Timber and Steel’s Artists’ Top Albums of 2016

Child Records

You’ve heard what we think the top albums of 2016 were, but lets be honest this is the piece you’ve really been waiting for.

Every year we reach out to the community of folk and acoustic musicians in Australia and around the world to ask them to pick their favourite album or EP of the year, and this year they came through in spades.

So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2016.

Bill ChambersEagle & The Wolf
Bill ChambersCold Trail
What a record. Bill just turns up when he feels like it and shows us all how it’s done. The title track is one of the best driving songs ever written and we’ve done A LOT of driving this year! This record has been with us on every trip and inspires us as artists of the alt. country genre to dig deep and keep being real, in life and in music. He’s the baddest and the best.

James KenyonAnna Cordell
James KenyonImagine You Are Driving
This album takes me into such a beautiful space, it is so beautifully written and produced, I find myself smiling every time I listen to it – I’m entranced and inspired.

Joe MungovanImogen Clark
Joe MungovanWay Down South
Joe totally embodies the Joni Mitchell quote about songwriting, “The closer you get to your heart is the closer you get to everyone else’s”. This EP is an evolution for him, the production is so sparse and spacey, almost Bon Iver-ish, and very different from the folky style of his first EP. But what remains is Joe’s amazing ability to capture so perfectly the melancholy of the human condition with his beautiful melodies and heart-wrenching lyrics. A big 5 stars from me. Love ya, Joe!

Piers FacciniSam Lee
Piers FacciniI Dreamed An Island
This album only came out a couple of weeks ago but I think needs mentioning in this years crop. Piers is one of the finest male singers and his musicianship is exquisite. It’s an album of great sensitivity with deep thought and poetry inside. The songs are so well formed, he has a knack at creation of timeless soundings orgs.

DD DumboDan Flynn
D.D DumboUtopia Defeated
Oliver has really found his own unique sound while incorporating some diverse influences including folk, electronic and world music. I was really impressed with his songwriting and his ability to draw you in to his strange little world. I also love the production with all those sonic layers that reveal themselves over repeated listens. Amazing debut.

Michael KiwanukaSkyscraper Stan
Michael KiwanukaLove and Hate
I got hooked on this album while touring around New Zealand. The songwriting is melodic, the dynamics are masterful and the closing track, “Final Frame”, kicks me in the guts.

William CrightonJosh Rennie-Hynes
William CrightonWilliam Crighton
I first heard William at Nannup at the start of this year and loved it. He’s a great performer and his songs are top notch. This album captures all of that perfectly. The production is spot on and is a testament to the benefits of what a more DIY approach to recording can achieve.

Bon IverTanya Batt (BATTS)
Bon Iver22, A Million
There have been a lot of amazing releases this year, Canary, Braille Face and Hayden Calnin were three I wanted to choose too. However, it had to be Bon Iver. The most highly anticipated album in my life, it did not disappoint. This album means so much to me, It’s an extremely innovative album within soundscapes and also so raw, filled with emotion. Many tears were shed when I first listened.

MoulettesClaude Hay
MoulettesPreternatural
Moulettes new album Preternatural really grabed me from the first second, Distorted Cello, Oboe, guitar bass drums and they all sing insane harmonies perfectly live….Audio candy

Bill HuntLiam Gale (Liam Gale & the Ponytails)
Bill HuntUpwey
Conversational, melodic, witty and hooky songwriting flood through the beautiful ebb and flow of Upwey, Hunt’s first of many offerings. The songs are hued by a consistent arrangement of drums, bass, violin and Hunt’s subtle and precise guitar style. But they don’t rely on these arrangements; each song a story, assisted by the swell of instrumentation to convey the tales that swing from the near Latin grooves of “Odalik” to the slow sexy grind of “Sea of Love”. At six tracks long, it leaves you wanting more. Perfect.

Childish GambinoSahara Beck
Childish GambinoAwaken, My Love!
Listening to this album is like switching off the real world and stepping into an original and new world. I find it very inspiring.

Oh PepThe Little Stevies
Oh Pep!Stadium Cake
I think the songwriting on Stadium Cake is really interesting. The songs take me to a place that I’m not expecting both lyrically and musically when I begin listening to them and they keep me guessing, which I absolutely love. The arrangements and production are also super cool, and I’m simply just a big fan of talented women and female partnerships doing great things in the arts.

Side PonyFanny Lumsden
Lake Street DiveSide Pony
It seriously makes me the most joy filled human ever. Side Pony is possibly my biggest songwriting envy of late and they just really nail that motown meets pop retro good times.

Nick CaveMiles O’Neil (Miles and Simone)
Nick Cave and The Bad SeedsSkeleton Tree
I was scared to listen to this album due to the tragic circumstances surrounding it. Finally
mustering the courage one bright morning I listened to it through while walking beside the sea.
I stopped many times during that walk to sit and, floored, marvel at the breathtakingly
sadness and beauty captured in what is, to me and I’m sure many others, a masterpiece.

Hayden CalninForest Falls
Hayden CalninCut Love Pt 1/2
Hayden is an absolute stayer of the Melbourne music scene, but it’s for good reason. This record is world-class. Sparse, rich, cinematic, and desperate in its feel, it holds on to you long after the first listen.

Button CollectiveThe Bottlers
The Button CollectiveThe Lonesome Sea
As a softly lilting mandolin emerges from the silence of the opening track, Brodie’s haunting lyrical ballad begins to unravel the story of the heartbreak of a man, torn between travelling the lonesome sea and those who he has left behind. This beautiful yet bittersweet combination of well-travelled wordsmithing and an instrumental palate carrying a nostalgically truthful warmth, could be heard in any far-flung tavern in the dead of night, as tired candles flicker. Finishing with a raucous fling titled “Adieu Sweet Lovely Nancy”, the Button Collective’s release concludes on a stirring high, twisting your arm to crave another ale. The EP’s recording, mixing and mastering add a special flair, as you hear the charismatic live-elements that give you a heart-swelling, beer-swilling singalong that you can partake in at any time. Well done fellas!

The Dreaming RoomPhia
Laura MvulaThe Dreaming Room
Her lyrics explore feminism, faith, self-worth, race, and her harmonies, arrangements and production are deep and multi-hued. One of the most exciting songwriters around, unafraid to experiment with multi-genre collaborations, like the London Symphony Orchestra and Nile Rodgers.

JoyGordon Wallace (The Crooked Fiddle Band)
The Peep TempelJoy
This is a great third album by the Melbourne based three piece that has initial flavours of 90s Aussie pub punk/bloke rock (like Cosmic Psychos) but that is just the beginning – the album is musically quite varied, with intelligent, dark, caustically humorous and often political lyrics with moments of honest beauty.

Wartime SweetheartsJoe Gould (The Crooked Fiddle Band)
Wartime SweetheartsSo Long Sparta
It’s always great when a local artist drops something as fully formed and self-assured as Louise Nutting’s second album under the Wartime Sweethearts moniker. Experimental without forgetting the songcraft, it deserves its rightful place amongst the St Vincents, Dirty Projectors and My Brightest Diamonds of the art pop world. Props to local label Art As Catharsis, whose releases in October alone spanned from Wartime Sweethearts to Hashashin’s eastern mathrock and No Haven’s dark hardcore. Eclecticism rules the day!

BeyonceTaryn La Fauci
BeyoncéLemonade
To create and release a piece of work that is so intricately linked and ordered, one you must listen to from start to finish to understand the whole was really refreshing! The film that accompanied the album was also richly interesting, deep and powerful. To address themes such as infidelity and race and then to weave them powerfully into a full album, which on release caused so much controversy and started a conversation world wide, I thought was really great.

Melody PoolKevin Mitchell (Bob Evans)
Melody PoolDeep Dark Savage Heart
Another beautiful record from the most under-rated songwriter in Australia. “Love, She Loves Me” gives me goose bumps every time.

Winter WheatFrank Turner
John K SamsonWinter Wheat
I am a long term partisan of John’s work, so it’s not surprising that I liked this record. But god-DAMN, the man just keeps delivering. This record had me in tears three times on my first listen through, and it gets better with age.

David BowieWilliam Crighton
David BowieBlackstar
My favourite album from 2016 is Blackstar from David Bowie. There were a lot of great albums but I listened to it the most.

TigallerroSteven Barnard (Arbori, Jon Cotton)
Phonte and Eric RobersonTigallerro
Smooth grooves, dope rhymes, sweet melodies. You’d be hard pressed to find another 2016 record his year that has this flow, though Anderson Paaks’ Malibu is a close second. It rolls effortlessly from track to track and the inevitable ass shaking comes with a no “slutty table top twerking” guarantee. It’s rare that a hip hop record explores what it means to be a man of sexual fidelity, a family man, and even man of faith in higher power. Getting hype or turning down, my morning wake up or my party starter, this record has been a solid find.

Julia JacklinJesse Lubitz (TinPan Orange)
Julia JacklinDon’t Let The Kids Win
This album is a gem. The more I listen to this record, the more the songs shimmer and shine with a beautiful honesty. Jacklin’s songwriting is earnest and her voice perfect – it feels like an important voice which dances delicately on a wire between mundanity and profundity.

Bon IverOliver’s Army
Bon Iver22, A Million
Although becoming more and more electronic heavy, Justin Vernon’s signature haunting melodies and dynamic vocals remain consistently endearing. I found the production to be quite bold and experimental, and I love that they’re continuing to explore their sound and push it in new directions. Sonically, it’s spacious and beautiful.

RadioheadKim Churchill
RadioheadA Moon Shaped Pool
My top album of 2016 has probably got to go to A Moon Shaped Pool by Radiohead. It really hit me at the perfect moment. I was deep in the studio and sometimes getting a bit overly flustered by how complex the process of recording can be. I think Radiohead have done something incredible in the way this album is so relaxed, so subtle, but so powerful. There is this beautiful calm confidence that I am completely in awe of. To be alive whilst their legacy is still being added to is a real treat!

Conor OberstThomas Busby (Busby Marou)
Conor OberstRuminations
Brave, personal and heart achingly real. It feels like you’re in the room with him as he’s pouring his heart out.

Iggy PopEm George
Iggy PopPost Pop Depression
It would be a total lie for me to say that I have been patiently and politely waiting for a new Iggy Pop record because I’ve been extremely impatient and downright rude, mouthing off to my vinyl copy of Lust for Life, begging to the Iggy Pop gods for a new release and then Post Pop Depression hit in March this year. Produced by Josh Homme (Queens of the Stone Age), the entire album is gritty and dark, sharp and tight with that small hint of sadness that lies just under the surface of Iggy Pop’s music. However in true Iggy fashion, the melodies and heavy drums lift the album into something that is hard to define, taking you to another place. My pick for 2016!

KaleoGerrit Gmel (Citizen of the World)
KaleoA/B
I came across these guys on Spotify a few months ago as they were our number one associated artist then. I had never heard of them before but their album has been on repeat ever since. Their album is incredibly varied, with high-energy songs like “Way Down We Go” and soft ballads like “Save Yourself”. An emotional rollercoaster from start to finish.

Gregory PorterJoe Glover (Shelley’s Murder Boys, Backsliders)
Gregory PorterTake me to the Alley
I watched a YouTube clip of Gregory Porter performing on NPR’s Tiny Desk Concert and watched it several times over, absolutely mesmerised. The album is just as mesmerising; full of soul, jazz and RnB, beautiful arrangements and Porter’s effortless delivery; just enough grit and soul to keep the jazz interesting! I listen to this album when I want something that will absolutely zone me out of where I am and what I am doing, Porter’s soothing voice is like being wrapped up in blanket and given a cup of hot cocoa.

Bruce MolskyShell Eves (Shelley’s Murder Boys)
Bruce MolskyCan’t Stay Here This a-Way
Bruce Molsky always manages to bring such a rich, unique sound to the old-time classics. His latest album is no exception. His fiddle-singin’ gives me warm fuzzies akin to sitting by a campfire under a starry sky.

David BowieJimmy Murray (Shelley’s Murder Boys)
David BowieBlackstar
It was hot, humid January afternoon driving through a sun-shower when I first listened to David Bowie’s Blackstar album. Released just 2 days after his death aged 69 this is an amazing final piece of work from this incredible artist. The hauntingly beautiful voice and instrumentation echos with songs about finality and death. Listening to this I was filled pure joy, sadness and reflection of this artist’s inspirational legacy.

Black Mountain String bandThe Plough
Black Mountain String BandTime Traveller
This year The Plough discovered the Canberra based Black Mountain String Band and can’t get enough of them. The exuberance and variety they bring to a live show is showcased beautifully in their recording. Their mix of traditional and original songs and instrumentals take the listener back in time through a landscape of high energy Old Time, Western Swing, triangle pumping Cajun and plucky Fiddle polkas. This CD’s been on high rotation in the Lancer’s CD stacker ever since it was launched in the bush capital on a chilly winters night.

TyrannamenFraser A Gorman
TyrannamenTyrannamen
A brilliant, gruff mixture of Memphis Garage-soul blended deep in a gravel filled, VB bottle of Australian 70’s pub rock. Eight tracks long, all killer no filler.

Margo PriceNick Payne (Dear Orphans)
Margo PriceMidwest Farmer’s Daughter
Margo is one of the first of a new breed of Americana artists to come out of the new epicentre of country music in East Nashville. Alongside Cale Tyson, Michaela Anne, Erin Rae, et al., these guys are playing authentic honky-tonk reminiscent of 1970s outlaw country, yet with their own fresh take. Midwest Farmer’s Daughter reminds me of the edgiest tracks from Dolly Parton, and the fact she is the first country act signed to Jack White’s Third Man Records is a testament to the quality of this album.

Oh PepJames Kenyon
Oh Pep!Stadium Cake
Stadium Cake is a brilliant album – brave arrangements, tight pop writing, great lyrics and Liv’s voice is a pleasure. I love the ambition of the album, and the assuredness the result. It’s an inspiring record

Julia JacklinAinsley Farrell
Julia JacklinDon’t Let The Kids Win
I’ve had the chance to see Julia perform these songs over the past couple years so I’ve been very excited for her album. She has an incredible songwriting talent topped by this powerful yet vulnerable voice that’ll break your heart and put it back together again all in one go. If you get the chance to see her and her band live I wouldn’t miss it.

Liz StringerMel Parsons
Liz StringerAll The Bridges
I have been a fan of Liz for a good few years now, I’m completely smitten with her voice – all husk, beauty and pain. I had high expectations for her new album, and All The Bridges delivers and then some, it’s been on repeat in my house since it arrived.

CanaryKathleen Mary Lee
CanaryI Am Lion
I like this because it is a celebration of very big, very beautiful feelings that I reckon have no other way of being celebrated other than through this kind of emotionally epic music. The lyrics are attempts at honesty and the music is always their non verbal emotional equivalent, making the album a very cathartic experience. If you want it to be. A bit of a masterpiece

Eagle and the WolfSam Buckingham
Eagle & The WolfEagle & The Wolf
Sarah brings out Kris’s sweetness and Kris brings out Sarah’s no bullshit strength – making this album the perfect balance of heart and “fuck you”. It just sounds like two musicians being real and having a ball. Awesome songwriting, perfect harmonies – it’s golden.

Sian EvansTori Forsyth
Sian EvansHow Time Has Treated Thee
This EP has only swept across my table recently but it is hands down a stand out. It makes me feel happy, sad and inspired all in one hit!

Songs From DanLucie Thorne
Dan TuffySongs From Dan
Aussie expat (now Dutch resident) and legend Dan Tuffy (Big Low, Wild Pumpkins at Midnight) has made one of my favourite albums not just of 2016 but of all time (seriously!). Co-produced by Melbourne’s Matt Walker, and recorded partly here in Melbourne, and partly in Holland, this album is an extraordinary collection from a true poet who sings straight to the heart of it all. Check it out folks!

Sian EvansHusky Gawenda (Husky)
Damien JuradoVisions Of Us On The Land
While this is Damien Jurado’s twelth album, it is the first I heard of him. Visions is a psychedelic, mystical odyssey, one that takes place within and without. The internal wanderings, the struggles and revelations, mirror an external landscape that is both beautiful and haunting. Each listen draws you further into these mirror worlds and all the while Jurado’s songs and sounds are immediately and undeniably striking.

Tracy McNeilLeah Flanagan
Tracy McNeil and the Good LifeThieves
Thieves is such an enjoyable record to listen to. It’s poppy and catchy yet underneath the veneer of fun singalong good times the songs themselves incredibly well crafted and arranged. Tracey writes a damn good song and if you’re lucky enough to see her band live, you’ll see them play those songs damn well too.

Adora EyeMusketeer
Adora EyeIf You Need A King, I’ve Been Prepared All My Life
This is probably the most raw and enduring folk album I have listened to all year. I am sure that this Swedish singer-songwriter was up all night writing this album in a smokey boat in the Stockholm harbour somewhere. You can almost see him clutching that ink pen with a red right hand, as his pet raven swings in a cage above his head eating dead beetles.

Hiss Golden MessengerDave Powys (The Paper Kites)
Hiss Golden MessengerHeart Like A Levee
I heard this album playing in a record store in London, and as I flicked through racks of vinyl I was drawn into the melodies and depth of his song writing. Every now and then you come across an artist who really moves you, or scratches an itch you never knew you had – this album has done both for me.

The Kill Devil HillsCatherine Traicos
The Kill Devil HillsIn On Under Near Water
This album encapsulates all that I love about the The Kill Devil Hills. A mad racket of noise, it pulses with life and is as ripe with heartfelt ballads as it is with sexy, sinister, badass, guitar driven numbers. Enjoy with whiskey.

Robert Ellis10 String Symphony
Robert EllisRobert Ellis
His first self-produced effort combines thoughtfully crafted songs with unique and interesting arrangements, expertly performed by him and his killer band. It’s the full package real deal and we love it so much.

The Dead MaggiesThe Dead Maggies
The Cloves and The TobaccoAcross The Horizon
TCATT are one of many celt-punk bands making great music in Java, and this album is a standout. It’s straight up driving celtic punk, with big powerful singalong choruses that tug the heartstrings. Good arrangements and musicianship help make this album great. We played with them in their hometown of JogJakarta, in the attic of a vegetarian cafe. The power cut out just before the gig, so the bands went ahead and played unplugged, it was a great moment of sweaty singalongs.

Howe GelbMark Moldre
Howe GelbFuture Standards
Late night meanderings. Laid back, whisky infused jazz piano. Wordplay and lyrical twists that stand alongside the wit of Ira Gershwin and Hoagy Carmichael with the quiet phrasing of Chet Baker. Gelb continues to walk to his own beat – confounding expectations whilst smashing and recreating genres. His history has always hinted towards a love of jazz and occasionally detoured into Monk style musings – here Gelb embraces it wholeheartedly.

TullaraSian Evans
TullaraBetter Hold On
Earthy folk and roots with a dash of dirty grunge, Tullara presents her debut EP Better Hold On. Featuring her superb guitar slinging and percussive finger tapping wizardry, genius pop-roots arrangements and powdery vocals; it’s as if an Aussie Taylor Swift, John Butler and Andy Mckee were entrapped in a love triangle and spawned gold threads of wild honesty weaving together this admirable little Roots record. It’ll jerk a tear and invoke a bit of primal badass equally.

TaliskJake Pember (The Button Collective)
TaliskAbyss
Ever since first hearing Mohsen Amini’s amazing concertina playing earlier this year I have been a little bit obsessed with this band. They have the perfect blend of traditional and modern styles, and each member has such command of their instruments that every track feels as natural and flowing as a conversation.

Max SavageKaurna Cronin
Max SavageTrue Believers
Max has a brilliant ability to invite his audiences into the narrative of his works. With brilliant imagery and musicianship True Believers captures a great snapshot of true Australian culture, while also creating a great sense of nostalgia by grasping that 80’s Australian rock sound perfectly. The perfect soundtrack for an Australian road trip or any suburban household.

Nick CaveAlex L’Estrange
Nick Cave and The Bad SeedsSkeleton Tree
Amongst all the huge artists that dropped albums in 2016, and the loads of Australian artists that arguably dropped career highlights (Ball Park Music, These Guy, D.D Dumbo), there was one album that I found myself frequently listening to, uninterrupted, alone on the hi-fi, and that was Skeleton Tree by Nick Cave and The Bad Seeds. It’s not necessarily my favourite, I think it’s an impossible task to name a favourite, but it was the first album that came to mind for this list, and that means more than anything. Hearing it coupled with the film One More Time With Feeling was challenging, given its subject matter. But its atmosphere was expertly executed; dynamic, fluid, smooth and heartbreaking. The rooms of Air, La Frette and Retreat studios are beautifully on display in songs like “Girl in Amber”, where the wispy backing vocals of The Bad Seeds hauntingly resonate across the walls. These contrast the desperate and almost maddening mantras of “I Need You”. What makes it a truly extraordinary album, is that it isn’t just doom and gloom. ‘Skeleton Tree’ doesn’t dwell on tragedy, it addresses it as part of the human condition, and there is an underlying beauty in that.

William CrightonClaire Ann Taylor
William CrightonWilliam Crighton
The storytelling and the whole atmosphere created by Crighton on this album is incredible. His dark, brooding voice and emotive style of delivery, commanded my attention from the first moment I heard it.

Andy ShaufWilliam Fitzsimmons
Andy ShaufThe Party
This was my favorite album of the year for one simple reason: MELODY!!! Andy is everything that’s right about classic “pop” music; never playing a note without a damn good reason for doing so, and songwriting that makes you feel something deep in your gut. He’s the worthy musical son of Harry Nilsson that we’ve longingly been waiting for.

LuciusRuby Boots
LuciusGood Grief
I have to choose this album because I’m still, since its release, pulling away the layers on it. Although it’s a predominantly pop record, the lyrical content and melodic arrangements are so intelligent and accessible all at once – a fine line that is hard to walk. The girls’ voices are otherworldly and tend to make me forget where I am and what I’m doing every time I put this album on. I still can’t get enough of it.

WetLacey Cole (Lazy Colts)
WetDon’t You
If you have a soft spot for B-grade pop ballads/R&B this Brooklyn-based three piece may just have written the soundtrack of your 90s-nostalgia drenched dreams. Their latest album Don’t You is a not-so-guilty pleasure of mine. Helmed by the stunning front-woman Kelly Zutrau, her unusual vocal inflections and impassioned delivery suggest an emotional complexity in what may otherwise be confused as banal sentiments (one song is called “Baby, You’re The Best”). Once combined with the lush production and rhythms of the band – assigned with the noble task of turning tears into toe-tappers – these songs are wonderfully earnest, rarely overwrought and exactly what you need right now.

James KenyonJoe Murphy (The Timbers)
James KenyonImagine You Are Driving
I have been lucky enough to see James play a couple of times. His beautifully crafted songs are reminiscent of great songwriters like Paul Kelly. The album is a stunning representation of his work.

JRHMabel Windred-Wornes (Charm of Finches)
Josh Rennie-HynesFurthermore
I love this album. It’s got so much warmth, it’s spacious. I listen to it late at night doing my homework and it’s so calming. It’s like the energy he captured recording it in the hills of Woodford transmits. We met him at Bendigo Blues and Roots Fest this year and felt we’d discovered a rare gem. He’s an amazing songwriter.

Tom BrosseauMatt Bauer
Tom BrosseauNorth Dakota Impressions
Beautiful storytelling, vivid imagery, and an incredible sense of place. I’ve always loved Tom’s records and he’s at the top of his game here writing about his native North Dakota.

Jim JamesTimberwolf
Jim JamesEternally Even
It’s a pretty passionate political plea and America needed a timely voice. He even released it the day before election day. I think his voice is very much from another world, so that’s an important “third person” kind of perspective. It’s a well sequenced collection of songs, and I really love the warm psych and soul inspired production/composition. Maybe I’m just biased because I know that Jim James and Blake Mills would make up my sonic dream-team.

Nigel WearneJustin Bernasconi (The Stillsons)
Nigel WearneDrawing Circles
Nigel has really forged his own fingerpicking techniques on both the banjo and guitar on this album, and his voice tenderly delivers every song with intense concern and passion. Just check out the live version of the title track.

The Kill Devil HillsMark ‘Looch’ Lewis – (Wifey/Handsome Young Strangers)
The Kill Devil HillsIn On Under Near Water
I have always loved this band. In all their incarnations and styles whether that is folk, country, gospel, rock or what I call the “WA dirge” (Kim Salmon, Drones type bass driven tunes). Hard to believe it is now 12 years since the release of their debut Heathen Songs when that “Drinkin’ Too Much” song first got my attention. And while it has been 7 years since the last studio album Man You Should Explode, the good news is that I reckon this is the most cohesive album yet. Cracking harmonies, great playing and strong tunes. Tracks like “The Nets”, “Chinese Burns” and notably “The Kid” are 3 of the best tunes they have released. Let’s hope there is more output and touring to come.

Austin LucasMatt Golotta (The Sweet Jelly Rolls)
Austin LucasBetween the Moon & the Midwest
I spend a fair bit of time on the road traveling to see my partner and this record became the perfect traveling companion for me. Took a few listens to get into and also realise it’s a concept album which draws from Lucas’ own past experiences. Without spoiling the outcome, it follows the luckless musician Richard, his partner Kristie Rae and his best friend William. It features killer song writing with pedal steel, twangy tele, country influences with punk rock subtlety, numerous guest vocals from the likes of John Moreland and Corey Brannan, and a cracker duet with Lydia Loveless “Wrong Side of the Dream”, dealing with the struggles and plights that many musicians face. My song of the record is “William”, the solo acoustic number at the end that makes you feel like you’ve just been kicked in the guts. Songwriting at its finest.

Cody JinksAndrew Cavalieri (The Sweet Jelly Rolls)
Cody JinksI’m Not the Devil
Raw, honest and heartache. That is this album! The first track really sets the mood for the rest of the album, but is broken up by “Chase This Song” which is a damn banger of a driving song! The outlaw vibe flowing from Junks’ music really prepares you for some hard times and disappointment in life. Bloody hell I love this album! Honorable mentions: Murlocs – Young Blindness, Jonny Fritz – Sweet Creep and Mudcrutch – 2.

Wartime SweetheartsLaura Bishop (Chaika)
Wartime SweetheartsSo Long Sparta
A killer voice, some super awesome writing skills, and an obsession with bodybuilders (hello Ms Olympia!) make this my favourite album of 2016. Wartime Sweethearts, aka singer-keyboardist-loop artist-songwriter Louise Nutting, signed to Art As Catharsis Records this year and released an album full of all the beats and electric piano and vocal harmony sounds that I like to hear (and I wish I could make) – and my favourite track “Figure It In, Figure It Out” has all the unexpected twistings and turnings of chord progressions that I wish I could write. One day Chaika will make sounds like this! One day…

Neil YoungTristan Goodall (The Audreys)
Neil YoungPeace Trail
Well with everyone saying we should just put 2016 behind us (although to be honest we should probably be approaching 2017 with a little trepidation too) I’ve decided not to dig too deeply into the past when thinking of my favorite record release of the year. I’ve loved many, but my recent love is the just-released 37th album by Neil Young. Peace Trail is short, musically experimental within its tight three piece band approach, and lyrically angry and poignant. I love it for the drummer’s drummer Jim Keltner and the way his delicate touch chases Neil’s quirky phrasing around the songs. I love it because it captures another freeze frame moment from a restless and undaunted songwriter, and I love it, of course, for those mighty guitar tones.

Davey CraddockLachlan Bryan
Davey CraddockCity West
2016 was a great year for my friends releasing good music. Melody Pool comes to mind, as do The Weeping Willows, Henry Wagons, Ange Boxall and Bill Jackson. It’s actually really hard to contribute to a “best of” list when you’re close to many of the artists – it’s hard to be objective – even after I rule out the records I was actually involved in making. Actually – it’s always hard to be objective, whether you know the artists or not. Furthermore, judging a whole body of work is hard – and for me, more than ever, 2016 was the year of the song (as opposed to the album or EP). And as songs go, the one that’s really stuck with me this year is the song “Number 9” by Davey Craddock. I love the cricket references. I asked Davey if he was a diehard cricket fan like me. He’s not. I was bitterly disappointed.

The Stray BirdsThe Mae Trio
The Stray BirdsMagic Fire
The Stray Birds made our fave album of 2014 and they’ve done it again in spectacular style with Magic Fire. It’s everything about this album and this band, the playing, the three part harmony and songs that are unabashed, true and unadorned. Magic Fire is a reminder of the things that matter, it’s definitely a fire and maybe a little bit magic.

Tori ForsythAndrew Swift
Tori ForsythBlack Bird
This EP is right up there as one of my favourite releases of 2016. From the moment I heard the opening title track, “Black Bird”, I knew that I was in for a treat. The diversity on display within the 5 tracks of Tori Forsyth’s debut release excites me. The songs are so well crafted and presented with such a mature sound, especially for someone so young. I’m eagerly awaiting the next release from one of Australia’s most promising young songwriters.

Hayden CalninRoscoe James Irwin
Hayden CalninCut Love Pt 1
A beautiful album from Melbourne artist Hayden Calnin. Drenched in melancholy and ambient awesomeness, this album had me at hello. (One of my favourite live shows of 2016 as well).

Jordie LaneNadine Budge (The Stetson Family)
Jordie Lane & The SleepersGLASSELLLAND
Have to say I’ve been particularly digging Jordie Lane’s GLASSELLLAND this last couple of months – with mighty input from the multi-talented Clare Reynolds. Let’s face it, Jordie’s a bit of an all-round talented guy!

Melody PoolDavey Craddock
Melody PoolDeep Dark Savage Heart
One of my fave local album’s of the year was Melody Pool’s Deep Dark Savage Heart. I’m a sucker for strings and a massive chorus and I love the way the songs build from really intimate, delicate and ornate passages into full-blown, wailing-on-a-mountain top with Stevie Nicks, 100 soaring bats and a thunderstorm moments. I saw her launch it at the Abbotsford Convent earlier this year and it was a really powerful and affecting show for me.

Methyl EthylTim Guy
Methyl Ethel – “No.28”
I know it’s not an album, but I’ve listened to this song more than any other this year, and it only came out a little while back. It has a lot going for it – great rhythm behind a smart piece of songwriting and then the whole thing is bathed in a deep silver mercury type thing. An Australian classic I swear.

DocksThe Staves
Amanda BergmanDocks
Our favourite album of 2016 is Docks by Amanda Bergman. Her voice is utterly sublime. You want to listen to every word she says. The music is dreamy, deep, soft, moody with melodies that whirr deliciously around your mind for days and weeks on end.

Katie BriannaRaechel Whitchurch
Katie BriannaVictim or the Heroine
I picked this album up when Katie and I did a songwriters showcase together. Sitting beside her listening to her songs was so magical – her voice is one of the most enchanting I have ever heard and her lyrics hit you right in the feels every time. Reminds me of a young Lucinda!

James KenyonMandy Connell (Stray Hens)
James KenyonImagine You Are Driving
James’ lyrics have that magic of time and place usually associated with voices like Paul Kelly or Bruce Springsteen. You can practically smell his scenes. You’re there. This album captures the voice but better than that, like a Tim Winton book, its a record that makes you present in Kenyon’s stories.

Jordie LaneLiz Stringer
Jordie Lane & The SleepersGLASSELLLAND
It’s no secret that Jordie Lane and I are good mates. We grew up together, musically speaking, and I am more familiar with his work than with most other artist’s. His new album, his first full-length release in five years, is called GLASSELLLAND, recorded by Jordie himself in various make-shift recording spaces in North Los Angeles and co-produced by his fiercely talented partner, Clare Reynolds, who also co-wrote half of the songs and sings and plays a heap of instruments on the record. Jordie’s songwriting and musicianship continue to evolve and stretch out with the years and these songs, and the way they’re recorded, ache with longing while driving forward with a swagger and a playful showmanship, melodically rich and hooky as fuck. I always become a bit weepy listening to Jordie sing. And, now, the combination of him and Clare ruins me every time. Beautiful.

David BowieColin Jones (Colin Jones & The Delta Review)
David BowieBlackstar
An exceptional reflection on final days and the unknown. Every note by Bowie, McCaslin and the band emphasize the chaos and fragility of life. There is no better swansong for an artist.

