Timber and Steel’s Artists’ Top Albums of 2017

Record Collection

Always our most popular post of the year! Once again we’ve sent out the request to the incredible community of folk and acoustic musicians covered on Timber and Steel and they’ve responded overwhelmingly with their favourite albums of 2017.

We’ve already given you our top 25 albums and EPs – now we turn it over to the artists. So much new music still to discover! So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2017.

Sarah BelknerAlison Avron
Sarah BelknerBut You Are, But it Has
This album release was a long time coming and it was totally worth the wait. The lyrics are so easy to relate to, the production is sophisticated, warm and intriguing. Sarah’s voice and songwriting are absolutely sublime.

Gretta ZillerMichael Carpenter (Carpenter Caswell)
Gretta ZillerQueen Of Boomtown
Apart from having one of the most honest and accomplished voices in the Australian alt-country world, Gretta Ziller has developed into a world class writer in the genre. This album showcases how far she’s come in such a short time, combining her take on contemporary writing, with the amazing production of Paul Ruske. The album is strong and sensitive, ballsy and ambitious, without losing any of the heart you’d expect with the songwriting content. An outstanding release from an artist who has truly arrived, and drawn a line in the sand for the genre.

The East PointersÁine Tyrrell
The East PointersWhat We Leave Behind
What an impossible task, top albums, as I am only just sinking my teeth into so many of the amazing 2017 albums at the moment like Jen Cloher’s Jen Cloher, Declan O’Rourke’s Chronicles of The Great Irish Famine and so many more. But one album that has been top of my play list since release has been The East Pointers’ What We Leave Behind and I never tire of it, which is a sign of a great album. This album has great depth to it musically, lyrically and in production. There is a stunning simplicity to the way the three lads work together that creates a joyous sound much bigger than a three piece and I think they have captured it on CD which is sometimes hard to do. I love that they have been able to honour and respect their tradition and push its boundaries into some modern places. One of the stand out tracks for me is their co-write with Liz Stringer, “82 Fires”.

SOHNRosie Evelyn (Liam Gale and The Ponytails)
SOHNRennen
The general vibe is darkly sexy future blues, with simple, soulful vocals, driving percussion, major synth, and just enough movement to keep you going. A little bit James Blake, a little bit Allan Rayman.

Jed RoweLes Thomas
Jed RoweA Foreign Country
This album grabbed me instantly with the strength of its songwriting, quality of musicianship and directness of emotion. Very few songwriters I know can deliver the goods as writers and players like Jed can. The song “Tailem Bend” – a small town story with universal resonance – shows the level of accomplishment and expression he’s achieved and it’s a beautiful thing to hear.

Stu LarsenAMISTAT
Stu LarsenResolute
Not only is Stu a beautiful human being but also an incredible singer songwriter! Every song on this album is just beautiful and comes from a very honest and humble place.

Mexico CityM.E. Baird
Mexico CityWhen The Day Goes Dark
Why? Because they represent the real deal to me – no ego, no frills, no pretense, just damn good songs and tunes.

Hiss Golden MessengerBrooke Russell and the Mean Reds
Hiss Golden MessengerHallelujah Anyhow
There’s something about MC Taylor’s voice that makes me so happy. I’m fairly new to his music and while I’m diving into his back catalogue, this new one has arrived and I’m in love. Beautiful band sound, fab songs – something sentimental in it that feels warm to me. My rekkid for the summer!

Ryan AdamsRyan Oliver (Oliver’s Army)
Ryan AdamsPrisoner
I love that it’s a revered, adored singer-songwriter at the top of his fame, dealing with genuine emotions and pain in the public spotlight. It may be tragic, it might be self inflicted, but I still feel like he’s a true artist who is his own worst enemy and that comes across in his heart-break ballads.

The Homeless Gospel ChoirFrank Turner
The Homeless Gospel ChoirNormal
I’ve been doing shows with Derek in Pittsburgh for a few years and he’s always been good, but this record is the sound of an artist finding his voice and spreading his creative wings. It’s been absolutely jammed in my stereo since I got hold of it.

Brooke RussellKelly Day (Broads)
Brooke Russell and the Mean RedsThe Way You Leave
This year one album really ticked all my boxes – which sounds too clinical really for something that made me splashy cry while I was driving. I particularly love that it sits outside the kind of music I tend to lean towards, but great albums are often the ones that transcend your usual inclinations. Brooke has absolutely NAILED it with this release. Stunning production, exquisite songwriting, and the most luscious, authentic, rich voice that feels like someone blowing softly on the back of your neck.

Gretta ZillerMandy Connell
Gretta ZillerQueen Of Boomtown
Put together with care and love, produced beautifully, and full of arrangements that feel perfect, unpredictable and just right. Every song inspires a depth of feeling, making it a really rich listen all the way through.

Offa RexMackenzie Shivers
Offa RexQueen of Hearts
Being a true lover of Celtic music, this album inspired me as an artist more than any other. From quirky folk-rock (“Queen of Hearts”) to haunting ballads (“The First Time I Ever Saw Her Face”), there is just enough variety of instrumentation and mood to keep the listener completely captivated. And Olivia Chaney’s voice is arrestingly beautiful. Favorite track: “The Old Churchyard”

Fanny LusdenMelody Moko
Fanny LumsdenReal Class Act
I love the way Fanny has cemented her unique way of writing with the record, her blend of social commentary, vivid imagery and Australian culture is unlike anyone else. The production is lush and thoughtful and brings the album together beautifully.

Moses SumneyTulalah
Moses SumneyAromanticism
Choosing a favourite album is a hard ask, the first one that comes to mind (probably because I’m currently listening to it) is Moses’ masterpiece, Aromanticism. It’s impeccably well constructed; colour, texture, mood, feel, groove – it ticks all of the boxes and ticks them damn well.

The War On DrugsThe Once
The War on DrugsA Deeper Understanding
A super strong, sonically rich and atmospheric follow up to previous album, Lost in the Dream. Sounds like Ryan Adams, Bryan Adams and Bruce Springsteen adopted a kid in the seventies and this is the result of that happy home.

Jason IsbellBrad Butcher
Jason Isbell & the 400 UnitThe Nashville Sound
To make my decision for album of the year I simply refer to which album I’ve listen to most. It’s an easy choice really – The Nashville Sound by Jason Isbell & the 400 Unit. All class as usual, amazing sounds all throughout the record and Isbell’s songwriting is up there with the best of the best.

Jed RoweCat Canteri
Jed RoweA Foreign Country
Jed paints a beautiful and lush portrait of predominantly Australian characters and landscapes, past and present on this record. The depth of field and attention to detail in his songwriting is just wonderful and comes across as completely effortless. Sonically the album is paired back, which allows the strength and quality of the songs, performances and Jed’s voice to shine. If I can write a song like “Where The Water Meets The Sky” or “Tailem Bend” some day, I’ll be well pleased.

LordePepi Emmerichs (Oh Pep!)
LordeMelodrama
Melodrama hits me in the heart every time. It’s lush, poignant, groovy and the songs make me think, all the while being incredibly catchy. Those are pretty much most of my favourite things in music!

TajMoLloyd Spiegel
TajMo: The Taj Mahal & Keb’ Mo’ BandTajMo
The first time I heard Keb’ Mo’ I said “Man, this guy should sit in with Taj”. It’s about time they listened to me. Both these artists have the rare ability to modernise the blues genre while still giving it’s roots and traditions their rightful respect. Combined, this CD hit a nerve with me, in particular the gutbucket tracks “Don’t Leave Me Here” and “Diving Duck Blues”. Really though, you can’t put those two in a room and expect anything less.

Valerie JuneEmily Barker
Valerie JuneThe Order of Time
I learned about Valerie June on my trips to Memphis as she lived there for many years and has worked with a lot of the musicians I know out there. I heard “Long, Lonely Road”, the first song on the record, and I knew from then on I was going to love it. There’s so much space in the recordings and her unusual but beautiful vocals grabbed me instantly. I love how the production and her songs seamlessly blend a mix a folk, soul, pop and desert blues. It sounds fresh and cool, powerful and feminine.

The Ahern BrothersJoel Barker & The Low Company
The Ahern BrothersThe Ahern Brothers
Charming and insightful songwriting combining two voices made to sing together. Deserves to be in front of the masses. Astonishing live performances to boot!

Cigarettes After SexHusky
Cigarettes After SexCigarettes After Sex
It’s a fog of romance and nostalgia you can’t help but get lost in. Reminds me of being 16 and love sick, listening to Mazzy Star.

Lisa KnappSam Lee
Lisa KnappTill April Is Dead – A Garland of May
English folk singer Lisa Knapp has captured in this album a stunning insight into the melodic and archaic realms of May-time when all of England is blooming and the sense of ancient rites and mysticism is emerging from the dark winter. It’s an album that casts a rich and hauntingly magical spell and gives that sense of contemporary ancientness that all good folk singers are masters of.

Greg StepsFour In The Morning
Greg Steps & The Not For ProphetsThe Overland
There have been a lot of great releases this year, but our favourite from around Melbourne has to be The Overland by Greg Steps. The songs just scream of someone who has worked hard at honing their craft. Tightly woven lyrics painting little snapshots of Australia, from early morning walks in Melbourne to trains clattering across Queensland. It’s all underlaid with a warm, folky vibe that feels authentic without being derivative. The stand out track for us is “Famous Last Words”. It’s a folk song in the true sense of the word and weaves together thoughts on fame, colonialism, and folk heroes. It also introduced us to the amazing story of Breaker Morant.

Novo Amor and Ed TullettWildwood Kin
Novo Amor & Ed TullettHeiress
This is the perfect album to listen to when in need of some peace and tranquility amongst a busy schedule. They have released a set of live performance videos that capture their sound together so well; the two voices blend harmoniously together, creating an unbelievable sound of completeness and perfection. You can’t help feeling relaxed when hearing their music!

Leif VollebekkRiley Pearce
Leif VollebekkTwin Solitude
You know how people say they’ve had this CD in their car and have listened to it on repeat since they got it and you’re like “yeh right, no you didn’t”. Well now I understand that feeling. This album is everything. It’s emotive, it’s clever, it’s stripped and simple and it’s f#@king great!

The Teskey BrothersPaddy McHugh
The Teskey BrothersHalf Mile Harvest
When I first heard the track “Crying Shame” I thought that I was listening to a bunch of old African American soul men from Memphis. Then I saw a picture of the band and thought I was listening to a bunch of young white soul dudes from Memphis. Then I read they are from bloody Warrandyte in Victoria. I invited them to play live on my radio show Three Chords & The Truth and they absolutely killed it. Since then I have had the pleasure of playing on a few bills with them and can also report that they are top blokes to boot.

Big TheifFraser A. Gorman
Big ThiefCapacity
Adrianne Lenker is easily the most eloquent and beautiful songwriter I’ve heard in years.

Neil McSweeneyJon Boden
Neil McSweeneyA Coat Worth Wearing
I’ve chosen an album by Neil McSweeney, a stalwart of the Sheffield scene for many years. A Coat Worth Wearing is a fantastically literate collection of songs beautifully arranged and produced, and displaying the talents of a brilliant band of musicians including renowned folk stalwarts Ben Nicholls and Sam Sweeney. It’s an excellent album on so many levels and definitely my pick for album of 2017.

YirrmalKetch Secor (Old Crow Medicine Show)
YirrmalYoungblood
I met Yirrmal Marika in Melbourne at the Australian Americana Honors Awards this past October. Yirrmal stole the show. He is a culture man. I picked up Yirrmal’s new EP Youngblood; it is the best Americana record I heard all year long. It’s got 50,000 years of soul. Crank it up.

Nadia ReidTaryn La Fauci
Nadia ReidPreservation
This record was on repeat for many many months in my car this year. I had really been craving an exquisite, cohesive and beautiful album that I could fall for, hard. This album did all of that and more, which is why it is my album of the year for 2017. I also got to see Nadia play in Sydney at The Golden Age Cinema in April and the show was stunning, it made me want to run home and learn how to play my guitar with that kind of verve.

Ryan AdamsImogen Clark
Ryan AdamsPrisoner
This album sounds to me like beautiful chaos and distress. Ryan Adams has a way of tapping into human vulnerability and woe like I don’t think I’ve ever heard from another artist. This record is just another example of his way with words and melodies that together, form the most melancholy but simultaneously kick-ass comments on the human condition you’ll ever hear from any modern day songwriter.

Sgt PepperJames Daley (The Morrisons, Diamond Duck, Tawny Owl String Band)
The BeatlesSgt. Pepper’s Lonely Hearts Club Band – 50th Anniversary Edition
I feel a bit a strange choosing a reissue as album of the year, but who cares, it’s Sgt Peppers. After all the music I have listened to in my life, nothing has ever captured my imagination the way The Beatles have. It is the most astonishing body of work in pop music, the same way Bach is to classical music or Shakespeare to literature. I discovered The Beatles as a teenager after I got a copy of The White Album for xmas one year and my life has never been the same. Hearing all the remastered tracks and outtakes on this reissue was a wild journey and reinvigorated my love for this music in a way I hadn’t anticipated – I have been listening to The Beatles non stop since it came out, like I’m rediscovering it all over again. There are some absolute pearlers on this – the alternate takes of “Strawberry Fields”, “Lucy In The Sky” and “Day In The Life” are really interesting. Hearing how they built these songs into what we know and love is a fascinating process. However the most astonishing track is the instrumental take of “She’s Leaving Home”. Being able to hear all the subtlety, intricacy and beauty of George Martin’s arrangement for strings/harp was such a joy. A real masterclass in arranging – plus you can sing over and pretend you are Paul McCartney, ha.

The War On DrugsDirewolf
The War on DrugsA Deeper Understanding
Don’t you just adore things that need only a moment to take a firm grip around your mind, heart and/or soul? Like a one in a million barista made coffee or takeaway Thai? Not that I’m directly drawing comparisons between those things and what I consider to be a modern day classic album. However that is how my body reacted when the first second of “Up All Night” passed by. The unmistakable soundscape, verb soaked /grunge driven guitars, the synergy of acoustic/electronic driving “Dire Straights” percussion, Adam Granofsky’s/Bob Dylan’s often confused voices are but the tip of a very large and colourful iceberg that make up the record at large. We’re only supposed to be confined to one sentence, and since I’ve already profoundly broken that line I’m going to insist you put this record on in the background and see how long it takes you to stop needle poking around on the internet and gain A Deeper Understanding.

Scott CookLiz Frencham
Scott CookFurther Down The Line
I listen repeatedly to a lot of albums for my work as an accompanist. Rarely does such an album make it past that stage into my ‘listening
for pleasure’ category let alone become my favourite. But Scott Cook’s warm and beautiful Further Down The Line is one such album. It captures his arresting live delivery and the songs are rich in detail and real, visceral experience.

Dermot KennedyHarrison Storm
Dermot KennedyDoves & Ravens
I remember stumbling upon Dermot’s music on Spotify and instantly connecting with it. I became really intrigued with his music and read in an interview where he explains his sound as a cross between Bon Iver and Drake, which is pretty accurate. This EP is full of rich lyrics and interesting sounds and each listen uncovers a phrase or sound you may have missed in the previous listen. This EP definitely inspired me this year and I am looking forward to what he releases in 2018.

Laura CorteseThe East Pointers
Laura Cortese & The Dance CardsCalifornia Calling
If there’s one album we could pick from 2017, we’d have to choose California Calling by Laura Cortese & The Dance Cards. These girls are ridiculously talented (watching them perform live makes you want to go home, practice and write better songs). Their latest album combines Americana, trad, pop and folk so perfectly. Organic, yet slick. Can’t see how anyone wouldn’t like it!

FeistAinsley Farrell
FeistPleasure
Pleasure is so intimate and fragile, yet very powerful. It tugs at all my heartstrings. I recently got the chance to see her live performance at The Opera House and it blew me away.

Leif VollebekkDustin Tebbutt
Leif VollebekkTwin Solitude
My good friend Hayden Calnin introduced me to this guy over a late night whisky, and I have been listening ever since. The lyrics verge on stream of consciousness without being aimless, while vocally, Leif somehow manages to ride the line between being completely vulnerable and completely in control at the same time. Put this on top of some of the tastiest drum sounds I’ve heard in a long while, and simple but stunning keyboard playing, and you’ve got yourself one hell of an album. There are few bells and whistles, there aren’t really any production tricks or shoe shine here, just honest stories, and raw but precisely executed sounds.

Phoebe BridgersWilliam Fitzsimmons
Phoebe BridgersStranger in the Alps
I came upon Bridgers from my bandmate, who had done some touring with her and I was pretty caught up in it immediately. Her voice is special and there is a wisdom in her words beyond her young years. The most exciting thing for me, however, isn’t the album itself, it’s knowing that there is only more and even better from her to come. Listen to “Smoke Signals”.

The Mae TrioThe Northern Folk
The Mae TrioTake Care Take Cover
We finally caught The Mae Trio at Dorrigo Folk this year after hearing good things for so long, and they blew us away. This is the kind of album that reminds you of how amazing our folk scene can be- heartspoken, cleverly arranged, beautifully performed and catchy as anything. “Call Me Stranger” is a particular favourite of ours, but each song on this record is so strong.

R.L. BoyceDom Turner (The Backsliders)
R.L. BoyceRoll and Tumble
It is the second album from a man at the heart of the Mississippi hill country blues tradition. It contains all the style and swagger, grit and power that comes from a musician who sets perfectly gritty grooves overlain with heartfelt vocals to achieve maximum emotion.

The Button CollectiveJoe Glover (Shelley’s Murder Boys, The Backsliders)
The Button CollectiveHall on the Hill
This album has been on constant repeat in my car, my workshop, and my Spotify from the first day I bought it – so beautifully recorded so that you feel like you are in the room with them as they emotionally belt out fantastic songs written by Brodie and brought to life by a bunch of great musicians. Hall on the Hill is an absolute cracker of an album and I think I’ll be religiously listening to it for some time to come – perhaps until their next one is released.

Willie WatsonShelley Eves (Shelley’s Murder Boys)
Willie WatsonFolksinger Vol.2
This album is such a clear winner for me, I’ve had it on high rotation since its release. Once again Willie brought his own feel to some classic folk songs, from the delightfully joyful harmonies in “Samson and Delilah” to his haunting take on “Gallows Pole”.

All Our Exes Live in TexasJimmy Murray (Shelley’s Murder Boys)
All Our Exes Live in TexasWhen We Fall
Such a pleasure to finally hear this debut album after hearing the band grow and play over the past few years. What an amazing collection of songs and of course the incredible vocal performances from all 4 of these superstars. I really loved the production on the album as well by producer Wayne Connolly which added lovely colour to the beautiful songs. ARIA award winners 2017!

Kat GoldmanRuth Hazleton (Kate Burke and Ruth Hazleton, Bill Jackson)
Kat GoldmanWorking Man’s Blues
Nina Simone once said “It’s an artist’s duty … to reflect the times [in which we live]”. It’s been a fantastic year of new releases, though I’d like to highlight an album that nails the above brief and more. Canadian writer Kat Goldman’s Working Man’s Blues is challenging, at times fragile, brutally honest and incredibly insightful. Collectively, the songs explore contemporary working-class culture, often from the perspective of a lover who struggles to understand and accommodate the struggles of the working man. I’ve long been a fan of Kat Goldman’s writing. Her unique sound, mesmerising voice, distinctive compositions and feet-on-the-ground approach to her music make her a formidable artist of great integrity. Working Man’s Blues has been on high rotation here, and will be for some time to come.

Jed RoweBill Jackson
Jed RoweA Foreign Country
First thing that struck me about this record was the vocals and these songs provide a beautiful vehicle for a great voice. Next thing, the sparseness – the way I have been accustomed to hearing Jed over his journey. Jed Rowe has something to say – I admire that and this record puts him up there with the very best. Standout track for me is “Tailem Bend”. Beautifully produced by Jeff Lang.

Lilly HiattJames Allsopp (Ralway Bell)
Lilly HiattTrinity Lane
Picking one standout release for 2017 was pretty impossible in what was a year of exceptional music. Locally, Joel Barker and the Low Company’s Unchartered EP was a stand out. Otherwise, I’ve been talking up Lilly Hiatt since the moment I finished listening to Trinity Lane. Like all my favourite albums, it’s rooted in personal struggle, ebbs and flows perfectly, is filled with outstanding musicianship, and doesn’t try too hard sound like any one genre in particular. 10 stars!

Body CountMatt Black (The Bottlers)
Body CountBloodlust
Body Count’s sixth studio album Bloodlust emblazons a brutally honest sociopolitical conscience and fire eyed world view, teetering on the honed end of a pistol sight. I feel this is Ice T and band’s tried and true return to form with pinpoint, stand out tracks such as the narrative charged, “Black Hoody” and controversy ladened, “No Lives Matter”. A must listen for those thirsting for the truth beyond a media blurred world.

Bob DylanThe Welcome Wagon
Bob DylanTrouble No More – The Bootleg Series Vol. 13 / 1979-1981
You might call this choice dirty pool, as the music was recorded nearly 40 years ago, but it’s only now getting a proper release, so I’m technically in the clear. This is a collection of live tracks, demos, and outtakes from Bob Dylan’s so-called “Born Again” period, stuff folks (me included) have been downloading from various sketchy websites for years, and for good reason. The songs are great – check “Solid Rock” for a straight Gospel stomper, cue up “I Believe in You” for an arresting spiritual ballad – and so are many of the live performances (the backing choir is consistently blistering). Whether you’re a believer or not, Dylan clearly is here, and it makes all the difference.

The Mae TrioJohn Flanagan
The Mae TrioTake Care Take Cover
Sisters Maggie and Elsie Rigby have such beautifully contrasting songwriting styles, Maggie is a stone cold killer Americana writer and Elsie writes stunningly original melodies with uplifting pop hook choruses. With (no exaggeration) some of the best folk harmonies in the WORLD and Anita’s impressive rhythmic cello playing, this is a truly unique and heart-grabbing band and this album is them going all out with tasteful and at times epic production.

Georgia State LineNick Payne (Dear Orphans)
Georgia State LineHeaven Knows
These guys applied to play at the Americana Music Association of Australia’s takeover of Late Night Alt at Tamworth in January. Paul Heggart from The Heggarties chose them site unseen from the applications purely based on what he heard when he listened to their pre-release recordings of this album. Hailing from country Victoria these guys are a six piece featuring Georgia Delves on vocals, and songwriting. They’re all accomplished instrumentalists in their own right and Georgia’s songwriting authentically channels the best of sophisticated country songwriting from the 60s and 70s.

Fanny LusdenSam Buckingham
Fanny LumsdenReal Class Act
I’m not just picking this album because Fanny and Dan are two of my favourite people! This album is, as the title suggests, all class. Fanny’s songwriting is beautifully Australian and the album is joyful, brilliantly performed by all involved, and completely without any ego – despite the outstanding success these guys have been earning. Fanny gives us all a lesson on how to be a ripper indie artist and how to make music that’s undoubtedly, authentically, your own. Roll on kids

LCD SoundsystemEm George
LCD SoundsystemAmerican Dream
I was moderately (read as *very*) excited when there were rumblings of talk about a new album from these guys, but like anything that was laid to rest, one always is slightly concerned that the revival won’t live up to what has come before it. So when LCD Soundsystem released their new album, I cautiously gave it a first listen and it did not disappoint. Every beat and melodic turn is so completely in tune to what has become their signature sound; that build up of tension and release, excitement and sadness, with inflections of irony that James Murphy grabs the listener with in his choice of lyrics marked with wit. There’s a touch of darkness and melancholy as each song seems to question the ending of things, the loss of once was, but that bright spark of beat this band is known for keeps it somewhere higher and closer within reach, slightly unobtainable so you keep wanting to hear it on repeat from start to finish again and again.

Aldous HardingCharm of Finches
Aldous HardingParty
Party swept us off our feet. Moody and textural, impeccable production awash with aural spectres. Horizon is addictive and moving. Aldous’ compelling voice and haunting poetics have us in thrall.

The Teskey BrothersMark Wilkinson
The Teskey BrothersHalf Mile Harvest
Amazing vocals and killer tracks full of old school soul. Sounds like neat whiskey and smokey bars.

The NationalBANFF
The NationalSleep Well Beast
I eagerly awaited The National’s next record, after Trouble Will Find Me kept me wrapped me up in its flawlessness for the last four years or there abouts. This year Sleep Well Beast won me over, with Matt Berninger’s candid yet agitated words luring me back into that deeply thoughtful, emotional and hauntingly beautiful sound I would’ve always come back for. The National perfectly blend understated harmony with organised chaos throughout all of their records, and this was no exception by any means. The meticulous musicianship and purposeful, but somewhat ambiguous lyrics continue unravelling more layers to this beast in itself every time I listen. This was the best record of 2017 for mine.

LankumKarine Polwart
LankumBetween The Earth and Sky
I can’t get enough of the murky drone-scapes and vocal edges of Lankum’s Between The Earth and Sky. In particular, the raw, reedy singing of Radie Peat on album opener “What Shall We Do When We Have No Money?” sounds like the ages. It’s the absolute antithesis of sweet.

The Wood BrothersBen Prest (Echo Deer)
The Wood BrothersLive at the Barn
I know it’s a live album but this release was my first exposure to the brother’s amazing songs, chops and harmonies. Their sound owes a lot to The Band, and “the barn” is at Levon Helm’s farm where he held concerts before he died, making the fantastic closing cover of “Ophelia” and dedication on “Postcards from Hell” all the more meaningful.

Jess LockeHollie Matthew (Echo Deer)
Jess LockeUniverse
A revisiting of the 80’s Australian rock sound ala Go Betweens with more sadness and slacker vibe. Killer matter of fact lyrics and chorus-y guitar sounds. Even better live. 5 Stars.

SamphaSimon Wegman (Echo Deer)
SamphaProcess
I hadn’t been aware of Sampha’s previous EP releases, but after Shazaming “Blood on Me” while in a tragically trendy sneaker store, I was moved to hunt down the British singer and producer’s debut LP. Sampha Sisay’s sensitive, soulful vocals and meditative piano (reminiscent of James Blake at his best) form the backbone of this record, while the thoughtful production touches throughout make me want to hit “play” again the second it finishes.

All Them WitchesAlexi Grivas (Echo Deer)
All Them WitchesSleeping Through the War
The latest album by All Them Witches has been my most played record this year. A four piece from Nashville – but they aren’t a country band – All Them Witches is a great new-wave heavy psychedelic band, with moments of light and shade. This record has them growing as writers and players, bringing new instruments and sounds into the mix. Can’t wait to see it live.

Sam OutlawRick Hart
Sam OutlawTenderheart
Simple, yet endearing melodies, layered with beautiful storytelling. It’s an album that is strong from start to end, in many ways reminding me of some of the great traditional country songwriters whom I love. Favourite tracks are “Now She Tells Me”, “She’s Playing Hard To Get (Rid Of)” and “Bougainvillea, I Think”.

Courtney Marie AndrewsJames Ellis and the Jealous Guys
Courtney Marie AndrewsHonest Life
I knew what my favourite album of the year was going to be when I saw Courtney Marie Andrews play in Melbourne in July this year. She’s got a tremendous voice and the lyrics stand apart from almost everything else I’ve heard this year in their insight and honesty. What makes her songs exceptional is the way they all seem to come directly from her own story and experience. These are her songs and this is her life. It’s an honest life.

Mike BarnettHamish Davidson (Davidson Brothers)
Mike BarnettPortraits in Fiddles
As a fiddle player and bluegrass fanatic, I am thrilled to see Mike Barnett create a record which to me is like a cross section of all the bluegrass fiddle music I’ve devoured in the last 27 years. He collaborates with some of bluegrass music’s most vibrant talent and shines new light on a great selection of fiddle masterpieces.

Angel OlsenKate Barker (Whoa Mule, Golden Whistler)
Angel OlsenPhases
I just can’t seem to get enough of Angel Olsen’s vocals and songwriting. Her work inspires me to sing like there’s no tomorrow!

George HarrisonTim Guy
George HarrisonWonderwall Music
I know this is a turn up for the books, this was released in 1968. I was in India a few weeks back, and as we descended into the ancient blue city of Jodhpur, I had this on in my headphones and seriously guys, it was incred. Place and time – but you know what I mean.

Sarah BelknerMel Parsons
Sarah BelknerBut You Are, But It Has
Sydney producer and songwriter Sarah Belkner knocks it out of the park with But You Are, But It Has. This record and its predecessor the Humans EP have been on high rotation for me all year. Brilliant songwriting, interesting and super clever arrangements and impeccable production. I will continue to listen obsessively.

Bill OrcuttMark Moldre
Bill OrcuttBill Orcutt
Orcutt wanders in and around the destruction, renovations and construction sites of melody. Tearing a well worn musical phrase apart and rebuilding it. Disassembling a traditional like it’s a jigsaw puzzle and putting the pieces back together in all the wrong places with gaffer tape and super glue. Attacking the guitar with a ferocious tenacity, short angry, dogged outbursts are followed by meditative beauty. “When You Wish Upon A Star” dances about the melody without ever really clearly stating the theme. “Ol’ Man River” is soft and dripping with the peaceful lapping of the Mississippi whist remaining dark and haunting, broken and fractured. Reminiscent of the solo work of Marc Ribot, Fred Frith or even the sonic explorations of Tom Verlaine in its angular assault to the senses. Jazz, traditional folk and the avant-garde smash headlong into each other with little regard for the trail of damage and re-creation left in their wake. Dissonant yet sweet, contemplative while remaining challenging. Bravely free and uncensored.

Loene CarmenCatherine Traicos
Loene CarmenLovers Dreamers Fighters
I’ve always loved the way Lo’s voice manages to be strong, vulnerable, sassy, gentle and flirty all at the same time, and on this record it achieves that in spades. Also the pacing and the production of this record are spot on.

King Gizzard And The Lizard WizardJeff Lang
King Gizzard And The Lizard WizardFlying Microtonal Banana
This is a rocking album, really fun to listen to. The band gets up quite a head of steam, the rhythm section powering with a relentless forward momentum and the various microtonal electric guitars stabbing and chattering over the top. Great riffs all over the album, fantastic energy and an adventurous, explorative mood throughout. It sounds to me like they’re having a load of fun.

Ryan AdamsJosh Rennie-Hynes (The Ahern Brothers)
Ryan AdamsPrisoner
Adams has so many albums and this is one of his best. Great songs, production and tones

Pony FaceCat Leahy (This Way North)
Pony FaceDeja Vu
I’ve always been fascinated with the sonic scapes that Pony Face create. I’m a massive fan of Shane Omara’s musical mind too, so when I heard he was a new member of Pony Face, it just made so much sense. This album really speaks to me. The way the songs tail in and out, the mesmerising, pulsing tremolo on “Mt Deja Vu” the driving groove in “Justine”. It’s pretty magical. Simon’s voice is just heavenly. He’s like some kind of grungy, modern-day crooner.

Nikki LaneRuby Boots
Nikki LaneHighway Queen
I tried to pick another album for fear of seeming biased, but I really do love Nikki’s album from back to front and no matter how I tried, I couldn’t get past it for this year’s top pick, I fell in love with it on first listen and over 50 listens later it still remains my fave. There’s a storyline in every song that is so easy to latch on to and make your own whilst still being cleverly written, that and the infectious melodies that take up the prime real estate on this record are the things that almost make you feel like she’s written the album just for you, the listener, yet there is enough sincerity in there to know that it’s just as much for her as it is for you, the perfect balance really! Fave song on the album: “Foolish Heart”.

Nai palmTommy Spender (Mama Kin Spender)
Nai PalmNeedle Paw
I started listening to this record while I was having a bath and it felt like it really complimented the complete surrender to the hot water. I love Nai’s passion to her artistry. She is truly gifted with a confidence and commitment to her voice that verges on punk, but her vocal has such a developed technicality, it blows me away. It’s so great hearing where she is at without the sinewy and muscular musicality of Haitus Kaiyote winding around her sound.

Scott CookAlanna and Alicia
Scott CookFurther Down The Line
Scott Cook is a natural storyteller; his songs glow with empathy, wit and warmth. This is a beautiful album, but he is even better live.
His performance on the porch at Enda Kennedy’s house concert in Northcote, Melbourne was a passport to the heartland of folk songs as they should be, as they have always been.

Colter WallHarvey Russell (Peasant Moon)
Colter WallColter Wall
This is a sparse, flawless debut from an extraordinarily talented 22 year-old Canadian possessing an absurdly weathered baritone. Arranged mostly with acoustic guitar and pedal steel only, these songs are written with the assuredness and self-knowing of a veteran songwriter. At times channelling Haggard, others Townes, the dark, vivid storytelling is magnetic and stunning. These songs feel lived in, shaped by wisdom and experience. Here we have a voice of country music’s future.

Caroline SpenceJosie Rothwell (Peasant Moon)
Caroline SpenceSpades and Roses
I’ve adored Spades and Roses this year. The songs are gentle, personal, universal, with gorgeous, sonically diverse but simple instrumentation. From the gender politics of “Softball” to the twang of “Hotel Armarillo” to the cute, lyrically playful “Wishing Well” and yearning of “Slow Dancer”, they’re songs I love to listen to, to be swept away by – what a songwriter!

Bad // DreemsMark “Looch” Lewis (Wifey, Handsome Young Strangers)
Bad // DreemsGutful
A cracking second effort from the best thing to come out of Adelaide in a long time. Big old school pub rock sound, quality songs, gruff vocals and a solid rhythm section make these guys a step above the other contenders. Bad // Dreems have always been a fantastic live act and this album gets closer to nailing that intensity and rawness. There is a reason they supported Midnight Oil recently! Can’t wait to see what comes next.

Gang of YourhsGretta Ray
Gang of YouthsGo Farther In Lightness
It wasn’t a challenge in the slightest to fall completely, head over heels in love with Gang Of Youths’ record Go Father In Lightness. The lyrics throughout this album are phenomenal, philosophical, pegging together lines of innovative poetry such as “a weight that’s in youth” soon to be followed by more casual, laid-back slang “..that makes a dick of us all”. I felt that the literature, interwoven with conversational speech in this way served to make this album, an album that discusses and reflects on the pros and cons of one’s “limited life” as well as the exploration of what it is to be “human”, unbelievably moving and relatable. As a writer myself, but more importantly a listener, I perceived it to be nothing less of an honour to see the world through writer and frontman Dave Le’aupepe’s eyes whilst listening to this record, that is more than deserving of all of the acclaim it has received over the duration of this year.

Kasey ChambersTom Busby (Busby Marou)
Kasey ChambersDragonfly
I’ve spent a bit of time with Kasey and the Chambers family over the last couple of years and the more I’ve been able to watch her off stage, the more I have realised that she is a true and prolific songwriter. Constantly singing, always creating, forever exploring. That is what this record is, just like her, brave and genuine!

Kendrick LamarSahara Beck
Kendrick LamarDamn
This album has worked for me no matter what mood I’ve been in all through 2017. It’s one of those albums that, to me, will always be a classic. Driving down to the lake with the windows down loving every moment of each song. Thank you for making my 2017 that much better Kendrick.

Leif VollebekkHayden Calnin
Leif VollebekkTwin Solitude
Never has an album been so important. I’ve listened to this every second day, and it still feels as good as the first listen. It’s come to the point that I’ve started a petition to bring this talent to Melbourne. I’m addicted to the feeling Leif gives to me. Enjoyed best walking through chaos on a sunny day, forgetting the world around you.

Ulrika SpacekTom Stephens (Tesse)
Ulrika SpacekModern English Decoration
A lesson in the art of denial, an element is there and then it’s not. It’s driving and heavy, commanding attention, but somehow you can drift away at the same time. Melodies that have to be revisited again and again and then again.

Valerie JuneMatt Golotta (The Sweet Jelly Rolls)
Valerie JuneThe Order of Time
I listened to the first few songs online of The Order of Time when it first came out, then began calling record stores instantly to see if they had it in stock because I had to own it. This record seriously has everything I look for, its soulful, rocky, bluesy and country, with the right amount of sadness. I think I’ve listened to “Love You Once Made” every day this year since buying the record. “Got Soul” is a stunning pairing of soul and country that is this perfect happy way to close the record.

Daniel RomanoTamara Lindeman (The Weather Station)
Daniel RomanoModern Pressure
Definitely the record I listened to most this year. Just great. Perfect pop songwriting, wonderful wild drumming, insane bass playing, great solos, crazy organ jams, great everything (and every note played by Romano of course). What else do you want?

Big ThiefCy Winstanley (Tattletale Saints)
Big ThiefCapacity
After being introduced to ‘Paul’ from 2016’s Masterpiece on a late night drive, and subsequently watching their Tiny Desk concert, I have been enthralled with this band. I love Adrianne Lenker’s poetic, yet coherent and often confronting lyrics, and the stark arrangements of harmonically rich songs played with a nonchalance that belies their mastery.

Sara TindleyLucie Thorne
Sara TindleyWild & Unknown
There’s an extraordinary richness and directness to Tindley’s voice that is truly stunning. Wild & Unknown is a brave and beautiful collection of songs that’ll have you dancing one moment, weeping the next. A quiet masterpiece that creeps up under your skin and plants itself in your soul. I love this album.

Jen CloherAlison Ferrier
Jen CloherJen Cloher
I love everything about Jen Cloher’s self-titled fourth album. This comes close to the perfect album for me, it’s brilliantly written, performed, recorded and produced. Jen’s bare-faced honesty is incredibly brave and inspiring. Favourite tracks: “I Forgot Myself” and “Strong Woman”.

The Secret SistersThe Weeping Willows
The Secret SistersYou Don’t Own Me Anymore
Selecting your favourite album of the past 12 months is made all the more difficult when three of your favourite acts (Jason Isbell, David Rawlings and The Secret Sisters) all release LPs within the same calendar year. But whilst Isbell and Rawlings delivered sublime albums (as to be expected), the Sisters’ album is “all killer, no filler”, their best work yet, with no temptation to reach for the “skip” button! You Don’t Own Me Anymore is the charming trad-country harmony duo’s third album and most personal project to date. The writing is at times confessional, at others, nostalgic for simpler times; strength juxtaposed with vulnerability. Their soulful songs were lovingly and tastefully produced by good friend Brandi Carlile. Stand out tracks include “Tennessee River Runs Low”, murder ballad “Mississippi” (sister song to the wonderfully haunting, “Iuka” from their 2014 album, Put Your Needle Down), “Little Again” and title track, “You Don’t Own Me Anymore”. Check them out if you’re fans of sibling harmony (eg. The Everly Brothers) and/or the southern gothic stylings of Gillian Welch and The Civil Wars.

Lilly HiattSophie Klein (Little Wise)
Lilly HiattTrinity Lane
I saw Lilly perform at Third Man Records at AmericanaFest in Nashville, but the gravity of her songwriting only hit me afterwards, listening to her rocking 2017 album Trinity Lane on my headphones traveling around the States. The production, by Michael Trent of Shovels and Rope, is big, loud, gritty and more indie rock than Nashville alt-country. But Lilly’s voice still has a southern twang to it though and the melodies and words kick around my brain for days on end. “I just wanna rock n’ roll, scream out my and burn real slow” she sings on “Records”, and it makes me want to do the same.

Jamie WyattGretta Ziller
Jamie WyattFelony Blues
Although it’s been out for most of the year I’ve only just discovered Jamie Wyatt’s Felony Blues! It’s a rare thing for me to listen to something on repeat but since I’ve discovered her it’s all I’m listening to!!! It’s unashamed, uncomplicated, catchy, good old fashioned country music.

Christopher Coleman CollectiveThe Dead Maggies
Christopher Coleman CollectiveAh Winter
This is a work of art, from a guy that’s had a hard run and put his heart on his sleeve. The result is a deep, personal and moving album of mature songwriting. Musically it sits somewhere between Bright Eyes and Neil Young.

Steve EarleTristan Goodall (The Audreys)
Steve Earle & The DukesSo You Wanna Be An Outlaw
Equal parts devilish invitation and cautionary tale, this killer record was a tour van favourite as we hit the road after a break this year. Steve is in fine form, as usual, and while the album is boisterous and swaggering, it also manages to highlight his songwriting craft. Highlight: Willie Nelson growling “if you wanna be an outlaw you can never go home”. Giddy-up!

LogicSteve Barnard (Jon Cotton and The Book Keepers)
LogicEverybody
Riding my push bike past all the kids and their mothers, heads adorned in their icon of piety, devotion and religious identity. The burka is far more common in this corner of Sydney than most and it puts a smile on my face to see children enjoying their walk home from school with Mum. An old bogan crossing the road to the pub yells racial cliches about going back where you came from and then turns to me for my approval of his vitriol. I inform him I’m from overseas too, I just happen to be white and he is guilty of the grossest and purest type of racism. Racism is as blatant as the inability to see past difference and as subtle as the apathy that accompanies privilege. Everybody suffers either in their oppression or privilege. Everybody.

Lawrence GreenwoodTanya Batt (BATTS)
Lawrence GreenwoodP.S. I’m Haunted
Lawrence has been a favourite of mine for a long time with his previous project. It feels so nice to have a new album from him and my gosh wow. The melodic and lyrical genius within this album actually made me cry the first time I heard it. The journey this takes you on from start to finish is incredibly special. All of the amazing detail within the album leaves you finding something new each listen.

Gretta ZillerAndrew Swift
Gretta ZillerQueen Of Boomtown
Maybe I’m a little biased after spending so much time on the road with Gretta, but credit where credit’s due. Queen Of Boomtown is a solid record from start to finish. With underlying blues tones throughout, Queen Of Boomtown will have you tapping your feet, singing along and wiping away a tear or two again and again. Ziller is quickly being recognised as one of this country’s best songwriters and without a doubt one of its best vocalists.

Raise By EaglesSam Newton
Raised By EaglesI Must Be Somewhere
There is a great mix of upbeat and slow-burner tracks with a sprinkle of country here and there. The record is filled with great songwriting and heartfelt lyrics.

Ben SalterShane Nicholson
Ben SalterBack Yourself
I have a lot of favourite albums of 2017. It’s been a good year. But for me, one stands above the rest – Ben Salter’s Back Yourself. It’s equal parts diverse, brave, accomplished, intelligent, exciting, original, and just plain incredible, superior record-making.

Frank OceanThe Campervan Dancers
Frank OceanBiking
Ryan is arrested by the nostalgic visions of meatophorical bike-riding. Chelsea is delighted by how they manage to execute an extensive shouting outro with great aplomb.

The East PointersThe Little Stevies/Teeny Tiny Stevies
The East PointersWhat We Leave Behind
This recommendation is just as much about the album as it is about the live show, because TEP have done what is often very difficult to do and that’s to capture the energy and magic of their live show on record. As a band they’ve got the full package; great songs, impressive multi-instrumental musicianship, rich 3-part harmony, and to top it off they’re genuinely nice people. My favourites on the album are the vocal lead songs because I love a catchy melody and riff. But I also really enjoy the instrumentals because they include some super interesting harmonic changes through them that don’t always go where you’re expecting them to go. It’s an album that’s made a non-fiddler make it their new years resolution to learn how to play the fiddle, so it must be pretty good.

Songs From DanMelanie Horsnell
Dan TuffySongs from Dan
I loved Dan Tuffy’s record Songs from Dan because I love the quiet back of the valley live sound and the song “The biggest bastard who ever rode the west” is every musician-having-a-low-down-day’s anthem. And I loved King Curly’s new EP but biased as now we are making a record together, so not allowed to vote for that.

Les Poules a ColinJesse Periard (Ten Strings and a Goat Skin)
Les Poules à ColinMorose
Les Poules à Colin have never been a band to limit themselves. They are constantly pushing boundaries and exploring uncharted territory, which sets them apart from so many traditional music groups. They’ve grown so much as a band and Morose is a true representation of where they stand in the realm of traditional Québécois music and I couldn’t be more proud of them. This album has so many complex and beautiful layers to it, and has inspired me and taken me to places I didn’t expect.

Sarah BelknerJulia Johnson
Sarah BelknerBut You Are, But It Has
A record I have returned to repeatedly, finding more with every listen. The textures and arrangements glisten, but have this earthy, warm undercurrent. Her lyrics unfolded the more I honed in on them. Where I was wondering of their meaning upon first listen, months later her songs are resonating deeply with chapters and moments in my life. For me, there’s nothing more wondrous than finding a song that exposes one’s painful or wonderful experience as universal, and this album is rich with those gems. Standout track: “Cellophane”.

Jesca HoopAinslie Wills
Jesca HoopMemories Are Now
I describe this album to other people as “assertive folk” in that it has folk sensibilities and instrumentation but the song ideas are quite robust and angular at times which make it really memorable (ha! Pun not intended). Also, It has no drums which to me was really refreshing as most things these days are so banger/beat driven.

Trad AttackJoe Gould (The Crooked Fiddle Band)
Trad.Attack!Kullakarva / Shimmer Gold
Every so often I spend some time seeking out what’s happening in other local scenes around the world, and Crooked Fiddle’s musical equivalents therein – thus leading me to Estonia’s Trad.Attack! (punctuation included). Part melodic folk pop, part updated trad folk complete with Estonian bagpipes, they sometimes come across as a Baltic equivalent to Ireland’s Kila, especially on the epic title track.

Big ThiefAngie McMahon
Big ThiefCapacity
I’ve fallen in love with this band and this album. The intimacy of the songwriting has captured me, and the so many moments in the lyrics and music have brought me to moments of realisation and clarity. Some albums make you really grateful for music and the power it has over your mind, and this year, for me, it’s been this one.

Lana Del ReyTori Forsyth
Lana Del RayLust for Life
I love that Stevie Nicks has a little part of this record, she also experiments with some rad sounds. Also, lyrically this record is incredible.

This Is The KitEmily Staveley-Taylor (The Staves)
This Is The KitMoonshine Freeze
We met Kate, Rozi and Jamie at The Funkhaus during the Michelberger festival in Berlin last year and thought they were all wonderful people making wonderful music. Then we saw them play this album live at Eaux Claires festival in the summer and were blown away. The record has so many lovely, rounded sounds on it. It feels soft, but it has a driving energy that keeps pushing it forward. Kate’s voice has a familiar, kind quality when she sings – who doesn’t want to feel like they’re having a conversation with a friend when they listen to music? It’s a self-assured album by a band who seem to really know who they are. And that’s a comforting presence to be in. Plus the tunes are fucking banging. And the horns rule.

Sun Kil MoonNigel Wearne
Sun Kil MoonCommon As Light and Love Are Red Valleys of Blood
This year Sun Kil Moon has been on high rotation. Common As Light and Love Are Red Valleys of Blood is so different, that I honestly can’t remember hearing anything else like it. Spoken word poetry, prose, and random stories (including a Chameleon vs a Cat), diary entries, muses on David Bowie and Ali augmented by busted-up Dad hip hop. It’s completely whacked and compelling. A slow burn that requires the lyrics booklet.

Full Lineup of the 2017 Illawarra Folk Festival

Illawarra Folk Festival
Image Courtesy of The Illawarra Folk Festival

One of my favourite folk festivals of the year, The Illawarra Folk Festival, hits the Bulli showground in New South Wales on the 12th to the 15th of January and the lineup is incredible.

Despite being a medium sized festival The Illawarra Folk Festival manages to attract some pretty amazing acts and this year is no different. The lineup includes, but is not limited to, Andy Irvine and Luke Plumb, FourWinds, Tattletale Saints, The Whitetop Mountaineers, Tim O’Brien, Wallis Bird, Daniel Champagne, Echo Deer, Handsome Young Strangers, Lime and Steel, Mandy Connell, Martin Pearson, Nigel Wearne, Shanty Club, The Squeezebox Trio, Tinpan Orange, Big Erle, Jane Aubourg, Joe Mungovan, Kay Proudlove, Shelley’s Murder Boys, The Lurkers and many many more.

Tickets are still available for the festival and can be picked up here. If you live in Sydney I’d recommend jumping on one of the Music Trains down to Bulli for the full festival experience.

The full lineup for The Illawarra Folk Festival is below:

International Artists:
Andy Irvine (Ire) and Luke Plumb, Azzband (Italy/Spain), Christine Collister (UK) & Michael Fix, FourWinds (Ire), George & Noriko (Japan), Girls with Knives (Canada), Gregory Page (USA), Ken Field’s Hoot Band (USA), Kenta Hayashi (Japan), Kirsty Bromley (UK), London Klezmer Quartet (UK), Tattletale Saints (NZ), The Haywood Billy Goats (USA), The Outside Track (Scot) , The Sauerkrauts (Germany), The Whitetop Mountaineers (USA), Tim O’Brien (USA), Wallis Bird (Ire), Winter Wilson (UK)

National Artists:
1917: Strike!, 8Foot Felix, Adder’s Fork, Alanna and Alicia, Albion Fair Morris Dancers, Alex Hood, Baltic Bar Mitzvah, Black Bear Duo, Black Joak Morris, Blakboi, Brian Bell, Bruce Mathiske, Bush Music Club, Charlotte Emily, Chloe & Jason Roweth, Col Hardy, Colleen Z Burke, Daddy Longlegs & the Swamp Donkeys, Daniel Champagne, Dave de Hugard, Dave Elliston, Den Hanrahan & the Rum Runners, Dingo’s Breakfast Oz Music & Poetry Band, Echo Deer, Equus, Errol Gray, Fettler’s Yard, Folkaphonic Youth Orchestra, Free Fried Chicken, Genni Kane, Geoffrey W Graham, Glenn Skuthorpe, Glover & Sorrensen, Gone Molly, Good Tunes Band, Gordon Lightfoot Tribute Band, Graham Maureen Seal, Rob & Olya Willis, Gregory North, Handsome Young Strangers, Hillbilly Goats, Homegrown Quartet, Ionia, Jaga Band, Jay Wars & The Howard Youth, Jim Haynes, Jody + Innes, John Broomhall, Junkadelic Brass Band, Kate Maclurcan & The Loose Ends, Lime and Steel, Lindy lady of the Forest: Storyteller, Lisa Couper, Lizzie Flynn & The Reckoning, Low Down Riders, Malcura, Mandy Connell, Mark Cryle & Carmel Newman, Martin Pearson, Matthew Dames , Melbourne Scottish Fiddle Club, Men With Day Jobs, Nigel Wearne, Out of Abingdon, Pat Drummond, Pete Denahy, Peter Hicks, Peter Mace, Peter Willey & Matthew Hobbs˜, Rory Faithfield, Rosie Burgess Trio, Rough Red, Rusty & The Saint, Sadie & Jay, Shanty Club, Sissybones, Taylor Pfeiffer – The Banjo Girl, The Good Girl Song Project, The Northern Folk, The Squeezebox Trio, The String Family, The Three Marketeers, The Trippy Hippy Band, The Wish List, Tinpan Orange, Tom Dockray, Tulalah, Women in Docs , Yellow Blue Bus

Local Artists:
Alex Boston, Astarte Studio’s Steampunk Gypsies, Big Erle, Brian Jonathon, Brynn Luker, Cake Tin Rattlers, Carefree Road Band, Cat Walk City and Friends, Chord-eaux, Cinnamon Twist Belly Dance, Circus WOW, Chinese Lion Dancers, Cross Rhythm Dance Company, Dani Karis, Erika Steller, Festival Choir & Orchestra, Five Sad Men, Gobsmacked!, Grace Gladwin, Harman & Hellens, Illawarra Breakfast Poets, Illawarra Flame Three, James R Cooper, Jane Aubourg, Joe Mungovan, John Littrich & The Water Runners, Josh Maynard, Kay Proudlove, Kenny Bartley/Super Kenny, King & Queen of Green – The Pearlies, Leo, Lizzie Bennet Band, Love In The Jungle, Man from the Misty Mountains, Maya & Tala, Maypole with Molly, Melanie April, Moscateros, Murmur, My Secret Window, No Such Thing, Paddy & The Wonderband, Patrick Lyons & The American Creek Band, Patron Saints Of Folk, Ralph Scrivens, Rani’s Fire, Ribbon Gang, Ruido Indy Flamenco, Scientists Behaving Badly, Shalani & Chloe, Shelley’s Murder Boys, Silver Lotus Tribal Bellydance, SingGongGo, Soul Flamenco, Southern Gentlemen, Story Beats, Stringline, Swamp n’ Beats, The Beatmeisters, The Bowhemians, The Calamities, The Con Artists, The Derby Dolls, The Lighthouse Keepers, The Lurkers, The Scratchies, The Swingaleles, Three-Sixty, Vic Janko Orkestar, Zlatkos Balkan Cabaret, Zumpa

Full Lineup for the Kangaroo Valley Folk Festival

Chaika
Image Courtesy of Chaika

The Kangaroo Valley Folk Festival is just under two weeks away and if you haven’t seen the lineup yet you’re in for a treat.

Boasting a bunch of Timber and Steel favourites, the Kangaroo Valley Folk Festival takes place from Friday 16th to Sunday 18th October in Australia’s most beautiful valley.

This year’s festival is set to feature 19-Twenty, Andrew Clermont, Berry Silver Band, Black Joak Morris, The BordererS, Broads, Bush Music Club Inc, The Button Collective, Cantares, Carl Pannuzzo, Chaika (above), Chloë & Jason Roweth, Circus Wow, Colin Towns, Cool Mountain Duo, Daniel Lucas, Danny Spooner, Dorothy Schunmann, Ecopella, Edema Ruh, Elwood Myre, Fatchuwawa, FolkLines, Fresh Off the Boat, Glover & Sorrensen, Good Girl, Grace Barr, Grapevine Jane, Gregory North, Halfway to Forth, The Hollands, Horse & Wood, InspeKtor gadje, Jim & Ingrid Rehle-Williams, John Bennett & David Hyams, Kangaleles, Ken Gates, Kenny Bartley (Super Kenny), Kiki and Pascal, Mal Webb, Martin Fairweather, Martin Howells, Maypole with Molly, Men With Day Jobs, Miss Eileen & King Lear, Naomi Doherty, Nick Rheinberger, Nigel Wearne, No Such Thing, Old Married Couple, The Pacitti’s, Pamela Wilson, Pastrami on Ryebuck, Paul Carr, Penelope Swales, Pete Wild Trio, Rose & Shamrock Ceili Band, Ruido, Set In Their Ways, The Shining Wits, Sidetalk, Solidarity Choir, Sparrow Folk, the STRUMpets, Totally Gourdgeous, Trilogy, Wild Honey, The Winnetts, Women in Docs and more.

For more information on the Kangaroo Valley Folk Festival, including how to get your hands on tickets, check out the official site here.

The Fleurieu Folk Festival Announces 2014 Artists

The Little Stevies
Image Courtesy of The Little Stevies

South Australia’s premiere folk festival, the Fleurieu Folk Festival, has just announced artists for its 2014. Held in Willunga, south of Adelaide, the Fleurieu Folk Festival will this year take place from the 24th to 26th October.

The headliners for this years festival includes Keith Potger of The Seekers, Melbourne sister duo The Little Stevies (above) and Sydney fiddler Marcus Holden (Fiddlers Feast). Joining them will be a bunch of national and South Australian artists including Wheeze & Suck Band, Women in Docs, Warren Fahey, The Weeping Willows, Nigel Wearne, Kaurna Cronin, Chris Finnen, Courtney Robb and many more.

“The interest we receive from interstate musicians wishing to play at the Fleurieu Folk Festival continues to grow every year,” festival organiser Pete Thornton explained. “The festival is recognized nationally as one of the most family-friendly and accessible festivals on the live music calendar. Audiences of all ages love it and performers love to play in it.”

For more information on the Fleurieu Folk Festival, including how to get your hands on earlybird tickets, check out the official web site here. The full list of artists is below:

The Little Stevies, Keith Potger, Wheeze & Suck Band, Women in Docs, Warren Fahey, Marcus Holden, Christine Wheeler & Friends, The Old Empire Band, The Littlest Fox, Grimick, The Weeping Willows, Nigel Wearne, The Lazy Farmer’s Sons, Anna Armstrong & Jordan Farrell, Slim Dime & the Prairie Kings, Bart Thrupp, Louisa Wise, Chris FinnenHalfway to Forth, Junior, Astro Cobalt, Goldstein, Courtney Robb, Maggie Rutjens, Serendipity, Siobhan Owen, The Hushes, Kaurna Cronin, Kevin McCarthy

Timber and Steel’s Artists’ Top Albums of 2013

Listening to Records

In what is now an end of year tradition Timber and Steel are following up our own list of the top albums of 2013 with a piece that opens the floor to some of our favourite artists.

We reached out to musicians far and wide, from big international names to local up-and-comers, to get their thoughts on the best albums and EPs of the year and the result is once again incredible. If you ever wanted to know what the artists you listen to are listening to then look no further as we present to you Timber and Steel’s Artists’ Top Albums of 2013:

Back on the MilksThomas Busby (Busby Marou)
The Starry FieldBack on the Milks
It’s almost impossible to slot this album into a genre because it covers almost all styles yet somehow it works perfectly. Mark Myers could be from another planet, because this seems to be a soundtrack from another world.

Picture of YouDarren Cross (Jep & Dep, Darren Cross Band)
Guy ClarkMy Favorite Picture of You
Guy Clark and Townes Van Zandt have to be mentioned in the same sentence. The masters of the Texan Troubadour Genre- minimal powerful melodies and stories that change your mood-help you live. Townes is no longer around – Guy Clark is in his 70s, his songs getting stronger and more powerful. These guys wrote the rule book. Guy Clark’s latest album is amazing. In a world of autotune – Racscal Flatts / Taylor Swift mediocrity – a true country artist without any of the rhinestone cowboy bullshit is still alive and kicking and relevant and still breaking our hearts. I dare you to listen to “My Favorite Picture of You” or “Hell Bent On A Heartache” and not feel something. A true Inspiration.

Sam AmidonDevon Leger (Hearth Music)
Sam AmidonBright Sunny South
Because Sam Amidon is the most visionary folk artist of his generation. He understands musical traditions deep into his bones, and though he goes very far afield in his interpretations, he’s so grounded in the traditions that his experimentation serves as a vehicle to delve farther into the source material than ever before. He’s an uncompromising artist that reminds me again why I love folk music.

Melody PoolKristy Cox
Melody PoolThe Hurting Scene
The Hurting Scene has to be one of the most amazing debut releases of an Australian artist in a long time. It’s an album that more often than not touches on the topics of hurt and sadness – yet a notion of positivity shines through each of the songs. Melody’s vocals are shine on each track, however it’s her lyrics and the melody in each song that draw you in so you have to keep on listening! By far my favourite release of 2013! This girl is amazing!

Tiny RuinsOscar Lush
Tiny RuinsHaunts
For me, this six track EP has more depth and honesty than any other full length album of 2013. Tiny Ruins is the moniker of UK born, New Zealand based, singer-songwriter Hollie Fullbrook. Following up from her 2011 album Some Were Meant For Sea, the Haunts EP is a beautifully flowing fusion of modern folk, jazz and old-school country blues. Fullbrook’s rich and captivating vocals roll so smoothly over her laid back picking style as she draws you further and further into the veil of fog that hovers over this charming collection of songs. What I love most about Haunts is the way it pays tribute to so many traditional styles, from the Townes Van Zandt style of guitar on “Cold Comfort” to Fullbrook’s flawless cover of “Rolling Mill Blues”, yet I fail to compare the sound of Tiny Ruins to anything else because it’s also completely of its own world. I promise that this one really is worth all of your time.

Daft PunkKim Churchill
Daft PunkRandom Access Memories
Whilst I’ve been dancing around possible answers in my head I really have to go for one which I’ve barely stopped playing since I bought it. I know the whole world seems to have been won over, but Random Access Memories by Daft Punk has been my favourite album this year. It has such respect for music and its evolution over the past 50 years. It also has most of my favourite session players from as far back as the 60’s as well. Using drummers like JR Robinson and Omar Hakim and experimenting with things like Gorgio Moroder’s monologue over the top of those drums was incredible. Its the kind of music I dream of hearing and the ultimate experimentation in excess. Over a million dollars, 5 years the best studios and session players in the world and the occasional full orchestral and choir movements! Finally though, what mainly draws me to an album is the songs. Though I never thought I would look to Daft Punk for inspiration, the songwriting is really exquisite. Particularly the Paul Williams collaboration, “Touch’.

StreetsMike McCarthy
Isaac de HeerStreets
I am a huge fan of Isaac De Heer, his records are on high rotation here. On Streets Isaac continues on this well built path of unorthodox folk songwriting. Again, as on his previous two records, the production captures his quirky approach to writing and performing music. The melodies are strong, the lyrics are the kind you want to pore over and try to understand. Every broken piano sound and haunting backing vocal has it’s place in a very well thought out and enjoyable EP.

The PreaturesAshleigh Mannix
The PreaturesIs This How You Feel?
I cannot tell you how may times I have listened to this EP since it’s release. Its absolute killer first single “Is This How You Feel?” still has me shamelessly breaking out in dance wherever and whenever I hear it. I actually cannot stop myself! The entire EP is filled with a catalogue of influences – Fleetwood Mac, Prince and Neil Young are a few that I immediately note. Yet at the same time, The Preatures have their own captivating sound that I personally cannot get enough of. Listening to female lead, Isabella Manfredi’s voice makes me want to put on my LBD and leather jacket and paint the town red. While the lead vocals of Gideon Benson in “Dark Times” leaves me completely devastated that I’m not single … It’s funny where music can take you. Is This How You Feel? is the sound of a band doing what they do, and doing it fecking well!

Jim JamesIsaac de Heer
Jim JamesRegions of Light and Sound of God
A couple of years back I was struck by the Yim Yames EP Tribute To which is a collection of George Harrison songs – I loved how rushed the recording sounded, full of pure longing blasted into its delivery. I hadn’t heard anything about the Regions… album but bought it on a whim when I was wandering through Polyester Records, judging from the strength of that EP. What I found was a real grower with a gospel sorta vibe, mixed with huge drum sounds and wonderful imaginative lyrics and soundscapes. The whole album has a naivety and innocence about it that is captivating, flowing from song to song effortlessly, with a great instrumental track halfway through that lets it breathe. It’s well worth a few listens!

Stolen ViolinMark Myers (The Starry Field)
Stolen ViolinTemperate touch, Tropical Tears
I don’t listen to much music outside of the studio but I spent a lot of time with this album. It might not be everyone’s thing with it’s lofi guitars and hard to hear lyrics but I had tears in my eyes by the end of it.

Jimi HendrixJustin Thurgur (Bellowhead)
Jimi HendrixPeople, Hell and Angels
My album for 2013 is Jimi Hendrix’s People, Hell and Angels a previously unreleased studio album that was supposed to be the follow up to Electric Ladyland. This album is full of refreshingly strong, raw, bluesy songs with a healthy funk influence played by instrumentalists who are true virtuosos and unafraid of expressing themselves. The soul pours out of these recordings.

Keston Cobblers ClubRachael McShane – (Bellowhead)
Keston Cobblers’ ClubA Scene of Plenty
This sounds like a really fun band to be in! The rich instrumentation featuring tuba, squeeze-box, banjo, strings, percussion and vocals, coupled with catchy melodies and massed group vocals on the song “Beam” make you want to sing along, put on your dancing shoes and join the party. Keston Cobblers’ Club have a very refreshing DIY attitude to recording and packaging. They designed their CD case as a train set with cut-out-and-stick trains, tents and animals. Well worth checking out their videos on YouTube too.

Jimi HendrixBenji Kirkpatrick (Bellowhead)
Jimi HendrixPeople, Hell and Angels
I would have to say People, Hell and Angels by Jimi Hendrix is my favourite album of 2013. The reasons being I’m a massive Hendrix fan and although there’s nothing really very new on this release it’s a great collection of Hendrix tunes and displays his fluid mastery of the guitar very well. Also some nice cameos from the likes of Stephen Stills and Lonnie Youngblood. Essential stuff for us Hendrix geeks.

Midnight Follows MeJulian Cue (The Barons of Tang)
BJ MorriszonkleMidnight Follows Me
Ridiculous and beautiful, this album is essentially the mad ramblings of a one man band let loose in a studio. I love the every changing and complex compositions, demented keyboard sounds and the delicate balance between “tongue in cheek” and sincerity. Also it seems to me that BJ Morriszonkle is one of the finest male vocalists / crooners playing around at the moment. His voice makes this album. 5 out of 5 exploding cakes

Vance JoyWoody Pitney
Vance JoyGod Loves You When You’re Dancing
Since first hearing a demo of “Riptide” in 2012, i’ve been a big fan of VJ’s music and his debut EP didn’t disappoint! James Keogh has a killer voice and there isn’t a dull moment throughout the entire 5-track EP. All of the songs are beautifully written, yet simple enough to have you singing along after one listen. With catchy melodies, slinky ukelele strumming and powerful storytelling, it’s clear to see why people compare the great man to the likes of Paul Kelly and Bernard Fanning.

Vic ManuelScott Collins (The Mid North)
Vic ManuelBury Me Deep
Vic Manuel is someone you probably would not have heard of……yet. ‘Bury Me Deep’ is his first solo album and it is a cracker. A melding of folk, old-time and Americana, with lyrics that are as good as Leonard Cohen and Dylan. He can rip your heart out and have you horny as a hound in a matter of a few words. There are road trip songs, ballads, bluegrass toe tappers and dark tales from older days. The song ‘Oh Mother’ will have the hardest of you shedding tears. As a songwriter myself, i hold Vic in awe. I am amazed by him and a little bit (ummm…..whole lot) envious of his talent, he is quite simply Brilliant.

Vance JoyThelma Plum
Vance JoyGod Loves You When You’re Dancing
Because it makes me feel sad, but good sad.

Liz StringerCara Robinson (Hat Fitz and Cara)
Liz StringerSoon
I actually have been listening to the album Soon by Liz Stringer with its powerful tales of personal experiences written so poetically that grasps my attention every time it is played. With its beautiful delicate and honest intent it is a raw masterpiece. I love this.

Abbe MayEli Wolfe
Abbe MayKiss My Apocalypse
A diverse and experimental artist from WA, with quite few different releases. This album evokes an intense feel, from a strong and highly expressive woman – cathartic in love and release – in a lemon juice squeezed on a paper cut kinda way.

Chance McCoyJimmy Daley (The Morrisons)
Chance McCoy & The Appalachian String BandChance McCoy & The Appalachian String Band
I love old time music and this album by Chance McCoy & The Appalachian String Band is packed full of it. The newest member of Old Crow (replacing Willie Watson), and educator of Old Time Music at The Augusta Heritage Centre, West Virginia, Chance McCoy really knows his stuff. He is an amazing old time fiddle and banjo player with a really sweet sounding voice to top it of. The collection of tunes here feature some of my favourite old time numbers like “Lazy John”, “Greasy Coat”, “Little Birdie” and “Gospel Plow”, while also introducing me to some great tunes I had never heard before, like “Davy Come Back and Act Like You Ought To”. That’s the thing about old time music, it’s an endless well of incredible songs, I don’t think I’ll ever stop digging through them. With fantastic playing and singing, this album has a more slick sound that what you usually get with old time music and in that sense would be a great introduction for someone looking to get into this genre.

CapercaillieEddi Reader
CapercaillieAt The Heart of it All
This is a beautiful traditional album using the tradition and bringing it right up to date. Karen is one of my favourite Scottish vocalists and this album is class as is their live performances. A little bit of Scotland for your ears.

Josh PykeChris Collins (Tigertown)
Josh PykeThe Beginning and the End of Everything
One of the best song writers that we have in Australia, Josh has been a major influence on our music since the start. All four albums are filled with honest stories so it’s cool to be able to follow someone through different stages of their life. For a fourth album, this one seems to have a certain youthfulness and energy to it, which could come from having a toddler running around in this record. It’s a very Australian sounding record which is something we love and would love to harness ourselves one day. This album makes you excited about love, life and family.

Bobby AluBrianne Curran (Takadimi)
Bobby AluTake it Slow
Refreshing, groovy and chilled out all in one. Bobby Alu’s album of 2013 just makes you feel like having a great day!

Melody PoolKevin Mitchell (Bob Evans)
Melody PoolThe Hurting Scene
This is an insanely good debut album. The lyrics and songwriting are so good it’s hard to believe they come from a someone of such a tender age. The production is subtle and honest and Melody’s voice is weighty and substantial. She must be an old soul or something. I can’t get enough of this album.

Katie BriannaAndrew Wrigglesworth and Laura Coates (The Weeping Willows)
Katie BriannaDark Side of the Morning
Katie’s voice will instantly capture you but it’s her lyrics that will hold you; one part heartbreak, two parts introspection, a dash of sass and one hundred percent original. Her tone may evoke some of the greats (Iris DeMent, Lucinda Williams, Nanci Griffith, Kasey Chambers…) but Katie holds her own and her album packs a punch. It’s definitely one of those rare finds you can appreciate from beginning to end without any temptation to reach for the “skip” button. Dark Side of the Morning is Americana at its best; at times dark and moody, other times hopeful, even audacious. Our favourite tracks are “What It Means”, “Dark Side of the Morning” and the vulnerable last track, “Risk it All”.

The VaccinesAndrew Davie (Bear’s Den)
The VaccinesMelody Calling
I bloody love this EP. We recently had the honour of touring with The Vaccines on the Mumford and Sons Full English Tour and we just had the best time. An amazing group of people and an incredible band. We listened to this EP religiously in the van between shows and I constantly had “Melody Calling” and “Everybody’s Gonna Let You Down” stuck in my head. Freddie’s guitar parts are so unconventional and interesting and the chord progressions and band dynamics flow in such a beautiful and unpredictable kind of way. It’s an incredibly inspiring piece of work and Justin’s songwriting has always been brilliant but just keeps getting better and better.

Kurt VileJordan Wilson and Benjamin Riley (Georgia Fair)
Kurt VileWakin’ on a Pretty Daze
It’s a beautiful sounding record. He’s a cool cat and has been a favourite of ours for a while. It’s a great record to get you through whatever you’ve been dealt, especially when combined with wine and cigarettes in your lounge room.

0Roscoe James Irwin
Ichiko Aoba0
A super beautiful (if not odd) collection of tracks from this Japanese alt/folk singer-songwriter. It’s strikingly bare, but really intimate as a result. You feel like you’re there with her, listening to her play her songs in your bedroom. The classically inspired nylon string guitar parts, mixed with Ichiko’s etherial vocal melodies create something really unique and honest, (even though I have no idea what she’s singing about). Track 8, “Haru Natsu Aki Fuyu” is a standout.

Ghost BoyGregory Alan Isakov
Sanders BohlkeGhost Boy
Beautiful and dark electric landscapes behind songs that make you dream, and remember how important music is.

The DronesMark “Looch” Lewis (Handsome Young Strangers)
The DronesI See Seaweed
This band is so far ahead of the pack it scares me. I didn’t think the Drones could top their last album Havilah – but they have. Gareth Lilliard’s lyrics slowly weave into your brain as always whilst the delivery and more specifically the passion in the delivery still kills me everytime. The final track “Why Write A Letter That You’ll Never Send” (all 9 minutes of it) is stunning. The best album from 2013 from Australia’s best band. Simple really.

Anna CalviBity Booker
Anna CalviOne Breath
Anna did not start singing until she was in her mid twenties. Now she is singing her hearth out. Her songs explode like colour onto a canvas. She slowly draws the listener into her world. Her guitar is like a voice, sometimes a weep, sometimes a laugh. This album makes me feel close to the beautiful beast she has within.

Josh PykeJackson McLaren
Josh PykeThe Beginning And The End Of Everything
(Ok I might be a bit biased but it’s a great album!). Josh sets the bar high and this record is an absolute cracker. Grappling poetically with legacy and morality. The BIG themes! Beautiful harmonies and clever arrangements. It sounds like Josh is having fun and that’s what I like about it.

Katy PerryGemini Downs
Katy PerryPrism
Yes I know we’re in an indie band and our taste is music is meant to be all indie and alternative – and primarily it is – but everyone has their guilty pleasures, right? For what it’s worth – chuckling at the new “Roar” film clip, feeling creative when looking at the fairyland live sets that this chick pulls off and winding up the windows in the car in order to sing along as loudly as possible was enough to bring Katy Perry to the top of the pile. Plus she got dumped by a tonne of record labels before she cracked it which makes her success all the more impressive.

Cloud ControlJosh Pyke
Cloud ControlDream Cave
I love Cloud Control, and this record really saw them push themselves, whilst still remaining true to the almost primitive innocence that their music captures for me. Al’s voice has taken on a strangled desperation in some songs that makes the whole thing a lot tougher in a very engaging way. Love it.

Sam AmidonBayden Hine (Packwood)
Sam AmidonBright Sunny South
An artist who’s work I’d been meaning to listen to for a few years dropped into my lap when I was asked to support his Australian tour earlier this year. I couldn’t have been happier! His albums are effortlessly beautiful, and his live set all the more so. Sam Amidon reworks American trad tunes from way back when into his own brand of contemporary folk. On his previous two albums he paired up with one of my favourite composers Nico Muhly (Grizzy Bear, Jonsi, Sufjan Stevens), but on Bright Sunny South he mirrored his live set – recording with minimal instrumentation as well as a few guest accompanists (most notably Jazz trumpet legend Kenny Wheeler – so, so cool). The winning track for me is “As I Roved Out” – my favourite choice for singing along to in the car when stuck in traffic. Freaks people out every time!

Christy MooreDamien Dempsey
Christy MooreWhere I Come From
A legendary Irish folk singer. 45 tracks that he wrote or had a hand in. An incredible album full of human spirit and empathy and stories and wisdom and humour, Christy is everything I aspire to be as a singer, a great role model, check out “Viva La Quint Brigada”, “Johnny Connors”, “The Boy from Tamlaghtduff”, “Lisdoonvarna”, “Whacker Humphries” or “Strange Ways”. Sublime.

The NationalIsaac Graham
The NationalTrouble Will Find Me
My brother bought me Trouble Will Find Me for my birthday this year. On his way to buy it he fell off his push bike and fractured his wrist in two places and ended up in hospital for a few days. He was all fine but the whole incident totally overshadowed my birthday. Fortunately he’d bought me such a great present so I forgave him. I’ve always had a passing interest in The National but for me this album is the perfect combination great songwriting, considered progressions, beautiful arrangements and flawless production. Not a bad song on the whole thing.

John SmithGibson Bull
John SmithGreat Lakes
There is something very honest about John’s music. You get the feeling he really believes in the songs he sings. This is certainly the case with Great Lakes. A beautiful album.

Sam BuckinghamHeyMun
Sam BuckinghamI’m A Bird
An album that tickles the senses with its dreamy folk-sical setting whilst hitting the high notes of honesty is one of the valiant traits of Sam as a musician. If she’s in love Oh, Bahbo she’ll say it’s so. If she’s got to Leave This Town, she will, but not without a song. A spirited gem in the indie music scene here in Australia, her recent live performance of this album when on tour with Buffalo Tales was a beautiful delivery of tunes that draws smiles on faces.

Kacey MusgravesFanny Lumsden
Kacey MusgravesSame Trailer Different Park
It surprised me how much I love this album so “trying to be a cool indie kid” wont fly this year for me as it’s a major label country pop album that has done it. It’s my hell yeah to “small town up-bringings” and overall is just a really well crafted album that lyrically has the right percentage of sass, apple pie and trailer parks. (Also I have serious caravan plans so it teams with the theme).

Vampire WeekendRoland K Smith
Vampire WeekendModern Vampires of the City
I’ve been pretty slack at keeping up with new music this year, but I’m okay with that, the good stuff I missed will find its way to me eventually. One record I did enjoy was Vampire Weekend’s Modern Vampires of the City. The too-cool-for-school Indie rockers seem to have made the jump out of ironic subject matter and into more emotionally effective territory. I think it works for them. The production’s great too – mixing hard blues with vocal pitch shifters in “Diane Young”, the harpsichord is put to good use in album highlight “Step”, and industrial percussion in “Obvious Bicycle”. I’ll get around to listening to more new music once Bob Dylan stops releasing his excellent Bootleg series.

Big ScaryLittle May
Big ScaryNot Art
This is an album that I can listen to on repeat for hours on end, and it reminds me of staying up until 4am drawing and drinking red wine. It is a collection of beautiful songs produced perfectly with everything in it’s rightful place.

Rhye WomanBec Sandridge
RhyeWoman
Great title, magical album cover, a beyond brilliant opening track and sob-worthy film clips. Being a sucker for tales of heartbreaking romances, understated vocal melodies and gentle synths, this Canadian duo definitely have my vote. They had me like a fool playing “Open” on repeat for weeks. (Note: I may very-well still be sobbing and smiling and listening to this track whilst typing this).

VasenGeorge Jackson (The Company)
VäsenMindset
Swedish super group Väsen have produced a new album this year featuring their trademark melodic invention and effortless virtuosity, it’s simultaneously modern while still tradition based, balancing on that fine line, like they always do, with ease. The Fiddle, Nyckelharpa and Guitar trio offers unending creativity of textures throughout the album, defying their seemingly minimal lineup, and of course, there’s plenty of Polska’s to get your feet tapping to. These guys are simply, brilliant. I’ve had Mindset on repeat in my car and on my computer and have even learnt four of the tunes already. If you haven’t heard Väsen, do yourself a favor, this is a good place to start. If you know and love them already, this new offering is another classic.

Frank SolivanMustered Courage
Frank Solivan and Dirty KitchenFrank Solivan and Dirty Kitchen
This album has everything we appreciate in modern bluegrass. Flawless three part harmonies and the kind of virtuosic pickin’ that makes you wanna sell your shit on eBay, or work a lot harder. The band has a unique and modern take of bluegrass, while still maintaining integrity to the tradition.

Buffalo TalesPerch Creek Family Jugband
Buffalo TalesRoadtrip Confessions
We first had the pleasure of meeting and hanging out with Wes (aka Mr Buffalo Tales) at Wintermoon Folk Festival in May this year. Great voice, great guy, great songs, great performer, and (you guessed it) great album! It’s a gold mine of catchy, rootsy folk gems that always end up stuck in our heads!

Volcano ChoirMatthew Oastler (Little Bighorn)
Volcano ChoirReprave
I thought my fascination/addiction to anything Justin Vernon did hadn’t carried over when I first listened to Repave by The Volcano Choir, however his genius, and the emotions that come with it are slow burning. It has now been the only thing I’ve listened to for 3 months, and I hear something new every time. It feels a lot more anthemic and hopeful than any of his previous works. Only a special few can make you feel like Vernon does, and this album is a classic example.

CirclesLachlan Bryan
Chris PickeringCircles
I got to know Chris on the road in the USA and each night he quietly blew me away with not only his songs, but the way he played and sang them. His music is subtle – delicate but nourishing – filled with the warmth and self-deprecation that are trademarks of his live performance. Whenever Circles comes on my iPod I am reminded that CP is a proper artist, and I can’t imagine paying a fellow songwriter a greater compliment. Bravo Sir!

Kurt VileEdward Deer
Kurt VileWakin’ on a Pretty Daze
Whenever I describe Kurt Vile’s music to someone, I manage to make it sound like something to be avoided. Really long, meandering songs with numerous guitar solos and a guy mumble-singing in almost a monotone. But the textures and atmosphere in his music are so rich and evocative. I kept coming back to this record this year, and it has to be one of my fave driving albums ever.

Volcano ChoirImogen Clark
Volcano ChoirReprave
I’ve never found another artist whose songwriting moves me quite as much as Justin Vernon of Volcano Choir and Bon Iver, which is why I couldn’t wait for this album’s release. I think the best songs often take a couple of listens before you say “yes, I get it, and I love it”, which is what happens to me every time I listen to a project Vernon has been a part of. In Repave, the vocals are so raw and the dynamics so great that it just builds you up and tears you down in a kind of frenzy of emotion. To me, the album sounds like how I imagine listening to someone’s soul would sound – completely pure, heart-wrenching, honest, complex and unpredictable. That’s why I think this record is magic.

Loren KateSarah Humphreys
Loren KateMoving On
Loren is a folk artist like no other, her songs punch me right in the heart til I’m crying my eyes out and her voice is like honey. A beautiful record.

Neko CaseAchoo! Bless You
Neko CaseThe Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You
We’ve both been huge fans of Neko Case for a few years, in particular her ’06 album Fox Confessor Brings the Flood, what an album. This record is just awesome as well. Her voice is beautiful as usual, and her lyrics are bad ass! “Man” is a particular fave. She writes absolute cracking pop songs, and the production of her records are always really rich and lush. I particularly love the edgier kind of grit and distortion that features a fair bit on this one, Neko gettin’ back to her punk roots via whimsical pop. So good!

Ainslie WillsAlison Avron
Ainslie WillsYou Go Your Way, I’ll Go Mine
This record gives me all I need in music: tingles and toe taps. The subtle and sexy grooves combined with the beautiful and rich tone of Ainslie’s vocals get me every time. “Weighing The Promises” and “Liquid Paper” are the standout tracks for me. Miss Wills is representing everything that is right about the Australian music scene.

NgaiireSam Buckingham
NgaiireLamentations
I can’t quite say why I love this album. I think it’s a combination of her voice, interesting production and the fact that it’s not like anything I’ve listened to before. It feels experimental but perfectly thought out, bold but humble, surprising but familiar … truly creative and original.

DaughterHayden Calnin
DaughterIf You Leave
I played this album on repeat for the few weeks after hearing it for the first time. It’s depressing, but motivating, which is totally my kind of jam. Stand out track was, and still is “Smother”, with the lyric “I wish I’d stayed inside my mother, never to come out” it pretty much sums up the whole album. Daughter’s blend of shoegazey guitar lines, slow bass and simple, yet well composed drum lines, matched up with her gorgeous vocals and lyrics, is so mature, intricate and worth a listen.

Ainslie WillsAll Our Exes Live In Texas
Ainslie WillsYou Go Your Way, I’ll Go Mine
The vocals and arrangements are incredible and Ainslie’s lyrics are so evocative. We particularly love “Liquid Paper” – such a universal sentiment. We listened to the entire album about a million times in the van on the way back to Sydney after we played a show with her in Melbourne. She also happens to be an amazingly good egg.

Mark KnopflerThe April Maze
Mark KnopflerPrivateering
This is actually a 2012 release but we only just discovered it … So it is new to us! A friend of ours who had toured with Mark Knopfler made us a mix CD for our Canadian tour and one of his songs was on there – we loved it, so we went online and bought the rest of the album. It is fantastic. It really takes you on a journey – lots of ups and downs and there are lots of goosebump moments. Our favourite tracks are “Haul Away” and “Kingdom of Gold” – these songs are super folky, just the way we like it. The production and instrumentation are spot on. This is a truly inspirational album for any songwriter. 100 stars.

JoJo SmithLucie Thorne
JoJo SmithStanding In The Lovelight
When it comes to soul not much beats being in the same room as JoJo Smith singing straight in to your heart. But this mighty collection – from one of our mightiest vocalists – comes pretty darn close. A national treasure!

Abbe MaySweet Jean
Abbe MayKiss My Apocalypse
Abbe May’s album is a blistering synth pop romp that takes you through all the ups and downs of imploding love. One of the many great things about this album is that she doesn’t “tell you about her feelings”. Instead, every song actually makes you feel something as a listener, which can be both uncomfortable and uplifting. It’s a funny, dark, smart, poignant and really well put together album.

The NationalEmily Barker
The NationalTrouble Will Find Me
I picked up this record just before heading out on a solo tour across the UK. It was a beautiful summer and I was driving myself around the country doing record shop in-stores and promoting our new record. Trouble Will Find Me quickly became my driving soundtrack. The songs are fantastic. Brilliant lyrics: a combination of abstract, ironic, heartfelt and just plain silly sometimes (ie. “I was teething on roses, I was in guns and noses”). I love the effortlessly, out-of-the-ordinary time signatures they use; the epic, but still intimate, production value; the melodies and arrangements; and Matt Berninger’s croonery, deep voice is always killer. A great record to drive to!

LordeRosie Catalano
LordePure Heroine
Given that we’re in an age where number one singles are as much about taking bootylicious selfies as writing good music, it took me a while to figure out how Lorde managed to dominate the Billboard charts, especially as my initial listen to her album Pure Heroine didn’t register highly on the excitement scale. I’ve happily eaten my words since then as Lorde and her producer Joel Little are a match made in heaven – the harmonies are beautiful, her lyrics take me to another world (albeit a teen world that I’m not sure I’d like to go back to), and I have a soft spot for Kiwis.

Mali MaliJack Carty
Mali MaliGather ’round the Goose Clock
I love this record because it feels anxious and intimate and fragile. The songs are strong, and tell their stories, but they go about it quietly so you really have to tune in to catch them. “Peace In My Chest” is the highlight for me, it feels like an affirmation.

Vance JoyPierce Brothers
Vance JoyGod Loves You When You’re Dancing
Since seeing him at The Hills Are Alive festival earlier this year, we picked up this EP. It’s a soulful and beautifully paced EP with awesome range from the indie pop rhythms of “Riptide” to the heartfelt and intimate lyrics of “Snaggletooth”. The crescendo in “From Afar” is our favourite. Well done sir. Well done indeed.

PikeletRose Wintergreen
PikeletCalluses
Entrancing from the very first listen (start with the track “Calluses”), this album still tickles my brain in unexpected and exciting ways. I’m not sure I understand it, but it’s unlike anything else I’ve heard, and I keep going back for more. YES!

Mark MoldreJessica Cassar (Jep & Dep)
Mark MoldreAn Ear To The Earth
If Tom Waits, Elvis Costello and Jeff Tweedy were pushed out to sea in a rickety old boat they’d come up with something like this. Mark Moldre’s An Ear to the Earth is a boisterous yet soulful musical journey worth the fare. You’ll be stomping and crying and laughing, and if you’re lucky to catch Moldre live, you’ll be doing all three with a whiskey in hand.

PowerlinesBeth Stephen (The Little Stevies)
Mustered CouragePowerlines
I’m a sucker for great harmonies and catchy melodies, and Mustered Courages’ album Powerlines has both, so I’m a big fan. Powerlines was produced by Jimi Maroudas, who also produced our first album Love Your Band. And for me it ticks all the boxes of a great album. The songs remind me of those off Foggy Highway, by Paul Kelly and The Stormwater Boys; strong and well-constructed, front and centre. Followed secondly by great musicianship and vocal harmony to present the full kick-ass package. And although their musicianship is apparent, luckily for these talented lads their songs don’t need to be dressed up head to toe in an overkill of instrumental licks to try and hide a weak song, but instead have successfully shown off their musicianship when it counts and in a very tasteful way. When I listen to the album I hear it as a collection of great pop songs first, and secondly as a bluegrass album. And in my opinion I think that’s clever, and the sign of good bunch of songwriters. There’s also nothing more impressive than when a group can reproduce an already top-notch studio album to an even higher standard live, and that’s what Mustered Courage can do. It’s a tasteful album, one of great energy and diversity in mood and who sings the lead on each song, and I recommend a listen to anyone who calls themselves a music lover.

ArcWhitaker
Everything EverythingArc
The perfect sophomore release, Arc built on all that was good about Everything Everything’s punchy, dramatic and down-right enviable musical style presented by their debut album three years prior. It’s the kind of record we listen to and think “Man, how did they do this? How can we do this?” as we listen through every track on repeat. Incredible production – good luck topping that one boys (they will)!

Vance JoyMark Wilkinson
Vance JoyGod Loves You When You’re Dancing
Emotive vocals and great songs. “Riptide” has obviously been huge, but the rest of the EP really stands up as well.

AgapeCastlecomer
Bear’s DenAgape
Bear’s Den produce an organic brand of music that resonates in its beautiful and powerful simplicity. Disarmingly honest lyrics accompany soaring and often haunting melodies backed by 3-part harmonies, and there are obvious folk influences to their songwriting. These guys are a must-see live act, and seem to be going from strength to strength, recently following up in magnificent style with their new EP Without/Within. There is an unassuming and captivating charm in this EP that is hard to resist.

HaimImogen Bel
HAIMDays Are Gone
There seemed to be a lot of highly anticipated releases this year, and for whatever reason, I missed out on a lot of them! One band that caught my attention early on however, was HAIM. This is a really solid album – so many hooks jam packed into each song, both melodically and rhythmically. I love that these girls obviously love pop music, but they play around with structures and mix things up to keep it fresh and surprising. They are obviously very accomplished musicians but they never let it get in the way of creating fun, interesting pop music. Standout tracks: “The Wire”, “Don’t Save Me”, “Go Slow” (no filler on this album though!).

Steal The LightKyle Vause (The Timbers)
The Cat EmpireSteal The Light
This is my favorite Cat Empire album to date. I seriously can’t fault this album, every song is a winner. My top three tracks off this album are “Still Young”, “Open Up Your Face” and probably the first single “Brighter Than Gold”.

Lucy WiseNigel Wearne
Lucy Wise & The B’GolliesWhen We Wander Far From Home
It makes me very happy to nominate this album as my favourite for 2013. The first time I heard Lucy Wise, I was struck by the originality and honesty of her songwriting. There are so many layers at work in this ten song offering. She’s included songs about organic farming and broken families, sailing, family connections, sculpture gardens and even Google Earth! Three members of the B’Gollies double in their own right as The Sting Contingent and they, with Mischa Herman on accordion, bring sophistication and tastefully woven arrangements to Lucy’s beautiful songs. “Lay of the Land” and “Mother’s Song” are stand-out tracks. A slow-burner that keeps giving.

InnocentsKate Martin
MobyInnocents
This was difficult to narrow down so I’ll say that ONE of my favourite LPs of 2013 is Innocents by Moby. Seven of the twelve tracks are collabs, it’s nice cross-pollination. The highlight track for me is a very moving instrumental called “Going Wrong”.

Step BrothersAidan Cooney (Boy Outside)
PalmsStep Brothers
A vehicle back to care free summers that lasted for ever. Yes that feeling. Play loud! Jump around aimlessly. Throw shapes at friends. A real shot in the arm. This shit works.

Josh PykeDan Acfield (Dan and Hannah Acfield)
Josh PykeThe Beginning And The End Of Everything
I must admit that although I’ve been listening to lots of music that’s new to me this year, most of it was not actually released this year! However, I have been enjoying Josh Pyke’s recent release The Beginning and End of Everything. After watching Josh Pyke perform tunes from this album from side of stage earlier in the year, I went home and immediately purchased the album. It’s deliciously folk-pop with that special (but evolved) Josh flavour which is quite difficult to not enjoy.

Josh RitterJack McNeill and Charlie Heys
Josh RitterThe Beast in Its Tracks
Josh Ritter has always been a favourite listen, he seems to grow more subtly insightful with each new album. A thoughtfully connected collection with the ghost of the Golden Age of Radio walking quietly through it. Ritter has the knack of catching you off-guard, gifted with a quiet wit, a sharper tongue than most and a real eye for the detail.

Warp and WeftEmma Davis
Laura VeirsWarp and Weft
Laura Veirs makes me happy. In fact, I think I would go as far as saying, I love her. Her unique way of phrasing things, her incredible ability to put into words the way that nature effects us, the delicate but interesting production- I couldn’t get enough. Laura’s newest release, Warp and Weft once again seems to deliver that Veirs-y charm that I have grown fond of. It is definitely a more mature album than Saltbreakers and the slightly Fleet-Foxy previous album July Flame. Some of the tracks are a little rockier with the beefy sounds of her Gibson shining through, and the arrangements are loaded full of weird and wonderful instruments, but the songs don’t seem to get lost at any point. Every little thing has its place and works together to carry her strong melodies and endearing way with words. As with her past releases, the album works well as a entire composition, so a little listening time is needed to start appreciating the tracks separately, but I think it makes this record a real grower. Overall, it’s a beautiful and carefully produced album that seems to communicate the warmth of nature and our place in it, so darn well.

Melt Yourself DownJoe Gould (The Crooked Fiddle Band)
Melt Yourself DownMelt Yourself Down
This debut is most original album I heard all year, a mix of electronics and afrobeat that is dark and danceable. Saturated sax riffs and tribal drums collide and make me feel euphoric that there’s still sounds out there I haven’t heard. What a great feeling to evoke in a listener!

LuxGordon Wallace (The Crooked Fiddle Band)
AfenginnLux
My album pick of 2013 is Lux by Danish band Afenginn. I have been a fan of the band’s “bastard ethnopunk” for a while now and their back catalog is well worth checking out. Lux is their latest offering and has quite a chilled out/ambient vibe and the most amazing fold-the-cd-digipak-into-a-lantern I have ever seen! Last year we realized we would cross paths at a festival in Sweden, so met Kim the main composer and became friends. The outcome of that is that they will be in Sydney playing at the Basement on the 16th January and Crooked Fiddle are lucky enough to be playing support! A great success of cross-continental mutual musical appreciation!

Big ScaryMark Leahy The Twoks
Big ScaryNot Art
After listening to Not Art I cannot help but walk around with a bounce in my step. This album is so confident, so diverse, so intricate and yet really simple. Fantastic production and really great songwriting. The performances have such dark commitment and awesome personality about them that I cannot help but love it.

Lucy WiseEmily-Rose Sarkova (Chaika)
Lucy Wise & The B’GolliesWhen We Wander Far From Home
I would say Lucy Wise’s newest album, When We Wander Far From Home. Her incredibly personal way of writing songs seems to capture so perfectly the very small delicate goings on of everyday life as well as the touching poignantly on deep environmental and social issues. All in a collection of songs that are truly beautiful and you cannot help but want to sing along with her.

The HeistCJ Shaw (CJ Shaw and the Blow Ins)
I have two:
Big ScaryNot Art
Beautiful and purposeful. Every nook and cranny of this album has been sculpted with the up most of care.
Macklemore and Ryan LewisThe Heist
A powerhouse. Big sound, big ego, big belief, big purpose. It is big and wonderful, makes you think and groove. It enlights and inspires.

The April Maze Return to Australia with December Residency

April Maze
Image Courtesy of The April Maze

After five months touring through the UK and Canada The April Maze are celebrating their return to Australia with a December residency at The Toff in Town in Melbourne. Every Tuesday in December the folk duo will be joined by some of the city’s most exciting artists including Benny Walker, Nigel Wearne, The Shivering Timbers and Cisco James.

Tickets are just $10 on the door – check out the official Facebook event for more details. The full list of dates are below:

Tuesday 3rd December – The Toff in Town, Melbourne, VIC w/ Benny Walker
Tuesday 10th December – The Toff in Town, Melbourne, VIC w/ Nigel Wearne
Tuesday 17th December – The Toff in Town, Melbourne, VIC w/ The Shivering Timbers
Tuesday 24th December – The Toff in Town, Melbourne, VIC w/ Cisco James

Beautiful Blue – Songs in the key of Tom Waits This Thursday

Tom Waits
Image Courtesy of Nigel Wearne

This Thursday some of Melbourne’s best singer-songwriters are descending on The Wesley Anne in Northcote to present a bunch of original music inspired by the one and only Tom Waits. Waits is one of those songwriters whose music has inspired musicians around the world and across genres and Thursday’s event, Beautiful Blue – Songs in the key of Tom Waits, is bound to be a treat.

Nigel Wearne’s new single “Beautiful Blue” is the launching pad for the night which will also feature music from Luke Watt, Sarah Carroll, Lachlan Bryan, Jeb Cardwell, Alanna & Alicia, Marisa Quigley and Jim Green.

The music kicks off at 8pm with tickets just $15. For more information visit the booking site here.

New Nigel Wearne Single “Beautiful Blue”

Nigel Wearne
Image Courtesy of Nigel Wearne

The latest single from Nigel Wearne’s tremendous album Black Crow is “Beautiful Blue”. Take a listen to it below:

To help release the single Nigel Wearne will be touring throughout September and into October, kicking things off this weekend at the Wirrina Bluegrass Festival in SA. Check out the full list of dates below:

Friday 6th to Sunday 8th September – Wirrina Bluegrass Festival, Wirrina Cove, SA
Wednesday 11th September – The Standard Hotel, Fitzroy, VIC
Friday 13th September – Unwined Cellar Bar, Belmont, VIC
Saturday 14th September – The Wheatsheaf Hotel, Thebarton, SA
Sunday 15th September – Red Poles Gallery, McLaren Vale, SA
Thursday 19th September – Beautiful Blue – Songs in the Key of Tom Waits, The Wesley Anne, Northcote, VIC
Saturday 21st September – The Pizza and Wine Club, Kyneton, VIC
Wednesday 25th September – The Yinnar Hotel, Yinnar, VIC
Friday 27th to Sunday 29th September – Wallaby Creek Festival, Rossville, QLD
Thursday 3rd October – Bottlerocket Bar & Cafe, Nowra, NSW
Friday 4th October – Harmonie German Club, Narrabundah, ACT
Saturday 5th October – St Leonards Vineyard, Wahgunyah, VIC
Saturday 5th October – Tanswells Hotel, Beechworth, VIC

Thank Folk It’s Friday – 12th April

TFIF

This Week in Folk

All the News From The Week That Was

Martha Wainwright has announced the first round of dates for an Australian tour this June. Details here

Daniel Champagne has released a new video for the track “Heart Like This” featuring Mikaela Atkins. Details here

The Mid-North released another new video, this time for the track “Rosewood”. Details here

– Melbourne’s Nigel Wearne has just released the title track from his album Black Crow. Details here

– US buzz band The Milk Carton Kids are touring Australia in June. Details here

– Canadian singer-songwriter Woodpigeon has released his brand new video “Robin Song”. Details here

Communion Melbourne have come through with another amazing lineup for the 21st April – Thelma Plum, Deja, Stu Larsen & Natsuki Kurai, Jack Carty and Ali Barter. Details here

Interviews

“I love the sound of American folk music, but I’m not American. All my experiences are as an Australian, so to write about anything else just wouldn’t do. I see all to often though Australian songwriters, perpetuating American clichés and avoiding writing about what’s on their doorstep. We have such rich culture and history here that is really worth looking at” – James Daley from Bellyache Ben and the Steamgrass Boys chats to Gareth Hugh Evans. Interview here

Reviews

Recordings

“Melanie Horsnell opens her third album, The Cloud Appreciation Society, with a delightful, sweet Gershwin cover, “Oh So Nice,” inspired by the birth of her second child, Gypsy. Although Horsnell confesses to crying the first time she heard it, alone in the car, its presence on the album is far from miserable – quite the opposite, in fact”Serena Skye reviews The Cloud Appreciation Society from Melanie Horsnell. Review here

Gigs

“A long time fan, adorned in leather, spikes and tattoos, scurries to the front of the crowd and passionately screams at Stefanou, “you are not fucking breaking up!” Every set of hands on that rooftop clapped like giants”Janine Estoesta reviews Tehachapi at The Evelyn Hotel in Melbourne. Review here

Releases This Week

Gypsy Moon
The Gypsy Moon – Volume 1Daniel Champagne
Official Site

Dreaming of a Night Mango
Dreaming of a Night MangoTim Guy
Bandcamp

Timber and Steel Presents

Steamgrass
Country Roads feat. The Steamgrass Boys, Mustered Courage, 200k, Luke Escombe
Thursday 18th April – The Oxford Art Factory, Sydney, NSW
Tickets Here

Gigs Next Week

Aluka
Friday 12th April – Salamanca Arts Centre, Hobart, TAS
Wednesday 17th April – Black Bear Lodge, Brisbane, QLD
Friday 19th April – Nexus Arts Centre, Adelaide, SA

Ann Vriend
Friday 12th April – Albert Park Yacht Club, Vic
Saturday 13th April – Candelo Music Festival, NSW
Monday 15th April – venue TBA, Wagga Wagga, NSW
Wednesday 17th April – private concert, Jan Juc, Vic
Thursday 18th April – private concert, Geelong, Vic

Betty & Oswald
Saturday 13th April – FBi Social, King’s Cross, NSW

Bob Evans
Friday 12th April – Tanks Arts Centre, Cairns, QLD
Saturday 13th April – The Zoo, Brisbane, QLD
Friday 19th April – Discovery, Darwin, NT

Bobby Alu
Sunday 14th April – Brunswick Hotel, Brunswick Heads, NSW
Friday 19th April – The Joynt, Brisbane, QLD

Boy Outside
Wednesday 17th April – Hibernian House, Sydney, NSW

Darren Cross
Sunday 14th April – Midnight Special, Sydney, NSW

Eli Wolfe
Friday 12th April – Harvester Moon, Bellarine, VIC
Saturday 13th April – The Carolyn Theatre, Cororooke, VIC
Friday 19th April – Bon Amici Winebar and Cafe, Toowoomba QLD

Fanny Lumsden & the Thrillseekers
Friday 12th April – Yalgogrin Hall, Yalgogrin, NSW
Saturday 13th April – Collingullie Soldiers Memorial Hall, Collingullie, NSW
Sunday 14th April – Marrar Town Hall, Marrar, NSW

Jack Carty and Jordan Millar
Friday 12th April – Lennox Head Hotel, Lennox Head, NSW
Saturday 13th April – 5 Church St, Bellingen, NSW
Sunday 14th April – Hoey Moey, Coffs Harbour, NSW
Thursday 18th April – Lizzotes Restaurant, Newcastle, NSW

James Kenyon
Friday 12th April – The Theatre Royal, Castlemaine, VIC
Wednesday 17th April – The Green Room Lounge, Sydney, NSW
Thursday 18th April – The Grand Junction, Maitland, NSW
Friday 19th April – The Naked Bean, Grafton, NSW

Jep and Dep
Friday 12th April – Brisbane Hotel, Hobart, TAS

Jordie Lane
Saturday 13th April – The Four Leaf Sessions, Melbourne, VIC
Sunday 14th April – Burke & Wills Winery, Mia Mia, VIC
Thursday 18th April – Republic Bar, Hobart, TAS
Friday 19th April – Royal Oak Hotel, Launceston, TAS

Katie Noonan with Brian Campeau
Saturday 13th April – The Basement, Sydney, NSW
Sunday 14th April – Clarendon Guesthouse, Katoomba, NSW

MoFo feat. Lucy Wise and the B’Gollies, Mem Davis and the Kindred Spirits
Friday 12th April – The Gaelic Club, Sydney, NSW

Patrick James
Sunday 14th April – The Vanguard, Sydney, NSW

Sarah Humphreys
Thursday 18th April – Bottlerocket Bar & Cafe, Nowra, NSW
Friday 19th April – The Shellharbour Club, Shellharbour, NSW

Stu Larsen and Natsuki Kurai
Wednesday 17th April – The Ellington, Perth, WA
Thursday 18th April – A Little House Gig, Adelaide, SA

The Hillbilly Killers
Thursday 18th April – Sleep At The G, MCG, VIC
Friday 19th April – Meeniyan Hall, Meeniyan, VIC

The Starry Field
Saturday 13th April – The Bird, Perth, WA

The Tiger and Me
Friday 12th April – The Workers Club, Melbourne, VIC
Saturday 13th April – The Workers Club, Melbourne, VIC

Tim Guy
Friday 12th April – The Green Room Lounge, Sydney, NSW
Saturday 13th April – The Front Gallery & Cafe, Canberra, ACT
Sunday 14th April – Albion Hotel, Albury, NSW
Thursday 18th April – The Grace Emily Hotel, Adelaide, SA
Friday 19th April – The Old Mt Gambier Gaol, Mt Gambier, SA

Friday Folk Flashback

“Look At Miss Ohio” – Gillian Welch & Dave Rawlings

We’ve been to a lot of festivals this season and one of the most consistently amazing bands was The April Maze who do a great cover of this song – which means its been in my head for pretty much the entire Summer.

Listen to the New Nigel Wearne Single “Black Crow”

Nigel Wearne
Image By Mackajay

With a successful national tour under his belt and the release of the album Black Crow to rave reviews, Melbourne’s Nigel Wearne has to be on a high at the moment. And to keep the momentum going Wearne is about to release the title track from the album, “Black Crow”, as a single. Take a listen to the jaunty, swinging track below:

« Older entries

%d bloggers like this: