Timber and Steel’s Artists’ Top Albums of 2017

Record Collection

Always our most popular post of the year! Once again we’ve sent out the request to the incredible community of folk and acoustic musicians covered on Timber and Steel and they’ve responded overwhelmingly with their favourite albums of 2017.

We’ve already given you our top 25 albums and EPs – now we turn it over to the artists. So much new music still to discover! So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2017.

Sarah BelknerAlison Avron
Sarah BelknerBut You Are, But it Has
This album release was a long time coming and it was totally worth the wait. The lyrics are so easy to relate to, the production is sophisticated, warm and intriguing. Sarah’s voice and songwriting are absolutely sublime.

Gretta ZillerMichael Carpenter (Carpenter Caswell)
Gretta ZillerQueen Of Boomtown
Apart from having one of the most honest and accomplished voices in the Australian alt-country world, Gretta Ziller has developed into a world class writer in the genre. This album showcases how far she’s come in such a short time, combining her take on contemporary writing, with the amazing production of Paul Ruske. The album is strong and sensitive, ballsy and ambitious, without losing any of the heart you’d expect with the songwriting content. An outstanding release from an artist who has truly arrived, and drawn a line in the sand for the genre.

The East PointersÁine Tyrrell
The East PointersWhat We Leave Behind
What an impossible task, top albums, as I am only just sinking my teeth into so many of the amazing 2017 albums at the moment like Jen Cloher’s Jen Cloher, Declan O’Rourke’s Chronicles of The Great Irish Famine and so many more. But one album that has been top of my play list since release has been The East Pointers’ What We Leave Behind and I never tire of it, which is a sign of a great album. This album has great depth to it musically, lyrically and in production. There is a stunning simplicity to the way the three lads work together that creates a joyous sound much bigger than a three piece and I think they have captured it on CD which is sometimes hard to do. I love that they have been able to honour and respect their tradition and push its boundaries into some modern places. One of the stand out tracks for me is their co-write with Liz Stringer, “82 Fires”.

SOHNRosie Evelyn (Liam Gale and The Ponytails)
SOHNRennen
The general vibe is darkly sexy future blues, with simple, soulful vocals, driving percussion, major synth, and just enough movement to keep you going. A little bit James Blake, a little bit Allan Rayman.

Jed RoweLes Thomas
Jed RoweA Foreign Country
This album grabbed me instantly with the strength of its songwriting, quality of musicianship and directness of emotion. Very few songwriters I know can deliver the goods as writers and players like Jed can. The song “Tailem Bend” – a small town story with universal resonance – shows the level of accomplishment and expression he’s achieved and it’s a beautiful thing to hear.

Stu LarsenAMISTAT
Stu LarsenResolute
Not only is Stu a beautiful human being but also an incredible singer songwriter! Every song on this album is just beautiful and comes from a very honest and humble place.

Mexico CityM.E. Baird
Mexico CityWhen The Day Goes Dark
Why? Because they represent the real deal to me – no ego, no frills, no pretense, just damn good songs and tunes.

Hiss Golden MessengerBrooke Russell and the Mean Reds
Hiss Golden MessengerHallelujah Anyhow
There’s something about MC Taylor’s voice that makes me so happy. I’m fairly new to his music and while I’m diving into his back catalogue, this new one has arrived and I’m in love. Beautiful band sound, fab songs – something sentimental in it that feels warm to me. My rekkid for the summer!

Ryan AdamsRyan Oliver (Oliver’s Army)
Ryan AdamsPrisoner
I love that it’s a revered, adored singer-songwriter at the top of his fame, dealing with genuine emotions and pain in the public spotlight. It may be tragic, it might be self inflicted, but I still feel like he’s a true artist who is his own worst enemy and that comes across in his heart-break ballads.

The Homeless Gospel ChoirFrank Turner
The Homeless Gospel ChoirNormal
I’ve been doing shows with Derek in Pittsburgh for a few years and he’s always been good, but this record is the sound of an artist finding his voice and spreading his creative wings. It’s been absolutely jammed in my stereo since I got hold of it.

Brooke RussellKelly Day (Broads)
Brooke Russell and the Mean RedsThe Way You Leave
This year one album really ticked all my boxes – which sounds too clinical really for something that made me splashy cry while I was driving. I particularly love that it sits outside the kind of music I tend to lean towards, but great albums are often the ones that transcend your usual inclinations. Brooke has absolutely NAILED it with this release. Stunning production, exquisite songwriting, and the most luscious, authentic, rich voice that feels like someone blowing softly on the back of your neck.

Gretta ZillerMandy Connell
Gretta ZillerQueen Of Boomtown
Put together with care and love, produced beautifully, and full of arrangements that feel perfect, unpredictable and just right. Every song inspires a depth of feeling, making it a really rich listen all the way through.

Offa RexMackenzie Shivers
Offa RexQueen of Hearts
Being a true lover of Celtic music, this album inspired me as an artist more than any other. From quirky folk-rock (“Queen of Hearts”) to haunting ballads (“The First Time I Ever Saw Her Face”), there is just enough variety of instrumentation and mood to keep the listener completely captivated. And Olivia Chaney’s voice is arrestingly beautiful. Favorite track: “The Old Churchyard”

Fanny LusdenMelody Moko
Fanny LumsdenReal Class Act
I love the way Fanny has cemented her unique way of writing with the record, her blend of social commentary, vivid imagery and Australian culture is unlike anyone else. The production is lush and thoughtful and brings the album together beautifully.

Moses SumneyTulalah
Moses SumneyAromanticism
Choosing a favourite album is a hard ask, the first one that comes to mind (probably because I’m currently listening to it) is Moses’ masterpiece, Aromanticism. It’s impeccably well constructed; colour, texture, mood, feel, groove – it ticks all of the boxes and ticks them damn well.

The War On DrugsThe Once
The War on DrugsA Deeper Understanding
A super strong, sonically rich and atmospheric follow up to previous album, Lost in the Dream. Sounds like Ryan Adams, Bryan Adams and Bruce Springsteen adopted a kid in the seventies and this is the result of that happy home.

Jason IsbellBrad Butcher
Jason Isbell & the 400 UnitThe Nashville Sound
To make my decision for album of the year I simply refer to which album I’ve listen to most. It’s an easy choice really – The Nashville Sound by Jason Isbell & the 400 Unit. All class as usual, amazing sounds all throughout the record and Isbell’s songwriting is up there with the best of the best.

Jed RoweCat Canteri
Jed RoweA Foreign Country
Jed paints a beautiful and lush portrait of predominantly Australian characters and landscapes, past and present on this record. The depth of field and attention to detail in his songwriting is just wonderful and comes across as completely effortless. Sonically the album is paired back, which allows the strength and quality of the songs, performances and Jed’s voice to shine. If I can write a song like “Where The Water Meets The Sky” or “Tailem Bend” some day, I’ll be well pleased.

LordePepi Emmerichs (Oh Pep!)
LordeMelodrama
Melodrama hits me in the heart every time. It’s lush, poignant, groovy and the songs make me think, all the while being incredibly catchy. Those are pretty much most of my favourite things in music!

TajMoLloyd Spiegel
TajMo: The Taj Mahal & Keb’ Mo’ BandTajMo
The first time I heard Keb’ Mo’ I said “Man, this guy should sit in with Taj”. It’s about time they listened to me. Both these artists have the rare ability to modernise the blues genre while still giving it’s roots and traditions their rightful respect. Combined, this CD hit a nerve with me, in particular the gutbucket tracks “Don’t Leave Me Here” and “Diving Duck Blues”. Really though, you can’t put those two in a room and expect anything less.

Valerie JuneEmily Barker
Valerie JuneThe Order of Time
I learned about Valerie June on my trips to Memphis as she lived there for many years and has worked with a lot of the musicians I know out there. I heard “Long, Lonely Road”, the first song on the record, and I knew from then on I was going to love it. There’s so much space in the recordings and her unusual but beautiful vocals grabbed me instantly. I love how the production and her songs seamlessly blend a mix a folk, soul, pop and desert blues. It sounds fresh and cool, powerful and feminine.

The Ahern BrothersJoel Barker & The Low Company
The Ahern BrothersThe Ahern Brothers
Charming and insightful songwriting combining two voices made to sing together. Deserves to be in front of the masses. Astonishing live performances to boot!

Cigarettes After SexHusky
Cigarettes After SexCigarettes After Sex
It’s a fog of romance and nostalgia you can’t help but get lost in. Reminds me of being 16 and love sick, listening to Mazzy Star.

Lisa KnappSam Lee
Lisa KnappTill April Is Dead – A Garland of May
English folk singer Lisa Knapp has captured in this album a stunning insight into the melodic and archaic realms of May-time when all of England is blooming and the sense of ancient rites and mysticism is emerging from the dark winter. It’s an album that casts a rich and hauntingly magical spell and gives that sense of contemporary ancientness that all good folk singers are masters of.

Greg StepsFour In The Morning
Greg Steps & The Not For ProphetsThe Overland
There have been a lot of great releases this year, but our favourite from around Melbourne has to be The Overland by Greg Steps. The songs just scream of someone who has worked hard at honing their craft. Tightly woven lyrics painting little snapshots of Australia, from early morning walks in Melbourne to trains clattering across Queensland. It’s all underlaid with a warm, folky vibe that feels authentic without being derivative. The stand out track for us is “Famous Last Words”. It’s a folk song in the true sense of the word and weaves together thoughts on fame, colonialism, and folk heroes. It also introduced us to the amazing story of Breaker Morant.

Novo Amor and Ed TullettWildwood Kin
Novo Amor & Ed TullettHeiress
This is the perfect album to listen to when in need of some peace and tranquility amongst a busy schedule. They have released a set of live performance videos that capture their sound together so well; the two voices blend harmoniously together, creating an unbelievable sound of completeness and perfection. You can’t help feeling relaxed when hearing their music!

Leif VollebekkRiley Pearce
Leif VollebekkTwin Solitude
You know how people say they’ve had this CD in their car and have listened to it on repeat since they got it and you’re like “yeh right, no you didn’t”. Well now I understand that feeling. This album is everything. It’s emotive, it’s clever, it’s stripped and simple and it’s f#@king great!

The Teskey BrothersPaddy McHugh
The Teskey BrothersHalf Mile Harvest
When I first heard the track “Crying Shame” I thought that I was listening to a bunch of old African American soul men from Memphis. Then I saw a picture of the band and thought I was listening to a bunch of young white soul dudes from Memphis. Then I read they are from bloody Warrandyte in Victoria. I invited them to play live on my radio show Three Chords & The Truth and they absolutely killed it. Since then I have had the pleasure of playing on a few bills with them and can also report that they are top blokes to boot.

Big TheifFraser A. Gorman
Big ThiefCapacity
Adrianne Lenker is easily the most eloquent and beautiful songwriter I’ve heard in years.

Neil McSweeneyJon Boden
Neil McSweeneyA Coat Worth Wearing
I’ve chosen an album by Neil McSweeney, a stalwart of the Sheffield scene for many years. A Coat Worth Wearing is a fantastically literate collection of songs beautifully arranged and produced, and displaying the talents of a brilliant band of musicians including renowned folk stalwarts Ben Nicholls and Sam Sweeney. It’s an excellent album on so many levels and definitely my pick for album of 2017.

YirrmalKetch Secor (Old Crow Medicine Show)
YirrmalYoungblood
I met Yirrmal Marika in Melbourne at the Australian Americana Honors Awards this past October. Yirrmal stole the show. He is a culture man. I picked up Yirrmal’s new EP Youngblood; it is the best Americana record I heard all year long. It’s got 50,000 years of soul. Crank it up.

Nadia ReidTaryn La Fauci
Nadia ReidPreservation
This record was on repeat for many many months in my car this year. I had really been craving an exquisite, cohesive and beautiful album that I could fall for, hard. This album did all of that and more, which is why it is my album of the year for 2017. I also got to see Nadia play in Sydney at The Golden Age Cinema in April and the show was stunning, it made me want to run home and learn how to play my guitar with that kind of verve.

Ryan AdamsImogen Clark
Ryan AdamsPrisoner
This album sounds to me like beautiful chaos and distress. Ryan Adams has a way of tapping into human vulnerability and woe like I don’t think I’ve ever heard from another artist. This record is just another example of his way with words and melodies that together, form the most melancholy but simultaneously kick-ass comments on the human condition you’ll ever hear from any modern day songwriter.

Sgt PepperJames Daley (The Morrisons, Diamond Duck, Tawny Owl String Band)
The BeatlesSgt. Pepper’s Lonely Hearts Club Band – 50th Anniversary Edition
I feel a bit a strange choosing a reissue as album of the year, but who cares, it’s Sgt Peppers. After all the music I have listened to in my life, nothing has ever captured my imagination the way The Beatles have. It is the most astonishing body of work in pop music, the same way Bach is to classical music or Shakespeare to literature. I discovered The Beatles as a teenager after I got a copy of The White Album for xmas one year and my life has never been the same. Hearing all the remastered tracks and outtakes on this reissue was a wild journey and reinvigorated my love for this music in a way I hadn’t anticipated – I have been listening to The Beatles non stop since it came out, like I’m rediscovering it all over again. There are some absolute pearlers on this – the alternate takes of “Strawberry Fields”, “Lucy In The Sky” and “Day In The Life” are really interesting. Hearing how they built these songs into what we know and love is a fascinating process. However the most astonishing track is the instrumental take of “She’s Leaving Home”. Being able to hear all the subtlety, intricacy and beauty of George Martin’s arrangement for strings/harp was such a joy. A real masterclass in arranging – plus you can sing over and pretend you are Paul McCartney, ha.

The War On DrugsDirewolf
The War on DrugsA Deeper Understanding
Don’t you just adore things that need only a moment to take a firm grip around your mind, heart and/or soul? Like a one in a million barista made coffee or takeaway Thai? Not that I’m directly drawing comparisons between those things and what I consider to be a modern day classic album. However that is how my body reacted when the first second of “Up All Night” passed by. The unmistakable soundscape, verb soaked /grunge driven guitars, the synergy of acoustic/electronic driving “Dire Straights” percussion, Adam Granofsky’s/Bob Dylan’s often confused voices are but the tip of a very large and colourful iceberg that make up the record at large. We’re only supposed to be confined to one sentence, and since I’ve already profoundly broken that line I’m going to insist you put this record on in the background and see how long it takes you to stop needle poking around on the internet and gain A Deeper Understanding.

Scott CookLiz Frencham
Scott CookFurther Down The Line
I listen repeatedly to a lot of albums for my work as an accompanist. Rarely does such an album make it past that stage into my ‘listening
for pleasure’ category let alone become my favourite. But Scott Cook’s warm and beautiful Further Down The Line is one such album. It captures his arresting live delivery and the songs are rich in detail and real, visceral experience.

Dermot KennedyHarrison Storm
Dermot KennedyDoves & Ravens
I remember stumbling upon Dermot’s music on Spotify and instantly connecting with it. I became really intrigued with his music and read in an interview where he explains his sound as a cross between Bon Iver and Drake, which is pretty accurate. This EP is full of rich lyrics and interesting sounds and each listen uncovers a phrase or sound you may have missed in the previous listen. This EP definitely inspired me this year and I am looking forward to what he releases in 2018.

Laura CorteseThe East Pointers
Laura Cortese & The Dance CardsCalifornia Calling
If there’s one album we could pick from 2017, we’d have to choose California Calling by Laura Cortese & The Dance Cards. These girls are ridiculously talented (watching them perform live makes you want to go home, practice and write better songs). Their latest album combines Americana, trad, pop and folk so perfectly. Organic, yet slick. Can’t see how anyone wouldn’t like it!

FeistAinsley Farrell
FeistPleasure
Pleasure is so intimate and fragile, yet very powerful. It tugs at all my heartstrings. I recently got the chance to see her live performance at The Opera House and it blew me away.

Leif VollebekkDustin Tebbutt
Leif VollebekkTwin Solitude
My good friend Hayden Calnin introduced me to this guy over a late night whisky, and I have been listening ever since. The lyrics verge on stream of consciousness without being aimless, while vocally, Leif somehow manages to ride the line between being completely vulnerable and completely in control at the same time. Put this on top of some of the tastiest drum sounds I’ve heard in a long while, and simple but stunning keyboard playing, and you’ve got yourself one hell of an album. There are few bells and whistles, there aren’t really any production tricks or shoe shine here, just honest stories, and raw but precisely executed sounds.

Phoebe BridgersWilliam Fitzsimmons
Phoebe BridgersStranger in the Alps
I came upon Bridgers from my bandmate, who had done some touring with her and I was pretty caught up in it immediately. Her voice is special and there is a wisdom in her words beyond her young years. The most exciting thing for me, however, isn’t the album itself, it’s knowing that there is only more and even better from her to come. Listen to “Smoke Signals”.

The Mae TrioThe Northern Folk
The Mae TrioTake Care Take Cover
We finally caught The Mae Trio at Dorrigo Folk this year after hearing good things for so long, and they blew us away. This is the kind of album that reminds you of how amazing our folk scene can be- heartspoken, cleverly arranged, beautifully performed and catchy as anything. “Call Me Stranger” is a particular favourite of ours, but each song on this record is so strong.

R.L. BoyceDom Turner (The Backsliders)
R.L. BoyceRoll and Tumble
It is the second album from a man at the heart of the Mississippi hill country blues tradition. It contains all the style and swagger, grit and power that comes from a musician who sets perfectly gritty grooves overlain with heartfelt vocals to achieve maximum emotion.

The Button CollectiveJoe Glover (Shelley’s Murder Boys, The Backsliders)
The Button CollectiveHall on the Hill
This album has been on constant repeat in my car, my workshop, and my Spotify from the first day I bought it – so beautifully recorded so that you feel like you are in the room with them as they emotionally belt out fantastic songs written by Brodie and brought to life by a bunch of great musicians. Hall on the Hill is an absolute cracker of an album and I think I’ll be religiously listening to it for some time to come – perhaps until their next one is released.

Willie WatsonShelley Eves (Shelley’s Murder Boys)
Willie WatsonFolksinger Vol.2
This album is such a clear winner for me, I’ve had it on high rotation since its release. Once again Willie brought his own feel to some classic folk songs, from the delightfully joyful harmonies in “Samson and Delilah” to his haunting take on “Gallows Pole”.

All Our Exes Live in TexasJimmy Murray (Shelley’s Murder Boys)
All Our Exes Live in TexasWhen We Fall
Such a pleasure to finally hear this debut album after hearing the band grow and play over the past few years. What an amazing collection of songs and of course the incredible vocal performances from all 4 of these superstars. I really loved the production on the album as well by producer Wayne Connolly which added lovely colour to the beautiful songs. ARIA award winners 2017!

Kat GoldmanRuth Hazleton (Kate Burke and Ruth Hazleton, Bill Jackson)
Kat GoldmanWorking Man’s Blues
Nina Simone once said “It’s an artist’s duty … to reflect the times [in which we live]”. It’s been a fantastic year of new releases, though I’d like to highlight an album that nails the above brief and more. Canadian writer Kat Goldman’s Working Man’s Blues is challenging, at times fragile, brutally honest and incredibly insightful. Collectively, the songs explore contemporary working-class culture, often from the perspective of a lover who struggles to understand and accommodate the struggles of the working man. I’ve long been a fan of Kat Goldman’s writing. Her unique sound, mesmerising voice, distinctive compositions and feet-on-the-ground approach to her music make her a formidable artist of great integrity. Working Man’s Blues has been on high rotation here, and will be for some time to come.

Jed RoweBill Jackson
Jed RoweA Foreign Country
First thing that struck me about this record was the vocals and these songs provide a beautiful vehicle for a great voice. Next thing, the sparseness – the way I have been accustomed to hearing Jed over his journey. Jed Rowe has something to say – I admire that and this record puts him up there with the very best. Standout track for me is “Tailem Bend”. Beautifully produced by Jeff Lang.

Lilly HiattJames Allsopp (Ralway Bell)
Lilly HiattTrinity Lane
Picking one standout release for 2017 was pretty impossible in what was a year of exceptional music. Locally, Joel Barker and the Low Company’s Unchartered EP was a stand out. Otherwise, I’ve been talking up Lilly Hiatt since the moment I finished listening to Trinity Lane. Like all my favourite albums, it’s rooted in personal struggle, ebbs and flows perfectly, is filled with outstanding musicianship, and doesn’t try too hard sound like any one genre in particular. 10 stars!

Body CountMatt Black (The Bottlers)
Body CountBloodlust
Body Count’s sixth studio album Bloodlust emblazons a brutally honest sociopolitical conscience and fire eyed world view, teetering on the honed end of a pistol sight. I feel this is Ice T and band’s tried and true return to form with pinpoint, stand out tracks such as the narrative charged, “Black Hoody” and controversy ladened, “No Lives Matter”. A must listen for those thirsting for the truth beyond a media blurred world.

Bob DylanThe Welcome Wagon
Bob DylanTrouble No More – The Bootleg Series Vol. 13 / 1979-1981
You might call this choice dirty pool, as the music was recorded nearly 40 years ago, but it’s only now getting a proper release, so I’m technically in the clear. This is a collection of live tracks, demos, and outtakes from Bob Dylan’s so-called “Born Again” period, stuff folks (me included) have been downloading from various sketchy websites for years, and for good reason. The songs are great – check “Solid Rock” for a straight Gospel stomper, cue up “I Believe in You” for an arresting spiritual ballad – and so are many of the live performances (the backing choir is consistently blistering). Whether you’re a believer or not, Dylan clearly is here, and it makes all the difference.

The Mae TrioJohn Flanagan
The Mae TrioTake Care Take Cover
Sisters Maggie and Elsie Rigby have such beautifully contrasting songwriting styles, Maggie is a stone cold killer Americana writer and Elsie writes stunningly original melodies with uplifting pop hook choruses. With (no exaggeration) some of the best folk harmonies in the WORLD and Anita’s impressive rhythmic cello playing, this is a truly unique and heart-grabbing band and this album is them going all out with tasteful and at times epic production.

Georgia State LineNick Payne (Dear Orphans)
Georgia State LineHeaven Knows
These guys applied to play at the Americana Music Association of Australia’s takeover of Late Night Alt at Tamworth in January. Paul Heggart from The Heggarties chose them site unseen from the applications purely based on what he heard when he listened to their pre-release recordings of this album. Hailing from country Victoria these guys are a six piece featuring Georgia Delves on vocals, and songwriting. They’re all accomplished instrumentalists in their own right and Georgia’s songwriting authentically channels the best of sophisticated country songwriting from the 60s and 70s.

Fanny LusdenSam Buckingham
Fanny LumsdenReal Class Act
I’m not just picking this album because Fanny and Dan are two of my favourite people! This album is, as the title suggests, all class. Fanny’s songwriting is beautifully Australian and the album is joyful, brilliantly performed by all involved, and completely without any ego – despite the outstanding success these guys have been earning. Fanny gives us all a lesson on how to be a ripper indie artist and how to make music that’s undoubtedly, authentically, your own. Roll on kids

LCD SoundsystemEm George
LCD SoundsystemAmerican Dream
I was moderately (read as *very*) excited when there were rumblings of talk about a new album from these guys, but like anything that was laid to rest, one always is slightly concerned that the revival won’t live up to what has come before it. So when LCD Soundsystem released their new album, I cautiously gave it a first listen and it did not disappoint. Every beat and melodic turn is so completely in tune to what has become their signature sound; that build up of tension and release, excitement and sadness, with inflections of irony that James Murphy grabs the listener with in his choice of lyrics marked with wit. There’s a touch of darkness and melancholy as each song seems to question the ending of things, the loss of once was, but that bright spark of beat this band is known for keeps it somewhere higher and closer within reach, slightly unobtainable so you keep wanting to hear it on repeat from start to finish again and again.

Aldous HardingCharm of Finches
Aldous HardingParty
Party swept us off our feet. Moody and textural, impeccable production awash with aural spectres. Horizon is addictive and moving. Aldous’ compelling voice and haunting poetics have us in thrall.

The Teskey BrothersMark Wilkinson
The Teskey BrothersHalf Mile Harvest
Amazing vocals and killer tracks full of old school soul. Sounds like neat whiskey and smokey bars.

The NationalBANFF
The NationalSleep Well Beast
I eagerly awaited The National’s next record, after Trouble Will Find Me kept me wrapped me up in its flawlessness for the last four years or there abouts. This year Sleep Well Beast won me over, with Matt Berninger’s candid yet agitated words luring me back into that deeply thoughtful, emotional and hauntingly beautiful sound I would’ve always come back for. The National perfectly blend understated harmony with organised chaos throughout all of their records, and this was no exception by any means. The meticulous musicianship and purposeful, but somewhat ambiguous lyrics continue unravelling more layers to this beast in itself every time I listen. This was the best record of 2017 for mine.

LankumKarine Polwart
LankumBetween The Earth and Sky
I can’t get enough of the murky drone-scapes and vocal edges of Lankum’s Between The Earth and Sky. In particular, the raw, reedy singing of Radie Peat on album opener “What Shall We Do When We Have No Money?” sounds like the ages. It’s the absolute antithesis of sweet.

The Wood BrothersBen Prest (Echo Deer)
The Wood BrothersLive at the Barn
I know it’s a live album but this release was my first exposure to the brother’s amazing songs, chops and harmonies. Their sound owes a lot to The Band, and “the barn” is at Levon Helm’s farm where he held concerts before he died, making the fantastic closing cover of “Ophelia” and dedication on “Postcards from Hell” all the more meaningful.

Jess LockeHollie Matthew (Echo Deer)
Jess LockeUniverse
A revisiting of the 80’s Australian rock sound ala Go Betweens with more sadness and slacker vibe. Killer matter of fact lyrics and chorus-y guitar sounds. Even better live. 5 Stars.

SamphaSimon Wegman (Echo Deer)
SamphaProcess
I hadn’t been aware of Sampha’s previous EP releases, but after Shazaming “Blood on Me” while in a tragically trendy sneaker store, I was moved to hunt down the British singer and producer’s debut LP. Sampha Sisay’s sensitive, soulful vocals and meditative piano (reminiscent of James Blake at his best) form the backbone of this record, while the thoughtful production touches throughout make me want to hit “play” again the second it finishes.

All Them WitchesAlexi Grivas (Echo Deer)
All Them WitchesSleeping Through the War
The latest album by All Them Witches has been my most played record this year. A four piece from Nashville – but they aren’t a country band – All Them Witches is a great new-wave heavy psychedelic band, with moments of light and shade. This record has them growing as writers and players, bringing new instruments and sounds into the mix. Can’t wait to see it live.

Sam OutlawRick Hart
Sam OutlawTenderheart
Simple, yet endearing melodies, layered with beautiful storytelling. It’s an album that is strong from start to end, in many ways reminding me of some of the great traditional country songwriters whom I love. Favourite tracks are “Now She Tells Me”, “She’s Playing Hard To Get (Rid Of)” and “Bougainvillea, I Think”.

Courtney Marie AndrewsJames Ellis and the Jealous Guys
Courtney Marie AndrewsHonest Life
I knew what my favourite album of the year was going to be when I saw Courtney Marie Andrews play in Melbourne in July this year. She’s got a tremendous voice and the lyrics stand apart from almost everything else I’ve heard this year in their insight and honesty. What makes her songs exceptional is the way they all seem to come directly from her own story and experience. These are her songs and this is her life. It’s an honest life.

Mike BarnettHamish Davidson (Davidson Brothers)
Mike BarnettPortraits in Fiddles
As a fiddle player and bluegrass fanatic, I am thrilled to see Mike Barnett create a record which to me is like a cross section of all the bluegrass fiddle music I’ve devoured in the last 27 years. He collaborates with some of bluegrass music’s most vibrant talent and shines new light on a great selection of fiddle masterpieces.

Angel OlsenKate Barker (Whoa Mule, Golden Whistler)
Angel OlsenPhases
I just can’t seem to get enough of Angel Olsen’s vocals and songwriting. Her work inspires me to sing like there’s no tomorrow!

George HarrisonTim Guy
George HarrisonWonderwall Music
I know this is a turn up for the books, this was released in 1968. I was in India a few weeks back, and as we descended into the ancient blue city of Jodhpur, I had this on in my headphones and seriously guys, it was incred. Place and time – but you know what I mean.

Sarah BelknerMel Parsons
Sarah BelknerBut You Are, But It Has
Sydney producer and songwriter Sarah Belkner knocks it out of the park with But You Are, But It Has. This record and its predecessor the Humans EP have been on high rotation for me all year. Brilliant songwriting, interesting and super clever arrangements and impeccable production. I will continue to listen obsessively.

Bill OrcuttMark Moldre
Bill OrcuttBill Orcutt
Orcutt wanders in and around the destruction, renovations and construction sites of melody. Tearing a well worn musical phrase apart and rebuilding it. Disassembling a traditional like it’s a jigsaw puzzle and putting the pieces back together in all the wrong places with gaffer tape and super glue. Attacking the guitar with a ferocious tenacity, short angry, dogged outbursts are followed by meditative beauty. “When You Wish Upon A Star” dances about the melody without ever really clearly stating the theme. “Ol’ Man River” is soft and dripping with the peaceful lapping of the Mississippi whist remaining dark and haunting, broken and fractured. Reminiscent of the solo work of Marc Ribot, Fred Frith or even the sonic explorations of Tom Verlaine in its angular assault to the senses. Jazz, traditional folk and the avant-garde smash headlong into each other with little regard for the trail of damage and re-creation left in their wake. Dissonant yet sweet, contemplative while remaining challenging. Bravely free and uncensored.

Loene CarmenCatherine Traicos
Loene CarmenLovers Dreamers Fighters
I’ve always loved the way Lo’s voice manages to be strong, vulnerable, sassy, gentle and flirty all at the same time, and on this record it achieves that in spades. Also the pacing and the production of this record are spot on.

King Gizzard And The Lizard WizardJeff Lang
King Gizzard And The Lizard WizardFlying Microtonal Banana
This is a rocking album, really fun to listen to. The band gets up quite a head of steam, the rhythm section powering with a relentless forward momentum and the various microtonal electric guitars stabbing and chattering over the top. Great riffs all over the album, fantastic energy and an adventurous, explorative mood throughout. It sounds to me like they’re having a load of fun.

Ryan AdamsJosh Rennie-Hynes (The Ahern Brothers)
Ryan AdamsPrisoner
Adams has so many albums and this is one of his best. Great songs, production and tones

Pony FaceCat Leahy (This Way North)
Pony FaceDeja Vu
I’ve always been fascinated with the sonic scapes that Pony Face create. I’m a massive fan of Shane Omara’s musical mind too, so when I heard he was a new member of Pony Face, it just made so much sense. This album really speaks to me. The way the songs tail in and out, the mesmerising, pulsing tremolo on “Mt Deja Vu” the driving groove in “Justine”. It’s pretty magical. Simon’s voice is just heavenly. He’s like some kind of grungy, modern-day crooner.

Nikki LaneRuby Boots
Nikki LaneHighway Queen
I tried to pick another album for fear of seeming biased, but I really do love Nikki’s album from back to front and no matter how I tried, I couldn’t get past it for this year’s top pick, I fell in love with it on first listen and over 50 listens later it still remains my fave. There’s a storyline in every song that is so easy to latch on to and make your own whilst still being cleverly written, that and the infectious melodies that take up the prime real estate on this record are the things that almost make you feel like she’s written the album just for you, the listener, yet there is enough sincerity in there to know that it’s just as much for her as it is for you, the perfect balance really! Fave song on the album: “Foolish Heart”.

Nai palmTommy Spender (Mama Kin Spender)
Nai PalmNeedle Paw
I started listening to this record while I was having a bath and it felt like it really complimented the complete surrender to the hot water. I love Nai’s passion to her artistry. She is truly gifted with a confidence and commitment to her voice that verges on punk, but her vocal has such a developed technicality, it blows me away. It’s so great hearing where she is at without the sinewy and muscular musicality of Haitus Kaiyote winding around her sound.

Scott CookAlanna and Alicia
Scott CookFurther Down The Line
Scott Cook is a natural storyteller; his songs glow with empathy, wit and warmth. This is a beautiful album, but he is even better live.
His performance on the porch at Enda Kennedy’s house concert in Northcote, Melbourne was a passport to the heartland of folk songs as they should be, as they have always been.

Colter WallHarvey Russell (Peasant Moon)
Colter WallColter Wall
This is a sparse, flawless debut from an extraordinarily talented 22 year-old Canadian possessing an absurdly weathered baritone. Arranged mostly with acoustic guitar and pedal steel only, these songs are written with the assuredness and self-knowing of a veteran songwriter. At times channelling Haggard, others Townes, the dark, vivid storytelling is magnetic and stunning. These songs feel lived in, shaped by wisdom and experience. Here we have a voice of country music’s future.

Caroline SpenceJosie Rothwell (Peasant Moon)
Caroline SpenceSpades and Roses
I’ve adored Spades and Roses this year. The songs are gentle, personal, universal, with gorgeous, sonically diverse but simple instrumentation. From the gender politics of “Softball” to the twang of “Hotel Armarillo” to the cute, lyrically playful “Wishing Well” and yearning of “Slow Dancer”, they’re songs I love to listen to, to be swept away by – what a songwriter!

Bad // DreemsMark “Looch” Lewis (Wifey, Handsome Young Strangers)
Bad // DreemsGutful
A cracking second effort from the best thing to come out of Adelaide in a long time. Big old school pub rock sound, quality songs, gruff vocals and a solid rhythm section make these guys a step above the other contenders. Bad // Dreems have always been a fantastic live act and this album gets closer to nailing that intensity and rawness. There is a reason they supported Midnight Oil recently! Can’t wait to see what comes next.

Gang of YourhsGretta Ray
Gang of YouthsGo Farther In Lightness
It wasn’t a challenge in the slightest to fall completely, head over heels in love with Gang Of Youths’ record Go Father In Lightness. The lyrics throughout this album are phenomenal, philosophical, pegging together lines of innovative poetry such as “a weight that’s in youth” soon to be followed by more casual, laid-back slang “..that makes a dick of us all”. I felt that the literature, interwoven with conversational speech in this way served to make this album, an album that discusses and reflects on the pros and cons of one’s “limited life” as well as the exploration of what it is to be “human”, unbelievably moving and relatable. As a writer myself, but more importantly a listener, I perceived it to be nothing less of an honour to see the world through writer and frontman Dave Le’aupepe’s eyes whilst listening to this record, that is more than deserving of all of the acclaim it has received over the duration of this year.

Kasey ChambersTom Busby (Busby Marou)
Kasey ChambersDragonfly
I’ve spent a bit of time with Kasey and the Chambers family over the last couple of years and the more I’ve been able to watch her off stage, the more I have realised that she is a true and prolific songwriter. Constantly singing, always creating, forever exploring. That is what this record is, just like her, brave and genuine!

Kendrick LamarSahara Beck
Kendrick LamarDamn
This album has worked for me no matter what mood I’ve been in all through 2017. It’s one of those albums that, to me, will always be a classic. Driving down to the lake with the windows down loving every moment of each song. Thank you for making my 2017 that much better Kendrick.

Leif VollebekkHayden Calnin
Leif VollebekkTwin Solitude
Never has an album been so important. I’ve listened to this every second day, and it still feels as good as the first listen. It’s come to the point that I’ve started a petition to bring this talent to Melbourne. I’m addicted to the feeling Leif gives to me. Enjoyed best walking through chaos on a sunny day, forgetting the world around you.

Ulrika SpacekTom Stephens (Tesse)
Ulrika SpacekModern English Decoration
A lesson in the art of denial, an element is there and then it’s not. It’s driving and heavy, commanding attention, but somehow you can drift away at the same time. Melodies that have to be revisited again and again and then again.

Valerie JuneMatt Golotta (The Sweet Jelly Rolls)
Valerie JuneThe Order of Time
I listened to the first few songs online of The Order of Time when it first came out, then began calling record stores instantly to see if they had it in stock because I had to own it. This record seriously has everything I look for, its soulful, rocky, bluesy and country, with the right amount of sadness. I think I’ve listened to “Love You Once Made” every day this year since buying the record. “Got Soul” is a stunning pairing of soul and country that is this perfect happy way to close the record.

Daniel RomanoTamara Lindeman (The Weather Station)
Daniel RomanoModern Pressure
Definitely the record I listened to most this year. Just great. Perfect pop songwriting, wonderful wild drumming, insane bass playing, great solos, crazy organ jams, great everything (and every note played by Romano of course). What else do you want?

Big ThiefCy Winstanley (Tattletale Saints)
Big ThiefCapacity
After being introduced to ‘Paul’ from 2016’s Masterpiece on a late night drive, and subsequently watching their Tiny Desk concert, I have been enthralled with this band. I love Adrianne Lenker’s poetic, yet coherent and often confronting lyrics, and the stark arrangements of harmonically rich songs played with a nonchalance that belies their mastery.

Sara TindleyLucie Thorne
Sara TindleyWild & Unknown
There’s an extraordinary richness and directness to Tindley’s voice that is truly stunning. Wild & Unknown is a brave and beautiful collection of songs that’ll have you dancing one moment, weeping the next. A quiet masterpiece that creeps up under your skin and plants itself in your soul. I love this album.

Jen CloherAlison Ferrier
Jen CloherJen Cloher
I love everything about Jen Cloher’s self-titled fourth album. This comes close to the perfect album for me, it’s brilliantly written, performed, recorded and produced. Jen’s bare-faced honesty is incredibly brave and inspiring. Favourite tracks: “I Forgot Myself” and “Strong Woman”.

The Secret SistersThe Weeping Willows
The Secret SistersYou Don’t Own Me Anymore
Selecting your favourite album of the past 12 months is made all the more difficult when three of your favourite acts (Jason Isbell, David Rawlings and The Secret Sisters) all release LPs within the same calendar year. But whilst Isbell and Rawlings delivered sublime albums (as to be expected), the Sisters’ album is “all killer, no filler”, their best work yet, with no temptation to reach for the “skip” button! You Don’t Own Me Anymore is the charming trad-country harmony duo’s third album and most personal project to date. The writing is at times confessional, at others, nostalgic for simpler times; strength juxtaposed with vulnerability. Their soulful songs were lovingly and tastefully produced by good friend Brandi Carlile. Stand out tracks include “Tennessee River Runs Low”, murder ballad “Mississippi” (sister song to the wonderfully haunting, “Iuka” from their 2014 album, Put Your Needle Down), “Little Again” and title track, “You Don’t Own Me Anymore”. Check them out if you’re fans of sibling harmony (eg. The Everly Brothers) and/or the southern gothic stylings of Gillian Welch and The Civil Wars.

Lilly HiattSophie Klein (Little Wise)
Lilly HiattTrinity Lane
I saw Lilly perform at Third Man Records at AmericanaFest in Nashville, but the gravity of her songwriting only hit me afterwards, listening to her rocking 2017 album Trinity Lane on my headphones traveling around the States. The production, by Michael Trent of Shovels and Rope, is big, loud, gritty and more indie rock than Nashville alt-country. But Lilly’s voice still has a southern twang to it though and the melodies and words kick around my brain for days on end. “I just wanna rock n’ roll, scream out my and burn real slow” she sings on “Records”, and it makes me want to do the same.

Jamie WyattGretta Ziller
Jamie WyattFelony Blues
Although it’s been out for most of the year I’ve only just discovered Jamie Wyatt’s Felony Blues! It’s a rare thing for me to listen to something on repeat but since I’ve discovered her it’s all I’m listening to!!! It’s unashamed, uncomplicated, catchy, good old fashioned country music.

Christopher Coleman CollectiveThe Dead Maggies
Christopher Coleman CollectiveAh Winter
This is a work of art, from a guy that’s had a hard run and put his heart on his sleeve. The result is a deep, personal and moving album of mature songwriting. Musically it sits somewhere between Bright Eyes and Neil Young.

Steve EarleTristan Goodall (The Audreys)
Steve Earle & The DukesSo You Wanna Be An Outlaw
Equal parts devilish invitation and cautionary tale, this killer record was a tour van favourite as we hit the road after a break this year. Steve is in fine form, as usual, and while the album is boisterous and swaggering, it also manages to highlight his songwriting craft. Highlight: Willie Nelson growling “if you wanna be an outlaw you can never go home”. Giddy-up!

LogicSteve Barnard (Jon Cotton and The Book Keepers)
LogicEverybody
Riding my push bike past all the kids and their mothers, heads adorned in their icon of piety, devotion and religious identity. The burka is far more common in this corner of Sydney than most and it puts a smile on my face to see children enjoying their walk home from school with Mum. An old bogan crossing the road to the pub yells racial cliches about going back where you came from and then turns to me for my approval of his vitriol. I inform him I’m from overseas too, I just happen to be white and he is guilty of the grossest and purest type of racism. Racism is as blatant as the inability to see past difference and as subtle as the apathy that accompanies privilege. Everybody suffers either in their oppression or privilege. Everybody.

Lawrence GreenwoodTanya Batt (BATTS)
Lawrence GreenwoodP.S. I’m Haunted
Lawrence has been a favourite of mine for a long time with his previous project. It feels so nice to have a new album from him and my gosh wow. The melodic and lyrical genius within this album actually made me cry the first time I heard it. The journey this takes you on from start to finish is incredibly special. All of the amazing detail within the album leaves you finding something new each listen.

Gretta ZillerAndrew Swift
Gretta ZillerQueen Of Boomtown
Maybe I’m a little biased after spending so much time on the road with Gretta, but credit where credit’s due. Queen Of Boomtown is a solid record from start to finish. With underlying blues tones throughout, Queen Of Boomtown will have you tapping your feet, singing along and wiping away a tear or two again and again. Ziller is quickly being recognised as one of this country’s best songwriters and without a doubt one of its best vocalists.

Raise By EaglesSam Newton
Raised By EaglesI Must Be Somewhere
There is a great mix of upbeat and slow-burner tracks with a sprinkle of country here and there. The record is filled with great songwriting and heartfelt lyrics.

Ben SalterShane Nicholson
Ben SalterBack Yourself
I have a lot of favourite albums of 2017. It’s been a good year. But for me, one stands above the rest – Ben Salter’s Back Yourself. It’s equal parts diverse, brave, accomplished, intelligent, exciting, original, and just plain incredible, superior record-making.

Frank OceanThe Campervan Dancers
Frank OceanBiking
Ryan is arrested by the nostalgic visions of meatophorical bike-riding. Chelsea is delighted by how they manage to execute an extensive shouting outro with great aplomb.

The East PointersThe Little Stevies/Teeny Tiny Stevies
The East PointersWhat We Leave Behind
This recommendation is just as much about the album as it is about the live show, because TEP have done what is often very difficult to do and that’s to capture the energy and magic of their live show on record. As a band they’ve got the full package; great songs, impressive multi-instrumental musicianship, rich 3-part harmony, and to top it off they’re genuinely nice people. My favourites on the album are the vocal lead songs because I love a catchy melody and riff. But I also really enjoy the instrumentals because they include some super interesting harmonic changes through them that don’t always go where you’re expecting them to go. It’s an album that’s made a non-fiddler make it their new years resolution to learn how to play the fiddle, so it must be pretty good.

Songs From DanMelanie Horsnell
Dan TuffySongs from Dan
I loved Dan Tuffy’s record Songs from Dan because I love the quiet back of the valley live sound and the song “The biggest bastard who ever rode the west” is every musician-having-a-low-down-day’s anthem. And I loved King Curly’s new EP but biased as now we are making a record together, so not allowed to vote for that.

Les Poules a ColinJesse Periard (Ten Strings and a Goat Skin)
Les Poules à ColinMorose
Les Poules à Colin have never been a band to limit themselves. They are constantly pushing boundaries and exploring uncharted territory, which sets them apart from so many traditional music groups. They’ve grown so much as a band and Morose is a true representation of where they stand in the realm of traditional Québécois music and I couldn’t be more proud of them. This album has so many complex and beautiful layers to it, and has inspired me and taken me to places I didn’t expect.

Sarah BelknerJulia Johnson
Sarah BelknerBut You Are, But It Has
A record I have returned to repeatedly, finding more with every listen. The textures and arrangements glisten, but have this earthy, warm undercurrent. Her lyrics unfolded the more I honed in on them. Where I was wondering of their meaning upon first listen, months later her songs are resonating deeply with chapters and moments in my life. For me, there’s nothing more wondrous than finding a song that exposes one’s painful or wonderful experience as universal, and this album is rich with those gems. Standout track: “Cellophane”.

Jesca HoopAinslie Wills
Jesca HoopMemories Are Now
I describe this album to other people as “assertive folk” in that it has folk sensibilities and instrumentation but the song ideas are quite robust and angular at times which make it really memorable (ha! Pun not intended). Also, It has no drums which to me was really refreshing as most things these days are so banger/beat driven.

Trad AttackJoe Gould (The Crooked Fiddle Band)
Trad.Attack!Kullakarva / Shimmer Gold
Every so often I spend some time seeking out what’s happening in other local scenes around the world, and Crooked Fiddle’s musical equivalents therein – thus leading me to Estonia’s Trad.Attack! (punctuation included). Part melodic folk pop, part updated trad folk complete with Estonian bagpipes, they sometimes come across as a Baltic equivalent to Ireland’s Kila, especially on the epic title track.

Big ThiefAngie McMahon
Big ThiefCapacity
I’ve fallen in love with this band and this album. The intimacy of the songwriting has captured me, and the so many moments in the lyrics and music have brought me to moments of realisation and clarity. Some albums make you really grateful for music and the power it has over your mind, and this year, for me, it’s been this one.

Lana Del ReyTori Forsyth
Lana Del RayLust for Life
I love that Stevie Nicks has a little part of this record, she also experiments with some rad sounds. Also, lyrically this record is incredible.

This Is The KitEmily Staveley-Taylor (The Staves)
This Is The KitMoonshine Freeze
We met Kate, Rozi and Jamie at The Funkhaus during the Michelberger festival in Berlin last year and thought they were all wonderful people making wonderful music. Then we saw them play this album live at Eaux Claires festival in the summer and were blown away. The record has so many lovely, rounded sounds on it. It feels soft, but it has a driving energy that keeps pushing it forward. Kate’s voice has a familiar, kind quality when she sings – who doesn’t want to feel like they’re having a conversation with a friend when they listen to music? It’s a self-assured album by a band who seem to really know who they are. And that’s a comforting presence to be in. Plus the tunes are fucking banging. And the horns rule.

Sun Kil MoonNigel Wearne
Sun Kil MoonCommon As Light and Love Are Red Valleys of Blood
This year Sun Kil Moon has been on high rotation. Common As Light and Love Are Red Valleys of Blood is so different, that I honestly can’t remember hearing anything else like it. Spoken word poetry, prose, and random stories (including a Chameleon vs a Cat), diary entries, muses on David Bowie and Ali augmented by busted-up Dad hip hop. It’s completely whacked and compelling. A slow burn that requires the lyrics booklet.

Marlon Williams Announces New Album and May Tour with The Weather Station

Marlon Williams
Image Courtesy of Marlon Williams

New Zealand born, Melbourne based singer-songwriter Marlon Williams is set to take on the world again with a huge international tour planned for 2018.

The tour is set to coincide with Williams’ just-announced new album Make Way For Love, due for release on 16th February.

The album was recorded with Grammy-winning producer Noah Georgeson (Joanna Newsom, The Strokes) and features Marlon Williams’ long standing backing band The Yarra Benders. The first single is a duet with Williams’ ex-girlfriend and rising star on the singer-songwriter scene Aldous Harding titled “Nobody Gets What They Want Anymore”.

Check out the video for the track here:

The Australian leg of Marlon Williams’ huge international tour takes place in May and features support from Canadian singer-songwriter and Timber and Steel favourite The Weather Station – check the full list of dates below:

Monday 14th May – The Gov, Adelaide, SA
Tuesday 15th May – Rosemount Hotel, Perth, WA
Wednesday 16th May – The Triffid, Brisbane, QLD
Thursday 17th May – Metro Theatre, Sydney, NSW

Thank Folk It’s Friday – 25th August

TFIF

This Week in Folk

All the News From The Week That Was

– US folk-rock band The Head and The Heart released their new video “City of Angels”. Details here

– Brisbane and Fremantle dates have just been added to C.W. Stoneking’s upcoming solo tour. Details here

Fanny Lumsden released her new video “Roll On”. Details here

– English singer-songwriter Jake Bugg announced details of his new album Hearts That Strain. Details here

– Trad legends Trouble In The Kitchen and Kate Burke & Ruth Hazleton are coming together for a co-headline show in Melbourne. Details here

– Melbourne based singer-songwriter Emma Russack releases her new album Permanent Vacation today. Details here

– We premiered the new video from Melbourne based folk singer Anna Smyrk, the stunning “House of Straw”. Details here

– Canadian singer-songwriter The Weather Station has announce plans to release her self titled forth album. Details here

Marlon Williams released his new video “Vampire Again” plus announced Australian tour dates. Details here

– Folk-jazz sister duo Alanna and Alicia announced an album launch show in Melbourne. Details here

Releases This Week

Emma Russack
Permanent VacationEmma Russack
iTunes

Ian Felice
In The Kingdom Of DreamsIan Felice
iTunes

Iron and Wine
Beast EpicIron & Wine
iTunes

Kim Churchill
Weight_FallsKim Churchill
iTunes

Tim Wheatley
Pillar to PostTim Wheatley
iTunes

Timber and Steel Recommends – Go To This Gig

Gretta Ziller

Gretta

Americana favourite Gretta Ziller launches her new album Queen of Boomtown in her hometown of Melbourne.

Thursday 31st August – The Croxton, Melbourne, VIC

Gigs Next Week

Americana Sunday Sessions feat. Steve Lane
Sunday 27th August – The Triffid, Brisbane, VIC

Andy Golledge Band w/ Caitlin Harnett, Tenderfoot
Thursday 31st August – Marlborough Hotel, Sydney, NSW

Anna Smyrk
Saturday 26th August – Bar 303, Melbourne, VIC

Argyle Sun-Sets feat. Niq Reefman, Honey Sippers, The Water Runners
Sunday 27th August – Upstairs at Fred’s, Camden, NSW

Ben Abraham
Tuesday 29th August – The Newsagency, Sydney, NSW
Thursday 31st August – The Newsagency, Sydney, NSW

Ben Camden
Friday 25th August – Howlin’ Wolf Bar, Wollongong, NSW
Wednesday 30th August – FolkSwagon, Cafe Lounge, Sydney, NSW

Bernie Hayes, Lisa Caruso, RPMs, Marguerite Montes, Andy & Kath (Wifey)
Sunday 27th August – The Gasoline Pony, Sydney, NSW

Carli James
Sunday 27th August – Bar Open, Melbourne, VIC

Carpenter Caswell, The Weeping Willows and Katie Brianna
Saturday 26th August – The Wesley Anne, Melbourne, VIC

Collard Greens and Gravy
Friday 25th August – The Spotted Mallard, Melbourne, VIC

Cope Street Parade
Saturday 26th August – The Rooks Return, Melbourne, VIC

Dan Sultan
Friday 1st September – Wool Exchange, Geelong, VIC

Darwin Festival
Thursday 10th to Sunday 27th August – Darwin, NT

Davidson Brothers
Saturday 26th & Sunday 27th August – Gympie Music Muster, Gympie, QLD

Devil Goat Family String Band
Saturday 26th August – Bar Open, Melbourne, VIC

Fanny Lumsden
Friday 25th to Sunday 27th August – Gympie Music Muster, Gympie, QLD

FolkSwagon feat. Ben Camden, Ollie Thorpe, Queen Porter Stomp
Wednesday 30th August – Cafe Lounge, Sydney, NSW

Garrett Kato
Saturday 26th August – Black Bear Lodge, Brisbane, QLD
Thursday 31st August – Leadbelly, Sydney, NSW
Friday 1st September – Smith’s Alternative, Canberra, ACT

Get Blind With Brian feat. Brian Campeau
Friday 25th August – Django Bar, Sydney, NSW

Get Folked Punk feat. Jimmy Lynch, Ben Warner, Mac and Cheese, Rojo Rumble, Wilson and The Castaways, Brendan Kennedy, Suze, Dear Atlas
Thursday 31st August – Lazybones Lounge, Sydney, NSW

Giffen
Thursday 31st August – Django Bar, Sydney, NSW
Friday 1st September – The Metropole Guesthouse, Katoomba, NSW

Gretta Ziller
Thursday 31st August – The Croxton, Melbourne, VIC

Guitarra feat. Paco Peña, Grigoryan Brothers, Jim Pennell, Phil Manning
Saturday 26th August – The Concourse, Sydney, NSW
Sunday 27th August – Enmore Theatre, Sydney, NSW

Guyy and Richard Perso
Friday 25th August – Harmonie German Club, Canberra, ACT

Gympie Music Muster
Thursday 24th to Sunday 27th August – Gympie, NSW

Hannah Matysek
Sunday 27th August – Newtown Hotel, Sydney, NSW

Harry Hookey
Friday 25th August – Neon Garage, Kincumber, NSW

Henry Wagons
Tuesday 27th August – The Public Brewery, Melbourne, VIC

Imogen Clark
Sunday 27th August – Hawkesbury Hotel, Windsor, NSW
Friday 1st September – Rooty Hill RSL, Rooty Hill, NSW

James Bennett
Friday 25th August – The Elwood Lounge, Melbourne, VIC
Saturday 26th August – Livefast Cafe, Halls Gap, VIC
Sunday 27th August – Baxter’s Lot, Melbourne, VIC

Jed Rowe
Thursday 31st August – Smith’s Alternative Bookshop, Canberra, ACT
Friday 1st September – True Grit Presents @ Village Church, Sydney, NSW

Jen Cloher
Friday 25th August – Oxford Art Factory, Sydney, NSW

Josh Pyke w/ Kyle Lionhart
Friday 25th August – Launceston Country Club, Launceston, TAS
Saturday 26th August – West Point Casino, Hobart, TAS

Justin Bernasconi
Friday 25th August – House Concert, Maitland, NSW
Saturday 26th August – Wauchope Community Arts Councilty Arts Council, Wauchope, NSW
Sunday 27th August – McCrossin’s Mill Museum, Uralla, NSW

Katie Brianna
Saturday 26th August – Wesley Anne, Melbourne, VIC
Sunday 27th August – Bayview Country Art Club, Bittern, VIC

Kelly Brouhaha
Saturday 26th August – Peregian Beach Hotel, Peregian Beach, QLD
Friday 1st September – Two Goats Cafe and Baa, Armidale, NSW

Lily & King w/ Alawishus Jones & The Outright Lies
Saturday 26th August – The Vine, Bendigo, VIC

Little Georgia
Friday 25th August – Smith’s Alternative, Canberra, ACT

Lolo Lovina
Saturday 26th August – The Basement, Sydney, NSW

Luke Collings w/ Cloudbird, Mem Davis
Saturday 26th August – The Gaelic Club, Sydney, NSW

Maleny Music Festival
Friday 1st to Sunday 3rd September – Maleny Showgrounds, Maleny, QLD

Mark Wilkinson
Saturday 26th August – House Concert, Leumeah, NSW
Sunday 27th August – House Concert, Lapstone, NSW
Friday 1st August – House Concert, Kincumber, NSW

Matt Joe Gow
Thursday 31st August – Pistol Pete’s Food n Blues, Geelong, VIC

Merpire
Friday 25th August – The Oxford Circus, Sydney, NSW
Sunday 27th August – The Hideaway Bar, Sydney, NSW

OXJAM Music Featival Live At Staves Brewery feat. The Sixth Circle House Band, Steph Miller, Mark Lucas, The Buck Loner Duo, Brian Manning
Saturday 26th August – Staves Brewery, Sydney, NSW

Pete Daly & Jasper Hollis
Saturday 26th August – Some Velvet Morning, Melbourne, VIC

Pete Murray
Friday 25th August – Forum Theatre, Melbourne, VIC
Saturday 26th August – The Wool Exchange, Geelong, VIC
Friday 1st September – Wintersun Hotel, Geraldton, WA

Pierce Brothers
Friday 25th August – Mojos Bar Fremantle, Fremantle, WA
Saturday 26th August – Settlers Tavern, Margaret River, WA
Thursday 31st August – Rocket Bar & Rooftop, Adelaide, SA
Friday 1st September – UNO Danceclub, Geelong, VIC

Raised By Eagles
Friday 25th August – Lefty’s Old Time Music Hall, Brisbane, QLD
Saturday 26th August – Mullumbimby Ex-Services Club, Mullumbimby, NSW

Rezza House Concerts Presents String Theories
Sunday 27th August – House Concert, Melbourne, VIC

Rick Hart and The Sweet Addictions
Sunday 27th August – The Standard Hotel, Melbourne, VIC

Sam Buckingham
Wednesday 30th August – Wheatsheaf Hotel, Adelaide, SA

Shane Nicholson
Friday 25th August – Dalrymple Hotel, Townsville, QLD
Saturday 26th August – Edge Hill Tavern, Cairns QLD
Friday 1st September – Rooty Hill RSL, Sydney, NSW

Shaky Stills
Saturday 26th August – The Retreat Hotel, Melbourne, VIC

Slide Evolution feat. Jeff Lang, Dom Turner (Backsliders), The Fiona Boyes Band
Saturday 26th August – Factory Theatre, Sydney, NSW

Someday June w/ Zac Saber
Thursday 31st August – Some Velvet Morning, Melbourne, VIC

Stella Donnelly w/ Tom Stephens
Thursday 31st August – Golden Age Cinema & Bar, Sydney, NSW

Sydney Guitar Festival
Wednesday 23rd to Sunday 27th August – Sydney, NSW

Taryn La Fauci
Saturday 26th August – Sunset Sessions on top of Sydney Harbour Bridge, Sydney, NSW
Sunday 27th August – Sunset Sessions on top of Sydney Harbour Bridge, Sydney, NSW

Tex, Don & Charlie
Friday 25th August – Meeniyan Town Hall, Meeniyan, VIC
Saturday 26th August – Ulumbarra Theatre, Bendigo, VIC
Tuesday 29th August – The Thornbury Theatre, Melbourne, VIC
Thursday 31st August – Memo Music Hall, Melbourne, VIC

The Man They Call The Banjo
Saturday 26th August – National Vietnam Veterans Museum, Newhaven, VIC

The Montgomery Brothers
Friday 25th August – Grand Junction, The Junkyard, Maitland, NSW
Saturday 26th August – Quarter Deck Marina Restaurant, Narooma, NSW
Thursday 31st August – Lefty’s Old Time Music Hall, Brisbane, QLD
Friday 1st September – Brisbane Eat Street Markets, Brisbane, QLD

The Newsagency Sessions feat. Sarah Belkner w/ Danaides
Wednesday 30th August – The Newsagency, Sydney, NSW

The Royal High Jinx
Friday 25th August – Jambo Bar and Cafe, Melbourne, VIC

The Squeezebox Trio
Sunday 27th August – Leadbelly, Sydney, NSW

The Twoks
Friday 25th August – Open Studio, Melbourne, VIC
Friday 1st September – The Newsagency, Sydney, NSW

The Weeping Willows
Saturday 26th August – The Wesley Anne, Melbourne, VIC
Thursday 31st August – The Croxton, Melbourne, VIC

Tim Guy
Saturday 26th August – Tanswell’s, Beechworth, VIC
Sunday 27th August – Alex McCullough Hall, Mount Beauty, VIC
Thursday 31st August – The Tote, Melbourne, VIC

Tim Wheatley
Friday 25th and Saturday 26th August – Gympie Music Muster, QLD

Timothy James Bowen
Sunday 27th August – Secret Show, Minnamurra, NSW
Thursday 31st August – Django Bar, Sydney, NSW
Friday 1st September – Front Gallery, Canberra, ACT

Tobias
Sunday 27th August – The Bohemian Bungalow, Eumundi, QLD

Triffid Acoustics feat. Michael David Thomas
Wednesday 30th August – The Triffid, Brisbane, QLD

Via Melbourne 2017: A Tony Sly Tribute Show feat. Hanny J, Joe Guiton, Jo Neugebauer, Tim Hampshire, Gordon Holland, Jack Lundie, Quinton Trembath, Von Stache, David Grimson, Late Nights, The Kat O Army, Pete Akhurst
Saturday 26th August – Whole Lotta Love, Melbourne, VIC

Wintermoon Spring Festival
Friday 1st to Sunday 3rd September – Camerons Pocket, QLD

Wirrina Bluegrass & Acoustic Roots Festival
Friday 1st to Sunday 3rd September – Wirrina Cove Holiday Park, Wirrina Cove, SA

Friday Folk Flashback

“Wona” – Mumford & Sons, Baaba Maal, The Very Best, Beatenberg

The Weather Station Announces Self Titled Album

The Weather Station
Image Courtesy of The Weather Station

Canadian singer-songwriter The Weather Station, AKA Tamara Lindeman, has announce plans to release her forth studio album on the 6th October.

The self-titled album sees The Weather Station channelling a new, more energetic sound.

“I wanted to make a rock and roll record,” Lindeman explained, “but one that sounded how I wanted it to sound, which of course is nothing like rock and roll.”

The first single from The Weather Station is the wonderful “Thirty”. Check out official video below:

Thank Folk It’s Friday – 4th March

TFIF

This Week in Folk

All the News From The Week That Was

Matthew and The Atlas confirmed details of their new album Temple. Details here

– Singer-songwriter Irish Mythen returns to Australia this month for Bluesfest and the Melissa Etheridge tour support. Details here

– UK big band Bellowhead announced plans to release a live album in April. Details here

– 17 year old singer-songwriter Gretta Ray released her new single “Unexpected Feeling”. Details here

Dana Falconberry & Medicine Bow has a new album on the way to go with her new moniker. Details here

– The ANZ Blue Stage Series for Spectrum Now announced their artist lineup including Borneo, Lissa, Dog the Duke, James Englund, Rachel Fahim, Ainsley Farrell, Ella Freestone, Ginger & Drum, Adam Harpaz, Martin Hulbert, I Am Apollo, The Khanz, Christie Lamb, Jaime Lindsay, Mabel, Nova and the Experience, Jarryn Pheagan, Aimee Lou, Planet, Lane Sinclair (Say My Name Band), Sabrina Soares, Tenderfoot, Ed Wells and Dylan Wright. Details here

– The next Festival of Small Halls tour kicked off this week featuring Vishtèn, The Little Stevies and Rob Longstaff. Details here

Sufjan Stevens announced plans to release a 10th anniversary edition of Illinois. Details here

– West Australia’s favourite absent daughter Emily Barker returns home this week for shows on the West and East Coast. Details here

– South Coast singer-songwriter Joe Mungovan released his new single “Rivers”. Details here

– Singer-songwriters Julia Johnson and Vorn Doolette have announced a joint house concert tour. Details here

Andrew Bird has collaborated with Fiona Apple on his new single “Left Handed Kisses”. Details here

– Canadian singer-songwriter The Weather Station released her new video “Floodplain”. Details here

– Celtic-punks The Go Set announced April tour dates. Details here

Releases This Week

M Ward
More RainM. Ward
iTunes

Ouroboros
OuroborosRay LaMontagne
iTunes

Timber and Steel Presents

The Timbers

William Fitzsimmons

Friday 4th March – Sol Bar, Maroochydore, QLD
Saturday 5th March – The Irish Hotel, Toowoomba, QLD
Monday 7th March – The Yacht Club, Mooloolaba, QLD
Friday 11th to Monday 14th March – Port Fairy Folk Festival, Port Fairy, VIC

Timber and Steel Recommends – Go To This Gig

Porchland feat. Lime Cordiale, Winterbourne, Sweet Jean, Benjamin James Caldwell, Ollie English

Porch Sessions

If you don’t have tickets to Porchland, the festival presented by Adelaide’s The Porch Sessions then I’m afraid you’re out of luck because this puppy is sold out. But with a lineup that good it’s time to start begging your friends to sell you their ticket – it’s going to be an amazing show.

Sunday 6th March – Hahndorf, SA

Gigs Next Week

Aldous Harding w/ Jess Ribeiro
Tuesday 8th March – Newtown Social Club, Sydney, NSW
Thursday 10th March – The Gasometer, Melbourne, VIC

Burke & Wills Folk Festival
Friday 11th to Monday 14th March – Burke & Wills Winery, VIC

Burnt Creek Deviation
Friday 4th March – The Petersham Bowling Club, Sydney, NSW

Calexico
Friday 4th March – Town Hall, Meeniyan, VIC
Sunday 6th March – Spectrum Now, The Domain, Sydney, NSW
Tuesday 8th March – The Triffid, Brisbane, QLD
Wednesday 9th March – Byron Theatre, Byron Bay, NSW
Friday 11th to Monday 14th March – WOMADelaide, Adelaide, SA

Catherine Traicos
Saturday 5th March – Some Velvet Morning, Melbourne, VIC

Colin Hay
Friday 4th March – Melbourne Zoo Twilights, Melbourne, VIC
Saturday 5th March – Twilight at Taronga, Sydney, NSW

Courtyard Sessions presents Fanny Lumsden
Friday 4th March – Seymour Centre, Sydney, NSW

C.W. Stoneking w/ Marlon Williams
Saturday 5th March – Melbourne Zoo Twilights, Melbourne, VIC
Friday 11th March – Twilight at Taronga, Sydney, NSW

Davey Craddock
Saturday 5th and Sunday 6th March – Nannup Festival, Nannup, WA

Elwood Myre
Friday 4th March – Nannup Music Festival, Nannup, WA
Friday 4th March – The Odd Fellow, Perth, WA

Emily Barker
Friday 4th March – The Bassendean Hotel, Perth, WA

Festival of Small Halls feat. Vishtèn, The Little Stevies, Rob Longstaff
Friday 4th March – Tallangatta Memorial Hall, Tallangatta, VIC
Saturday 5th March – Girgarre Town Hall, Girgarre, VIC
Sunday 6th March – Dookie Arts Hub, Dookie, VIC
Wednesday 9th March – Wauchope Community Arts Hall, Wauchope, NSW
Friday 11th March – Toongi Hall, Toongi, NSW

Folkswagon
Wednesday 9th March – Cafe Lounge, Sydney, NSW

Helpless – The Songs of Neil Young feat. Todd Sibbin, Tom West, Ryan Martin John, Thoma Henbest, Caleb Williamson
Wednesday 9th March – The Gov, Adelaide, SA

Hootenanny feat. Lucky Luke and His Shooting Stars
Sunday 6th March – Miss Peaches, Sydney, NSW

Hussy Hicks
Friday 4th to Sunday 6th March – Nannup Festival, WA
Wednesday 9th March – Redcliffe on the Murray, Pinjarra, WA
Thursday 10th March – Mojo’s, Fremantle, WA
Friday 11th March – Indi Bar, Scarborough, WA

James Thomson
Friday 4th March – Baha, Rye, VIC
Saturday 5th March – The Yarra Hotel, Melbourne, VIC
Sunday 6th March – The Lomond, Melbourne, VIC

Kate Miller-Heidke
Friday 4th March – J-Shed, Bathers Beach, Fremantle, WA
Wednesday 9th March – Montrose Town Centre, Montrose, VIC
Friday 11th March – Burrinja Cultural Centre, Upwey, VIC

Liam Gerner
Friday 4th to Sunday 6th March – Nannup Music Festival, Nannup, WA
Wednesday 9th March – Ararat Live, Ararat, VIC
Friday 11th March – Billy Roy Blues, Bendigo, VIC

Luke Morris
Friday 4th March – Noosa Festival of Surfing, Noosa, QLD
Sunday 6th March – The Sunhouse, Gold Coast, QLD
Thursday 10th March – Newtown Social Club, Sydney, NSW

Man of Constant Sorrow: a Tribute to the Music of O Brother Where Art Thou feat. The Morrisons, All Our Exes Live in Texas, Luke Escombe, Brian Campeau
Tuesday 8th March – The Domain, Sydney, NSW

Mark Lucas and The Dead Setters
Thursday 10th March – Django Bar, Sydney, NSW
Friday 11th March – The Lass O’Gowrie Hotel, Newcastle, NSW

Mary Black
Tuesday 8th March – Astor Theatre, Perth, WA
Thursday 10th March – Enmore Theatre, Sydney, NSW

Moxie
Friday 11th to Monday 14th March – Port Fairy Folk Festival, VIC

Nannup Music Festival
Friday 4th to Sunday 6th March – Nannup, WA

Oh Pep!
Friday 11th to Sunday 13th March – Port Fairy Folk Festival, VIC

Passenger
Friday 4th March – Thebarton Theatre, Adelaide, SA
Sunday 6th March – Fremantle Arts Centre, Fremantle, WA

Patrick James
Friday 4th March – The Basement, Sydney, NSW
Saturday 5th March – Transit Bar, Canberra, ACT

Porchland feat. Lime Cordiale, Winterbourne, Sweet Jean, Benjamin James Caldwell, Ollie English
Sunday 6th March – Hahndorf, SA

Port Fairy Folk Festival
Friday 11th to Monday 14th March – Port Fairy, VIC

Queen Porter Stomp and Catgut
Saturday 5th March – Django Bar, Sydney, NSW

RAPT w/ Beautifil Chaos, Scott Cook
Saturday 5th March – The Music Lounge, Sydney, NSW

Ruby Boots
Thursday 10th March – Northcote Social Club, Melbourne, VIC
Friday 11th to Monday 14th March – Port Fairy Folk Festival, VIC

Sam Brittain w/ Maggie Rutjens, Toby Robinson
Thursday 10th March – The Grace Emily, Adelaide, SA

Steve Earle & The Dukes w/ The Mastersons
Friday 11th March – Astor Theatre, Perth, WA
Friday 11th to Monday 14th March – Port Fairy Folk Festival, VIC

Sufjan Stevens
Friday 4th March – QPAC Concert Hall, Brisbane, QLD

Summer Hill Folk Festival
Saturday 5th March – Summer Hill Church, Sydney, NSW

Sydney Road Street Party
Sunday 6th March – Sydney Road, Melbourne, VIC

The Beards
Friday 11th March – Bar Indigo, Rockingham, WA

The Button Collective
Sunday 6th March – Spectrum Now, Sydney, NSW

The Crooked Fiddle Band w/ Devil on the Rooftop
Friday 11th March – The Red Rattler, Sydney, NSW

The East Pointers
Friday 4th to Sunday 6th March – Nannup Music Festival, WA
Wednesday 9th March – Fly by Night, Fremantle, WA
Thursday 10th March – South Coast Folk Club, Adelaide, SA
Friday 11th to Monday 14th March – Port Fairy Folk Music Festival, VIC

The Little Stevies
Friday 4th March – Tallangatta Memorial Hall, Tallangatta, VIC
Saturday 5th March – Girgarre Town Hall, Girgarre, VIC
Sunday 6th March – Glenferrie Festival, Hawthorn, VIC
Sunday 6th March – Dookie Arts Hub, Dookie, VIC
Thursday 10th March – Peace Concert, Lighthouse Theatre, Warrnambool, VIC
Friday 11th to Monday 14th March – Port Fairy Folk Festival, Port Fairy, VIC

The Once
Friday 4th March – The Music Shack, Donnybrook, WA
Saturday 5th March – Sail & Anchor, Fremantle, WA
Sunday 6th March – Kalamunda Hotel, Kalamunda, WA
Wednesday 9th March – Ellington Jazz Club, Perth, WA

The Rambling Boys
Friday 4th March – City Diggers, Wollongong, NSW
Saturday 5th March – Sheraton on the Park, Sydney, NSW
Tuesday 8th March – The Rails, Byron Bay, NSW
Thursday 10th March – Mick O’Malley’s, Brisbane, QLD
Friday 11th to 14th March – Port Fairy Folk Music Festival, VIC

The Timbers
Saturday 5th March – The Irish Hotel, Toowoomba, QLD
Sunday 6th March – The Yacht Club, Mooloolaba, QLD
Friday 11th to Monday 14th March – Port Fairy Folk Festival, Port Fairy, VIC

The Weeping Willows
Friday 4th March – Basement Discs, Melbourne VIC
Saturday 5th to Sunday 6th March – Snowy Mountains Country Music Festival, NSW
Thursday 10th March – Royal Oak Hotel, Launceston, TAS
Friday 11th March – Spring Vale Wines, Cranbrook, TAS

Tim Easton
Saturday 5th and Sunday 6th March – Nannup Music Festival, WA
Thursday 10th March – Northcote Social Club, Melbourne, VIC

Vin Garbutt
Friday 11th March – Burke & Wills Folk Festival, Mia Mia, VIC

WOMADelaide
Friday 11th to Monday 14th March – Adelaide, SA

Friday Folk Flashback

“Black Jack Davey” – The White Stripes

Over the last few weeks we’ve featured various songs in the “Gypsy Davey” tradition. Here’s a relatively modern take featuring The White Stripes covering Bob Dylan’s version of “Black Jack Davey”. This is an acoustic version but there’s an electric version out there in the universe as well.

Watch the New Video from The Weather Station, “Floodplain”

The Weather Station
Image Courtesy of The Weather Station

Canadian singer-songwriter Tamara Lindeman, AKA The Weather Station, has followed up her recent visit to Australia with the brand new video for the track “Floodplain”. The video was show while The Weather Station was in Australia and is taken from her album Loyalty.

Watch “Floodplain” below:

A Folky Guide to the 2016 Sydney Festival Program

Joanna Newsom
Image Courtesy of Joanna Newsom

The highly anticipated program for the 2016 Sydney Festival dropped today and as always it’s full to the brim of folky goodness. If you’ve been to any Sydney Festival shows before you’ll know that they sell out pretty quickly so it’s time to start planning now – tickets go on sale next Monday 26th October.

Our picks from the program this year include:

  • Joanna Newsom – The queen of the anti-folk movement, Newsom will be touring her brand new album Divers

Thursday 21st January – Sydney Opera House, Sydney, NSW

  • Dirty Three – Legendary underground experimental trio in a rare performance

Friday 15th January – State Theatre, Sydney, NSW

Sunday 10th January – St Stephen’s Uniting Church, Sydney, NSW

Sunday 17th January – St Stephen’s Uniting Church, Sydney, NSW

Sunday 24th January – St Stephen’s Uniting Church, Sydney, NSW

  • Matthew E White – The country-soul singer returns to Sydney with his band

Friday 15th January – Magic Mirrors Spiegeltent, Sydney, NSW
Saturday 16th January – Lennox Theatre, Parramatta, NSW

Saturday 23rd January – The Famous Spiegeltent, Sydney, NSW
Sunday 24th January – The Famous Spiegeltent, Sydney, NSW
Monday 25th January – The Famous Spiegeltent, Sydney, NSW

  • Kev Carmody – The legendary poet, radical and national treasure will perform songs he’s collected over the past 40 years

Sunday 17th January – The Famous Spiegeltent, Sydney, NSW

Friday 22nd January – The Famous Spiegeltent, Sydney, NSW
Saturday 23rd January – The Famous Spiegeltent, Sydney, NSW

  • The Weather Station – Canadian singer-songwriter Tamara Lindeman brings her project to Sydney

Wednesday 6th January – The Famous Spiegeltent, Sydney, NSW
Thursday 7th January – The Famous Spiegeltent, Sydney, NSW

  • Maru Tarang – Acclaimed Australian roots musician Jeff Lang joins forces with traditional Rajasthani players

Sunday 10th January – Lennox Theatre, Parramatta, NSW

For more information on the Sydney Festival including how to get your hands on tickets check out the official site here.

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