A Moon Shaped PoolEmma Anglesey
RadioheadA Moon Shaped Pool
A Moon Shaped Pool completely surrenders to simple truths that both lie in plain sight and in the messy tangled, kicking and screaming realities of life. The epic levels of angst in the opening track “Burn the Witch” are like an exorcism – Jonny Greenwood’s sharp string arrangement take you right to the edge – and then from there it’s like Alice falling through the rabbit hole of raw emotion and you go deeper and deeper.

DawesTim Hart (Boy & Bear)
DawesWe’re All Gonna Die
Some of the best lyric writing welded on to some pretty simple, but catchy, pop songs. Produced by Blake Mills (Alabama shakes, Laura Marling), this is a great record start to finish if you can forgive some slightly John Mayer sounding guitars that pop their head up from time to time. This I the record I keep coming back to this year

Oh PepRebecca Bastoli
Oh Pep!Stadium Cake
I don’t think I have ever been so entranced, excited or exhausted by the journey of listening to an album start to finish.

Bon IverDustin Tebbutt
Bon Iver22, A Million
Bon Iver has once again exceeded expectations on this release. It’s both familiar and foreign, delicately coloured, softly focused yet angular and stark. It’s brave, honest and all the things that I loved about Justin’s earlier works, without coming close to formulaic. It’s colloquial and conversational, yet inherently profound. Incredible stuff both musically and sonically.

Margo PriceJosie Rothwell (Peasant Moon)
Margo PriceMidwest Farmer’s Daughter
There’s something comforting about Margo Price’s debut album, almost like I’d listened to it before, but not in an overly familiar sort of way. Perhaps there’s something in her glorious voice that reminds me of my parent’s Dolly Parton records. She’s a great story teller, and I want to know more about her heartaches and headaches, particularly when accompanied by her crack band. I’m also proud to say my 4 year daughter keeps calling for “Hurtin’ (on the Bottle)” when we’re in the car – and I can’t think of anything else I’d want her to be listening to right now.

BJ BarthamHarvey Russell (Peasant Moon)
BJ BarhamRockingham
It pains me to say this but BJ Barham’s new-found sobriety has coincided with a serious coming of age as a songwriter. Taking a (very) short break from American Aquarium duties, BJ’s solo release (a genuine side-project) is seriously hard-hitting stuff. It rivals Aquarium’s 2012 release Burn. Flicker. Die. for intensity, but of a completely different nature. With sparse arrangements (often acoustic) Barham, as storyteller, gives you an uncensored and unashamed glimpse into how rural America has been left behind. Not for the faint hearted.

William CrightonSam Newton
William CrightonWilliam Crighton
I’d caught Crighton perform a bunch of times at local venues around Sydney and really dug his tune (and especially the music video) “Woman Like You” prior to this album’s release. So I was anticipating this release. Really excited for it. I was stoked when I heard that he and producer Matt Sherrod came through with the goods. Big time. Highlights for me are “Riverina Kid”, “Priest” and “2000 Clicks”. In my mind, this one is about as strong as debut albums get.

Chaim TannenbaumEliza Carthy
Chaim TannenbaumChaim Tannenbaum
The album that I have most enjoyed and most visited this year is the debut of the kind, quiet genius Chaim Tannenbaum (Storysound Records). I’ve had the privilege of working with Chaim over the years but it was only recently I realised that I have lived with his distinctive voice and gorgeous humility since I first began to love music. It’s his voice that forms the third harmony in “Complainte pour St Catherine” on the first McGarrigle sisters’ album, a song I played over and over as a child until you could almost see through the record, and he has been quiet companion and producer to theirs and their extended family’s work ever since. It’s somewhat typical of his humility that he has waited this long to make an album, produced by his dear longtime friend and collaborator Loudon Wainwright III. It’s a collection of avuncular stories told in his gorgeously expressive voice with beautiful, minimal production. Some trad, some conversational originals covering everything from the fate of the baseball stadium Ebbets Field to living in a depressing grey London in the endless rain in the 1960s. An album to listen to with your eyes closed by the fire. Again and again, and again.

PinegroveQuinton Trembath
PinegroveCardinal
The lyrics on this album read like the private diary of a well spoken (and well read) guy filled with both anxiety and excitement for life. The musicianship and dynamics complement this introspectiveness well, making it perfectly suited for intense solo listening as well as for being cranked on road trips with friends.

Sean McMahonAlison Ferrier
Sean McMahon and the MoonMenShiner
Sean McMahon’s laid back yet somehow intense vocal brings this fantastic collection of songs to life in my living room. Shiner’s ragged elegance is full of the sort of raunchy country rock I can’t get enough of. Stand out tracks for me: “Shiner” and “Here Comes the Night Again”.

WhitneyEddie Boyd
WhitneyLight Upon the Lake
This album just grew and grew on me since my first listen. Simple, catchy tunes that make me wanna dance or go driving for a long time. I think Whitney nailed everything about this album – the instrumentation, the production, obviously the songs. Also, they’re heaps good live.

Secret PathThe Once
Gord DownieSecret Path
The Tragically HipMan Machine Poem
This year was a hard year in Canadian Music. We have a fella here by the name of Gord Downie. He is a legend. He has helped raise Canadians to be more real with his music. He is the frontman for the band The Tragically Hip. There are not many people in Canada who don’t know who The Hip are. Their music has become part of our DNA. Gord, this year, made a statement saying he has terminal brain cancer so he obviously fighting for the men and women of the north. The folks that have needed a voice for far too long. He is being that voice. He is showing us how to be Canadian and that we can’t be without acknowledging the needs of all of our people, without respecting all of our people. This year, instead of succumbing to his illness, he put out two albums. One with The Hip and one solo. Here they are. They are magic and will go down in history in our great nation. It’s amazing to watch one man build his second legacy.

Cash SavageJessica Cassar (Jep and Dep)
Cash Savage & The Last DrinksOne Of Us
This has everything you want from a record. It’s dirty and beautiful, and dark as hell. Cash sings with a thunderous anguish that cracks, rumbles and echoes so perfectly any sorrow you might have ever had. And like any good storm, the album’s darkness reveals a little light, one that roars some sort of painful end, or much needed beginning. I love this record!

Tracy McNeilGretta Ziller
Tracy McNeil & The GoodlifeThieves
I’ll be the first to admit I’m late to the game when it comes to Tracy McNeil & The Goodlife. I caught their set at Out on the Weekend and was captivated! Their 2016 album Thieves is just so dang easy to listen to, I will confess it is turning into a “chilling on the deck summer favourite” of mine! Please, if you haven’t already, pick up or download a copy of this album and chill!!

Bill JacksonRosie McDonald (RAPT, Trippy Hippy Band, Seanchas)
Bill JacksonThe Wayside Ballads Vol. 2
Bills’ reputation had preceded him before I heard him at Fairlight folk with Ruth Hazelton and Pete Fiddler. I grabbed the opportunity to contribute to his The Wayside Ballads Vol. 2 crowd funding campaign to get Bill and Pete over to Nashville to record with some very fine session players. Bill kept me updated with postcards and messages so I felt like a sideline cheerer in this whole project. Then the CD arrived! Magnificent songs, co-written with Bills’ brother Ross. Bills’ time worn voice, rich and mellow, rootsy, Americana-ish but very very homegrown, local accent, stories big and small, tender and big hearted. Pete’s playing shines in amongst the session guys, a great listen. Music for travel, the cabin, the verandah, anywhere.

Kate Burke and Pete WildMelanie Horsnell
Kate Burke and Pete WildLive at St Peters
In my small town we have the most marvellous artists touring through, but I also love our sweet locals, and I adore this live record by Kate Burke and Pete Wild. Pete Wild’s “Mars 1” is a love song about a person who goes on the Mars mission leaving his forever love behind, the Martin-Martin song is an old village favourite and the last love song between Doris and Arthur makes me giggle and lament at the same time. And I adore playing Kate Burkes version of Frozen Man on repeat when everything in life gets a bit much.

MontaigneGretta Ray
MontaigneGlorious Heights
My favourite record that was released in 2016 is without a doubt, Montaigne’s Glorious Heights. What impresses me most about this record is the fact that it is rather evident that the artist went into this project with the intention of experimenting with her sound and taking risks, drawing inspiration from a range of her influences and assuring that each song conveyed a slightly different emotion from the previous track. I believe it was this approach of 20-year-old Jess Sero’s (Montainge) that resulted in the production of what I perceive to be a very imaginative and bold debut album. This record showcases the fact that Jess has, unquestionably, one of the strongest and most commanding voices in the Australian music industry, this being exemplified through the outstanding production and arrangements of the songs that make up Glorious Heights. As well as this, each song is demonstrative of Jess’ incredibly clever and unique songwriting, which I cannot wait to hear more of in years to come; the simplicity yet complexity and quirkiness of a lyric such as “when you touch my skin, I think ‘this isn’t boring'” makes one ponder on such a line, as Jess’ way of writing is different, daring and something that never fails to make me smile. Glorious Heights made me so very excited about how extravagant pop music is becoming in this day and age, and on the whole made me very proud to be a young woman in the Australian music scene.

WhitneyTreetop Flyers
WhitneyLight Upon the Lake
I first started hearing about this band online, so was waiting for the album with anticipation. When it dropped I must have played it back to back straight away, which rarely happens. They are hard to put in a genre, which is really great. No Woman is one of our faves of the year. They are great live and do a version’s of NRBQ’s Magnet, so happy campers over here.

Drive By TruckersShane Nicholson
Drive-By TruckersAmerican Band
In a year of many great records, this stands tall above the crowd. It’s everything I love about the Truckers: gutsy and raw, clever and thoughtful, sometimes irreverent and full of attitude, and sometimes tender and restrained. Imagine a bastard-child born to Son Volt, Matthew Ryan and Uncle Tupelo, but all dressed up in those well-worn and unmistakable Drive-By Truckers clothes. How could that not make for the coolest kid on the block this year?

Conor OberstJack Carty
Conor OberstRuminations
It’s bloody beautiful in its simplicity. Gorgeous songs performed honestly. It seems like every track is a complete performance and any imperfections only enhance the sincerity of it all for me. Such an incredibly good songwriter.

Hayes CarllThe Weeping Willows
Hayes CarllLovers and Leavers
Lovers and Leavers is Hayes Carll’s most personal, introspective and “exposed” album to date, both in terms of the intimate, confessional songwriting and the stripped back arrangements, reminiscent of Heartbreaker era Ryan Adams, never saying too much – or too little. This intimacy draws you in, while Carll’s vulnerability captures you and takes you on a journey through heartache and reflection. Hayes was always in good hands with dynamic duo Joe Henry (producer) and Ryan Freeland (engineer) at the wheel, steering gently towards a common, graceful goal. Henry’s arrangements are characteristically unique yet elegant and tasteful, while Freeland brings his trademark clarity and warmth. Check it out if you’re fans of the late, great Guy Clark and/or Townes Van Zandt or fellow Texans, Steve Earle and Kevin Welch. Stand out tracks: “Sake of The Song”, “The Magic Kid” and “Drive”.

Iggy PopKelly Day (Broads)
Iggy PopPost Pop Depression
Sometimes you’ll find a record that makes you feel high from the moment it begins. Iggy’s new album, channelled through the hooky sounds of Josh Homme and given a Bowie-esque lean, made me grin like a mad person. And then immediately take it for another spin.

Robert EllisMegan Cooper
Robert EllisRobert Ellis
I was waiting to go on air for an interview. While we were pfaffing around getting ready “The High Road” came on. I pretended I knew who Robert Ellis was when I was advised who the artist was that had pretty much hypnotised me in 30 seconds flat. I went out and paid cash money for the album the next day. Every song got me on first listen. Cinematic moments. Super personal bits. Non-standard approaches. Aspirational.

PassengerSam Brittain
PassengerYoung As The Morning, Old As The Sea
Mike has always had a wonderful way of crafting simple and memorable melodies. Combine this with his always captivating lyrics and you have a master songwriter who’s tunes that sneak their way into your day. Songs that sooner or later without realising you find yourself humming whilst waiting in line for your morning coffee. Although often his storytelling veers on on the darker side of heartbreak and loss this latest album has a lighter touch, proving Passenger is and a yard stick for the aspiring modern folk troubadour. A dynamic artist who’s albums have been true to his own brand since day one. Additionally his band on this record are also fantastic live. I recently caught his show to a sold out Vicar Street in Dublin, it was one I won’t soon forget.

Bon IverAde Vincent (The Tiger and Me)
Bon Iver22, A Million
Another great record from Bon Iver – I have loved all three so far. I like how it also pushes into some new and interesting territory with the production. The auto-tuned a cappella of “715 – CR∑∑KS” is a particular highlight

Margaret GlaspyMaia Marsh
Margaret GlaspyEmotions and Math
It makes me feel really empowered whenever I listen to it, as a woman myself playing music. The songs are strong, guitar tone is great and her voice has this amazing growl that cuts through a sincere sensitivy at the same time.

BlondDirewolf
Frank OceanBlond
My hat is profusely off to an artist who can seamlessly bridge so many facets of musical integrity. What I mean by that nonsensical shit is that the entire record is some kind of highly strung soundboard (literally) which either sends you flying high just to get high, or high because you’re just too fucking upset. “Skyline To” and “Seigfried” are perfect examples. The whole collective arrangement kills me too, it’s like listening to recent Bon Iver whilst playing Sega in a radio store – the musicality is superb. I could say a lot more, but I’ll safely surrender by saying it definitely influenced the direction of my mind in doing another record.

Bon IverWildwood Kin
Bon Iver22, A Million
Easily. We’ve never heard anything quite like it. It’s just genius.

Tattletale SaintsGeorge Jackson (The Company, Buffalo Nickel, One Up, Two Down)
Tattletale SaintsTattletale Saints
Nashville based, New Zealand duo Tattletale Saints released their self-titled, second album this year, and it’s beautiful. Cy Winstanley (Guitars, Vocals) can pen songs with the best of them, his offerings on this album range from self-reflective and insightful, to sometimes cynical and cutting but always with a masterful craftsmanship. Vanessa McGown (Double Bass, Vocals) provides both solid and virtuosic Double Bass playing and vintage tinged country vocals. The new album is definitely a departure from their earlier acoustic recordings – but for a new fan, like me coming along, this is a bold and engaging listen complete with a production dripping in vintage tones and depth. Listen, and enjoy!

Genni KaneBill Jackson
Genni KaneSelfies
Ex-member of seminal Australian band, The Flying Emus, Genni Kane has a voice that can’t be denied. This long awaited record shows she is also a very gifted songwriter and the opening track “Little White Dog” is the beginning of a beautiful journey that deserves your attention.

Nancy KerrRuth Hazleton (http://www.billjacksonmusic.com/, Kate Burke & Ruth Hazleton)
Nancy KerrInstar
A heady mix of poetry, politics and social commentary, Nancy Kerr’s Instar is an achingly beautiful collection of original songs framed within the landscape of traditional folk music. Beautifully performed and produced, Instar is, without doubt, one of the masterpieces of folk from 2016 and a work that will inform the tradition for a long time to come.

Fanny LumsdenThe Pigs
Fanny LumsdenSmall Town Big Shot
This album is full of great songs written from Fanny’s heart. She’s the real McCoy. Whenever we see her play live her songs get stuck in our head for weeks after. “Bravest Of Hearts”, “Soapbox” and “Don’t Let The Bastards Get You Down” are just a few of the crackers on this rekid. This is a breath of fresh air for Australian Country Music. We love Fanny! More… More…

Side PonyHannah Acfield (The Acfields)
Lake Street DiveSide Pony
Give me a bit of 60’s sounding soul any day of the week! The songs are catchy, nice melodies and make you wanna move. I’m a sucker for a sterling vocalist. This was fav album for me.

Julia JacklinWillowy
Julia JacklinDon’t Let The Kids Win
An album about the little things in life that somehow manages to sum up the bigger things as well, cutting right through the mess to the heart of it all. Beautifully written and perfectly executed. It’s lovely to see an artist from the Sydney folk music family reaching great heights with an exceptional debut album.

John FlanaganSal Kimber (Sal Kimber & The Rollin’ Wheel)
John FlanaganThere’s Another Way To Where You’re Going

Bill ChambersRicky Pann (The Willing Ponies)
Bill ChambersCold Trail
Jen MizeWarnings and Wisdom
Sam BushStoryman
Bill Chambers is an Australian Journeyman troubadour. Songwriter, producer, sideman and front man, Bills live shows have influenced many and earned him a legion of devoted fans. Cold trail is Bills first studio album in four years and reminds the rock pop acts infiltrating modern country of where the heart of country lies. Cold Trail is a collection of honky-tonk “life lived” country that is the real deal. Produced by Bill and Recorded at his son Nash Chambers foggy mountain studios, Cold Trail is a world class record that draws on many influences to deliver country authenticity with Aussie perspective. A cracker record.
It’s a long way from Jen Mize roots in the Appliacian mountains of Georgia and North Carolina as a decedent of Lumbee Tribe of native Americans to the Sunshine coast of Queensland. Jen Mize is the real deal in every respect. An American songwriter with an incredible voice delivering an album packed with dynamic, well-crafted songs that’s all killer no filler. Shane Nicholson’s earthy production, arrangments and playing provide a tastefully rich sonic pallet that does this fine singer justice. The album glides from old-timey to traditional country and honky tonk, setting a very high bar of authenticity. An absolute stand out record.
Sixty-four-year-old Sam Bush has many stories to tell as a musician, innovator, writer and singer. One of my favourite musicians on the planet, Sam is a bluegrass master and the father of newgrass music spawned from his groundbreaking band the New Grass Revival. Sam is arguably one of the most influential mandolin players in history having played with just about everyone from Bill Monroe to Leon Russell. This record is a collection of finely crafted songs with a crack band featuring vocals from Emmylou Harris and Alison Kraus. A masterful record.

Timber and Steel Premiere: Ade Vincent’s New Video “My Chamber Door”

Ade Vincent
Image Courtesy of Ade Vincent

The Tiger and Me vocalist and guitarist Ade Vincent has chosen something very special for his debut solo album. Rather then taking the usual singer-songwriter route Vincent has chosen instead to build an art-folk song-cycle setting of Edgar Allan Poe’s poem “The Raven”.

The album, also called The Raven, is all minimalist instrumentation and crisp vocals, and is the kind of music you are just drawn into.

The first single from The Raven is track 2, “My Chamber Door”, which features a beautifully animated video by Luca Valente that Ade Vincent has kindly asked Timber and Steel to premiere. Check it out below:

The Raven is due for release on the 27th October – head over to Bandcamp to pre-order it here.

Timber and Steel’s Artists’ Top Albums of 2014

Turntable

You’ve probably read what we think are the top albums of 2014 and now it’s time to turn to Timber and Steel’s favourite artists and see what they pick as their number one.

We reached out to musicians across the folk spectrum, from local singer-songwriters to internationally acclaimed folk stars and the response, as always, has been amazing. So we’ll shut up and we’ll let the artists do the talking with Timber and Steel’s Artists’ Top Albums of 2014:

NightwalkWoody Pitney
Matt WaltersNightwalk
I was a small part of Matt’s crowd-funding campaign to get this album off the ground and it was definitely money well spent! Matt has a really defined, folky sound, which evokes different emotions throughout the album. His understated vocals with his powerful lyrics make a great recipe for an excellent album. My personal highlights are Track 2, “Melbourne Goodbye’ and Track 8, ‘Build A Place’. I highly recommend you give it a listen!

SongsRoland K Smith
John FullbrightSongs
On his second album the best new songwriter in the world pairs lyricism with musicality and musicianship. Seriously, no one is making records as good as this young man from Oklahoma. “High Road”, the album’s penultimate track, still sends shivers down my spine after the hundredth listen. Fingers crossed we see him in Australia soon.

ZabaSteven Barnard (Arbori)
Glass AnimalsZaba
It was a toss up between this record and Jamie Cullum’s Momentum. Both are full are brilliant arranging and some great hip hop and R&B influences. Glass Animals however have created soundscapes, grooves, crochendo, and a singer who’s channelling a rapper, in what I can only describe as indie swag. I have not stopped listening to this record all year

Upside Down MountainTodd Sibbin (Todd Sibbin and the Acadian Driftwood)
Conor OberstUpside Down Mountain
Its been three years since Bright Eyes’ 2011 heavily electronic influenced The Peoples Key and many were expecting a blow back to the early Oberst/Bright Eyes days with the announcement of a solo record. While it certainly is more laid back, the collaboration with producer Jonathan Wilson brings an entirely new aesthetic to anything we’ve heard from an Oberst incarnation (not to mention, in terms of subject matter, Oberst got married three years ago so most of the lyrical content is about the “experiences” of married life, instead of the “experiences” of single life). Defiantly modern sounding (largely due to a decent amount of electronic PAD work), Wilson and Oberst have managed to retain the stripped back and intimate nature of the songs despite the fact that the tracks are still fairly overdubbed (with a decent amount of electric guitar too!). It’s an extremely ambient record which, after speaking to others, can help take some of the “bluntness” out of Oberst’s delivery, certainly making it one of Oberst’s more “friendlier” releases. I love it.

New MoonLiz Frencham
Sarah HumphreysNew Moon
It may seem biased because I played on this album but the things I love about it are nothing to do with my playing. Sarah’s songwriting is exquisite and her voice sublime. It also has the energy and dynamics of a live album.

The Spoon CollectorsLiam Gale (Liam Gale & the Ponytails)
The Spoon CollectorsA Dime for Charon
Part mellow-drama-rock-opera, part nineteen-seventies-swamp-explosion, but mostly a psychedelic journey through The Spoon Collector’s fabricated landscape beyond space and time. I was present for a lot of the recording of this album, out in central NSW with Sunfield Records, and let me tell you: The Spoon Collectors know how to party. The album features guest vocals by the boys from the Dusty Yellow Sunbeams and characterised artwork by the producer’s brother.

Angel OlsenLauren Moore (Pepperjack)
Angel OlsenBurn Your Fire For No Witness
There’s something consistently cool and brooding about this February release. It’s the fuzzy guitar tones; it’s her angry-drunk to sleepy-drunk vocals. It’s the gripping nature of the tom-heavy drumming in “Forgiven/Forgotten”. You can put this in your ears, down a glass of red and kick in a car window if you want to. I love it when folk meets rock in the most seamless way. And that’s what this album is – an ideal balance of gloom and glow – as well-rounded as a human personality; bleak at times, but honest and changing. As she sings in “High & Wild”, “I’m neither innocent nor wise when you look me in the eyes.” Perfect for long walks in the dark and putting out cigarettes in the carpet.

Salad DaysJay Penaflor
Mac DemarcoSalad Days
I decided to listen to this album before dozing off to sleep. Didn’t sleep of course. My ears were completely drawn to the ‘jizz jazz’ of Mac Demarco and ended up listening to the very end of the album. Upon listening to this album, I found myself head-bopping to nearly all his songs. He has a way of messing with your head with his romantic-like melodies and bizzare yet addictive twangy guitar riffs. For some reason I feel like this album should be listened in a cafe in Paris or something. My hat’s off to Mac Demarco. Listening to him inspired me to write ‘Fridge Buzz (Choirs Of Suburbia)’ on my Incentive EP, though I doubt it’s got nothing on any of his tunes.

BeckOisin Leech (The Lost Brothers)
BeckMorning Phase
On this album Beck appears in the desert wearing silver robes and speaking in tongues of crystal and cold fire. The songs are immaculate. The precision and emotion in this album makes it so special. This album was my close companion as we toured the world. I love it dearly.

The CoralMark McCausland (The Lost Brothers)
The CoralThe Curse of Love
This album was recorded eight years ago and kept hidden in a treasure chest until the flavours had stewed. It’s a unique album of frightening beauty and its songs hold many secrets. I’d been waiting to hear these songs for centuries without realising it. The album immediately unlocked a labyrinth of mysteries to me from the first note to the last. It’s boss.

The No-Hit WonderFrank Turner
Cory BrananThe No-Hit Wonder
Everything Cory does is pretty much flawless – it’s a real wonder to me that he’s not better known than he is. Most every songwriter I know loves his stuff and feels slightly daunted by it, he’s so much better than the rest of us! This new album is no exception. It’s worth the price for the opening lines of “The Only You” alone. A classic record in the making.

Jack WhiteClaude Hay
Jack WhiteLazaretto
This one’s easy for me, Jack White’s Lazaretto. It’s full of wicked riffs, catchy melodies, analog raw production, brilliant songs, all the ingredients for a perfect album. I’ve flogged it to death.

Otis GibbsBill Jackson
Otis GibbsSouvenirs of a Misspent Youth
As well as being a native of Indiana, Otis Gibbs is also noted as “a storyteller’s storyteller” who symbolizes the true essence of the independent spirit thriving in the East Nashville neighbourhood he now calls home. Fiercely independent, Souvenirs of a Misspent Youth produced by Thomm Jutz is Gibb’s seventh album since 2002. Folk is Otis’s style but country is his flavour and many are predicting that this will be his breakout album. Not that it matters as Otis writes to inspire. If you like Guy, Townes, Steve etc then get on board. Every song on this album is a highlight, so as they say “lean in and listen” and you won’t be able to stop. My favourite track: “Ghosts of Our Father’s”. Otis Gibbs has also recorded nearly 100 podcasts under the title Thanks for Giving a Damn that consists of conversational interviews with those who write, sing and play for a living – free on iTunes.

Lily OSam Lee
Sam AmidonLily-O
An album of absolutely sensitive genius, maturity in craft and skill in story telling that is heads beyond most other albums about

Hey RosettaWinterbourne
Hey RosettaSecond Sight
Such a good album! Tim Baker’s vocals are addictive and they’re backed up by clever and moving lyrics. Each song is thick with real instruments, which move together in a way that still feels fresh after the tenth listen. It just makes you feel good.

Damien RiceRyan Oliver (Olivers Army)
Damien RiceMy Favourite Faded Fantasy
It’s classic Damien Rice melancholy but with a new focussed indie-pop sensibility. The songs are well crafted, passionate, raw and honest and you feel like you’re sitting right in his Icelandic borrowed home-studio. The production is beautiful. I love the lengthy songs that take you on a wild journey and the lush orchestral arrangements that almost drown out everything else, in a very good way.

Caitlin ParkHeyMun
Caitlin ParkThe Sleeper
Caitlin Park is a real gem and her latest album is a reflection of great ambition and perspective. A body of work exploring intricate layers of acoustic blended with touches of electronic (“Wake Up In A Whirr”) and thought provoking verses (“Hunt For The Young”) all in all results in a real treat for the senses indeed. Paired with sound engineer extraordinaire Sam Brumby, The Sleeper is a fusion of great ideas executed beautifully. Reminding us of how lucky we are to have inspiring talents like this in Australia.

AtlasCaitlin Harnett
Real EstateAtlas
Bittersweet lyrics, dreamy vocals and guitars and just the right amount of ache to make you fall in love with this record over and over again.

Mikhael PaskalevLittle May
Mikhail PaskelevWhat’s Life Without Losers
This album has been the prominent soundtrack to my year. It is perfection and has really inspired me to think outside the box creatively. Such a genuine guy who deserves all the success that will continue to come his way.

Nikki LaneBex Chilcott (Ruby Boots)
Nikki LaneAll Or Nothin’
It takes about five minutes of watching a Nikki Lane show to become a totally dedicated fan girl and although album was a slow burner for me, its infectious nature took hold this year. She’s got to be one of the nicest badasses both in person and in song. The songs are just good, strong songs that are both honest and lyrically pretty clever, classy hooks and a really good dose of steel and slide which always pulls at my heartstrings. Totally won my heart over this year!

Angus and Julia StoneChris Panousakis (Timberwolf)
Angus & Julia StoneAngus & Julia Stone
For me it would be Angus & Julia Stone’s self titled album no doubt. It’s such a punchy, refreshing version of their songwriting, and there’s an intangible sense of unity between the two that you can really feel listening to it as well as seeing them play live. It almost feels a lot more vulnerable or honest, either way it’s pretty special.

Apex TwinThe Ellis Collective
Aphex TwinSyro
After 13 years, Richard James’ Syro is a tuneful, buoyant and humble return, playfully heralded by a green blimp hanging over London and announced from the depths of the deep web. Without any sonic uppercuts, the likes of Windowlicker or Come To Daddy, Syro dwells in analog manipulations more common to his Analord series (released as AFX) and serves as the frontrunner of what more may come now that the 13 years without Aphex Twin has passed. How bloody exciting!

Daniel ChampagneBearded Gypsy Band
Daniel ChampagneThe Gypsy Moon – Volume II
Dan is one of the most hard working Australian musicians I know of. He is a prolific songwriter and musician of great calibre. The songs on this album are full of depth, they talk of life on the road, of friends and lovers lost and the constant moving on that comes with the touring life. Beautiful melodies accompanied by some of the finest guitar playing you’ll hear makes this album so great.

Against MeBilly The Kid
Against Me!Transgender Dysphoria Blues
Why? It’s the most real, rocking, sincere, vulnerable, brave and catchy thing to get stuck in my ear holes in awhile, with a lyrical perspective that is engrossing, inclusive and yet daringly different. Also, I love these people.

WastelandsMatthew Black (The Bottlers)
Protector 101Wastelands
Tuning into the crackling airwaves of cinematic score saturated post-apocalyptica never felt so awesomely ominous. Maine synthwave artist Protector 101 has paid homage to future shock, nuclear holocaust ravaged movies with an envisioned 17 track soundtrack entitled, Wastelands. Protector 101 takes the listener on a rugged journey through ravaged love, gang warfare and bleak radiated Australian desertscapes circa 2099 with a musically based visual dexterity I could only liken to John Carpenter or Vangelis.

EnmaarCatgut
TinariwenEmmaar
We’ve listened to countless favourite albums on long car trips, lots of familiar country and old-time and bluegrass. But Malian Tuareg band Tinariwen really struck us: rolling rhythmic grooves, bluesy electric guitars and beautiful low male vocals. There’s a hypnotic drive to this desert music that draws you in, we love it!

FanfarloMike McCarthy
FanfarloLet’s Go Extinct
Fanfarlo’s third LP Let’s Go Extinct quickly danced its way to the top of my record collection this year. Fanfarlo have been my go to fun music choice for a few years now and although there are a few more psychedelic moments on the album Let’s Go Extinct delivers with solid songwriting, vocal delivery and production.

Valerie JuneSam Buckingham
Valerie JunePushin’ Against A Stone
It’s bluegrass, it’s folk, it’s rockin’ it’s heartbreaking, it’s uplifting and her voice carries each track in a vulnerable, sexy, “I take no shit, but I just wanna be loved” kind of way. I kind of want to marry her

Caitlin HarnettShane Nicholson
Caitlin HarnettThe River Runs North
My favourite album of 2014 is The River Runs North by Caitlin Harnett. A collection of great songs, played with heart and a minimum of fuss. As an album, it’s incredible – as a DEBUT album, it’s astonishing.

Jack WhiteEddie Boyd (Eddie Boyd and the Phatapillars)
Jack WhiteLazaretto
Jack White! What a man! His latest offering, Lazaretto is a dirty, raucous blues/rock/country mash-up which has been playing on repeat in my kitchen for months. Crunchy guitar riffs, wailing fiddles, ghoulish backing vocals, and a piano which has surely been bashed to pieces by now!
Easily my favourite album of 2014.

Lera LynnJohn Flanagan
Lera LynnThe Avenues
I came home from Nashville in October with a stack of incredible records but this is the one that I’ve listened to non-stop since getting back. I’d call it Americana-Folk-Pop, similar to Lisa Mitchell but more Americana and less pop. The melodies are catchy, but there are offbeat moments (which is what I love about it) and the production is slick and atmospheric tying it all together. Her voice is smooth and irresistible and yes, I might have a slight crush on her.

Tim WheelerTony Wright (VerseChorusVerse)
Tim WheelerLost Domain
The Ash frontman released his debut solo record this year and surprised everyone in that it didn’t sound remotely like the mother-band and it wasn’t (as a lot of solo debuts tend to be) an acoustic record! These songs deal with the loss of Tim’s dad, George, how it affected him and his family and how it’s still affecting them. It’s a work of tremendous emotion and beauty. I lost my mother at a young age and hearing some of the lyrics in this wonderful album tugged at my heart strings in every manner possible. From the instrumental, bluesy movers to the frankly stunning single, “Vigil”, this deeply personal album has an extremely universal appeal. A truly beautiful and happy/sad achievement on a topic we all, sooner or later, can relate to.

Emily BarkerEmily Barker (Emily Barker and The Red Clay Halo, Vena Portae)
Lucinda WilliamsDown Where the Spirit Meets the Bone
I love this new record of Lucinda’s. I’ve been a fan for many years now and this is stand out. The songwriting is exceptional and very much complimented by a great production. Her voice is weathered, broken and beautiful as ever. Very classy and visceral.

The War On DrugsAidan Roberts (The Maple Trail)
The War On DrugsLost In The Dream
Unlike so many rock bands who meddle with reinventing a retro sound, The War on Drugs possess several assets that make them soar above the rest – particularly with this dark, spectacularly beautiful record. The songs live in a world almost entirely ruled by common-time 80’s new-wave rock rhythms, the landscape populated by widescreen analog synth textures and twisting, chorusy guitars. And above it all, the beauty of Adam Granduciel’s weary and insistent tenor tugs you through these resigned and ponderous story songs like a troubled, trusted brother. Amazing.

Hot DreamsLacey Cole (Lacey Cole & the Lazy Colts)
Timber TimbreHot Dreams
Nostalgically cinematic, hauntingly beautiful and profoundly strange Timber Timbre’s 2014 album Hot Dreams sounds like 50s L.A noir meets Elvis-era Vegas complete with the picturesque road-trip around Arizona it took to get there. Equal parts sexy and creepy Hot Dreams is breathtakingly weird. Each song emerges from the shadows reveling itself as either the night of your life or your worst nightmare, you choose, then hold on tight and enjoy easily the best musical expression of the Grand Canyon ever recorded.

The TimbersGemini Downs
The TimbersLawless
Gotta go with local lads The Timbers. Not only do we love watching them bring crowds to life at awesome Adelaide venues like The Grace, now we have an awesome CD that beautifully captures their live, real, raw spirit. One of the most hard working bands we know and I dare you to try to keep your feet still when that trumpet kicks in.

The War On DrugsMatt Walters
The War On DrugsLost In The Dream
For months I kept hearing about this album and it took me a while to finally get to it. I remember my friends gushing about The War on Drugs. That kind of turned me off. You need to find things in your own time. Anyway, I was sitting in a cafe near my house and this beautiful dreamy music was playing. I thought it was a Dylan live recording that I hadn’t heard or something. So I Shazam’d it! I rarely use Shazam – but I knew I couldn’t miss this. I had to know. And it was the song, “Lost in the Dream”. That beautiful dreamy harmonica – the strange cryptic words – the ambience captured in the recording just pulled me in. It had me immediately. So I went home and bought the record and played nothing else for about 6 months. I’ve only really just stopped. I love this album. The production is just so pristine, flawless and unique. Adam Granduciel is like a master painter with his guitar sounds on this record – so ethereal and haunting. His playing is so detailed, yet raw and visceral at the same time. “Suffering” is so beautiful. Simple and profound. Oh, and If the guitar solo in that song doesn’t destroy you, nothing will. Masterpiece.

Ryan AdamsImogen Clark
Ryan AdamsRyan Adams
This record is heart-wrenching, soulful, moving and pure magic, but also somehow packs this almighty punch and really rocks out. Ryan Adams manages to be a total electric-fuelled punk rocker and a sensitive, poignant, acoustic singer/songwriter all at once. He’s the champion of wearing his heart on his sleeve and he leaves no stone unturned. Thank you, DRA.

Sweet JeanThe Weeping Willows
Sweet JeanGreetings From Goodbye
It is perhaps a little biased of us to choose Sweet Jean’s Greetings From Goodbye mini-LP as our top album of 2014 as it contains most of our favourite songs from the (many) times we’ve seen them play live over the years. Sime Nugent and Alice Keath are everything we would love to be as a duo; timeless singer-songwriters, multi-instrumentalists and heavenly harmonisers, with two of the best voices in the country. Much of this EP was actually recorded “live” in Sime and Alice’s laundry, which further demonstrates their effortless proficiency. Stand-out tracks are Dock Boggs’s “Country Blues” (in the style of Peggy Seeger), the traditional “Weeping Willow” and “Spring Bird” written by Keath and Nugent. Sweet Jean definitely have a gothic-folk sound that is all their own but check them out if you’re into the old-school folk stylings of She and Him or Americana duos Mandolin Orange, The Civil Wars or Australia’s own Jep and Dep.

SiaAnna Buckingham (Nova & the Experience)
Sia1000 Forms of Fear
She’s never had one distinctive style to her career. Some would call her an indie goddess and others a pop princess. 1000 Forms of Fear is an anguished pop album, in its smartest and human form. The first album she has released in four years, her powerful and perfect melodies remain uniformly magnificent throughout these twelve songs, with deeper and darker lyrics that highlight a more intimate side of Sia. Beautiful in all its vulnerability, she delivers great pain with even greater triumph. Every track is magnificently crafted and combines a faultless balance of violently raw emotion with total uplift. You are invited to look into this woman’s anguish through melodies and vocal cartwheels that can make you think she is unbreakable . Hauntingly beautiful in all its cleverness. My favourite by far.

Ben AbrahamTimothy James Bowen
Ben AbrahamSirens
My top album actually only came across my ears just the other day. It’s Sirens by Ben Abraham. He’s a friend of a friend of mine who I met at a house concert we were playing together in Melbourne around this time last year. He said that he had something in the works but I had no idea it would be this tasty. It’s like if you put Gotye, Josh Pyke and Passenger in a room and told them not to come out till they had something musical going on between them. Sort of. But all in his own greatness. Go and check it out.

Sun Kil MoonPeasant Moon
Sun Kil MoonBenji
Our individual short lists were like night and day…from Robert Ellis (Harvey) to Asgeir (Josie). Benji was the point of convergence. We’ve never been to Ohio, but this land of lethal backyard fires, mercy killing, teen sex and albinos can sure inspire some amazing music. This is a brutal and beautiful collection of stories about life, death and gratitude. And it can be confronting – there’s nowhere to hide as Mark Kozelek shuns the use of metaphor and other distractions. This, combined with the mostly simple arrangements, produce deceptively insightful songs about the tragedy and joy of what it is to be human. Dark slacker folk at its finest – think Smog meets Pavement meets Neil Young.

Lily OPete Flood (Bellowhead)
Sam AmidonLily-O
A really great ensemble album rooted in the inspired pairing of Amidon’s spiky banjo picking and Bill Frisell’s more expansive guitar playing. The overall tone is focused and quietly daring – traditional material given space to unfold and evolve in unusual and sometimes disquieting ways – a real breath of fresh air.

Everything UnsaidSam Sweeny (Bellowhead)
Screaming MaldiniEverything Unsaid
This is the second and final album from one of my favourite bands of all time. Perfect, innovative intelli-pop from a band who never got the recognition they deserved.

The Moral of the ElephantJon Boden (Bellowhead)
Eliza and Martin CarthyThe Moral of the Elephant
Two English folk greats on top form, shaking it up a bit with some unexpected material and totally nailing the traditional stuff, as ever.

Ben AbrahamAl Parkinson
Ben AbrahamSirens
I had been waiting for this album for years. YEARS. Ben Abraham is one of my favourite Australian songwriters and performers. You know when you go and see someone play and you HAVE to buy their cd, it’s not a choice, you have to scavenge around your Mary Poppins bag for dollars and even ask your friends if you can borrow some money to buy their album? This is how you would feel if you saw him play and the album is more than we as listeners had hoped for. It was absolutely worth the wait. The production on the album suits Ben’s songs perfectly; subtle where it should be, interesting and very clever. The album was only released in November but I just cannot stop listening to it. ‘Speak’ was the single he released from the album and it’s one of those “EVERYONE BE QUIET AND PLEASE LISTEN TO THIS” songs. Although I’ve listened to it probably 300,000 times, every time is like the first time I heard it. Other favourites are ‘You and Me’, ‘I Belong To You’ and ‘Songbird’ oh and ‘Collide’… Okay so they’re all beautiful. I’m so glad that I finally have these songs in my ears and I’m really excited to see where this stupidly talented persons career heads.

Southerly ChangeSivan Agam (The April Maze)
Southerly ChangeSoutherly Change
I love putting this album on first thing in the morning to get my day going with good vibes. It reminds me to live in the moment. Even if it’s cold outside this album makes me feel like I’m on summer holidays. There are some great singalong tunes in there too, so it’s the perfect album for long road trips.

Searching for TallSophie Klein (Little Wise)
Lauren GlezerSearching for Tall
This Melbourne songwriter likes to describe herself as a true “feeler”. That’s is exactly how I would describe my connection to this little record; emotional. The production, replete with gorgeous string arrangements on certain tracks, gracefully shines a deserving spotlight on Glezer’s tender and sultry vocals. Similarly, her long time rhythm players are sensitive and nuanced. But it is her personal, ever-so-human stories and her unforgettably breathy vocal delivery that really tug on my heartstrings.

Open SwimmerRose Wintergreen
Open SwimmerCanyon
Floaty, nostalgic, haunting melodies anchored with grit, sprinkled with sunshiney pop hooks and glorious references to Melbourne life.

SoutheasternThe Audreys
Jason IsbellSoutheastern
Perhaps his first great solo work, Isbell’s Southeastern is a masterclass in songwriting that doesn’t just touch on its themes of regret and redemption but mines them in ways we’ve never before heard. We were lucky enough to see Jason perform a highlight from the record, opening track “Cover Me Up”, at this year’s Americana Music Awards in Nashville. He got the award for Best Album and we got the pleasure of hearing him play.

Ray LamontagneAshleigh Mannix
Ray LamontagneSupernova
What a surprise this album was! It had me absolutely hooked from the first spin. These psychedelic sounds are completely different to anything I’ve heard from Ray Lamontagne before. This, coupled with its catchy hooks and wonderful lyrics made it a no-brainer for my choice of album of the year. It’s an anywhere album! I love it!

Rob MuinosDan Arnott (Dan and Amy)
Robert MuinosYou’re Not Alone
There have been a few releases this year by wonderful artists who I’m lucky enough to be great mates with, and I think my favourite of these is the debut EP by Robert Muinos called You’re Not Alone. Robbo does what amazing songwriters do; his songs of very personal moments somehow become universalised, making it feel as though you’ve been through whatever he’s singing about yourself, even if you’ve never experienced anything like it. His voice and his melodies are beautiful and I can’t wait for more. (Notable mention to Jackson McLaren’s album)

Daylight ExpressJames Kenyon
Tobias HengeveldThe Daylight Express
Hengeveld’s lyrics are brilliant. He’s operating at a level above. They’d be compelling enough without music, but his melodies and musicianship and that of his band elevate it to great album status for me. Lyrics that good just keep on giving. Every listen brings me to another great line or phrase. “All the old TVs on the side of the road…” that line in “Fools Rush In” kills me. Or “Our Katherine owned a temper like her name-sake. The firecracker always spinning off its nail” from “The Daylight Express”. Brilliant song, and heart breaking.

LulucRuth Hazleton – (Kate Burke and Ruth Hazleton)
LulucPasserby
Gently and quietly profound, Luluc are perfecting the art of simplicity – a trait that is very unique and brave in this age of musical trickery. Unpretentious, disarming, beautifully written, recorded and produced with a “sound” completely their own, Passerby features beautiful vocal harmonies, sophisticated melodies and honest lyrics. Recommended for long drives, Sunday afternoons or whenever your feet and/or heart need to touch the ground again.

BelovedGeorgia Fair
New GodsBeloved
Because “Caravan park” taunts me, “I Love You Too” is like cringing in the mirror, “Beneath the World” is just simply beautiful, “Too High” makes me cry and “Skyman” makes me dance.

BeckDustin Tebbutt
BeckMorning Phase
For me this record perfectly balances precisely sculpted songs and production with organic sounds, and raw stories. I get the sense that this album is a series of “captured moments” in the studio as opposed to so many modern records where every track is edited to an inch of its life. It’s also both hi fi and lo fi at the same time, with the acoustic guitars and drums almost remaining unprocessed while the colours created by the lush reverbs and Beck’s characteristic lazy vocal performances take you on journeys through vast spaces.

Dwight Sings BuckNick Keeling (Mustered Courage)
Dwight YoakamDwight Sings Buck
This ain’t your mother’s country music … it’s more like your grandmother’s! The sweet and pretty country music coming out of Nashville in the 1950’s got a punch in the face by the electrified honky-tonk coming out of Bakersfield California. Pioneers like Buck Owens and Merle Haggard plugged in their telecasters, set the drummer to shuffle, and layed down what would be a huge influence on the music of The Eagles, Creedence Clearwater Revival, Emmylou Harris, Gram Parsons and obviously Dwight Yoakam. Here Dwight nails the style and sound of Bakersfield country but with the fidelity of modern recording techniques. Pull up a barstool and let the steel guitar take you up Highway 99 to that oil patch they call Bakersfield.

StromaeKim Churchill
StromaeRacine Carrée
My album of the year is Racine Carrée by the Belgian artist Stromae. It has an essentially electronic dance feel, which is impeccably well complimented by absolutely brilliant song writing. I have had endless pleasure in sitting around on Google translate (as Stromae sings in French) discovering what each of my favourite songs is about. He sets the scene of each song magnificently and opens up discussions that are quite challenging for the listener. Given the dance feel – I find it amazing that people all over the world are jumping up and down in arenas to these words of wisdom. Stromae has incredible film clips – the artistic direction is both engaging and unique. He also incorporates elements of his clips into his live performances of each song and way he dances is literally ground breaking. There is a reason the new single “Papaoutai” has had over 200 millions views. Stromae is a master craftsman on every level and quickly becomes a complete obsession.

RuinsSarah Humphreys
Kris MorrisRuins
Ruins is a breath of honesty in a sea of over-earnest, over-thought out music that’s flooding my ears at the moment. I need truth in what I listen to and this is as raw as it gets and totally from the heart, a broken one. Bravely and beautifully produced by Kasey Chambers, he’s like the Australian Steve Earle.

Damien RiceJoel Barker
Damien RiceMy Favourite Faded Fantasy
I was driving to Denmark in the south of Western Australia, listening to NPR’s All Songs Considered program, when one of the program hosts started talking about Damien Rice’s long hiatus being over with the release of his new album My Favourite Faded Fantasy. It’s been so long since Damien has released anything that I kind of forgot what his music is to me. But on first impressions, this record didn’t make much of an impact with me. Not because it’s not staggeringly beautiful, but merely because of how I was listening to it. In the car. Through portable speakers. Driving at 110km per hour. I didn’t do it justice. I found the time the following week to sit down at listen to the record in full, and I’m completely blown away by it.
I’ve come to the conclusion the Damien Rice has three different writing personalities that are vastly different from one another, yet somehow come together to make what is uniquely his. There’s the distinctive guitar melodies, nothing complicated, but kind of like a place to house his other personalities. The second is his lyrical genius. Somehow always melancholic, even in moments of joy, his words resonate with honesty and integrity, self doubt, love and hate. His words become place holders for his third personality, which are the arrangements. Other than perhaps Bon Iver’s self-titled album, I’m not sure I’ve heard an album that balances the sincerity of words with these almost orchestra arrangements that soar with optimisim and drown with sorrow equally. All these personalities come together to give us a collection of songs which probably mean just as much to us as they do to him. I can live with a Damien Rice album every 8 years or so if this is the result. So see you in 2022, Damien. Until then, enjoy the solitude.

Upside Down MountainJack Carty
Conor OberstUpside Down Mountain
This album is beautiful on so many levels. The songs are thoughtfully produced, delicately arranged and seem less overtly melodramatic than most of his previous work, but somehow they still manage hold the same sort of poetic weight and satirically pointed attention to detail that has drawn me to Conor Oberst as a songwriter for years.

True StrengthJulia Johnson (Julia and the Deep Sea Sirens)
True StrengthTrue Strength
Lost in an empty old building in East Berlin while trying to find a bar Ned Colette was playing in, I arrived just in time to discover support act True Strength, an Australian/Danish duo. If you love your folk with a touch of experimentation, or your Joanna Newsom mixed with a bit of Scandinavia, you might love True Strength. The almost a-tonal tinges to their light, delicate melodies only make them more beautiful and robust. Their self titled EP is a work I have found myself returning to often, and their performance that night is a memory I find delicious to linger on.

Tarpaper SkyBrad Butcher
Rodney CrowellTarpaper Sky
The name Rodney Crowell was only made known to me at the beginning of the year by a friend who told me I had to listen to Sex & Gasoline, an earlier release of Rodney’s, which I instantly connected with. I had become aware of a new album being released later this year couldn’t wait to get my hands on it. It became the sound track of my first Tasmanian Tour in July this year and is still on high rotation. The way he looks at a song is not only unique but refreshing, this you might not expect from someone who’s been doing it for over 4 decades, but thats the very reason he is still at the top of his game and why this is my pick of 2014.

KimbraCurtis Smith (Yetis)
KimbraThe Golden Echo
Kimbra has got it. Her vocal ability seems limitless and her sense of groove is spot on. Not necessarily “beautiful” or “folky” but I can’t stop listening to it. One of those artists who doesn’t appear to be restricted by any means, and through this is making me think about my voice and to explore it’s capabilities. Also, my brother, sister and I (half of Yetis) are half kiwi, and are way too proud of it. We believe everything that comes out of NZ is brilliant, such as Kimbra.

Royal BloodJoe Murphy (The Timbers)
Royal BloodRoyal Blood
Simply the album is a rocking banger from start to finish!! Influenced heavily by the White Stripes with a touch of Muse at times. Its been on rotation for weeks and responsible for a lot of head banging!!

Gon BoogalooMark Moldre
CW StonekingGon’ Boogaloo
This album was well and truly worth the wait. CW Stoneking managed to reinvent his sound whilst retaining his authenticity. I actually wonder whether he may own a flux capacitor and a DeLorean because there’s no doubt in my mind that he has just stepped out of a 1930’s speakeasy. The fact that he picked up a Fender Jazzmaster for this album and put down the banjo allowed him to swing a little harder and dig himself into deeper grooves. It’s a wonderful blend of blues, jazz and ragtime – yet there is also something here that is intangible and undefinable – and completely his own. Nobody wants to see me dance – I promise you that, but this album makes me want to get up on the floor.

Let It LieStu Larsen
The Bros. LandrethLet It Lie
I randomly met these guys a few months ago when they were on their way home to Winnipeg, Manitoba. They were a last minute support act for my show in Chicago and really blew me away, in fact, I should have been the one supporting them, they were phenomenal. There is something incredibly captivating about these four guys when they play and sing together, both on the stage and on their album. Let It Lie is out in Canada and set for release in the States and Europe in a month or so from what I understand. I haven’t stopped listening to this album since they snuck me a copy in Chicago, hopefully Australian crowds will have the chance to fall in love with them soon!

TemplesTanya Batt
TemplesSun Structures
This year I discovered Temples and thank golly gosh for that. Think the Beatles mix the best of Tame Impala on more psychedelics with the world’s best summer vibes. It suits every mood I’m in and compliments it perfectly. I was pretty much hooked from the first bar of the first song “Sun Shelters” on the album and have listened to the album in its entirety most days since. It gives me the warm fuzzy’s because I love the vibe so much.

Stray BirdsThe Mae Trio
The Stray BirdsBest Medicine
It’s extremely hard to communicate the strength and intensity of these three musicians on record, but the album is tracked live and what is captured is still enough to make it our favourite release this year. Lush, gutsy harmonies and warm acoustic instruments are part of the joy of this album, but the most exciting bit is the songwriting – there are some jaw-dropping songs on there. This is just such no-nonsense, straight up, great music to make you laugh and cry and sing along reeeally loudly!

Jack CartyRosie Catalano
Jack CartyEsk
Jack has the most delightful voice, pens lyrics that take you on little faraway journeys, and has recorded an album that includes a song I suffer withdrawals from (“Honey, Do You Know The Way Back Home?”).

HuskyJesse Lubitz (Tinpan Orange)
HuskyRuckers Hill
This is a mighty record. The soaring harmonies and tight arrangements wrap perfectly around the beautifully crafted songs. This is one of the best albums to come out of Australia in the past few years. Faultless.

Jacob WyldeHayden Calnin
Jacob WyldeIt’s All About To Go
I’ve been following folk artist Jacob Wylde’s music for some time, impatiently waiting for an EP release from him for far too long. He’s 18, from Perth and been very busy with school I imagine. Then one day, It’s All About To Go came along and (pardon my foul mouth) but… HOLY F*CK! He’s the musician the world’s been needing and I’m spreading the word and supporting this guy till the bitter end of my days. Please listen to Jacob Wylde. He’s a rare find.

Kate Miller HeidkeImogen Bel
Kate Miller-HeidkeO Vertigo!
I love the way Kate surprises you with each new album. She never rests on her laurels and she is impossible to pin down. This is what has kept her fan-base so loyal. On this album, she has found the perfect balance of her theatrical leanings with off-kilter pop hooks and her mixture of literal and absurd lyrics. I’m a huge fan of the production on this one and the subtle eighties pop influences that never sound obviously retro. I began following (stalking) her career since her first EP and she has been a huge inspiration to me. Thanks, Kate!

VariousLes Thomas
VariousAustralian Artists for Asylum Seekers
I was blown away by the Australian Artists for Asylum Seekers Christmas album, which was put together by Lindsay Philips and features 25 excellent local songwriters. Christmas albums have never done it for me before, but the quality of every song and the fact that all proceeds go towards supporting the Asylum Seeker Resource Centre make it a beautiful example of an artistic collaboration in the best traditions of giving.

Phantom RadioMichael Paolino (Husband)
Mark Lanegan BandPhantom Radio
I got into Mark Lanegan’s music this year and I don’t know how I got through the last 30 years without it. This album has a pretty diverse sound, going from incredibly soulful, organic southern/gothic rock to some synth experimentation with iPhone drum apps! Best track “Harvest Home”. All in all a great listen.

Possessed By Paul JamesIsaac Graham
Possessed by Paul JamesThere Will Be Nights When I’m Lonely
I stumbled across Possessed by Paul James (stage name of musician Konrad Wert) at a show in San Francisco a few years ago. I was amazed at his effortless and energetic performance and impressed by his ability to seamlessly switch gears between heartfelt folk ballads and fiddle-driven, foot stompers. Although he fell off my radar for a little while I recently tracked down his latest album There Will Be Nights When I’m Lonely (2013) and was immediately captivated. Although it was released late last year I’m still claiming it as my favourite for 2014. Through his shrewd lyrics and restless performance, Wert seems to capture both the inevitable joy and loneliness of everyday life. The end product is a series of songs that are as heartbreaking as they are heart-warming. Standout tracks are “Hurricane”, “Where Does All the Time Go” and title track “There Will Be Nights When I’m Lonely”. Let’s hope he tours here sometime soon.

BeckMatt Dewar (Direwolf)
BeckMorning Phase
I don’t mean to split hairs, but I was vigorously torn between Faker, FKA Twigs and Beck. However I landed on Morning Phase because of its beautiful complicated simplicity. Despite the gusty blend of 60’s inspired psychedelic folk/rock, I’m constantly in awe of a man who can bring so much weight with such blunt phrases like “these are the words you use, to say goodbye”. It’s truly a lament of husky wails, lingering sadness and about 20 years of making records.

About FaceJaye Kranz (Brighter Later)
#1 DadsAbout Face
CAVEAT: I decided to choose my fav local release. It just seems like such an impressive time for Oz music, right? #1 Dads About Face flew in on first listen and still hasn’t left me. As per Big Scary, Tom Iansek is once again behind the production desk, wielding his sonic sensibilities in ways at once strangely familiar, decidedly new, and always astonishingly beautiful. I love how much he does with sometimes the simplest production choices and changes, doing only as much as the song needs. Love the collaborations, “Return To” being my standout. Also: a sax solo. (Equal first: Lowlakes – Iceberg Nerves)

Mia DysonLiz Stringer
Mia DysonIdyllwild
Idyllwild is such a playful and coherent bunch of songs. One of my favourites is “Based On Your Eyes”, a beautiful, honest and soulful love song that’s vulnerable and tender and heaving with feeling. It gets better with every listen which, for me, is a mark of a quality album. There’s a brashness to Idyllwild that I love. Mia seems to have reached another level of writing and playing. Just when you think it can’t get any better.

In The SilenceThom Lion
ÁsgeirIn The Silence
I’ve always admired artists who could mix organic instruments into their sound with electronic circuitry. So many try and fail, yet Iceland’s Ásgeir does it with supreme conviction. His release In The Silence had me intrigued and genuinely moved from the first listen. The Bon Iver influence can be heard throughout (especially in the layered vocal production and acoustic guitars) but Ásgeir carves his own sound through bleeps, bloops and R&B beats. The fact that these songs have been translated from their original Icelandic form to English makes the words all the more wholesome and endearing. His voice exudes a soft, pleading emotion, with ethereal qualities. “Kings and Queens” is a folky song, yet would not be out of place on a chillout sessions compilation. Punctuated by pulsing synths, lyrically it conjures beautiful imagery and a sense of wonder. “Torrent” is an absolute belter, with its anthemic piano line, the band joins in with the spirit of Arcade Fire. Do yourself a favour and check out his vulnerable yet grandiose take of Nirvana’s “Heart Shaped Box” on youtube, for an insight into his stunning live show.

ElbowOlivia Hally (Oh Pep!)
ElbowThe Taking Off And Landing Of Everything
Elbow’s arrangements hit you hard, even more so with this latest release. Guy Garvey’s lyrics make you smile, but not because they’re particularly happy. This is a great album, my favourite this year.

KimbraJames McKendry (Takadimi)
KimbraThe Golden Echo
This is not a lo-fi listen, it is as much about sound design and exploration of textures as it is about songs. On each track you can hear that great care was taken to a sculpt a piece of art, and not just write some catchy tunes that everybody would like. It still has Kimbra’s trademark quirky sense of melody but it is far more experimental and eclectic in it’s influences than Vows. There are strong influences of neo-soul, experimental electronic music and psychedelia present. Washy, armchair sinking moments of ambient bliss like those heard on Carolina are contrasted with some edgier and more confronting works like the tongue in cheek ode to nostalgia that is “90’s music”. All in all I’m blown away by this album. Go get it.

Emma SwiftJames Morrison (The Morrisons)
Emma SwiftEmma Swift
Emma really delivered with this album. The songs are full of conviction, and her voice is equal parts of beauty and sorrow. It’s a real late night record. The whole thing is understated and moody, the session band are subtle and tasteful, Anne McCue did a great job with the production, and there’s more than one moment that will bring on a blissful sigh (special mention to the chorus in “James”). Just go and listen to it, watch her live, fall in love with her, and if you meet anyone who belittles the state of Australian country music, throw this their way.

Daniel RossenShannon Carpenter (Sleepy Dreamers)
Daniel RossenSilent Hour/Golden Mile
I love Grizzly Bear so I was probably always going to love this. I’ve always been a big fan of his voice and guitar playing. Was really hard to choose a fav so I should give an honourable mention to The War on Drugs. Their album was ridiculously good as well.

The War On DrugsOllie Brown
The War On DrugsLost In The Dream
It’s the subtle change of the snare drum after the first chorus of Lost in the Dream. It’s the distant piano that melts away in your ears. It’s the shimmering tremolo guitars, driving 80s rock beats and Dylan-esc vocal delivery that makes this record timeless, refreshing and my favourite album of 2014.

S CareyRoscoe James Irwin
S. CareyRange of Light
S. Carey is mostly known for being the drummer and main backing vocalist in the Bon Iver live band, but his own solo records are amazing and place him highly as a genuine artist in his own right. He manages to blend live instruments and orchestration with manipulated ambient sound into something very haunting and really incredible. Once you’ve heard the opening track “Glass/Film”, you’ll be hard pressed not to listen to the whole record. “Crown the Pines”, with it’s free melody and layered double-stop fiddles, and “Alpenglow”, with it’s deep and powerful string arrangement, are both highlights.

The StavesRosie McDonald (RAPT, Folklore)
The StavesIf I Was
I’m really pre-empting as the full album isn’t out until early Feb but I’ve heard snippets of the songs on If I Was from the online trailer for the album and i love it already and have even pre ordered it. I don’t know if you are like me but I tend to judge if I like a song in the first few seconds and this sister act have the goods to deliver. I saw the family band – Emily, Jess, Camilla – at the Cambridge folk festival last year having not heard them before and loved their close harmonies and lovely poetic songs (like Wailing Jenny’s, Fleet Foxes, Crosby Still Nash & Young) but the band could crank when needed also. There is something very special about family voices together that finds a cohesive fullness and beauty. Ukulele, still the new black, was a feature as well as very nice guitar playing. I bought their album Dead, Born and Grown and have absolutely loved listening to it. Their Live at Cecil Sharpe House album is also sublime with a beautiful reading of that American folk ballad “Silver Dagger” made famous by Joan Baez. Like his year’s release pre release of The Blood I Bled From, If I Was was produced by Bon Iver’s Justin Vernon in the wintry wilds of Wisconsin and will be on high rotation as soon as I have it in my hands.

Tiny RuinsJane Hendry (Broads, The Nymphs)
Tiny RuinsBrightly Painted One
I had been waiting for this album, as I am a massive fan. Kel (also from Broads) is also a big fan. I was lucky enough to see Holly do a solo album preview show in Melbourne a few months ago put on by the Melbourne Folk Club and she played the entire album in order from start to finish. It was such a beautiful, intimate show. And she’s totally lovely as well.

HozierMark Wilkinson
HozierHozier
A really impressive collection of songs. The production gives the album a rawness and a darkness which I really like.

The War On DrugsAidan Cooney (Boy Outside)
The War On DrugsLost In The Dream
A complete album and the sound of art being perfected over years. Culminating in this painstakingly crafted masterpiece. Beauty from start to finish.

Swimmin TimeTracy McNeil
Shovels & RopeSwimmin’ Time
Cary Ann Hearst and Michael Trent conjure up the dead, awake the living and are in my opinion one of the best and purest forms of male-female–husband-wife country duo’s of all time. On this latest release they tread through deeper waters, transforming darkness into light, dirt into finely cut diamonds, all within just a few bars. I’m at times exhausted having gone on the journey with them but always better for it. Swimmin’ Time is magic! Hands down my favorite release of 2014. “There’s hope where you can’t see it, there’s a light after the storm”. I’m glad Shovels & Rope are around to remind us of that.

GirlAde Vincent (The Tiger and Me)
Pharrell WilliamsGirl
Great voice, great writing, full of fantastic hooks and well executed ideas. And I always love his production. My favourite pop album in years.

Angel OlsenJulia Jacklin
Angel OlsenBurn Your Fire For No Witness
This album sounds like 2014 for me. My housemates can attest that I have probably listened to it too much but it really hit me hard. She crafts really interesting songs which kind of meander but never lose focus. Her voice is this incredibly powerful thing that just cuts right through, she is one of the most unique and evocative vocalists I have ever heard. Some of the best moments on the record are when it’s just a strummed electric guitar and her singing in a whisper. It’s just beautiful heartbreaking lo-fi goodness.

The StavesSibylla Stephen (The Little Stevies)
The StavesThe Blood I Bled From
I am devastatingly slow when it comes to discovering to “new music”, even though I love it. These days, my two year old takes up most of my time (when I’m not concentrating on my own music), so I tend to catch onto things late, but I don’t enjoy them any less. The band I have discovered this year are The Staves. Their music moves me into a steady pace where I feel at peace. I’m pregnant again, and their album replaced my nightly 6pm-ish glass of wine (which is was very much missing!). I also want to shout-out to the best live band I’ve seen all year The Eastern, and the songs of Sweet Jean that featured heavily in the toddler music class my son and I have been attending at the Footscray Arts Centre, Rock On.

Ane BrunJames Lindsay (Breabach)
Ane BrunRarities
We really grew to be big fans of Ane when we were at WOMADelaide and Womad NZ together back in March this year. This album perfectly displays her serene voice, subtle lyrics and brilliant band.

VagabondLyn Taylor (Dear Orphans)
Stu LarsenVagabond
I waited too long for this album. Mike Rosenberg’s production of this album is sublime.

Gretta ZillerNick Payne (Dear Orphans)
Gretta ZillerHell’s Half Acre
I’m a sucker for a good turn of melody and Gretta’s EP has a plenitude of notes that turn in unexpected directions. I also like songs that can take me to a different time and place. The title track “Hell’s Half Acre” transported me straight away to Wyoming, and “the low country where those lands were so so bad … for me”.

HITSMark ‘Looch’ Lewis (Handsome Young Strangers)
HITSHikikomori
This may be a controversial choice nominating a flat out rock and roll band in this forum. But sometimes exceptions need to be made. HITS have delivered a staggering album which stands right up there with the best Australian rock n roll flag wavers before them. Think Radio Birdman, The Saints, The Hard Ons at their best – this album sits right up there with them. Quite possibly the best rock n roll band in the world ATM.

InterstellerLaura Bishop (Chaika, Laura & Susie)
Hans ZimmerInterstellar: Original Motion Picture Soundtrack
It starts with a soft theme reminiscent of the opening of Prokofiev’s Cinderella, minuscule in sound like a forgotten echo of humanity’s first footsteps into space flight; progresses to the magnitude of a full church organ with columns of air blasting through metal pipes, matching the enormity of rocket engines launching; later sits back to watch as an observer from afar with a simple yet beautiful piano theme; and even at points uses a theme that is similar to one I wrote myself over a decade ago for a short film about the Apollo 11 mission. Wormholes much? Who knows! Either way, it’s a jolly good ride.

New MoonFanny Lumsden
Sarah HumphreysNew Moon
Generally I am not into “love songs” or sincerity however this album makes me want to hug, love and high five everyone that is dear to me. The song writing is just top notch with equal parts heart, fight and spunk. I also really singing the songs into a wooden spoon and dancing around the kitchen. Also other tops were: Caitlin Harnett’s The River Runs North, Nikki Lane’s All or Nothin’ (yep girl power) and Del Barber’s Prarieography.

Tiny RuinsEmma Davis
Tiny RuinsBrightly Painted One
I was tremendously excited for this release. Holly’s first record, Some Were Meant for Sea, is one of my favourites – a beautiful piece of storytelling, cleverly told and delicately produced. This record has a little more of everything. More instruments, a little more electric, more variation and dynamics, but no less heart. It’s the perfect example of what happens when a musician grows a constant band around her. The arrangements become a little more thought out, the songs lift and fall a little more. Buy this record, wrap it up in paper, and leave it in the letterbox of someone brilliant.

Lily OJoe Gould (The Crooked Fiddle Band)
Sam AmidonLily-O
I bumped into good friend and man of impeccable taste, Mr Leroy Lee, at the Townie. It was 1:30am and luckily I wrote down the recommendation of this album. “You’ll love the beats” said Leroy. Beats? On a Sam Amidon album? He’s never been scared of percussion, but that’s not a comment to expect for the rustic strumming and plucking I’d enjoyed on Sam A’s previous outings. It was drizzly on my walk home, and I took an extra long way just to hear more as the early morning mistiness surrounded me. It perfectly suited the crystal clear production and voice filled with humanity. The version of “Groundhog Variations” is perfect, so try starting there. And if you see Leroy Lee around, get him to recommend your next favourite album.

Sun Kil MoonDarren Hanlon
Sun Kil MoonBenji
Sun Kil Moon had been one of those bands that, due to their bulky catalog and my own laziness, I’d never delved into. I couldn’t find an obvious doorway. I’d even played a show with them in Manchester a few years back, but it was a bad fit. The crowd watched me blank-faced and I felt self-conscious about displaying any kind of sunniness so just put my head down and plowed through. Mark Kozelek didn’t see me play but he was cordial in the bandroom and let me pilfer one of the bananas off his rider.
Just a few months back a good friend, in whose music taste I trust, implored me to listen to Benji, it was much more than a recommendation. So I took it very seriously and was, surprising to me, drawn into it right away by the croaky conversational tone and the stripped bare emotional tales he was telling.
A lot of the subject matter leans towards family, and is often confronting and candid. Lots of death and regret and tenderness. “I Can’t Live without My Mothers Love” is a far cry from your average Rock and Roll subject matter – and reminds me of first hearing Jonathan Richman sing about his wife in “Closer” – and just because of that is more Rock and Roll than any sex or drug reference. But there’s plenty of sex to be found. “Dogs” details the history of the protagonist’s (Kozelek’s?) early carnal explorations in erotic, graphic detail.
The songs are long, but don’t feel it. Like floating along on a stream where you’re too busy taking in the details of the surroundings to keep an eye on the time. The usual long-ingrained formulas of much popular music don’t apply here. The narratives are forthright and metaphor-free and the sparse instrumentation reflects this; it is subtle but inventive.
I’ve been thinking that as you get older poetry, for the sake of itself, can start to feel superfluous held up against pure message, or just plain truth. I’d spent my 20s trying to think up clever wordplay when now they can seem like window dressing. It’s not to say Benji isn’t clever. There’s so many surprising and inventive rhymes, or off-rhymes; it’s as if he’s tailored them to not quite fit so they jump out. And there’s a lot of humor, I actually laughed out loud hearing the line about his Dad flirting with the girls at Panera Bread. How often does that happen listing to serious folk music?
And it would take a hard heart not to find at least one tear. Listen to the story of his Dad’s downtrodden friend “Jim Wise”.
Very rarely, but every now and then, discovering a new band can pull back a curtain on a new way to approach songwriting, and another piece of the eternal puzzle falls away. I felt like this when I first heard Benji, ideas for about three new songs popped into my head. I feel like I have new tools with which to work.
I wonder if Mark Kozelek had an epiphany one day and a new horizon opened up, where the shackles of his old systems dissolved. Cause to me, as far as the lyrics go, this path he’s on feels limitless. Judging by his recent crazy slinging match with War On Drugs I hope this freedom of expression isn’t eating him up. I’m gonna go backwards now through his catalog to look for clues.
So listening to Benji has been a positive experience for me. I’ve also recommended it to other friends and they haven’t had the same experience, so evidently it’s not for everyone. But I’ve written this review without having listened to it for a few weeks now. That’s how vivid it still is in my mind.

Review: BIGSOUND 2014, A Folkie’s Perspective

All Our Exes

It’s been a few days since I wearily boarded a flight at Brisbane to wend my way home after BIGSOUND and only now am I finally returning to reality. 2014 was my first BIGSOUND and I didn’t really know what to expect – only that my friends in the music industry told me I had to go. As a folkie I kind of expected to be out on the fringes of the festival while all the cool kids compared synth lines and the like, but truth be told I came away feeling a big part of this thing we call the Australian music industry and excited about what the future holds music in this country.

BIGSOUND is whatever you make of it” a friend had told me. “Decide what you want to get out of it before you go and then concentrate on that”. It was good advice as the avalanche of things to do, people to see and parties to get into was overwhelming for a first time BIGSOUND-er like me. So I mapped out my days based on artists I wanted to interview, industry folks I wanted to meet and gigs (both unofficial and official) I wanted to attend. And here’s what I got out of the event:

Music Music Music

Ruby Boots

With over 140 bands officially showcasing at BIGSOUND Live this year and a bunch of auxiliary, unofficial gigs happening around the place we definitely weren’t hard up for music. Most of the acoustic artists were centred around the stage at The Press Club but there was plenty of folk, blues, roots and country happening at most of the other showcase venues as well.

On the first night I managed to catch All Our Exes Live in Texas, Steve Smyth, The Tiger and Me, Spookyland, Rob Moir, Ruby Boots and Brad Butcher. Steve Smyth would have to have been the highlight for me – his wall-of-sound blues and roots style was just transfixing and he definitely lived up to the hype. Spookyland were a little more indie-rock and a little less folk than I expected them to be but definitely worth checking out. Ruby Boots (above) was probably one of my favourite acts of the entire week with Bex Chilcott’s voice in fine form.

Night two was meant to be the night I just parked myself at the Press Club and let the bands come to me, but I ended up running around just as much as the first night catching the likes of Fraser A. Gorman, Jordan Klassen, Sweet Jean, The Pierce Brothers, Harmony James and Marlon Williams. It was Marlon Williams that had been getting the most hype (contributed to by myself) throughout the week so it was great to see him pack in the crowd even as the last act of the night. The Pierce Brothers absolutely killed their set at The Zoo and Fraser A. Gorman was a highlight at The Black Bear Lodge.

The two artists I “stumbled” across without any intention of seeing at BIGSOUND were Canadians Rob Moir and Jordan Klassen. The former, a post-punk acoustic singer-songwriter in the vein of Frank Turner, wowed the relatively small crowd at Ric’s Bar with his brash stage presence and in-your-face lyrical style. Klassen on the other hand made some really sweet indie-folk sounds with the help of backing vocals from Jocelyn Price and plenty of ukulele and acoustic guitars. Both very interesting artists and I’m extremely glad I made the time to check them out.

After the Party There’s the After Party

Shane Nicholson

Along with the official showcases there were a bunch of after-parties dotted all over the city that people were scrambling to get tickets to. For me there was only one party to get into – The Lost Highway Country and Inner Western show at Lefty’s Old Time Music Hall.

Featuring sets from The Morrisons, Eddie Boyd and the Phatapillars, All Our Exes Live in Texas, Marlon Williams, Shane Nicholson (above), Ruby Boots and Laura Zarb, the night was a blur of jamming, whiskey, bluegrass and country music. Lost Highway Records is the new(ish) Americana and alt-country label from Universal Music and they definitely chose some of Australia’s finest for their BIGSOUND party. The following days, as the stories emerged it was clear this was one of the after-parties to be at. I won’t recount them here – you’ll have to ask me in person.

I also have to send a big shout out to Lefty’s Old Time Music Hall which is one of the best venues I have been to in Australia. There needs to be a Lefty’s in every state!

Interviews

Having the music industry converge on Brisbane gave me a good chance to interview a bunch of artists I’d been meaning to for ages, as well as some new artists I’m really excited about. In the coming weeks prepare to catch chats with Tom West, Brad Butcher, Bree De Rome, Sweet Jean, The Pierce Brothers, All Our Exes Live in Texas, Ruby Boots and Marlon Williams right here on Timber and Steel.

The Battle for Country Music

While I wasn’t really in town for the conference itself (I only had a ticket to the BIGSOUND Live, not for any of the panels) but I managed to sneak into what turned out to be one of the most interesting, and least reported on sessions of the week – The Battle for Country Music. Facilitated by Scott Fitzsimons from theMusic.com.au the panel featured country artist manager Dan Biddle (The McClymonts, Adam Eckersley Band), artists Bex Chilcott (Ruby Boots), Shane Nicholson and Luke O’Shea (who is also Councillor for Country Music on the Music Council of Australia) and Universal Music Managing Director Michael Taylor.

The panel managed to cover off the divide between the mainstream, “Tamworth” country scene and the alt-country/Americana scene, whether “country” is a dirty word in Australia (most agreed it isn’t or at least shouldn’t be), what the options are for artists that aren’t considered upper tier country acts, how to get country music played on mainstream radio and the Golden Guitars’ narrow-minded view of country music.

Some golden nuggets from the panel included Dan Biddle proclaiming that “there’s a golden age of country music about to happen in Australia” and that Tamworth should move to Sydney for a year (which he later clarified as meaning we need a Tamworth size event in Sydney to get the mainstream industry interested in country music) and Shane Nicholson telling it how it is by saying “It’s ludicrous that there’s even a debate about what is and isn’t country”.

I wish the panel had gone on for hours more as there’s so much to talk about on the topic (and I definitely talked with the panelists after the panel long into the night). I also wish there’d been someone from the mainstream radio community – either the triple j set or the commercial operators – as at times the panel was a little too insular with everyone being from the country music “scene”.

It’s nice to see this kind of discussion taking place at BIGSOUND, that music outside of what’s played on triple j, is being talked about. Surely this means next year we’ll have a bluegrass panel!

Meet and Greet

A big part of BIGSOUND was actually managing to meet a bunch of people in the industry and putting names to faces. I’m not a big self promotor (I’m more comfortable being the guy standing at the back of the room listening to music than introducing myself to the band) but when you’re surrounded by hundreds of music lovers it’s hard not to strike up a conversation. I got to meet a few of my heroes, a few people in the industry I have so much respect for and more than a few Timber and Steel fans. When one unnamed festival promoter told me to “email me your band’s music” I realised how draining all of the meet and greets were on some people, but I actually really loved it.

Coming away from BIGSOUND I am a convert. This was a music conference and festival not just for the cool kids – there was space for this folkie as well. I made the event my own and came away feeling like I’m part of a larger music industry, not just the guy who writes about banjos in his bedroom. Would I recommend BIGSOUND to other aspiring folk writers, musicians and promotors? Absolutely.

See you next year BIGSOUND!

MoFo at The Gaelic Announces December Lineup

The Tiger and Me
Image Courtesy of The Tiger and Me

Next Friday 6th December Sydney folk night MoFo at The Gaelic Club will be celebrating their final show of 2013 with one of their most exciting lineups of the year. Taking to the stage will be Timber and Steel favourites The Bearded Gypsy Band, bringing their eclectic gypsy and jazz infused folk music and The Tiger and Me who have been described as “Cabaret/Circus/Euro Indie Folk-Pop Wunderkinds”.

MoFo at The Gaelic Club, as the name would suggest, takes place at The Gaelic Club in Sydney’s Surry Hills, kicking off at 8:30pm. Tickets are $20 and can be picked up here or on the door. For more information check out the official Facebook event here.

Blue Mountains Music Festival Announces First Lineup

Xavier Rudd
Image Courtesy of Xavier Rudd

The Blue Mountains Music Festival, which will be held from the 14th to the 16th March next year, is one of our favourite events throughout the year. Close enough to Sydney that it’s accessible (we’ve been known to watch the last act on a Sunday and then catch the last train back) yet far enough away that you feel like you’re getting away from it all, the Blue Mountains Music Festival has the best of both worlds.

The first lineup for the 2014 festival was announced this week and as usual it’s the perfect combination of folk, roots, indie and world music from Australia and around the world. Heading up the festival will be Xavier Rudd (above), Ash Grunwald and Lior, who will be joined by the likes of Rory McLeod, Eleanor McEvoy, Hanggai, Blair Dunlop, Peter Rowan Band with Richard Greene, Rose Cousins, Eric Bogle, Jeff Lang, Slava & Leonard Grigoryan, Flap!, Sunas, The Woohoo Revue, The Pigs, The BordererS, The Tiger And Me, Jack Carty, Mustered Courage, George & Noriko, Hat Fitz & Cara, Dan Parsons, The Mae Trio and many many more.

Tickets for the festival are on sale now. For more information check out the official web site here. The full lineup so far is below:

Xavier Rudd, Ash Grunwald, Lior, The Good Lovelies, Rory McLeod, Eleanor McEvoy, Hanggai, Chipolatas, Blair Dunlop, Swamp Thing, Peter Rowan Band with Richard Greene, Rose Cousins, Eric Bogle, Jeff Lang, Slava & Leonard Grigoryan, Flap!, Roesy, Jesse Valach & Blues Mountain, Grace Barbe, Sunas, The Woohoo Revue, The Pigs, The BordererS, The Tiger And Me, Benny Walker, Jack Carty, Mustered Courage, George & Noriko, Hat Fitz & Cara, Dan Parsons, Equus, Circus Solarus, Allan Caswell, Rachael Brady, Snez, Andrea Soler, The Mae Trio, Cole And Van Dijk, Belle Jar, Wagana Dancers, Gregg Borschmann’s Heartland Conversations, Poets’ Breakfasts

Communion Melbourne is Back With October Lineup

Communion Melbourne
Image Courtesy of Communion Melbourne

After taking a break for a few months the folks from Communion Melbourne are returning this October with one hell of a lineup in tow.

On Sunday the 20th October Communion Melbourne will once again make its home at The Toff in Town in the centre of the city. The lineup includes none other than Communion co-founder Kevin Jones’ band Bear’s Den who are in the country to support Matt Corby on his upcoming tour, Timber and Steel favourites The Tiger and Me, local indie-folk singer-songwriter Grizzly Jim Lawrie and the very buzz worthy Kate Martin.

Tickets for the night are just $18 and can be picked up at the newly minted Communion Australia web site here (which also has a bunch of details on the gig). If you’re in Melbourne on the weekend of the 20th October we can’t recommend this gig enough!

Thank Folk It’s Friday – 19th July

TFIF

This Week in Folk

All the News From The Week That Was

– Sydney alt-country troubadour Boy Outside has revealed details of his debut self-titled EP. Details here

– Brisbane local Vancouver Sleep Clinic has a new Bon Iver inspired single “Vapour” that we’re really digging. Details here

JamGrass have added The Morrisons and The Rusty Spring Syncopators to their Sydney showcase next month. Details here

– The Kangaroo Valley Folk Festival revealed their 2013 lineup including Alanna & Alicia Egan, Andrew Clermont, Chaika, Fig Jam, Jack Carty, Julia & the Deep Sea Sirens, Loren Kate, Mal Webb, Penelope Swales, Phil Garland, Stiff Gins, Totally Gourdgeous and many many more. Details here

Bears With Guns released their new EP Only the Quick and the Hungry yesterday and have a new video for the track “Wandering Soldier”. Details here

Gemini Downs combine folk music and marriage equality in their catchy new video “Will You Marry Me?”. Details here

– Adelaide’s The Timbers will be releasing their new single “Gallantry” at the start of next month along with a residency at The Grace Emily Hotel. Details here

– Gypsy party band The Woohoo Revue have announced a massive 22 date tour starting next week. Details here

The Tiger & Me are heading out on the road to celebrate the release of their new single “Jack Middle of the Broken Heart”. Details here

– Australian songwriting legend John Williamson releases his best of album A Hell Of A Career today. Details here

Little Features in Sydney announced their July lineup including Son of Sun, Chris Neto, Dominic Youdan, Charlie Gradon and headlined by Emma Beau. Details here

Interviews

“What defines me most is songs that have an honest, raw truth from what I feel and think through my songs. There’s no real intention to go out and try and capture one thing, it’s all about whatever feels right at the time. And that was the mantra for this album – if it feels right then that’s what it is” – Wes Carr from Buffalo Tales talks to Gareth Hugh Evans. Interview here

Releases This Week

Bears With Guns
Only the Quick and the HungryBears With Guns
iTunes

Elephant Eyes
Elephant EyesElephant Eyes
Bandcamp

John Williamson
A Hell Of A CareerJohn Williamson
iTunes

I'm a Bird
I’m A BirdSam Buckingham
Official Store

Timber and Steel Presents

Buffalo Tales
Buffalo Tales
Friday 19th July – The Elsternwick Hotel, Elwood, VIC
Saturday 20th July – Ferntree Gully Hotel, Ferntree Gully, VIC
Sunday 21st July – The Workers Club, Melbourne, VIC

Official Site

Pierce Brothers
The Pierce Brothers w/ Five Mile Town
Sunday 21st July – The Workers Club, Melbourne, VIC
Tickets on the Door

Gigs Next Week

Alison Avron
Saturday 20th July – The Newsagency, Sydney, NSW

Bears With Guns
Friday 19th July – The Railway Hotel, Parkes, NSW
Monday 22nd July – The Phoenix, Canberra, ACT
Thursday 25th July – Brighton Up Bar, Sydney, NSW

Daughter
Tuesday 23rd July – The Corner, Melbourne, VIC
Wednesday 24th July – Oxford Arts Factory, Sydney, NSW

Folk Club feat. OXBLVD, All Our Exes Live In Texas, Breaking Hart Benton
Wednesday 24th July – The Soda Factory, Sydney, NSW

Fraser A Gorman w/ Tim Neilson (The Death Rattles)
Wednesday 24th July – The Spotted Mallard, Melbourne, VIC

Grizzly Jim Lawrie
Thursday 25th July – The Toff In Town, Melbourne, VIC
Friday 26th July – The Newsagency, Sydney, NSW

Isaac Graham
Friday 19th July – Yours And Owls, Wollongong, NSW
Friday 26th July – The Bunker, Coogee, NSW

Laura Marling
Monday 22nd July – St Stephen’s Uniting Church, Sydney NSW
Tuesday 23rd July – St Stephen’s Uniting Church, Sydney NSW
Wednesday 24th July – St Stephen’s Uniting Church, Sydney NSW
Thursday 25th July – Flinders Street Baptist Church, Adelaide SA
Friday 26th July – St Joseph’s Church, Perth WA

Paul Kelly
Tuesday 23rd July – Civic Theatre, Cairns, QLD
Wednesday 24th July – Civic Theatre, Townsville, QLD
Friday 26th July – Pilbeam Theatre, Rockhampton, QLD

Sam Brittain
Saturday 20th July – Wesley Anne, Melbourne, VIC
Sunday 21st July – Secret House Gig, Melbourne, VIC
Friday 26th July – The Wheatsheaf, Adealaide, SA

Sam Buckingham
Sunday 21st July – The Bird, Northbridge, WA

Sarah Blasko
Monday 22nd July – The Playhouse, Canberra, ACT
Tuesday 23rd July – Joan Sutherland Performing Arts Centre, Penrith, NSW
Wednesday 24th July – City Hall, Newcastle, NSW

Splendour in the Grass
Friday 26th to Sunday 28th July – North Byron Parklands, Byron Bay, NSW

Sweet Jean
Friday 19th July – Singing Gallery, McLaren, SA
Saturday 20th July – Barossa Regional Gallery, Tanunda, SA
Sunday 21st July – Wheatsheaf Hotel, Adelaide, SA

The Tiger & Me
Thursday 25th July – The Basement, Sydney, NSW
Friday 26th July – Blue Beat, Sydney, NSW

The Woohoo Revue
Friday 26th July – The Hot Club, Blackheath, NSW

Thelma Plum
Thursday 25th July – Grace Emily, Adelaide, SA
Friday 26th July – Northcote Social Club, Melbourne, VIC

Whitley
Friday 19th July – The Hi Fi, Melbourne, VIC

Friday Folk Flashback

“Three Drunken Maidens” – Planxty

I’ve probably posted this song as a FFF before but I just listened to this version from 1973 and just had to repost. Love this song – both to listen to it and to sing it!

The Tiger & Me to Tour Their New Single

Tiger and Me
Image Courtesy of The Tiger & Me

Melbourne folk-pop six piece The Tiger & Me have just released their new single “Jack Middle of the Broken Heart” and are about to hit the road for an east coast tour to round out the rest of the month. The tour will see the band take on Sydney, Wollongong, Canberra and Melbourne. Check out the full list of dates below along with a stream of “Jack Middle of the Broken Heart” (including the b-side which features an alternate version):

Thursday 25th July – The Basement, Sydney, NSW
Friday 26th July – Blue Beat, Sydney, NSW
Saturday 27th July – City Digger’s Club, Wollongong, NSW
Sunday 28th July – Beyond Q, Canberra, ACT
Saturday 10th August – The Toff in Town, Melbourne, VIC
Sunday 11th August – The Toff in Town, Melbourne, VIC

Thank Folk It’s Friday – 15th March

TFIF

This Week in Folk

All the News From The Week That Was

– The week kicked off with a bang with the announcement of a brand new Laura Marling album in May, titled Once I Was An Eagle, with the first single “Where Can I Go?” already streaming online. Details here

– Monthly Sydney folk night MoFo has announced its March lineup including The Underscore Orkestra, The Rusty Spring Syncopators and Godfrey Uke and his Orchestra. Details here

Mumford and Sons revealed their brand new video “Whispers in the Dark”. Details here

– Melbourne’s Sleepy Dreamers will be officially launching their brand new EP Winter Make Way at The Workers Club in April. Details here

– US folk duo The Milk Carton Kids released their latest video “Honey, Honey”. Details here

Crooked Still front-woman Aoife O’Donovan has confirmed plans to release her debut solo album Fossils this June. Details here

– UK trio The Staves released their brand new video “Facing West”. Details here

Jep and Dep celebrated the release of their new EP Through The Night with a brand new video for the track “Ain’t Coming Back”. Details here

– For the first time since 2011 the full lineup of alt-country legends Wagons will be playing at two special shows in Sydney and Melbourne. Details here

– The new project from ex-Middle East member Mark Myers, The Starry Field, has a debut album on the way and a national tour. Details here

The Steamgrass Boys are taking their Country Roads night in Sydney Monthly. The April lineup also includes Mustered Courage and 200k plus the MCing skills of Luke Escombe. Details here

– Melbourne based singer-songwriter Tim Guy has announced a brand new album (Dreaming of a Night Mango), a new video (“Many People I Know”) and dates for an April tour. Details here

The Tiger and Me finally released their brand new video for “Made it to the Harbour”. Details here

– New and classic folk collide with Joanna Newsom covering Sandy Denny’s “The North Star Grassman and the Ravens”. Details here

Interviews

“Basement Birds, you know we were just trying to make a rootsy sounding kind of folk record, you know, making four part harmonies. With Jebediah’s last record we were, you know, we had so many years between records we were really trying to recreate ourselves a bit. Do a really adventurous, for us anyway, studio album that wasn’t about trying to capture our live sound. With this Bob Evans record, I was really just trying to start all over again” – Kevin Mitchell (AKA Bob Evans) chats to Janine Estoesta. Interview here

“At the Cobargo Folk Festival in February, Kim Churchill was the recipient of my vicarious joy at this news, and we spontaneously had a chat, leaning on someone’s trailer, outside a venue, out in the open — which was a bit of a mistake because as I now know: don’t try to do these things in a flukey, swirling breeze”Kim Churchill chats to Bill Quinn. Interview here

“At Canberra’s One Very Big Day this week to celebrate the city’s centenary, Fun Machine played to a heaving, sweaty mess of young and old beautiful people, as the last of the fireworks fell away (some into the crowd, allegedly!) as they put a fairly massive stamp on their cross-genre and cross-market universal appeal”Fun Machine chat to Bill Quinn. Interview here

Blog

“It’s the National Folk Festival. Arrayed in a slightly different configuration this year, with some changes, tweaks and sundry twists and turns. If you were sat at home thinking, aw, might give it a miss this year, my suggestion would be this: Don’t” – Bill Quinn reminds us it’s just two weeks until The National Folk Festival. Blog here

Reviews

Recordings

“There is a precision in the way these sounds are arranged which could only have been crafted. All the elements are carefully mixed to create a unique and fascinating texture, which surprises at every listen. It’s the kind of sound you’d expect from a dozen musicians in a world-class studio” – JDX reviews The Wolves by Brighter Later. Review here

Releases This Week

Bob Evans
Familiar StrangerBob Evans
iTunes

The Stand In
The Stand-InCaitlin Rose

Deep and Down These Walls
Deep and Down These WallsDave Di Marco
iTunes

Mala
MalaDevendra Banhart
iTunes

Through the Night
Through The NightJep and Dep
Bandcamp

Rosie
RosieThelma Plum
iTunes

Timber and Steel Presents

Kaurna Cronin
Kaurna Cronin with Ben Whiting and Hamish Anderson
Sunday 17th March – The Workers Club, Melbourne, VIC
Tickets on the Door

Gigs Next Week

Alice Springs Courtyard Sessions feat. Sally Balfour, Katie Harder & Dom Costello, Damien Armstrong and Scotty Balfour and the Diddly e’ Dees
Sunday 17th March – Olive Pink Botanic Gardens, Alice Springs, NT

Blue Mountains Music Festival
Friday 15th to Sunday 17th March – Katoomba, NSW

Bobby Alu
Friday 15th March – Indi Bar, Scarborough, WA
Saturday 16th March – Settlers Tavern, Margaret River, WA
Sunday 17th March – Clancy’s Fish Pub, Dunsborough, WA

Breaking Hart Benton
Friday 15th March – The Newsagency, Sydney, NSW (with Sarah Humphreys)
Saturday 16th March – Illawarra Folk Club, Wollongong, NSW
Wednesday 20th March – Some Velvet Morning, Melbourne, VIC
Friday 22nd March – The Empress Hotel, Melbourne, VIC

Brett Winterford
Friday 15th March – Mars Hill Cafe, Sydney, NSW
Thursday 21st March – The Ellington Jazz Club, Perth, WA

Cordial Factory with Bexley De Lion and Al Parkinson
Saturday 16th March – Northcote Social Club, Melbourne, VIC

Damien Dempsey
Friday 15th March – The Bakery, Northbridge, WA
Saturday 16th March – The HI FI, Melbourne, VIC
Sunday 17th March – Sydney Opera House, Sydney, NSW

Dave Di Marco
Friday 15th March – The Espy, Melbourne, VIC
Saturday 16th March – The Retreat, Melbourne, VIC
Thursday 21st March – Cafe Le Monde, Noosa, QLD
Friday 22nd March – The Brewery, Byron Bay, NSW

Don’t Mention The Wall
15th to 16th March – Beechworth, Vic
Friday 22nd March – Springwood, NSW (house concert)

Eli Wolfe
Friday 22nd March – The Armidale Club, Armidale, NSW

Frogfest feat. The Barons of Tang, Takadimi, GrandMasterMonk and Dave Bova Band: Divina Commedia
Friday 15th March – Red Rattler Theatre, Sydney, NSW

Glen Hansard and The Frames with Lisa Hannigan
Wednesday 20th March – Melbourne Recital Centre, Melbourne, VIC
Thursday 21st March – Melbourne Recital Centre, Melbourne, VIC

Jack Carty and Jordan Millar
Friday 22nd March – The Workers Club, Melbourne, VIC

Jep&Dep
Sunday 17th March – The Green Room, Sydney, NSW

Jordie Lane
Friday 15th March – Theatre Royal, Castlemaine, VIC w/ Ruthie Foster
Saturday 16th March – Meeniyan Town Hall, Meeniyan, VIC
Sunday 17th March – The Corner Hotel, Melbourne, VIC, w/ Ruthie Foster
Thursday 21st March – The Factory, Sydney, NSW w/ Ruthie Foster
Friday 22nd to Saturday 23rd March – Yackandandah Folk Festival, Yackandandah, VIC

Luka Bloom
Saturday 16th March – Blue Mountains Music Festival, Katoomba, NSW
Monday 18th March – Tilley’s, Canberra, ACT
Tuesday 19th March – Tilley’s, Canberra, ACT
Wednesday 20th March – Tilley’s, Canberra, ACT
Friday 22nd March – Wrest Point Showroom, Hobart, TAS

MoFo feat. The Underscore Orkestra and Chaika
Friday 22nd March – The Gaelic Club, Sydney, NSW

Neil Young and Crazy Horse
Friday 15th March – Rod Laver Arena, Melbourne, VIC
Saturday 16th March – The Hill Winery, Geelong, VIC

Nicola Hayes and Hélène Brunet
Friday 15th March – The Spotted Mallard, Brunswick Music Festival, VIC

Passenger
Thursday 21st March – Athenaeum Theatre, Melbourne, VIC

Patrick James
Friday 15th March – The Loft, Gold Coast, QLD
Saturday 16th March – The Waiting Room, Brisbane, QLD
Thursday 21st March – Beav’s Bar, Geelong, VIC

Paul Brady
Friday 15th March – Celtic Club, Melbourne, VIC
Sunday 17th March – The Basement, Sydney, NSW
Thursday 21st March – Guthrie’s, Adelaide, SA
Friday 22nd March – The Fly By Night, Perth, WA

Sally Seltmann
Wednesday 20th March – The Famous Spiegeltent, Melbourne, VIC
Thursday 21st March – The Vanguard, Sydney, NSW

Seth Lakeman
Saturday 16th March – Blue Mountains Music Festival, Katoomba, VIC
Saturday 17th March – Blue Mountains Music Festival, Katoomba, VIC
Wednesday 20th March – Notes, Sydney, NSW
Thursday 21st March – Lizottes, Kincumber, NSW
Friday 22nd March – Lizottes, Newcastle, NSW

The Tiger and Me
Friday 15th March – Elsternwick Hotel, Melbourne, VIC
Thursday 21st March – Beach Hotel, Byron Bay, NSW
Friday 22nd March – The Brisbane Markets, Brisbane, QLD

The Underscore Orkestra
Friday 15th March – The Upfront Club, Maleny, Qld

Two Crows
Thursday 21st March – 5 Church Street, Bellingen, NSW
Friday 22nd March – Australian Celtic Studies Centre, Newcastle, NSW

Friday Folk Flashback

“Sonny” – Mary Black, Emmylou Harris and Dolores Keane

My Mum’s birthday happens to fall on St. Patrick’s Day (this Sunday) which has its pros and cons – the pro being there’s always a party with loads of music and dancing, the con being that mum is rarely the focus of those celebrations. For her birthday I thought I’d dedicate the track “Sonny” as a FFF to her – a song I know she loves. And the fact that this version features two of Irelands greatest singers, Mary Black and Dolores Keane, is a little nod to the other celebration that’s happening this weekend (despite the fact it was written by a Canadian). Happy Birthday Mum!

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