Out On The Weekend Announce 2015 Lineup

Dawes
Image Courtesy of Dawes

It’s here! The 2015 lineup for Americana festival Out On The Weekend dropped this afternoon and as expected it’s spectacular.

Headlined by LA band Dawes, the lineup for Sydney and Melbourne features some of the best local and international talent including Tex, Don & Charlie (Melbourne only), Kasey Chambers (Sydney only), Sam Outlaw, Robert Ellis (Melbourne only), Ruby Boots, Mustered Courage, Lost Ragas (Melbourne only), The Morrisons (Sydney only), James Thomson (Sydney only) and many more.

Out On The Weekend is the brainchild of the folks behind Love Police Touring and will be held at Seaworks in Melbourne on the 17th October and Bella Vista Farm in Sydney on the 24th October.

The full lineup for both legs of Out On The Weekend is below – head to the official site for more information:

Melbourne:

Dawes, Tex, Don & Charlie, Sam Outlaw, Robert Ellis, Jamestown Revival, Jonny Fritz, Ruby Boots, Mustered Courage, Suzannah Espie, Barna Howard, Shelley Colvin, Leah Senior, Big Smoke, Lost Ragas, T Bones and The Out on the Weekend House Band led by Robert Ellis with Josh Hedley, Will Van Horn, Kelly Doyle, Michael “Tank” Lisenbe & Geoffrey Muller

Sydney:

Kasey Chambers, Dawes, Sam Outlaw, Jamestown Revival, Jonny Fritz, Ruby Boots, Mustered Courage, Barna Howard, Shelley Colvin, The Morrisons, Oh Reach, James Thomson, William Crighton and the Out on the Weekend House Band led by Robert Ellis with Josh Hedley, Will Van Horn, Kelly Doyle, Michael “Tank” Lisenbe & Geoffrey Muller

Thank Folk It’s Friday – 24th July

TFIF

This Week in Folk

All the News From The Week That Was

Davey Craddock & The Spectacles released their new single “Girls Light Fires”. Details here

– Sydney duo Ivanhoe released their new single “O’Donaghues”. Details here

The Waifs announced their new album Beautiful You, released their new single “6000 Miles” and revealed dates for a WA tour. Details here

– Sydney folk singers Direwolf and Willowy celebrated the end of their joint tour with a live video for the track “The Naked Tree”. Details here

– Melbourne newgrass masters Mustered Courage released their new video “Honesty”. Details here

– Melbourne and Sydney dates have been announced for the 2015 Out On The Weekend Americana festival this October. Details here

– Sydney blues and roots trio Eddie Boyd and The Phatapillars have announced a massive tour kicking off this August. Details here

– Melbourne singer-songwriter Ayleen O’Hanlon announced details of her upcoming debut album Blend and Spill. Details here

Little May announced their debut album For The Company. Details here

– Over the weekend Laura Marling released a new version of her latest album, Short Movie (Director’s Cut). Details here

The Paper Kites released their new video “Electric Indigo” and announced a national tour. Details here

Nathaniel Rateliff & The Night Sweats released their Blues Brothers inspired video “S.O.B.”. Details here

Katie Noonan’s Vanguard released her new video “Quicksand”. Details here

– Brisbane folk singer Sian Evans has a bunch of east coast dates this week. Details here

– New Zealand singer Aldous Harding has announced her first ever Australian headline tour. Details here

Releases This Week

Jane Cameron
The Mercy of the TideJane Cameron
Bandcamp

Transmutant
TransmutantKatie Noonan’s Vanguard
iTunes

Laura Marling
Short Movie (Director’s Cut)Laura Marling
iTunes

Old Man Luedecke
Domestic EccentricOld Man Luedecke
iTunes

Soft Faces to Hold
Soft Faces To HoldToby Graham
Bandcamp

Timber and Steel Recommends – Go To This Gig

Country and Inner Western feat. Green Mohair Suits, Caitlin Harnett, William Crighton

Caitlin

Country and Inner Western returns to The Basement in Sydney this week with the amazing lineup of Green Mohair Suits, Caitlin Harnett and William Crighton. Definitely not one to be missed

Wednesday 29th July – The Basement, Sydney, NSW

Gigs Next Week

Bronte
Friday 24th July – Brighton Up Bar, Sydney, NSW

Country and Inner Western feat. Green Mohair Suits, Caitlin Harnett, William Crighton
Wednesday 29th July – The Basement, Sydney, NSW

Davey Craddock
Friday 24th July – Perfect Drop, Daylesford, VIC
Saturday 25th July – Sofar Sounds, Melbourne, VIC
Thursday 30th July – The Retreat, Melbourne, VIC

Folklore w/ MaD aDaM
Saturday 25th July – Loaded Dog Folk Club, Annandale Neighbourhood Centre, Sydney, NSW

FolkSwagon w/ Billie McCarthy, The Campervan Dancers, Astrid Zeman
Wednesday 29th July – Cafe Lounge, Sydney, NSW

Fraser A. Gorman
Friday 24th July – Barwon Club, Geelong, VIC

Gurrumul
Wednesday 29th July – Enmore Theatre, Sydney, NSW

Jinja Safari
Friday 31st July – Oxford Art Factory, Sydney, NSW

Josh Pyke
Wednesday 29th July – The Soda Factory, Sydney, NSW

Katie Noonan
Friday 24th July – Camelot, Sydney, NSW
Saturday 25th July – Milton Theatre, Milton, NSW
Friday 31st July – Cellar Bar, St Kilda, VIC

Mark Lucas and The Dead Setters
Friday 31st July – Hotel Gearin, Katoomba, NSW

Lacey Cole & the Lazy Colts
Thursday 30th July – Moonshine Cider and Rum Bar, Manly, NSW

Little Features feat. Make Like a Tree, Eddie Boyd & The Phatapillars, Baby Lips and The Silhouettes, Jon Cotton
Saturday 25th July – Hibernian House, Sydney, NSW

Not Good With Horses w/ Katie Brianna
Sunday 26th July – The Union, Sydney, NSW

Rubber Soul Revolver feat. Marlon Williams, Husky Gawenda, Jordie Lane, Fergus Linacre
Thursday 30th July – Concert Hall, QPAC, Brisbane, QLD

Sian Evans
Sunday 26th July – The Triffid, Brisbane, QLD
Thursday 30th July – The Drunken Poet, Melbourne, VIC

Splendour in the Grass
Friday 24th to Sunday 26th July – North Byron Parklands, NSW

The Acfields
Friday 24th July – House Concert, Lismore, NSW
Saturday 25th July – Mandala Organic Arts, Gold Coast, QLD
Sunday 26th July – Bohemian Bungalow, Eumundi, QLD
Friday 31st July – Pizza Paradiso, Byron Bay, NSW

The Stetson Family
Sunday 26th July – The Spotted Mallard, Melbourne, VIC

The Stillsons
Friday 24th July – Post Office Hotel, Melbourne, VIC

Tom StephensTom Stephens, Obscura Hail, Brendon Moon
Friday 24th July – The Bridge Hotel, Sydney, NSW

Tom West
Sunday 26th July – The Grace Emily, Adelaide, SA

Friday Folk Flashback

“Maggie’s Farm” – Bob Dylan

Tomorrow marks the 50th anniversary of the day Dylan went electric at the Newport Folk Festival. This video is footage from the actual show although I’ve heard the booing crowd at the end of the audio was spliced in from the end of Dylan’s set, not from the end of “Maggie’s Farm”. A moment of folk and rock history.

Watch the New Mustered Courage Video “Honesty”

Mustered Courage
Image Courtesy of Mustered Courage

I love this video! Mustered Courage have just released there amazing new clip “Honesty” which features the band in a real life Mario Cart style video game. And the single itself is an absolute cracker as well – it’s the first taste from the upcoming third album.

Check out the video for “Honesty” below:

Thank Folk It’s Friday – 3rd April

TFIF

This Week in Folk

All the News From The Week That Was

– Canadian fiddler April Verch released her new video “Belle Election”. Details here

Passenger announced his new album Whispers II. Details here

Bellowhead released their new video “Roll Alabama”. Details here

– US duo The Milk Carton Kids announced details of their new album Monterey. Details here

Dan Managan + Blacksmith released their new video “Mouthpiece”. Details here

– Melbourne singers Fraser A Gorman and Leah Senior released a version of “Blues Run The Game”. Details here

– Sydney artists Direwolf and Willowy announced a co-headline east coast tour. Details here

– The inaugural Bello Winter Music Festival announced its lineup including The Milk Carton Kids, Ash Grunwald, TinPan Orange, Marlon Williams, The Wilson Pickers, Lucie Thorne & Hamish Stuart, Perch Creek, Jack Carty, Karl S Williams, The Mid North, The Button Collective, Starboard Cannons, Sara Tindley, Oh Pep! and many many more. Details here

Vance Joy released his new video “Georgia”. Details here

– UK based chamber-folk band The Leisure Society released their new single “The Fine Art of Hanging On”. Details here

– Adelaide’s Thom Lion & The Tamers have released their new single “Emily”. Details here

Interviews

“We’ve never been on the [National Folk Festival] program before but we have actually played a couple of times as part of the MoFo concert or The Flute & Fiddle asked us to play. We always love doing a blackboard because we have members that are part of other acts, different conglomerates of different things so we’re usually down there. Apart from last year where we didn’t actually play at all as Chaika I think for the last four or five years we’ve had a play around somewhere on The National. But yeah, this is our first time on the program” – Laura Bishop from Chaika chat to Gareth Hugh Evans. Interview here

“We’re looking forward to The National, really excited. This will be my second year – I had a massive ball last year, it’s one of the best festivals I’ve ever been to. We’re looking forward to lots of music, lots of late nights at the session bar and lots of tunes from all our friends from Australia and beyond” – Mairead Hurley from Restless Legs chats to Gareth Hugh Evans. Interview here

“We had this discussion with the band just before we started rehearsing for The National and we decided because we haven’t played Canberra that much, and a lot of people wouldn’t recognise those songs, we’re playing mainly from An Ear To The Earth. I have a couple of new songs which we ended up not having the time to rehearse and just wanted to stick with the songs that were strong”Mark Moldre chats to Gareth Hugh Evans. Interview here

“The folk scene here is amazing. Where we were before in Lismore, if we played three or four gigs a week we’d flood the market in one week and have to wait six months to play any more gigs. Here we can do it as much as we want. And the bands around Sydney in the folk scene have been really supportive, giving us gigs or contacts. It’s amazing”The Button Collective chat to Gareth Hugh Evans. Interview here

“We find when we’re put in the folk festival circuit you get lots of people coming up and saying “this is great that they’ve put some comedy in”. It gives people an opportunity to relax or laugh a little bit. Some folk music can be quite heavy, some of the topics that they talk about can be quite dark or heavy. I totally think it lends itself to comedy. But there’s not a lot of folk comedy people out there so it’s good to get a chance to share what we do”Sparrow-Folk chat to Gareth Hugh Evans. Interview here

“When we were younger and we were being called “bearers of the tradition” there was a weight with that. We felt like we couldn’t touch the traditional song much. With this album we’ve really rearranged the songs to suit our purposes” – Ruth Hazleton from Kate Burke & Ruth Hazleton chats to Gareth Hugh Evans. Interview here

“It’s a bit of a different thing I did with this album [The Wayside Ballads Vol 1]. The last two albums, I did both of those in the US and they were very acoustic based. I had these songs lying around and a good friend of ours Shannon Bourne, who’s a great guitar player, said “let’s try and do an electric album. The story’s still at the centre of the songs but it’s just a different approach to it. We picked these ten songs and went in and did them – I think it took us about a day and a half to record them. It was all done pretty much live. And I had some great players in there – we hadn’t rehearsed or anything like that so it was all pretty organic in that regards. I’m really happy with the way it turned out”Bill Jackson chats to Gareth Hugh Evans. Interview here

Releases This Week

Eddie Boyd
A Lover and a FoolEddie Boyd and The Phatapillars
iTunes

Emily Barker
The Toerag SessionsEmily Barker
iTunes

Windfall
WindfallJoe Pug
iTunes

Sufjan
Carrie & LowellSufjan Stevens
iTunes

Mountain Goats
Beat The ChampThe Mountain Goats
iTunes

Timber and Steel Recommends – Go To This Gig

National Folk Festival

National Folk Festival

How could we not choose The National Folk Festival as this weeks gig pick. It’s going to be a cracker of a festival – will we see you there?

Thursday 2nd to Monday 6th April – Canberra, ACT

Gigs Next Week

Alabama Shakes
Friday 3rd and Saturday 4th April – Bluesfest, Byron Bay, NSW

All Our Exes Live In Texas
Thursday 2nd to Monday 6th April – National Folk Festival, Canberra, ACT
Thursday 9th April – Ellington Jazz Club, Perth, WA
Friday 10th April – Fairbridge Folk Festival, Perth, WA

Bluesfest
Thursday 2nd to Monday 6th April – Byron Bay, NSW

Brad Butcher
Thursday 9th April – 12 Bar Blue, Cairns, QLD

Darren Hanlon
Friday 3rd April – Karova Lounge, Ballarat, VIC
Thursday 9th April – The Spotted Cow, Toowoomba, QLD
Friday 10th April – The Zoo, Brisbane, QLD

David Gray
Sunday 5th April – Palais, Melbourne, VIC

Eddie Boyd and The Phatapillars
Sunday 5th April – The Juke Joint Stage, Bluesfest Byron Bay, NSW
Monday 6th April – The Juke Joint Stage, Bluesfest Byron Bay, NSW
Thursday 9th April – Lefties Old Time Music Hall, Brisbane, QLD
Friday 10th April – The Currumbin Creek Tavern, Currumbin, QLD

Elwood Myre
Wednesday 8th April – The Pier, Port Macquarie, NSW
Thursday 9th April – No. 5 Church St, Bellingen, NSW
Friday 10th April – Cardigan Bar, Brisbane, QLD

Fairbridge Festival
Friday 10th to Sunday 12th April – Pinjarra, WA

Festival of Small Halls feat. Gordie MacKeeman and His Rhythm Boys, Siskin River
Friday 3rd to Monday 6th April – National Folk Festival, Canberra, ACT

Frank Turner
Sunday 5th April – Bluesfest, Byron Bay, NSW
Monday 6th April – Amplifier, Perth, WA
Wednesday 8th April – Unibar, Adelaide, SA
Thursday 9th April – The Small Ballroom, Newcastle, NSW
Friday 10th April – The Basement, Canberra, ACT

Heartstring Quartet
Wednesday 1st to Monday 6th April – National Folk Festival, Canberra, ACT
Sunday 5th April – Narooma, NSW

Jake Shimabukuro
Sunday 5th April – Lizottes, Newcastle, NSW
Monday 6th April – Lizottes, Central Coast, NSW
Wednesday 8th April – Lizottes, Dee Why, NSW
Thursday 9th April – The Basement, Sydney, NSW
Friday 10th April – The Gov, Adelaide, SA

John Flanagan
Friday 10th to Sunday 12th April – Fairbridge Folk Festival, WA

Jordie Lane
Friday 10th to Sunday 12th April – Fairbridge Folk Festival, Fairbridge, WA

Justin Townes Earle w/ Sam Outlaw
Friday 3rd April – Boogie, Tallarook, VIC
Sunday 5th April – Byron Bay Bluesfest, Byron Bay, NSW
Thursday 9th April – Grace Emily Hotel, Adelaide, SA
Friday 10th April – Northcote Social Club, Melbourne, VIC

Kaurna Cronin
Friday 3rd April – Blenheim Music Festival, Blenheim, SA
Sunday 5th April – National Folk Festival, Canberra, ACT

Kim Richey
Thursday 2nd to Monday 6th April – National Folk Festival, Canberra, ACT

Lucie Thorne
Thursday 2nd to Monday 6th April – National Folk Festival, Canberra, ACT

Lucy Wise Trio
Thursday 2nd to Monday 6th April – The National Folk Festival, Canberra, ACT
Friday 10th to Sunday 12th April – Fairbridge Festival, WA

Man From Snowy River Bush Festival
Thursday 9th to Sunday 12th April – Corryong, VIC

Marlon Williams
Thursday 9th April – Gasometer, Melbourne, VIC
Friday 10th April – Black Bear Lodge, Brisbane, QLD

National Folk Festival
Thursday 2nd to Monday 6th April – Canberra, ACT

Nuala Kennedy
Friday 3rd to Monday 8th April – The National Folk Festival, Canberra, ACT
Friday 14th April – Fairbridge Music Festival, Fairbridge, WA

Pokey LaFarge
Wednesday 8th April – Caravan Music Club, Melbourne, VIC
Tuesday 9th April – The Corner, Melbourne, VIC
Friday 10th April – Theatre Royal, Castlemaine, VIC

Rodrigo y Gabriela
Saturday 4th to Sunday 5th April – Bluesfest, Byron Bay, NSW
Tuesday 7th April – The Palais, Melbourne, VIC
Thursday 9th April – Sydney Opera House, Sydney, NSW

Roland Kay-Smith
Thursday 9th April – The Grand Junction, Maitland, NSW
Friday 10th April – Django Bar, Marrickville, NSW

Sam Buckingham
Sunday 5th April – Pyramids Road Wines, Ballandean, QLD
Thursday 9th April – The Rhythm Hut, Gosford, NSW

Skyscraper Stan And The Commission Flats
Saturday 4th April – Grace Emily, Adelaide, SA
Sunday 5th April – The Loft, Warrnambool, VIC

Steve Smyth
Saturday 4th to Monday 6th April – Bluesfest, Byron Bay, NSW
Friday 10th April – Four 5 Nine, Perth, WA

The String Contingent
Saturday 4th April – Flute & Fiddle, National Folk Festival, Canberra, ACT
Friday 10th April – Fairbridge Folk Festival, Fairbridge, WA

Timberwolf
Friday 3rd April – Blenheim Camping and Music Festival, SA

Winterbourne
Saturday 4th to Monday 6th April – Fremantle Street Arts Festival, Fremantle, WA
Thursday 9th April – The Milk Factory, Brisbane, QLD
Friday 10 April – The Treehouse, Byron Bay, NSW

Xavier Rudd & The United Nations
Sunday 5th April – Bluesfest, Byron Bay, NSW

Friday Folk Flashback

“Jim Shank” – April Verch

National Folk Festival Interview: Mustered Courage

Mustered Courage
Image Courtesy of Mustered Courage

Melbourne based new-grass band Mustered Courage have had a massive couple of months, touring the US, picking up a Golden Guitar at the Tamworth Country Music Festival and spending time in the studio recording their epic new album. With an appearance at this weekend’s National Folk Festival we sat down with Mustered Courage’s banjo player and lead vocalist Nick Keeling to reflect on the past few months and look forward to the year ahead.

Gareth Hugh Evans: First of all congratulations on the Golden Guitar win this year! That must be pretty exciting for you.

Nick Keeling: Yeah. It was a pretty good night there. Tamworth can be a bit of a hard slog – we played like 10 gigs this year in a row. So on the last day to win a little bit of a shiny thing, it’s nice. And then the phone rings a little bit so that’s good to.

GHE: Yeah, I imagine that suddenly there are a few people who’ve never heard of Mustered Courage who are now paying you a little bit of attention.

NK: Mustered Courage kind of sits in between a couple of different genres and different music scenes and the country scene is definitely one of them. If we can make inroads into the folk scene, the country scene, the roots scene, the indie scene – we just want to be everywhere.

GHE: I feel like the Australian country scene can be a little bit closed at times – its very hard for bands to break into. But maybe that’s going away a little bit?

NK: I feel like it’s just about participation. I don’t think there’s any kind of clique or wall. Just get up there and do it! I keep urging bands that I’ve seen at one Tamworth and then I don’t see the next to say “why didn’t you come back?”. Rome wasn’t built in a day. You’ve just got to keep chipping away. It’s basically an open door policy as far as I’m concerned – you want to play in the country scene, then play in the country scene. The only thing stopping you is your own desire or intent to do it.

GHE: How were the audiences in Tamworth?

NK: I really did feel like the audiences are changing a little bit. It’s getting younger, the next generation of country music listeners is intact. Hopefully that will then encourage more bands that are maybe in the scene to go up there. We had the Green Mohair Suits in Tamworth for two years in a row, Little Bastard came back, Wagons came back. I look first to our closest peers – you kind of need an army to lead the movement, you can’t do it by yourself.

GHE: You guys are heading to The National Folk Festival this year, which will be your second time there. What’s drawn you back to The National?

NK: I think it’s one of the greatest folk festivals in the country by far. I’ve been to dozens of festivals, I think they do it really well. I lived in Canberra for a long time, Julian [Abrahams] our guitarist is a Canberra boy, so it’s a bit of a homecoming in that regard. The best thing about The National for me is almost every concert I ever went to there is packed. Some people might get a little bit grumpy when they have that sign out the front that says “Venue Full” but you just learn to get in a little bit earlier and then you know the vibe’s going to be good. Some festivals, without naming any names of course, may spread themselves too thin on some shows. I think the beauty is in the programing and size management. When you go and see a show half of what you want is atmosphere and if a festival works hard to make sure that atmosphere is good for the band and the audience then there is no excuses.

GHE: And the audience that goes to The National are genuine music lovers.

NK: You go and you know there’s going to be a great camaraderie at The National as well. The session bar after hours, that’s the best musicians get together and party that I’ve ever experienced.

GHE: I don’t think there’s anything quite like the session bar. It’s one of those places where you can jam with your musical heroes. Where else does that happen?

NK: No where! I’ve been to a lot of back stage picks but this is just anyone. It’s really cool. From a personal perspective I’m gonna know about a hundred people up in there so it’s a good party.

GHE: I know people who pay for a season ticket and then spend their entire time in the session bar. They don’t go and see any of the programmed music, they just wait for the music to come to them.

NK: That happens at a lot of the great festivals of the world where people don’t leave the parking lot. That’s one of the great things about festivals, it’s a lot more than just going to see the bands. There’s a lot of stuff to do.

GHE: So you’ve been in the studio recently?

NK: Yeah, we’re just putting the finishing touches on the mixes now.

GHE: I saw crazy photos on your Facebook page of timpani and orchestral percussion. Is this a “big sound” Mustered Courage?

NK: It’s a big sound. We’ve kept the bluegrass thing at its core for sure – every track is acoustic guitar, bass, banjo, mandolin, fiddle, dobro. But then we built more around that which was one of the visions that we had for a long time, to orchestrate things a lot more. There is timpani, tubular bells, marimba, horns, organ, electric pianos, electric guitars and some other exotic instruments. Oh, and drums! I forgot – when you get too deep into the bluegrass scene people are like “drums?” but then the moment you stick you’re head out everyone’s like “of course you have drums. Bands have drums”. It’s definitely the next evolution of the sound – I would describe it as bluegrass with indie/Americana/folk/rock stuff that we don’t know has been done before, but it’s worth a try.

GHE: Sounds like you guys are really pushing the boundary of what Mustered Courage is.

NK: It’s still the same at the core. We try to write good songs. The vocal harmonies that we’ve really focused on for the past four years are still the main feature and the picking is still underneath and in the breaks to tantalise the ears. There’s just a lot more textures.

GHE: Did I see that you guys are heading back over to The States again this year as well?

NK: Yeah, we’re leaving in about seven weeks now. I feel like we just got back. The last tour was three months, no less than, no days off. Any day that was considered a day off was a couple of interviews and a 12 hour drive. We still played 50-something shows, nearly killed each other a few times, killed a few vehicles and we drove 27,000 miles. And we’re doing it again! We’ve got some good festivals lined up in the summer of bluegrass scene.

GHE: Is it important for you guys to chip away at the American scene while still maintaining your base in Australia?

NK: Yeah. It’s expensive for us to get over there but as far as the audience goes, we’re trying to build an audience for this kind of stuff here but over there there’s a ready made one. Our management and agencies don’t want us to lose any of the ground that we’ve got from going last time. We’ve managed to get on some really, really good festivals. One is the Telluride Bluegrass Festival – it’s kind of little bit of a dream festival for us. It’s the place where new-grass all started. Just to be a part of that makes this trip worth going and it makes the last trip worth it to because obviously we made an impression enough to get noticed by the people that you want to [notice you].

It’s tough because sometimes the tours feel like they have no rhyme or reason to them. They’re just town to town to town to town to town to town and you’re like “how can we even start to make a fanbase in these towns if we just play one little show and leave”. It’s a good thing we have some people driving this train that know what they’re doing because a lot of it has to do with trying to create hype with publicity. Basically the words “publicity tour” were important in what we did last time.

GHE: Well I’m glad you’re heading back there but I’m also glad I’m going to be able to catch you at The National Folk Festival first.

NK: Thanks mate – see you there.

Timber and Steel’s Artists’ Top Albums of 2014

Turntable

You’ve probably read what we think are the top albums of 2014 and now it’s time to turn to Timber and Steel’s favourite artists and see what they pick as their number one.

We reached out to musicians across the folk spectrum, from local singer-songwriters to internationally acclaimed folk stars and the response, as always, has been amazing. So we’ll shut up and we’ll let the artists do the talking with Timber and Steel’s Artists’ Top Albums of 2014:

NightwalkWoody Pitney
Matt WaltersNightwalk
I was a small part of Matt’s crowd-funding campaign to get this album off the ground and it was definitely money well spent! Matt has a really defined, folky sound, which evokes different emotions throughout the album. His understated vocals with his powerful lyrics make a great recipe for an excellent album. My personal highlights are Track 2, “Melbourne Goodbye’ and Track 8, ‘Build A Place’. I highly recommend you give it a listen!

SongsRoland K Smith
John FullbrightSongs
On his second album the best new songwriter in the world pairs lyricism with musicality and musicianship. Seriously, no one is making records as good as this young man from Oklahoma. “High Road”, the album’s penultimate track, still sends shivers down my spine after the hundredth listen. Fingers crossed we see him in Australia soon.

ZabaSteven Barnard (Arbori)
Glass AnimalsZaba
It was a toss up between this record and Jamie Cullum’s Momentum. Both are full are brilliant arranging and some great hip hop and R&B influences. Glass Animals however have created soundscapes, grooves, crochendo, and a singer who’s channelling a rapper, in what I can only describe as indie swag. I have not stopped listening to this record all year

Upside Down MountainTodd Sibbin (Todd Sibbin and the Acadian Driftwood)
Conor OberstUpside Down Mountain
Its been three years since Bright Eyes’ 2011 heavily electronic influenced The Peoples Key and many were expecting a blow back to the early Oberst/Bright Eyes days with the announcement of a solo record. While it certainly is more laid back, the collaboration with producer Jonathan Wilson brings an entirely new aesthetic to anything we’ve heard from an Oberst incarnation (not to mention, in terms of subject matter, Oberst got married three years ago so most of the lyrical content is about the “experiences” of married life, instead of the “experiences” of single life). Defiantly modern sounding (largely due to a decent amount of electronic PAD work), Wilson and Oberst have managed to retain the stripped back and intimate nature of the songs despite the fact that the tracks are still fairly overdubbed (with a decent amount of electric guitar too!). It’s an extremely ambient record which, after speaking to others, can help take some of the “bluntness” out of Oberst’s delivery, certainly making it one of Oberst’s more “friendlier” releases. I love it.

New MoonLiz Frencham
Sarah HumphreysNew Moon
It may seem biased because I played on this album but the things I love about it are nothing to do with my playing. Sarah’s songwriting is exquisite and her voice sublime. It also has the energy and dynamics of a live album.

The Spoon CollectorsLiam Gale (Liam Gale & the Ponytails)
The Spoon CollectorsA Dime for Charon
Part mellow-drama-rock-opera, part nineteen-seventies-swamp-explosion, but mostly a psychedelic journey through The Spoon Collector’s fabricated landscape beyond space and time. I was present for a lot of the recording of this album, out in central NSW with Sunfield Records, and let me tell you: The Spoon Collectors know how to party. The album features guest vocals by the boys from the Dusty Yellow Sunbeams and characterised artwork by the producer’s brother.

Angel OlsenLauren Moore (Pepperjack)
Angel OlsenBurn Your Fire For No Witness
There’s something consistently cool and brooding about this February release. It’s the fuzzy guitar tones; it’s her angry-drunk to sleepy-drunk vocals. It’s the gripping nature of the tom-heavy drumming in “Forgiven/Forgotten”. You can put this in your ears, down a glass of red and kick in a car window if you want to. I love it when folk meets rock in the most seamless way. And that’s what this album is – an ideal balance of gloom and glow – as well-rounded as a human personality; bleak at times, but honest and changing. As she sings in “High & Wild”, “I’m neither innocent nor wise when you look me in the eyes.” Perfect for long walks in the dark and putting out cigarettes in the carpet.

Salad DaysJay Penaflor
Mac DemarcoSalad Days
I decided to listen to this album before dozing off to sleep. Didn’t sleep of course. My ears were completely drawn to the ‘jizz jazz’ of Mac Demarco and ended up listening to the very end of the album. Upon listening to this album, I found myself head-bopping to nearly all his songs. He has a way of messing with your head with his romantic-like melodies and bizzare yet addictive twangy guitar riffs. For some reason I feel like this album should be listened in a cafe in Paris or something. My hat’s off to Mac Demarco. Listening to him inspired me to write ‘Fridge Buzz (Choirs Of Suburbia)’ on my Incentive EP, though I doubt it’s got nothing on any of his tunes.

BeckOisin Leech (The Lost Brothers)
BeckMorning Phase
On this album Beck appears in the desert wearing silver robes and speaking in tongues of crystal and cold fire. The songs are immaculate. The precision and emotion in this album makes it so special. This album was my close companion as we toured the world. I love it dearly.

The CoralMark McCausland (The Lost Brothers)
The CoralThe Curse of Love
This album was recorded eight years ago and kept hidden in a treasure chest until the flavours had stewed. It’s a unique album of frightening beauty and its songs hold many secrets. I’d been waiting to hear these songs for centuries without realising it. The album immediately unlocked a labyrinth of mysteries to me from the first note to the last. It’s boss.

The No-Hit WonderFrank Turner
Cory BrananThe No-Hit Wonder
Everything Cory does is pretty much flawless – it’s a real wonder to me that he’s not better known than he is. Most every songwriter I know loves his stuff and feels slightly daunted by it, he’s so much better than the rest of us! This new album is no exception. It’s worth the price for the opening lines of “The Only You” alone. A classic record in the making.

Jack WhiteClaude Hay
Jack WhiteLazaretto
This one’s easy for me, Jack White’s Lazaretto. It’s full of wicked riffs, catchy melodies, analog raw production, brilliant songs, all the ingredients for a perfect album. I’ve flogged it to death.

Otis GibbsBill Jackson
Otis GibbsSouvenirs of a Misspent Youth
As well as being a native of Indiana, Otis Gibbs is also noted as “a storyteller’s storyteller” who symbolizes the true essence of the independent spirit thriving in the East Nashville neighbourhood he now calls home. Fiercely independent, Souvenirs of a Misspent Youth produced by Thomm Jutz is Gibb’s seventh album since 2002. Folk is Otis’s style but country is his flavour and many are predicting that this will be his breakout album. Not that it matters as Otis writes to inspire. If you like Guy, Townes, Steve etc then get on board. Every song on this album is a highlight, so as they say “lean in and listen” and you won’t be able to stop. My favourite track: “Ghosts of Our Father’s”. Otis Gibbs has also recorded nearly 100 podcasts under the title Thanks for Giving a Damn that consists of conversational interviews with those who write, sing and play for a living – free on iTunes.

Lily OSam Lee
Sam AmidonLily-O
An album of absolutely sensitive genius, maturity in craft and skill in story telling that is heads beyond most other albums about

Hey RosettaWinterbourne
Hey RosettaSecond Sight
Such a good album! Tim Baker’s vocals are addictive and they’re backed up by clever and moving lyrics. Each song is thick with real instruments, which move together in a way that still feels fresh after the tenth listen. It just makes you feel good.

Damien RiceRyan Oliver (Olivers Army)
Damien RiceMy Favourite Faded Fantasy
It’s classic Damien Rice melancholy but with a new focussed indie-pop sensibility. The songs are well crafted, passionate, raw and honest and you feel like you’re sitting right in his Icelandic borrowed home-studio. The production is beautiful. I love the lengthy songs that take you on a wild journey and the lush orchestral arrangements that almost drown out everything else, in a very good way.

Caitlin ParkHeyMun
Caitlin ParkThe Sleeper
Caitlin Park is a real gem and her latest album is a reflection of great ambition and perspective. A body of work exploring intricate layers of acoustic blended with touches of electronic (“Wake Up In A Whirr”) and thought provoking verses (“Hunt For The Young”) all in all results in a real treat for the senses indeed. Paired with sound engineer extraordinaire Sam Brumby, The Sleeper is a fusion of great ideas executed beautifully. Reminding us of how lucky we are to have inspiring talents like this in Australia.

AtlasCaitlin Harnett
Real EstateAtlas
Bittersweet lyrics, dreamy vocals and guitars and just the right amount of ache to make you fall in love with this record over and over again.

Mikhael PaskalevLittle May
Mikhail PaskelevWhat’s Life Without Losers
This album has been the prominent soundtrack to my year. It is perfection and has really inspired me to think outside the box creatively. Such a genuine guy who deserves all the success that will continue to come his way.

Nikki LaneBex Chilcott (Ruby Boots)
Nikki LaneAll Or Nothin’
It takes about five minutes of watching a Nikki Lane show to become a totally dedicated fan girl and although album was a slow burner for me, its infectious nature took hold this year. She’s got to be one of the nicest badasses both in person and in song. The songs are just good, strong songs that are both honest and lyrically pretty clever, classy hooks and a really good dose of steel and slide which always pulls at my heartstrings. Totally won my heart over this year!

Angus and Julia StoneChris Panousakis (Timberwolf)
Angus & Julia StoneAngus & Julia Stone
For me it would be Angus & Julia Stone’s self titled album no doubt. It’s such a punchy, refreshing version of their songwriting, and there’s an intangible sense of unity between the two that you can really feel listening to it as well as seeing them play live. It almost feels a lot more vulnerable or honest, either way it’s pretty special.

Apex TwinThe Ellis Collective
Aphex TwinSyro
After 13 years, Richard James’ Syro is a tuneful, buoyant and humble return, playfully heralded by a green blimp hanging over London and announced from the depths of the deep web. Without any sonic uppercuts, the likes of Windowlicker or Come To Daddy, Syro dwells in analog manipulations more common to his Analord series (released as AFX) and serves as the frontrunner of what more may come now that the 13 years without Aphex Twin has passed. How bloody exciting!

Daniel ChampagneBearded Gypsy Band
Daniel ChampagneThe Gypsy Moon – Volume II
Dan is one of the most hard working Australian musicians I know of. He is a prolific songwriter and musician of great calibre. The songs on this album are full of depth, they talk of life on the road, of friends and lovers lost and the constant moving on that comes with the touring life. Beautiful melodies accompanied by some of the finest guitar playing you’ll hear makes this album so great.

Against MeBilly The Kid
Against Me!Transgender Dysphoria Blues
Why? It’s the most real, rocking, sincere, vulnerable, brave and catchy thing to get stuck in my ear holes in awhile, with a lyrical perspective that is engrossing, inclusive and yet daringly different. Also, I love these people.

WastelandsMatthew Black (The Bottlers)
Protector 101Wastelands
Tuning into the crackling airwaves of cinematic score saturated post-apocalyptica never felt so awesomely ominous. Maine synthwave artist Protector 101 has paid homage to future shock, nuclear holocaust ravaged movies with an envisioned 17 track soundtrack entitled, Wastelands. Protector 101 takes the listener on a rugged journey through ravaged love, gang warfare and bleak radiated Australian desertscapes circa 2099 with a musically based visual dexterity I could only liken to John Carpenter or Vangelis.

EnmaarCatgut
TinariwenEmmaar
We’ve listened to countless favourite albums on long car trips, lots of familiar country and old-time and bluegrass. But Malian Tuareg band Tinariwen really struck us: rolling rhythmic grooves, bluesy electric guitars and beautiful low male vocals. There’s a hypnotic drive to this desert music that draws you in, we love it!

FanfarloMike McCarthy
FanfarloLet’s Go Extinct
Fanfarlo’s third LP Let’s Go Extinct quickly danced its way to the top of my record collection this year. Fanfarlo have been my go to fun music choice for a few years now and although there are a few more psychedelic moments on the album Let’s Go Extinct delivers with solid songwriting, vocal delivery and production.

Valerie JuneSam Buckingham
Valerie JunePushin’ Against A Stone
It’s bluegrass, it’s folk, it’s rockin’ it’s heartbreaking, it’s uplifting and her voice carries each track in a vulnerable, sexy, “I take no shit, but I just wanna be loved” kind of way. I kind of want to marry her

Caitlin HarnettShane Nicholson
Caitlin HarnettThe River Runs North
My favourite album of 2014 is The River Runs North by Caitlin Harnett. A collection of great songs, played with heart and a minimum of fuss. As an album, it’s incredible – as a DEBUT album, it’s astonishing.

Jack WhiteEddie Boyd (Eddie Boyd and the Phatapillars)
Jack WhiteLazaretto
Jack White! What a man! His latest offering, Lazaretto is a dirty, raucous blues/rock/country mash-up which has been playing on repeat in my kitchen for months. Crunchy guitar riffs, wailing fiddles, ghoulish backing vocals, and a piano which has surely been bashed to pieces by now!
Easily my favourite album of 2014.

Lera LynnJohn Flanagan
Lera LynnThe Avenues
I came home from Nashville in October with a stack of incredible records but this is the one that I’ve listened to non-stop since getting back. I’d call it Americana-Folk-Pop, similar to Lisa Mitchell but more Americana and less pop. The melodies are catchy, but there are offbeat moments (which is what I love about it) and the production is slick and atmospheric tying it all together. Her voice is smooth and irresistible and yes, I might have a slight crush on her.

Tim WheelerTony Wright (VerseChorusVerse)
Tim WheelerLost Domain
The Ash frontman released his debut solo record this year and surprised everyone in that it didn’t sound remotely like the mother-band and it wasn’t (as a lot of solo debuts tend to be) an acoustic record! These songs deal with the loss of Tim’s dad, George, how it affected him and his family and how it’s still affecting them. It’s a work of tremendous emotion and beauty. I lost my mother at a young age and hearing some of the lyrics in this wonderful album tugged at my heart strings in every manner possible. From the instrumental, bluesy movers to the frankly stunning single, “Vigil”, this deeply personal album has an extremely universal appeal. A truly beautiful and happy/sad achievement on a topic we all, sooner or later, can relate to.

Emily BarkerEmily Barker (Emily Barker and The Red Clay Halo, Vena Portae)
Lucinda WilliamsDown Where the Spirit Meets the Bone
I love this new record of Lucinda’s. I’ve been a fan for many years now and this is stand out. The songwriting is exceptional and very much complimented by a great production. Her voice is weathered, broken and beautiful as ever. Very classy and visceral.

The War On DrugsAidan Roberts (The Maple Trail)
The War On DrugsLost In The Dream
Unlike so many rock bands who meddle with reinventing a retro sound, The War on Drugs possess several assets that make them soar above the rest – particularly with this dark, spectacularly beautiful record. The songs live in a world almost entirely ruled by common-time 80’s new-wave rock rhythms, the landscape populated by widescreen analog synth textures and twisting, chorusy guitars. And above it all, the beauty of Adam Granduciel’s weary and insistent tenor tugs you through these resigned and ponderous story songs like a troubled, trusted brother. Amazing.

Hot DreamsLacey Cole (Lacey Cole & the Lazy Colts)
Timber TimbreHot Dreams
Nostalgically cinematic, hauntingly beautiful and profoundly strange Timber Timbre’s 2014 album Hot Dreams sounds like 50s L.A noir meets Elvis-era Vegas complete with the picturesque road-trip around Arizona it took to get there. Equal parts sexy and creepy Hot Dreams is breathtakingly weird. Each song emerges from the shadows reveling itself as either the night of your life or your worst nightmare, you choose, then hold on tight and enjoy easily the best musical expression of the Grand Canyon ever recorded.

The TimbersGemini Downs
The TimbersLawless
Gotta go with local lads The Timbers. Not only do we love watching them bring crowds to life at awesome Adelaide venues like The Grace, now we have an awesome CD that beautifully captures their live, real, raw spirit. One of the most hard working bands we know and I dare you to try to keep your feet still when that trumpet kicks in.

The War On DrugsMatt Walters
The War On DrugsLost In The Dream
For months I kept hearing about this album and it took me a while to finally get to it. I remember my friends gushing about The War on Drugs. That kind of turned me off. You need to find things in your own time. Anyway, I was sitting in a cafe near my house and this beautiful dreamy music was playing. I thought it was a Dylan live recording that I hadn’t heard or something. So I Shazam’d it! I rarely use Shazam – but I knew I couldn’t miss this. I had to know. And it was the song, “Lost in the Dream”. That beautiful dreamy harmonica – the strange cryptic words – the ambience captured in the recording just pulled me in. It had me immediately. So I went home and bought the record and played nothing else for about 6 months. I’ve only really just stopped. I love this album. The production is just so pristine, flawless and unique. Adam Granduciel is like a master painter with his guitar sounds on this record – so ethereal and haunting. His playing is so detailed, yet raw and visceral at the same time. “Suffering” is so beautiful. Simple and profound. Oh, and If the guitar solo in that song doesn’t destroy you, nothing will. Masterpiece.

Ryan AdamsImogen Clark
Ryan AdamsRyan Adams
This record is heart-wrenching, soulful, moving and pure magic, but also somehow packs this almighty punch and really rocks out. Ryan Adams manages to be a total electric-fuelled punk rocker and a sensitive, poignant, acoustic singer/songwriter all at once. He’s the champion of wearing his heart on his sleeve and he leaves no stone unturned. Thank you, DRA.

Sweet JeanThe Weeping Willows
Sweet JeanGreetings From Goodbye
It is perhaps a little biased of us to choose Sweet Jean’s Greetings From Goodbye mini-LP as our top album of 2014 as it contains most of our favourite songs from the (many) times we’ve seen them play live over the years. Sime Nugent and Alice Keath are everything we would love to be as a duo; timeless singer-songwriters, multi-instrumentalists and heavenly harmonisers, with two of the best voices in the country. Much of this EP was actually recorded “live” in Sime and Alice’s laundry, which further demonstrates their effortless proficiency. Stand-out tracks are Dock Boggs’s “Country Blues” (in the style of Peggy Seeger), the traditional “Weeping Willow” and “Spring Bird” written by Keath and Nugent. Sweet Jean definitely have a gothic-folk sound that is all their own but check them out if you’re into the old-school folk stylings of She and Him or Americana duos Mandolin Orange, The Civil Wars or Australia’s own Jep and Dep.

SiaAnna Buckingham (Nova & the Experience)
Sia1000 Forms of Fear
She’s never had one distinctive style to her career. Some would call her an indie goddess and others a pop princess. 1000 Forms of Fear is an anguished pop album, in its smartest and human form. The first album she has released in four years, her powerful and perfect melodies remain uniformly magnificent throughout these twelve songs, with deeper and darker lyrics that highlight a more intimate side of Sia. Beautiful in all its vulnerability, she delivers great pain with even greater triumph. Every track is magnificently crafted and combines a faultless balance of violently raw emotion with total uplift. You are invited to look into this woman’s anguish through melodies and vocal cartwheels that can make you think she is unbreakable . Hauntingly beautiful in all its cleverness. My favourite by far.

Ben AbrahamTimothy James Bowen
Ben AbrahamSirens
My top album actually only came across my ears just the other day. It’s Sirens by Ben Abraham. He’s a friend of a friend of mine who I met at a house concert we were playing together in Melbourne around this time last year. He said that he had something in the works but I had no idea it would be this tasty. It’s like if you put Gotye, Josh Pyke and Passenger in a room and told them not to come out till they had something musical going on between them. Sort of. But all in his own greatness. Go and check it out.

Sun Kil MoonPeasant Moon
Sun Kil MoonBenji
Our individual short lists were like night and day…from Robert Ellis (Harvey) to Asgeir (Josie). Benji was the point of convergence. We’ve never been to Ohio, but this land of lethal backyard fires, mercy killing, teen sex and albinos can sure inspire some amazing music. This is a brutal and beautiful collection of stories about life, death and gratitude. And it can be confronting – there’s nowhere to hide as Mark Kozelek shuns the use of metaphor and other distractions. This, combined with the mostly simple arrangements, produce deceptively insightful songs about the tragedy and joy of what it is to be human. Dark slacker folk at its finest – think Smog meets Pavement meets Neil Young.

Lily OPete Flood (Bellowhead)
Sam AmidonLily-O
A really great ensemble album rooted in the inspired pairing of Amidon’s spiky banjo picking and Bill Frisell’s more expansive guitar playing. The overall tone is focused and quietly daring – traditional material given space to unfold and evolve in unusual and sometimes disquieting ways – a real breath of fresh air.

Everything UnsaidSam Sweeny (Bellowhead)
Screaming MaldiniEverything Unsaid
This is the second and final album from one of my favourite bands of all time. Perfect, innovative intelli-pop from a band who never got the recognition they deserved.

The Moral of the ElephantJon Boden (Bellowhead)
Eliza and Martin CarthyThe Moral of the Elephant
Two English folk greats on top form, shaking it up a bit with some unexpected material and totally nailing the traditional stuff, as ever.

Ben AbrahamAl Parkinson
Ben AbrahamSirens
I had been waiting for this album for years. YEARS. Ben Abraham is one of my favourite Australian songwriters and performers. You know when you go and see someone play and you HAVE to buy their cd, it’s not a choice, you have to scavenge around your Mary Poppins bag for dollars and even ask your friends if you can borrow some money to buy their album? This is how you would feel if you saw him play and the album is more than we as listeners had hoped for. It was absolutely worth the wait. The production on the album suits Ben’s songs perfectly; subtle where it should be, interesting and very clever. The album was only released in November but I just cannot stop listening to it. ‘Speak’ was the single he released from the album and it’s one of those “EVERYONE BE QUIET AND PLEASE LISTEN TO THIS” songs. Although I’ve listened to it probably 300,000 times, every time is like the first time I heard it. Other favourites are ‘You and Me’, ‘I Belong To You’ and ‘Songbird’ oh and ‘Collide’… Okay so they’re all beautiful. I’m so glad that I finally have these songs in my ears and I’m really excited to see where this stupidly talented persons career heads.

Southerly ChangeSivan Agam (The April Maze)
Southerly ChangeSoutherly Change
I love putting this album on first thing in the morning to get my day going with good vibes. It reminds me to live in the moment. Even if it’s cold outside this album makes me feel like I’m on summer holidays. There are some great singalong tunes in there too, so it’s the perfect album for long road trips.

Searching for TallSophie Klein (Little Wise)
Lauren GlezerSearching for Tall
This Melbourne songwriter likes to describe herself as a true “feeler”. That’s is exactly how I would describe my connection to this little record; emotional. The production, replete with gorgeous string arrangements on certain tracks, gracefully shines a deserving spotlight on Glezer’s tender and sultry vocals. Similarly, her long time rhythm players are sensitive and nuanced. But it is her personal, ever-so-human stories and her unforgettably breathy vocal delivery that really tug on my heartstrings.

Open SwimmerRose Wintergreen
Open SwimmerCanyon
Floaty, nostalgic, haunting melodies anchored with grit, sprinkled with sunshiney pop hooks and glorious references to Melbourne life.

SoutheasternThe Audreys
Jason IsbellSoutheastern
Perhaps his first great solo work, Isbell’s Southeastern is a masterclass in songwriting that doesn’t just touch on its themes of regret and redemption but mines them in ways we’ve never before heard. We were lucky enough to see Jason perform a highlight from the record, opening track “Cover Me Up”, at this year’s Americana Music Awards in Nashville. He got the award for Best Album and we got the pleasure of hearing him play.

Ray LamontagneAshleigh Mannix
Ray LamontagneSupernova
What a surprise this album was! It had me absolutely hooked from the first spin. These psychedelic sounds are completely different to anything I’ve heard from Ray Lamontagne before. This, coupled with its catchy hooks and wonderful lyrics made it a no-brainer for my choice of album of the year. It’s an anywhere album! I love it!

Rob MuinosDan Arnott (Dan and Amy)
Robert MuinosYou’re Not Alone
There have been a few releases this year by wonderful artists who I’m lucky enough to be great mates with, and I think my favourite of these is the debut EP by Robert Muinos called You’re Not Alone. Robbo does what amazing songwriters do; his songs of very personal moments somehow become universalised, making it feel as though you’ve been through whatever he’s singing about yourself, even if you’ve never experienced anything like it. His voice and his melodies are beautiful and I can’t wait for more. (Notable mention to Jackson McLaren’s album)

Daylight ExpressJames Kenyon
Tobias HengeveldThe Daylight Express
Hengeveld’s lyrics are brilliant. He’s operating at a level above. They’d be compelling enough without music, but his melodies and musicianship and that of his band elevate it to great album status for me. Lyrics that good just keep on giving. Every listen brings me to another great line or phrase. “All the old TVs on the side of the road…” that line in “Fools Rush In” kills me. Or “Our Katherine owned a temper like her name-sake. The firecracker always spinning off its nail” from “The Daylight Express”. Brilliant song, and heart breaking.

LulucRuth Hazleton – (Kate Burke and Ruth Hazleton)
LulucPasserby
Gently and quietly profound, Luluc are perfecting the art of simplicity – a trait that is very unique and brave in this age of musical trickery. Unpretentious, disarming, beautifully written, recorded and produced with a “sound” completely their own, Passerby features beautiful vocal harmonies, sophisticated melodies and honest lyrics. Recommended for long drives, Sunday afternoons or whenever your feet and/or heart need to touch the ground again.

BelovedGeorgia Fair
New GodsBeloved
Because “Caravan park” taunts me, “I Love You Too” is like cringing in the mirror, “Beneath the World” is just simply beautiful, “Too High” makes me cry and “Skyman” makes me dance.

BeckDustin Tebbutt
BeckMorning Phase
For me this record perfectly balances precisely sculpted songs and production with organic sounds, and raw stories. I get the sense that this album is a series of “captured moments” in the studio as opposed to so many modern records where every track is edited to an inch of its life. It’s also both hi fi and lo fi at the same time, with the acoustic guitars and drums almost remaining unprocessed while the colours created by the lush reverbs and Beck’s characteristic lazy vocal performances take you on journeys through vast spaces.

Dwight Sings BuckNick Keeling (Mustered Courage)
Dwight YoakamDwight Sings Buck
This ain’t your mother’s country music … it’s more like your grandmother’s! The sweet and pretty country music coming out of Nashville in the 1950’s got a punch in the face by the electrified honky-tonk coming out of Bakersfield California. Pioneers like Buck Owens and Merle Haggard plugged in their telecasters, set the drummer to shuffle, and layed down what would be a huge influence on the music of The Eagles, Creedence Clearwater Revival, Emmylou Harris, Gram Parsons and obviously Dwight Yoakam. Here Dwight nails the style and sound of Bakersfield country but with the fidelity of modern recording techniques. Pull up a barstool and let the steel guitar take you up Highway 99 to that oil patch they call Bakersfield.

StromaeKim Churchill
StromaeRacine Carrée
My album of the year is Racine Carrée by the Belgian artist Stromae. It has an essentially electronic dance feel, which is impeccably well complimented by absolutely brilliant song writing. I have had endless pleasure in sitting around on Google translate (as Stromae sings in French) discovering what each of my favourite songs is about. He sets the scene of each song magnificently and opens up discussions that are quite challenging for the listener. Given the dance feel – I find it amazing that people all over the world are jumping up and down in arenas to these words of wisdom. Stromae has incredible film clips – the artistic direction is both engaging and unique. He also incorporates elements of his clips into his live performances of each song and way he dances is literally ground breaking. There is a reason the new single “Papaoutai” has had over 200 millions views. Stromae is a master craftsman on every level and quickly becomes a complete obsession.

RuinsSarah Humphreys
Kris MorrisRuins
Ruins is a breath of honesty in a sea of over-earnest, over-thought out music that’s flooding my ears at the moment. I need truth in what I listen to and this is as raw as it gets and totally from the heart, a broken one. Bravely and beautifully produced by Kasey Chambers, he’s like the Australian Steve Earle.

Damien RiceJoel Barker
Damien RiceMy Favourite Faded Fantasy
I was driving to Denmark in the south of Western Australia, listening to NPR’s All Songs Considered program, when one of the program hosts started talking about Damien Rice’s long hiatus being over with the release of his new album My Favourite Faded Fantasy. It’s been so long since Damien has released anything that I kind of forgot what his music is to me. But on first impressions, this record didn’t make much of an impact with me. Not because it’s not staggeringly beautiful, but merely because of how I was listening to it. In the car. Through portable speakers. Driving at 110km per hour. I didn’t do it justice. I found the time the following week to sit down at listen to the record in full, and I’m completely blown away by it.
I’ve come to the conclusion the Damien Rice has three different writing personalities that are vastly different from one another, yet somehow come together to make what is uniquely his. There’s the distinctive guitar melodies, nothing complicated, but kind of like a place to house his other personalities. The second is his lyrical genius. Somehow always melancholic, even in moments of joy, his words resonate with honesty and integrity, self doubt, love and hate. His words become place holders for his third personality, which are the arrangements. Other than perhaps Bon Iver’s self-titled album, I’m not sure I’ve heard an album that balances the sincerity of words with these almost orchestra arrangements that soar with optimisim and drown with sorrow equally. All these personalities come together to give us a collection of songs which probably mean just as much to us as they do to him. I can live with a Damien Rice album every 8 years or so if this is the result. So see you in 2022, Damien. Until then, enjoy the solitude.

Upside Down MountainJack Carty
Conor OberstUpside Down Mountain
This album is beautiful on so many levels. The songs are thoughtfully produced, delicately arranged and seem less overtly melodramatic than most of his previous work, but somehow they still manage hold the same sort of poetic weight and satirically pointed attention to detail that has drawn me to Conor Oberst as a songwriter for years.

True StrengthJulia Johnson (Julia and the Deep Sea Sirens)
True StrengthTrue Strength
Lost in an empty old building in East Berlin while trying to find a bar Ned Colette was playing in, I arrived just in time to discover support act True Strength, an Australian/Danish duo. If you love your folk with a touch of experimentation, or your Joanna Newsom mixed with a bit of Scandinavia, you might love True Strength. The almost a-tonal tinges to their light, delicate melodies only make them more beautiful and robust. Their self titled EP is a work I have found myself returning to often, and their performance that night is a memory I find delicious to linger on.

Tarpaper SkyBrad Butcher
Rodney CrowellTarpaper Sky
The name Rodney Crowell was only made known to me at the beginning of the year by a friend who told me I had to listen to Sex & Gasoline, an earlier release of Rodney’s, which I instantly connected with. I had become aware of a new album being released later this year couldn’t wait to get my hands on it. It became the sound track of my first Tasmanian Tour in July this year and is still on high rotation. The way he looks at a song is not only unique but refreshing, this you might not expect from someone who’s been doing it for over 4 decades, but thats the very reason he is still at the top of his game and why this is my pick of 2014.

KimbraCurtis Smith (Yetis)
KimbraThe Golden Echo
Kimbra has got it. Her vocal ability seems limitless and her sense of groove is spot on. Not necessarily “beautiful” or “folky” but I can’t stop listening to it. One of those artists who doesn’t appear to be restricted by any means, and through this is making me think about my voice and to explore it’s capabilities. Also, my brother, sister and I (half of Yetis) are half kiwi, and are way too proud of it. We believe everything that comes out of NZ is brilliant, such as Kimbra.

Royal BloodJoe Murphy (The Timbers)
Royal BloodRoyal Blood
Simply the album is a rocking banger from start to finish!! Influenced heavily by the White Stripes with a touch of Muse at times. Its been on rotation for weeks and responsible for a lot of head banging!!

Gon BoogalooMark Moldre
CW StonekingGon’ Boogaloo
This album was well and truly worth the wait. CW Stoneking managed to reinvent his sound whilst retaining his authenticity. I actually wonder whether he may own a flux capacitor and a DeLorean because there’s no doubt in my mind that he has just stepped out of a 1930’s speakeasy. The fact that he picked up a Fender Jazzmaster for this album and put down the banjo allowed him to swing a little harder and dig himself into deeper grooves. It’s a wonderful blend of blues, jazz and ragtime – yet there is also something here that is intangible and undefinable – and completely his own. Nobody wants to see me dance – I promise you that, but this album makes me want to get up on the floor.

Let It LieStu Larsen
The Bros. LandrethLet It Lie
I randomly met these guys a few months ago when they were on their way home to Winnipeg, Manitoba. They were a last minute support act for my show in Chicago and really blew me away, in fact, I should have been the one supporting them, they were phenomenal. There is something incredibly captivating about these four guys when they play and sing together, both on the stage and on their album. Let It Lie is out in Canada and set for release in the States and Europe in a month or so from what I understand. I haven’t stopped listening to this album since they snuck me a copy in Chicago, hopefully Australian crowds will have the chance to fall in love with them soon!

TemplesTanya Batt
TemplesSun Structures
This year I discovered Temples and thank golly gosh for that. Think the Beatles mix the best of Tame Impala on more psychedelics with the world’s best summer vibes. It suits every mood I’m in and compliments it perfectly. I was pretty much hooked from the first bar of the first song “Sun Shelters” on the album and have listened to the album in its entirety most days since. It gives me the warm fuzzy’s because I love the vibe so much.

Stray BirdsThe Mae Trio
The Stray BirdsBest Medicine
It’s extremely hard to communicate the strength and intensity of these three musicians on record, but the album is tracked live and what is captured is still enough to make it our favourite release this year. Lush, gutsy harmonies and warm acoustic instruments are part of the joy of this album, but the most exciting bit is the songwriting – there are some jaw-dropping songs on there. This is just such no-nonsense, straight up, great music to make you laugh and cry and sing along reeeally loudly!

Jack CartyRosie Catalano
Jack CartyEsk
Jack has the most delightful voice, pens lyrics that take you on little faraway journeys, and has recorded an album that includes a song I suffer withdrawals from (“Honey, Do You Know The Way Back Home?”).

HuskyJesse Lubitz (Tinpan Orange)
HuskyRuckers Hill
This is a mighty record. The soaring harmonies and tight arrangements wrap perfectly around the beautifully crafted songs. This is one of the best albums to come out of Australia in the past few years. Faultless.

Jacob WyldeHayden Calnin
Jacob WyldeIt’s All About To Go
I’ve been following folk artist Jacob Wylde’s music for some time, impatiently waiting for an EP release from him for far too long. He’s 18, from Perth and been very busy with school I imagine. Then one day, It’s All About To Go came along and (pardon my foul mouth) but… HOLY F*CK! He’s the musician the world’s been needing and I’m spreading the word and supporting this guy till the bitter end of my days. Please listen to Jacob Wylde. He’s a rare find.

Kate Miller HeidkeImogen Bel
Kate Miller-HeidkeO Vertigo!
I love the way Kate surprises you with each new album. She never rests on her laurels and she is impossible to pin down. This is what has kept her fan-base so loyal. On this album, she has found the perfect balance of her theatrical leanings with off-kilter pop hooks and her mixture of literal and absurd lyrics. I’m a huge fan of the production on this one and the subtle eighties pop influences that never sound obviously retro. I began following (stalking) her career since her first EP and she has been a huge inspiration to me. Thanks, Kate!

VariousLes Thomas
VariousAustralian Artists for Asylum Seekers
I was blown away by the Australian Artists for Asylum Seekers Christmas album, which was put together by Lindsay Philips and features 25 excellent local songwriters. Christmas albums have never done it for me before, but the quality of every song and the fact that all proceeds go towards supporting the Asylum Seeker Resource Centre make it a beautiful example of an artistic collaboration in the best traditions of giving.

Phantom RadioMichael Paolino (Husband)
Mark Lanegan BandPhantom Radio
I got into Mark Lanegan’s music this year and I don’t know how I got through the last 30 years without it. This album has a pretty diverse sound, going from incredibly soulful, organic southern/gothic rock to some synth experimentation with iPhone drum apps! Best track “Harvest Home”. All in all a great listen.

Possessed By Paul JamesIsaac Graham
Possessed by Paul JamesThere Will Be Nights When I’m Lonely
I stumbled across Possessed by Paul James (stage name of musician Konrad Wert) at a show in San Francisco a few years ago. I was amazed at his effortless and energetic performance and impressed by his ability to seamlessly switch gears between heartfelt folk ballads and fiddle-driven, foot stompers. Although he fell off my radar for a little while I recently tracked down his latest album There Will Be Nights When I’m Lonely (2013) and was immediately captivated. Although it was released late last year I’m still claiming it as my favourite for 2014. Through his shrewd lyrics and restless performance, Wert seems to capture both the inevitable joy and loneliness of everyday life. The end product is a series of songs that are as heartbreaking as they are heart-warming. Standout tracks are “Hurricane”, “Where Does All the Time Go” and title track “There Will Be Nights When I’m Lonely”. Let’s hope he tours here sometime soon.

BeckMatt Dewar (Direwolf)
BeckMorning Phase
I don’t mean to split hairs, but I was vigorously torn between Faker, FKA Twigs and Beck. However I landed on Morning Phase because of its beautiful complicated simplicity. Despite the gusty blend of 60’s inspired psychedelic folk/rock, I’m constantly in awe of a man who can bring so much weight with such blunt phrases like “these are the words you use, to say goodbye”. It’s truly a lament of husky wails, lingering sadness and about 20 years of making records.

About FaceJaye Kranz (Brighter Later)
#1 DadsAbout Face
CAVEAT: I decided to choose my fav local release. It just seems like such an impressive time for Oz music, right? #1 Dads About Face flew in on first listen and still hasn’t left me. As per Big Scary, Tom Iansek is once again behind the production desk, wielding his sonic sensibilities in ways at once strangely familiar, decidedly new, and always astonishingly beautiful. I love how much he does with sometimes the simplest production choices and changes, doing only as much as the song needs. Love the collaborations, “Return To” being my standout. Also: a sax solo. (Equal first: Lowlakes – Iceberg Nerves)

Mia DysonLiz Stringer
Mia DysonIdyllwild
Idyllwild is such a playful and coherent bunch of songs. One of my favourites is “Based On Your Eyes”, a beautiful, honest and soulful love song that’s vulnerable and tender and heaving with feeling. It gets better with every listen which, for me, is a mark of a quality album. There’s a brashness to Idyllwild that I love. Mia seems to have reached another level of writing and playing. Just when you think it can’t get any better.

In The SilenceThom Lion
ÁsgeirIn The Silence
I’ve always admired artists who could mix organic instruments into their sound with electronic circuitry. So many try and fail, yet Iceland’s Ásgeir does it with supreme conviction. His release In The Silence had me intrigued and genuinely moved from the first listen. The Bon Iver influence can be heard throughout (especially in the layered vocal production and acoustic guitars) but Ásgeir carves his own sound through bleeps, bloops and R&B beats. The fact that these songs have been translated from their original Icelandic form to English makes the words all the more wholesome and endearing. His voice exudes a soft, pleading emotion, with ethereal qualities. “Kings and Queens” is a folky song, yet would not be out of place on a chillout sessions compilation. Punctuated by pulsing synths, lyrically it conjures beautiful imagery and a sense of wonder. “Torrent” is an absolute belter, with its anthemic piano line, the band joins in with the spirit of Arcade Fire. Do yourself a favour and check out his vulnerable yet grandiose take of Nirvana’s “Heart Shaped Box” on youtube, for an insight into his stunning live show.

ElbowOlivia Hally (Oh Pep!)
ElbowThe Taking Off And Landing Of Everything
Elbow’s arrangements hit you hard, even more so with this latest release. Guy Garvey’s lyrics make you smile, but not because they’re particularly happy. This is a great album, my favourite this year.

KimbraJames McKendry (Takadimi)
KimbraThe Golden Echo
This is not a lo-fi listen, it is as much about sound design and exploration of textures as it is about songs. On each track you can hear that great care was taken to a sculpt a piece of art, and not just write some catchy tunes that everybody would like. It still has Kimbra’s trademark quirky sense of melody but it is far more experimental and eclectic in it’s influences than Vows. There are strong influences of neo-soul, experimental electronic music and psychedelia present. Washy, armchair sinking moments of ambient bliss like those heard on Carolina are contrasted with some edgier and more confronting works like the tongue in cheek ode to nostalgia that is “90’s music”. All in all I’m blown away by this album. Go get it.

Emma SwiftJames Morrison (The Morrisons)
Emma SwiftEmma Swift
Emma really delivered with this album. The songs are full of conviction, and her voice is equal parts of beauty and sorrow. It’s a real late night record. The whole thing is understated and moody, the session band are subtle and tasteful, Anne McCue did a great job with the production, and there’s more than one moment that will bring on a blissful sigh (special mention to the chorus in “James”). Just go and listen to it, watch her live, fall in love with her, and if you meet anyone who belittles the state of Australian country music, throw this their way.

Daniel RossenShannon Carpenter (Sleepy Dreamers)
Daniel RossenSilent Hour/Golden Mile
I love Grizzly Bear so I was probably always going to love this. I’ve always been a big fan of his voice and guitar playing. Was really hard to choose a fav so I should give an honourable mention to The War on Drugs. Their album was ridiculously good as well.

The War On DrugsOllie Brown
The War On DrugsLost In The Dream
It’s the subtle change of the snare drum after the first chorus of Lost in the Dream. It’s the distant piano that melts away in your ears. It’s the shimmering tremolo guitars, driving 80s rock beats and Dylan-esc vocal delivery that makes this record timeless, refreshing and my favourite album of 2014.

S CareyRoscoe James Irwin
S. CareyRange of Light
S. Carey is mostly known for being the drummer and main backing vocalist in the Bon Iver live band, but his own solo records are amazing and place him highly as a genuine artist in his own right. He manages to blend live instruments and orchestration with manipulated ambient sound into something very haunting and really incredible. Once you’ve heard the opening track “Glass/Film”, you’ll be hard pressed not to listen to the whole record. “Crown the Pines”, with it’s free melody and layered double-stop fiddles, and “Alpenglow”, with it’s deep and powerful string arrangement, are both highlights.

The StavesRosie McDonald (RAPT, Folklore)
The StavesIf I Was
I’m really pre-empting as the full album isn’t out until early Feb but I’ve heard snippets of the songs on If I Was from the online trailer for the album and i love it already and have even pre ordered it. I don’t know if you are like me but I tend to judge if I like a song in the first few seconds and this sister act have the goods to deliver. I saw the family band – Emily, Jess, Camilla – at the Cambridge folk festival last year having not heard them before and loved their close harmonies and lovely poetic songs (like Wailing Jenny’s, Fleet Foxes, Crosby Still Nash & Young) but the band could crank when needed also. There is something very special about family voices together that finds a cohesive fullness and beauty. Ukulele, still the new black, was a feature as well as very nice guitar playing. I bought their album Dead, Born and Grown and have absolutely loved listening to it. Their Live at Cecil Sharpe House album is also sublime with a beautiful reading of that American folk ballad “Silver Dagger” made famous by Joan Baez. Like his year’s release pre release of The Blood I Bled From, If I Was was produced by Bon Iver’s Justin Vernon in the wintry wilds of Wisconsin and will be on high rotation as soon as I have it in my hands.

Tiny RuinsJane Hendry (Broads, The Nymphs)
Tiny RuinsBrightly Painted One
I had been waiting for this album, as I am a massive fan. Kel (also from Broads) is also a big fan. I was lucky enough to see Holly do a solo album preview show in Melbourne a few months ago put on by the Melbourne Folk Club and she played the entire album in order from start to finish. It was such a beautiful, intimate show. And she’s totally lovely as well.

HozierMark Wilkinson
HozierHozier
A really impressive collection of songs. The production gives the album a rawness and a darkness which I really like.

The War On DrugsAidan Cooney (Boy Outside)
The War On DrugsLost In The Dream
A complete album and the sound of art being perfected over years. Culminating in this painstakingly crafted masterpiece. Beauty from start to finish.

Swimmin TimeTracy McNeil
Shovels & RopeSwimmin’ Time
Cary Ann Hearst and Michael Trent conjure up the dead, awake the living and are in my opinion one of the best and purest forms of male-female–husband-wife country duo’s of all time. On this latest release they tread through deeper waters, transforming darkness into light, dirt into finely cut diamonds, all within just a few bars. I’m at times exhausted having gone on the journey with them but always better for it. Swimmin’ Time is magic! Hands down my favorite release of 2014. “There’s hope where you can’t see it, there’s a light after the storm”. I’m glad Shovels & Rope are around to remind us of that.

GirlAde Vincent (The Tiger and Me)
Pharrell WilliamsGirl
Great voice, great writing, full of fantastic hooks and well executed ideas. And I always love his production. My favourite pop album in years.

Angel OlsenJulia Jacklin
Angel OlsenBurn Your Fire For No Witness
This album sounds like 2014 for me. My housemates can attest that I have probably listened to it too much but it really hit me hard. She crafts really interesting songs which kind of meander but never lose focus. Her voice is this incredibly powerful thing that just cuts right through, she is one of the most unique and evocative vocalists I have ever heard. Some of the best moments on the record are when it’s just a strummed electric guitar and her singing in a whisper. It’s just beautiful heartbreaking lo-fi goodness.

The StavesSibylla Stephen (The Little Stevies)
The StavesThe Blood I Bled From
I am devastatingly slow when it comes to discovering to “new music”, even though I love it. These days, my two year old takes up most of my time (when I’m not concentrating on my own music), so I tend to catch onto things late, but I don’t enjoy them any less. The band I have discovered this year are The Staves. Their music moves me into a steady pace where I feel at peace. I’m pregnant again, and their album replaced my nightly 6pm-ish glass of wine (which is was very much missing!). I also want to shout-out to the best live band I’ve seen all year The Eastern, and the songs of Sweet Jean that featured heavily in the toddler music class my son and I have been attending at the Footscray Arts Centre, Rock On.

Ane BrunJames Lindsay (Breabach)
Ane BrunRarities
We really grew to be big fans of Ane when we were at WOMADelaide and Womad NZ together back in March this year. This album perfectly displays her serene voice, subtle lyrics and brilliant band.

VagabondLyn Taylor (Dear Orphans)
Stu LarsenVagabond
I waited too long for this album. Mike Rosenberg’s production of this album is sublime.

Gretta ZillerNick Payne (Dear Orphans)
Gretta ZillerHell’s Half Acre
I’m a sucker for a good turn of melody and Gretta’s EP has a plenitude of notes that turn in unexpected directions. I also like songs that can take me to a different time and place. The title track “Hell’s Half Acre” transported me straight away to Wyoming, and “the low country where those lands were so so bad … for me”.

HITSMark ‘Looch’ Lewis (Handsome Young Strangers)
HITSHikikomori
This may be a controversial choice nominating a flat out rock and roll band in this forum. But sometimes exceptions need to be made. HITS have delivered a staggering album which stands right up there with the best Australian rock n roll flag wavers before them. Think Radio Birdman, The Saints, The Hard Ons at their best – this album sits right up there with them. Quite possibly the best rock n roll band in the world ATM.

InterstellerLaura Bishop (Chaika, Laura & Susie)
Hans ZimmerInterstellar: Original Motion Picture Soundtrack
It starts with a soft theme reminiscent of the opening of Prokofiev’s Cinderella, minuscule in sound like a forgotten echo of humanity’s first footsteps into space flight; progresses to the magnitude of a full church organ with columns of air blasting through metal pipes, matching the enormity of rocket engines launching; later sits back to watch as an observer from afar with a simple yet beautiful piano theme; and even at points uses a theme that is similar to one I wrote myself over a decade ago for a short film about the Apollo 11 mission. Wormholes much? Who knows! Either way, it’s a jolly good ride.

New MoonFanny Lumsden
Sarah HumphreysNew Moon
Generally I am not into “love songs” or sincerity however this album makes me want to hug, love and high five everyone that is dear to me. The song writing is just top notch with equal parts heart, fight and spunk. I also really singing the songs into a wooden spoon and dancing around the kitchen. Also other tops were: Caitlin Harnett’s The River Runs North, Nikki Lane’s All or Nothin’ (yep girl power) and Del Barber’s Prarieography.

Tiny RuinsEmma Davis
Tiny RuinsBrightly Painted One
I was tremendously excited for this release. Holly’s first record, Some Were Meant for Sea, is one of my favourites – a beautiful piece of storytelling, cleverly told and delicately produced. This record has a little more of everything. More instruments, a little more electric, more variation and dynamics, but no less heart. It’s the perfect example of what happens when a musician grows a constant band around her. The arrangements become a little more thought out, the songs lift and fall a little more. Buy this record, wrap it up in paper, and leave it in the letterbox of someone brilliant.

Lily OJoe Gould (The Crooked Fiddle Band)
Sam AmidonLily-O
I bumped into good friend and man of impeccable taste, Mr Leroy Lee, at the Townie. It was 1:30am and luckily I wrote down the recommendation of this album. “You’ll love the beats” said Leroy. Beats? On a Sam Amidon album? He’s never been scared of percussion, but that’s not a comment to expect for the rustic strumming and plucking I’d enjoyed on Sam A’s previous outings. It was drizzly on my walk home, and I took an extra long way just to hear more as the early morning mistiness surrounded me. It perfectly suited the crystal clear production and voice filled with humanity. The version of “Groundhog Variations” is perfect, so try starting there. And if you see Leroy Lee around, get him to recommend your next favourite album.

Sun Kil MoonDarren Hanlon
Sun Kil MoonBenji
Sun Kil Moon had been one of those bands that, due to their bulky catalog and my own laziness, I’d never delved into. I couldn’t find an obvious doorway. I’d even played a show with them in Manchester a few years back, but it was a bad fit. The crowd watched me blank-faced and I felt self-conscious about displaying any kind of sunniness so just put my head down and plowed through. Mark Kozelek didn’t see me play but he was cordial in the bandroom and let me pilfer one of the bananas off his rider.
Just a few months back a good friend, in whose music taste I trust, implored me to listen to Benji, it was much more than a recommendation. So I took it very seriously and was, surprising to me, drawn into it right away by the croaky conversational tone and the stripped bare emotional tales he was telling.
A lot of the subject matter leans towards family, and is often confronting and candid. Lots of death and regret and tenderness. “I Can’t Live without My Mothers Love” is a far cry from your average Rock and Roll subject matter – and reminds me of first hearing Jonathan Richman sing about his wife in “Closer” – and just because of that is more Rock and Roll than any sex or drug reference. But there’s plenty of sex to be found. “Dogs” details the history of the protagonist’s (Kozelek’s?) early carnal explorations in erotic, graphic detail.
The songs are long, but don’t feel it. Like floating along on a stream where you’re too busy taking in the details of the surroundings to keep an eye on the time. The usual long-ingrained formulas of much popular music don’t apply here. The narratives are forthright and metaphor-free and the sparse instrumentation reflects this; it is subtle but inventive.
I’ve been thinking that as you get older poetry, for the sake of itself, can start to feel superfluous held up against pure message, or just plain truth. I’d spent my 20s trying to think up clever wordplay when now they can seem like window dressing. It’s not to say Benji isn’t clever. There’s so many surprising and inventive rhymes, or off-rhymes; it’s as if he’s tailored them to not quite fit so they jump out. And there’s a lot of humor, I actually laughed out loud hearing the line about his Dad flirting with the girls at Panera Bread. How often does that happen listing to serious folk music?
And it would take a hard heart not to find at least one tear. Listen to the story of his Dad’s downtrodden friend “Jim Wise”.
Very rarely, but every now and then, discovering a new band can pull back a curtain on a new way to approach songwriting, and another piece of the eternal puzzle falls away. I felt like this when I first heard Benji, ideas for about three new songs popped into my head. I feel like I have new tools with which to work.
I wonder if Mark Kozelek had an epiphany one day and a new horizon opened up, where the shackles of his old systems dissolved. Cause to me, as far as the lyrics go, this path he’s on feels limitless. Judging by his recent crazy slinging match with War On Drugs I hope this freedom of expression isn’t eating him up. I’m gonna go backwards now through his catalog to look for clues.
So listening to Benji has been a positive experience for me. I’ve also recommended it to other friends and they haven’t had the same experience, so evidently it’s not for everyone. But I’ve written this review without having listened to it for a few weeks now. That’s how vivid it still is in my mind.

More Artists Added to The National Folk Festival in Their Christmas Announcement

Mustered Courage
Image Courtesy of Mustered Courage

Christmas is almost here and the National Folk Festival has a very special gift for you – another artist announcement! And it’s one of our favourites so far!

This time around the National Folk Festival has added festival favourites the London Klezmer Quartet, traditional celtic flautist and singer Nuala Kennedy, the eclectic Mikelangelo and the Black Sea Gentlemen, stunning singer songwriter Lucie Thorne, bluegrass fusion masters Mustered Courage (above), award winning folksters Oh Pep! and the indomitable Spooky Men’s Chorale.

The National have also announced a bunch of artists from the 2015 feature state NSW including Mike McClellan, Jan Preston’s Boogie Circus, Christine Wheeler and Friends and Andrew Hull.

Add to that a fine International contingent with New Zealand’s Helen Webby and Davy Stuart and Finland’s Pekka Mikkola.

The National Folk Festival takes place over the Easter Long Weekend from the 2nd to the 6th April 2015. For more information check out the official site here.

JamGrass Announces First Artist Lineup for 2014

JamGrass
Image Courtesy of JamGrass

One of Timber and Steel’s best loved events, the JamGrass Music Festival in Melbourne, is about to enter its forth year and they’ve just dropped the first round of artists for 2014.

With a who’s who of Australian artists we feature regularly on Timber and Steel plus a couple of exciting additions from overseas the first announcement includes Mustered Courage, The Perch Creek Family Jugband, Sal Kimber & the Rollin’ Wheel, The Morrisons, The Seals, Tattletale Saints, One Up, Two Down, Annie Lou and The Stage Hogs. And there’s still plenty more artists to be announced.

JamGrass takes place over three days from the 31st October to the 2nd November at the Thornbury Theatre in Sydney. And JamGrass will also hit the road again this year after visiting Sydney last year with an On The Road edition of the show planned for Adelaide’s Governor Hindmarsh Hotel on the 20th September.

To get you in the mood check out a video of last year’s all-star jam:

Thank Folk It’s Friday – 6th June

TFIF

This Week in Folk

All the News From The Week That Was

– American newgrass five piece Trampled By Turtles released their new single “Wild Animals”. Details here

Mustered Courage are heading to the US for pretty much the rest of the year, but before they go they have a handful of shows planned on the East Coast. Details here

– UK folk legends Martin & Eliza Carthy have released their new single “Happiness” from their new album The Moral Of The Elephant. Details here

Melody Pool and Marlon Williams have announced a co-headline national tour this July and August. Details here

– Next week Sydney folk night Porch Light Sessions is set to feature Dave Calandra, Christopher Coleman and Elana Stone. Details here

Timber and Steel favourite Imogen Clark is heading out on a three city joint tour with Darcy Fox and Paige Renee Court. Details here

– Melbourne singer-songwriter Marmalade Ghost has released his debut single “This Chest of Drawers”. Details here

– Australian singer-songwriter Stu Larsen has released the video to his new track “Thirteen Sad Farewells”. Details here

– NSW duo Siskin River released their debut video “Up”. Details here

– Americana old-timey artist Dom Flemons has confirmed a solo album for July and has released a new single “But They Got It Fixed Right On”. Details here

Matt Walters has released his highly anticipated new single “NightWalk”. Details here

– The UK’s Monument Valley has released his new single “Plans”. Details here

– Monthly Sydney jam night Bluegrass at Yulli’s returns this Wednesday with an appearance from Not Good With Horses. Details here

– Sydney gets the Autumn/Winter Finders Keepers Markets tonight and tomorrow with music from folky artists like Leroy Lee, Brian Campeau, Martha Marlow (above), Fanny Lumsden & The Thrillseekers, Bec Sandridge, Hannah Marjorie, Boy Outside and more. Details here

– We got a stream of the new Kaurna Cronin single “Goodbye to You” ahead of its launch in Adelaide tonight. Details here

– Brisbane’s Brianna Carpenter will help you chase the winter blues away with her new video “In Our Hearts”. Details here

Fanny Lumsden and the Thrillseekers have announced details of their 2014 Country Halls tour with Ruby Boots. Details here

– Sydney’s Huckleberry Hastings has started drip feeding his new mini-album and art project with the release of his track “The Sick”. Details here

Interviews

“After two successful runs in Australia in recent times with Pieta Brown, showcasing the Love Over Gold album, Lucie is back on the road solo, albeit with long time collaborator percussionist Hamish Stuart, and teaming up for a double bill in Bacchus Marsh with Liz Stringer”Lucie Thorne chats to Billy Quinn. Interview here

“From humble beginnings in 1998, in a small venue that sat 20 in the audience, Michael Johnathon has built the Woodsongs Old Time Radio Hour into a public broadcasting colossus, heard and seen around the globe each week from its current home in the Lyric Theatre, Lexington KY”The Woodsongs Old Time Radio Hour’s Michael Johnathon chats to Billy Quinn. Interview here

Releases This Week

McNeill and Heys
Any Other MorningJack McNeill and Charlie Heys
iTunes

Oliver Downes
At The EndOliver Downes
Bandcamp

Whispers
WhispersPassenger
iTunes

Timber and Steel Recommends – Go To This Gig

Kaurna Cronin

Kaurna Cronin

Adelaide’s Kaurna Cronin has spent the last month touring up and down the east coast and tonight returns to his home town to launch the new single “Goodbye to You”.

Friday 6th June – Pirie & Co. Social Club, Adelaide, SA

Gigs Next Week

Bluegrass at Yulli’s feat. Not Good With Horses
Wednesday 11th June – Yulli’s Upstairs, Sydney, NSW

Chaika
Friday 6th June – The Unorthodox Church of Groove, Newcastle, NSW
Saturday 7th June – 5 Church St, Bellingen, NSW
Sunday 8th June – Upstairs@199, Brisbane, QLD
Thursday 12th June – Avoca Beach Picture Theatre, Avoca Beach, NSW
Friday 13th June – The Foundry 616, Sydney, NSW

Christopher Coleman Collective
Thursday 12th June – Porch Light Sessions, Petersham Bowling Club, Sydney, NSW
Friday 13th June – Brighton Up Bar, Sydney, NSW

C.W. Stoneking
Wednesday 11th June – St Stephen’s Uniting Church, Sydney, NSW
Friday 13th June – St Michael’s Uniting Church, Melbourne, VIC

Daniel Champagne
Tuesday 10th June – Burps, MacKay, QLD
Wednesday 11th June – Bellevue Hotel, Townsville, QLD
Thursday 12th June – Tanks Arts Centre, Cairns, QLD

Finders Keepers Sydney w/ Leroy Lee, Brian Campeau, Martha Marlow, Fanny Lumsden & The Thrillseekers, Bec Sandridge, Hannah Marjorie, Boy Outside
Friday 6th and Saturday 7th June – Australian Technology Park, Sydney, NSW

Graveyard Train
Wednesday 11th June – The Northern, Byron Bay, NSW
Friday 13th June – The Zoo, Brisbane, QLD

Isaac de Heer
Saturday 7th June – Wheatsheaf Hotel, Adelaide, SA
Sunday 8th June – Red Poles Winery, Adelaide, SA

Jeff Lang
Friday 6th June – Nexus Arts Centre, Adelaide, SA
Saturday 7th June – Fly By Night, Fremantle, WA
Sunday 8th June – Ravenswood Hotel, Ravenswood, WA
Thursday 12th June – The Brass Monkey, Cronulla, NSW
Friday 13th June – The Tanks Arts Centre, Cairns, QLD

Josh Pyke with Jack Carty
Friday 6th June – Montrose Town Centre, Montrose, VIC
Saturday 7th June – The Memo, Healesville, VIC
Friday 13th June – Fannie Bay Gaol, Darwin, NT

Justin Bernasconi
Saturday 7th June – Pizza and Wine Club, Kyneton, VIC
Friday 13th June – The Bendigo Folk Club, Bendigo, VIC

Kaurna Cronin and Ben Whiting
Friday 6th June – Pirie & Co. Social Club, Adelaide, SA

Kim Churchill
Friday 6th June – The Prince of Wales, Bunbury, WA
Saturday 7th June – Alice & Sharni Present: Theth & Gibson, Adelaide, SA

Little Bastard
Thursday 12th June – Rad (Yours & Owls), Wollongong, NSW
Friday 13th June – Newtown Social Club, Sydney, NSW

Melbourne Folk Club feat/ Matt Walters, Anika Moa, Tim Guy
Wednesday 11th June – Bella Union, Melbourne, VIC

Paul Green and the Other Colours
Saturday 7th June – See Change Festival, Huskisson, NSW

Peak Festival
Friday 6th to Monday 9th June – Perisher, NSW

Ruby Boots
Saturday 7th June – The Astor Lounge, Mount Lawley, WA

Spookyland
Friday 13th June – FBi Social, Sydney, NSW

Taliska
Friday 6th to Monday 9th June — National Celtic Festival, Port Arlington, VIC
Tuesday 10th June — Vic Folk Music Club, Ringwood, VIC

The April Maze
Friday 6th to Sunday 8th June – Palm Creek Folk Festival, Townsville, QLD
Wednesday 11th June – House Concert, Mullumbimby, NSW
Friday 13th June – Dundurrabin Community Centre, Dundurrabin, NSW

The Audreys
Friday 6th June – Heritage Hotel, Bulli, NSW
Saturday 7th June – Lizottes, Newcastle, NSW
Sunday 8th June – Factory Theatre, Sydney, NSW
Thursday 12th June – Sooki Lounge, Belgrave, VIC
Friday 13th June – Kyneton Town Hall, VIC

The Beards
Friday 6th June – Wollongong Uni, Wollongong, NSW
Saturday 7th June – The Abbey, Canberra, NSW
Sunday 8th June – Captains, Batemans Bay, NSW
Wednesday 11th Jun – Carrington, Katoomba, NSW
Thursday 12th June, The Railway Club, Darwin, NT
Friday 13th June – The Railway Club, Darwin, NT

The Folk Informal feat. Enola Fall, Karl Christoph, Benjamin James Caldwell, Direwolf
Thursday 12th June – FBi Social, Sydney, NSW

The Paper Kites
Saturday 7th June – The Railway Club, Darwin, NT
Friday 13th June – The Northern, Byron Bay, NSW

The Pierce Brothers
Sunday 8th June – Hotel Brunswick, Brunswick Heads, NSW

Todd Sibbin and the Acadian Driftwood
Friday 13th June – Jade Monkey, Adelaide, SA

Top Half Folk Festival
Friday 6th to Monday 9th June – Mary River, NT

Wagons
Friday 6th June – Barwon Club, Geelong, VIC
Saturday 7th June – The HiFi, Melbourne, VIC
Sunday 8th June – Karova Lounge, Ballarat, VIC
Thursday 12th June – The Abbey, Canberra, ACT
Friday 13th June – Yours & Owls, Wollongong, NSW

Friday Folk Flashback

“Better Way” – Ben Harper

I’ve always said that one of the positives that comes out of having a government as divisive as the one Australia has right now is that it motivates the previously politically apathetic to take a stand. And one of the best ways to vent our frustration at the political process is through music. I believe in a better way.

Mustered Courage Announce Local Dates Ahead of USA Trip

Mustered Courage
Image Courtesy of Mustered Courage

Mustered Courage, Melbourne’s premiere newgrass four-piece, will be heading back over to the USA in just over a month but have announced a list of dates so you can catch them before they go. Mustered Courage will be away for pretty much the rest of the year so this will most likely be your last chance to see them in 2014.

Check out the list of remaining dates below – for more information check out the official facebook event here:

Friday 20th June – Turner Bowls Club, Canberra, ACT
Thursday 26th June – No. 5 On Church, Bellingen, NSW
Friday 27th June – Lefty’s Music Hall, Brisbane, QLD
Saturday 28th June – Lefty’s Music Hall, Brisbane, QLD
Sunday 29th June – Winter Sun Festival, Eumundi, QLD
Saturday 5th July – The Spotted Mallard, Brunswick, VIC
Friday 11th July – Caravan Music Club, Oakleigh, VIC

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