Timber and Steel’s Artists’ Top Albums of 2017

Record Collection

Always our most popular post of the year! Once again we’ve sent out the request to the incredible community of folk and acoustic musicians covered on Timber and Steel and they’ve responded overwhelmingly with their favourite albums of 2017.

We’ve already given you our top 25 albums and EPs – now we turn it over to the artists. So much new music still to discover! So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2017.

Sarah BelknerAlison Avron
Sarah BelknerBut You Are, But it Has
This album release was a long time coming and it was totally worth the wait. The lyrics are so easy to relate to, the production is sophisticated, warm and intriguing. Sarah’s voice and songwriting are absolutely sublime.

Gretta ZillerMichael Carpenter (Carpenter Caswell)
Gretta ZillerQueen Of Boomtown
Apart from having one of the most honest and accomplished voices in the Australian alt-country world, Gretta Ziller has developed into a world class writer in the genre. This album showcases how far she’s come in such a short time, combining her take on contemporary writing, with the amazing production of Paul Ruske. The album is strong and sensitive, ballsy and ambitious, without losing any of the heart you’d expect with the songwriting content. An outstanding release from an artist who has truly arrived, and drawn a line in the sand for the genre.

The East PointersÁine Tyrrell
The East PointersWhat We Leave Behind
What an impossible task, top albums, as I am only just sinking my teeth into so many of the amazing 2017 albums at the moment like Jen Cloher’s Jen Cloher, Declan O’Rourke’s Chronicles of The Great Irish Famine and so many more. But one album that has been top of my play list since release has been The East Pointers’ What We Leave Behind and I never tire of it, which is a sign of a great album. This album has great depth to it musically, lyrically and in production. There is a stunning simplicity to the way the three lads work together that creates a joyous sound much bigger than a three piece and I think they have captured it on CD which is sometimes hard to do. I love that they have been able to honour and respect their tradition and push its boundaries into some modern places. One of the stand out tracks for me is their co-write with Liz Stringer, “82 Fires”.

SOHNRosie Evelyn (Liam Gale and The Ponytails)
SOHNRennen
The general vibe is darkly sexy future blues, with simple, soulful vocals, driving percussion, major synth, and just enough movement to keep you going. A little bit James Blake, a little bit Allan Rayman.

Jed RoweLes Thomas
Jed RoweA Foreign Country
This album grabbed me instantly with the strength of its songwriting, quality of musicianship and directness of emotion. Very few songwriters I know can deliver the goods as writers and players like Jed can. The song “Tailem Bend” – a small town story with universal resonance – shows the level of accomplishment and expression he’s achieved and it’s a beautiful thing to hear.

Stu LarsenAMISTAT
Stu LarsenResolute
Not only is Stu a beautiful human being but also an incredible singer songwriter! Every song on this album is just beautiful and comes from a very honest and humble place.

Mexico CityM.E. Baird
Mexico CityWhen The Day Goes Dark
Why? Because they represent the real deal to me – no ego, no frills, no pretense, just damn good songs and tunes.

Hiss Golden MessengerBrooke Russell and the Mean Reds
Hiss Golden MessengerHallelujah Anyhow
There’s something about MC Taylor’s voice that makes me so happy. I’m fairly new to his music and while I’m diving into his back catalogue, this new one has arrived and I’m in love. Beautiful band sound, fab songs – something sentimental in it that feels warm to me. My rekkid for the summer!

Ryan AdamsRyan Oliver (Oliver’s Army)
Ryan AdamsPrisoner
I love that it’s a revered, adored singer-songwriter at the top of his fame, dealing with genuine emotions and pain in the public spotlight. It may be tragic, it might be self inflicted, but I still feel like he’s a true artist who is his own worst enemy and that comes across in his heart-break ballads.

The Homeless Gospel ChoirFrank Turner
The Homeless Gospel ChoirNormal
I’ve been doing shows with Derek in Pittsburgh for a few years and he’s always been good, but this record is the sound of an artist finding his voice and spreading his creative wings. It’s been absolutely jammed in my stereo since I got hold of it.

Brooke RussellKelly Day (Broads)
Brooke Russell and the Mean RedsThe Way You Leave
This year one album really ticked all my boxes – which sounds too clinical really for something that made me splashy cry while I was driving. I particularly love that it sits outside the kind of music I tend to lean towards, but great albums are often the ones that transcend your usual inclinations. Brooke has absolutely NAILED it with this release. Stunning production, exquisite songwriting, and the most luscious, authentic, rich voice that feels like someone blowing softly on the back of your neck.

Gretta ZillerMandy Connell
Gretta ZillerQueen Of Boomtown
Put together with care and love, produced beautifully, and full of arrangements that feel perfect, unpredictable and just right. Every song inspires a depth of feeling, making it a really rich listen all the way through.

Offa RexMackenzie Shivers
Offa RexQueen of Hearts
Being a true lover of Celtic music, this album inspired me as an artist more than any other. From quirky folk-rock (“Queen of Hearts”) to haunting ballads (“The First Time I Ever Saw Her Face”), there is just enough variety of instrumentation and mood to keep the listener completely captivated. And Olivia Chaney’s voice is arrestingly beautiful. Favorite track: “The Old Churchyard”

Fanny LusdenMelody Moko
Fanny LumsdenReal Class Act
I love the way Fanny has cemented her unique way of writing with the record, her blend of social commentary, vivid imagery and Australian culture is unlike anyone else. The production is lush and thoughtful and brings the album together beautifully.

Moses SumneyTulalah
Moses SumneyAromanticism
Choosing a favourite album is a hard ask, the first one that comes to mind (probably because I’m currently listening to it) is Moses’ masterpiece, Aromanticism. It’s impeccably well constructed; colour, texture, mood, feel, groove – it ticks all of the boxes and ticks them damn well.

The War On DrugsThe Once
The War on DrugsA Deeper Understanding
A super strong, sonically rich and atmospheric follow up to previous album, Lost in the Dream. Sounds like Ryan Adams, Bryan Adams and Bruce Springsteen adopted a kid in the seventies and this is the result of that happy home.

Jason IsbellBrad Butcher
Jason Isbell & the 400 UnitThe Nashville Sound
To make my decision for album of the year I simply refer to which album I’ve listen to most. It’s an easy choice really – The Nashville Sound by Jason Isbell & the 400 Unit. All class as usual, amazing sounds all throughout the record and Isbell’s songwriting is up there with the best of the best.

Jed RoweCat Canteri
Jed RoweA Foreign Country
Jed paints a beautiful and lush portrait of predominantly Australian characters and landscapes, past and present on this record. The depth of field and attention to detail in his songwriting is just wonderful and comes across as completely effortless. Sonically the album is paired back, which allows the strength and quality of the songs, performances and Jed’s voice to shine. If I can write a song like “Where The Water Meets The Sky” or “Tailem Bend” some day, I’ll be well pleased.

LordePepi Emmerichs (Oh Pep!)
LordeMelodrama
Melodrama hits me in the heart every time. It’s lush, poignant, groovy and the songs make me think, all the while being incredibly catchy. Those are pretty much most of my favourite things in music!

TajMoLloyd Spiegel
TajMo: The Taj Mahal & Keb’ Mo’ BandTajMo
The first time I heard Keb’ Mo’ I said “Man, this guy should sit in with Taj”. It’s about time they listened to me. Both these artists have the rare ability to modernise the blues genre while still giving it’s roots and traditions their rightful respect. Combined, this CD hit a nerve with me, in particular the gutbucket tracks “Don’t Leave Me Here” and “Diving Duck Blues”. Really though, you can’t put those two in a room and expect anything less.

Valerie JuneEmily Barker
Valerie JuneThe Order of Time
I learned about Valerie June on my trips to Memphis as she lived there for many years and has worked with a lot of the musicians I know out there. I heard “Long, Lonely Road”, the first song on the record, and I knew from then on I was going to love it. There’s so much space in the recordings and her unusual but beautiful vocals grabbed me instantly. I love how the production and her songs seamlessly blend a mix a folk, soul, pop and desert blues. It sounds fresh and cool, powerful and feminine.

The Ahern BrothersJoel Barker & The Low Company
The Ahern BrothersThe Ahern Brothers
Charming and insightful songwriting combining two voices made to sing together. Deserves to be in front of the masses. Astonishing live performances to boot!

Cigarettes After SexHusky
Cigarettes After SexCigarettes After Sex
It’s a fog of romance and nostalgia you can’t help but get lost in. Reminds me of being 16 and love sick, listening to Mazzy Star.

Lisa KnappSam Lee
Lisa KnappTill April Is Dead – A Garland of May
English folk singer Lisa Knapp has captured in this album a stunning insight into the melodic and archaic realms of May-time when all of England is blooming and the sense of ancient rites and mysticism is emerging from the dark winter. It’s an album that casts a rich and hauntingly magical spell and gives that sense of contemporary ancientness that all good folk singers are masters of.

Greg StepsFour In The Morning
Greg Steps & The Not For ProphetsThe Overland
There have been a lot of great releases this year, but our favourite from around Melbourne has to be The Overland by Greg Steps. The songs just scream of someone who has worked hard at honing their craft. Tightly woven lyrics painting little snapshots of Australia, from early morning walks in Melbourne to trains clattering across Queensland. It’s all underlaid with a warm, folky vibe that feels authentic without being derivative. The stand out track for us is “Famous Last Words”. It’s a folk song in the true sense of the word and weaves together thoughts on fame, colonialism, and folk heroes. It also introduced us to the amazing story of Breaker Morant.

Novo Amor and Ed TullettWildwood Kin
Novo Amor & Ed TullettHeiress
This is the perfect album to listen to when in need of some peace and tranquility amongst a busy schedule. They have released a set of live performance videos that capture their sound together so well; the two voices blend harmoniously together, creating an unbelievable sound of completeness and perfection. You can’t help feeling relaxed when hearing their music!

Leif VollebekkRiley Pearce
Leif VollebekkTwin Solitude
You know how people say they’ve had this CD in their car and have listened to it on repeat since they got it and you’re like “yeh right, no you didn’t”. Well now I understand that feeling. This album is everything. It’s emotive, it’s clever, it’s stripped and simple and it’s f#@king great!

The Teskey BrothersPaddy McHugh
The Teskey BrothersHalf Mile Harvest
When I first heard the track “Crying Shame” I thought that I was listening to a bunch of old African American soul men from Memphis. Then I saw a picture of the band and thought I was listening to a bunch of young white soul dudes from Memphis. Then I read they are from bloody Warrandyte in Victoria. I invited them to play live on my radio show Three Chords & The Truth and they absolutely killed it. Since then I have had the pleasure of playing on a few bills with them and can also report that they are top blokes to boot.

Big TheifFraser A. Gorman
Big ThiefCapacity
Adrianne Lenker is easily the most eloquent and beautiful songwriter I’ve heard in years.

Neil McSweeneyJon Boden
Neil McSweeneyA Coat Worth Wearing
I’ve chosen an album by Neil McSweeney, a stalwart of the Sheffield scene for many years. A Coat Worth Wearing is a fantastically literate collection of songs beautifully arranged and produced, and displaying the talents of a brilliant band of musicians including renowned folk stalwarts Ben Nicholls and Sam Sweeney. It’s an excellent album on so many levels and definitely my pick for album of 2017.

YirrmalKetch Secor (Old Crow Medicine Show)
YirrmalYoungblood
I met Yirrmal Marika in Melbourne at the Australian Americana Honors Awards this past October. Yirrmal stole the show. He is a culture man. I picked up Yirrmal’s new EP Youngblood; it is the best Americana record I heard all year long. It’s got 50,000 years of soul. Crank it up.

Nadia ReidTaryn La Fauci
Nadia ReidPreservation
This record was on repeat for many many months in my car this year. I had really been craving an exquisite, cohesive and beautiful album that I could fall for, hard. This album did all of that and more, which is why it is my album of the year for 2017. I also got to see Nadia play in Sydney at The Golden Age Cinema in April and the show was stunning, it made me want to run home and learn how to play my guitar with that kind of verve.

Ryan AdamsImogen Clark
Ryan AdamsPrisoner
This album sounds to me like beautiful chaos and distress. Ryan Adams has a way of tapping into human vulnerability and woe like I don’t think I’ve ever heard from another artist. This record is just another example of his way with words and melodies that together, form the most melancholy but simultaneously kick-ass comments on the human condition you’ll ever hear from any modern day songwriter.

Sgt PepperJames Daley (The Morrisons, Diamond Duck, Tawny Owl String Band)
The BeatlesSgt. Pepper’s Lonely Hearts Club Band – 50th Anniversary Edition
I feel a bit a strange choosing a reissue as album of the year, but who cares, it’s Sgt Peppers. After all the music I have listened to in my life, nothing has ever captured my imagination the way The Beatles have. It is the most astonishing body of work in pop music, the same way Bach is to classical music or Shakespeare to literature. I discovered The Beatles as a teenager after I got a copy of The White Album for xmas one year and my life has never been the same. Hearing all the remastered tracks and outtakes on this reissue was a wild journey and reinvigorated my love for this music in a way I hadn’t anticipated – I have been listening to The Beatles non stop since it came out, like I’m rediscovering it all over again. There are some absolute pearlers on this – the alternate takes of “Strawberry Fields”, “Lucy In The Sky” and “Day In The Life” are really interesting. Hearing how they built these songs into what we know and love is a fascinating process. However the most astonishing track is the instrumental take of “She’s Leaving Home”. Being able to hear all the subtlety, intricacy and beauty of George Martin’s arrangement for strings/harp was such a joy. A real masterclass in arranging – plus you can sing over and pretend you are Paul McCartney, ha.

The War On DrugsDirewolf
The War on DrugsA Deeper Understanding
Don’t you just adore things that need only a moment to take a firm grip around your mind, heart and/or soul? Like a one in a million barista made coffee or takeaway Thai? Not that I’m directly drawing comparisons between those things and what I consider to be a modern day classic album. However that is how my body reacted when the first second of “Up All Night” passed by. The unmistakable soundscape, verb soaked /grunge driven guitars, the synergy of acoustic/electronic driving “Dire Straights” percussion, Adam Granofsky’s/Bob Dylan’s often confused voices are but the tip of a very large and colourful iceberg that make up the record at large. We’re only supposed to be confined to one sentence, and since I’ve already profoundly broken that line I’m going to insist you put this record on in the background and see how long it takes you to stop needle poking around on the internet and gain A Deeper Understanding.

Scott CookLiz Frencham
Scott CookFurther Down The Line
I listen repeatedly to a lot of albums for my work as an accompanist. Rarely does such an album make it past that stage into my ‘listening
for pleasure’ category let alone become my favourite. But Scott Cook’s warm and beautiful Further Down The Line is one such album. It captures his arresting live delivery and the songs are rich in detail and real, visceral experience.

Dermot KennedyHarrison Storm
Dermot KennedyDoves & Ravens
I remember stumbling upon Dermot’s music on Spotify and instantly connecting with it. I became really intrigued with his music and read in an interview where he explains his sound as a cross between Bon Iver and Drake, which is pretty accurate. This EP is full of rich lyrics and interesting sounds and each listen uncovers a phrase or sound you may have missed in the previous listen. This EP definitely inspired me this year and I am looking forward to what he releases in 2018.

Laura CorteseThe East Pointers
Laura Cortese & The Dance CardsCalifornia Calling
If there’s one album we could pick from 2017, we’d have to choose California Calling by Laura Cortese & The Dance Cards. These girls are ridiculously talented (watching them perform live makes you want to go home, practice and write better songs). Their latest album combines Americana, trad, pop and folk so perfectly. Organic, yet slick. Can’t see how anyone wouldn’t like it!

FeistAinsley Farrell
FeistPleasure
Pleasure is so intimate and fragile, yet very powerful. It tugs at all my heartstrings. I recently got the chance to see her live performance at The Opera House and it blew me away.

Leif VollebekkDustin Tebbutt
Leif VollebekkTwin Solitude
My good friend Hayden Calnin introduced me to this guy over a late night whisky, and I have been listening ever since. The lyrics verge on stream of consciousness without being aimless, while vocally, Leif somehow manages to ride the line between being completely vulnerable and completely in control at the same time. Put this on top of some of the tastiest drum sounds I’ve heard in a long while, and simple but stunning keyboard playing, and you’ve got yourself one hell of an album. There are few bells and whistles, there aren’t really any production tricks or shoe shine here, just honest stories, and raw but precisely executed sounds.

Phoebe BridgersWilliam Fitzsimmons
Phoebe BridgersStranger in the Alps
I came upon Bridgers from my bandmate, who had done some touring with her and I was pretty caught up in it immediately. Her voice is special and there is a wisdom in her words beyond her young years. The most exciting thing for me, however, isn’t the album itself, it’s knowing that there is only more and even better from her to come. Listen to “Smoke Signals”.

The Mae TrioThe Northern Folk
The Mae TrioTake Care Take Cover
We finally caught The Mae Trio at Dorrigo Folk this year after hearing good things for so long, and they blew us away. This is the kind of album that reminds you of how amazing our folk scene can be- heartspoken, cleverly arranged, beautifully performed and catchy as anything. “Call Me Stranger” is a particular favourite of ours, but each song on this record is so strong.

R.L. BoyceDom Turner (The Backsliders)
R.L. BoyceRoll and Tumble
It is the second album from a man at the heart of the Mississippi hill country blues tradition. It contains all the style and swagger, grit and power that comes from a musician who sets perfectly gritty grooves overlain with heartfelt vocals to achieve maximum emotion.

The Button CollectiveJoe Glover (Shelley’s Murder Boys, The Backsliders)
The Button CollectiveHall on the Hill
This album has been on constant repeat in my car, my workshop, and my Spotify from the first day I bought it – so beautifully recorded so that you feel like you are in the room with them as they emotionally belt out fantastic songs written by Brodie and brought to life by a bunch of great musicians. Hall on the Hill is an absolute cracker of an album and I think I’ll be religiously listening to it for some time to come – perhaps until their next one is released.

Willie WatsonShelley Eves (Shelley’s Murder Boys)
Willie WatsonFolksinger Vol.2
This album is such a clear winner for me, I’ve had it on high rotation since its release. Once again Willie brought his own feel to some classic folk songs, from the delightfully joyful harmonies in “Samson and Delilah” to his haunting take on “Gallows Pole”.

All Our Exes Live in TexasJimmy Murray (Shelley’s Murder Boys)
All Our Exes Live in TexasWhen We Fall
Such a pleasure to finally hear this debut album after hearing the band grow and play over the past few years. What an amazing collection of songs and of course the incredible vocal performances from all 4 of these superstars. I really loved the production on the album as well by producer Wayne Connolly which added lovely colour to the beautiful songs. ARIA award winners 2017!

Kat GoldmanRuth Hazleton (Kate Burke and Ruth Hazleton, Bill Jackson)
Kat GoldmanWorking Man’s Blues
Nina Simone once said “It’s an artist’s duty … to reflect the times [in which we live]”. It’s been a fantastic year of new releases, though I’d like to highlight an album that nails the above brief and more. Canadian writer Kat Goldman’s Working Man’s Blues is challenging, at times fragile, brutally honest and incredibly insightful. Collectively, the songs explore contemporary working-class culture, often from the perspective of a lover who struggles to understand and accommodate the struggles of the working man. I’ve long been a fan of Kat Goldman’s writing. Her unique sound, mesmerising voice, distinctive compositions and feet-on-the-ground approach to her music make her a formidable artist of great integrity. Working Man’s Blues has been on high rotation here, and will be for some time to come.

Jed RoweBill Jackson
Jed RoweA Foreign Country
First thing that struck me about this record was the vocals and these songs provide a beautiful vehicle for a great voice. Next thing, the sparseness – the way I have been accustomed to hearing Jed over his journey. Jed Rowe has something to say – I admire that and this record puts him up there with the very best. Standout track for me is “Tailem Bend”. Beautifully produced by Jeff Lang.

Lilly HiattJames Allsopp (Ralway Bell)
Lilly HiattTrinity Lane
Picking one standout release for 2017 was pretty impossible in what was a year of exceptional music. Locally, Joel Barker and the Low Company’s Unchartered EP was a stand out. Otherwise, I’ve been talking up Lilly Hiatt since the moment I finished listening to Trinity Lane. Like all my favourite albums, it’s rooted in personal struggle, ebbs and flows perfectly, is filled with outstanding musicianship, and doesn’t try too hard sound like any one genre in particular. 10 stars!

Body CountMatt Black (The Bottlers)
Body CountBloodlust
Body Count’s sixth studio album Bloodlust emblazons a brutally honest sociopolitical conscience and fire eyed world view, teetering on the honed end of a pistol sight. I feel this is Ice T and band’s tried and true return to form with pinpoint, stand out tracks such as the narrative charged, “Black Hoody” and controversy ladened, “No Lives Matter”. A must listen for those thirsting for the truth beyond a media blurred world.

Bob DylanThe Welcome Wagon
Bob DylanTrouble No More – The Bootleg Series Vol. 13 / 1979-1981
You might call this choice dirty pool, as the music was recorded nearly 40 years ago, but it’s only now getting a proper release, so I’m technically in the clear. This is a collection of live tracks, demos, and outtakes from Bob Dylan’s so-called “Born Again” period, stuff folks (me included) have been downloading from various sketchy websites for years, and for good reason. The songs are great – check “Solid Rock” for a straight Gospel stomper, cue up “I Believe in You” for an arresting spiritual ballad – and so are many of the live performances (the backing choir is consistently blistering). Whether you’re a believer or not, Dylan clearly is here, and it makes all the difference.

The Mae TrioJohn Flanagan
The Mae TrioTake Care Take Cover
Sisters Maggie and Elsie Rigby have such beautifully contrasting songwriting styles, Maggie is a stone cold killer Americana writer and Elsie writes stunningly original melodies with uplifting pop hook choruses. With (no exaggeration) some of the best folk harmonies in the WORLD and Anita’s impressive rhythmic cello playing, this is a truly unique and heart-grabbing band and this album is them going all out with tasteful and at times epic production.

Georgia State LineNick Payne (Dear Orphans)
Georgia State LineHeaven Knows
These guys applied to play at the Americana Music Association of Australia’s takeover of Late Night Alt at Tamworth in January. Paul Heggart from The Heggarties chose them site unseen from the applications purely based on what he heard when he listened to their pre-release recordings of this album. Hailing from country Victoria these guys are a six piece featuring Georgia Delves on vocals, and songwriting. They’re all accomplished instrumentalists in their own right and Georgia’s songwriting authentically channels the best of sophisticated country songwriting from the 60s and 70s.

Fanny LusdenSam Buckingham
Fanny LumsdenReal Class Act
I’m not just picking this album because Fanny and Dan are two of my favourite people! This album is, as the title suggests, all class. Fanny’s songwriting is beautifully Australian and the album is joyful, brilliantly performed by all involved, and completely without any ego – despite the outstanding success these guys have been earning. Fanny gives us all a lesson on how to be a ripper indie artist and how to make music that’s undoubtedly, authentically, your own. Roll on kids

LCD SoundsystemEm George
LCD SoundsystemAmerican Dream
I was moderately (read as *very*) excited when there were rumblings of talk about a new album from these guys, but like anything that was laid to rest, one always is slightly concerned that the revival won’t live up to what has come before it. So when LCD Soundsystem released their new album, I cautiously gave it a first listen and it did not disappoint. Every beat and melodic turn is so completely in tune to what has become their signature sound; that build up of tension and release, excitement and sadness, with inflections of irony that James Murphy grabs the listener with in his choice of lyrics marked with wit. There’s a touch of darkness and melancholy as each song seems to question the ending of things, the loss of once was, but that bright spark of beat this band is known for keeps it somewhere higher and closer within reach, slightly unobtainable so you keep wanting to hear it on repeat from start to finish again and again.

Aldous HardingCharm of Finches
Aldous HardingParty
Party swept us off our feet. Moody and textural, impeccable production awash with aural spectres. Horizon is addictive and moving. Aldous’ compelling voice and haunting poetics have us in thrall.

The Teskey BrothersMark Wilkinson
The Teskey BrothersHalf Mile Harvest
Amazing vocals and killer tracks full of old school soul. Sounds like neat whiskey and smokey bars.

The NationalBANFF
The NationalSleep Well Beast
I eagerly awaited The National’s next record, after Trouble Will Find Me kept me wrapped me up in its flawlessness for the last four years or there abouts. This year Sleep Well Beast won me over, with Matt Berninger’s candid yet agitated words luring me back into that deeply thoughtful, emotional and hauntingly beautiful sound I would’ve always come back for. The National perfectly blend understated harmony with organised chaos throughout all of their records, and this was no exception by any means. The meticulous musicianship and purposeful, but somewhat ambiguous lyrics continue unravelling more layers to this beast in itself every time I listen. This was the best record of 2017 for mine.

LankumKarine Polwart
LankumBetween The Earth and Sky
I can’t get enough of the murky drone-scapes and vocal edges of Lankum’s Between The Earth and Sky. In particular, the raw, reedy singing of Radie Peat on album opener “What Shall We Do When We Have No Money?” sounds like the ages. It’s the absolute antithesis of sweet.

The Wood BrothersBen Prest (Echo Deer)
The Wood BrothersLive at the Barn
I know it’s a live album but this release was my first exposure to the brother’s amazing songs, chops and harmonies. Their sound owes a lot to The Band, and “the barn” is at Levon Helm’s farm where he held concerts before he died, making the fantastic closing cover of “Ophelia” and dedication on “Postcards from Hell” all the more meaningful.

Jess LockeHollie Matthew (Echo Deer)
Jess LockeUniverse
A revisiting of the 80’s Australian rock sound ala Go Betweens with more sadness and slacker vibe. Killer matter of fact lyrics and chorus-y guitar sounds. Even better live. 5 Stars.

SamphaSimon Wegman (Echo Deer)
SamphaProcess
I hadn’t been aware of Sampha’s previous EP releases, but after Shazaming “Blood on Me” while in a tragically trendy sneaker store, I was moved to hunt down the British singer and producer’s debut LP. Sampha Sisay’s sensitive, soulful vocals and meditative piano (reminiscent of James Blake at his best) form the backbone of this record, while the thoughtful production touches throughout make me want to hit “play” again the second it finishes.

All Them WitchesAlexi Grivas (Echo Deer)
All Them WitchesSleeping Through the War
The latest album by All Them Witches has been my most played record this year. A four piece from Nashville – but they aren’t a country band – All Them Witches is a great new-wave heavy psychedelic band, with moments of light and shade. This record has them growing as writers and players, bringing new instruments and sounds into the mix. Can’t wait to see it live.

Sam OutlawRick Hart
Sam OutlawTenderheart
Simple, yet endearing melodies, layered with beautiful storytelling. It’s an album that is strong from start to end, in many ways reminding me of some of the great traditional country songwriters whom I love. Favourite tracks are “Now She Tells Me”, “She’s Playing Hard To Get (Rid Of)” and “Bougainvillea, I Think”.

Courtney Marie AndrewsJames Ellis and the Jealous Guys
Courtney Marie AndrewsHonest Life
I knew what my favourite album of the year was going to be when I saw Courtney Marie Andrews play in Melbourne in July this year. She’s got a tremendous voice and the lyrics stand apart from almost everything else I’ve heard this year in their insight and honesty. What makes her songs exceptional is the way they all seem to come directly from her own story and experience. These are her songs and this is her life. It’s an honest life.

Mike BarnettHamish Davidson (Davidson Brothers)
Mike BarnettPortraits in Fiddles
As a fiddle player and bluegrass fanatic, I am thrilled to see Mike Barnett create a record which to me is like a cross section of all the bluegrass fiddle music I’ve devoured in the last 27 years. He collaborates with some of bluegrass music’s most vibrant talent and shines new light on a great selection of fiddle masterpieces.

Angel OlsenKate Barker (Whoa Mule, Golden Whistler)
Angel OlsenPhases
I just can’t seem to get enough of Angel Olsen’s vocals and songwriting. Her work inspires me to sing like there’s no tomorrow!

George HarrisonTim Guy
George HarrisonWonderwall Music
I know this is a turn up for the books, this was released in 1968. I was in India a few weeks back, and as we descended into the ancient blue city of Jodhpur, I had this on in my headphones and seriously guys, it was incred. Place and time – but you know what I mean.

Sarah BelknerMel Parsons
Sarah BelknerBut You Are, But It Has
Sydney producer and songwriter Sarah Belkner knocks it out of the park with But You Are, But It Has. This record and its predecessor the Humans EP have been on high rotation for me all year. Brilliant songwriting, interesting and super clever arrangements and impeccable production. I will continue to listen obsessively.

Bill OrcuttMark Moldre
Bill OrcuttBill Orcutt
Orcutt wanders in and around the destruction, renovations and construction sites of melody. Tearing a well worn musical phrase apart and rebuilding it. Disassembling a traditional like it’s a jigsaw puzzle and putting the pieces back together in all the wrong places with gaffer tape and super glue. Attacking the guitar with a ferocious tenacity, short angry, dogged outbursts are followed by meditative beauty. “When You Wish Upon A Star” dances about the melody without ever really clearly stating the theme. “Ol’ Man River” is soft and dripping with the peaceful lapping of the Mississippi whist remaining dark and haunting, broken and fractured. Reminiscent of the solo work of Marc Ribot, Fred Frith or even the sonic explorations of Tom Verlaine in its angular assault to the senses. Jazz, traditional folk and the avant-garde smash headlong into each other with little regard for the trail of damage and re-creation left in their wake. Dissonant yet sweet, contemplative while remaining challenging. Bravely free and uncensored.

Loene CarmenCatherine Traicos
Loene CarmenLovers Dreamers Fighters
I’ve always loved the way Lo’s voice manages to be strong, vulnerable, sassy, gentle and flirty all at the same time, and on this record it achieves that in spades. Also the pacing and the production of this record are spot on.

King Gizzard And The Lizard WizardJeff Lang
King Gizzard And The Lizard WizardFlying Microtonal Banana
This is a rocking album, really fun to listen to. The band gets up quite a head of steam, the rhythm section powering with a relentless forward momentum and the various microtonal electric guitars stabbing and chattering over the top. Great riffs all over the album, fantastic energy and an adventurous, explorative mood throughout. It sounds to me like they’re having a load of fun.

Ryan AdamsJosh Rennie-Hynes (The Ahern Brothers)
Ryan AdamsPrisoner
Adams has so many albums and this is one of his best. Great songs, production and tones

Pony FaceCat Leahy (This Way North)
Pony FaceDeja Vu
I’ve always been fascinated with the sonic scapes that Pony Face create. I’m a massive fan of Shane Omara’s musical mind too, so when I heard he was a new member of Pony Face, it just made so much sense. This album really speaks to me. The way the songs tail in and out, the mesmerising, pulsing tremolo on “Mt Deja Vu” the driving groove in “Justine”. It’s pretty magical. Simon’s voice is just heavenly. He’s like some kind of grungy, modern-day crooner.

Nikki LaneRuby Boots
Nikki LaneHighway Queen
I tried to pick another album for fear of seeming biased, but I really do love Nikki’s album from back to front and no matter how I tried, I couldn’t get past it for this year’s top pick, I fell in love with it on first listen and over 50 listens later it still remains my fave. There’s a storyline in every song that is so easy to latch on to and make your own whilst still being cleverly written, that and the infectious melodies that take up the prime real estate on this record are the things that almost make you feel like she’s written the album just for you, the listener, yet there is enough sincerity in there to know that it’s just as much for her as it is for you, the perfect balance really! Fave song on the album: “Foolish Heart”.

Nai palmTommy Spender (Mama Kin Spender)
Nai PalmNeedle Paw
I started listening to this record while I was having a bath and it felt like it really complimented the complete surrender to the hot water. I love Nai’s passion to her artistry. She is truly gifted with a confidence and commitment to her voice that verges on punk, but her vocal has such a developed technicality, it blows me away. It’s so great hearing where she is at without the sinewy and muscular musicality of Haitus Kaiyote winding around her sound.

Scott CookAlanna and Alicia
Scott CookFurther Down The Line
Scott Cook is a natural storyteller; his songs glow with empathy, wit and warmth. This is a beautiful album, but he is even better live.
His performance on the porch at Enda Kennedy’s house concert in Northcote, Melbourne was a passport to the heartland of folk songs as they should be, as they have always been.

Colter WallHarvey Russell (Peasant Moon)
Colter WallColter Wall
This is a sparse, flawless debut from an extraordinarily talented 22 year-old Canadian possessing an absurdly weathered baritone. Arranged mostly with acoustic guitar and pedal steel only, these songs are written with the assuredness and self-knowing of a veteran songwriter. At times channelling Haggard, others Townes, the dark, vivid storytelling is magnetic and stunning. These songs feel lived in, shaped by wisdom and experience. Here we have a voice of country music’s future.

Caroline SpenceJosie Rothwell (Peasant Moon)
Caroline SpenceSpades and Roses
I’ve adored Spades and Roses this year. The songs are gentle, personal, universal, with gorgeous, sonically diverse but simple instrumentation. From the gender politics of “Softball” to the twang of “Hotel Armarillo” to the cute, lyrically playful “Wishing Well” and yearning of “Slow Dancer”, they’re songs I love to listen to, to be swept away by – what a songwriter!

Bad // DreemsMark “Looch” Lewis (Wifey, Handsome Young Strangers)
Bad // DreemsGutful
A cracking second effort from the best thing to come out of Adelaide in a long time. Big old school pub rock sound, quality songs, gruff vocals and a solid rhythm section make these guys a step above the other contenders. Bad // Dreems have always been a fantastic live act and this album gets closer to nailing that intensity and rawness. There is a reason they supported Midnight Oil recently! Can’t wait to see what comes next.

Gang of YourhsGretta Ray
Gang of YouthsGo Farther In Lightness
It wasn’t a challenge in the slightest to fall completely, head over heels in love with Gang Of Youths’ record Go Father In Lightness. The lyrics throughout this album are phenomenal, philosophical, pegging together lines of innovative poetry such as “a weight that’s in youth” soon to be followed by more casual, laid-back slang “..that makes a dick of us all”. I felt that the literature, interwoven with conversational speech in this way served to make this album, an album that discusses and reflects on the pros and cons of one’s “limited life” as well as the exploration of what it is to be “human”, unbelievably moving and relatable. As a writer myself, but more importantly a listener, I perceived it to be nothing less of an honour to see the world through writer and frontman Dave Le’aupepe’s eyes whilst listening to this record, that is more than deserving of all of the acclaim it has received over the duration of this year.

Kasey ChambersTom Busby (Busby Marou)
Kasey ChambersDragonfly
I’ve spent a bit of time with Kasey and the Chambers family over the last couple of years and the more I’ve been able to watch her off stage, the more I have realised that she is a true and prolific songwriter. Constantly singing, always creating, forever exploring. That is what this record is, just like her, brave and genuine!

Kendrick LamarSahara Beck
Kendrick LamarDamn
This album has worked for me no matter what mood I’ve been in all through 2017. It’s one of those albums that, to me, will always be a classic. Driving down to the lake with the windows down loving every moment of each song. Thank you for making my 2017 that much better Kendrick.

Leif VollebekkHayden Calnin
Leif VollebekkTwin Solitude
Never has an album been so important. I’ve listened to this every second day, and it still feels as good as the first listen. It’s come to the point that I’ve started a petition to bring this talent to Melbourne. I’m addicted to the feeling Leif gives to me. Enjoyed best walking through chaos on a sunny day, forgetting the world around you.

Ulrika SpacekTom Stephens (Tesse)
Ulrika SpacekModern English Decoration
A lesson in the art of denial, an element is there and then it’s not. It’s driving and heavy, commanding attention, but somehow you can drift away at the same time. Melodies that have to be revisited again and again and then again.

Valerie JuneMatt Golotta (The Sweet Jelly Rolls)
Valerie JuneThe Order of Time
I listened to the first few songs online of The Order of Time when it first came out, then began calling record stores instantly to see if they had it in stock because I had to own it. This record seriously has everything I look for, its soulful, rocky, bluesy and country, with the right amount of sadness. I think I’ve listened to “Love You Once Made” every day this year since buying the record. “Got Soul” is a stunning pairing of soul and country that is this perfect happy way to close the record.

Daniel RomanoTamara Lindeman (The Weather Station)
Daniel RomanoModern Pressure
Definitely the record I listened to most this year. Just great. Perfect pop songwriting, wonderful wild drumming, insane bass playing, great solos, crazy organ jams, great everything (and every note played by Romano of course). What else do you want?

Big ThiefCy Winstanley (Tattletale Saints)
Big ThiefCapacity
After being introduced to ‘Paul’ from 2016’s Masterpiece on a late night drive, and subsequently watching their Tiny Desk concert, I have been enthralled with this band. I love Adrianne Lenker’s poetic, yet coherent and often confronting lyrics, and the stark arrangements of harmonically rich songs played with a nonchalance that belies their mastery.

Sara TindleyLucie Thorne
Sara TindleyWild & Unknown
There’s an extraordinary richness and directness to Tindley’s voice that is truly stunning. Wild & Unknown is a brave and beautiful collection of songs that’ll have you dancing one moment, weeping the next. A quiet masterpiece that creeps up under your skin and plants itself in your soul. I love this album.

Jen CloherAlison Ferrier
Jen CloherJen Cloher
I love everything about Jen Cloher’s self-titled fourth album. This comes close to the perfect album for me, it’s brilliantly written, performed, recorded and produced. Jen’s bare-faced honesty is incredibly brave and inspiring. Favourite tracks: “I Forgot Myself” and “Strong Woman”.

The Secret SistersThe Weeping Willows
The Secret SistersYou Don’t Own Me Anymore
Selecting your favourite album of the past 12 months is made all the more difficult when three of your favourite acts (Jason Isbell, David Rawlings and The Secret Sisters) all release LPs within the same calendar year. But whilst Isbell and Rawlings delivered sublime albums (as to be expected), the Sisters’ album is “all killer, no filler”, their best work yet, with no temptation to reach for the “skip” button! You Don’t Own Me Anymore is the charming trad-country harmony duo’s third album and most personal project to date. The writing is at times confessional, at others, nostalgic for simpler times; strength juxtaposed with vulnerability. Their soulful songs were lovingly and tastefully produced by good friend Brandi Carlile. Stand out tracks include “Tennessee River Runs Low”, murder ballad “Mississippi” (sister song to the wonderfully haunting, “Iuka” from their 2014 album, Put Your Needle Down), “Little Again” and title track, “You Don’t Own Me Anymore”. Check them out if you’re fans of sibling harmony (eg. The Everly Brothers) and/or the southern gothic stylings of Gillian Welch and The Civil Wars.

Lilly HiattSophie Klein (Little Wise)
Lilly HiattTrinity Lane
I saw Lilly perform at Third Man Records at AmericanaFest in Nashville, but the gravity of her songwriting only hit me afterwards, listening to her rocking 2017 album Trinity Lane on my headphones traveling around the States. The production, by Michael Trent of Shovels and Rope, is big, loud, gritty and more indie rock than Nashville alt-country. But Lilly’s voice still has a southern twang to it though and the melodies and words kick around my brain for days on end. “I just wanna rock n’ roll, scream out my and burn real slow” she sings on “Records”, and it makes me want to do the same.

Jamie WyattGretta Ziller
Jamie WyattFelony Blues
Although it’s been out for most of the year I’ve only just discovered Jamie Wyatt’s Felony Blues! It’s a rare thing for me to listen to something on repeat but since I’ve discovered her it’s all I’m listening to!!! It’s unashamed, uncomplicated, catchy, good old fashioned country music.

Christopher Coleman CollectiveThe Dead Maggies
Christopher Coleman CollectiveAh Winter
This is a work of art, from a guy that’s had a hard run and put his heart on his sleeve. The result is a deep, personal and moving album of mature songwriting. Musically it sits somewhere between Bright Eyes and Neil Young.

Steve EarleTristan Goodall (The Audreys)
Steve Earle & The DukesSo You Wanna Be An Outlaw
Equal parts devilish invitation and cautionary tale, this killer record was a tour van favourite as we hit the road after a break this year. Steve is in fine form, as usual, and while the album is boisterous and swaggering, it also manages to highlight his songwriting craft. Highlight: Willie Nelson growling “if you wanna be an outlaw you can never go home”. Giddy-up!

LogicSteve Barnard (Jon Cotton and The Book Keepers)
LogicEverybody
Riding my push bike past all the kids and their mothers, heads adorned in their icon of piety, devotion and religious identity. The burka is far more common in this corner of Sydney than most and it puts a smile on my face to see children enjoying their walk home from school with Mum. An old bogan crossing the road to the pub yells racial cliches about going back where you came from and then turns to me for my approval of his vitriol. I inform him I’m from overseas too, I just happen to be white and he is guilty of the grossest and purest type of racism. Racism is as blatant as the inability to see past difference and as subtle as the apathy that accompanies privilege. Everybody suffers either in their oppression or privilege. Everybody.

Lawrence GreenwoodTanya Batt (BATTS)
Lawrence GreenwoodP.S. I’m Haunted
Lawrence has been a favourite of mine for a long time with his previous project. It feels so nice to have a new album from him and my gosh wow. The melodic and lyrical genius within this album actually made me cry the first time I heard it. The journey this takes you on from start to finish is incredibly special. All of the amazing detail within the album leaves you finding something new each listen.

Gretta ZillerAndrew Swift
Gretta ZillerQueen Of Boomtown
Maybe I’m a little biased after spending so much time on the road with Gretta, but credit where credit’s due. Queen Of Boomtown is a solid record from start to finish. With underlying blues tones throughout, Queen Of Boomtown will have you tapping your feet, singing along and wiping away a tear or two again and again. Ziller is quickly being recognised as one of this country’s best songwriters and without a doubt one of its best vocalists.

Raise By EaglesSam Newton
Raised By EaglesI Must Be Somewhere
There is a great mix of upbeat and slow-burner tracks with a sprinkle of country here and there. The record is filled with great songwriting and heartfelt lyrics.

Ben SalterShane Nicholson
Ben SalterBack Yourself
I have a lot of favourite albums of 2017. It’s been a good year. But for me, one stands above the rest – Ben Salter’s Back Yourself. It’s equal parts diverse, brave, accomplished, intelligent, exciting, original, and just plain incredible, superior record-making.

Frank OceanThe Campervan Dancers
Frank OceanBiking
Ryan is arrested by the nostalgic visions of meatophorical bike-riding. Chelsea is delighted by how they manage to execute an extensive shouting outro with great aplomb.

The East PointersThe Little Stevies/Teeny Tiny Stevies
The East PointersWhat We Leave Behind
This recommendation is just as much about the album as it is about the live show, because TEP have done what is often very difficult to do and that’s to capture the energy and magic of their live show on record. As a band they’ve got the full package; great songs, impressive multi-instrumental musicianship, rich 3-part harmony, and to top it off they’re genuinely nice people. My favourites on the album are the vocal lead songs because I love a catchy melody and riff. But I also really enjoy the instrumentals because they include some super interesting harmonic changes through them that don’t always go where you’re expecting them to go. It’s an album that’s made a non-fiddler make it their new years resolution to learn how to play the fiddle, so it must be pretty good.

Songs From DanMelanie Horsnell
Dan TuffySongs from Dan
I loved Dan Tuffy’s record Songs from Dan because I love the quiet back of the valley live sound and the song “The biggest bastard who ever rode the west” is every musician-having-a-low-down-day’s anthem. And I loved King Curly’s new EP but biased as now we are making a record together, so not allowed to vote for that.

Les Poules a ColinJesse Periard (Ten Strings and a Goat Skin)
Les Poules à ColinMorose
Les Poules à Colin have never been a band to limit themselves. They are constantly pushing boundaries and exploring uncharted territory, which sets them apart from so many traditional music groups. They’ve grown so much as a band and Morose is a true representation of where they stand in the realm of traditional Québécois music and I couldn’t be more proud of them. This album has so many complex and beautiful layers to it, and has inspired me and taken me to places I didn’t expect.

Sarah BelknerJulia Johnson
Sarah BelknerBut You Are, But It Has
A record I have returned to repeatedly, finding more with every listen. The textures and arrangements glisten, but have this earthy, warm undercurrent. Her lyrics unfolded the more I honed in on them. Where I was wondering of their meaning upon first listen, months later her songs are resonating deeply with chapters and moments in my life. For me, there’s nothing more wondrous than finding a song that exposes one’s painful or wonderful experience as universal, and this album is rich with those gems. Standout track: “Cellophane”.

Jesca HoopAinslie Wills
Jesca HoopMemories Are Now
I describe this album to other people as “assertive folk” in that it has folk sensibilities and instrumentation but the song ideas are quite robust and angular at times which make it really memorable (ha! Pun not intended). Also, It has no drums which to me was really refreshing as most things these days are so banger/beat driven.

Trad AttackJoe Gould (The Crooked Fiddle Band)
Trad.Attack!Kullakarva / Shimmer Gold
Every so often I spend some time seeking out what’s happening in other local scenes around the world, and Crooked Fiddle’s musical equivalents therein – thus leading me to Estonia’s Trad.Attack! (punctuation included). Part melodic folk pop, part updated trad folk complete with Estonian bagpipes, they sometimes come across as a Baltic equivalent to Ireland’s Kila, especially on the epic title track.

Big ThiefAngie McMahon
Big ThiefCapacity
I’ve fallen in love with this band and this album. The intimacy of the songwriting has captured me, and the so many moments in the lyrics and music have brought me to moments of realisation and clarity. Some albums make you really grateful for music and the power it has over your mind, and this year, for me, it’s been this one.

Lana Del ReyTori Forsyth
Lana Del RayLust for Life
I love that Stevie Nicks has a little part of this record, she also experiments with some rad sounds. Also, lyrically this record is incredible.

This Is The KitEmily Staveley-Taylor (The Staves)
This Is The KitMoonshine Freeze
We met Kate, Rozi and Jamie at The Funkhaus during the Michelberger festival in Berlin last year and thought they were all wonderful people making wonderful music. Then we saw them play this album live at Eaux Claires festival in the summer and were blown away. The record has so many lovely, rounded sounds on it. It feels soft, but it has a driving energy that keeps pushing it forward. Kate’s voice has a familiar, kind quality when she sings – who doesn’t want to feel like they’re having a conversation with a friend when they listen to music? It’s a self-assured album by a band who seem to really know who they are. And that’s a comforting presence to be in. Plus the tunes are fucking banging. And the horns rule.

Sun Kil MoonNigel Wearne
Sun Kil MoonCommon As Light and Love Are Red Valleys of Blood
This year Sun Kil Moon has been on high rotation. Common As Light and Love Are Red Valleys of Blood is so different, that I honestly can’t remember hearing anything else like it. Spoken word poetry, prose, and random stories (including a Chameleon vs a Cat), diary entries, muses on David Bowie and Ali augmented by busted-up Dad hip hop. It’s completely whacked and compelling. A slow burn that requires the lyrics booklet.

Review: First Annual Australian Americana Honours Night

Americana Honours
Image Courtesy of the Americana Music Association

Australian Americana Honours Night feat. Old Crow Medicine Show, Valerie June, Kevin Welch, Busby Marou, Kasey Chambers, Shane Howard, Yirrmal, Bernard Fanning, Catherine Britt, Henry Wagons, Emily Barker, Ruby Boots, Jordie Lane & The Sleepers
Thornbury Theatre, Melbourne, VIC
Monday 2nd October, 2017

Like many people I woke up Tuesday morning to the horrible news that an evil individual had killed dozens and injured hundreds of people in a mass shooting in Las Vegas. What’s really hit home about this latest atrocity is that it was committed at the Route 91 Harvest country music festival – a festival not unlike the festivals the Timber and Steel community attends all the time here in Australia. Words cannot describe the emotions I’m feeling right now. It’s senseless, just senseless.

As the events in Vegas were unfolding on Monday night night I was sitting in the warm confines of Melbourne’s Thornbury Theatre for the first annual Australian Americana Honours Night. It was a coming together of the Australian Americana community and a celebration of a genre that has so much heart and soul behind it. As so often happens with these events I was overwhelmed with the community that’s been created around the music we love.

From the opening marching-band entrance of Old Crow Medicine Show’s live version of “Rainy Day Women #12 & 35” to the closing singalong of “May The Circle Be Unbroken” featuring Old Crow, Valerie June, Kasey Chambers and Kevin Welch, the Australian Americana Honours Night was pure joy from start to finish.

Americana Honours

It would be too easy to look at the events in Vegas and decide that you’re not going to music festivals anymore. Despite how irrational it is, despite the fact that hundreds, if not thousands of festivals are held around the world every year without incident, it would be easy to walk away from live music.

If it wasn’t for the Australian Americana Honours Night last night maybe I would have made the easy decision and walked away from live music festivals. At the very least maybe I would’ve reconsidered my bucket list of international festivals, striking all off the US-based events.

But when you’re listening to Kasey Chambers and Bernard Fanning duet on “Watch Over Me”, when you can feel the goosebumps from Yirrmal’s surprise performance with Shane Howard, when Henry Wagons literally owns the entire stage while performing “King Hit”, when artists you’ve been following and supporting for years like Ruby Boots, Emily Barker, Catherine Britt, Jordie Lane and Busby Marou get roaring applause from the gathered fans and industry folk, you know there’s no way you can give this up.

Americana Honours

Kasey Chambers and Brian “BT” Taranto were both honoured with vanguard awards on the night and both of them gave passionate speeches about how important Americana music is. How much the community means. To me it was almost a call to arms – a plea to keep the candle burning for good music. To keep going to festivals, to gigs, to keep buying records and to keep the passion alive.

When I woke up Tuesday morning, before I turned to my smart phone, before I knew the full extent of what had happened in Las Vegas, I was still buzzing from the Australian Americana Honours Night, and the 3+ hours of amazing music I’d witnessed the night before. And even as the world came crashing down around me as I scrolled through the news it wasn’t enough to extinguish the light that is burning for live music.

The best way to not let the bastards win? Keep going to live music. Keep going to festivals. Show your support, be part of the community of amazing people who keep this music alive, and enjoy every minute of it.

Thank you Australian Americana Honours.

Details of the First Annual Australian Americana Honours Night in Melbourne

Australian Amerciana Honours
Image Courtesy of the Americana Music Association

Americana fans rejoice – Australia is about to get it’s very own Americana Honours Night this October.

The inaugural Australian Americana Honours Night will take place in Melbourne at the Thornbury Theatre on Monday 2nd October. The event is being presented by Michael Chugg, Nash Chambers and the international Americana Music Association and will celebrate the diverse artists that make up the Australian Americana scene.

The Australian Americana Honours Night will feature a raft of performers including international icons Old Crow Medicine Show, Valerie June and Kevin Welch along with Australian favourites Busby Marou, Kasey Chambers, Shane Howard, Bernard Fanning, Catherine Britt, Henry Wagons, Emily Barker, Ruby Boots and Jordie Lane & The Sleepers.

During the night the Americana Music Association will present the inaugural Americana Vanguard Awards to Kasey Chambers for her deep commitment to roots music and to Brian “BT” Taranto, founder of the Out on the Weekend festival, who has been championing the Americana Community for more than a decade.

“For those of us who love roots and Americana Music, this is a dream line-up to have at our inaugural event,” Nash Chambers explained. “We’re mighty proud to be building awareness of Americana Music in Australia with the US Association and Tennessee Tourism. We also believe this is just the beginning of a genre that is exploding worldwide.”

For more information on the night including how to get your hands on tickets head over to Chugg Entertainment here.

Paul Kelly Announces November Tour

Paul Kelly
Image Courtesy of Paul Kelly

Following the release of his amazing new album Life Is Fine in August the incomparable Paul Kelly has just announced plans to hit the road for a national tour this November.

Joining Kelly on the tour will be a bunch of amazing guests including Busby Marou in Darwin, Cairns and Townsville, Sahara Beck in Rockhampton and Steve Earle and Middle Kids supporting the rest of the tour from Brisbane to Perth.

Check out the full list of dates below:

Friday 3rd November – Entertainment Centre, Darwin, NT
Saturday 4th November – Entertainment Centre, Darwin, NT
Tuesday 7th November – Convention Centre Great Hall, Cairns, QLD
Wednesday 8th November – Entertainment Centre, Townsville, QLD
Thursday 9th November – Great Western Hotel, Rockhampton, QLD
Saturday 11th November – Riverstage, Brisbane, QLD
Sunday 12th November – Regional Botanic Gardens, Coffs Harbour, NSW
Tuesday 14th November – Tamworth Regional Entertainment Centre, Tamworth, NSW
Wednesday 15th November – Entertainment Centre, Newcastle, NSW
Friday 17th November – Royal Botanic Gardens, Melbourne, VIC
Saturday 18th November – MONA Mainstage & Lawns, Hobart, TAS
Sunday 19th November – Sydney Opera House Forecourt, Sydney, NSW
Monday 20th November – Sydney Opera House Forecourt, Sydney, NSW
Wednesday 22nd November – Adelaide Entertainment Centre Theatre, Adelaide, SA
Thursday 23rd November – Adelaide Entertainment Centre Theatre, Adelaide, SA
Saturday 25th November – Kings Park and Botanic Gardens, Perth, WA
Sunday 26th November – Kings Park and Botanic Gardens, Perth, WA

Bluesfest Review: Good Friday is a fine day!

Busby Marou at Bluesfest. Photos by Stuart Bucknell Photography

This year, we thought we’d take you on a walking tour, dropping in to different stages across four days of Bluesfest – for those who might have missed an act, or couldn’t make it.

Welcome to Bluesfest, It’s Good Friday and the weather is glorious. Entering from Northern entrance, you’re greeted by an avenue of stalls and people with a vast and exciting line up ahead of you. It’s 12.30pm, the sun is overhead, you’ve got money on your RFID wrist band and the bars are plentiful! Taking a tour through the entire site, past the Juke Joint and Boomerang Stage, Delta Stage, past the enormous Mojo and Crossroad stages, all the way to the far end to find respite in the shade at the Jambalaya stage.

Busby Marou are already commanding an enormous crowd in spite of the early time slot and their upbeat vibes are well received with the crowd still flowing in, toe tapping and bopping along. Stories about meeting Paul Kelly at an Awards night and the advice given on the monumental difference between incredible international gigs and starting out in Mittagong in 1979 are the jovial introduction to “Drink the World Dry.” An emphatic cover of INXS’s “Never Tear Us Apart” has us all singing along and indulging in a bit of air guitar. A final cover of Don Henley’s “Boys of Summer” carries us all the way to the bar for a cheeky bevy and through the food hall for a bite to eat.

Rhiannon Giddens Bluesfest 2017 by Stuart Bucknell PhotographyAt 2:15pm you find yourself at the Crossroads to catch Bluesfest sweetheart, Rhiannon Giddens in a banjo laden opening number. Showing off her range, a bit of scat treats the crowd to the power behind her vocals, as her diverse and all-encompassing set rolls out to very happy ears complete with some honky tonk blues, soulful a Capella and a hint of bayou country panache. The passion from Giddens is palpable as a hush settles over the crowd, “At the Purchasers Option” haunts the audience with it’s 18th Century sensibilities. With the crowd in the palm of her hand, Giddens delivers an emotive one-two with her signature style. “We Could Fly” tells us a folk tale of old the people who could once fly but have since forgotten how, in a tender yet compelling lyrical journey. To round out a set jam packed with plucky old time reminiscence, gutsy powerful vocals and vulnerable trilling notes, title track “Freedom Highway” brings everyone together for a final huge response.

Wandering up to Boomerang stage, in front of Juke Joint, 3:45pm strikes and Yirrmal takes to the stage with a stirring indigenous opening. Between the two acoustic guitars and the stunning clarity of storytelling, a beautiful blend of English and indigenous language delivers a delicious cross over of both the expectations of an indigenous performance and an acclaimed acoustic act. His language punctuates the story and connects it back to earth and people in a way that is felt rather than heard.

The Strumbellas hit the Delta stage at 4:30pm with a first impression reminiscent of an early Boy and Bear folk-rock vibe, complete with sweet violin that carries the melody out above the full band sound. Around us, the crowd gets involved in the call and response, calling “Hey” to the world and joining in the easy to pick up lyrics and chorus. They deliver feel good happiness, wrapped up in a song. Graduating from the indie folk feel in to the heavier rock influenced folk, we all still erupt in cheers for the violin solo!

After a break and recharge over hearty fare and a drink tapped on the wristband, the much anticipated Trombone Shorty and Orleans Avenue bust on to the Mojo stage like we’ve partied all night long, not like it’s 7pm on a Friday! With a cataclysmic trombone leading an all guns blazing repertoire, we take some time away from the folk to appreciate the funk. The high energy hypnotises the crowd and Trombone Shorty’s dexterity playing both trombone and the most amazing, long trumpet trill that would put even the best Circular breathers to shame has us all dancing. The sheer joy on stage, evident thank to the bands on stage dancing antics creates a kind of intimacy, like we’ve been invited to a private party or club. The jazz trips over the funk and falls amongst the RnB that pulls itself together and gives us the show of a lifetime, every time. A powerhouse performance.

After a bite and a breather, it’s time for what many have been heralding as the Folktastic headliner, The Lumineers at 10:45pm on the Crossroads stage. Their opening builds anticipation and when you realise their recordings sound the same as their live performance, you know you’re in for a great show. Such a genuine and authentic sound, true to what we are so used to, has the crowd besides themselves as “Classy Girls” bursts forward with a real fervour and speed yet haunting cello punctuation. We’re surprised with

“Ho Hey” very early on and, unsurprisingly we all respond with wild abandon. Darling of the set, “Cleopatra” follows soon after with all of us in fine voice while “Dead Sea” has an earthy, grounded tone, like a low cloud or fog on the crowd to hush and sooth us. While we know and love every offering from their back catalogue, there’s a particularly special air as an upbeat rendition of Bob Dylan’s “Subterranean Homesick Blues” delivers a great vibe through a combination of strings, piano and thumping bass to mesh the band and crowd together.

The late night and huge traffic queue to leave the car park is worth it as we’re buzzing from head to toe with the first day’s Bluesfest blast.

See the full gallery of photos on our Facebook page.

Highlights from Friday at Bluesfest

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Thank Folk It’s Friday – 28th April

TFIF

This Week in Folk

All the News From The Week That Was

– Melbourne folk-pop duo Pierce Brothers have announced details of their upcoming EP The Records Were Ours and national tour dates in May. Details here

– Country-rock band Raised By Eagles released their new single “Shape & Line”. Details here

– We premiered the new video from the John Flanagan Trio, “Beauty On The Bottom”. Details here

Busby Marou released their touching new video “Paint This Land” for ANZAC Day. Details here

– Australian bush music legends The Bushwackers released their new single “Dirt Under My Nails”. Details here

– Sydney jam night Bluegrass @ Yulli’s announced The Tawny Owl Stringband as their May feature artist. Details here

– Melbourne singer-songwriter Bill Jackson released his new video “Double Shot”. Details here

– American singer-songwriter Pieta Brown released her new video “Rosine”. Details here

Interviews

“The new album is definitely the most rock and roll sounding album of all my work,” Stringer says, after playing to a full house at the 2017 Candelo Village Festival. “The lead sound I’m getting now is definitely much more developed than when I was playing acoustic”Liz Stringer chats to Elizabeth Walton. Interview here

Reviews

Track by Track

“Avid journaler, constant traveller and part time accordionist, Quinton Trembath, has returned to punk influenced acoustic guitar to chronicle his stories of friends and places. Just six months after releasing his first EP, Tuns of Fun, Trembath is back with new EP Good days, These Days, recorded in Hobart with the help of Cal Young and Hannah Morrell” – Track by Track here

Gigs

“Dreaming of the weekend? Wishing you could have another 4 days off? Well, step back in time to the Easter Weekend with our 5 things we learned at Bluesfest”KT Bell recounts the 5 things she learnt at Bluesfest. Review here

Releases This Week

Blonde on Blonde
50 Years Of Blonde On BlondeOld Crow Medicine Show
iTunes

Quinton
Good Days These DaysQuinton Trembath
Bandcamp

Timber and Steel Recommends – Go To This Gig

Davidson Brothers

Davidson Brothers

Davidson Brothers launch their amaizng new album All You Need Is Music’ in Melbourne.

Friday 28th April – Longhorn Saloon, Melbourne, VIC

Gigs Next Week

Appalachian Heaven Stringband
Monday 1st May – Open Studio, Melbourne, VIC

Argyle Sun Sets feat. Katey Brooks, Lola Sola, Hollie Col
Sunday 30th April – Upstairs at Fred’s, Camden, NSW

Australian Celtic Festival
Thursday 4th to Sunday 7th May – Glen Innes, NSW

BATTS
Sunday 30th April – Some Velvet Morning, Melbourne, VIC

Ben Wright Smith
Friday 28th April – Charles Sturt University, Wagga Wagga, NSW
Sunday 30th April – Heritage Hotel, Bulli, NSW
Thursday 4th May – Brass Monkey, Cronulla, NSW
Friday 5th May – Charles Sturt Univesity, Wagga Wagga, NSW

Billy Bragg
Friday 28th April – Fremantle Arts Centre, Fremantle, WA

Bob Evans
Wednesday 3rd May – Clarendon Guest House, Katoomba, NSW
Friday 5th May – Camelot Lounge, Sydney, NSW

CANS w/ Alison Ferrier and The Happy Lonesome Duo
Friday 28th April – Tago Mago Club, Melbourne, VIC

Captain Spalding, Lachlan Bryan, The Weeping Willows
Sunday 30th April – Functions By The Bay, Frankston, VIC

Chloe & Jason Roweth, MaD aDaM
Saturday 29th April – Loaded Dog Folk Club, Sydney NSW

Dana Hassall
Saturday 29th April – Surfbeach Cafe, Narooma, NSW

Daniel Champagne
Sunday 30th April – Redcliffe On The Murray, Pinjarra, WA
Tuesday 2nd May – Little Village Music, Dunsborough, WA
Wednesday 3rd May – Mojos Bar, Fremantle, WA
Thursday 4th May – Four5Nine, Perth, WA
Friday 5th May – Town Hall, Yabberup, WA

Davidson Brothers
Friday 28th April – Longhorn Saloon, Melbourne, VIC
Friday 5th May – Goldmines Hotel, Bendigo, VIC

Diamond Duck
Friday 5th May – Some Velvet Morning, Melbourne, VIC

FolkSwagon feat. Ella Belfanti, Cecilia Brandolini, Slow Ships
Wednesday 3rd May – Cafe Lounge, Sydney, NSW

Frankston Music Festival
Friday 28th to Sunday 30th April – Frankston, VIC

Galilee Blockade Support Concert feat. Alannah Russach, Leah Flanagan, Steph Miller, Ricky Pann, Mark Lucas
Sunday 30th April – Petersham Bowling Club, Sydney, NSW

Gena Rose Bruce
Thursday 4th May – The Tramway, Melbourne, VIC

Grigoryan Brothers
Friday 28th April – Birds Basement, Melbourne, VIC

Hootenanny feat. When Hawk met Sparrow
Sunday 30th April – Miss Peaches, Sydney, NSW

Jeff Lang
Friday 5th May – Imperial Hotel, Eumundi, QLD

Jemma Nicole & Mitch Power
Friday 28th April – LongPlay, Melbourne, VIC

Jo Meares and the Silver Bullets
Saturday 29th April – Tago Mago, Melbourne, VIC
Sunday 30th April – Labour in Vain, Melbourne, VIC

Kasey Chambers
Friday 28th April – Queens Park Theatre, Geraldton, WA
Saturday 29th April – Astor Theatre, Perth, WA
Sunday 30th April – Ravenswood Hotel, Ravenswood, WA
Tuesday 2nd May – Bunbury Regional Entertainment Centre, Bunbury, WA
Thursday 4th May – Albany Entertainment Centre, Albany, WA
Friday 5th May – Esperance Civic Centre, Esperance, WA

Kelly Brouhaha
Friday 28th April – Billyroy’s Blues Bar, Bendigo, VIC

Kirsty Bromley
Sunday 30th April Shakespeare on the River Festival, Stratford, VIC

Lachlan Bryan & The Wildes and The Weeping Willows
Friday 5th May – Suttons House Of Music, Ballarat, VIC

Little Wise
Wednesday 3rd May – The Retreat, Melbourne, VIC

Liz Stringer
Friday 28th April – Old Hepburn Hotel, Hepburn Springs, VIC
Saturday 29th April – Northcote Social Club, Melbourne, VIC
Sunday 30th April – Torquay Bowls Club, Torquay, VIC

Lost Highway Bluegrass Festival
Friday 5th to Sunday 7th May – Karuah, NSW

Mick Thomas
Friday 5th May – Basement Discs, Melbourne, VIC

Oh Pep!
Friday 28th April – Howler, Melbourne, VIC

Quinton Trembath
Saturday 29th April – Station Bar, Katoomba, NSW
Sunday 30th April – The Hamilton Station Hotel, Newcastle, NSW

Rich Davies & The Low Road
Friday 28th April – Two Goats Cafe and Baa, Armidale, NSW
Saturday 29th April – Tamworth Hotel, Tamworth, NSW

Round Mountain Girls
Friday 28th April to Monday 1st May – Wintermoon Festival, Cameron’s Pocket, QLD

Songsters in support of the Galilee Blockade feat. Alannah Russack, Steph Miller, Ricky Pann, Mark Lucas
Sunday 30th April – Petersham Bowling Club, Sydney, NSW

The 4 Divas feat. Jackie Marshall, Aine Tyrrell, Lucie Thorne, Melanie Horsnell
Saturday 29th April – Bega Valley Commemorative Civic Centre, Bega, NSW

The Beekeepers
Saturday 29th April – Bar Open, Melbourne, VIC

The Button Collective
Friday 28th April – The Lass O’Gowrie, Newcastle, NSW

The Co-Ground Folk Show feat. The Bean Project, Susy Blue, Charm of Finches, Khristian Mizzi, Someday June
Friday 5th May – The Wesley Anne, Melbourne, VIC

The East Pointers
Friday 28th April to Monday 1st May – The Planting Festival, Woodford, QLD

The Last Jar Mussel Festival feat. Fat Cousin Skinny, Louisa Wise
Saturday 29th to Sunday 30th April – The Last Jar, Melbourne, VIC

The Mae Trio
Friday 28th April – Night Quarter, Gold Coast, QLD
Sunday 30th April – Brewery, Bellingen, NSW
Friday 5th to Sunday 7th May – Vocal Ranges Festival, Kyneton, VIC

The McClymonts
Friday 28th April – CEX Coffs, Coffs Harbour, NSW
Saturday 29th April – Panthers, Port Macquarie, NSW
Friday 5th May – Dee Why RSL, Dee Why, NSW

The Northern Folk w/ The Bean Project
Wednesday 3rd May – The Gasometer Hotel, Melbourne, VIC

The Planting Festival
Friday 28th April to Monday 1st May – Woodford, QLD

The Royal Parks w/ Slow Motion Picture, AmarinaWaters
Saturday 29th April – Bella Union, Melbourne, VIC

The Sauerkrauts
Sunday 30th April – The Metropole Guesthouse, Katoomba, NSW

The Spooky Men’s Chorale
Saturday 29th April – Melbourne Recital Centre, Melbourne, VIC
Sunday 30th April – The Capital, Bendigo, VIC

The Sydney Square Dance feat. Narrownecks
Saturday 29th April – Annandale Neighbourhood Centre, Sydney, NSW

Tim Moxam & Liz Stringer
Thursday 4th May – The Lush Factory, Tilba Tilba, NSW
Friday 5th May – House Concert, Nowra, NSW

Tracy McNeil & The GoodLife
Friday 5th May – Longhorn Saloon, Melbourne, VIC

Vanishing Shapes
Sunday 30th April – The Sunken Monkey, Erina, NSW

Vocal Ranges Festival
Friday 5th to Sunday 7th May – Kyneton, VIC

Wide Open Space Festival
Friday 28th to Sunday 30th April – Ross River Resort, Alice Springs, NT

William Crighton
Friday 5th May – Bella Union, Melbourne, VIC

Wintermoon Festival
Friday 28th April to Monday 1st May – Cameron’s Pocket, QLD

Friday Folk Flashback

“Annabelle Lee” – Sarah Jarosz

Watch the New Busby Marou Video “Paint This Land”

Busby Marou
Photo by Stuart Bucknell

On ANZAC day Yesterday Queensland-based acoustic duo Busby Marou released their new video “Paint This Land”. The video is “a moving and poignant portrayal of timely themes concerning both Indigenous and non-Indigenous veterans” and features Vietnam War veteran Bob Blair.

The video was directed by Bob Blair’s son Wayne Blair and was filmed in Mt Tamborine and its surrounds. Check out the video below:

Busby Marou have a bunch of national tour dates coming up – check them out here:

Thursday 25th May – 48 Watt Street, Newcastle, NSW
Friday 26th May – Leadbelly, Sydney, NSW
Saturday 27th May – Leadbelly, Sydney, NSW
Sunday 28th May – Heritage Hotel, Bulli, NSW
Thursday 1st June – Southern Cross Club, Canberra, ACT
Friday 2nd June – Launceston Country Club, Launceston, TAS
Saturday 3rd June – Wrest Point Casino, Hobart, TAS
Thursday 8th June – Miami Marketta, Gold Coast, QLD
Friday 9th June – Triffid, Brisbane, QLD
Saturday 10th June – Sea & Sound Festival, Sunshine Coast, QLD
Sunday 11th June – Great Northern Hotel, Byron Bay, NSW
Thursday 15th June – Fat Controller, Adelaide, SA
Friday 16th June – Corner Hotel, Melbourne, VIC
Saturday 17th June – Workers Club, Geelong, VIC
Sunday 18th June – Sooki Lounge, Belgrave, VIC
Thursday 22nd June – Settlers Tavern, Margaret River, WA
Friday 23rd June – Northshore Tavern, Hillarys, WA
Saturday 24th June – Mundaring Weir Hotel, Mundaring, WA
Sunday 25th June – The Boston, Perth, WA
Friday 30th June – Darwin Entertainment Centre, Darwin, NT

Thank Folk It’s Friday – 24th March

TFIF

This Week in Folk

All the News From The Week That Was

– Brisbane alt-folk four-piece Elbury released their new video “Past Life Memories”. Details here

Bob Evans announced a national tour kicking off this April. Details here

– Indie-folk duo Oh Pep! released their new video “Crazy Feels”. Details here

– Queensland duo Busby Marou have announced national tour dates. Details here

– Melbourne electro-folk artist BATTS released her new song “For Now”. Details here

– Melbourne alt-country duo Broads announced national tour dates. Details here

William Crighton announced a May tour plus the release of his new 7-inch vinyl “Hope Recovery”. Details here

Blog

“Trad purists will no doubt look down there nose at Ed Sheeran’s folky offerings on ÷, the same way they have with other pop crossover songs over the years. Some of that will be justified – in reality “Galway Girl” is not a great song despite Beoga’s influence – but much of this will be a knee jerk reaction to a perceived popularisation of the tradition”Gareth Hugh Evans argues that the trad inspired songs on Ed Sheeran’s new album are a good thing for the scene. Blog here

Reviews

Gigs

“The full gamut of natural disasters may have threatened to unleash the doors of doom upon the festival many of times– yet they never have. From deep mud to the high winds that huffed and puffed til they blew Lurline Pav down before opening a few years back, to this year’s demise of the main indoor venue – Katoomba RSL – which burnt to the ground just a couple of weeks ago, this festival, like Katoomba itself, is a foot soldier of survival. You can blow her big top down, you can burn her to the ground, but the show will go on, and the founding Festival Co-Directors Bob Charter and Al Ward are well seasoned masters of the quick switch”Elizabeth Walton reviews this year’s Blue Mountains Music Festival. Review here

Releases This Week

Chapter One
Chapter OneDarcy Fox
iTunes

Johnny Flynn
SillionJohnny Flynn
iTunes

Timber and Steel Recommends – Go To This Gig

The Button Collective

Button Collective

Folk favourites The Button Collective hit up shows in Wollongong and Byron this week before the official launch of their new album Hall on the Hill in Brisbane next Friday with The Long Johns and Paddy McHugh in support

Friday 24th March – Howlin’ Wolf, Wollongong, NSW
Thursday 30th March – Treehouse on Belongil, Byron Bay, NSW
Friday 31st March – The Milk Factory, Brisbane, QLD

Gigs Next Week

Amber Lawrence & Catherine Britt
Friday 31st March – Red Hot Music, Devonport, TAS

Argyle Sun-Sets @ Freds feat. Ackers, Ali Morgan, Nicole Issa
Sunday 26th March – Upstairs at Fred’s, Camden, NSW

Belle Jar
Friday 24th March – The Old City Bank, Katoomba, NSW

Boy & Bear
Sunday 26th March – A Day on the Lawn, Hobart, TAS

Burrows w/ James Teague, Happy Axe
Saturday 25th March – Some Velvet Morning, Melbourne, VIC

Craig Woodward
Sunday 26th March – Bluebonnet BBQ, Melbourne, VIC

Darcy Fox
Saturday 25th March – House Concert, Gippsland, VIC
Friday 31st March – The Newsagency, Sydney, NSW

Dusty Ravens
Saturday 25th March – The Bearded Tit, Sydney, NSW

Eddi Reader
Friday 24th March – Fly By Night, Fremantle, WA

Elwood Myre
Saturday 25th March – The Stag & Hunter, Mayfield, NSW

FolkSwagon feat. Mat Morgan, Mama Schultz, Liam Gale & The Ponytails
Wednesday 29th March – Cafe Lounge, Sydney, NSW

Frank Sultana and The Sinister Kids
Friday 24th March – Southern Comfort Carnival, Surly’s American BBQ, Burgers & Beer, Sydney, NSW

Get Folked Punk 1st Birthday Party
Thursday 30th March – Lazybones Lounge, Sydney, NSW

Grigoryan Brothers
Saturday 25th March – Prom Coast Seachange Festival, Foster, VIC
Sunday 26th March – Frankston Arts Centre, Frankston, VIC

Hinterlandt
Friday 24th March – Jane’s, Wollongong, NSW

Holly Throsby
Saturday 25th March – Jive, Adelaide, SA
Sunday 26th March – Northcote Social Club, Melbourne, VIC
Thursday 30th March – Mojos, Fremantle, WA
Friday 31st March – Babushka, Perth, WA

Irish Mythen
Friday 24th March – Lizotte’s, Newcastle, NSW
Saturday 25th to Sunday 26th March – Yackandanda Folk Festival, Yackandanda, VIC
Thursday 30th March – The Toff in Town, Melbourne, VIC
Friday 31st March – Old Castlemaine Gaol, Castlemaine, VIC

Jack Carty
Saturday 25th March – Bella Union Trades Hall, Melbourne, VIC
Friday 31st March – Paddington Uniting Church, Sydney, NSW

Jeff Lang
Friday 24th March – Golden Vine, Bendigo, VIC
Saturday 25th March – Suttons, Ballarat, VIC
Friday 31st March – Trinity Sessions, Adelaide, SA

Jessie Lloyd: The Mission Songs Project
Friday 24th March – Eltham World Music Cafe, Melbourne, VIC

Josh Rennie-Hynes
Saturday 25th March – Stone Pony, Wilunga, SA
Friday 31st March – Trinity Sessions, Adelaide, SA

Kate Miller-Heidke
Friday 24th March – Sydney Opera House, Sydney, NSW
Saturday 25th March – Sydney Opera House, Sydney, NSW
Friday 31st March – Perth Concert Hall, Perth, WA

Les Poules à Colin
Friday 24th to Sunday 26th March – Yackandandah Folk Festival, Yackandandah, VIC
Friday 31st March – Illawarra Folk Club, Wollongong, NSW

Martha Marlow
Monday 27th March – Nowra, NSW
Wednesday 29th March – Art Gallery of New South Wales, Sydney, NSW

Martha Tilston
Friday 24th March – Newham Hall, Newham, VIC
Saturday 25th to Sunday 26th March – Yackandandah Festival, Yackandandah, VIC
Thursday 30th March – Lizottes, Newcastle, NSW
Friday 31st March – Leadbelly, Sydney, NSW

Martha Wainwright
Friday 24th March – Capital Theatre, Bendigo, VIC

Ocean Rhythms Music Festival
Saturday 25th March – Old Bar Beach, Old Bar, NSW

Peasant Moon w/ Rick Hart
Saturday 25th March – Retreat Hotel, Melbourne, VIC

Papa Pilko And The Binrats
Saturday 25th March – Southern Comfort Carnival, Surly’s American BBQ, Burgers & Beer, Sydney, NSW

Quarry Mountain Death Rats, The Scrims
Friday 24th March – Bar Open, Melbourne, VIC

Raised By Eagles
Saturday 25th March – The Melba Spiegeltent, Melbourne, VIC

Roland Kay-Smith
Thursday 30th March – Leadbelly, Sydney, NSW

Sancha & the Blue Gypsies
Sunday 26th March – Django Bar, Sydney, NSW

Southern Comfort Carnival
Wednesday 15th to Saturday 25th March – Surly’s American BBQ, Burgers & Beer, Sydney, NSW

Steampacket Sessions Irish Music Weekend
Friday 24th to Sunday 26th March – Steampacket Hotel, Nelligan, NSW

The Basin Music Festival
Friday 24th to Sunday 26th March – The Basin, VIC

The Button Collective
Friday 24th March – Howlin’ Wolf, Wollongong, NSW
Thursday 30th March – Treehouse on Belongil, Byron Bay, NSW
Friday 31st March – The Milk Factory, Brisbane, QLD

The East Pointers
Friday 24th March – Unorthodox Church of Groove, Newcastle, NSW
Saturday 25th March – Wauchope Community Arts Hall, Wauchope, NSW
Sunday 26th March – Cedar Bar, Bellingen, NSW
Thursday 30th March – Bellevue Hotel: Townsville Folk and Acoustic Music Club, Townsville, QLD
Friday 31st March – Tanks Arts Centre, Cairns, QLD

The Man From Snowy River Festival
Thursday 30th March to Sunday 2nd April – Corryong, VIC

The McClymonts
Friday 24th to Sunday 26th March – CMC Rocks 2017, Ipswich, QLD

The Morrisons
Friday 24th March – 5 Church Street, Bellingen, NSW
Saturday 25th March – Oceans Rhythm Festival, Old Bar, NSW

The Northern Folk
Thursday 30th March – The Evelyn Hotel, Melbourne, VIC

The Séamus Begley Trio
Saturday 25th March – The Fly By Night Club, Fremantle, WA

The Spooky Men’s Chorale
Friday 24th March – Darwin Entertainment Centre, Darwin, NT

The Waifs
Saturday 25th March – The Odeon Theatre, Hobart, TAS
Sunday 26th March – The Don Centre, Devonport, TAS
Tuesday 28th March – The Ulumbarra Theatre, Bendigo, VIC
Wednesday 29th March – Hamer Hall, Melbourne, VIC
Thursday 30th March – Hamer Hall, Melbourne, VIC

This Way North
Thursday 30th March – Settlers Tavern, Margret River, WA

Timberwolf
Friday 24th to Sunday 26th March – The Hills Are Alive, South Gippsland, VIC

TinPan Orange
Friday 24th and Saturday 25th March – Yackandandah Folk Festival, VIC
Sunday 26th March – Northcote Social Club, Melbourne, VIC

Violent Femmes
Friday 24th March – Waves, Wollongong, NSW
Saturday 25th March – Annies Lane, Queanbeyan, NSW
Monday 27th March – Darwin Entertainment Centre, Darwin, NT
Wednesday 29th March – The Tivoli, Brisbane, QLD
Friday 31st March – Twin Towns, Coolangatta, QLD

Warrandyte Festival
Friday 24th to Sunday 26th March – Warrandyte, VIC

Yackandandah Folk Festival
Friday 24th to Sunday 26th March – Yackandandah, VIC

Friday Folk Flashback

“Minute 5” – Beoga

If you’ve listened to Ed Sheeran’s “Galway Girl” here’s the tune that’s playing behind it.

Busby Marou Announce Australian Tour this May and June

Busby Marou
Image Courtesy of Busby Marou

Queensland acoustic duo Busby Marou are hitting the road this May and June for a series of shows around the country to support their new album Postcards From The Shell.

The tour coincides with the announcement Busby Marou will be appearing at Bluesfest this April. Supporting them on tour will be The Teskey Brothers.

Check out the full list of dates below:

Thursday 13th to Monday 17th April – Bluesfest, Byron Bay, NSW
Thursday 25th May – 48 Watt Street, Newcastle, NSW
Friday 26th May – Leadbelly, Sydney, NSW
Saturday 27th May – Leadbelly, Sydney, NSW
Sunday 28th May – Heritage Hotel, Bulli, NSW
Thursday 1st June – Southern Cross Club, Canberra, ACT
Friday 2nd June – Launceston Country Club, Launceston, TAS
Saturday 3rd June – Wrest Point Casino, Hobart, TAS
Thursday 8th June – Miami Marketta, Gold Coast, QLD
Friday 9th June – Triffid, Brisbane, QLD
Saturday 10th June – Sea & Sound Festival, Sunshine Coast, QLD
Sunday 11th June – Great Northern Hotel, Byron Bay, NSW
Thursday 15th June – Fat Controller, Adelaide, SA
Friday 16th June – Corner Hotel, Melbourne, VIC
Saturday 17th June – Workers Club, Geelong, VIC
Sunday 18th June – Sooki Lounge, Belgrave, VIC
Thursday 22nd June – Settlers Tavern, Margaret River, WA
Friday 23rd June – Northshore Tavern, Hillarys, WA
Saturday 24th June – Mundaring Weir Hotel, Mundaring, WA
Sunday 25th June – The Boston, Perth, WA
Friday 30th June – Darwin Entertainment Centre, Darwin, NT

Laura Marling, Lisa Hannigan, Beth Orton, Bill Callahan and More Added to VIVID Sydney

Laura Marling
Image Courtesy of Laura Marling

The full music lineup for this year’s VIVID event in Sydney was just announced and it’s one of the most Timber and Steel friendly line ups to date.

Joining the previously announced Fleet Foxes this year will be a raft of international acts including indie-folk goddess Laura Marling, Irish favourite Lisa Hannigan, celebrated singer-songwriter Bill Callahan, folktronica pioneer Beth Orton and many more.

The local lineup is equally as impressive including Taasha Coates, Crooked Fiddle Band, Mick Thomas, Brian Campeau, Nic Cassey, Swamp Fat Jangles, Sarah Belkner and more.

VIVID takes place around Sydney, with the VIVID LIVE events at the Sydney Opera House, from the 26th May to the 10th June. Below is a list of the the folk-leaning shows – check out the official site for a full list of artists and dates.

107 Presents For Folk Sake feat. Brian Campeau, Nic Cassey & Friends, Swamp Fat Jangles, Sarah Belkner
Saturday 10th June – 107 Projects, Sydney, NSW

Beth Orton
Tuesday 13th June – Sydney Opera House, Sydney, NSW

Bill Callahan: Smog to Dream River
Friday 2nd June – Sydney Opera House, Sydney, NSW
Friday 2nd June – Sydney Opera House, Sydney, NSW
Saturday 3rd June – Sydney Opera House, Sydney, NSW
Saturday 3rd June – Sydney Opera House, Sydney, NSW

Busby Marou
Friday 26th May – Leadbelly, Sydney, NSW
Saturday 27th May – Leadbelly, Sydney, NSW

Crooked Fiddle Band
Friday 9th June – Leadbelly, Sydney, NSW

Fleet Foxes
Friday 26th May – Sydney Opera House, Sydney, NSW
Saturday 27th May – Sydney Opera House, Sydney, NSW
Sunday 28th May – Sydney Opera House, Sydney, NSW
Monday 29th May – Sydney Opera House, Sydney, NSW

Laura Marling
Monday 12th June – Sydney Opera House, Sydney, NSW

Lisa Hannigan
Tuesday 30th May – Sydney Opera House, Sydney, NSW

Mick Thomas
Friday 2nd June – Leadbelly, Sydney, NSW

Taasha Coates
Friday 16th June – Leadbelly, Sydney, NSW

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