The Best Folky Christmas Songs of 2017

Christmas Cats

It’s Christmas Eve which means its time to publish our favourite Christmas tracks released this year with a folky flavour.

Have a wonderful Christmas everyone! Looking forward to folking with you in 2018

Amber Lawrence – “Aussie Aussie Christmas”

Jennifer Hanson – “Only Thing I Really Need”

Balsam Range – “Christmas Lullaby”

Paul Mosley & the Red Meat Orchestra – “Wintersun”

Bradley Palermo – “Christmas In Las Vegas”

Courtney Marie Andrews – “I’ll Be Home For Christmas”

Lori McKenna – “Mama’s Cooking”

Sera Cahoone – “Last Christmas”

Phoebe Bridgers – “Have Yourself A Merry Little Christmas”

Amilia K Spicer – “Love’s For Living”

Audio Mozaik – “(They Say) It’s Christmastime”

SUSTO – “Feliz Navidad”

Okkervil River – “What Friends Do”

Rich Krueger – “And It’s That Time Again”

Katie Garibaldi – “Silent Night”

Gregor McEwan – “Home For Christmas”

Butch Parnell – “Have Yourself A Merry Little Christmas”

Renée Jonas – “My Man In Red”

Kate Rusby – “Deck the Halls”

Emma Charleston – “O Holy Night”

Waterloo Revival – “All I Want for Christmas”

Edan Archer– “It Just Wasn’t Christmas”

Prosecco Socialist (David Rotheray, Eleanor McEvoy & Mike Greaves) – “This Dog’s Just For Christmas (Not For Life)”

Catherine McGrath – “All I Want For Christmas Is You”

Lisa Prank & Seattle’s Little Helpers – “All I Want For Christmas (Is To Be With You)”

Kitty, Daisy & Lewis – “Just One Kiss”

The Emerald Ruby – “Here Comes Santa Claus”

Lindsey Stirling – “Dance Of The Sugar Plum Fairy”

Pentatonix – “Away in a Manger”

The Heathen and the Holy – “When Christmas Comes Around”

Licking the Moose – “Longing For Snow”

Skinner and T’witch – “I Don’t Want an iPad (I Just Want World Peace)”

Michael Carpenter – “Another Xmas Song”

Kina Grannis and Imaginary Future – “Let It Snow”

mhm. – “White Winter Hymnal”

O’Hooley & Tidow – “We Sing Hallelujah”

Ryanhood – “Sleigh Ride”

Tesse – “Fat Man In A Red Suit”

The Heather Findlay Quartet – “The Snows That Melt The Soonest/Gaudete”

James Hoffman – “Go Tell it On the Mountain”

Blake Flattley – “Silent Night”

The Human Uniform Choir feat. Julianna Zachariou, Joelton Mayfield, tinkers, Dennis McCarke – “Happy Xmas (War is Over)”

Emma Huntington and Hunter Montgomery – “Once in Royal David’s City”

Villagers – “White Christmas”

Jeff Tweedy, The Staves, Sarah Jarosz, Punch Brothers, Rich Dworsky and Ted Poor – “Fairytale of New York”

Timber and Steel’s Artists’ Top Albums of 2017

Record Collection

Always our most popular post of the year! Once again we’ve sent out the request to the incredible community of folk and acoustic musicians covered on Timber and Steel and they’ve responded overwhelmingly with their favourite albums of 2017.

We’ve already given you our top 25 albums and EPs – now we turn it over to the artists. So much new music still to discover! So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2017.

Sarah BelknerAlison Avron
Sarah BelknerBut You Are, But it Has
This album release was a long time coming and it was totally worth the wait. The lyrics are so easy to relate to, the production is sophisticated, warm and intriguing. Sarah’s voice and songwriting are absolutely sublime.

Gretta ZillerMichael Carpenter (Carpenter Caswell)
Gretta ZillerQueen Of Boomtown
Apart from having one of the most honest and accomplished voices in the Australian alt-country world, Gretta Ziller has developed into a world class writer in the genre. This album showcases how far she’s come in such a short time, combining her take on contemporary writing, with the amazing production of Paul Ruske. The album is strong and sensitive, ballsy and ambitious, without losing any of the heart you’d expect with the songwriting content. An outstanding release from an artist who has truly arrived, and drawn a line in the sand for the genre.

The East PointersÁine Tyrrell
The East PointersWhat We Leave Behind
What an impossible task, top albums, as I am only just sinking my teeth into so many of the amazing 2017 albums at the moment like Jen Cloher’s Jen Cloher, Declan O’Rourke’s Chronicles of The Great Irish Famine and so many more. But one album that has been top of my play list since release has been The East Pointers’ What We Leave Behind and I never tire of it, which is a sign of a great album. This album has great depth to it musically, lyrically and in production. There is a stunning simplicity to the way the three lads work together that creates a joyous sound much bigger than a three piece and I think they have captured it on CD which is sometimes hard to do. I love that they have been able to honour and respect their tradition and push its boundaries into some modern places. One of the stand out tracks for me is their co-write with Liz Stringer, “82 Fires”.

SOHNRosie Evelyn (Liam Gale and The Ponytails)
SOHNRennen
The general vibe is darkly sexy future blues, with simple, soulful vocals, driving percussion, major synth, and just enough movement to keep you going. A little bit James Blake, a little bit Allan Rayman.

Jed RoweLes Thomas
Jed RoweA Foreign Country
This album grabbed me instantly with the strength of its songwriting, quality of musicianship and directness of emotion. Very few songwriters I know can deliver the goods as writers and players like Jed can. The song “Tailem Bend” – a small town story with universal resonance – shows the level of accomplishment and expression he’s achieved and it’s a beautiful thing to hear.

Stu LarsenAMISTAT
Stu LarsenResolute
Not only is Stu a beautiful human being but also an incredible singer songwriter! Every song on this album is just beautiful and comes from a very honest and humble place.

Mexico CityM.E. Baird
Mexico CityWhen The Day Goes Dark
Why? Because they represent the real deal to me – no ego, no frills, no pretense, just damn good songs and tunes.

Hiss Golden MessengerBrooke Russell and the Mean Reds
Hiss Golden MessengerHallelujah Anyhow
There’s something about MC Taylor’s voice that makes me so happy. I’m fairly new to his music and while I’m diving into his back catalogue, this new one has arrived and I’m in love. Beautiful band sound, fab songs – something sentimental in it that feels warm to me. My rekkid for the summer!

Ryan AdamsRyan Oliver (Oliver’s Army)
Ryan AdamsPrisoner
I love that it’s a revered, adored singer-songwriter at the top of his fame, dealing with genuine emotions and pain in the public spotlight. It may be tragic, it might be self inflicted, but I still feel like he’s a true artist who is his own worst enemy and that comes across in his heart-break ballads.

The Homeless Gospel ChoirFrank Turner
The Homeless Gospel ChoirNormal
I’ve been doing shows with Derek in Pittsburgh for a few years and he’s always been good, but this record is the sound of an artist finding his voice and spreading his creative wings. It’s been absolutely jammed in my stereo since I got hold of it.

Brooke RussellKelly Day (Broads)
Brooke Russell and the Mean RedsThe Way You Leave
This year one album really ticked all my boxes – which sounds too clinical really for something that made me splashy cry while I was driving. I particularly love that it sits outside the kind of music I tend to lean towards, but great albums are often the ones that transcend your usual inclinations. Brooke has absolutely NAILED it with this release. Stunning production, exquisite songwriting, and the most luscious, authentic, rich voice that feels like someone blowing softly on the back of your neck.

Gretta ZillerMandy Connell
Gretta ZillerQueen Of Boomtown
Put together with care and love, produced beautifully, and full of arrangements that feel perfect, unpredictable and just right. Every song inspires a depth of feeling, making it a really rich listen all the way through.

Offa RexMackenzie Shivers
Offa RexQueen of Hearts
Being a true lover of Celtic music, this album inspired me as an artist more than any other. From quirky folk-rock (“Queen of Hearts”) to haunting ballads (“The First Time I Ever Saw Her Face”), there is just enough variety of instrumentation and mood to keep the listener completely captivated. And Olivia Chaney’s voice is arrestingly beautiful. Favorite track: “The Old Churchyard”

Fanny LusdenMelody Moko
Fanny LumsdenReal Class Act
I love the way Fanny has cemented her unique way of writing with the record, her blend of social commentary, vivid imagery and Australian culture is unlike anyone else. The production is lush and thoughtful and brings the album together beautifully.

Moses SumneyTulalah
Moses SumneyAromanticism
Choosing a favourite album is a hard ask, the first one that comes to mind (probably because I’m currently listening to it) is Moses’ masterpiece, Aromanticism. It’s impeccably well constructed; colour, texture, mood, feel, groove – it ticks all of the boxes and ticks them damn well.

The War On DrugsThe Once
The War on DrugsA Deeper Understanding
A super strong, sonically rich and atmospheric follow up to previous album, Lost in the Dream. Sounds like Ryan Adams, Bryan Adams and Bruce Springsteen adopted a kid in the seventies and this is the result of that happy home.

Jason IsbellBrad Butcher
Jason Isbell & the 400 UnitThe Nashville Sound
To make my decision for album of the year I simply refer to which album I’ve listen to most. It’s an easy choice really – The Nashville Sound by Jason Isbell & the 400 Unit. All class as usual, amazing sounds all throughout the record and Isbell’s songwriting is up there with the best of the best.

Jed RoweCat Canteri
Jed RoweA Foreign Country
Jed paints a beautiful and lush portrait of predominantly Australian characters and landscapes, past and present on this record. The depth of field and attention to detail in his songwriting is just wonderful and comes across as completely effortless. Sonically the album is paired back, which allows the strength and quality of the songs, performances and Jed’s voice to shine. If I can write a song like “Where The Water Meets The Sky” or “Tailem Bend” some day, I’ll be well pleased.

LordePepi Emmerichs (Oh Pep!)
LordeMelodrama
Melodrama hits me in the heart every time. It’s lush, poignant, groovy and the songs make me think, all the while being incredibly catchy. Those are pretty much most of my favourite things in music!

TajMoLloyd Spiegel
TajMo: The Taj Mahal & Keb’ Mo’ BandTajMo
The first time I heard Keb’ Mo’ I said “Man, this guy should sit in with Taj”. It’s about time they listened to me. Both these artists have the rare ability to modernise the blues genre while still giving it’s roots and traditions their rightful respect. Combined, this CD hit a nerve with me, in particular the gutbucket tracks “Don’t Leave Me Here” and “Diving Duck Blues”. Really though, you can’t put those two in a room and expect anything less.

Valerie JuneEmily Barker
Valerie JuneThe Order of Time
I learned about Valerie June on my trips to Memphis as she lived there for many years and has worked with a lot of the musicians I know out there. I heard “Long, Lonely Road”, the first song on the record, and I knew from then on I was going to love it. There’s so much space in the recordings and her unusual but beautiful vocals grabbed me instantly. I love how the production and her songs seamlessly blend a mix a folk, soul, pop and desert blues. It sounds fresh and cool, powerful and feminine.

The Ahern BrothersJoel Barker & The Low Company
The Ahern BrothersThe Ahern Brothers
Charming and insightful songwriting combining two voices made to sing together. Deserves to be in front of the masses. Astonishing live performances to boot!

Cigarettes After SexHusky
Cigarettes After SexCigarettes After Sex
It’s a fog of romance and nostalgia you can’t help but get lost in. Reminds me of being 16 and love sick, listening to Mazzy Star.

Lisa KnappSam Lee
Lisa KnappTill April Is Dead – A Garland of May
English folk singer Lisa Knapp has captured in this album a stunning insight into the melodic and archaic realms of May-time when all of England is blooming and the sense of ancient rites and mysticism is emerging from the dark winter. It’s an album that casts a rich and hauntingly magical spell and gives that sense of contemporary ancientness that all good folk singers are masters of.

Greg StepsFour In The Morning
Greg Steps & The Not For ProphetsThe Overland
There have been a lot of great releases this year, but our favourite from around Melbourne has to be The Overland by Greg Steps. The songs just scream of someone who has worked hard at honing their craft. Tightly woven lyrics painting little snapshots of Australia, from early morning walks in Melbourne to trains clattering across Queensland. It’s all underlaid with a warm, folky vibe that feels authentic without being derivative. The stand out track for us is “Famous Last Words”. It’s a folk song in the true sense of the word and weaves together thoughts on fame, colonialism, and folk heroes. It also introduced us to the amazing story of Breaker Morant.

Novo Amor and Ed TullettWildwood Kin
Novo Amor & Ed TullettHeiress
This is the perfect album to listen to when in need of some peace and tranquility amongst a busy schedule. They have released a set of live performance videos that capture their sound together so well; the two voices blend harmoniously together, creating an unbelievable sound of completeness and perfection. You can’t help feeling relaxed when hearing their music!

Leif VollebekkRiley Pearce
Leif VollebekkTwin Solitude
You know how people say they’ve had this CD in their car and have listened to it on repeat since they got it and you’re like “yeh right, no you didn’t”. Well now I understand that feeling. This album is everything. It’s emotive, it’s clever, it’s stripped and simple and it’s f#@king great!

The Teskey BrothersPaddy McHugh
The Teskey BrothersHalf Mile Harvest
When I first heard the track “Crying Shame” I thought that I was listening to a bunch of old African American soul men from Memphis. Then I saw a picture of the band and thought I was listening to a bunch of young white soul dudes from Memphis. Then I read they are from bloody Warrandyte in Victoria. I invited them to play live on my radio show Three Chords & The Truth and they absolutely killed it. Since then I have had the pleasure of playing on a few bills with them and can also report that they are top blokes to boot.

Big TheifFraser A. Gorman
Big ThiefCapacity
Adrianne Lenker is easily the most eloquent and beautiful songwriter I’ve heard in years.

Neil McSweeneyJon Boden
Neil McSweeneyA Coat Worth Wearing
I’ve chosen an album by Neil McSweeney, a stalwart of the Sheffield scene for many years. A Coat Worth Wearing is a fantastically literate collection of songs beautifully arranged and produced, and displaying the talents of a brilliant band of musicians including renowned folk stalwarts Ben Nicholls and Sam Sweeney. It’s an excellent album on so many levels and definitely my pick for album of 2017.

YirrmalKetch Secor (Old Crow Medicine Show)
YirrmalYoungblood
I met Yirrmal Marika in Melbourne at the Australian Americana Honors Awards this past October. Yirrmal stole the show. He is a culture man. I picked up Yirrmal’s new EP Youngblood; it is the best Americana record I heard all year long. It’s got 50,000 years of soul. Crank it up.

Nadia ReidTaryn La Fauci
Nadia ReidPreservation
This record was on repeat for many many months in my car this year. I had really been craving an exquisite, cohesive and beautiful album that I could fall for, hard. This album did all of that and more, which is why it is my album of the year for 2017. I also got to see Nadia play in Sydney at The Golden Age Cinema in April and the show was stunning, it made me want to run home and learn how to play my guitar with that kind of verve.

Ryan AdamsImogen Clark
Ryan AdamsPrisoner
This album sounds to me like beautiful chaos and distress. Ryan Adams has a way of tapping into human vulnerability and woe like I don’t think I’ve ever heard from another artist. This record is just another example of his way with words and melodies that together, form the most melancholy but simultaneously kick-ass comments on the human condition you’ll ever hear from any modern day songwriter.

Sgt PepperJames Daley (The Morrisons, Diamond Duck, Tawny Owl String Band)
The BeatlesSgt. Pepper’s Lonely Hearts Club Band – 50th Anniversary Edition
I feel a bit a strange choosing a reissue as album of the year, but who cares, it’s Sgt Peppers. After all the music I have listened to in my life, nothing has ever captured my imagination the way The Beatles have. It is the most astonishing body of work in pop music, the same way Bach is to classical music or Shakespeare to literature. I discovered The Beatles as a teenager after I got a copy of The White Album for xmas one year and my life has never been the same. Hearing all the remastered tracks and outtakes on this reissue was a wild journey and reinvigorated my love for this music in a way I hadn’t anticipated – I have been listening to The Beatles non stop since it came out, like I’m rediscovering it all over again. There are some absolute pearlers on this – the alternate takes of “Strawberry Fields”, “Lucy In The Sky” and “Day In The Life” are really interesting. Hearing how they built these songs into what we know and love is a fascinating process. However the most astonishing track is the instrumental take of “She’s Leaving Home”. Being able to hear all the subtlety, intricacy and beauty of George Martin’s arrangement for strings/harp was such a joy. A real masterclass in arranging – plus you can sing over and pretend you are Paul McCartney, ha.

The War On DrugsDirewolf
The War on DrugsA Deeper Understanding
Don’t you just adore things that need only a moment to take a firm grip around your mind, heart and/or soul? Like a one in a million barista made coffee or takeaway Thai? Not that I’m directly drawing comparisons between those things and what I consider to be a modern day classic album. However that is how my body reacted when the first second of “Up All Night” passed by. The unmistakable soundscape, verb soaked /grunge driven guitars, the synergy of acoustic/electronic driving “Dire Straights” percussion, Adam Granofsky’s/Bob Dylan’s often confused voices are but the tip of a very large and colourful iceberg that make up the record at large. We’re only supposed to be confined to one sentence, and since I’ve already profoundly broken that line I’m going to insist you put this record on in the background and see how long it takes you to stop needle poking around on the internet and gain A Deeper Understanding.

Scott CookLiz Frencham
Scott CookFurther Down The Line
I listen repeatedly to a lot of albums for my work as an accompanist. Rarely does such an album make it past that stage into my ‘listening
for pleasure’ category let alone become my favourite. But Scott Cook’s warm and beautiful Further Down The Line is one such album. It captures his arresting live delivery and the songs are rich in detail and real, visceral experience.

Dermot KennedyHarrison Storm
Dermot KennedyDoves & Ravens
I remember stumbling upon Dermot’s music on Spotify and instantly connecting with it. I became really intrigued with his music and read in an interview where he explains his sound as a cross between Bon Iver and Drake, which is pretty accurate. This EP is full of rich lyrics and interesting sounds and each listen uncovers a phrase or sound you may have missed in the previous listen. This EP definitely inspired me this year and I am looking forward to what he releases in 2018.

Laura CorteseThe East Pointers
Laura Cortese & The Dance CardsCalifornia Calling
If there’s one album we could pick from 2017, we’d have to choose California Calling by Laura Cortese & The Dance Cards. These girls are ridiculously talented (watching them perform live makes you want to go home, practice and write better songs). Their latest album combines Americana, trad, pop and folk so perfectly. Organic, yet slick. Can’t see how anyone wouldn’t like it!

FeistAinsley Farrell
FeistPleasure
Pleasure is so intimate and fragile, yet very powerful. It tugs at all my heartstrings. I recently got the chance to see her live performance at The Opera House and it blew me away.

Leif VollebekkDustin Tebbutt
Leif VollebekkTwin Solitude
My good friend Hayden Calnin introduced me to this guy over a late night whisky, and I have been listening ever since. The lyrics verge on stream of consciousness without being aimless, while vocally, Leif somehow manages to ride the line between being completely vulnerable and completely in control at the same time. Put this on top of some of the tastiest drum sounds I’ve heard in a long while, and simple but stunning keyboard playing, and you’ve got yourself one hell of an album. There are few bells and whistles, there aren’t really any production tricks or shoe shine here, just honest stories, and raw but precisely executed sounds.

Phoebe BridgersWilliam Fitzsimmons
Phoebe BridgersStranger in the Alps
I came upon Bridgers from my bandmate, who had done some touring with her and I was pretty caught up in it immediately. Her voice is special and there is a wisdom in her words beyond her young years. The most exciting thing for me, however, isn’t the album itself, it’s knowing that there is only more and even better from her to come. Listen to “Smoke Signals”.

The Mae TrioThe Northern Folk
The Mae TrioTake Care Take Cover
We finally caught The Mae Trio at Dorrigo Folk this year after hearing good things for so long, and they blew us away. This is the kind of album that reminds you of how amazing our folk scene can be- heartspoken, cleverly arranged, beautifully performed and catchy as anything. “Call Me Stranger” is a particular favourite of ours, but each song on this record is so strong.

R.L. BoyceDom Turner (The Backsliders)
R.L. BoyceRoll and Tumble
It is the second album from a man at the heart of the Mississippi hill country blues tradition. It contains all the style and swagger, grit and power that comes from a musician who sets perfectly gritty grooves overlain with heartfelt vocals to achieve maximum emotion.

The Button CollectiveJoe Glover (Shelley’s Murder Boys, The Backsliders)
The Button CollectiveHall on the Hill
This album has been on constant repeat in my car, my workshop, and my Spotify from the first day I bought it – so beautifully recorded so that you feel like you are in the room with them as they emotionally belt out fantastic songs written by Brodie and brought to life by a bunch of great musicians. Hall on the Hill is an absolute cracker of an album and I think I’ll be religiously listening to it for some time to come – perhaps until their next one is released.

Willie WatsonShelley Eves (Shelley’s Murder Boys)
Willie WatsonFolksinger Vol.2
This album is such a clear winner for me, I’ve had it on high rotation since its release. Once again Willie brought his own feel to some classic folk songs, from the delightfully joyful harmonies in “Samson and Delilah” to his haunting take on “Gallows Pole”.

All Our Exes Live in TexasJimmy Murray (Shelley’s Murder Boys)
All Our Exes Live in TexasWhen We Fall
Such a pleasure to finally hear this debut album after hearing the band grow and play over the past few years. What an amazing collection of songs and of course the incredible vocal performances from all 4 of these superstars. I really loved the production on the album as well by producer Wayne Connolly which added lovely colour to the beautiful songs. ARIA award winners 2017!

Kat GoldmanRuth Hazleton (Kate Burke and Ruth Hazleton, Bill Jackson)
Kat GoldmanWorking Man’s Blues
Nina Simone once said “It’s an artist’s duty … to reflect the times [in which we live]”. It’s been a fantastic year of new releases, though I’d like to highlight an album that nails the above brief and more. Canadian writer Kat Goldman’s Working Man’s Blues is challenging, at times fragile, brutally honest and incredibly insightful. Collectively, the songs explore contemporary working-class culture, often from the perspective of a lover who struggles to understand and accommodate the struggles of the working man. I’ve long been a fan of Kat Goldman’s writing. Her unique sound, mesmerising voice, distinctive compositions and feet-on-the-ground approach to her music make her a formidable artist of great integrity. Working Man’s Blues has been on high rotation here, and will be for some time to come.

Jed RoweBill Jackson
Jed RoweA Foreign Country
First thing that struck me about this record was the vocals and these songs provide a beautiful vehicle for a great voice. Next thing, the sparseness – the way I have been accustomed to hearing Jed over his journey. Jed Rowe has something to say – I admire that and this record puts him up there with the very best. Standout track for me is “Tailem Bend”. Beautifully produced by Jeff Lang.

Lilly HiattJames Allsopp (Ralway Bell)
Lilly HiattTrinity Lane
Picking one standout release for 2017 was pretty impossible in what was a year of exceptional music. Locally, Joel Barker and the Low Company’s Unchartered EP was a stand out. Otherwise, I’ve been talking up Lilly Hiatt since the moment I finished listening to Trinity Lane. Like all my favourite albums, it’s rooted in personal struggle, ebbs and flows perfectly, is filled with outstanding musicianship, and doesn’t try too hard sound like any one genre in particular. 10 stars!

Body CountMatt Black (The Bottlers)
Body CountBloodlust
Body Count’s sixth studio album Bloodlust emblazons a brutally honest sociopolitical conscience and fire eyed world view, teetering on the honed end of a pistol sight. I feel this is Ice T and band’s tried and true return to form with pinpoint, stand out tracks such as the narrative charged, “Black Hoody” and controversy ladened, “No Lives Matter”. A must listen for those thirsting for the truth beyond a media blurred world.

Bob DylanThe Welcome Wagon
Bob DylanTrouble No More – The Bootleg Series Vol. 13 / 1979-1981
You might call this choice dirty pool, as the music was recorded nearly 40 years ago, but it’s only now getting a proper release, so I’m technically in the clear. This is a collection of live tracks, demos, and outtakes from Bob Dylan’s so-called “Born Again” period, stuff folks (me included) have been downloading from various sketchy websites for years, and for good reason. The songs are great – check “Solid Rock” for a straight Gospel stomper, cue up “I Believe in You” for an arresting spiritual ballad – and so are many of the live performances (the backing choir is consistently blistering). Whether you’re a believer or not, Dylan clearly is here, and it makes all the difference.

The Mae TrioJohn Flanagan
The Mae TrioTake Care Take Cover
Sisters Maggie and Elsie Rigby have such beautifully contrasting songwriting styles, Maggie is a stone cold killer Americana writer and Elsie writes stunningly original melodies with uplifting pop hook choruses. With (no exaggeration) some of the best folk harmonies in the WORLD and Anita’s impressive rhythmic cello playing, this is a truly unique and heart-grabbing band and this album is them going all out with tasteful and at times epic production.

Georgia State LineNick Payne (Dear Orphans)
Georgia State LineHeaven Knows
These guys applied to play at the Americana Music Association of Australia’s takeover of Late Night Alt at Tamworth in January. Paul Heggart from The Heggarties chose them site unseen from the applications purely based on what he heard when he listened to their pre-release recordings of this album. Hailing from country Victoria these guys are a six piece featuring Georgia Delves on vocals, and songwriting. They’re all accomplished instrumentalists in their own right and Georgia’s songwriting authentically channels the best of sophisticated country songwriting from the 60s and 70s.

Fanny LusdenSam Buckingham
Fanny LumsdenReal Class Act
I’m not just picking this album because Fanny and Dan are two of my favourite people! This album is, as the title suggests, all class. Fanny’s songwriting is beautifully Australian and the album is joyful, brilliantly performed by all involved, and completely without any ego – despite the outstanding success these guys have been earning. Fanny gives us all a lesson on how to be a ripper indie artist and how to make music that’s undoubtedly, authentically, your own. Roll on kids

LCD SoundsystemEm George
LCD SoundsystemAmerican Dream
I was moderately (read as *very*) excited when there were rumblings of talk about a new album from these guys, but like anything that was laid to rest, one always is slightly concerned that the revival won’t live up to what has come before it. So when LCD Soundsystem released their new album, I cautiously gave it a first listen and it did not disappoint. Every beat and melodic turn is so completely in tune to what has become their signature sound; that build up of tension and release, excitement and sadness, with inflections of irony that James Murphy grabs the listener with in his choice of lyrics marked with wit. There’s a touch of darkness and melancholy as each song seems to question the ending of things, the loss of once was, but that bright spark of beat this band is known for keeps it somewhere higher and closer within reach, slightly unobtainable so you keep wanting to hear it on repeat from start to finish again and again.

Aldous HardingCharm of Finches
Aldous HardingParty
Party swept us off our feet. Moody and textural, impeccable production awash with aural spectres. Horizon is addictive and moving. Aldous’ compelling voice and haunting poetics have us in thrall.

The Teskey BrothersMark Wilkinson
The Teskey BrothersHalf Mile Harvest
Amazing vocals and killer tracks full of old school soul. Sounds like neat whiskey and smokey bars.

The NationalBANFF
The NationalSleep Well Beast
I eagerly awaited The National’s next record, after Trouble Will Find Me kept me wrapped me up in its flawlessness for the last four years or there abouts. This year Sleep Well Beast won me over, with Matt Berninger’s candid yet agitated words luring me back into that deeply thoughtful, emotional and hauntingly beautiful sound I would’ve always come back for. The National perfectly blend understated harmony with organised chaos throughout all of their records, and this was no exception by any means. The meticulous musicianship and purposeful, but somewhat ambiguous lyrics continue unravelling more layers to this beast in itself every time I listen. This was the best record of 2017 for mine.

LankumKarine Polwart
LankumBetween The Earth and Sky
I can’t get enough of the murky drone-scapes and vocal edges of Lankum’s Between The Earth and Sky. In particular, the raw, reedy singing of Radie Peat on album opener “What Shall We Do When We Have No Money?” sounds like the ages. It’s the absolute antithesis of sweet.

The Wood BrothersBen Prest (Echo Deer)
The Wood BrothersLive at the Barn
I know it’s a live album but this release was my first exposure to the brother’s amazing songs, chops and harmonies. Their sound owes a lot to The Band, and “the barn” is at Levon Helm’s farm where he held concerts before he died, making the fantastic closing cover of “Ophelia” and dedication on “Postcards from Hell” all the more meaningful.

Jess LockeHollie Matthew (Echo Deer)
Jess LockeUniverse
A revisiting of the 80’s Australian rock sound ala Go Betweens with more sadness and slacker vibe. Killer matter of fact lyrics and chorus-y guitar sounds. Even better live. 5 Stars.

SamphaSimon Wegman (Echo Deer)
SamphaProcess
I hadn’t been aware of Sampha’s previous EP releases, but after Shazaming “Blood on Me” while in a tragically trendy sneaker store, I was moved to hunt down the British singer and producer’s debut LP. Sampha Sisay’s sensitive, soulful vocals and meditative piano (reminiscent of James Blake at his best) form the backbone of this record, while the thoughtful production touches throughout make me want to hit “play” again the second it finishes.

All Them WitchesAlexi Grivas (Echo Deer)
All Them WitchesSleeping Through the War
The latest album by All Them Witches has been my most played record this year. A four piece from Nashville – but they aren’t a country band – All Them Witches is a great new-wave heavy psychedelic band, with moments of light and shade. This record has them growing as writers and players, bringing new instruments and sounds into the mix. Can’t wait to see it live.

Sam OutlawRick Hart
Sam OutlawTenderheart
Simple, yet endearing melodies, layered with beautiful storytelling. It’s an album that is strong from start to end, in many ways reminding me of some of the great traditional country songwriters whom I love. Favourite tracks are “Now She Tells Me”, “She’s Playing Hard To Get (Rid Of)” and “Bougainvillea, I Think”.

Courtney Marie AndrewsJames Ellis and the Jealous Guys
Courtney Marie AndrewsHonest Life
I knew what my favourite album of the year was going to be when I saw Courtney Marie Andrews play in Melbourne in July this year. She’s got a tremendous voice and the lyrics stand apart from almost everything else I’ve heard this year in their insight and honesty. What makes her songs exceptional is the way they all seem to come directly from her own story and experience. These are her songs and this is her life. It’s an honest life.

Mike BarnettHamish Davidson (Davidson Brothers)
Mike BarnettPortraits in Fiddles
As a fiddle player and bluegrass fanatic, I am thrilled to see Mike Barnett create a record which to me is like a cross section of all the bluegrass fiddle music I’ve devoured in the last 27 years. He collaborates with some of bluegrass music’s most vibrant talent and shines new light on a great selection of fiddle masterpieces.

Angel OlsenKate Barker (Whoa Mule, Golden Whistler)
Angel OlsenPhases
I just can’t seem to get enough of Angel Olsen’s vocals and songwriting. Her work inspires me to sing like there’s no tomorrow!

George HarrisonTim Guy
George HarrisonWonderwall Music
I know this is a turn up for the books, this was released in 1968. I was in India a few weeks back, and as we descended into the ancient blue city of Jodhpur, I had this on in my headphones and seriously guys, it was incred. Place and time – but you know what I mean.

Sarah BelknerMel Parsons
Sarah BelknerBut You Are, But It Has
Sydney producer and songwriter Sarah Belkner knocks it out of the park with But You Are, But It Has. This record and its predecessor the Humans EP have been on high rotation for me all year. Brilliant songwriting, interesting and super clever arrangements and impeccable production. I will continue to listen obsessively.

Bill OrcuttMark Moldre
Bill OrcuttBill Orcutt
Orcutt wanders in and around the destruction, renovations and construction sites of melody. Tearing a well worn musical phrase apart and rebuilding it. Disassembling a traditional like it’s a jigsaw puzzle and putting the pieces back together in all the wrong places with gaffer tape and super glue. Attacking the guitar with a ferocious tenacity, short angry, dogged outbursts are followed by meditative beauty. “When You Wish Upon A Star” dances about the melody without ever really clearly stating the theme. “Ol’ Man River” is soft and dripping with the peaceful lapping of the Mississippi whist remaining dark and haunting, broken and fractured. Reminiscent of the solo work of Marc Ribot, Fred Frith or even the sonic explorations of Tom Verlaine in its angular assault to the senses. Jazz, traditional folk and the avant-garde smash headlong into each other with little regard for the trail of damage and re-creation left in their wake. Dissonant yet sweet, contemplative while remaining challenging. Bravely free and uncensored.

Loene CarmenCatherine Traicos
Loene CarmenLovers Dreamers Fighters
I’ve always loved the way Lo’s voice manages to be strong, vulnerable, sassy, gentle and flirty all at the same time, and on this record it achieves that in spades. Also the pacing and the production of this record are spot on.

King Gizzard And The Lizard WizardJeff Lang
King Gizzard And The Lizard WizardFlying Microtonal Banana
This is a rocking album, really fun to listen to. The band gets up quite a head of steam, the rhythm section powering with a relentless forward momentum and the various microtonal electric guitars stabbing and chattering over the top. Great riffs all over the album, fantastic energy and an adventurous, explorative mood throughout. It sounds to me like they’re having a load of fun.

Ryan AdamsJosh Rennie-Hynes (The Ahern Brothers)
Ryan AdamsPrisoner
Adams has so many albums and this is one of his best. Great songs, production and tones

Pony FaceCat Leahy (This Way North)
Pony FaceDeja Vu
I’ve always been fascinated with the sonic scapes that Pony Face create. I’m a massive fan of Shane Omara’s musical mind too, so when I heard he was a new member of Pony Face, it just made so much sense. This album really speaks to me. The way the songs tail in and out, the mesmerising, pulsing tremolo on “Mt Deja Vu” the driving groove in “Justine”. It’s pretty magical. Simon’s voice is just heavenly. He’s like some kind of grungy, modern-day crooner.

Nikki LaneRuby Boots
Nikki LaneHighway Queen
I tried to pick another album for fear of seeming biased, but I really do love Nikki’s album from back to front and no matter how I tried, I couldn’t get past it for this year’s top pick, I fell in love with it on first listen and over 50 listens later it still remains my fave. There’s a storyline in every song that is so easy to latch on to and make your own whilst still being cleverly written, that and the infectious melodies that take up the prime real estate on this record are the things that almost make you feel like she’s written the album just for you, the listener, yet there is enough sincerity in there to know that it’s just as much for her as it is for you, the perfect balance really! Fave song on the album: “Foolish Heart”.

Nai palmTommy Spender (Mama Kin Spender)
Nai PalmNeedle Paw
I started listening to this record while I was having a bath and it felt like it really complimented the complete surrender to the hot water. I love Nai’s passion to her artistry. She is truly gifted with a confidence and commitment to her voice that verges on punk, but her vocal has such a developed technicality, it blows me away. It’s so great hearing where she is at without the sinewy and muscular musicality of Haitus Kaiyote winding around her sound.

Scott CookAlanna and Alicia
Scott CookFurther Down The Line
Scott Cook is a natural storyteller; his songs glow with empathy, wit and warmth. This is a beautiful album, but he is even better live.
His performance on the porch at Enda Kennedy’s house concert in Northcote, Melbourne was a passport to the heartland of folk songs as they should be, as they have always been.

Colter WallHarvey Russell (Peasant Moon)
Colter WallColter Wall
This is a sparse, flawless debut from an extraordinarily talented 22 year-old Canadian possessing an absurdly weathered baritone. Arranged mostly with acoustic guitar and pedal steel only, these songs are written with the assuredness and self-knowing of a veteran songwriter. At times channelling Haggard, others Townes, the dark, vivid storytelling is magnetic and stunning. These songs feel lived in, shaped by wisdom and experience. Here we have a voice of country music’s future.

Caroline SpenceJosie Rothwell (Peasant Moon)
Caroline SpenceSpades and Roses
I’ve adored Spades and Roses this year. The songs are gentle, personal, universal, with gorgeous, sonically diverse but simple instrumentation. From the gender politics of “Softball” to the twang of “Hotel Armarillo” to the cute, lyrically playful “Wishing Well” and yearning of “Slow Dancer”, they’re songs I love to listen to, to be swept away by – what a songwriter!

Bad // DreemsMark “Looch” Lewis (Wifey, Handsome Young Strangers)
Bad // DreemsGutful
A cracking second effort from the best thing to come out of Adelaide in a long time. Big old school pub rock sound, quality songs, gruff vocals and a solid rhythm section make these guys a step above the other contenders. Bad // Dreems have always been a fantastic live act and this album gets closer to nailing that intensity and rawness. There is a reason they supported Midnight Oil recently! Can’t wait to see what comes next.

Gang of YourhsGretta Ray
Gang of YouthsGo Farther In Lightness
It wasn’t a challenge in the slightest to fall completely, head over heels in love with Gang Of Youths’ record Go Father In Lightness. The lyrics throughout this album are phenomenal, philosophical, pegging together lines of innovative poetry such as “a weight that’s in youth” soon to be followed by more casual, laid-back slang “..that makes a dick of us all”. I felt that the literature, interwoven with conversational speech in this way served to make this album, an album that discusses and reflects on the pros and cons of one’s “limited life” as well as the exploration of what it is to be “human”, unbelievably moving and relatable. As a writer myself, but more importantly a listener, I perceived it to be nothing less of an honour to see the world through writer and frontman Dave Le’aupepe’s eyes whilst listening to this record, that is more than deserving of all of the acclaim it has received over the duration of this year.

Kasey ChambersTom Busby (Busby Marou)
Kasey ChambersDragonfly
I’ve spent a bit of time with Kasey and the Chambers family over the last couple of years and the more I’ve been able to watch her off stage, the more I have realised that she is a true and prolific songwriter. Constantly singing, always creating, forever exploring. That is what this record is, just like her, brave and genuine!

Kendrick LamarSahara Beck
Kendrick LamarDamn
This album has worked for me no matter what mood I’ve been in all through 2017. It’s one of those albums that, to me, will always be a classic. Driving down to the lake with the windows down loving every moment of each song. Thank you for making my 2017 that much better Kendrick.

Leif VollebekkHayden Calnin
Leif VollebekkTwin Solitude
Never has an album been so important. I’ve listened to this every second day, and it still feels as good as the first listen. It’s come to the point that I’ve started a petition to bring this talent to Melbourne. I’m addicted to the feeling Leif gives to me. Enjoyed best walking through chaos on a sunny day, forgetting the world around you.

Ulrika SpacekTom Stephens (Tesse)
Ulrika SpacekModern English Decoration
A lesson in the art of denial, an element is there and then it’s not. It’s driving and heavy, commanding attention, but somehow you can drift away at the same time. Melodies that have to be revisited again and again and then again.

Valerie JuneMatt Golotta (The Sweet Jelly Rolls)
Valerie JuneThe Order of Time
I listened to the first few songs online of The Order of Time when it first came out, then began calling record stores instantly to see if they had it in stock because I had to own it. This record seriously has everything I look for, its soulful, rocky, bluesy and country, with the right amount of sadness. I think I’ve listened to “Love You Once Made” every day this year since buying the record. “Got Soul” is a stunning pairing of soul and country that is this perfect happy way to close the record.

Daniel RomanoTamara Lindeman (The Weather Station)
Daniel RomanoModern Pressure
Definitely the record I listened to most this year. Just great. Perfect pop songwriting, wonderful wild drumming, insane bass playing, great solos, crazy organ jams, great everything (and every note played by Romano of course). What else do you want?

Big ThiefCy Winstanley (Tattletale Saints)
Big ThiefCapacity
After being introduced to ‘Paul’ from 2016’s Masterpiece on a late night drive, and subsequently watching their Tiny Desk concert, I have been enthralled with this band. I love Adrianne Lenker’s poetic, yet coherent and often confronting lyrics, and the stark arrangements of harmonically rich songs played with a nonchalance that belies their mastery.

Sara TindleyLucie Thorne
Sara TindleyWild & Unknown
There’s an extraordinary richness and directness to Tindley’s voice that is truly stunning. Wild & Unknown is a brave and beautiful collection of songs that’ll have you dancing one moment, weeping the next. A quiet masterpiece that creeps up under your skin and plants itself in your soul. I love this album.

Jen CloherAlison Ferrier
Jen CloherJen Cloher
I love everything about Jen Cloher’s self-titled fourth album. This comes close to the perfect album for me, it’s brilliantly written, performed, recorded and produced. Jen’s bare-faced honesty is incredibly brave and inspiring. Favourite tracks: “I Forgot Myself” and “Strong Woman”.

The Secret SistersThe Weeping Willows
The Secret SistersYou Don’t Own Me Anymore
Selecting your favourite album of the past 12 months is made all the more difficult when three of your favourite acts (Jason Isbell, David Rawlings and The Secret Sisters) all release LPs within the same calendar year. But whilst Isbell and Rawlings delivered sublime albums (as to be expected), the Sisters’ album is “all killer, no filler”, their best work yet, with no temptation to reach for the “skip” button! You Don’t Own Me Anymore is the charming trad-country harmony duo’s third album and most personal project to date. The writing is at times confessional, at others, nostalgic for simpler times; strength juxtaposed with vulnerability. Their soulful songs were lovingly and tastefully produced by good friend Brandi Carlile. Stand out tracks include “Tennessee River Runs Low”, murder ballad “Mississippi” (sister song to the wonderfully haunting, “Iuka” from their 2014 album, Put Your Needle Down), “Little Again” and title track, “You Don’t Own Me Anymore”. Check them out if you’re fans of sibling harmony (eg. The Everly Brothers) and/or the southern gothic stylings of Gillian Welch and The Civil Wars.

Lilly HiattSophie Klein (Little Wise)
Lilly HiattTrinity Lane
I saw Lilly perform at Third Man Records at AmericanaFest in Nashville, but the gravity of her songwriting only hit me afterwards, listening to her rocking 2017 album Trinity Lane on my headphones traveling around the States. The production, by Michael Trent of Shovels and Rope, is big, loud, gritty and more indie rock than Nashville alt-country. But Lilly’s voice still has a southern twang to it though and the melodies and words kick around my brain for days on end. “I just wanna rock n’ roll, scream out my and burn real slow” she sings on “Records”, and it makes me want to do the same.

Jamie WyattGretta Ziller
Jamie WyattFelony Blues
Although it’s been out for most of the year I’ve only just discovered Jamie Wyatt’s Felony Blues! It’s a rare thing for me to listen to something on repeat but since I’ve discovered her it’s all I’m listening to!!! It’s unashamed, uncomplicated, catchy, good old fashioned country music.

Christopher Coleman CollectiveThe Dead Maggies
Christopher Coleman CollectiveAh Winter
This is a work of art, from a guy that’s had a hard run and put his heart on his sleeve. The result is a deep, personal and moving album of mature songwriting. Musically it sits somewhere between Bright Eyes and Neil Young.

Steve EarleTristan Goodall (The Audreys)
Steve Earle & The DukesSo You Wanna Be An Outlaw
Equal parts devilish invitation and cautionary tale, this killer record was a tour van favourite as we hit the road after a break this year. Steve is in fine form, as usual, and while the album is boisterous and swaggering, it also manages to highlight his songwriting craft. Highlight: Willie Nelson growling “if you wanna be an outlaw you can never go home”. Giddy-up!

LogicSteve Barnard (Jon Cotton and The Book Keepers)
LogicEverybody
Riding my push bike past all the kids and their mothers, heads adorned in their icon of piety, devotion and religious identity. The burka is far more common in this corner of Sydney than most and it puts a smile on my face to see children enjoying their walk home from school with Mum. An old bogan crossing the road to the pub yells racial cliches about going back where you came from and then turns to me for my approval of his vitriol. I inform him I’m from overseas too, I just happen to be white and he is guilty of the grossest and purest type of racism. Racism is as blatant as the inability to see past difference and as subtle as the apathy that accompanies privilege. Everybody suffers either in their oppression or privilege. Everybody.

Lawrence GreenwoodTanya Batt (BATTS)
Lawrence GreenwoodP.S. I’m Haunted
Lawrence has been a favourite of mine for a long time with his previous project. It feels so nice to have a new album from him and my gosh wow. The melodic and lyrical genius within this album actually made me cry the first time I heard it. The journey this takes you on from start to finish is incredibly special. All of the amazing detail within the album leaves you finding something new each listen.

Gretta ZillerAndrew Swift
Gretta ZillerQueen Of Boomtown
Maybe I’m a little biased after spending so much time on the road with Gretta, but credit where credit’s due. Queen Of Boomtown is a solid record from start to finish. With underlying blues tones throughout, Queen Of Boomtown will have you tapping your feet, singing along and wiping away a tear or two again and again. Ziller is quickly being recognised as one of this country’s best songwriters and without a doubt one of its best vocalists.

Raise By EaglesSam Newton
Raised By EaglesI Must Be Somewhere
There is a great mix of upbeat and slow-burner tracks with a sprinkle of country here and there. The record is filled with great songwriting and heartfelt lyrics.

Ben SalterShane Nicholson
Ben SalterBack Yourself
I have a lot of favourite albums of 2017. It’s been a good year. But for me, one stands above the rest – Ben Salter’s Back Yourself. It’s equal parts diverse, brave, accomplished, intelligent, exciting, original, and just plain incredible, superior record-making.

Frank OceanThe Campervan Dancers
Frank OceanBiking
Ryan is arrested by the nostalgic visions of meatophorical bike-riding. Chelsea is delighted by how they manage to execute an extensive shouting outro with great aplomb.

The East PointersThe Little Stevies/Teeny Tiny Stevies
The East PointersWhat We Leave Behind
This recommendation is just as much about the album as it is about the live show, because TEP have done what is often very difficult to do and that’s to capture the energy and magic of their live show on record. As a band they’ve got the full package; great songs, impressive multi-instrumental musicianship, rich 3-part harmony, and to top it off they’re genuinely nice people. My favourites on the album are the vocal lead songs because I love a catchy melody and riff. But I also really enjoy the instrumentals because they include some super interesting harmonic changes through them that don’t always go where you’re expecting them to go. It’s an album that’s made a non-fiddler make it their new years resolution to learn how to play the fiddle, so it must be pretty good.

Songs From DanMelanie Horsnell
Dan TuffySongs from Dan
I loved Dan Tuffy’s record Songs from Dan because I love the quiet back of the valley live sound and the song “The biggest bastard who ever rode the west” is every musician-having-a-low-down-day’s anthem. And I loved King Curly’s new EP but biased as now we are making a record together, so not allowed to vote for that.

Les Poules a ColinJesse Periard (Ten Strings and a Goat Skin)
Les Poules à ColinMorose
Les Poules à Colin have never been a band to limit themselves. They are constantly pushing boundaries and exploring uncharted territory, which sets them apart from so many traditional music groups. They’ve grown so much as a band and Morose is a true representation of where they stand in the realm of traditional Québécois music and I couldn’t be more proud of them. This album has so many complex and beautiful layers to it, and has inspired me and taken me to places I didn’t expect.

Sarah BelknerJulia Johnson
Sarah BelknerBut You Are, But It Has
A record I have returned to repeatedly, finding more with every listen. The textures and arrangements glisten, but have this earthy, warm undercurrent. Her lyrics unfolded the more I honed in on them. Where I was wondering of their meaning upon first listen, months later her songs are resonating deeply with chapters and moments in my life. For me, there’s nothing more wondrous than finding a song that exposes one’s painful or wonderful experience as universal, and this album is rich with those gems. Standout track: “Cellophane”.

Jesca HoopAinslie Wills
Jesca HoopMemories Are Now
I describe this album to other people as “assertive folk” in that it has folk sensibilities and instrumentation but the song ideas are quite robust and angular at times which make it really memorable (ha! Pun not intended). Also, It has no drums which to me was really refreshing as most things these days are so banger/beat driven.

Trad AttackJoe Gould (The Crooked Fiddle Band)
Trad.Attack!Kullakarva / Shimmer Gold
Every so often I spend some time seeking out what’s happening in other local scenes around the world, and Crooked Fiddle’s musical equivalents therein – thus leading me to Estonia’s Trad.Attack! (punctuation included). Part melodic folk pop, part updated trad folk complete with Estonian bagpipes, they sometimes come across as a Baltic equivalent to Ireland’s Kila, especially on the epic title track.

Big ThiefAngie McMahon
Big ThiefCapacity
I’ve fallen in love with this band and this album. The intimacy of the songwriting has captured me, and the so many moments in the lyrics and music have brought me to moments of realisation and clarity. Some albums make you really grateful for music and the power it has over your mind, and this year, for me, it’s been this one.

Lana Del ReyTori Forsyth
Lana Del RayLust for Life
I love that Stevie Nicks has a little part of this record, she also experiments with some rad sounds. Also, lyrically this record is incredible.

This Is The KitEmily Staveley-Taylor (The Staves)
This Is The KitMoonshine Freeze
We met Kate, Rozi and Jamie at The Funkhaus during the Michelberger festival in Berlin last year and thought they were all wonderful people making wonderful music. Then we saw them play this album live at Eaux Claires festival in the summer and were blown away. The record has so many lovely, rounded sounds on it. It feels soft, but it has a driving energy that keeps pushing it forward. Kate’s voice has a familiar, kind quality when she sings – who doesn’t want to feel like they’re having a conversation with a friend when they listen to music? It’s a self-assured album by a band who seem to really know who they are. And that’s a comforting presence to be in. Plus the tunes are fucking banging. And the horns rule.

Sun Kil MoonNigel Wearne
Sun Kil MoonCommon As Light and Love Are Red Valleys of Blood
This year Sun Kil Moon has been on high rotation. Common As Light and Love Are Red Valleys of Blood is so different, that I honestly can’t remember hearing anything else like it. Spoken word poetry, prose, and random stories (including a Chameleon vs a Cat), diary entries, muses on David Bowie and Ali augmented by busted-up Dad hip hop. It’s completely whacked and compelling. A slow burn that requires the lyrics booklet.

Listen to the New Sufjan Stevens Single “Tonya Harding”

Sufjan
Image Courtesy of Sufjan Stevens

Sujan Stevens has surprised everyone with the release of “Tonya Harding”, a tribute to the former US figure skater. To accompany the release Stevens penned a small piece detailing why he wrote the song:

“I’ve been trying to write a Tonya Harding song since I first saw her skate at the U.S. Figure Skating Championships in 1991,” Sufjan Stevens explained. “She’s a complicated subject for a song partly because the hard facts of her life are so strange, disputable, heroic, unprecedented, and indelibly American. She was one of the greatest figure skaters of her time, and the first American woman to perform a triple axle in an international competition. She was an unlikely skating star, having been raised working class in Portland, Oregon. Being a poor outsider, her rise to fame in the skating rink was seen, by some, as a blemish on a sport that favored sophistication and style. Tonya’s skating technique was feisty, fierce, and full of athleticism, and her flamboyant outfits were often hand-made by her mother (who was abusive and overbearing). (They couldn’t afford Vera Wang.) And then there was the Nancy Kerrigan incident. In January 1994, Tonya’s then-boyfriend Jeff Gillooly hired an assailant, Shane Stant, to break fellow figure skater Nancy Kerrigan’s leg at the U.S. Figure Skating Championships at Cobo Arena in Detroit, so that she would be unable to compete at the upcoming Winter Olympics. The after-math of the attack was recorded on camera and ultimately set off a media frenzy (and an FBI investigation). Gillooly and Stan were eventually found guilty, and Tonya pleaded guilty to hindering the prosecution, and was subsequently banned for life from the U.S. Figure Skating Association. Nancy Kerrigan recovered from her injury and won a silver medal at the Winter Olympics. Tonya Harding finished eighth.

“But that’s not even half the story. When Tonya and Gillooly got married, they filmed themselves having sex on their wedding night and produced one of the first-ever celebrity sex tapes (which they sold to Penthouse for $200,000 each). Tonya also had a brief career as a boxer, and is most famous for her bout with former Arkansas state employee Paula Jones (whose sexual harassment suit against Bill Clinton precipitated his impeachment in 1998). Tonya was also (very briefly) in a band called the Golden Blades (they were allegedly booed off the stage during their first and only performance). She also raced vintage automobiles (setting a record by driving a Ford Model A over 97 miles per hours on the Bonneville Salt Flats in Utah). And in 1996 Tonya used mouth-to-mouth resuscitation to revive an 81-year-old woman who collapsed at a bar in Portland while playing video poker. That’s a lot to accomplish before the age of 30!

“Tonya Harding’s dramatic rise and fall was fiercely followed by the media, and she very quickly became the brunt of jokes, the subject of tabloid headlines and public outcry. She was a reality TV star before such a thing even existed. But she was also simply un-categorical: American’s sweetheart with a dark twist. But I believe this is what made her so interesting, and a true American hero. In the face of outrage and defeat, Tonya bolstered shameless resolve and succeeded again and again with all manners of re-invention and self-determination. Tonya shines bright in the pantheon of American history simply because she never stopped trying her hardest. She fought classism, sexism, physical abuse and public rebuke to become an incomparable American legend.

“I admit, early drafts of this song contained more than a few puns, punch lines and light-hearted jabs—sex tapes and celebrity boxing make for an entertaining narrative arc. But the more I edited, and the more I meditated, and the more I considered the wholeness of the person of Tonya Harding, I began to feel a conviction to write something with dignity and grace, to pull back the ridiculous tabloid fodder and take stock of the real story of this strange and magnificent America hero. At the end of the day, Tonya Harding was just an ordinary woman with extraordinary talent and a tireless work ethic who set out to do her very best. She did that and more. I hope the same can be said of us all.”

Listen to “Tonya Harding” here:

Thank Folk It’s Friday – 1st December

TFIF

This Week in Folk

All the News From The Week That Was

– Sydney singer-songwriter Julia Johnson released her new video “Melissa”. Details here

Angus & Julia Stone added a raft of new dates for their 2018 Australian tour. Details here

– Irish trad trio Breaking Trad are teaming with bodhran player Gino Lupari for an Australian tour this January. Details here

– Melbourne based singer-songwriter Andrew Swift released his new video “Reckless Desires”. Details here

– Rocky Mountain five-piece The Railsplitters added a bunch of Woodford sideshows to their Australian tour. Details here

– A single headline show has been announced for The Head and The Heart when they’re in Australia for Sydney City Limits. Details here

Releases This Week

BATTS
62 MoonsBATTS
Spotify

Echo Deer
Side BEcho Deer
Bandcamp

Serious Face
Serious FaceMike McCarthy
Bandcamp

Timber and Steel Recommends – Go To This Gig

Porchland

Stu Larsen

South Australia’s intimate concert series brings out the big guns for their annual festival Porchland including Stu Larsen, Thelma Plum, Ainsley Farrell, Ryan Martin John, 30/70, Stella Donnelly and Bjear.

Saturday 2nd December – The Range Hall, SA

Gigs Next Week

19-Twenty
Sunday 3rd December – Lefty’s Old Time Music Hall, Brisbane, QLD

Andrew Swift and Gretta Ziller
Saturday 2nd December – House Concert, Carrum Downs, VIC

Andy Golledge
Sunday 3rd December – Petersham Bowling Club, Sydney, NSW
Wednesday 6th December – FolksWagon, Cafe Lounge, Sydney, NSW

Archie Roach
Tuesday 5th December – Corner Hotel, Melbourne, VIC

Aisling Vaughan
Friday 1st December – The Gaelic Club, Sydney, NSW

Australia voted NO to Conscription Centenary Concert feat. Solidarity Choir, Ecopella Choir, Margaret Walters, Terry Serio, Dennis Aubrey, Robert Susz, Mary-Jane Field, Jenni Nixon, The Red Rattlers
Sunday 3rd December – The Gaelic Club, Sydney, NSW

Bahamas w/ Slow Dancer
Monday 4th December – The Basement, Sydney, NSW
Tuesday 5th December – Mojo’s Bar, Perth, WA

BANFF
Saturday 2nd December – Brighton Up Bar, Sydney, NSW

BATTS
Wednesday 6th December – The Gasometer Hotel, Melbourne, VIC

Ben Camden
Saturday 2nd December – Smith’s Alternative, Canberra, ACT
Tuesday 5th December – The Charming Squire, Brisbane, QLD
Wednesday 6th December – The Scottish Prince, Palm Beach, Gold Coast, QLD
Friday 8th December – The Royal Mail, Goodna, QLD

Bonnie Kay and the Bonafides
Saturday 2nd December – Sydney Blues & Roots Festival, Windsor, NSW
Saturday 2nd December – The Shack, Sydney, NSW
Sunday 3rd December – Shady Pines Saloon, Sydney, NSW

Camp Cope and Cash Savage & The Last Drinks
Sunday 3rd December – The Forum, Melbourne, VIC

Candice McLeod
Sunday 3rd December – Noisy Ritual People-Powered Urban Winery, Melbourne, VIC
Wednesday 6th December – MusicMan Megastore, Bendigo, VIC

Cash Savage and the Last Drinks
Sunday 3rd December – Forum, Melbourne, VIC

Cat Canteri and Ayleen O
Sunday 3rd December – The Retreat Hotel, Melbourne, VIC

Claymore
Friday 1st December – The Quiet Man, Melbourne, VIC

Colin MacLeod
Thursday 7th December – Kinross Arts & Spirituality Centre, Melbourne, VIC

Dan Sultan
Saturday 2nd December – The Croxton Bandroom, Melbourne, VIC

Darren Hanlon
Thursday 7th 
December – Jade Monkey, Adelaide, SA
Friday 8th 
December – TBC, Birchip, VIC

Daylesford Highland Gathering
Saturday 2nd December – Victoria Park, Daylesford, VIC

Dean Lewis
Friday 1st December – UOW Uni Bar, Wollongong, NSW
Saturday 2nd December – Vanfest, Forbes, NSW
Friday 8th December – Factory Theatre, Sydney, NSW

Echo Deer w/ Low Down Riders and CJ Shaw
Saturday 2nd December – The Union, Sydney, NSW

Fairgrounds Festival
Friday 8th and Saturday 9th December – Berry, NSW

Fanny Lumsden
Friday 1st December – Clovass McKees Hill Hall, McKees Hill, NSW

Feist
Friday 1st December – Forum Theatre, Melbourne, VIC
Sunday 3rd December – Sydney Opera House, Sydney, NSW

Festival of Small Halls feat. Vance Gilbert, Liz Stringer
Friday 1st December – Cooranga North Memorial Hall, Bell, QLD
Saturday 2nd December – Surat Shire Hall, Surat, QLD
Sunday 3rd December – Ilfracombe Rec Centre, Longreach, QLD
Wednesday 6th December – Koah Hall, Koah, QLD
Friday 8th December – Queen Street Community Hall, Yeppoon, QLD

Festival of the Sun
Thursday 7th to Sunday 10th December – Port Macquarie, NSW

Finders Keepers Sydney Market
Friday 8th to Sunday 10th December – Barangaroo Reserve, Sydney, NSW

Fiona Boyes
Friday 1st December – Basement Discs, Melbourne, VIC

FolkSwagon feat. Tenderfoot, Caitlin Harnett, Andy Golledge
Wednesday 6th December – Cafe Lounge, Sydney, NSW

Fox n Firkin
Friday 1st December – The Front Gallery and Cafe, Canberra, ACT
Saturday 2nd December – MoshPit, Sydney, NSW
Sunday 3rd December – Lass O’Gowrie Hotel, Newcastle, NSW

Fred Smith
Sunday 3rd December – House Concert, Wollongong, NSW

Gary Óg
Friday 1st December – Sands Tavern, Maroochydore, QLD
Saturday 2nd December – The Lair, Sydney, NSW
Sunday 3rd December – The Grand Hotel – Cockn’Bull, Sydney, NSW
Thursday 7th December – Prince Bandroom, Melbourne, VIC
Friday 8th December – The Adelaide Irish Club, Adelaide, SA

Grizzlee Train
Friday 1st December – Wesley Anne, Melbourne, VIC
Sunday 3rd December – North Wollongong Hotel, Wollongong, NSW

Hannah Cameron
Sunday 3rd December – Some Velvet Morning, Melbourne, VIC
Thursday 7th December – Golden Age Cinema & Bar, Sydney, NSW

Harrison Storm
Friday 1st December – Dalrymple Hotel, Garbutt, QLD
Saturday 2nd December – Tanks Arts Centre, Cairns, QLD
Thursday 7th December – The Workers Club, Melbourne, VIC
Friday 8th December – Sooki Lounge, Belgrave, VIC

Horns Of Leroy
Sunday 3rd December – THE B.EAST, Melbourne, VIC

Hussy Hicks & Raphael White
Friday 8th December – Tintenbar Hall, Tintenbar, NSW

Isaac Graham
Sunday 3rd December – The Record Crate, Sydney, NSW

Jack Johnson
Friday 1st December – Sydney Opera House Forecourt, Sydney, NSW
Sunday 3rd December – Riverstage, Brisbane, QLD
Wednesday 6th December – Kings Park & Botanic Garden, Perth, WA
Friday 8th December – Sidney Myer Music Bowl, Melbourne, VIC

James Bennett
Friday 8th December – JJ’s at The Marina, Batemens Bay, NSW

James Kenyon
Saturday 2nd December – The Three Brothers Arms, Maccelsfield, SA
Sunday 3rd December – The Wheatsheaf, Adelaide, SA
Wednesday 6th December – Basement Discs, Melbourne, VIC
Friday 8th December – House Concert, Benalla, VIC

Jo Jo Smith w/ Lucie Thorne & Hamish Stuart
Friday 1st December – Mountain Mumma, Sheffield, TAS
Saturday 2nd December – House Concert, Scamander, TAS
Sunday 3rd December – House Concert, Neika, TAS

Josh Pyke w/ Harrison Storm
Friday 1st December – Dalrymple Hotel, Garbutt, QLD
Saturday 2nd December – Tanks Arts Centre, Cairns, QLD
Friday 8th December – Sooki Lounge, Belgrave, VIC

Justin Bernasconi
Friday 1st December – The George Kerferd, Beechworth, VIC
Saturday 2nd December – St Leonards Vineyard, Wahgunyah, VIC

Kimberley Wheeler
Saturday 2nd December – Open Studio, Melbourne, VIC

Kyle Lionhart
Friday 1st December – The Odd Fellow, Fremantle, WA
Saturday 2nd December – Four5Nine, Perth, WA
Friday 8th December – Forth Pub, Forth, TAS

Lisa Caruso
Saturday 2nd December – Golden Age Cinema & Bar, Sydney, NSW

Little Wise w/ Tessa Devine
Wednesday 6th December – Some Velvet Morning, Melbourne, VIC

Lizzie Flynn
Friday 8th December – 5 Church Street, Bellingen, NSW

Lloyd Spiegel
Friday 1st December – The Wheatsheaf Hotel, Adelaide, SA
Saturday 2nd December – The Lower Wilmot Hall, Lower Wilmot, TAS
Saturday 2nd December – The Hive, Port Lincoln, SA

Lost Ragas
Thursday 7th December – Basement Discs, Melbourne, VIC

Mal Webb and Kylie Morrigan
Saturday 2nd December – Bar 303, Melbourne, VIC

Mandy Connell
Friday 1st December – Paragon Cafe, Katoomba, NSW
Saturday 2nd December – The Wombat, Wollongong, NSW

Medusa’s Wake
Sunday 3rd December – The Lady Hampshire, Sydney, NSW

Meredith Music Festival
Friday 8th to Sunday 10th December – Meredith, VIC

Mia Dyson
Friday 1st December – Leadbelly, Sydney, NSW
Saturday 2nd December – Lizotte’s Newcastle, NSW
Thursday 7th December – The Royal Oak, Adelaide, SA
Friday 8th December – Black Bear, Brisbane, QLD

Mick Thomas & The Roving Commission
Friday 1st December – Saints and Sailors, Portarlington, VIC
Saturday 2nd December – Caledonian Hotel, Wonthaggi, VIC
Friday 8th December – Wheatsheaf, Adelaide, SA

Mike McCarthy
Friday 1st December – Common Ground, Wyong, NSW

My Nightingale
Sunday 3rd December – Powerhouse, Brisbane, QLD

Neil Murray
Friday 8th December – The Loft, Warrnambool, VIC

Oh Willy Dear! and Simone East
Sunday 3rd December – Union Hotel, Sydney, NSW

Oliver Downes and Imogen Pemberton
Sunday 3rd December – Bar 303, Melbourne, VIC
Wednesday 6th December – The Front Gallery and Cafe, Canberra, ACT

Perch Creek
Friday 1st December – Hotel Steyne, Manly, NSW

Porchland
Saturday 2nd December – The Range Hall, SA

Phia
Saturday 2nd December – The Newsagency, Sydney, NSW
Sunday 3rd December – The Grace Emily, Adelaide, SA
Friday 8th December – The Flying Cock, Brisbane, QLD

Pierce Brothers
Friday 1st December – Hordern Pavilion, Sydney, NSW
Saturday 2nd December – Karova Lounge, Ballarat, VIC
Sunday 3rd December – Halls Gap Hotel, Halls Gap, NSW
Thursday 7th December – Freo Arts Centre, Fremantle, WA

Quinton Trembath
Friday 1st December – House Concert, Canberra, ACT
Saturday 2nd December – Big Beet, Katoomba, NSW
Sunday 3rd December – Garden Sessions, Sydney, NSW

Red-Eyed and Blue: Country Christmas Party feat. The Sweet Jelly Rolls, Peta Caswell, CK & the 45’s
Sunday 3rd December – The Bearded Tit, Sydney, NSW

Roy Payne
Friday 8th December – Golden Barley Hotel, Sydney, NSW

Sam Outlaw w/ Courtney Marie Andrews
Saturday 2nd December – Coogee Diggers, Sydney, NSW
Sunday 3rd December – Camelot Lounge, Sydney, NSW
Wednesday 6th December – Caravan Music Club, Melbourne, VIC
Thursday 7th December – Spotted Mallard, Melbourne, VIC
Friday 8th December – Major Tom’s, Kyneton, VIC

Scott Cook and Liz Frencham
Friday 1st December – Smith’s Alternative, Canberra, ACT

Sparrow-Folk
Thursday 7th December – The Street Theatre, Canberra, ACT
Friday 8th December – The Street Theatre, Canberra, ACT
Friday 8th December – The Street Theatre, Canberra, ACT

Stella Donnelly
Friday 1st December – Waves, Wollongong, NSW
Saturday 2nd December – Porchland, Adelaide, SA
Thursday 7th December – Brighton Up Bar, Sydney, NSW
Friday 8th December – The Newsagency, Sydney, NSW

Strzelecki Stringbusters
Sunday 3rd December – Churchill Hotel, Churchill, VIC

Stu Larsen
Friday 1st December – Four5Nine, Perth, WA
Saturday 2nd December – Porchland, The Range Hall, SA
Sunday 3rd December – Black Bear Lodge, Brisbane, QLD
Thursday 7th December – The Grand Poobah, Hobart, VIC
Friday 8th December – Grace Darling, Melbourne, VIC

SummerSalt feat. Xavier Rudd, The Cat Empire
Saturday 2nd December – 3 Oceans Wine Company, Margaret River, WA
Sunday 3rd December – Hotel Rottnest, Rottnest Island, WA

Sydney Blues & Roots Festival
Friday 1st to Sunday 3rd December – Hawkesbury Hotel, Windsor, NSW

Sydney Bluegrass & Old-Time Music Get-Together
Saturday 2nd December – Annandale Neighbourhood Centre, Sydney, NSW

Tesse
Saturday 2nd December – The Grace Darling, Melbourne, VIC

The Beautiful Girls
Friday 1st December – The Metro Theatre, Sydney, NSW
Saturday 2nd December – Waves, Towradgi Wollongong, NSW
Sunday 3rd December – Long Jetty Hotel, Long Jetty, NSW
Thursday 7th December – The Gov, Adelaide, SA
Friday 8th December – Rosemount Hotel, Perth, WA

The Black Sorrows
Friday 1st December – Astor Hotel, Goulburn, NSW
Saturday 2nd December – The Oaks Hotel, Albion Park, NSW

The Demon Drink
Friday 1st December – Brooklyn Standard, Brisbane, QLD

The Drunken Poachers
Friday 1st December – Murphys, Geelong West, VIC
Saturday 2nd December – The Fitzroy Pinnacle, Melbourne, VIC

The East Pointers
Sunday 3rd December – Toff in Town, Melbourne, VIC
Wednesday 6th December – Sepulchre, Hobart, TAS
Thursday 7th December – Ainslie and Gorman Arts Centre, Canberra, ACT
Friday 8th December – Theatre Royal, Castlemaine, VIC

The Grenadiers
Saturday 2nd December – Black Box Theatre, Nambour, QLD
Tuesday 5th December – No. 5 Church Street, Bellingen, NSW

The Mae Trio
Thursday 7th December – The Wesley Anne, Melbourne, VIC
Friday 8th December – The Wesley Anne, Melbourne, VIC

The PBC Christmas Party Musical Cavalcade Extravaganza feat. Mic Conway’s National Junk Band, The Andy Golledge Band, Joseph Liddy and the Skeleton Horse
Friday 3rd December – Petersham Bowling Club, Sydney, NSW

The Shack Presents Bonnie Kay and the Bonafides, Snez, The Love Machine
Saturday 2nd December – The Shack, Sydney, NSW

The Shins
Saturday 2nd December – Fidelity Festival, Perth, WA
Monday 4th December – Palais Theatre, Melbourne, VIC
Tuesday 5th December – QPAC Concert Hall, Brisbane, QLD
Friday 8th December – Enmore Theatre, Sydney, NSW

The Teskey Brothers
Friday 1st December – The Foundry, Brisbane, QLD
Saturday 2nd December – The Basement, Sydney, NSW
Friday 8th and Saturday 9th December – Fairgrounds, Berry, NSW
Friday 8th to Sunday 10th December – Meredith Music Festival, Meredith, VIC

The Villebillies
Thursday 7th December – The Gasoline Pony, Sydney, NSW

The Waifs
Saturday 2nd December – Mossvale Park Summer Series, Mossvale, VIC
Sunday 3rd December – Theatre Royal, Castlemaine, VIC
Monday 4th December – Theatre Royal, Castlemaine, VIC
Tuesday 5th December – The Gov Hindmarsh, Adelaide, SA
Wednesday 6th December – The Quarry Amphitheatre, Perth, WA

The Willing Ponies
Sunday 3rd December – Staves Brewery, Sydney, NSW

This Way North
Friday 1st December – Record Crate, Sydney, NSW
Saturday 2nd December – TBA, Newcastle, NSW
Friday 8th December – Rhythm Hut, Gosford, NSW

Toni Swain
Sunday 3rd December – The Union, Melbourne, VIC

Tori Forsyth
Friday 8th December – Rooty Hill RSL, Rooty Hill, NSW

Tracy McNeil & The Goodlife w/ The Stetson Family
Friday 1st December – Theatre Royal, Castlemaine, VIC

Tripod
Friday 1st December – Memo Music Hall, Melbourne, VIC
Saturday 2nd December – The Thornbury Theatre, Melbourne, VIC

Tullara
Friday 1st December – The Pelican Playhouse, Grafton, NSW
Saturday 2nd December – Lismore Quadrangle, Lismore, NSW

Ukulele Death Squad
Friday 8th December – Pepper Tree, Aldinga, SA

Wallis Bird
Friday 1st December – Martians Cafe, Deans Marsh, VIC
Saturday 2nd December – Old Castlemaine Gaol, Castlemaine, VIC

Witches Leap
Friday 1st December – Paragon Cafe, Katoomba, NSW

Woody Guthrie: Songs of Freedom
Saturday 2nd December – Newport Bowls Club, Newport, VIC

Yusuf / Cat Stevens
Saturday 2nd December – Roche Estate, Pokolbin, NSW
Monday 4th December – Qudos Bank Arena, Sydney, NSW
Thursday 7th December – ICC Sydney Theatre, Sydney, NSW

Friday Folk Flashback

“Both Sides The Tweed” – Dick Gaughan

Blue Mountains Music Festival Reveals First Artists for 2018 Lineup

KMH
Image Courtesy of Kate Miller-Heidke

The Blue Mountains Music Festival this week began to announce the lineup for its 2018 event.

Held in Katoomba over the St Patrick’s Day weekend, the Blue Mountains Music Festival always has a decent folk and roots music presence on their lineup along with the best and brightest artists from across all genres.

Headliners for the 2018 Blue Mountains Music Festival include the one-two punch of Missy Higgins and Kate Miller-Heidke – two of Australia’s most celebrated singer-songwriters.

Joining them will be Lior with Paul Grabowsky, The Grigoryan Brothers with Adam Page, The Backsliders, Harry Manx (Can), Steve Poltz (Can), Chris While and Julie Matthews (UK), Breabach (Scot), Peter Rowan Band (US), 10 String Symphony (US), Flats and Sharps (UK), The Brothers Comatose (US), Lamine Sonko and the African Intelligence (Senegal), Gordie MacKeeman & His Rhythm Boys (Canada), Blair Dunlop (UK), Mel Parsons (NZ), Malcura, Hat Fitz & Cara, Witches Leap, Alana Wilkinson, The Mission Songs Project and more to be announced.

The Blue Mountains Music Festival will is held from 16th to the 18th March in Katoomba, NSW. They’ll be announcing more artists via their Facebook page so make sure you like them there. And head over to their official site for more details and how to get your hands on tickets.

Watch the New Katie Harder Live Video “Beloved”

Katie Harder
Image Courtesy of Katie Harder

Last week Alice Springs based singer-songwriter Katie Harder released her beautiful new EP Beloved. The EP focuses on Harder’s experience in Central Australia, her family and the recent passing of her father and was recorded when she was 8 months pregnant.

“It was one of those time pressed things as I was working around the band and my own family, plus I was having a baby in 6 weeks and it could potentially stop the whole recording process,” Katie Harder explained. “But, funny thing is, when you’re pregnant you have different hormones pumping through your body and your ligaments become loose, including your vocal chords. So when I’m pregnant I find I sing with the most ease and control of any other time of my life (though I’m a bit extra short of breath). This is what is also captured in this recording.”

The lead single from the EP is the title track “Beloved” about the need to give rather than get.

“I thought “what if this was turned on its head and songs were written that encouraged people to prioritise giving rather then getting,” Harder said of the track. “Imagine what would change in relationships and society as a whole. I even tried it in my own relationship and the difference was amazing.”

Katie Harder has released a live video for “Beloved” check it out below:

Listen to the New Swamp Fat Jangles Single “You Only Say I Love You When You’re Drunk”

Swamp Fat Jangles
Image Courtesy of Swamp Fat Jangles

Sydney based indie-folkers Swamp Fat Jangles have just released their gorgeous new single “You Only Say I Love You When You’re Drunk”.

The etherial track is brimming with dreamy vocals, subtly picked banjo and beautiful cello work from guest musician Gabrielle Brennan. The song also features fellow Sydney indie-folkers Echo Deer as the “boy choir” in the track’s crescendo.

Take a listen to “You Only Say I Love You When You’re Drunk” below:

Jon Boden Announces New Solo Album Afterglow

Jon Boden
Image Courtesy of Jon Boden

Ex-Bellowhead frontman and all round folk music legend Jon Boden has announced plans to release his first post-Bellowhead solo album Afterglow on the 6th October.

Afterglow is a companion release to Boden’s 2009 concept album Songs From The Floodplain. But while Songs From The Floodplain largely dealt with the rural setting, Afterglow looks to juxtapose this by being set in post-apocalyptic street carnival

“Like my previous album Songs From The Floodplain, Afterglow imagines a near-future world where the luxuries and comfort of 21st century life have become scarce, and a harder, simpler existence now prevails,” Jon Boden explained. “Afterglow is the story of a couple who are trying to find each other in the middle of a bonfire-night street carnival in a crumbling, derelict city. I had a wonderful time recording it in Sheffield with the help of my band the Remnant Kings and Andy Bell in the producer’s chair.”

The first taste of Afterglow is the single “Moths In The Gas Light” – take a listen below:

The full track listing for Afterglow is as follows:

1. Moths In The Gas Light
2. Afterglow
3. Bee Sting
4. Wrong Side of Town
5. Fires of Midnight
6. All The Stars Are Coming Out Tonight
7. Dancing In The Ruin
8. Burning Streets
9. Yellow Lights
10. Aubade

Listen to the New Anna Cordell Single “The Moon”

Anna Cordell
Image Courtesy of Anna Cordell

Melbourne based singer-songwriter Anna Cordell has just released her beautiful new single “The Moon”.

The lo-fi track was recorded with Obscura Hail and Luke McIvor “with my friend in rooms around my house” according to Cordell and is mesmerising. Cordell has always been one of those artists that offers up a complexity in her songwriting and if you scratch below the lo-fi sound of “The Moon” there are a lot of layers to be discovered.

Take a listen to “The Moon” here:

If you like what you hear then get down to the Kew Courthouse in Kew, VIC this Saturday 15th July where Anna Cordell will be joined by a strong trio as well as aforementioned collaborator Obscura Hail and folk singer Rough River. Check out the official Facebook event here for more information.

Details of the new Nick Mulvey Album Wake Up Now

Nick Mulvey
Image Courtesy of Nick Mulvey

The amazing English indie-folk singer-songwriter Nick Mulvey has just revealed plans to release his second album Wake Up Now on the 8th September.

Following up from his amazing 2014 album First Mind, Wake Up Now sees Mulvey in a more relaxed frame of mind.

Nick Mulvey has already released the single “Unconditional” and has followed up with the track “Myela”.

Take a listen to “Myela” below:

The full track listing for Wake Up Now is as follows:

1. Unconditional
2. Transform Your Game
3. It Ain’t Over
4. Myela
5. We Are Never Report
6. Remembering
7. Mountains To Move
8. When The Body Is Gone
9. Lullaby
10. In Your Hands
11. Infinite Trees

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