSW
Friday 26th January – The Longyard Hotel, Tamworth, NSW
Saturday 27th January – The Longyard Hotel, Tamworth, NSW
Sunday 28th January – The Longyard Hotel, Tamworth, NSW

Adam Eckersley and Brooke McClymont Announce Album and Tour

Adam and Brooke
Image Courtesy of Adam Eckersley and Brooke McClymont

Australian country music giants Adam Eckersley (Adam Eckersley Band) and Brooke McClymont (The McClymonts) are coming together with the announcement of their self titled duo album Adam & Brooke, due on the 9th February.

The husband and wife duo recently released their debut single and video “Train Wreck” which you can watch here:

To celebrate the release of Adam & Brooke, Adam Eckersley and Brooke McClymont are heading out on a huge tour through the first half of 2018, with more dates still to be announced. The full list of shows announced so far are below:

Friday 9th February – Rooty Hill RSL, Rooty Hill, NSW
Saturday 10th February – Coast Hotel, Budgewoi, NSW
Friday 23rd February – Heritage Hotel, Bulli, NSW
Saturday 24th February – Southern Cross Club, Canberra, ACT
Friday 2nd March – Armidale Ex Serviceman’s Club, Armidale, NSW
Saturday 3rd March – Southwest Rocks Country Club, Southwest Rocks, NSW
Thursday 8th March – Lefty’s Old Time Music Hall, Brisbane, QLD
Friday 9th March – Lone Star Tavern, Gold Coast, QLD
Saturday 10th March – South Acacia Sports Club – Brisbane, QLD
Friday 16th March – The Pelican Playhouse, Grafton, NSW
Saturday 17th March – The Pelican Playhouse, Grafton, NSW
Friday 6th April – Young Services Club, Young, NSW
Saturday 7th April – Civic Theatre, Wagga Wagga, NSW
Thursday 12th April – Toff in Town, Melbourne, VIC
Friday 13th April – York on Lilydale, Mt Evelyn, VIC
Saturday 14th April – Gateway Hotel, Geelong, VIC
Thursday 26th April – Brass Monkey, Cronulla, NSW
Friday 27th April – Leadbelly, Sydney, NSW
Sunday 29th April – Oaks Hotel, Albion Park Rail, NSW
Friday 11th May – Brothers Leagues, Cairns, QLD
Saturday 12th May – Dalrymple Hotel, Townsville, QLD
Sunday 13th May – Mt Pleasant Tavern, MacKay, QLD
Tuesday 15th May – Glenmore Tavern, Rockhampton, QLD
Wednesday 16th May – Hervey Road Tavern, Gladstone, QLD
Thursday 17th May – Melbourne Hotel, Bundaberg, QLD
Friday 18th May – Caloundra RSL, Caloundra, QLD
Saturday 19th May – Highfields Tavern, Toowoomba, QLD

Bluegrass @ Yulli’s Announces Annual Bluegrassified UNHCR Fundraiser

Whoa Mule
Image Courtesy of Whoa Mule

Sydney jam night Bluegrass @ Yulli’s is all set to hold its annual UNHCR Fundraiser at Yulli’s in Surry Hills on the 15th November this year.

Following on from last year’s super successful “Bluesgrassified” theme, where a number of Bluegrass @ Yulli’s feature artists covered popular songs in a Bluegrass style, this year we’re going to be getting bluegrass versions of classic country music. Think Patsy Cline, Johnny Cash, Dolly Parton, Hank Williams, Loretta Lynn and beyond.

The Bluegrassified country classics will be presented on the night by the likes of Whoa Mule (above), Shelley’s Murder Boys, Flat Rock Boys, Simone East and more to be announced.

Entry to the night is free and all of the artists are donating their time. Yulli’s will be donating towards the night and the audience will be asked for donations throughout the night to support UNHCR.

As always Bluegrass @ Yulli’s kicks off with an all-in jam at 6pm followed by the performances from 8pm. For more information check out the official Facebook event here.

Listen to the New Single from The Bushwackers “Waltzing Australia”

The Bushwackers
Image Courtesy of The Bushwackers

The latest single from The Bushwackers’ new album The Hungry Mile is the song “Waltzing Australia”.

Written by singer-songwriter Colin Buchanan about the migrant experience, the track features guest vocals from Sara Storer and John Williamson alongside Dobe Newton.

Check out “Waltzing Australia” below:

Listen to the New Peasant Moon Track “Our Timing Was Wrong”

Peasant Moon
Image Courtesy of Peasant Moon

Sydney (and sometimes Chicago) based alt-country duo Peasant Moon have just released their brand new single “Our Timing Was Wrong”.

The track, the first from an upcoming EP, was recorded at Love Hz Studio with producer Michael Carpenter and features Peasant Moon with a full band. “Our Timing Was Wrong” is full of classic country waltzing and swagger tempered with the duo’s melancholic sound.

“This song heralds a foray into a more traditional country genre for Peasant Moon on our upcoming EP,” singer and guitarist Harvey Russell explained. “But from a songwriting perspective, we’re still dark, moody and steeped in heartbreak.”

Take a listen to “Our Timing Was Wrong” here:

Bluesfest Review: Monday Monday

St Paul & the Broken Bones at Bluesfest. Photos by Stuart Bucknell Photography

It’s the final day of Bluesfest and emotions are a mixed bag of excitement for what ahead, sadness that it’s ending and a bit of relief from the continual stimulation and inspiration from so many amazing artists.

We have to see Blind Boy Paxton again after last year’s show, so we’re here at 1:30pm at the Delta stage as Paxton starts on the keyboard with a sound sentimental to the golden age of Hollywood, a delightful dash of honky tonk and and old times blues sensation. With a dextrous trill of the keys, he has us all enthralled. Paxton says he’s starting off easy “as you all partied to hardy at the festival” last night, and we all laugh, evidence of how he easily builds rapport with the crowd with delightfully timed jokes and comments. He quips “Y’all let me sit off centre [of the stage] and not tell me. Is there anything on my face!?” and breaks in to a huge grin, we chuckle and settle in to enjoy his acoustic guitar dripping in old time blues. The twinkle of his eye matches the twinkle of the guitar strings before he pulls out the harmonica for a spirited performance with rhythm sticks, which keep the momentum going as he sings the refrains.

As fans of early 2000s rockers, Jet, we thought we’d better check in at Crossroads stage to see where the band’s Nic Chester is at these days, and for a 2:15pm chill out, we’re not disappointed. A delicious blend of indie rock and blues soaked riffs greets. His signature vocals hammer home his comfort and familiarity on stage, bringing the crowd in to the fold of his stories.

At 3pm we wander to the Jambalaya stage for Tony Joe White and the crowd erupts in applause as the legend takes to the stage. It seems appropriate at Easter to have a voice as deep and smooth as chocolate smother you in blues, and we all revel in its seductive tones. White rumbles along like percolating coffee, earthy, enticing and altogether satisfying with tones and tales.

After yesterday’s teaser, we decide to head to Delta stage at 4:30pm to see more of Lloyd Spiegel than a passing glimpse. It’s clear pretty quickly that Spiegel is a tongue in cheek wit as he jests that he “might as well tune my guitar on stage” before showing off fingers moving so fast there we half expect to see smoke rising from the fast finger friction! Clearly this set should have come with a warning sign! Amazing sounds stream out of one guitar, the likes equivalent of multiple guitars, and a stomp box the stamp out a hectic beat. Just as we think it’s reached it’s peak, Spiegel unleashes a laconic voice that dances with his guitar string. Ever the comedian, stories are told between songs making us all laugh. Did you know “the Queen thinks he world smells like fresh paint? Because everywhere she goes has been freshly painted!” And blues isn’t safe as he declares “Jeff Lang has never seen a guitarist play to their full capacity because they all shit themselves when he walks in!” His infectious sense of humour has the crowd in stitches and his ferocious fret work has us all in awe. If you want a real laugh, ask his about the guy who “won” the guitar in the raffle – the story is a corker!

As 5pm rolls around we dash to see St Paul & The Broken Bones at the Mojo stage. Their set flawed us last year and this year they’re up there as a must see! With a pre-recorded intro like something out of old Hollywood, but overtaken by old soul, the melody acts like siren song luring people in to join the crowds eagerly anticipating their show. After their 2016 roustabout style performance, this year they deliver a much more soulful and serene performance. The crowds are absorbed, transfixed and transported to another time through the multilayer musings, the sultry, emotive dalliances, and the standing ovation inspiring instrumentals. As we’re all lulled in to their rhythm, they segue in to an upbeat and energetic full band piece laden with funk, just to wake up all of our senses and have us all moving to the beat!

Noticing a name we recognise, Ashleigh Mannix, as part of the folk-grunge duo line up for Little Georgia, we head to Juke Joint to catch their 6pm set. We’re greeted with “This Old House” in sublime harmonised vocals and one-two combination of an acoustic and an electric guitar working together like the best sweet and sour you’ve ever tasted. Delivering an electrified indie vibe with a side of dirty grunge, the duo still trips lightly along the line between acoustic sensibilities and a fully electric sound. The instruments sonically dance together rather than battling for supremacy and a gutsy, punchy opening cements them within the minds of the crowd. Mannix’s vocals offer a depth of tone and nuance, highlighted by Carter’s higher pitched twang. Together they have an intimacy on stage that connects the two yet invites the crowd in to fully experience the counterpoints of lyrical progression. As they both switch to acoustic guitars, the difference has a significant change to their sound and vibe creating a very upbeat and organic sound. Their set wanders deeply in to the folk and indie realms, revels in its joyousness, crosses in to mournful lament, a sentimental melancholy with the sweetest treatment musically, and dives back in to the grunge element seamlessly. Definitely an act to keep an eye on!

We decide to venture to the Craft Beer Bar and grab a stool out the front to catch some of Kasey Chambers‘ 6:45pm set at Crossroads stage. She has everyone singing, even the guy in the crowd sporting a full beard and passionate rendition of “Not Pretty Enough”. Chambers charms the crowd with her deliciously harmonised songs where country meets blues and spell binding rendition of crowd favourites.

Since it’s the last night, and we saw Sir Rosevelt the other night, we figure we should go and catch Zac Brown Band at 8:15pm on the Mojo stage. Our first reaction? “Holy shit!” That rumbling guitar opening and a whole bunch of country style toe tapping, hand clapping, clear plucking, good-time hoe-down style cacophony hits us like a wave, picking us up and taking us on a wild ride. There is wild fiddle tearing the house down with an electric boost smashing “Whiskey’s Gone” in to the ether. Lead singer Brown has the crowd in palm of hand, we’re cheering at the intro and singing along in a heartbeat, whether we know the words or not. A full spectrum performance where we traverse the upbeat, the solemn, the optimistic, heartfelt and the lamentful touch points of life. And to top it off, for the second time this festival, we are treated to a spirited cover of Bohemian Rhapsody.

To finish the night, and bring our festival to an end, we swing by the Delta stage at 9pm to witness The Record Company. Reminiscent of Ash Grunwald’s vigor with harmonica, distorted mic but with a kicking bass guitar and hefty drums backing up. As a delectable counterpoint, the fine harmonica trills are the main instrument when lead singer Vos is not singing. A powerful rock crescendo to finish our Bluesfest experience.

If you think you’d like to head to Bluesfest 2018, early bird tickets are now available to buy at heavily discounted prices. Essentially, every time we’ve ever been, it’s guaranteed a great line up and festival. If you’ve never been, do what you can to make it one year!

Trip back over our full weekend at Bluesfest:

5 Things We Learned at Bluesfest 2017
Bluesfest Review: Good Friday is a fine day!
Bluesfest Review: Saturday Celebration
Bluesfest Review: Sweet Sunday

Head to our Facebook Page to see our full collection of photos from the festival

Highlights from Monday at Bluesfest

This slideshow requires JavaScript.

Listen to the New Raised By Eagles Single “Shape & Line”

Raised By Eagles
Image Courtesy of Raised By Eagles

Melbourne based country-rock band Raised By Eagles have just released their new single “Shape & Line”. The track is the first taste from the band’s highly anticipated third album and points to a bigger more electrified sound.

Check it out here:

Raised By Eagles are heading out on tour this May and June supporting Mick Thomas – check out the full dates here:

Friday 19th May – Thornbury Theatre, Melbourne, VIC
Saturday 20th May – Suttons House Of Music, Ballarat, VIC
Sunday 21st May – Capital Theatre, Bendigo, VIC
Saturday 27th May – Wheatsheaf Hotel, Adelaide, SA
Sunday 28th May – Wheatsheaf Hotel, Adelaide, SA
Friday 2nd June – Leadbelly, Sydney, NSW
Saturday 3rd June – Lizottes Restaurant, Newcastle, NSW
Saturday 17th June – Caravan Music Club, Oakleigh, VIC

« Older entries

%d bloggers like this: