Thank Folk It’s Friday – 12th May

TFIF

This Week in Folk

All the News From The Week That Was

Ed Sheeran released the video to his trad-pop track “Galway Girl”. Details here

The Top Half Folk Festival announced it’s full 2017 lineup including The Ten Cent Shooters, Karen & Jacko, Rusty & the Infidels, Neil & Mel Phillips, Dave Oakes, Mary Flynn, Ted Egan, Bloodwood, Edan Baxter, Sally Balfour, Tony Suttor, Paul Stewart, Chris Pemberton, South Of Berrimah Line, Shamrock, Timber & Steel, Barney Foran, Bob Sharp, Phil Beck, Phil & Josh Gray, Ashlea Reale, Peter Bugden, Bob Barford, Ted & Carolynne Burns, Kirsty Robinson and Richard Gorter. Details here

– Melbourne based guitarist and singer-songwriter Justin Bernasconi announced details of his new album plus a bunch of upcoming tour dates. Details here

– New Hunter Valley event The Paddock Sessions announced their lineup including Imogen Clark, Abby Dobson, Joe Mungovan, Martha Marlow, This Way North, Vanishing Shapes, John Flanagan Trio, Finnian Johnson and many more. Details here

– Melbourne bluegrass and Americana duo The Weeping Willows released their new video “The Pale Rider”. Details here

– We premiered the new video from The Morrisons featuring Georgia Mooney (All Our Exes Live In Texas), “Long Time Travelling”. Details here

Husky announced tour dates through June and July. Details here

– Sydney duo Diamond Duck released their new single “Marry Me By The Sea”. Details here

Liz Stringer target=”_blank”>Liz Stringer has announced Big Tuesday String-a-Long featuring live conversations with the likes of Dr Lou Bennett, Deborah Conway, Neil Murray and Mick Thomas. Details here

Reviews

Gigs

“Welcome to Bluesfest, It’s Good Friday and the weather is glorious. Entering from Northern entrance, you’re greeted by an avenue of stalls and people with a vast and exciting line up ahead of you. It’s 12.30pm, the sun is overhead, you’ve got money on your RFID wrist band and the bars are plentiful! Taking a tour through the entire site, past the Juke Joint and Boomerang Stage, Delta Stage, past the enormous Mojo and Crossroad stages”KT Bell takes us through Friday of Bluesfest. Review here

“It’s Saturday and celebration day! Yes, we’re marking a birthday so today includes a sleep in and much frivolity throughout the day”KT Bell takes us through Saturday of Bluesfest. Review here

“It’s chocolate day! And as we enter through the Southern gates the sounds of Lloyd Spiegel making the crowd laugh with his tales welcomes us to another glorious day of Blues, before we can hear Spiegel breaking in to a blistering rendition of “Lucille”. It’s his last tune, so maybe we’ll catch him again tomorrow”KT Bell takes us through Sunday of Bluesfest. Review here

“It’s the final day of Bluesfest and emotions are a mixed bag of excitement for what ahead, sadness that it’s ending and a bit of relief from the continual stimulation and inspiration from so many amazing artists”KT Bell takes us through Monday of Bluesfest. Review here

Releases This Week

Bonnie Prince Billy
Best TroubadorBonnie “Prince” Billy
iTunes

Martha Tilston
NomadMartha Tilston
iTunes

Timber and Steel Recommends – Go To This Gig

The Mae Trio

Mae Trio

The Mae Trio officially launch their new album Take Care, Take Cover in their home town of Melbourne at their dream venue The Thornbury Theatre.

Friday 12th May – Thornbury Theatre, Melbourne, VIC

Gigs Next Week

Adam Young, Sasha March
Saturday 13th May – Golden Barley Hotel, Sydney, NSW

Amber Lawrence & Catherine Britt w/ Fanny Lumsden
Saturday 13th May – Ettalong Diggers, Ettalong, NSW
Thursday 18th May – Loxton Club, Loxton, SA
Friday 19th May – Pretoria Hotel, Mannum, SA

Appalachian Heaven
Friday 12th May – The Caravan Club, Oakleigh, VIC
Sunday 14th May – The Last Jar, Melbourne, VIC

Bluegrass Brunch feat. The Willing Ponies
Sunday 14th May – George Hotel, Sydney, NSW

Bob Evans
Friday 12th May – 5 Church St, Bellingen, NSW
Saturday 13th May – Black Bear Lodge, Brisbane, QLD

Brendon Moon
Saturday 13th May – Brighton Up Bar, Sydney, NSW

Burradise Festival
Friday 12th to Sunday 14th May – Culburra, NSW

Cash Savage & The Last Drinks
Friday 19th May – The Zoo, Brisbane, QLD

Daniel Champagne
Friday 12th May – The Singing Gallery, McLaren Vale, SA
Saturday 13th May – Wheatsheaf Hotel, Adelaide, SA
Wednesday 17th May – Republic Bar & Cafe, Hobart, TAS
Thursday 18th May – Royal Oak, Launceston, TAS
Friday 19th May – Mountain Mumma, Sheffield, TAS

Davidson Brothers
Friday 12th May – The Caravan Club, Oakleigh, VIC
Saturday 13th May – Yinnar Hotel, Yinnar, VIC

Diamond Duck
Friday 12th May – The Commons, Newcastle, NSW
Saturday 13th May – 63 First Ave, Sawtell, NSW
Sunday 14th May – Flow Bar, Old Bar, NSW

Fairlight Folk feat. Lime and Steel, Datson Hughes, Jasmine Beth
Saturday 13th May – Fairlight Folk, Sydney, NSW

Finders Keepers Sydney
Friday 12th to Sunday 14th May – Barangaroo Reserve, Sydney, NSW

FolkSwagon feat. Jye Whiteman, Jannah Beth, Coast & Ocean
Wednesday 17th May – Cafe Lounge, Sydney, NSW

George Washingmachine & Peter Baylor Supper Club on Shakespeare
Friday 12th May – Carlton Scout Group, Melbourne, VIC

Get Folked Punk feat. Medusa’s Wake, Blackie, Isaac Graham
Thursday 18th May – LazyBones Lounge, Sydney, NSW

Harmaniax
Tuesday 16th May – The Last Jar, Melbourne, VIC

Harvest Festival
Saturday 13th May – Bicentennial Park, Melbourne, VIC

Harvey Russell, Sasha March, Matt J Ward
Thursday 18th May – Gasoline Pony, Sydney, NSW

Helen Shanahan
Saturday 13th May – Some Velvet Morning, Melbourne, VIC

Hootenanny feat. Callum Wylie
Sunday 14th May – Miss Peaches, Sydney, NSW

James Fahy, The Burley Griffin
Thursday 18th May – Some Velvet Morning, Melbourne, VIC

James Kenyon Trio w/ Nick Huggins, Ruth Lindsey, Tracey Hogue
Thursday 18th May – Tago Mago, Melbourne, VIC

Jayson Watkin
Sunday 14th May – Open Studio, Melbourne, VIC

Jeff Lang
Friday 12th May – The Agrestic, Orange, NSW
Saturday 13th May – The Gearin, Katoomba, NSW
Thursday 18th May – Lizottes, Newcastle, NSW
Friday 19th May – Hardys Bay Club, Hardy’s Bay, NSW

John Flanagan Trio
Saturday 13th May – Commonground, Hilldene, VIC
Thursday 18th May – Smith’s Alternative, Canberra, ACT
Friday 19th May – Gasoline Pony, Sydney, NSW

Justin Bernasconi
Friday 19th May – Basement Discs In-Store, Melbourne, VIC
Friday 19th May – Saint Monday, Yackandandah, VIC

Katie Harder
Saturday 13th May – House Concert, Melbourne, VIC

Kim Churchill
Thursday 18th May – Old Museum, Brisbane QLD
Friday 19th May – Meat Market, Melbourne VIC

Kingston Harvest Festival
Saturday 13th May – Bicentennial Park, Melbourne, VIC

Kirsty Bromley
Saturday 13th May – Humph Hall, Sydney, NSW

Lachlan Bryan & The Wildes and The Weeping Willows
Saturday 13th May – Palais Theatre, Franklin, TAS
Sunday 14th May – MONA, Hobart, TAS
Friday 19th May – Rooty Hill RSL, Sydney, NSW

Little Wise
Wednesday 17th May – The Retreat Hotel, Melbourne, VIC

Man Of Constant Sorrow: The Music of O Brother Where Art Thou feat. The Morrisons, All Our Exes Live In Texas, Brian Campeau, Luke Escombe
Wednesday 17th May – Camelot Lounge, Sydney, NSW
Thursday 18th May – Camelot Lounge, Sydney, NSW
Friday 19th May – Camelot Lounge, Sydney, NSW

Mandy Connell w/ Fire in the Head
Sunday 14th May – Tago Mago, Melbourne, VIC

Mick Thomas
Friday 19th May – Thornbury Theatre, Melbourne, VIC

Miss Eileen and King Lear w/ Ayleen O’Hanlon, Rich Davies, Forever Son
Thursday 18th May – Northcote Social Club, Melbourne, VIC

Nat Henry, Mitch Power & Andrew Swift
Friday 12th May – Skylark Room, Upwey, VIC

Peasant Moon
Saturday 13th May – Harvest Festival, Melbourne, VIC

Pierce Brothers
Thursday 18th May – Metro Lair, Sydney, NSW

Raised By Eagles
Friday 19th May – Thornbury Theatre, Melbourne, VIC

Rise Above the Flood feat. Gyan, Dustyesky, Hussy Hicks, The Button Collective, Abbie Cardwell, Ben Wilson, Fingal, The Cassettes, Dustyesky
Friday 12th May – Byron Bay Community Theatre, Byron Bay, NSW

Rosie Burgess Trio
Friday 12th May – The Bottlerocket, Nowra, NSW
Saturday 13th May – Burradise Festival, Culburra, NSW
Sunday 14th May – Petersham Bowling Club, Sydney, NSW

Rough River
Saturday 13th May – The Grace Darling, Melbourne, VIC

Round Mountain Girls
Saturday 13th May – Black Bear Lodge, Brisbane, QLD

Sam Newton
Sunday 14th May – Blacksheep, Sydney, NSW

The April Family w/ Not Good With Horses
Thursday 18th May – Django Bar, Sydney, NSW

The Button Collective
Saturday 13th May – Tanamon Soundscape, Wooli, NSW

The Dusty Millers
Sunday 14th May – Northcote Social Club, Melbourne, VIC

The Mae Trio
Friday 12th May – Thornbury Theatre, Melbourne, VIC

The Man They Call The Banjo
Saturday 13th May – Melbourne, VIC

The McClymonts
Friday 12th May – Services Club, Young, NSW
Friday 19th May – Brothers Leagues Club, Cairns, QLD

The Peter Daffy & Luke Plumb Band
Saturday 13th May – The Last Jar, Melbourne, VIC

The Pigs
Saturday 13th May – Leadbelly, Sydney, NSW

Tim Guy
Saturday 13th May – Charles Weston Hotel, Melbourne, VIC

Tim Moxam & Liz Stringer
Friday 12th May – House Concert, Melbourne, VIC
Saturday 13th May – Major Tom’s, Kyneton, VIC
Sunday 14th May – Saints and Sailors, Portarlington, VIC
Thursday 18th May – House Concert, Fremantle, WA
Friday 19th May – Bassendean Hotel, Perth, WA

Tim Solly
Friday 12th May – The Wesley Anne, Melbourne, VIC
Friday 19th May – The Stag & Hunter Hotel, Newcastle, NSW

Tony O’Rourke, Nine Mile Creek
Thursday 18th May – The Last Jar, Melbourne, VIC

Totally Gourdgeous
Thursday 18th May – 303, Melbourne, VIC

Wild Honey, Golden Whistler
Friday 19th May – Macquarie Towns Music Club, Richmond, NSW

William Crighton
Friday 12th May – Leadbelly, Newtown, NSW
Saturday 13th May – Smiths Alternative, Canberra, ACT

Wise Women: Mothers’ Day Concert feat. Louisa Wise, Lucy Wise, Ruth Wise and Rowena Wise
Sunday 14th May – Chalice Northcote Uniting Church Hall, Melbourne, VIC

Friday Folk Flashback

“Generation Rent” – Megson

A timely track from the England duo that could very well have been written about the Australian experience of trying to save for a house.

Liz Stringer’s Big Tuesday String-a-Long in June

Liz Stringer
Image Courtesy of Liz Stringer

Before she heads over to the Northern Hemisphere for their Summer later this year Melbourne singer-songwriter Liz Stringer will be hosting a very special series of events in her home town.

For the four Tuesdays in June Stringer will be taking over The Gasometer in Melbourne to sit down with four of her songwriting elders and have a conversation about their art, their careers and what motivates them to continue to produce art. And of course there’ll be some live performances as well.

The Big Tuesday String-a-long will feature the formidable line up of Dr Lou Bennett, Deborah Conway, Neil Murray and Mick Thomas. Check out the full list of dates below:

Tuesday 6th June – Dr Lou Bennett
Tuesday 13th June – Deborah Conway
Tuesday 20th June – Neil Murray
Tuesday 27th June – Mick Thomas

Thank Folk It’s Friday – 5th May

TFIF

This Week in Folk

All the News From The Week That Was

The Mae Trio released their new video “Well Enough Alone”. Details here

– Canada’s Tim Moxam is heading out on a co-headline tour with Liz Stringer. Details here

– Sydney singer-songwriter Sam Newton released his new video “We Can’t See An End In Sight”. Details here

– Melbourne’s Rosie Burgess Trio released their new video “Run Through The Fire”. Details here

– Singer-songwriter Mandy Connell announced a May residency in Melbourne. Details here

– Melbourne based duo Miss Eileen and King Lear released their new video “Held By The Air”. Details here

Blog

“Without Timber and Steel I probably wouldn’t have attended every National Folk Festival for the last seven years. Without Timber and Steel I wouldn’t have felt a part of the folk music community in the same way I do now – I have a feeling I would have remained a spectator, never peering behind the performer curtain. Without Timber and Steel I would never have pushed Sally Balfour to apply for The National, let alone ever assume that I’d be playing fiddle right there beside her”Gareth Hugh Evans celebrated our 7th Birthday. Blog here

Releases This Week

Fault Lines
Fault LinesDaniel Champagne
iTunes

Elbury
Haunting GroundElbury
Bandcamp

Timber and Steel Recommends – Go To This Gig

Americana Music Association of Australia SA Launch Party feat. Taasha Coates, The Yearlings, Häna Brenecki (ft Kate Alexander), Matt J Ward, The Heggarties

Taasha

The Americana Music Association of Australia take their launch party to Adelaide with some amazing music. Tickets are super limited so make sure you snap them up!

Saturday 6th May – Grace Emily Hotel, Adelaide, SA

Gigs Next Week

Acoustic Sunday feat. Jon Wilby & Genni Kane
Sunday 7th May – On The Green Bistro at Club Millthorpe, Millthorpe, NSW

Americana Music Association of Australia SA Launch Party feat. Taasha Coates, The Yearlings, Häna Brenecki (ft Kate Alexander), Matt J Ward, The Heggarties
Saturday 6th May – Grace Emily Hotel, Adelaide, SA

Australian Celtic Festival
Thursday 4th to Sunday 7th May – Glen Innes, NSW

Bluegrass @ Yulli’s feat. The Tawny Owl Stringband
Wednesday 10th May – Yulli’s, Sydney, NSW

Bob Evans
Friday 5th May – Camelot Lounge, Sydney, NSW
Saturday 6th May – Brass Monkey, Cronulla, NSW
Sunday 7th May – Heritage Hotel, Bulli, NSW
Thursday 11th May – The Spotted Cow, Toowoomba, QLD
Friday 12th May – 5 Church St, Bellingen, NSW

Bulga Beats Festival
Saturday 6th to Sunday 7th May – Bulga, NSW

Burradise Festival
Friday 12th to Sunday 14th May – Culburra, NSW

Cash Savage & The Last Drinks
Saturday 6th May – Corner Hotel, Melbourne, VIC

Chaika
Sunday 7th May – House Concert, Bundanoon, NSW

Clifftop Session
Friday 5th May – Nightcliff Jetty, Darwin, NT

Dan Flynn & Mijo Biscan
Saturday 6th May – Some Velvet Morning, Melbourne, VIC

Dana Hassall w/ Sam Newton
Thursday 11th May – The Union, Sydney, NSW

Davidson Brothers
Friday 5th May – Goldmines Hotel, Bendigo, VIC
Friday 12th May – Caravan Music Club, Oakleigh, VIC

Diamond Duck
Friday 5th May – Some Velvet Morning, Melbourne, VIC
Saturday 6th May – Smith’s Alternative, Canberra, ACT
Sunday 7th May – Franks Wild Years, Wollongong, NSW

Finders Keepers Markets Sydney
Friday 12th to Sundey 14th May – Barangaroo Reserve, Sydney, NSW

FolkSwagon feat. Aldous Monroe, Tom Lee-Richards, Stephanie Grace
Wednesday 10th May – Cafe Lounge, Sydney, NSW

Handsome Young Strangers
Saturday 6th May – Golden Barley Hotel, Sydney, NSW

Heartbreaker Sessions w/ Roadhouses and Simone East
Sunday 7th May – The Bearded Tit, Sydney, NSW

High Tea feat. Winterbourne
Thursday 11th May – Sydney, NSW

Hootenanny feat. Sam Newton
Sunday 7th May – Miss Peaches, Sydney, NSW

Jeff Lang
Friday 5th May – Imperial Hotel, Eumundi, QLD
Saturday 6th May – Music By The Sea, Sandgate, QLD
Thursday 11th May – The Oxley, Cowra, NSW
Friday 12th May – The Agrestic, Orange, NSW

Kasey Chambers
Friday 5th May – Esperance Civic Centre, Esperance, WA
Saturday 6th May – Goldfields Arts Centre, Kalgoorlie, WA

Kellybrook Cider Festival
Saturday 6th to Sunday 7th May – Wonga Park, VIC

Lachlan Bryan & The Wildes and The Weeping Willows
Friday 5th May – Suttons House Of Music, Ballarat, VIC
Saturday 6th May – Caravan Music Club, Oakleigh, VIC

Little Wise
Wednesday 10th May – Retreat Hotel, Melbourne, VIC

Lolo Lovina
Saturday 10th May – Leichhardt Town Hall, Sydney, NSW

Lost Highway Bluegrass Festival
Friday 5th to Sunday 7th May – Karuah, NSW

Lucy Wise, Kirsty Bromley, Olio&I
Sunday 7th May – CERES Organic Market & Grocery, Melbourne, VIC

Mandy Connell w/ Joyce Prescher
Sunday 7th May – Tago Mago, Melbourne, VIC

Meatstock Sydney
Saturday 6th to Sunday 7th May – Sydney Showground, Sydney, NSW

Mick Thomas
Friday 5th May – Basement Discs, Melbourne, VIC

Mitch Powers Plays The Songs of Bruce Springsteen
Tuesday 9th May – The Drunken Poet, Melbourne, VIC

Narara Music Festival
Saturday 6th May – Kariong, NSW

Nat Henry, Jorja Lynch
Wednesday 10th May – The Drunken Poet, Melbourne, VIC

Nat Henry, Mitch Power & Andrew Swift
Friday 12th May – Skylark Room, Melbourne, VIC

Nathan Seeckts and Gretta Ziller
Thursday 11th May – The Tramway, Melbourne, VIC

Oscar Lush & Jumpin Jack William
Saturday 6th May – The Fitzroy Pinnacle, Melbourne, VIC

Peter Baylor Supper Club feat. George Washingmachine
Friday 12th May – Carlton Scout Group, Melbourne, VIC

Porch Light Sessions feat. Maia Jelavic, Happy Axe
Thursday 11th May – Petersham Bowling Club, Sydney, NSW

Rosie Burgess Trio
Thursday 11th May – Toff in Town, Melbourne, VIC
Friday 12th May – The Bottlerocket, Nowra, NSW

Sam Newton
Sunday 7th May – Miss Peaches, Sydney, NSW
Thursday 11th May – Union Hotel, Sydney, NSW

The Americana Sessions featuring Katie Brianna & Andrew Swift
Sunday 7th May – The Triffid, Brisbane, QLD

The Co-Ground Folk Show feat. The Bean Project, Susy Blue, Charm of Finches, Khristian Mizzi, Someday June
Friday 5th May – Wesley Anne, Melbourne, VIC

The Mae Trio
Friday 5th to Sunday 7th May – Vocal Ranges Festival, Kyneton, VIC
Friday 12th May – Thornbury Theatre, Melbourne, VIC

The McClymonts
Friday 5th May – Dee Why RSL, Dee Why, NSW
Friday 12th May – Services Club, Young, NSW

The Mutual Acquaintances
Saturday 6th May – The Shack, Sydney, NSW

The Round Up feat. Charles Jenkins w/ Luke Sinclair
Wednesday 10th May – Bella Union, Melbourne, VIC

The Scrims w/ Golden Sound, Rowena Wise
Saturday 6th May – Toff In Town, Melbourne, VIC

The Shack presents The Mutual Acquaintances, Azure Seas, Zane Thompson
Saturday 6th May – The Music Lounge, Sydney, NSW

The Tall Grass, Adam Gibson & The Ark-Ark Birds, Christine Jane
Saturday 6th May – Leadbelly, Sydney, NSW

Tim Moxam & Liz Stringer
Friday 5th May – House Concert, Nowra, NSW
Saturday 6th May – Lost Highway Bluegrass Music Festival, Karuah, NSW
Sunday 7th May – 63 First Ave, Sawtell, NSW
Friday 12th May – House Concert, Melbourne, VIC

Tim Solly
Friday 12th May – The Wesley Anne, Melbourne, VIC

Tracy McNeil & The GoodLife
Friday 5th May – Longhorn Saloon, Melbourne, VIC

Vocal Ranges Festival
Friday 5th to Sunday 7th May – Kyneton, VIC

William Crighton
Friday 5th May – Bella Union Trades Hall, Melbourne, VIC
Saturday 6th May – Bella Union Trades Hall, Melbourne, VIC
Sunday 7th May – Grampians Grape Escape, Halls Gap, VIC
Friday 12th May – Leadbelly, Newtown, NSW

Friday Folk Flashback

“Cootamundra Wattle” – John Williamson

Tim Moxam (Canada) and Liz Stringer Announce Co-Headline Tour

Liz Stringer
Image Courtesy of Tim Moxam and Liz Stringer

Canadian singer-songwriter Tim Moxam has announced plans to tour our great land in May and will be joined by co-headliner and Timber and Steel favourite Liz Stringer.

The singer-songwriters are promising warm, intimate shows in New South Wales, Victoria and Western Australia. Check out the full list of dates below:

Thursday 4th May – The Lush Factory, Tilba Tilba, NSW
Friday 5th May – House Concert, Nowra, NSW
Saturday 6th May – Lost Highway Bluegrass Music Festival, Karuah, NSW
Sunday 7th May – 63 First Ave, Sawtell, NSW
Friday 12th May – House Concert, Melbourne, VIC
Saturday 13th May – Major Tom’s, Kyneton, VIC
Sunday 14th May – Saints and Sailors, Portarlington, VIC
Thursday 18th May – House Concert, Fremantle, WA
Friday 19th May – Bassendean Hotel, Perth, WA
Saturday 20th May – House Concert, Denmark, WA
Sunday 21st May – House Concert, Albany, WA
Tuesday 23rd May – Kooljaman at Cape Leveque, WA
Wednesday 24th May – Kooljaman at Cape Leveque, WA
Saturday 27th May – The Good Cartel, Broome WA


Thank Folk It’s Friday – 28th April

TFIF

This Week in Folk

All the News From The Week That Was

– Melbourne folk-pop duo Pierce Brothers have announced details of their upcoming EP The Records Were Ours and national tour dates in May. Details here

– Country-rock band Raised By Eagles released their new single “Shape & Line”. Details here

– We premiered the new video from the John Flanagan Trio, “Beauty On The Bottom”. Details here

Busby Marou released their touching new video “Paint This Land” for ANZAC Day. Details here

– Australian bush music legends The Bushwackers released their new single “Dirt Under My Nails”. Details here

– Sydney jam night Bluegrass @ Yulli’s announced The Tawny Owl Stringband as their May feature artist. Details here

– Melbourne singer-songwriter Bill Jackson released his new video “Double Shot”. Details here

– American singer-songwriter Pieta Brown released her new video “Rosine”. Details here

Interviews

“The new album is definitely the most rock and roll sounding album of all my work,” Stringer says, after playing to a full house at the 2017 Candelo Village Festival. “The lead sound I’m getting now is definitely much more developed than when I was playing acoustic”Liz Stringer chats to Elizabeth Walton. Interview here

Reviews

Track by Track

“Avid journaler, constant traveller and part time accordionist, Quinton Trembath, has returned to punk influenced acoustic guitar to chronicle his stories of friends and places. Just six months after releasing his first EP, Tuns of Fun, Trembath is back with new EP Good days, These Days, recorded in Hobart with the help of Cal Young and Hannah Morrell” – Track by Track here

Gigs

“Dreaming of the weekend? Wishing you could have another 4 days off? Well, step back in time to the Easter Weekend with our 5 things we learned at Bluesfest”KT Bell recounts the 5 things she learnt at Bluesfest. Review here

Releases This Week

Blonde on Blonde
50 Years Of Blonde On BlondeOld Crow Medicine Show
iTunes

Quinton
Good Days These DaysQuinton Trembath
Bandcamp

Timber and Steel Recommends – Go To This Gig

Davidson Brothers

Davidson Brothers

Davidson Brothers launch their amaizng new album All You Need Is Music’ in Melbourne.

Friday 28th April – Longhorn Saloon, Melbourne, VIC

Gigs Next Week

Appalachian Heaven Stringband
Monday 1st May – Open Studio, Melbourne, VIC

Argyle Sun Sets feat. Katey Brooks, Lola Sola, Hollie Col
Sunday 30th April – Upstairs at Fred’s, Camden, NSW

Australian Celtic Festival
Thursday 4th to Sunday 7th May – Glen Innes, NSW

BATTS
Sunday 30th April – Some Velvet Morning, Melbourne, VIC

Ben Wright Smith
Friday 28th April – Charles Sturt University, Wagga Wagga, NSW
Sunday 30th April – Heritage Hotel, Bulli, NSW
Thursday 4th May – Brass Monkey, Cronulla, NSW
Friday 5th May – Charles Sturt Univesity, Wagga Wagga, NSW

Billy Bragg
Friday 28th April – Fremantle Arts Centre, Fremantle, WA

Bob Evans
Wednesday 3rd May – Clarendon Guest House, Katoomba, NSW
Friday 5th May – Camelot Lounge, Sydney, NSW

CANS w/ Alison Ferrier and The Happy Lonesome Duo
Friday 28th April – Tago Mago Club, Melbourne, VIC

Captain Spalding, Lachlan Bryan, The Weeping Willows
Sunday 30th April – Functions By The Bay, Frankston, VIC

Chloe & Jason Roweth, MaD aDaM
Saturday 29th April – Loaded Dog Folk Club, Sydney NSW

Dana Hassall
Saturday 29th April – Surfbeach Cafe, Narooma, NSW

Daniel Champagne
Sunday 30th April – Redcliffe On The Murray, Pinjarra, WA
Tuesday 2nd May – Little Village Music, Dunsborough, WA
Wednesday 3rd May – Mojos Bar, Fremantle, WA
Thursday 4th May – Four5Nine, Perth, WA
Friday 5th May – Town Hall, Yabberup, WA

Davidson Brothers
Friday 28th April – Longhorn Saloon, Melbourne, VIC
Friday 5th May – Goldmines Hotel, Bendigo, VIC

Diamond Duck
Friday 5th May – Some Velvet Morning, Melbourne, VIC

FolkSwagon feat. Ella Belfanti, Cecilia Brandolini, Slow Ships
Wednesday 3rd May – Cafe Lounge, Sydney, NSW

Frankston Music Festival
Friday 28th to Sunday 30th April – Frankston, VIC

Galilee Blockade Support Concert feat. Alannah Russach, Leah Flanagan, Steph Miller, Ricky Pann, Mark Lucas
Sunday 30th April – Petersham Bowling Club, Sydney, NSW

Gena Rose Bruce
Thursday 4th May – The Tramway, Melbourne, VIC

Grigoryan Brothers
Friday 28th April – Birds Basement, Melbourne, VIC

Hootenanny feat. When Hawk met Sparrow
Sunday 30th April – Miss Peaches, Sydney, NSW

Jeff Lang
Friday 5th May – Imperial Hotel, Eumundi, QLD

Jemma Nicole & Mitch Power
Friday 28th April – LongPlay, Melbourne, VIC

Jo Meares and the Silver Bullets
Saturday 29th April – Tago Mago, Melbourne, VIC
Sunday 30th April – Labour in Vain, Melbourne, VIC

Kasey Chambers
Friday 28th April – Queens Park Theatre, Geraldton, WA
Saturday 29th April – Astor Theatre, Perth, WA
Sunday 30th April – Ravenswood Hotel, Ravenswood, WA
Tuesday 2nd May – Bunbury Regional Entertainment Centre, Bunbury, WA
Thursday 4th May – Albany Entertainment Centre, Albany, WA
Friday 5th May – Esperance Civic Centre, Esperance, WA

Kelly Brouhaha
Friday 28th April – Billyroy’s Blues Bar, Bendigo, VIC

Kirsty Bromley
Sunday 30th April Shakespeare on the River Festival, Stratford, VIC

Lachlan Bryan & The Wildes and The Weeping Willows
Friday 5th May – Suttons House Of Music, Ballarat, VIC

Little Wise
Wednesday 3rd May – The Retreat, Melbourne, VIC

Liz Stringer
Friday 28th April – Old Hepburn Hotel, Hepburn Springs, VIC
Saturday 29th April – Northcote Social Club, Melbourne, VIC
Sunday 30th April – Torquay Bowls Club, Torquay, VIC

Lost Highway Bluegrass Festival
Friday 5th to Sunday 7th May – Karuah, NSW

Mick Thomas
Friday 5th May – Basement Discs, Melbourne, VIC

Oh Pep!
Friday 28th April – Howler, Melbourne, VIC

Quinton Trembath
Saturday 29th April – Station Bar, Katoomba, NSW
Sunday 30th April – The Hamilton Station Hotel, Newcastle, NSW

Rich Davies & The Low Road
Friday 28th April – Two Goats Cafe and Baa, Armidale, NSW
Saturday 29th April – Tamworth Hotel, Tamworth, NSW

Round Mountain Girls
Friday 28th April to Monday 1st May – Wintermoon Festival, Cameron’s Pocket, QLD

Songsters in support of the Galilee Blockade feat. Alannah Russack, Steph Miller, Ricky Pann, Mark Lucas
Sunday 30th April – Petersham Bowling Club, Sydney, NSW

The 4 Divas feat. Jackie Marshall, Aine Tyrrell, Lucie Thorne, Melanie Horsnell
Saturday 29th April – Bega Valley Commemorative Civic Centre, Bega, NSW

The Beekeepers
Saturday 29th April – Bar Open, Melbourne, VIC

The Button Collective
Friday 28th April – The Lass O’Gowrie, Newcastle, NSW

The Co-Ground Folk Show feat. The Bean Project, Susy Blue, Charm of Finches, Khristian Mizzi, Someday June
Friday 5th May – The Wesley Anne, Melbourne, VIC

The East Pointers
Friday 28th April to Monday 1st May – The Planting Festival, Woodford, QLD

The Last Jar Mussel Festival feat. Fat Cousin Skinny, Louisa Wise
Saturday 29th to Sunday 30th April – The Last Jar, Melbourne, VIC

The Mae Trio
Friday 28th April – Night Quarter, Gold Coast, QLD
Sunday 30th April – Brewery, Bellingen, NSW
Friday 5th to Sunday 7th May – Vocal Ranges Festival, Kyneton, VIC

The McClymonts
Friday 28th April – CEX Coffs, Coffs Harbour, NSW
Saturday 29th April – Panthers, Port Macquarie, NSW
Friday 5th May – Dee Why RSL, Dee Why, NSW

The Northern Folk w/ The Bean Project
Wednesday 3rd May – The Gasometer Hotel, Melbourne, VIC

The Planting Festival
Friday 28th April to Monday 1st May – Woodford, QLD

The Royal Parks w/ Slow Motion Picture, AmarinaWaters
Saturday 29th April – Bella Union, Melbourne, VIC

The Sauerkrauts
Sunday 30th April – The Metropole Guesthouse, Katoomba, NSW

The Spooky Men’s Chorale
Saturday 29th April – Melbourne Recital Centre, Melbourne, VIC
Sunday 30th April – The Capital, Bendigo, VIC

The Sydney Square Dance feat. Narrownecks
Saturday 29th April – Annandale Neighbourhood Centre, Sydney, NSW

Tim Moxam & Liz Stringer
Thursday 4th May – The Lush Factory, Tilba Tilba, NSW
Friday 5th May – House Concert, Nowra, NSW

Tracy McNeil & The GoodLife
Friday 5th May – Longhorn Saloon, Melbourne, VIC

Vanishing Shapes
Sunday 30th April – The Sunken Monkey, Erina, NSW

Vocal Ranges Festival
Friday 5th to Sunday 7th May – Kyneton, VIC

Wide Open Space Festival
Friday 28th to Sunday 30th April – Ross River Resort, Alice Springs, NT

William Crighton
Friday 5th May – Bella Union, Melbourne, VIC

Wintermoon Festival
Friday 28th April to Monday 1st May – Cameron’s Pocket, QLD

Friday Folk Flashback

“Annabelle Lee” – Sarah Jarosz

Liz Stringer and the Candelo flair

Liz Stringer
Image Courtesy of Liz Stringer. Photo by Taiette O’Halloran

Standing under a tree, strumming on a tram, standing solid, landing her ground.  Liz Stringer is the song maiden of Australian soils whose ballads of heartbreak and sorrow thump rejection as readily as they pump the lifeblood of the free and the most fiercely independent of spirits. Her music, like her lyrics tell it, lilt to soaring highs while she lifts herself up and puts herself back together again, and again and again. Music, for Liz Stringer, like us too, always was reserved for the brave and for the free….

And no, love might not be any healer, but Liz Stringer’s musical offerings certainly harbour a salve deep within each measure.

It’s always been hard to tell – is she a songwriter, is she a perfect lyricist? Is she a singer, is she one Australia’s best musicians?

The real answer? Stringer just is.

She’s an artist, in the truest of senses. Though she would tell you she didn’t care what you thought anyway.

Her husky vocal overtones are matched with songs about cheap casks of wine.  Her voice emerges during a downward glance set on a serious face – darkly framed by a close clipped concave bob, a flapper-inspired style that points towards a place that leaves convention behind – the original devil may care expression of independence and un-ownable style. This is a chick for whom the night sky truly could conceivably be the original jewelry store window, with a heart that imagines life and conceives the way things might go, she who can weave that shoestring of a song on two triads that rip a chord around your heart so snug that it will never let go. Jimmy hurt her, don’t you remember, and you should close the drapes less that devil drops by after the night calls curtains on the day. But you know once you’ve heard her lucid drawl you’re never going to forget it.

“God she sounds like Joni Mitchell,” the audience says.

Chrissie Hynde,” say the reviews.

Nope, it’s Stringer.

“Is that Bonnie Raitt?” , no, and that’s all for now, so tune your guitar down low and croon along if you want any hope of keeping up with Stringer’s evolving style.

From Germany to Canada, Nashville and most recently to Candelo where we caught up, the Stringer model for musical success is born of hard work, commitment, focus and pure musical drive. On the day we meet she has travelled over 600 kilometres from the Hunter Valley, with another 6 hour drive ahead to Melbourne after the show.

Where other artists have remained strident individualists, Stringer hasn’t held back from whatever it is this musical journey has in mind – leaving her own story behind plenty of times to join up with other bands.

Collaborating with other legends of the stage – and the road – has definitely broadened her style, her range and her appeal.

The experience brings her back to the road with her latest album All The Bridges after a round of soul searching that found the songstress feeling perhaps she had given the journey all she had to give. Somehow she found her way to foreign shores, recording at Type Foundry Studio in Portland, Oregon, USA, in the same space where Fleet Foxes recorded, producing a very different sound with a very different crew.

“The new album is definitely the most rock and roll sounding album of all my work,” Stringer says, after playing to a full house at the 2017 Candelo Village Festival. “The lead sound I’m getting now is definitely much more developed than when I was playing acoustic”.

Where once the entire entourage was just Liz and her besty, Adam May, these days, the full crew consists of a four piece band.

“These musicians are amazing and I’m lucky to have them on board, considering how busy they are with their own stuff,” Stringer says.

Her current roomy from Prestons in Victoria, Alice Williams, features on rhythm, taking a break from her solo shows. Renowned drummer David Williams of Augie March is on the kit, and phenomenal bass player Timothy Nelson of Western Australia’s Kill Devil Hills is onboard for the journey too.

“He’s a killer songwriter,” Stringer says.  “He’s opening the shows for us in Victoria this weekend.”

It’s a solid lineup capable of delivering a smashingly tight, clear-sounding irresistible package, that even dips into the Australian classics.

“What was that song was that – was that Australian Crawl?” asks someone in the crowd.

“Nah mate wasn’t that – The Flowers. Ice House. Great Southern Land.”

“Great Southern Land”.  A song that reinvented video trends with helicopter footage and grand cinematography, unusual for its day, a song that broke budgets when it crashed onto the scene and into the minds of the 80’s generation. The kind of iconic Australian ballad Stringer is drawn to reproduce live on stage.

“I chose Great Southern Land because I’ve always loved the song. I love it’s “Australian-ness” and its poetic political and social statements about Australia. Alice and I often jam on that song late at night. So we wanted to try it with the full band,” she says.

Onstage Stringer’s gaze is still cast downwards, or sometimes askance when she clicks eyes with Alice as these patrons of groove birth a grueling 90 minute set of pure rock. Stringer peels off one perfectly crafted lead after another, mopping up with her Fender Mustang fluently as though it was an extension of her psyche. It’s an extension of our psyche now, the kind of music that really sinks in.

Travelling with their own sound crew also helps perfect the sound. “It’s a different experience to travelling solo,” Liz says. “I definitely don’t get to call in on friends as much as I used to when I was touring, but the comraderieof the band is definitely very energising.”

Though Stringer has largely packed away her loop machines and harmonica, instead wielding her Fender mustang like she was born wearing it, the full band sound isn’t more than it was before – with a strong four part harmony synching every verse, her acoustic sound isn’t lost – you can hear one within the other. Her musical concepts are so completely laid down that one – the full band or the paired back solo – implies the other.

You could always hear the harmonies even before they were there. The lyrical parts – the bass lines, the backing vocals, perhaps a djangly piano absent from recordings past, are oddly present now in these arrangements, like her ear was always tuned to both the vibed up and the vibed back versions of her tunes.  But the gaze is always introspective. And it’s not that she is looking down at the neck of her guitar, prepping to step the next pedal – it’s because she’s playing to an inner narrative, and that’s where her gaze has gone –  there’s a fire in his belly and a baby in mine, the narrative of the solo mind tracking the thoughts of the balladeer.

Meanwhile the flock of blue birds fly off her guitar strap and over her shoulder to make a nest at her next gig.

And so the road takes her, one day this town, the next day that, travelling, always travelling, for more than a decade, the life of the modern day troubadour. “It is hard,” Liz says, “but it’s what I want more than anything else. I might get three months of the year at home in Melbourne – but not all in one hit”.

A devotion, a calling, a road that doesn’t end. A journey into a town less known, in a place over the hill, somewhere far down the coast, the sapphire coast of New South Wales, where all the oceans are crystal blue.

And over the hill we travel to a mythical landscape, where the heavens cascade down over the high peaks at the foothills of the Snowy Mountains, to a land quenched each equinox by the crisp clear waters of the snow melt in Spring. Green meadows and rivers meander through the view, with a lane punctuated by roadside stalls selling pumpkins.

The Candelo Arts Association ran an event that at one stage was more of a sprawling marquee affair. This year, with less volunteers available to pitch tents in the park, the experience was paired back, to everyone’s satisfaction. With some slick advertising and contemporary talk, half of the tickets were sold online, the other half, take your chances on the day – with a rambling drive over meadows and pastures to the little town of Candelo.

Hey, if there were no tickets left, it would be fun anyway.

The revived festival now has a simple structure – anything in the town hall is ticketed, the rest is open for all to enjoy for free.

The festival presents a well developed program which offers something for all tastes, featuring the pivotal jazz impro sounds of Kapture –Australia’s leading improvisers Sandy Evans, Bobby Singh, Brett Hirst and Greg Sheehan sitting in on the kit. Vince Jones appeared on Saturday night, and local talent Melanie Horsnell opened the show on the Friday. Rounded out with arts, literature, and even a ragtime parlour, the town put together a great event, with a street humming with happy punters for a whole weekend.

The festival organisers run events at the hall throughout the year, which has a little burger popup bar, where you can get the best pulled pork in town for just seven bucks.

This is a town where the word “inclusive” is redundant. Thinning grey dreds seem part of the civic uniform, and the grand fathers of town are in town with their adult kids and their own babies and they’re all hanging out in the street. The chicks in the café open the door for a guy circling round in his wheelchair, motioning with his chin which way the prams and dogs should go. It’s all ok here, safe for all kinds, even the guy wheezing away on a torn squeeze box on the blackboard stage who can’t quite remember his lyrics – it’s ok Steve, give it another go, we all know how the song goes anyway. It’s a loyal and attentive crowd, and they love Steve no matter what. As long as he sings another tune about Ned Kelly, preferably written by Paul Kelly, without ever mentioning a Kelly at all.  Local writers’ books are for sale at coffee tables, including a tome of poetry by  Phil Mac. The dogs are fed and watered, the entire stratosphere is on offer here. And you ALL are welcome. There’s even a piano parlour in the street. 

The local store was transformed two years ago, into a café and a swishy general store, well patronised by locals who come here to stock up on bread, milk, peanut butter, hand made baskets and all the local produce the town can supply.

Sometimes you wonder why each town needs its own festival – when surely a lineup of music, food and local eccentrics is on offer at every one.  Yet the answer to that question is redundant too – each town offers something completely new in the sense of regional style and flavor. And Candelo has ticked that box in every sense. It is a lovely relaxed affair with strangers mingling and chatting in the street.

Phil “This is how I think” Mac and his grandson Spencer Frank Burton Taylor swirl around, dancing to one of Steve’s blackboard strung tunes.  Phil himself is a poet whose work is collected in a recent edition. He is prepping for his 2UP calls at Merimbula RSL on Anzac Day. “Who are you writing for?”, Phil quizzes me. “Timber and Steel,” I say. “Ah Timber and Steel – I see, wood and metal,” before he meanders off down the main street. Young Spencer is the latest addition to a long line of farmers from the region, whose family are now producing chinook hops cones on old dairy country for micro breweries at Ryefield Hops, Bemboka, near the seaside town of Merimbula.

It’s a festival of honesty, integrity, and feel good low-fi values.Values that would appear to resonate with Liz Stringer and her crew.  After a long drive, quick sound check and a very long set, she’s out front and friendly selling all her own merch as soon as she’s off stage, looking quite at home at the side of the boho style bar.

Stringer’s broad Australian accent is never shied away from or apologised for –it’s part of what gives you the sense that she’s with us for many decades yet – holding back, with sincerity, is something she does best. She’s someone who has your measure and shrugs off success – all the awards, accolades and CD sales in the world don’t seem as though they appeal to her anyway.

In a final ballad about friendship – she calls to anyone. Doing it solo for years on the road has earned her the stripes, as she glides now on the wings of her full band. With the front of stage floor occupied with eager musicians listening as attentively as Stringer is delivering – from MelanieHorsnell and her kids to former Lime Spiders drummer Richard Lawson (and some girl from a band named Honey) – she’s definitely a musician’s musician – but one who has wide appeal as shown by the sell-out tours and packed out stadiums of the global music circuit. Paying solid attention to the slick rock sound, she’s still a serious insect – who pays homage to inspiration drawn from the Great Southern Land and the Great Ocean Road alike, with an apparently red wine inspired flourish of nail polish on just the one guitar stubbled pinky.

“She sounds like Christine McVie”, the audience muses.

“Hmmmm, or maybe…?”

Her dark 1920s bob is bleached out now and neatly twisted at the sides with a couple of bobby pins. Stringer’s appearance never seemed as important to the soul of her work as the coil of tightly wound emotion she creates– highlighted now as a rousing sway of crashes is played out on Williams’ Zildjians– emblazoned by a snatch of cymbal bait on his sticks, sounding as though there’s not just a full choir of backup singers up there, but that they’re tambourine tapping too – but no, it’s just the four of them, seasoned pros, and that’s just as well because the stage is already crowded.

“It’s a wonder there was room for you at all she muses”, perhaps thinking of growing up with her music teacher dad, her absent mum, and now, her now dad’s partner, down on the Great Ocean Road, that great crashing bastion of the Australian landscape  – indelibly cast as the fierce anchor at the foot of the Australian mood – where the wild seas stir up whispers and storms from the frozen wastelands of the Antarctic.

“We can live on love” she sings.  “We CAN live on love” – like an anthem, a mantra, singing it to us with a “hey, yeah!” smile while she repeats it to herself.

We can be big observers of the fates of hearts, the heart doesn’t have to surrender when love comes to town.

We can, draw breath – we can inhale that chilling breeze blowing straight up the guts of the Southern Ocean, we can survive it, everything – the whole lot life has to throw at us. It doesn’t have to crush us, we can merge love with happiness – we can have it all.

We can drink that hopeful tune, and still launch one of the greatest melancholic balladeers this country has ever produced – heart in tact, off the sleeve of the album, and off into the world. Farewell Liz, go well on this tour, until next time you come back home, with ever more musical maturity spunk and style.

But never, please, never be a stranger to this land.

Timber and Steel’s Artists’ Top Albums of 2016

Child Records

You’ve heard what we think the top albums of 2016 were, but lets be honest this is the piece you’ve really been waiting for.

Every year we reach out to the community of folk and acoustic musicians in Australia and around the world to ask them to pick their favourite album or EP of the year, and this year they came through in spades.

So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2016.

Bill ChambersEagle & The Wolf
Bill ChambersCold Trail
What a record. Bill just turns up when he feels like it and shows us all how it’s done. The title track is one of the best driving songs ever written and we’ve done A LOT of driving this year! This record has been with us on every trip and inspires us as artists of the alt. country genre to dig deep and keep being real, in life and in music. He’s the baddest and the best.

James KenyonAnna Cordell
James KenyonImagine You Are Driving
This album takes me into such a beautiful space, it is so beautifully written and produced, I find myself smiling every time I listen to it – I’m entranced and inspired.

Joe MungovanImogen Clark
Joe MungovanWay Down South
Joe totally embodies the Joni Mitchell quote about songwriting, “The closer you get to your heart is the closer you get to everyone else’s”. This EP is an evolution for him, the production is so sparse and spacey, almost Bon Iver-ish, and very different from the folky style of his first EP. But what remains is Joe’s amazing ability to capture so perfectly the melancholy of the human condition with his beautiful melodies and heart-wrenching lyrics. A big 5 stars from me. Love ya, Joe!

Piers FacciniSam Lee
Piers FacciniI Dreamed An Island
This album only came out a couple of weeks ago but I think needs mentioning in this years crop. Piers is one of the finest male singers and his musicianship is exquisite. It’s an album of great sensitivity with deep thought and poetry inside. The songs are so well formed, he has a knack at creation of timeless soundings orgs.

DD DumboDan Flynn
D.D DumboUtopia Defeated
Oliver has really found his own unique sound while incorporating some diverse influences including folk, electronic and world music. I was really impressed with his songwriting and his ability to draw you in to his strange little world. I also love the production with all those sonic layers that reveal themselves over repeated listens. Amazing debut.

Michael KiwanukaSkyscraper Stan
Michael KiwanukaLove and Hate
I got hooked on this album while touring around New Zealand. The songwriting is melodic, the dynamics are masterful and the closing track, “Final Frame”, kicks me in the guts.

William CrightonJosh Rennie-Hynes
William CrightonWilliam Crighton
I first heard William at Nannup at the start of this year and loved it. He’s a great performer and his songs are top notch. This album captures all of that perfectly. The production is spot on and is a testament to the benefits of what a more DIY approach to recording can achieve.

Bon IverTanya Batt (BATTS)
Bon Iver22, A Million
There have been a lot of amazing releases this year, Canary, Braille Face and Hayden Calnin were three I wanted to choose too. However, it had to be Bon Iver. The most highly anticipated album in my life, it did not disappoint. This album means so much to me, It’s an extremely innovative album within soundscapes and also so raw, filled with emotion. Many tears were shed when I first listened.

MoulettesClaude Hay
MoulettesPreternatural
Moulettes new album Preternatural really grabed me from the first second, Distorted Cello, Oboe, guitar bass drums and they all sing insane harmonies perfectly live….Audio candy

Bill HuntLiam Gale (Liam Gale & the Ponytails)
Bill HuntUpwey
Conversational, melodic, witty and hooky songwriting flood through the beautiful ebb and flow of Upwey, Hunt’s first of many offerings. The songs are hued by a consistent arrangement of drums, bass, violin and Hunt’s subtle and precise guitar style. But they don’t rely on these arrangements; each song a story, assisted by the swell of instrumentation to convey the tales that swing from the near Latin grooves of “Odalik” to the slow sexy grind of “Sea of Love”. At six tracks long, it leaves you wanting more. Perfect.

Childish GambinoSahara Beck
Childish GambinoAwaken, My Love!
Listening to this album is like switching off the real world and stepping into an original and new world. I find it very inspiring.

Oh PepThe Little Stevies
Oh Pep!Stadium Cake
I think the songwriting on Stadium Cake is really interesting. The songs take me to a place that I’m not expecting both lyrically and musically when I begin listening to them and they keep me guessing, which I absolutely love. The arrangements and production are also super cool, and I’m simply just a big fan of talented women and female partnerships doing great things in the arts.

Side PonyFanny Lumsden
Lake Street DiveSide Pony
It seriously makes me the most joy filled human ever. Side Pony is possibly my biggest songwriting envy of late and they just really nail that motown meets pop retro good times.

Nick CaveMiles O’Neil (Miles and Simone)
Nick Cave and The Bad SeedsSkeleton Tree
I was scared to listen to this album due to the tragic circumstances surrounding it. Finally
mustering the courage one bright morning I listened to it through while walking beside the sea.
I stopped many times during that walk to sit and, floored, marvel at the breathtakingly
sadness and beauty captured in what is, to me and I’m sure many others, a masterpiece.

Hayden CalninForest Falls
Hayden CalninCut Love Pt 1/2
Hayden is an absolute stayer of the Melbourne music scene, but it’s for good reason. This record is world-class. Sparse, rich, cinematic, and desperate in its feel, it holds on to you long after the first listen.

Button CollectiveThe Bottlers
The Button CollectiveThe Lonesome Sea
As a softly lilting mandolin emerges from the silence of the opening track, Brodie’s haunting lyrical ballad begins to unravel the story of the heartbreak of a man, torn between travelling the lonesome sea and those who he has left behind. This beautiful yet bittersweet combination of well-travelled wordsmithing and an instrumental palate carrying a nostalgically truthful warmth, could be heard in any far-flung tavern in the dead of night, as tired candles flicker. Finishing with a raucous fling titled “Adieu Sweet Lovely Nancy”, the Button Collective’s release concludes on a stirring high, twisting your arm to crave another ale. The EP’s recording, mixing and mastering add a special flair, as you hear the charismatic live-elements that give you a heart-swelling, beer-swilling singalong that you can partake in at any time. Well done fellas!

The Dreaming RoomPhia
Laura MvulaThe Dreaming Room
Her lyrics explore feminism, faith, self-worth, race, and her harmonies, arrangements and production are deep and multi-hued. One of the most exciting songwriters around, unafraid to experiment with multi-genre collaborations, like the London Symphony Orchestra and Nile Rodgers.

JoyGordon Wallace (The Crooked Fiddle Band)
The Peep TempelJoy
This is a great third album by the Melbourne based three piece that has initial flavours of 90s Aussie pub punk/bloke rock (like Cosmic Psychos) but that is just the beginning – the album is musically quite varied, with intelligent, dark, caustically humorous and often political lyrics with moments of honest beauty.

Wartime SweetheartsJoe Gould (The Crooked Fiddle Band)
Wartime SweetheartsSo Long Sparta
It’s always great when a local artist drops something as fully formed and self-assured as Louise Nutting’s second album under the Wartime Sweethearts moniker. Experimental without forgetting the songcraft, it deserves its rightful place amongst the St Vincents, Dirty Projectors and My Brightest Diamonds of the art pop world. Props to local label Art As Catharsis, whose releases in October alone spanned from Wartime Sweethearts to Hashashin’s eastern mathrock and No Haven’s dark hardcore. Eclecticism rules the day!

BeyonceTaryn La Fauci
BeyoncéLemonade
To create and release a piece of work that is so intricately linked and ordered, one you must listen to from start to finish to understand the whole was really refreshing! The film that accompanied the album was also richly interesting, deep and powerful. To address themes such as infidelity and race and then to weave them powerfully into a full album, which on release caused so much controversy and started a conversation world wide, I thought was really great.

Melody PoolKevin Mitchell (Bob Evans)
Melody PoolDeep Dark Savage Heart
Another beautiful record from the most under-rated songwriter in Australia. “Love, She Loves Me” gives me goose bumps every time.

Winter WheatFrank Turner
John K SamsonWinter Wheat
I am a long term partisan of John’s work, so it’s not surprising that I liked this record. But god-DAMN, the man just keeps delivering. This record had me in tears three times on my first listen through, and it gets better with age.

David BowieWilliam Crighton
David BowieBlackstar
My favourite album from 2016 is Blackstar from David Bowie. There were a lot of great albums but I listened to it the most.

TigallerroSteven Barnard (Arbori, Jon Cotton)
Phonte and Eric RobersonTigallerro
Smooth grooves, dope rhymes, sweet melodies. You’d be hard pressed to find another 2016 record his year that has this flow, though Anderson Paaks’ Malibu is a close second. It rolls effortlessly from track to track and the inevitable ass shaking comes with a no “slutty table top twerking” guarantee. It’s rare that a hip hop record explores what it means to be a man of sexual fidelity, a family man, and even man of faith in higher power. Getting hype or turning down, my morning wake up or my party starter, this record has been a solid find.

Julia JacklinJesse Lubitz (TinPan Orange)
Julia JacklinDon’t Let The Kids Win
This album is a gem. The more I listen to this record, the more the songs shimmer and shine with a beautiful honesty. Jacklin’s songwriting is earnest and her voice perfect – it feels like an important voice which dances delicately on a wire between mundanity and profundity.

Bon IverOliver’s Army
Bon Iver22, A Million
Although becoming more and more electronic heavy, Justin Vernon’s signature haunting melodies and dynamic vocals remain consistently endearing. I found the production to be quite bold and experimental, and I love that they’re continuing to explore their sound and push it in new directions. Sonically, it’s spacious and beautiful.

RadioheadKim Churchill
RadioheadA Moon Shaped Pool
My top album of 2016 has probably got to go to A Moon Shaped Pool by Radiohead. It really hit me at the perfect moment. I was deep in the studio and sometimes getting a bit overly flustered by how complex the process of recording can be. I think Radiohead have done something incredible in the way this album is so relaxed, so subtle, but so powerful. There is this beautiful calm confidence that I am completely in awe of. To be alive whilst their legacy is still being added to is a real treat!

Conor OberstThomas Busby (Busby Marou)
Conor OberstRuminations
Brave, personal and heart achingly real. It feels like you’re in the room with him as he’s pouring his heart out.

Iggy PopEm George
Iggy PopPost Pop Depression
It would be a total lie for me to say that I have been patiently and politely waiting for a new Iggy Pop record because I’ve been extremely impatient and downright rude, mouthing off to my vinyl copy of Lust for Life, begging to the Iggy Pop gods for a new release and then Post Pop Depression hit in March this year. Produced by Josh Homme (Queens of the Stone Age), the entire album is gritty and dark, sharp and tight with that small hint of sadness that lies just under the surface of Iggy Pop’s music. However in true Iggy fashion, the melodies and heavy drums lift the album into something that is hard to define, taking you to another place. My pick for 2016!

KaleoGerrit Gmel (Citizen of the World)
KaleoA/B
I came across these guys on Spotify a few months ago as they were our number one associated artist then. I had never heard of them before but their album has been on repeat ever since. Their album is incredibly varied, with high-energy songs like “Way Down We Go” and soft ballads like “Save Yourself”. An emotional rollercoaster from start to finish.

Gregory PorterJoe Glover (Shelley’s Murder Boys, Backsliders)
Gregory PorterTake me to the Alley
I watched a YouTube clip of Gregory Porter performing on NPR’s Tiny Desk Concert and watched it several times over, absolutely mesmerised. The album is just as mesmerising; full of soul, jazz and RnB, beautiful arrangements and Porter’s effortless delivery; just enough grit and soul to keep the jazz interesting! I listen to this album when I want something that will absolutely zone me out of where I am and what I am doing, Porter’s soothing voice is like being wrapped up in blanket and given a cup of hot cocoa.

Bruce MolskyShell Eves (Shelley’s Murder Boys)
Bruce MolskyCan’t Stay Here This a-Way
Bruce Molsky always manages to bring such a rich, unique sound to the old-time classics. His latest album is no exception. His fiddle-singin’ gives me warm fuzzies akin to sitting by a campfire under a starry sky.

David BowieJimmy Murray (Shelley’s Murder Boys)
David BowieBlackstar
It was hot, humid January afternoon driving through a sun-shower when I first listened to David Bowie’s Blackstar album. Released just 2 days after his death aged 69 this is an amazing final piece of work from this incredible artist. The hauntingly beautiful voice and instrumentation echos with songs about finality and death. Listening to this I was filled pure joy, sadness and reflection of this artist’s inspirational legacy.

Black Mountain String bandThe Plough
Black Mountain String BandTime Traveller
This year The Plough discovered the Canberra based Black Mountain String Band and can’t get enough of them. The exuberance and variety they bring to a live show is showcased beautifully in their recording. Their mix of traditional and original songs and instrumentals take the listener back in time through a landscape of high energy Old Time, Western Swing, triangle pumping Cajun and plucky Fiddle polkas. This CD’s been on high rotation in the Lancer’s CD stacker ever since it was launched in the bush capital on a chilly winters night.

TyrannamenFraser A Gorman
TyrannamenTyrannamen
A brilliant, gruff mixture of Memphis Garage-soul blended deep in a gravel filled, VB bottle of Australian 70’s pub rock. Eight tracks long, all killer no filler.

Margo PriceNick Payne (Dear Orphans)
Margo PriceMidwest Farmer’s Daughter
Margo is one of the first of a new breed of Americana artists to come out of the new epicentre of country music in East Nashville. Alongside Cale Tyson, Michaela Anne, Erin Rae, et al., these guys are playing authentic honky-tonk reminiscent of 1970s outlaw country, yet with their own fresh take. Midwest Farmer’s Daughter reminds me of the edgiest tracks from Dolly Parton, and the fact she is the first country act signed to Jack White’s Third Man Records is a testament to the quality of this album.

Oh PepJames Kenyon
Oh Pep!Stadium Cake
Stadium Cake is a brilliant album – brave arrangements, tight pop writing, great lyrics and Liv’s voice is a pleasure. I love the ambition of the album, and the assuredness the result. It’s an inspiring record

Julia JacklinAinsley Farrell
Julia JacklinDon’t Let The Kids Win
I’ve had the chance to see Julia perform these songs over the past couple years so I’ve been very excited for her album. She has an incredible songwriting talent topped by this powerful yet vulnerable voice that’ll break your heart and put it back together again all in one go. If you get the chance to see her and her band live I wouldn’t miss it.

Liz StringerMel Parsons
Liz StringerAll The Bridges
I have been a fan of Liz for a good few years now, I’m completely smitten with her voice – all husk, beauty and pain. I had high expectations for her new album, and All The Bridges delivers and then some, it’s been on repeat in my house since it arrived.

CanaryKathleen Mary Lee
CanaryI Am Lion
I like this because it is a celebration of very big, very beautiful feelings that I reckon have no other way of being celebrated other than through this kind of emotionally epic music. The lyrics are attempts at honesty and the music is always their non verbal emotional equivalent, making the album a very cathartic experience. If you want it to be. A bit of a masterpiece

Eagle and the WolfSam Buckingham
Eagle & The WolfEagle & The Wolf
Sarah brings out Kris’s sweetness and Kris brings out Sarah’s no bullshit strength – making this album the perfect balance of heart and “fuck you”. It just sounds like two musicians being real and having a ball. Awesome songwriting, perfect harmonies – it’s golden.

Sian EvansTori Forsyth
Sian EvansHow Time Has Treated Thee
This EP has only swept across my table recently but it is hands down a stand out. It makes me feel happy, sad and inspired all in one hit!

Songs From DanLucie Thorne
Dan TuffySongs From Dan
Aussie expat (now Dutch resident) and legend Dan Tuffy (Big Low, Wild Pumpkins at Midnight) has made one of my favourite albums not just of 2016 but of all time (seriously!). Co-produced by Melbourne’s Matt Walker, and recorded partly here in Melbourne, and partly in Holland, this album is an extraordinary collection from a true poet who sings straight to the heart of it all. Check it out folks!

Sian EvansHusky Gawenda (Husky)
Damien JuradoVisions Of Us On The Land
While this is Damien Jurado’s twelth album, it is the first I heard of him. Visions is a psychedelic, mystical odyssey, one that takes place within and without. The internal wanderings, the struggles and revelations, mirror an external landscape that is both beautiful and haunting. Each listen draws you further into these mirror worlds and all the while Jurado’s songs and sounds are immediately and undeniably striking.

Tracy McNeilLeah Flanagan
Tracy McNeil and the Good LifeThieves
Thieves is such an enjoyable record to listen to. It’s poppy and catchy yet underneath the veneer of fun singalong good times the songs themselves incredibly well crafted and arranged. Tracey writes a damn good song and if you’re lucky enough to see her band live, you’ll see them play those songs damn well too.

Adora EyeMusketeer
Adora EyeIf You Need A King, I’ve Been Prepared All My Life
This is probably the most raw and enduring folk album I have listened to all year. I am sure that this Swedish singer-songwriter was up all night writing this album in a smokey boat in the Stockholm harbour somewhere. You can almost see him clutching that ink pen with a red right hand, as his pet raven swings in a cage above his head eating dead beetles.

Hiss Golden MessengerDave Powys (The Paper Kites)
Hiss Golden MessengerHeart Like A Levee
I heard this album playing in a record store in London, and as I flicked through racks of vinyl I was drawn into the melodies and depth of his song writing. Every now and then you come across an artist who really moves you, or scratches an itch you never knew you had – this album has done both for me.

The Kill Devil HillsCatherine Traicos
The Kill Devil HillsIn On Under Near Water
This album encapsulates all that I love about the The Kill Devil Hills. A mad racket of noise, it pulses with life and is as ripe with heartfelt ballads as it is with sexy, sinister, badass, guitar driven numbers. Enjoy with whiskey.

Robert Ellis10 String Symphony
Robert EllisRobert Ellis
His first self-produced effort combines thoughtfully crafted songs with unique and interesting arrangements, expertly performed by him and his killer band. It’s the full package real deal and we love it so much.

The Dead MaggiesThe Dead Maggies
The Cloves and The TobaccoAcross The Horizon
TCATT are one of many celt-punk bands making great music in Java, and this album is a standout. It’s straight up driving celtic punk, with big powerful singalong choruses that tug the heartstrings. Good arrangements and musicianship help make this album great. We played with them in their hometown of JogJakarta, in the attic of a vegetarian cafe. The power cut out just before the gig, so the bands went ahead and played unplugged, it was a great moment of sweaty singalongs.

Howe GelbMark Moldre
Howe GelbFuture Standards
Late night meanderings. Laid back, whisky infused jazz piano. Wordplay and lyrical twists that stand alongside the wit of Ira Gershwin and Hoagy Carmichael with the quiet phrasing of Chet Baker. Gelb continues to walk to his own beat – confounding expectations whilst smashing and recreating genres. His history has always hinted towards a love of jazz and occasionally detoured into Monk style musings – here Gelb embraces it wholeheartedly.

TullaraSian Evans
TullaraBetter Hold On
Earthy folk and roots with a dash of dirty grunge, Tullara presents her debut EP Better Hold On. Featuring her superb guitar slinging and percussive finger tapping wizardry, genius pop-roots arrangements and powdery vocals; it’s as if an Aussie Taylor Swift, John Butler and Andy Mckee were entrapped in a love triangle and spawned gold threads of wild honesty weaving together this admirable little Roots record. It’ll jerk a tear and invoke a bit of primal badass equally.

TaliskJake Pember (The Button Collective)
TaliskAbyss
Ever since first hearing Mohsen Amini’s amazing concertina playing earlier this year I have been a little bit obsessed with this band. They have the perfect blend of traditional and modern styles, and each member has such command of their instruments that every track feels as natural and flowing as a conversation.

Max SavageKaurna Cronin
Max SavageTrue Believers
Max has a brilliant ability to invite his audiences into the narrative of his works. With brilliant imagery and musicianship True Believers captures a great snapshot of true Australian culture, while also creating a great sense of nostalgia by grasping that 80’s Australian rock sound perfectly. The perfect soundtrack for an Australian road trip or any suburban household.

Nick CaveAlex L’Estrange
Nick Cave and The Bad SeedsSkeleton Tree
Amongst all the huge artists that dropped albums in 2016, and the loads of Australian artists that arguably dropped career highlights (Ball Park Music, These Guy, D.D Dumbo), there was one album that I found myself frequently listening to, uninterrupted, alone on the hi-fi, and that was Skeleton Tree by Nick Cave and The Bad Seeds. It’s not necessarily my favourite, I think it’s an impossible task to name a favourite, but it was the first album that came to mind for this list, and that means more than anything. Hearing it coupled with the film One More Time With Feeling was challenging, given its subject matter. But its atmosphere was expertly executed; dynamic, fluid, smooth and heartbreaking. The rooms of Air, La Frette and Retreat studios are beautifully on display in songs like “Girl in Amber”, where the wispy backing vocals of The Bad Seeds hauntingly resonate across the walls. These contrast the desperate and almost maddening mantras of “I Need You”. What makes it a truly extraordinary album, is that it isn’t just doom and gloom. ‘Skeleton Tree’ doesn’t dwell on tragedy, it addresses it as part of the human condition, and there is an underlying beauty in that.

William CrightonClaire Ann Taylor
William CrightonWilliam Crighton
The storytelling and the whole atmosphere created by Crighton on this album is incredible. His dark, brooding voice and emotive style of delivery, commanded my attention from the first moment I heard it.

Andy ShaufWilliam Fitzsimmons
Andy ShaufThe Party
This was my favorite album of the year for one simple reason: MELODY!!! Andy is everything that’s right about classic “pop” music; never playing a note without a damn good reason for doing so, and songwriting that makes you feel something deep in your gut. He’s the worthy musical son of Harry Nilsson that we’ve longingly been waiting for.

LuciusRuby Boots
LuciusGood Grief
I have to choose this album because I’m still, since its release, pulling away the layers on it. Although it’s a predominantly pop record, the lyrical content and melodic arrangements are so intelligent and accessible all at once – a fine line that is hard to walk. The girls’ voices are otherworldly and tend to make me forget where I am and what I’m doing every time I put this album on. I still can’t get enough of it.

WetLacey Cole (Lazy Colts)
WetDon’t You
If you have a soft spot for B-grade pop ballads/R&B this Brooklyn-based three piece may just have written the soundtrack of your 90s-nostalgia drenched dreams. Their latest album Don’t You is a not-so-guilty pleasure of mine. Helmed by the stunning front-woman Kelly Zutrau, her unusual vocal inflections and impassioned delivery suggest an emotional complexity in what may otherwise be confused as banal sentiments (one song is called “Baby, You’re The Best”). Once combined with the lush production and rhythms of the band – assigned with the noble task of turning tears into toe-tappers – these songs are wonderfully earnest, rarely overwrought and exactly what you need right now.

James KenyonJoe Murphy (The Timbers)
James KenyonImagine You Are Driving
I have been lucky enough to see James play a couple of times. His beautifully crafted songs are reminiscent of great songwriters like Paul Kelly. The album is a stunning representation of his work.

JRHMabel Windred-Wornes (Charm of Finches)
Josh Rennie-HynesFurthermore
I love this album. It’s got so much warmth, it’s spacious. I listen to it late at night doing my homework and it’s so calming. It’s like the energy he captured recording it in the hills of Woodford transmits. We met him at Bendigo Blues and Roots Fest this year and felt we’d discovered a rare gem. He’s an amazing songwriter.

Tom BrosseauMatt Bauer
Tom BrosseauNorth Dakota Impressions
Beautiful storytelling, vivid imagery, and an incredible sense of place. I’ve always loved Tom’s records and he’s at the top of his game here writing about his native North Dakota.

Jim JamesTimberwolf
Jim JamesEternally Even
It’s a pretty passionate political plea and America needed a timely voice. He even released it the day before election day. I think his voice is very much from another world, so that’s an important “third person” kind of perspective. It’s a well sequenced collection of songs, and I really love the warm psych and soul inspired production/composition. Maybe I’m just biased because I know that Jim James and Blake Mills would make up my sonic dream-team.

Nigel WearneJustin Bernasconi (The Stillsons)
Nigel WearneDrawing Circles
Nigel has really forged his own fingerpicking techniques on both the banjo and guitar on this album, and his voice tenderly delivers every song with intense concern and passion. Just check out the live version of the title track.

The Kill Devil HillsMark ‘Looch’ Lewis – (Wifey/Handsome Young Strangers)
The Kill Devil HillsIn On Under Near Water
I have always loved this band. In all their incarnations and styles whether that is folk, country, gospel, rock or what I call the “WA dirge” (Kim Salmon, Drones type bass driven tunes). Hard to believe it is now 12 years since the release of their debut Heathen Songs when that “Drinkin’ Too Much” song first got my attention. And while it has been 7 years since the last studio album Man You Should Explode, the good news is that I reckon this is the most cohesive album yet. Cracking harmonies, great playing and strong tunes. Tracks like “The Nets”, “Chinese Burns” and notably “The Kid” are 3 of the best tunes they have released. Let’s hope there is more output and touring to come.

Austin LucasMatt Golotta (The Sweet Jelly Rolls)
Austin LucasBetween the Moon & the Midwest
I spend a fair bit of time on the road traveling to see my partner and this record became the perfect traveling companion for me. Took a few listens to get into and also realise it’s a concept album which draws from Lucas’ own past experiences. Without spoiling the outcome, it follows the luckless musician Richard, his partner Kristie Rae and his best friend William. It features killer song writing with pedal steel, twangy tele, country influences with punk rock subtlety, numerous guest vocals from the likes of John Moreland and Corey Brannan, and a cracker duet with Lydia Loveless “Wrong Side of the Dream”, dealing with the struggles and plights that many musicians face. My song of the record is “William”, the solo acoustic number at the end that makes you feel like you’ve just been kicked in the guts. Songwriting at its finest.

Cody JinksAndrew Cavalieri (The Sweet Jelly Rolls)
Cody JinksI’m Not the Devil
Raw, honest and heartache. That is this album! The first track really sets the mood for the rest of the album, but is broken up by “Chase This Song” which is a damn banger of a driving song! The outlaw vibe flowing from Junks’ music really prepares you for some hard times and disappointment in life. Bloody hell I love this album! Honorable mentions: Murlocs – Young Blindness, Jonny Fritz – Sweet Creep and Mudcrutch – 2.

Wartime SweetheartsLaura Bishop (Chaika)
Wartime SweetheartsSo Long Sparta
A killer voice, some super awesome writing skills, and an obsession with bodybuilders (hello Ms Olympia!) make this my favourite album of 2016. Wartime Sweethearts, aka singer-keyboardist-loop artist-songwriter Louise Nutting, signed to Art As Catharsis Records this year and released an album full of all the beats and electric piano and vocal harmony sounds that I like to hear (and I wish I could make) – and my favourite track “Figure It In, Figure It Out” has all the unexpected twistings and turnings of chord progressions that I wish I could write. One day Chaika will make sounds like this! One day…

Neil YoungTristan Goodall (The Audreys)
Neil YoungPeace Trail
Well with everyone saying we should just put 2016 behind us (although to be honest we should probably be approaching 2017 with a little trepidation too) I’ve decided not to dig too deeply into the past when thinking of my favorite record release of the year. I’ve loved many, but my recent love is the just-released 37th album by Neil Young. Peace Trail is short, musically experimental within its tight three piece band approach, and lyrically angry and poignant. I love it for the drummer’s drummer Jim Keltner and the way his delicate touch chases Neil’s quirky phrasing around the songs. I love it because it captures another freeze frame moment from a restless and undaunted songwriter, and I love it, of course, for those mighty guitar tones.

Davey CraddockLachlan Bryan
Davey CraddockCity West
2016 was a great year for my friends releasing good music. Melody Pool comes to mind, as do The Weeping Willows, Henry Wagons, Ange Boxall and Bill Jackson. It’s actually really hard to contribute to a “best of” list when you’re close to many of the artists – it’s hard to be objective – even after I rule out the records I was actually involved in making. Actually – it’s always hard to be objective, whether you know the artists or not. Furthermore, judging a whole body of work is hard – and for me, more than ever, 2016 was the year of the song (as opposed to the album or EP). And as songs go, the one that’s really stuck with me this year is the song “Number 9” by Davey Craddock. I love the cricket references. I asked Davey if he was a diehard cricket fan like me. He’s not. I was bitterly disappointed.

The Stray BirdsThe Mae Trio
The Stray BirdsMagic Fire
The Stray Birds made our fave album of 2014 and they’ve done it again in spectacular style with Magic Fire. It’s everything about this album and this band, the playing, the three part harmony and songs that are unabashed, true and unadorned. Magic Fire is a reminder of the things that matter, it’s definitely a fire and maybe a little bit magic.

Tori ForsythAndrew Swift
Tori ForsythBlack Bird
This EP is right up there as one of my favourite releases of 2016. From the moment I heard the opening title track, “Black Bird”, I knew that I was in for a treat. The diversity on display within the 5 tracks of Tori Forsyth’s debut release excites me. The songs are so well crafted and presented with such a mature sound, especially for someone so young. I’m eagerly awaiting the next release from one of Australia’s most promising young songwriters.

Hayden CalninRoscoe James Irwin
Hayden CalninCut Love Pt 1
A beautiful album from Melbourne artist Hayden Calnin. Drenched in melancholy and ambient awesomeness, this album had me at hello. (One of my favourite live shows of 2016 as well).

Jordie LaneNadine Budge (The Stetson Family)
Jordie Lane & The SleepersGLASSELLLAND
Have to say I’ve been particularly digging Jordie Lane’s GLASSELLLAND this last couple of months – with mighty input from the multi-talented Clare Reynolds. Let’s face it, Jordie’s a bit of an all-round talented guy!

Melody PoolDavey Craddock
Melody PoolDeep Dark Savage Heart
One of my fave local album’s of the year was Melody Pool’s Deep Dark Savage Heart. I’m a sucker for strings and a massive chorus and I love the way the songs build from really intimate, delicate and ornate passages into full-blown, wailing-on-a-mountain top with Stevie Nicks, 100 soaring bats and a thunderstorm moments. I saw her launch it at the Abbotsford Convent earlier this year and it was a really powerful and affecting show for me.

Methyl EthylTim Guy
Methyl Ethel – “No.28”
I know it’s not an album, but I’ve listened to this song more than any other this year, and it only came out a little while back. It has a lot going for it – great rhythm behind a smart piece of songwriting and then the whole thing is bathed in a deep silver mercury type thing. An Australian classic I swear.

DocksThe Staves
Amanda BergmanDocks
Our favourite album of 2016 is Docks by Amanda Bergman. Her voice is utterly sublime. You want to listen to every word she says. The music is dreamy, deep, soft, moody with melodies that whirr deliciously around your mind for days and weeks on end.

Katie BriannaRaechel Whitchurch
Katie BriannaVictim or the Heroine
I picked this album up when Katie and I did a songwriters showcase together. Sitting beside her listening to her songs was so magical – her voice is one of the most enchanting I have ever heard and her lyrics hit you right in the feels every time. Reminds me of a young Lucinda!

James KenyonMandy Connell (Stray Hens)
James KenyonImagine You Are Driving
James’ lyrics have that magic of time and place usually associated with voices like Paul Kelly or Bruce Springsteen. You can practically smell his scenes. You’re there. This album captures the voice but better than that, like a Tim Winton book, its a record that makes you present in Kenyon’s stories.

Jordie LaneLiz Stringer
Jordie Lane & The SleepersGLASSELLLAND
It’s no secret that Jordie Lane and I are good mates. We grew up together, musically speaking, and I am more familiar with his work than with most other artist’s. His new album, his first full-length release in five years, is called GLASSELLLAND, recorded by Jordie himself in various make-shift recording spaces in North Los Angeles and co-produced by his fiercely talented partner, Clare Reynolds, who also co-wrote half of the songs and sings and plays a heap of instruments on the record. Jordie’s songwriting and musicianship continue to evolve and stretch out with the years and these songs, and the way they’re recorded, ache with longing while driving forward with a swagger and a playful showmanship, melodically rich and hooky as fuck. I always become a bit weepy listening to Jordie sing. And, now, the combination of him and Clare ruins me every time. Beautiful.

David BowieColin Jones (Colin Jones & The Delta Review)
David BowieBlackstar
An exceptional reflection on final days and the unknown. Every note by Bowie, McCaslin and the band emphasize the chaos and fragility of life. There is no better swansong for an artist.

A Moon Shaped PoolEmma Anglesey
RadioheadA Moon Shaped Pool
A Moon Shaped Pool completely surrenders to simple truths that both lie in plain sight and in the messy tangled, kicking and screaming realities of life. The epic levels of angst in the opening track “Burn the Witch” are like an exorcism – Jonny Greenwood’s sharp string arrangement take you right to the edge – and then from there it’s like Alice falling through the rabbit hole of raw emotion and you go deeper and deeper.

DawesTim Hart (Boy & Bear)
DawesWe’re All Gonna Die
Some of the best lyric writing welded on to some pretty simple, but catchy, pop songs. Produced by Blake Mills (Alabama shakes, Laura Marling), this is a great record start to finish if you can forgive some slightly John Mayer sounding guitars that pop their head up from time to time. This I the record I keep coming back to this year

Oh PepRebecca Bastoli
Oh Pep!Stadium Cake
I don’t think I have ever been so entranced, excited or exhausted by the journey of listening to an album start to finish.

Bon IverDustin Tebbutt
Bon Iver22, A Million
Bon Iver has once again exceeded expectations on this release. It’s both familiar and foreign, delicately coloured, softly focused yet angular and stark. It’s brave, honest and all the things that I loved about Justin’s earlier works, without coming close to formulaic. It’s colloquial and conversational, yet inherently profound. Incredible stuff both musically and sonically.

Margo PriceJosie Rothwell (Peasant Moon)
Margo PriceMidwest Farmer’s Daughter
There’s something comforting about Margo Price’s debut album, almost like I’d listened to it before, but not in an overly familiar sort of way. Perhaps there’s something in her glorious voice that reminds me of my parent’s Dolly Parton records. She’s a great story teller, and I want to know more about her heartaches and headaches, particularly when accompanied by her crack band. I’m also proud to say my 4 year daughter keeps calling for “Hurtin’ (on the Bottle)” when we’re in the car – and I can’t think of anything else I’d want her to be listening to right now.

BJ BarthamHarvey Russell (Peasant Moon)
BJ BarhamRockingham
It pains me to say this but BJ Barham’s new-found sobriety has coincided with a serious coming of age as a songwriter. Taking a (very) short break from American Aquarium duties, BJ’s solo release (a genuine side-project) is seriously hard-hitting stuff. It rivals Aquarium’s 2012 release Burn. Flicker. Die. for intensity, but of a completely different nature. With sparse arrangements (often acoustic) Barham, as storyteller, gives you an uncensored and unashamed glimpse into how rural America has been left behind. Not for the faint hearted.

William CrightonSam Newton
William CrightonWilliam Crighton
I’d caught Crighton perform a bunch of times at local venues around Sydney and really dug his tune (and especially the music video) “Woman Like You” prior to this album’s release. So I was anticipating this release. Really excited for it. I was stoked when I heard that he and producer Matt Sherrod came through with the goods. Big time. Highlights for me are “Riverina Kid”, “Priest” and “2000 Clicks”. In my mind, this one is about as strong as debut albums get.

Chaim TannenbaumEliza Carthy
Chaim TannenbaumChaim Tannenbaum
The album that I have most enjoyed and most visited this year is the debut of the kind, quiet genius Chaim Tannenbaum (Storysound Records). I’ve had the privilege of working with Chaim over the years but it was only recently I realised that I have lived with his distinctive voice and gorgeous humility since I first began to love music. It’s his voice that forms the third harmony in “Complainte pour St Catherine” on the first McGarrigle sisters’ album, a song I played over and over as a child until you could almost see through the record, and he has been quiet companion and producer to theirs and their extended family’s work ever since. It’s somewhat typical of his humility that he has waited this long to make an album, produced by his dear longtime friend and collaborator Loudon Wainwright III. It’s a collection of avuncular stories told in his gorgeously expressive voice with beautiful, minimal production. Some trad, some conversational originals covering everything from the fate of the baseball stadium Ebbets Field to living in a depressing grey London in the endless rain in the 1960s. An album to listen to with your eyes closed by the fire. Again and again, and again.

PinegroveQuinton Trembath
PinegroveCardinal
The lyrics on this album read like the private diary of a well spoken (and well read) guy filled with both anxiety and excitement for life. The musicianship and dynamics complement this introspectiveness well, making it perfectly suited for intense solo listening as well as for being cranked on road trips with friends.

Sean McMahonAlison Ferrier
Sean McMahon and the MoonMenShiner
Sean McMahon’s laid back yet somehow intense vocal brings this fantastic collection of songs to life in my living room. Shiner’s ragged elegance is full of the sort of raunchy country rock I can’t get enough of. Stand out tracks for me: “Shiner” and “Here Comes the Night Again”.

WhitneyEddie Boyd
WhitneyLight Upon the Lake
This album just grew and grew on me since my first listen. Simple, catchy tunes that make me wanna dance or go driving for a long time. I think Whitney nailed everything about this album – the instrumentation, the production, obviously the songs. Also, they’re heaps good live.

Secret PathThe Once
Gord DownieSecret Path
The Tragically HipMan Machine Poem
This year was a hard year in Canadian Music. We have a fella here by the name of Gord Downie. He is a legend. He has helped raise Canadians to be more real with his music. He is the frontman for the band The Tragically Hip. There are not many people in Canada who don’t know who The Hip are. Their music has become part of our DNA. Gord, this year, made a statement saying he has terminal brain cancer so he obviously fighting for the men and women of the north. The folks that have needed a voice for far too long. He is being that voice. He is showing us how to be Canadian and that we can’t be without acknowledging the needs of all of our people, without respecting all of our people. This year, instead of succumbing to his illness, he put out two albums. One with The Hip and one solo. Here they are. They are magic and will go down in history in our great nation. It’s amazing to watch one man build his second legacy.

Cash SavageJessica Cassar (Jep and Dep)
Cash Savage & The Last DrinksOne Of Us
This has everything you want from a record. It’s dirty and beautiful, and dark as hell. Cash sings with a thunderous anguish that cracks, rumbles and echoes so perfectly any sorrow you might have ever had. And like any good storm, the album’s darkness reveals a little light, one that roars some sort of painful end, or much needed beginning. I love this record!

Tracy McNeilGretta Ziller
Tracy McNeil & The GoodlifeThieves
I’ll be the first to admit I’m late to the game when it comes to Tracy McNeil & The Goodlife. I caught their set at Out on the Weekend and was captivated! Their 2016 album Thieves is just so dang easy to listen to, I will confess it is turning into a “chilling on the deck summer favourite” of mine! Please, if you haven’t already, pick up or download a copy of this album and chill!!

Bill JacksonRosie McDonald (RAPT, Trippy Hippy Band, Seanchas)
Bill JacksonThe Wayside Ballads Vol. 2
Bills’ reputation had preceded him before I heard him at Fairlight folk with Ruth Hazelton and Pete Fiddler. I grabbed the opportunity to contribute to his The Wayside Ballads Vol. 2 crowd funding campaign to get Bill and Pete over to Nashville to record with some very fine session players. Bill kept me updated with postcards and messages so I felt like a sideline cheerer in this whole project. Then the CD arrived! Magnificent songs, co-written with Bills’ brother Ross. Bills’ time worn voice, rich and mellow, rootsy, Americana-ish but very very homegrown, local accent, stories big and small, tender and big hearted. Pete’s playing shines in amongst the session guys, a great listen. Music for travel, the cabin, the verandah, anywhere.

Kate Burke and Pete WildMelanie Horsnell
Kate Burke and Pete WildLive at St Peters
In my small town we have the most marvellous artists touring through, but I also love our sweet locals, and I adore this live record by Kate Burke and Pete Wild. Pete Wild’s “Mars 1” is a love song about a person who goes on the Mars mission leaving his forever love behind, the Martin-Martin song is an old village favourite and the last love song between Doris and Arthur makes me giggle and lament at the same time. And I adore playing Kate Burkes version of Frozen Man on repeat when everything in life gets a bit much.

MontaigneGretta Ray
MontaigneGlorious Heights
My favourite record that was released in 2016 is without a doubt, Montaigne’s Glorious Heights. What impresses me most about this record is the fact that it is rather evident that the artist went into this project with the intention of experimenting with her sound and taking risks, drawing inspiration from a range of her influences and assuring that each song conveyed a slightly different emotion from the previous track. I believe it was this approach of 20-year-old Jess Sero’s (Montainge) that resulted in the production of what I perceive to be a very imaginative and bold debut album. This record showcases the fact that Jess has, unquestionably, one of the strongest and most commanding voices in the Australian music industry, this being exemplified through the outstanding production and arrangements of the songs that make up Glorious Heights. As well as this, each song is demonstrative of Jess’ incredibly clever and unique songwriting, which I cannot wait to hear more of in years to come; the simplicity yet complexity and quirkiness of a lyric such as “when you touch my skin, I think ‘this isn’t boring'” makes one ponder on such a line, as Jess’ way of writing is different, daring and something that never fails to make me smile. Glorious Heights made me so very excited about how extravagant pop music is becoming in this day and age, and on the whole made me very proud to be a young woman in the Australian music scene.

WhitneyTreetop Flyers
WhitneyLight Upon the Lake
I first started hearing about this band online, so was waiting for the album with anticipation. When it dropped I must have played it back to back straight away, which rarely happens. They are hard to put in a genre, which is really great. No Woman is one of our faves of the year. They are great live and do a version’s of NRBQ’s Magnet, so happy campers over here.

Drive By TruckersShane Nicholson
Drive-By TruckersAmerican Band
In a year of many great records, this stands tall above the crowd. It’s everything I love about the Truckers: gutsy and raw, clever and thoughtful, sometimes irreverent and full of attitude, and sometimes tender and restrained. Imagine a bastard-child born to Son Volt, Matthew Ryan and Uncle Tupelo, but all dressed up in those well-worn and unmistakable Drive-By Truckers clothes. How could that not make for the coolest kid on the block this year?

Conor OberstJack Carty
Conor OberstRuminations
It’s bloody beautiful in its simplicity. Gorgeous songs performed honestly. It seems like every track is a complete performance and any imperfections only enhance the sincerity of it all for me. Such an incredibly good songwriter.

Hayes CarllThe Weeping Willows
Hayes CarllLovers and Leavers
Lovers and Leavers is Hayes Carll’s most personal, introspective and “exposed” album to date, both in terms of the intimate, confessional songwriting and the stripped back arrangements, reminiscent of Heartbreaker era Ryan Adams, never saying too much – or too little. This intimacy draws you in, while Carll’s vulnerability captures you and takes you on a journey through heartache and reflection. Hayes was always in good hands with dynamic duo Joe Henry (producer) and Ryan Freeland (engineer) at the wheel, steering gently towards a common, graceful goal. Henry’s arrangements are characteristically unique yet elegant and tasteful, while Freeland brings his trademark clarity and warmth. Check it out if you’re fans of the late, great Guy Clark and/or Townes Van Zandt or fellow Texans, Steve Earle and Kevin Welch. Stand out tracks: “Sake of The Song”, “The Magic Kid” and “Drive”.

Iggy PopKelly Day (Broads)
Iggy PopPost Pop Depression
Sometimes you’ll find a record that makes you feel high from the moment it begins. Iggy’s new album, channelled through the hooky sounds of Josh Homme and given a Bowie-esque lean, made me grin like a mad person. And then immediately take it for another spin.

Robert EllisMegan Cooper
Robert EllisRobert Ellis
I was waiting to go on air for an interview. While we were pfaffing around getting ready “The High Road” came on. I pretended I knew who Robert Ellis was when I was advised who the artist was that had pretty much hypnotised me in 30 seconds flat. I went out and paid cash money for the album the next day. Every song got me on first listen. Cinematic moments. Super personal bits. Non-standard approaches. Aspirational.

PassengerSam Brittain
PassengerYoung As The Morning, Old As The Sea
Mike has always had a wonderful way of crafting simple and memorable melodies. Combine this with his always captivating lyrics and you have a master songwriter who’s tunes that sneak their way into your day. Songs that sooner or later without realising you find yourself humming whilst waiting in line for your morning coffee. Although often his storytelling veers on on the darker side of heartbreak and loss this latest album has a lighter touch, proving Passenger is and a yard stick for the aspiring modern folk troubadour. A dynamic artist who’s albums have been true to his own brand since day one. Additionally his band on this record are also fantastic live. I recently caught his show to a sold out Vicar Street in Dublin, it was one I won’t soon forget.

Bon IverAde Vincent (The Tiger and Me)
Bon Iver22, A Million
Another great record from Bon Iver – I have loved all three so far. I like how it also pushes into some new and interesting territory with the production. The auto-tuned a cappella of “715 – CR∑∑KS” is a particular highlight

Margaret GlaspyMaia Marsh
Margaret GlaspyEmotions and Math
It makes me feel really empowered whenever I listen to it, as a woman myself playing music. The songs are strong, guitar tone is great and her voice has this amazing growl that cuts through a sincere sensitivy at the same time.

BlondDirewolf
Frank OceanBlond
My hat is profusely off to an artist who can seamlessly bridge so many facets of musical integrity. What I mean by that nonsensical shit is that the entire record is some kind of highly strung soundboard (literally) which either sends you flying high just to get high, or high because you’re just too fucking upset. “Skyline To” and “Seigfried” are perfect examples. The whole collective arrangement kills me too, it’s like listening to recent Bon Iver whilst playing Sega in a radio store – the musicality is superb. I could say a lot more, but I’ll safely surrender by saying it definitely influenced the direction of my mind in doing another record.

Bon IverWildwood Kin
Bon Iver22, A Million
Easily. We’ve never heard anything quite like it. It’s just genius.

Tattletale SaintsGeorge Jackson (The Company, Buffalo Nickel, One Up, Two Down)
Tattletale SaintsTattletale Saints
Nashville based, New Zealand duo Tattletale Saints released their self-titled, second album this year, and it’s beautiful. Cy Winstanley (Guitars, Vocals) can pen songs with the best of them, his offerings on this album range from self-reflective and insightful, to sometimes cynical and cutting but always with a masterful craftsmanship. Vanessa McGown (Double Bass, Vocals) provides both solid and virtuosic Double Bass playing and vintage tinged country vocals. The new album is definitely a departure from their earlier acoustic recordings – but for a new fan, like me coming along, this is a bold and engaging listen complete with a production dripping in vintage tones and depth. Listen, and enjoy!

Genni KaneBill Jackson
Genni KaneSelfies
Ex-member of seminal Australian band, The Flying Emus, Genni Kane has a voice that can’t be denied. This long awaited record shows she is also a very gifted songwriter and the opening track “Little White Dog” is the beginning of a beautiful journey that deserves your attention.

Nancy KerrRuth Hazleton (http://www.billjacksonmusic.com/, Kate Burke & Ruth Hazleton)
Nancy KerrInstar
A heady mix of poetry, politics and social commentary, Nancy Kerr’s Instar is an achingly beautiful collection of original songs framed within the landscape of traditional folk music. Beautifully performed and produced, Instar is, without doubt, one of the masterpieces of folk from 2016 and a work that will inform the tradition for a long time to come.

Fanny LumsdenThe Pigs
Fanny LumsdenSmall Town Big Shot
This album is full of great songs written from Fanny’s heart. She’s the real McCoy. Whenever we see her play live her songs get stuck in our head for weeks after. “Bravest Of Hearts”, “Soapbox” and “Don’t Let The Bastards Get You Down” are just a few of the crackers on this rekid. This is a breath of fresh air for Australian Country Music. We love Fanny! More… More…

Side PonyHannah Acfield (The Acfields)
Lake Street DiveSide Pony
Give me a bit of 60’s sounding soul any day of the week! The songs are catchy, nice melodies and make you wanna move. I’m a sucker for a sterling vocalist. This was fav album for me.

Julia JacklinWillowy
Julia JacklinDon’t Let The Kids Win
An album about the little things in life that somehow manages to sum up the bigger things as well, cutting right through the mess to the heart of it all. Beautifully written and perfectly executed. It’s lovely to see an artist from the Sydney folk music family reaching great heights with an exceptional debut album.

John FlanaganSal Kimber (Sal Kimber & The Rollin’ Wheel)
John FlanaganThere’s Another Way To Where You’re Going

Bill ChambersRicky Pann (The Willing Ponies)
Bill ChambersCold Trail
Jen MizeWarnings and Wisdom
Sam BushStoryman
Bill Chambers is an Australian Journeyman troubadour. Songwriter, producer, sideman and front man, Bills live shows have influenced many and earned him a legion of devoted fans. Cold trail is Bills first studio album in four years and reminds the rock pop acts infiltrating modern country of where the heart of country lies. Cold Trail is a collection of honky-tonk “life lived” country that is the real deal. Produced by Bill and Recorded at his son Nash Chambers foggy mountain studios, Cold Trail is a world class record that draws on many influences to deliver country authenticity with Aussie perspective. A cracker record.
It’s a long way from Jen Mize roots in the Appliacian mountains of Georgia and North Carolina as a decedent of Lumbee Tribe of native Americans to the Sunshine coast of Queensland. Jen Mize is the real deal in every respect. An American songwriter with an incredible voice delivering an album packed with dynamic, well-crafted songs that’s all killer no filler. Shane Nicholson’s earthy production, arrangments and playing provide a tastefully rich sonic pallet that does this fine singer justice. The album glides from old-timey to traditional country and honky tonk, setting a very high bar of authenticity. An absolute stand out record.
Sixty-four-year-old Sam Bush has many stories to tell as a musician, innovator, writer and singer. One of my favourite musicians on the planet, Sam is a bluegrass master and the father of newgrass music spawned from his groundbreaking band the New Grass Revival. Sam is arguably one of the most influential mandolin players in history having played with just about everyone from Bill Monroe to Leon Russell. This record is a collection of finely crafted songs with a crack band featuring vocals from Emmylou Harris and Alison Kraus. A masterful record.

Mullum Music Festival Adds New Artists to 2016 Lineup

Julia Jacklin
Image Courtesy of Julia Jacklin

As if the Mullum Music Festival lineup wasn’t exciting enough they’ve gone ahead and announced a bunch more amazing artists.

And as always there’s a bunch of Timber and Steel favourites littered throughout the latest announcement including Yirrmal, The Wilson Pickers, Jordie Lane & The Sleepers, Julia Jacklin (above), Áine Tyrrell, Ethno Folk Orchestra, Claire Anne Taylor, Sal Kimber & The Rollin’ Wheel, Liz Stringer, The Button Collective and many more.

The Mullum Music Festival takes place in the northern NSW town of Mullumbimby from the 17th to 20th November. Tickets are already on sales – check the official site for details.

The full lineup of artists announced so far are below:

Eilen Jewell (USA), The Harpoonist and The Axe Murderer (Canada), Julien Baker (USA), Skunkhour, Lior, Tash Sultana, Henry Wagons & The Only Children, Olympia, Gareth Liddiard (The Drones), Matt Andersen (Canada), Fourplay String Quartet, Suzannah Espie, Yirrmal, Ajak Kwai (South Sudan), William Crighton, Bobby Alu & The Palm Royale, King Tide, Hat Fitz & Cara Robinson, The Wilson Pickers, Jordie Lane & The Sleepers, Epizo Bangor (West Africa), Julia Jacklin, Sahara Beck, The Meltdown, Áine Tyrrell, Allensworth (USA), Ethno Folk Orchestra, Claire Anne Taylor, King Curly, Tina Harrod, Yeshe, TEK TEK Ensemble, Arakwal Dancers, Sal Kimber & The Rollin’ Wheel, Jo Jo Smith, Madeline Leman and The Desert Swells, Liz Stringer, The Buckleys, Mandy Nolan, Laura Targett, The Windy Hills, Hamish Stuart: ‘Someone Else’s Child’, Round Mountain Girls, The Old School Funk Band, Miss Renee Simone, The Golden Mile, Ladyslug, The Button Collective, Shelly Brown, Honey & Knives, Mrs Miyagi, Lez Karski Trio, Tullara, Levingstone, The Hottentots, Two Lions, Ben Wilson and The Job Seekers, Sali Bracewell, Aloha Baby, Dustyesky, Mario Queen of the Circus, Spaghetti Circus, Funmaker Silent Disco, Sal Kimber Bush Dance, Raise The Roof Gospel Choir, Wild Science, Roundabout Theatre, The Biggest Little Town Choir, The Cassettes, The Magic Bus

Thank Folk It’s Friday – 8th July

TFIF

This Week in Folk

All the News From The Week That Was

– Singer-songwriter Liz Stringer has announced a new album and national tour. Details here

Dustin Tebbutt will be touring his upcoming album First Light this August. Details here

– Canadian singer-songwriter Dan Mangan released his new EP Unmake. Details here

– The John Flanagan Trio are heading out on a Victorian tour over the next few months. Details here

– Melbourne’s Phia released her new single “Heartstrings”. Details here

– Tasmanian convict-punks The Dead Maggies will be touring New South Wales and Queensland this August. Details here

Henry Wagons released his new video “Head or Heart”. Details here

– Sydney indie-folk band Lazy Colts released their new video “Twenty Two”. Details here

Ricky Gervais released the hilarious “Lady Gypsy” ahead of his upcoming movie David Brent: Life On The Road. Details here

Blog

“I had a lot of trouble coming up with my usual Top Ten Albums and EPs From the First Half of The Year list because of all the amazing records released so far in 2016”Gareth Hugh Evans picks ten Albums and EPs from the first half of 2016 you should own. Blog here

Timber and Steel Recommends – Go To This Gig

Willie Watson and Josh Hedley

Willie Watson

Two of Americana’s finest singers – Willie Watson and Josh Hedley – hit the country this week for their Australian tour along with an appearance at this weekend’s Bello Winter Music Festival. A lot of these shows are sold out so make sure you check in advance before rocking up at the venue.

Friday 8th July – Woolly Mammoth, Brisbane, QLD
Saturday 9th to Sunday 10th July – Bello Winter Music Festival, Bellingen, NSW
Wednesday 13th July – Gardel’s Bar, Porteno, Sydney, NSW
Thursday 14th July – Newtown Soical Club, Sydney, NSW
Friday 15th July – Caravan Club, Melbourne, VIC
Saturday 16th July – Meeniyan Town Hall, Meeniyan, VIC
Sunday 17th July – Northcote Social Club, Melbourne, VIC

Gigs Next Week

Áine Tyrrell
Friday 8th to Sunday 10th July – Bello Winter Music Festival, Bellingen, NSW
Friday 15th July – Miami Marketta Night Markets, Gold Coast, QLD

Bello Winter Music Festival
Thursday 7th to Sunday 10th July – Bellingen, NSW

Cash Savage and The Last Drinks
Saturday 9th July – The Railway Hotel, Darwin, NT

Charm of Finches
Friday 8th July – Hobart Brewing Co, Hobart, TAS
Saturday 9th July – Pagan Cider, Cradoc, TAS

Colin Jones w/ Black Lung Cartel, De’May
Thursday 14th July – The Lass O’Gowrie, Newcastle, NSW

Colin Lillie
Friday 8th July – Darwin Railway Club, Darwin, NT

Devil On The Rooftop and The Djangologists
Wednesday 13th July – The Gasoline Pony, Sydney, NSW

Fanny Lumsden
Sunday 10th July – The Watertank Cafe, Alice Springs, NT

Freya Josephine Hollick and Darren Cross
Sunday 10th July – The Midnight Special, Sydney, NSW

Gallie and Rebecca Bastoli
Sunday 10th July – The Gaelic Club, Sydney, NSW

Hootenanny feat. The Faraway Eyes
Sunday 10th July – Miss Peaches, Sydney, NSW

Imogen Clark
Friday 8th July – Woolly Mammoth, Brisbane, QLD
Friday 15th July – Oxford Circus, Sydney, NSW

Leah Flanagan
Thursday 14th July – The Bearded Lady, Brisbane, QLD
Friday 15th July- Leaps & Bounds Festival, Richmond Theatrette, Melbourne, VIC

Lloyd Spiegel
Friday 8th July – Hickinbotham Winery, Mornington, VIC
Friday 15th July – The Wonderland Spiegeltent, Harbour Town Docklands, VIC

Lucie Thorne w/ Hamish Stuart, Chris Abrahams, Carl Dewhurst
Thursday 14th July – 505, Sydney, NSW

Michael David Thomas
Saturday 9th July – St Andrew’s Uniting Church, Brisbane, QLD

Porch Light Sessions feat. Lime and Steel, Bonniesongs, Giffen
Thursday 14th July – Petersham Bowling Club, Sydney, NSW

Ramblin’ Nights feat. M.E. Baird, Belle Harvey, Andy Golledge
Friday 15th July – Django Bar, Sydney, NSW

Riogh
Saturday 9th July – Dundas Sports Club, Sydney, NSW

Sweet Jean
Friday 8th to Sunday 10th July – Bello Winter Music Festival, Bellingen, NSW
Friday 15th July – Skukum Lounge, Ashgrove, QLD

Taasha Coates
Friday 15th July – Flying Saucer Club, Melbourne, VIC

The Weeping Willows
Friday 8th July – Two Goats Cafe and Baa, Armidale, NSW
Saturday 9th July – Post Office Hotel, Tamworth, NSW

Tracy McNeil & The GoodLife
Friday 8th July – Baha’s, Rye, VIC
Sunday 10th July – Westernport Hotel, San Remo, VIC
Thursday 14th July – Lefty’s Old Time Music Hall, Brisbane, QLD
Friday 15th July – The NightQuarter, Gold Coast, QLD

Vincent Cross
Sunday 10th July – The Merry Muse, Canberra, ACT
Monday 11th July – The Retreat Hotel, Melbourne, VIC
Thursday 14th July – House Concert, Canberra, ACT

William Crighton and Claire Anne Taylor
Saturday 9th and Sunday 10th July – Bello Winter Music Festival, Bellingen, NSW
Friday 15th July – The Court House Hotel, Mullumbimby, NSW

Willie Watson and Josh Hedley
Friday 8th July – Woolly Mammoth, Brisbane, QLD
Saturday 9th to Sunday 10th July – Bello Winter Music Festival, Bellingen, NSW
Wednesday 13th July – Gardel’s Bar, Porteno, Sydney, NSW
Thursday 14th July – Newtown Soical Club, Sydney, NSW
Friday 15th July – Caravan Club, Melbourne, VIC
Saturday 16th July – Meeniyan Town Hall, Meeniyan, VIC
Sunday 17th July – Northcote Social Club, Melbourne, VIC

Friday Folk Flashback

“Bury Me Not On The Lone Prairie” – Johnny Cash

After hearing One Up, Two Down do this old cowboy song I had to hunt out some other versions.

Liz Stringer Announces New Album and National Tour

Liz Singer
Image Courtesy of Liz Stringer

Celebrated singer-songwriter Liz Stringer has announced plans to follow up the success of her 2012 release Warm in The Darkness with her new long player All The Bridges.

Due for release this Friday 1st July, All The Bridges was recored with acclaimed producer and engineer Adam Selzer (The Decemberists, Jolie Holland, Fleet Foxes, M Ward) in Portland, Oregon. The first single from the album is “Anyone” – check out the video below:

To celebrate the release of All The Bridges Liz Stringer is heading out on tour this September – the full list of dates are here:

Wednesday 31st August – Club Mullum, Mullumbimby, NSW
Thursday 1st September – Junk Bar, Brisbane, QLD
Saturday 3rd September – Darwin Railway Club, Darwin, NT
Sunday 4th September – GYRACC, Katherine, NT
Wednesday 7th September – El Questro, Durack, WA
Thursday 8th September – Gulliver’s Tavern, Kununurra, WA
Friday 9th September – Divers Tavern, Broome, WA
Wednesday 14th September – The Junkyard, Maitland, NSW
Thursday 15th September – Lizotte’s, Newcastle, NSW
Friday 16th September – Django Bar, Sydney, NSW
Saturday 17th September – Howler, Melbourne, VIC
Sunday 18th September – Beechworth Town Hall, Beechworth, VIC
Wednesday 21st September – Red Room, Ararat, VIC
Thursday 22nd September – Sookie Lounge, Belgrave, VIC
Friday 23rd September – Wheaty Hotel, Adelaide, SA
Saturday 24th September – Red Hot Music, Devonport, TAS
Sunday 25th September – Caravan Club, Oakleigh, VIC
Friday 16th December – Settlers Tavern, Margaret River, WA
Sunday 18th December – Fremantle Arts Centre – Sunday Music, Fremantle, WA

« Older entries