Timber and Steel’s Artists’ Top Albums of 2016

Child Records

You’ve heard what we think the top albums of 2016 were, but lets be honest this is the piece you’ve really been waiting for.

Every year we reach out to the community of folk and acoustic musicians in Australia and around the world to ask them to pick their favourite album or EP of the year, and this year they came through in spades.

So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2016.

Bill ChambersEagle & The Wolf
Bill ChambersCold Trail
What a record. Bill just turns up when he feels like it and shows us all how it’s done. The title track is one of the best driving songs ever written and we’ve done A LOT of driving this year! This record has been with us on every trip and inspires us as artists of the alt. country genre to dig deep and keep being real, in life and in music. He’s the baddest and the best.

James KenyonAnna Cordell
James KenyonImagine You Are Driving
This album takes me into such a beautiful space, it is so beautifully written and produced, I find myself smiling every time I listen to it – I’m entranced and inspired.

Joe MungovanImogen Clark
Joe MungovanWay Down South
Joe totally embodies the Joni Mitchell quote about songwriting, “The closer you get to your heart is the closer you get to everyone else’s”. This EP is an evolution for him, the production is so sparse and spacey, almost Bon Iver-ish, and very different from the folky style of his first EP. But what remains is Joe’s amazing ability to capture so perfectly the melancholy of the human condition with his beautiful melodies and heart-wrenching lyrics. A big 5 stars from me. Love ya, Joe!

Piers FacciniSam Lee
Piers FacciniI Dreamed An Island
This album only came out a couple of weeks ago but I think needs mentioning in this years crop. Piers is one of the finest male singers and his musicianship is exquisite. It’s an album of great sensitivity with deep thought and poetry inside. The songs are so well formed, he has a knack at creation of timeless soundings orgs.

DD DumboDan Flynn
D.D DumboUtopia Defeated
Oliver has really found his own unique sound while incorporating some diverse influences including folk, electronic and world music. I was really impressed with his songwriting and his ability to draw you in to his strange little world. I also love the production with all those sonic layers that reveal themselves over repeated listens. Amazing debut.

Michael KiwanukaSkyscraper Stan
Michael KiwanukaLove and Hate
I got hooked on this album while touring around New Zealand. The songwriting is melodic, the dynamics are masterful and the closing track, “Final Frame”, kicks me in the guts.

William CrightonJosh Rennie-Hynes
William CrightonWilliam Crighton
I first heard William at Nannup at the start of this year and loved it. He’s a great performer and his songs are top notch. This album captures all of that perfectly. The production is spot on and is a testament to the benefits of what a more DIY approach to recording can achieve.

Bon IverTanya Batt (BATTS)
Bon Iver22, A Million
There have been a lot of amazing releases this year, Canary, Braille Face and Hayden Calnin were three I wanted to choose too. However, it had to be Bon Iver. The most highly anticipated album in my life, it did not disappoint. This album means so much to me, It’s an extremely innovative album within soundscapes and also so raw, filled with emotion. Many tears were shed when I first listened.

MoulettesClaude Hay
MoulettesPreternatural
Moulettes new album Preternatural really grabed me from the first second, Distorted Cello, Oboe, guitar bass drums and they all sing insane harmonies perfectly live….Audio candy

Bill HuntLiam Gale (Liam Gale & the Ponytails)
Bill HuntUpwey
Conversational, melodic, witty and hooky songwriting flood through the beautiful ebb and flow of Upwey, Hunt’s first of many offerings. The songs are hued by a consistent arrangement of drums, bass, violin and Hunt’s subtle and precise guitar style. But they don’t rely on these arrangements; each song a story, assisted by the swell of instrumentation to convey the tales that swing from the near Latin grooves of “Odalik” to the slow sexy grind of “Sea of Love”. At six tracks long, it leaves you wanting more. Perfect.

Childish GambinoSahara Beck
Childish GambinoAwaken, My Love!
Listening to this album is like switching off the real world and stepping into an original and new world. I find it very inspiring.

Oh PepThe Little Stevies
Oh Pep!Stadium Cake
I think the songwriting on Stadium Cake is really interesting. The songs take me to a place that I’m not expecting both lyrically and musically when I begin listening to them and they keep me guessing, which I absolutely love. The arrangements and production are also super cool, and I’m simply just a big fan of talented women and female partnerships doing great things in the arts.

Side PonyFanny Lumsden
Lake Street DiveSide Pony
It seriously makes me the most joy filled human ever. Side Pony is possibly my biggest songwriting envy of late and they just really nail that motown meets pop retro good times.

Nick CaveMiles O’Neil (Miles and Simone)
Nick Cave and The Bad SeedsSkeleton Tree
I was scared to listen to this album due to the tragic circumstances surrounding it. Finally
mustering the courage one bright morning I listened to it through while walking beside the sea.
I stopped many times during that walk to sit and, floored, marvel at the breathtakingly
sadness and beauty captured in what is, to me and I’m sure many others, a masterpiece.

Hayden CalninForest Falls
Hayden CalninCut Love Pt 1/2
Hayden is an absolute stayer of the Melbourne music scene, but it’s for good reason. This record is world-class. Sparse, rich, cinematic, and desperate in its feel, it holds on to you long after the first listen.

Button CollectiveThe Bottlers
The Button CollectiveThe Lonesome Sea
As a softly lilting mandolin emerges from the silence of the opening track, Brodie’s haunting lyrical ballad begins to unravel the story of the heartbreak of a man, torn between travelling the lonesome sea and those who he has left behind. This beautiful yet bittersweet combination of well-travelled wordsmithing and an instrumental palate carrying a nostalgically truthful warmth, could be heard in any far-flung tavern in the dead of night, as tired candles flicker. Finishing with a raucous fling titled “Adieu Sweet Lovely Nancy”, the Button Collective’s release concludes on a stirring high, twisting your arm to crave another ale. The EP’s recording, mixing and mastering add a special flair, as you hear the charismatic live-elements that give you a heart-swelling, beer-swilling singalong that you can partake in at any time. Well done fellas!

The Dreaming RoomPhia
Laura MvulaThe Dreaming Room
Her lyrics explore feminism, faith, self-worth, race, and her harmonies, arrangements and production are deep and multi-hued. One of the most exciting songwriters around, unafraid to experiment with multi-genre collaborations, like the London Symphony Orchestra and Nile Rodgers.

JoyGordon Wallace (The Crooked Fiddle Band)
The Peep TempelJoy
This is a great third album by the Melbourne based three piece that has initial flavours of 90s Aussie pub punk/bloke rock (like Cosmic Psychos) but that is just the beginning – the album is musically quite varied, with intelligent, dark, caustically humorous and often political lyrics with moments of honest beauty.

Wartime SweetheartsJoe Gould (The Crooked Fiddle Band)
Wartime SweetheartsSo Long Sparta
It’s always great when a local artist drops something as fully formed and self-assured as Louise Nutting’s second album under the Wartime Sweethearts moniker. Experimental without forgetting the songcraft, it deserves its rightful place amongst the St Vincents, Dirty Projectors and My Brightest Diamonds of the art pop world. Props to local label Art As Catharsis, whose releases in October alone spanned from Wartime Sweethearts to Hashashin’s eastern mathrock and No Haven’s dark hardcore. Eclecticism rules the day!

BeyonceTaryn La Fauci
BeyoncéLemonade
To create and release a piece of work that is so intricately linked and ordered, one you must listen to from start to finish to understand the whole was really refreshing! The film that accompanied the album was also richly interesting, deep and powerful. To address themes such as infidelity and race and then to weave them powerfully into a full album, which on release caused so much controversy and started a conversation world wide, I thought was really great.

Melody PoolKevin Mitchell (Bob Evans)
Melody PoolDeep Dark Savage Heart
Another beautiful record from the most under-rated songwriter in Australia. “Love, She Loves Me” gives me goose bumps every time.

Winter WheatFrank Turner
John K SamsonWinter Wheat
I am a long term partisan of John’s work, so it’s not surprising that I liked this record. But god-DAMN, the man just keeps delivering. This record had me in tears three times on my first listen through, and it gets better with age.

David BowieWilliam Crighton
David BowieBlackstar
My favourite album from 2016 is Blackstar from David Bowie. There were a lot of great albums but I listened to it the most.

TigallerroSteven Barnard (Arbori, Jon Cotton)
Phonte and Eric RobersonTigallerro
Smooth grooves, dope rhymes, sweet melodies. You’d be hard pressed to find another 2016 record his year that has this flow, though Anderson Paaks’ Malibu is a close second. It rolls effortlessly from track to track and the inevitable ass shaking comes with a no “slutty table top twerking” guarantee. It’s rare that a hip hop record explores what it means to be a man of sexual fidelity, a family man, and even man of faith in higher power. Getting hype or turning down, my morning wake up or my party starter, this record has been a solid find.

Julia JacklinJesse Lubitz (TinPan Orange)
Julia JacklinDon’t Let The Kids Win
This album is a gem. The more I listen to this record, the more the songs shimmer and shine with a beautiful honesty. Jacklin’s songwriting is earnest and her voice perfect – it feels like an important voice which dances delicately on a wire between mundanity and profundity.

Bon IverOliver’s Army
Bon Iver22, A Million
Although becoming more and more electronic heavy, Justin Vernon’s signature haunting melodies and dynamic vocals remain consistently endearing. I found the production to be quite bold and experimental, and I love that they’re continuing to explore their sound and push it in new directions. Sonically, it’s spacious and beautiful.

RadioheadKim Churchill
RadioheadA Moon Shaped Pool
My top album of 2016 has probably got to go to A Moon Shaped Pool by Radiohead. It really hit me at the perfect moment. I was deep in the studio and sometimes getting a bit overly flustered by how complex the process of recording can be. I think Radiohead have done something incredible in the way this album is so relaxed, so subtle, but so powerful. There is this beautiful calm confidence that I am completely in awe of. To be alive whilst their legacy is still being added to is a real treat!

Conor OberstThomas Busby (Busby Marou)
Conor OberstRuminations
Brave, personal and heart achingly real. It feels like you’re in the room with him as he’s pouring his heart out.

Iggy PopEm George
Iggy PopPost Pop Depression
It would be a total lie for me to say that I have been patiently and politely waiting for a new Iggy Pop record because I’ve been extremely impatient and downright rude, mouthing off to my vinyl copy of Lust for Life, begging to the Iggy Pop gods for a new release and then Post Pop Depression hit in March this year. Produced by Josh Homme (Queens of the Stone Age), the entire album is gritty and dark, sharp and tight with that small hint of sadness that lies just under the surface of Iggy Pop’s music. However in true Iggy fashion, the melodies and heavy drums lift the album into something that is hard to define, taking you to another place. My pick for 2016!

KaleoGerrit Gmel (Citizen of the World)
KaleoA/B
I came across these guys on Spotify a few months ago as they were our number one associated artist then. I had never heard of them before but their album has been on repeat ever since. Their album is incredibly varied, with high-energy songs like “Way Down We Go” and soft ballads like “Save Yourself”. An emotional rollercoaster from start to finish.

Gregory PorterJoe Glover (Shelley’s Murder Boys, Backsliders)
Gregory PorterTake me to the Alley
I watched a YouTube clip of Gregory Porter performing on NPR’s Tiny Desk Concert and watched it several times over, absolutely mesmerised. The album is just as mesmerising; full of soul, jazz and RnB, beautiful arrangements and Porter’s effortless delivery; just enough grit and soul to keep the jazz interesting! I listen to this album when I want something that will absolutely zone me out of where I am and what I am doing, Porter’s soothing voice is like being wrapped up in blanket and given a cup of hot cocoa.

Bruce MolskyShell Eves (Shelley’s Murder Boys)
Bruce MolskyCan’t Stay Here This a-Way
Bruce Molsky always manages to bring such a rich, unique sound to the old-time classics. His latest album is no exception. His fiddle-singin’ gives me warm fuzzies akin to sitting by a campfire under a starry sky.

David BowieJimmy Murray (Shelley’s Murder Boys)
David BowieBlackstar
It was hot, humid January afternoon driving through a sun-shower when I first listened to David Bowie’s Blackstar album. Released just 2 days after his death aged 69 this is an amazing final piece of work from this incredible artist. The hauntingly beautiful voice and instrumentation echos with songs about finality and death. Listening to this I was filled pure joy, sadness and reflection of this artist’s inspirational legacy.

Black Mountain String bandThe Plough
Black Mountain String BandTime Traveller
This year The Plough discovered the Canberra based Black Mountain String Band and can’t get enough of them. The exuberance and variety they bring to a live show is showcased beautifully in their recording. Their mix of traditional and original songs and instrumentals take the listener back in time through a landscape of high energy Old Time, Western Swing, triangle pumping Cajun and plucky Fiddle polkas. This CD’s been on high rotation in the Lancer’s CD stacker ever since it was launched in the bush capital on a chilly winters night.

TyrannamenFraser A Gorman
TyrannamenTyrannamen
A brilliant, gruff mixture of Memphis Garage-soul blended deep in a gravel filled, VB bottle of Australian 70’s pub rock. Eight tracks long, all killer no filler.

Margo PriceNick Payne (Dear Orphans)
Margo PriceMidwest Farmer’s Daughter
Margo is one of the first of a new breed of Americana artists to come out of the new epicentre of country music in East Nashville. Alongside Cale Tyson, Michaela Anne, Erin Rae, et al., these guys are playing authentic honky-tonk reminiscent of 1970s outlaw country, yet with their own fresh take. Midwest Farmer’s Daughter reminds me of the edgiest tracks from Dolly Parton, and the fact she is the first country act signed to Jack White’s Third Man Records is a testament to the quality of this album.

Oh PepJames Kenyon
Oh Pep!Stadium Cake
Stadium Cake is a brilliant album – brave arrangements, tight pop writing, great lyrics and Liv’s voice is a pleasure. I love the ambition of the album, and the assuredness the result. It’s an inspiring record

Julia JacklinAinsley Farrell
Julia JacklinDon’t Let The Kids Win
I’ve had the chance to see Julia perform these songs over the past couple years so I’ve been very excited for her album. She has an incredible songwriting talent topped by this powerful yet vulnerable voice that’ll break your heart and put it back together again all in one go. If you get the chance to see her and her band live I wouldn’t miss it.

Liz StringerMel Parsons
Liz StringerAll The Bridges
I have been a fan of Liz for a good few years now, I’m completely smitten with her voice – all husk, beauty and pain. I had high expectations for her new album, and All The Bridges delivers and then some, it’s been on repeat in my house since it arrived.

CanaryKathleen Mary Lee
CanaryI Am Lion
I like this because it is a celebration of very big, very beautiful feelings that I reckon have no other way of being celebrated other than through this kind of emotionally epic music. The lyrics are attempts at honesty and the music is always their non verbal emotional equivalent, making the album a very cathartic experience. If you want it to be. A bit of a masterpiece

Eagle and the WolfSam Buckingham
Eagle & The WolfEagle & The Wolf
Sarah brings out Kris’s sweetness and Kris brings out Sarah’s no bullshit strength – making this album the perfect balance of heart and “fuck you”. It just sounds like two musicians being real and having a ball. Awesome songwriting, perfect harmonies – it’s golden.

Sian EvansTori Forsyth
Sian EvansHow Time Has Treated Thee
This EP has only swept across my table recently but it is hands down a stand out. It makes me feel happy, sad and inspired all in one hit!

Songs From DanLucie Thorne
Dan TuffySongs From Dan
Aussie expat (now Dutch resident) and legend Dan Tuffy (Big Low, Wild Pumpkins at Midnight) has made one of my favourite albums not just of 2016 but of all time (seriously!). Co-produced by Melbourne’s Matt Walker, and recorded partly here in Melbourne, and partly in Holland, this album is an extraordinary collection from a true poet who sings straight to the heart of it all. Check it out folks!

Sian EvansHusky Gawenda (Husky)
Damien JuradoVisions Of Us On The Land
While this is Damien Jurado’s twelth album, it is the first I heard of him. Visions is a psychedelic, mystical odyssey, one that takes place within and without. The internal wanderings, the struggles and revelations, mirror an external landscape that is both beautiful and haunting. Each listen draws you further into these mirror worlds and all the while Jurado’s songs and sounds are immediately and undeniably striking.

Tracy McNeilLeah Flanagan
Tracy McNeil and the Good LifeThieves
Thieves is such an enjoyable record to listen to. It’s poppy and catchy yet underneath the veneer of fun singalong good times the songs themselves incredibly well crafted and arranged. Tracey writes a damn good song and if you’re lucky enough to see her band live, you’ll see them play those songs damn well too.

Adora EyeMusketeer
Adora EyeIf You Need A King, I’ve Been Prepared All My Life
This is probably the most raw and enduring folk album I have listened to all year. I am sure that this Swedish singer-songwriter was up all night writing this album in a smokey boat in the Stockholm harbour somewhere. You can almost see him clutching that ink pen with a red right hand, as his pet raven swings in a cage above his head eating dead beetles.

Hiss Golden MessengerDave Powys (The Paper Kites)
Hiss Golden MessengerHeart Like A Levee
I heard this album playing in a record store in London, and as I flicked through racks of vinyl I was drawn into the melodies and depth of his song writing. Every now and then you come across an artist who really moves you, or scratches an itch you never knew you had – this album has done both for me.

The Kill Devil HillsCatherine Traicos
The Kill Devil HillsIn On Under Near Water
This album encapsulates all that I love about the The Kill Devil Hills. A mad racket of noise, it pulses with life and is as ripe with heartfelt ballads as it is with sexy, sinister, badass, guitar driven numbers. Enjoy with whiskey.

Robert Ellis10 String Symphony
Robert EllisRobert Ellis
His first self-produced effort combines thoughtfully crafted songs with unique and interesting arrangements, expertly performed by him and his killer band. It’s the full package real deal and we love it so much.

The Dead MaggiesThe Dead Maggies
The Cloves and The TobaccoAcross The Horizon
TCATT are one of many celt-punk bands making great music in Java, and this album is a standout. It’s straight up driving celtic punk, with big powerful singalong choruses that tug the heartstrings. Good arrangements and musicianship help make this album great. We played with them in their hometown of JogJakarta, in the attic of a vegetarian cafe. The power cut out just before the gig, so the bands went ahead and played unplugged, it was a great moment of sweaty singalongs.

Howe GelbMark Moldre
Howe GelbFuture Standards
Late night meanderings. Laid back, whisky infused jazz piano. Wordplay and lyrical twists that stand alongside the wit of Ira Gershwin and Hoagy Carmichael with the quiet phrasing of Chet Baker. Gelb continues to walk to his own beat – confounding expectations whilst smashing and recreating genres. His history has always hinted towards a love of jazz and occasionally detoured into Monk style musings – here Gelb embraces it wholeheartedly.

TullaraSian Evans
TullaraBetter Hold On
Earthy folk and roots with a dash of dirty grunge, Tullara presents her debut EP Better Hold On. Featuring her superb guitar slinging and percussive finger tapping wizardry, genius pop-roots arrangements and powdery vocals; it’s as if an Aussie Taylor Swift, John Butler and Andy Mckee were entrapped in a love triangle and spawned gold threads of wild honesty weaving together this admirable little Roots record. It’ll jerk a tear and invoke a bit of primal badass equally.

TaliskJake Pember (The Button Collective)
TaliskAbyss
Ever since first hearing Mohsen Amini’s amazing concertina playing earlier this year I have been a little bit obsessed with this band. They have the perfect blend of traditional and modern styles, and each member has such command of their instruments that every track feels as natural and flowing as a conversation.

Max SavageKaurna Cronin
Max SavageTrue Believers
Max has a brilliant ability to invite his audiences into the narrative of his works. With brilliant imagery and musicianship True Believers captures a great snapshot of true Australian culture, while also creating a great sense of nostalgia by grasping that 80’s Australian rock sound perfectly. The perfect soundtrack for an Australian road trip or any suburban household.

Nick CaveAlex L’Estrange
Nick Cave and The Bad SeedsSkeleton Tree
Amongst all the huge artists that dropped albums in 2016, and the loads of Australian artists that arguably dropped career highlights (Ball Park Music, These Guy, D.D Dumbo), there was one album that I found myself frequently listening to, uninterrupted, alone on the hi-fi, and that was Skeleton Tree by Nick Cave and The Bad Seeds. It’s not necessarily my favourite, I think it’s an impossible task to name a favourite, but it was the first album that came to mind for this list, and that means more than anything. Hearing it coupled with the film One More Time With Feeling was challenging, given its subject matter. But its atmosphere was expertly executed; dynamic, fluid, smooth and heartbreaking. The rooms of Air, La Frette and Retreat studios are beautifully on display in songs like “Girl in Amber”, where the wispy backing vocals of The Bad Seeds hauntingly resonate across the walls. These contrast the desperate and almost maddening mantras of “I Need You”. What makes it a truly extraordinary album, is that it isn’t just doom and gloom. ‘Skeleton Tree’ doesn’t dwell on tragedy, it addresses it as part of the human condition, and there is an underlying beauty in that.

William CrightonClaire Ann Taylor
William CrightonWilliam Crighton
The storytelling and the whole atmosphere created by Crighton on this album is incredible. His dark, brooding voice and emotive style of delivery, commanded my attention from the first moment I heard it.

Andy ShaufWilliam Fitzsimmons
Andy ShaufThe Party
This was my favorite album of the year for one simple reason: MELODY!!! Andy is everything that’s right about classic “pop” music; never playing a note without a damn good reason for doing so, and songwriting that makes you feel something deep in your gut. He’s the worthy musical son of Harry Nilsson that we’ve longingly been waiting for.

LuciusRuby Boots
LuciusGood Grief
I have to choose this album because I’m still, since its release, pulling away the layers on it. Although it’s a predominantly pop record, the lyrical content and melodic arrangements are so intelligent and accessible all at once – a fine line that is hard to walk. The girls’ voices are otherworldly and tend to make me forget where I am and what I’m doing every time I put this album on. I still can’t get enough of it.

WetLacey Cole (Lazy Colts)
WetDon’t You
If you have a soft spot for B-grade pop ballads/R&B this Brooklyn-based three piece may just have written the soundtrack of your 90s-nostalgia drenched dreams. Their latest album Don’t You is a not-so-guilty pleasure of mine. Helmed by the stunning front-woman Kelly Zutrau, her unusual vocal inflections and impassioned delivery suggest an emotional complexity in what may otherwise be confused as banal sentiments (one song is called “Baby, You’re The Best”). Once combined with the lush production and rhythms of the band – assigned with the noble task of turning tears into toe-tappers – these songs are wonderfully earnest, rarely overwrought and exactly what you need right now.

James KenyonJoe Murphy (The Timbers)
James KenyonImagine You Are Driving
I have been lucky enough to see James play a couple of times. His beautifully crafted songs are reminiscent of great songwriters like Paul Kelly. The album is a stunning representation of his work.

JRHMabel Windred-Wornes (Charm of Finches)
Josh Rennie-HynesFurthermore
I love this album. It’s got so much warmth, it’s spacious. I listen to it late at night doing my homework and it’s so calming. It’s like the energy he captured recording it in the hills of Woodford transmits. We met him at Bendigo Blues and Roots Fest this year and felt we’d discovered a rare gem. He’s an amazing songwriter.

Tom BrosseauMatt Bauer
Tom BrosseauNorth Dakota Impressions
Beautiful storytelling, vivid imagery, and an incredible sense of place. I’ve always loved Tom’s records and he’s at the top of his game here writing about his native North Dakota.

Jim JamesTimberwolf
Jim JamesEternally Even
It’s a pretty passionate political plea and America needed a timely voice. He even released it the day before election day. I think his voice is very much from another world, so that’s an important “third person” kind of perspective. It’s a well sequenced collection of songs, and I really love the warm psych and soul inspired production/composition. Maybe I’m just biased because I know that Jim James and Blake Mills would make up my sonic dream-team.

Nigel WearneJustin Bernasconi (The Stillsons)
Nigel WearneDrawing Circles
Nigel has really forged his own fingerpicking techniques on both the banjo and guitar on this album, and his voice tenderly delivers every song with intense concern and passion. Just check out the live version of the title track.

The Kill Devil HillsMark ‘Looch’ Lewis – (Wifey/Handsome Young Strangers)
The Kill Devil HillsIn On Under Near Water
I have always loved this band. In all their incarnations and styles whether that is folk, country, gospel, rock or what I call the “WA dirge” (Kim Salmon, Drones type bass driven tunes). Hard to believe it is now 12 years since the release of their debut Heathen Songs when that “Drinkin’ Too Much” song first got my attention. And while it has been 7 years since the last studio album Man You Should Explode, the good news is that I reckon this is the most cohesive album yet. Cracking harmonies, great playing and strong tunes. Tracks like “The Nets”, “Chinese Burns” and notably “The Kid” are 3 of the best tunes they have released. Let’s hope there is more output and touring to come.

Austin LucasMatt Golotta (The Sweet Jelly Rolls)
Austin LucasBetween the Moon & the Midwest
I spend a fair bit of time on the road traveling to see my partner and this record became the perfect traveling companion for me. Took a few listens to get into and also realise it’s a concept album which draws from Lucas’ own past experiences. Without spoiling the outcome, it follows the luckless musician Richard, his partner Kristie Rae and his best friend William. It features killer song writing with pedal steel, twangy tele, country influences with punk rock subtlety, numerous guest vocals from the likes of John Moreland and Corey Brannan, and a cracker duet with Lydia Loveless “Wrong Side of the Dream”, dealing with the struggles and plights that many musicians face. My song of the record is “William”, the solo acoustic number at the end that makes you feel like you’ve just been kicked in the guts. Songwriting at its finest.

Cody JinksAndrew Cavalieri (The Sweet Jelly Rolls)
Cody JinksI’m Not the Devil
Raw, honest and heartache. That is this album! The first track really sets the mood for the rest of the album, but is broken up by “Chase This Song” which is a damn banger of a driving song! The outlaw vibe flowing from Junks’ music really prepares you for some hard times and disappointment in life. Bloody hell I love this album! Honorable mentions: Murlocs – Young Blindness, Jonny Fritz – Sweet Creep and Mudcrutch – 2.

Wartime SweetheartsLaura Bishop (Chaika)
Wartime SweetheartsSo Long Sparta
A killer voice, some super awesome writing skills, and an obsession with bodybuilders (hello Ms Olympia!) make this my favourite album of 2016. Wartime Sweethearts, aka singer-keyboardist-loop artist-songwriter Louise Nutting, signed to Art As Catharsis Records this year and released an album full of all the beats and electric piano and vocal harmony sounds that I like to hear (and I wish I could make) – and my favourite track “Figure It In, Figure It Out” has all the unexpected twistings and turnings of chord progressions that I wish I could write. One day Chaika will make sounds like this! One day…

Neil YoungTristan Goodall (The Audreys)
Neil YoungPeace Trail
Well with everyone saying we should just put 2016 behind us (although to be honest we should probably be approaching 2017 with a little trepidation too) I’ve decided not to dig too deeply into the past when thinking of my favorite record release of the year. I’ve loved many, but my recent love is the just-released 37th album by Neil Young. Peace Trail is short, musically experimental within its tight three piece band approach, and lyrically angry and poignant. I love it for the drummer’s drummer Jim Keltner and the way his delicate touch chases Neil’s quirky phrasing around the songs. I love it because it captures another freeze frame moment from a restless and undaunted songwriter, and I love it, of course, for those mighty guitar tones.

Davey CraddockLachlan Bryan
Davey CraddockCity West
2016 was a great year for my friends releasing good music. Melody Pool comes to mind, as do The Weeping Willows, Henry Wagons, Ange Boxall and Bill Jackson. It’s actually really hard to contribute to a “best of” list when you’re close to many of the artists – it’s hard to be objective – even after I rule out the records I was actually involved in making. Actually – it’s always hard to be objective, whether you know the artists or not. Furthermore, judging a whole body of work is hard – and for me, more than ever, 2016 was the year of the song (as opposed to the album or EP). And as songs go, the one that’s really stuck with me this year is the song “Number 9” by Davey Craddock. I love the cricket references. I asked Davey if he was a diehard cricket fan like me. He’s not. I was bitterly disappointed.

The Stray BirdsThe Mae Trio
The Stray BirdsMagic Fire
The Stray Birds made our fave album of 2014 and they’ve done it again in spectacular style with Magic Fire. It’s everything about this album and this band, the playing, the three part harmony and songs that are unabashed, true and unadorned. Magic Fire is a reminder of the things that matter, it’s definitely a fire and maybe a little bit magic.

Tori ForsythAndrew Swift
Tori ForsythBlack Bird
This EP is right up there as one of my favourite releases of 2016. From the moment I heard the opening title track, “Black Bird”, I knew that I was in for a treat. The diversity on display within the 5 tracks of Tori Forsyth’s debut release excites me. The songs are so well crafted and presented with such a mature sound, especially for someone so young. I’m eagerly awaiting the next release from one of Australia’s most promising young songwriters.

Hayden CalninRoscoe James Irwin
Hayden CalninCut Love Pt 1
A beautiful album from Melbourne artist Hayden Calnin. Drenched in melancholy and ambient awesomeness, this album had me at hello. (One of my favourite live shows of 2016 as well).

Jordie LaneNadine Budge (The Stetson Family)
Jordie Lane & The SleepersGLASSELLLAND
Have to say I’ve been particularly digging Jordie Lane’s GLASSELLLAND this last couple of months – with mighty input from the multi-talented Clare Reynolds. Let’s face it, Jordie’s a bit of an all-round talented guy!

Melody PoolDavey Craddock
Melody PoolDeep Dark Savage Heart
One of my fave local album’s of the year was Melody Pool’s Deep Dark Savage Heart. I’m a sucker for strings and a massive chorus and I love the way the songs build from really intimate, delicate and ornate passages into full-blown, wailing-on-a-mountain top with Stevie Nicks, 100 soaring bats and a thunderstorm moments. I saw her launch it at the Abbotsford Convent earlier this year and it was a really powerful and affecting show for me.

Methyl EthylTim Guy
Methyl Ethel – “No.28”
I know it’s not an album, but I’ve listened to this song more than any other this year, and it only came out a little while back. It has a lot going for it – great rhythm behind a smart piece of songwriting and then the whole thing is bathed in a deep silver mercury type thing. An Australian classic I swear.

DocksThe Staves
Amanda BergmanDocks
Our favourite album of 2016 is Docks by Amanda Bergman. Her voice is utterly sublime. You want to listen to every word she says. The music is dreamy, deep, soft, moody with melodies that whirr deliciously around your mind for days and weeks on end.

Katie BriannaRaechel Whitchurch
Katie BriannaVictim or the Heroine
I picked this album up when Katie and I did a songwriters showcase together. Sitting beside her listening to her songs was so magical – her voice is one of the most enchanting I have ever heard and her lyrics hit you right in the feels every time. Reminds me of a young Lucinda!

James KenyonMandy Connell (Stray Hens)
James KenyonImagine You Are Driving
James’ lyrics have that magic of time and place usually associated with voices like Paul Kelly or Bruce Springsteen. You can practically smell his scenes. You’re there. This album captures the voice but better than that, like a Tim Winton book, its a record that makes you present in Kenyon’s stories.

Jordie LaneLiz Stringer
Jordie Lane & The SleepersGLASSELLLAND
It’s no secret that Jordie Lane and I are good mates. We grew up together, musically speaking, and I am more familiar with his work than with most other artist’s. His new album, his first full-length release in five years, is called GLASSELLLAND, recorded by Jordie himself in various make-shift recording spaces in North Los Angeles and co-produced by his fiercely talented partner, Clare Reynolds, who also co-wrote half of the songs and sings and plays a heap of instruments on the record. Jordie’s songwriting and musicianship continue to evolve and stretch out with the years and these songs, and the way they’re recorded, ache with longing while driving forward with a swagger and a playful showmanship, melodically rich and hooky as fuck. I always become a bit weepy listening to Jordie sing. And, now, the combination of him and Clare ruins me every time. Beautiful.

David BowieColin Jones (Colin Jones & The Delta Review)
David BowieBlackstar
An exceptional reflection on final days and the unknown. Every note by Bowie, McCaslin and the band emphasize the chaos and fragility of life. There is no better swansong for an artist.

A Moon Shaped PoolEmma Anglesey
RadioheadA Moon Shaped Pool
A Moon Shaped Pool completely surrenders to simple truths that both lie in plain sight and in the messy tangled, kicking and screaming realities of life. The epic levels of angst in the opening track “Burn the Witch” are like an exorcism – Jonny Greenwood’s sharp string arrangement take you right to the edge – and then from there it’s like Alice falling through the rabbit hole of raw emotion and you go deeper and deeper.

DawesTim Hart (Boy & Bear)
DawesWe’re All Gonna Die
Some of the best lyric writing welded on to some pretty simple, but catchy, pop songs. Produced by Blake Mills (Alabama shakes, Laura Marling), this is a great record start to finish if you can forgive some slightly John Mayer sounding guitars that pop their head up from time to time. This I the record I keep coming back to this year

Oh PepRebecca Bastoli
Oh Pep!Stadium Cake
I don’t think I have ever been so entranced, excited or exhausted by the journey of listening to an album start to finish.

Bon IverDustin Tebbutt
Bon Iver22, A Million
Bon Iver has once again exceeded expectations on this release. It’s both familiar and foreign, delicately coloured, softly focused yet angular and stark. It’s brave, honest and all the things that I loved about Justin’s earlier works, without coming close to formulaic. It’s colloquial and conversational, yet inherently profound. Incredible stuff both musically and sonically.

Margo PriceJosie Rothwell (Peasant Moon)
Margo PriceMidwest Farmer’s Daughter
There’s something comforting about Margo Price’s debut album, almost like I’d listened to it before, but not in an overly familiar sort of way. Perhaps there’s something in her glorious voice that reminds me of my parent’s Dolly Parton records. She’s a great story teller, and I want to know more about her heartaches and headaches, particularly when accompanied by her crack band. I’m also proud to say my 4 year daughter keeps calling for “Hurtin’ (on the Bottle)” when we’re in the car – and I can’t think of anything else I’d want her to be listening to right now.

BJ BarthamHarvey Russell (Peasant Moon)
BJ BarhamRockingham
It pains me to say this but BJ Barham’s new-found sobriety has coincided with a serious coming of age as a songwriter. Taking a (very) short break from American Aquarium duties, BJ’s solo release (a genuine side-project) is seriously hard-hitting stuff. It rivals Aquarium’s 2012 release Burn. Flicker. Die. for intensity, but of a completely different nature. With sparse arrangements (often acoustic) Barham, as storyteller, gives you an uncensored and unashamed glimpse into how rural America has been left behind. Not for the faint hearted.

William CrightonSam Newton
William CrightonWilliam Crighton
I’d caught Crighton perform a bunch of times at local venues around Sydney and really dug his tune (and especially the music video) “Woman Like You” prior to this album’s release. So I was anticipating this release. Really excited for it. I was stoked when I heard that he and producer Matt Sherrod came through with the goods. Big time. Highlights for me are “Riverina Kid”, “Priest” and “2000 Clicks”. In my mind, this one is about as strong as debut albums get.

Chaim TannenbaumEliza Carthy
Chaim TannenbaumChaim Tannenbaum
The album that I have most enjoyed and most visited this year is the debut of the kind, quiet genius Chaim Tannenbaum (Storysound Records). I’ve had the privilege of working with Chaim over the years but it was only recently I realised that I have lived with his distinctive voice and gorgeous humility since I first began to love music. It’s his voice that forms the third harmony in “Complainte pour St Catherine” on the first McGarrigle sisters’ album, a song I played over and over as a child until you could almost see through the record, and he has been quiet companion and producer to theirs and their extended family’s work ever since. It’s somewhat typical of his humility that he has waited this long to make an album, produced by his dear longtime friend and collaborator Loudon Wainwright III. It’s a collection of avuncular stories told in his gorgeously expressive voice with beautiful, minimal production. Some trad, some conversational originals covering everything from the fate of the baseball stadium Ebbets Field to living in a depressing grey London in the endless rain in the 1960s. An album to listen to with your eyes closed by the fire. Again and again, and again.

PinegroveQuinton Trembath
PinegroveCardinal
The lyrics on this album read like the private diary of a well spoken (and well read) guy filled with both anxiety and excitement for life. The musicianship and dynamics complement this introspectiveness well, making it perfectly suited for intense solo listening as well as for being cranked on road trips with friends.

Sean McMahonAlison Ferrier
Sean McMahon and the MoonMenShiner
Sean McMahon’s laid back yet somehow intense vocal brings this fantastic collection of songs to life in my living room. Shiner’s ragged elegance is full of the sort of raunchy country rock I can’t get enough of. Stand out tracks for me: “Shiner” and “Here Comes the Night Again”.

WhitneyEddie Boyd
WhitneyLight Upon the Lake
This album just grew and grew on me since my first listen. Simple, catchy tunes that make me wanna dance or go driving for a long time. I think Whitney nailed everything about this album – the instrumentation, the production, obviously the songs. Also, they’re heaps good live.

Secret PathThe Once
Gord DownieSecret Path
The Tragically HipMan Machine Poem
This year was a hard year in Canadian Music. We have a fella here by the name of Gord Downie. He is a legend. He has helped raise Canadians to be more real with his music. He is the frontman for the band The Tragically Hip. There are not many people in Canada who don’t know who The Hip are. Their music has become part of our DNA. Gord, this year, made a statement saying he has terminal brain cancer so he obviously fighting for the men and women of the north. The folks that have needed a voice for far too long. He is being that voice. He is showing us how to be Canadian and that we can’t be without acknowledging the needs of all of our people, without respecting all of our people. This year, instead of succumbing to his illness, he put out two albums. One with The Hip and one solo. Here they are. They are magic and will go down in history in our great nation. It’s amazing to watch one man build his second legacy.

Cash SavageJessica Cassar (Jep and Dep)
Cash Savage & The Last DrinksOne Of Us
This has everything you want from a record. It’s dirty and beautiful, and dark as hell. Cash sings with a thunderous anguish that cracks, rumbles and echoes so perfectly any sorrow you might have ever had. And like any good storm, the album’s darkness reveals a little light, one that roars some sort of painful end, or much needed beginning. I love this record!

Tracy McNeilGretta Ziller
Tracy McNeil & The GoodlifeThieves
I’ll be the first to admit I’m late to the game when it comes to Tracy McNeil & The Goodlife. I caught their set at Out on the Weekend and was captivated! Their 2016 album Thieves is just so dang easy to listen to, I will confess it is turning into a “chilling on the deck summer favourite” of mine! Please, if you haven’t already, pick up or download a copy of this album and chill!!

Bill JacksonRosie McDonald (RAPT, Trippy Hippy Band, Seanchas)
Bill JacksonThe Wayside Ballads Vol. 2
Bills’ reputation had preceded him before I heard him at Fairlight folk with Ruth Hazelton and Pete Fiddler. I grabbed the opportunity to contribute to his The Wayside Ballads Vol. 2 crowd funding campaign to get Bill and Pete over to Nashville to record with some very fine session players. Bill kept me updated with postcards and messages so I felt like a sideline cheerer in this whole project. Then the CD arrived! Magnificent songs, co-written with Bills’ brother Ross. Bills’ time worn voice, rich and mellow, rootsy, Americana-ish but very very homegrown, local accent, stories big and small, tender and big hearted. Pete’s playing shines in amongst the session guys, a great listen. Music for travel, the cabin, the verandah, anywhere.

Kate Burke and Pete WildMelanie Horsnell
Kate Burke and Pete WildLive at St Peters
In my small town we have the most marvellous artists touring through, but I also love our sweet locals, and I adore this live record by Kate Burke and Pete Wild. Pete Wild’s “Mars 1” is a love song about a person who goes on the Mars mission leaving his forever love behind, the Martin-Martin song is an old village favourite and the last love song between Doris and Arthur makes me giggle and lament at the same time. And I adore playing Kate Burkes version of Frozen Man on repeat when everything in life gets a bit much.

MontaigneGretta Ray
MontaigneGlorious Heights
My favourite record that was released in 2016 is without a doubt, Montaigne’s Glorious Heights. What impresses me most about this record is the fact that it is rather evident that the artist went into this project with the intention of experimenting with her sound and taking risks, drawing inspiration from a range of her influences and assuring that each song conveyed a slightly different emotion from the previous track. I believe it was this approach of 20-year-old Jess Sero’s (Montainge) that resulted in the production of what I perceive to be a very imaginative and bold debut album. This record showcases the fact that Jess has, unquestionably, one of the strongest and most commanding voices in the Australian music industry, this being exemplified through the outstanding production and arrangements of the songs that make up Glorious Heights. As well as this, each song is demonstrative of Jess’ incredibly clever and unique songwriting, which I cannot wait to hear more of in years to come; the simplicity yet complexity and quirkiness of a lyric such as “when you touch my skin, I think ‘this isn’t boring'” makes one ponder on such a line, as Jess’ way of writing is different, daring and something that never fails to make me smile. Glorious Heights made me so very excited about how extravagant pop music is becoming in this day and age, and on the whole made me very proud to be a young woman in the Australian music scene.

WhitneyTreetop Flyers
WhitneyLight Upon the Lake
I first started hearing about this band online, so was waiting for the album with anticipation. When it dropped I must have played it back to back straight away, which rarely happens. They are hard to put in a genre, which is really great. No Woman is one of our faves of the year. They are great live and do a version’s of NRBQ’s Magnet, so happy campers over here.

Drive By TruckersShane Nicholson
Drive-By TruckersAmerican Band
In a year of many great records, this stands tall above the crowd. It’s everything I love about the Truckers: gutsy and raw, clever and thoughtful, sometimes irreverent and full of attitude, and sometimes tender and restrained. Imagine a bastard-child born to Son Volt, Matthew Ryan and Uncle Tupelo, but all dressed up in those well-worn and unmistakable Drive-By Truckers clothes. How could that not make for the coolest kid on the block this year?

Conor OberstJack Carty
Conor OberstRuminations
It’s bloody beautiful in its simplicity. Gorgeous songs performed honestly. It seems like every track is a complete performance and any imperfections only enhance the sincerity of it all for me. Such an incredibly good songwriter.

Hayes CarllThe Weeping Willows
Hayes CarllLovers and Leavers
Lovers and Leavers is Hayes Carll’s most personal, introspective and “exposed” album to date, both in terms of the intimate, confessional songwriting and the stripped back arrangements, reminiscent of Heartbreaker era Ryan Adams, never saying too much – or too little. This intimacy draws you in, while Carll’s vulnerability captures you and takes you on a journey through heartache and reflection. Hayes was always in good hands with dynamic duo Joe Henry (producer) and Ryan Freeland (engineer) at the wheel, steering gently towards a common, graceful goal. Henry’s arrangements are characteristically unique yet elegant and tasteful, while Freeland brings his trademark clarity and warmth. Check it out if you’re fans of the late, great Guy Clark and/or Townes Van Zandt or fellow Texans, Steve Earle and Kevin Welch. Stand out tracks: “Sake of The Song”, “The Magic Kid” and “Drive”.

Iggy PopKelly Day (Broads)
Iggy PopPost Pop Depression
Sometimes you’ll find a record that makes you feel high from the moment it begins. Iggy’s new album, channelled through the hooky sounds of Josh Homme and given a Bowie-esque lean, made me grin like a mad person. And then immediately take it for another spin.

Robert EllisMegan Cooper
Robert EllisRobert Ellis
I was waiting to go on air for an interview. While we were pfaffing around getting ready “The High Road” came on. I pretended I knew who Robert Ellis was when I was advised who the artist was that had pretty much hypnotised me in 30 seconds flat. I went out and paid cash money for the album the next day. Every song got me on first listen. Cinematic moments. Super personal bits. Non-standard approaches. Aspirational.

PassengerSam Brittain
PassengerYoung As The Morning, Old As The Sea
Mike has always had a wonderful way of crafting simple and memorable melodies. Combine this with his always captivating lyrics and you have a master songwriter who’s tunes that sneak their way into your day. Songs that sooner or later without realising you find yourself humming whilst waiting in line for your morning coffee. Although often his storytelling veers on on the darker side of heartbreak and loss this latest album has a lighter touch, proving Passenger is and a yard stick for the aspiring modern folk troubadour. A dynamic artist who’s albums have been true to his own brand since day one. Additionally his band on this record are also fantastic live. I recently caught his show to a sold out Vicar Street in Dublin, it was one I won’t soon forget.

Bon IverAde Vincent (The Tiger and Me)
Bon Iver22, A Million
Another great record from Bon Iver – I have loved all three so far. I like how it also pushes into some new and interesting territory with the production. The auto-tuned a cappella of “715 – CR∑∑KS” is a particular highlight

Margaret GlaspyMaia Marsh
Margaret GlaspyEmotions and Math
It makes me feel really empowered whenever I listen to it, as a woman myself playing music. The songs are strong, guitar tone is great and her voice has this amazing growl that cuts through a sincere sensitivy at the same time.

BlondDirewolf
Frank OceanBlond
My hat is profusely off to an artist who can seamlessly bridge so many facets of musical integrity. What I mean by that nonsensical shit is that the entire record is some kind of highly strung soundboard (literally) which either sends you flying high just to get high, or high because you’re just too fucking upset. “Skyline To” and “Seigfried” are perfect examples. The whole collective arrangement kills me too, it’s like listening to recent Bon Iver whilst playing Sega in a radio store – the musicality is superb. I could say a lot more, but I’ll safely surrender by saying it definitely influenced the direction of my mind in doing another record.

Bon IverWildwood Kin
Bon Iver22, A Million
Easily. We’ve never heard anything quite like it. It’s just genius.

Tattletale SaintsGeorge Jackson (The Company, Buffalo Nickel, One Up, Two Down)
Tattletale SaintsTattletale Saints
Nashville based, New Zealand duo Tattletale Saints released their self-titled, second album this year, and it’s beautiful. Cy Winstanley (Guitars, Vocals) can pen songs with the best of them, his offerings on this album range from self-reflective and insightful, to sometimes cynical and cutting but always with a masterful craftsmanship. Vanessa McGown (Double Bass, Vocals) provides both solid and virtuosic Double Bass playing and vintage tinged country vocals. The new album is definitely a departure from their earlier acoustic recordings – but for a new fan, like me coming along, this is a bold and engaging listen complete with a production dripping in vintage tones and depth. Listen, and enjoy!

Genni KaneBill Jackson
Genni KaneSelfies
Ex-member of seminal Australian band, The Flying Emus, Genni Kane has a voice that can’t be denied. This long awaited record shows she is also a very gifted songwriter and the opening track “Little White Dog” is the beginning of a beautiful journey that deserves your attention.

Nancy KerrRuth Hazleton (http://www.billjacksonmusic.com/, Kate Burke & Ruth Hazleton)
Nancy KerrInstar
A heady mix of poetry, politics and social commentary, Nancy Kerr’s Instar is an achingly beautiful collection of original songs framed within the landscape of traditional folk music. Beautifully performed and produced, Instar is, without doubt, one of the masterpieces of folk from 2016 and a work that will inform the tradition for a long time to come.

Fanny LumsdenThe Pigs
Fanny LumsdenSmall Town Big Shot
This album is full of great songs written from Fanny’s heart. She’s the real McCoy. Whenever we see her play live her songs get stuck in our head for weeks after. “Bravest Of Hearts”, “Soapbox” and “Don’t Let The Bastards Get You Down” are just a few of the crackers on this rekid. This is a breath of fresh air for Australian Country Music. We love Fanny! More… More…

Side PonyHannah Acfield (The Acfields)
Lake Street DiveSide Pony
Give me a bit of 60’s sounding soul any day of the week! The songs are catchy, nice melodies and make you wanna move. I’m a sucker for a sterling vocalist. This was fav album for me.

Julia JacklinWillowy
Julia JacklinDon’t Let The Kids Win
An album about the little things in life that somehow manages to sum up the bigger things as well, cutting right through the mess to the heart of it all. Beautifully written and perfectly executed. It’s lovely to see an artist from the Sydney folk music family reaching great heights with an exceptional debut album.

John FlanaganSal Kimber (Sal Kimber & The Rollin’ Wheel)
John FlanaganThere’s Another Way To Where You’re Going

Bill ChambersRicky Pann (The Willing Ponies)
Bill ChambersCold Trail
Jen MizeWarnings and Wisdom
Sam BushStoryman
Bill Chambers is an Australian Journeyman troubadour. Songwriter, producer, sideman and front man, Bills live shows have influenced many and earned him a legion of devoted fans. Cold trail is Bills first studio album in four years and reminds the rock pop acts infiltrating modern country of where the heart of country lies. Cold Trail is a collection of honky-tonk “life lived” country that is the real deal. Produced by Bill and Recorded at his son Nash Chambers foggy mountain studios, Cold Trail is a world class record that draws on many influences to deliver country authenticity with Aussie perspective. A cracker record.
It’s a long way from Jen Mize roots in the Appliacian mountains of Georgia and North Carolina as a decedent of Lumbee Tribe of native Americans to the Sunshine coast of Queensland. Jen Mize is the real deal in every respect. An American songwriter with an incredible voice delivering an album packed with dynamic, well-crafted songs that’s all killer no filler. Shane Nicholson’s earthy production, arrangments and playing provide a tastefully rich sonic pallet that does this fine singer justice. The album glides from old-timey to traditional country and honky tonk, setting a very high bar of authenticity. An absolute stand out record.
Sixty-four-year-old Sam Bush has many stories to tell as a musician, innovator, writer and singer. One of my favourite musicians on the planet, Sam is a bluegrass master and the father of newgrass music spawned from his groundbreaking band the New Grass Revival. Sam is arguably one of the most influential mandolin players in history having played with just about everyone from Bill Monroe to Leon Russell. This record is a collection of finely crafted songs with a crack band featuring vocals from Emmylou Harris and Alison Kraus. A masterful record.

Timber and Steel’s Top Albums of 2013

Vinyl Records

2013 has provided yet another year of amazing music from the folk, acoustic, traditional, roots, alt-country and singer-songwriter scene. There’s been a number of strong local releases this year and some definite highlights from our favourite artists from overseas.

This also feels like a year where more artists are embracing the full length album again. There have been some outstanding EPs and standalone singles of course but the album format really seems to have made a resurgence.

Once again we’ve asked each of the Timber and Steel contributors to give us their favourite albums or EPs of 2013 and the results are once again eclectic, interesting and most certainly unique.

So without further ado we bring you Timber and Steel’s Top Albums of 2013:

Gareth Hugh Evans

Melody Pool

1. Melody PoolThe Hurting Scene
At the Gulgong Folk Festival in early January I stumbled across Melody Pool and was transfixed. Pool’s music was both timeless and fresh. Her sound was a dash of Laura Marling, a smattering of Emmylou Harris and a generous dose of Joni Mitchell but all the while unique. I’ve heard people refer to Melody Pool as an “old soul” and think that captures her – there’s a depth and an age to her lyrics and her voice that you don’t hear in artists twice her age. When I picked up The Hurting Scene following its release a month or two after the festival it was put on high rotation and I was reminded just what had captured me when I saw her live. I’ve recommended The Hurting Scene and Melody Pool to everyone since, seen her live a number of times throughout the year and even awkwardly chatted to her when she support The Milk Carton Kids. I think there’s big things in Melody Pool’s future – pick up The Hurting Scene and you’ll think so too.

2. Anaïs Mitchell and Jefferson HamerChild Ballads
3. Laura MarlingOnce I Was An Eagle
4. Patrick JamesAll About to Change
5. Gregory Alan IsakovThe Weatherman

HannahA

Melody Pool

1. Melody PoolThe Hurting Scene

The song writing on this album is skillful and honest – I love that. Additionally I’m partial to a great singer, Melody has a sweet delicious voice that draws me into the song. Finally, I liked the production which had interesting space and dynamics. And those rich string arrangements are just gorgeous!

2. Mustered CouragePowerlines
3. Dan ParsonsDan Parsons
4. Rose CousinsWe Have Made a Spark
5. Matt CorbyResolution EP

Haz

The Melodic
1. The MelodicEffra Parade

This is an album that immediately brought a smile to my face. A blend of traditional folk harmonies, older (even baroque!) instruments, tied together with afro-latino rhythms and strings of the charango, and the ever present melodica of their namesake. For me comparisons include the hugely underrated Grand Union, the music of Paul Simon, the bass driven melancholy of Australia’s Sodastream, and certainly, as a number of other reviewers have mentioned, The Decemberists. All comparisons considered, this is an upbeat album, that is lyrically adventurous, and interspersed with story, without being at all heavy. Though released for the colder UK months, Effra Parade sits coolly and comfortably in the summer of the southern hemisphere, that can (and will!) accompany many a lazy Sunday cocktail or weekend roadtrip.

2. The Heavy BlinkersHealth
3. Twin ForksTwin Forks EP
4. The Avett BrothersMagpie and the Dandelion
5. Jim JamesRegions of Light and Sound of God

JDX

Laura Marling

1. Laura MarlingOnce I Was An Eagle

In this album’s first single “Master Hunter”, which is a statement in itself, Marling swaggers and snarls in front of her pounding rhythm section. “I’ve cured my skin, so nothing gets in. Nothing as hard as it tries.” A friend said she sounded kind of scary. I like that. I like to think this is a protest album against gender stereotypes, but she’s much more than a woman scorned. The music is sparse, sprawling, full of odd angles and surprises. Sometimes it’s challenging, sometimes it’s beautiful. But it’s her voice that always catches me off guard. It’s one of the most expressive instruments in music. And that’s what this is about. With all the lush musicianship stripped away, Marling proves once again that she is one of the most intriguing and independent voices in 21st century music. And if this album isn’t considered a classic, it’s only because the next one will be better.

2. The Cat EmpireSteal the Light
3. The Milk Carton KidsThe Ash and Clay
4. Mama Kinthe Magician’s Daughter
5. Brighter LaterThe Wolves

KT Bell

Mabon

1. Jamie Smith’s MabonWindblown
I came across Jamie Smith’s Mabon at a London gig earlier this year, Wales at Cecil Sharp House, and they were the stand out for me wherein I bought their latest album, Windblown, on the spot. Since then, this lyrical and lilting Welsh Folk has strummed and jigged its way in to my heart and is one of the most frequent spins on my playlist. Stu decided it’s the type of house music for a Welsh Bar, so if you see such an establishment pop up here in Australia, don’t be surprised to see us behind the bar.
2. Mike VassDecemberwell
3. Paper AeroplanesLittle Letters
4. Boy & BearHarlequin Dream
5. Josh PykeThe Beginning And The End Of Everything

Mackajay

Anais Mitchell

1. Anaïs Mitchell and Jefferson HamerChild Ballads

When I first listened to this album I was immediately impressed by the way the modern, American arrangements breathed new life into these old, old English ballads. What is far more surprising is that I am still finding the album fresh and inspiring many months later. This is my clear winner this because of it’s routinely high rotation on my stereo.

2. Vance JoyGod Loves You When You’re Dancing
3. Laura MarlingOnce I Was An Eagle
4. Laura ViersWarp and Weft
5. Boy & BearHarlequin Dream

Nikita Andrea

Jordie Lane

1. Jordie LaneNot Built to Last

Devoid of cliché, this ultimate storyteller voices lyrics of the present moment through warming crystalline vocals. This release is a welcome sound evolution of Lane’s alternative country style. I chose Not Built to Last because for one this is an EP showcasing songs that clearly prove this musician has something to say and also for the fact that I heavily dislike anything country so this man should be heavily commended for bringing such full and palatable music to the table for all tasters.

2. Bob EvansFamiliar Stranger
3. Oh Pep!II
4. Bears With GunsOnly The Quick and the Hungry
5. Sleepy DreamersCreatures

Serena Skye

Mama Kin

1. Mama KinThe Magician’s Daughter

I liked this album from the outset, when I first reviewed it, and throughout the year it has grown on me even more. Danielle Caruana’s vocal is sublime, and each track offers a different vibe both sonically and emotionally, but they still work together as a cohesive album. “Bosom of Our Bed” is still my favourite track, closely followed by “Rescue,” and I cannot wait to see their next offering.

2. The Cat EmpireSteal the Light
3. Vance JoyGod Loves You When You’re Dancing
4. Laura MarlingOnce I was an Eagle
5. Melanie HorsnellThe Cloud Appreciation Society

Thom Owen Miles

Phosphorescet

1. PhosphorescentMuchacho

Despite Phosphorescent consistently releasing album after album for the past ten years, Muchacho is the first to truly appeal to me and capture my imagination. Muchacho is a product of tall ambition, of bold choices and unfettered creative vision. For an indie-folk record, it is delightfully untraditional in its production and utilisation of mediums unfamiliar to the genre. “Song For Zula” is perhaps the best song to speak for the album, in all its poetic bliss and compositional glory.

2. Radical FaceThe Family Tree: The Branches
3. The Milk Carton KidsThe Ash & Clay
4. Brown BirdFits of Reason
5. Night BedsCountry Sleep

The Gulgong Folk Festival Reveals 2013 Program

Daniel Champagne
Image Courtesy of Daniel Champagne

The Gulgong Folk Festival has made a number of changes for its 2013 event. Firstly it’s slightly earlier, taking place from the 28th to 29th December. Secondly the entire festival is free. That’s right – absolutely free! And best of all the festival has just revealed it’s program with some pretty exciting acts playing over the two days.

The festival boasts a bunch of local and national talent as part of lineup including (but not limited to) Big Erle, Caitlin Harnett, Daniel Champagne (above), Fig Jam, James Thomson, Melanie Horsnell, Richard Lawson and many many more.

This festival was a highlight of the season for us last year and we can’t recommend the event enough. For more information including the full program check out the official site here. The full lineup of artists are below:

Allan Caswell, Andi Paine, Big Erle, Brothers 3, Caitlin Harnett, Cal Makin, Cletis Carr, Daniel Champagne, Des Kelly, Euripi, Fig Jam, Fleur Wiber, Glenn Skarratt, Hobo Grace, James Thomson, Jess Holland, Jimmy Westwood, Jo Ransom, Matt Southon, Melanie Horsnell, Mick Fetch, Nick Wall, Pink Fraud, Ray Hall, Richard Lawson, Richie Gudgeon, Rob Binks, Ross Kurtz, Sam Smith, Southerly Change, Steve Gilmore, Sweet Jelly Rolls, The Pegs, Violet Nights

The New Year Conundrum

Every year as the calendar days roll by, friends and family start asking the inevitable questions about what you are doing for Christmas and New Year. In the past, there has been a good range of folk friendly festivals stretching up and down the East Coast of Australia for eager punters to choose from, but with the demise of both Pyramid Rock Festival and Peats Ridge Festival, it shrinks the obvious choices down to Woodford Folk Festival and The Falls Festival (which has conveniently added a new venue/ location for the 2013/14 event).

But, what if you’re not after a big and busy festival for your New Year’s celebrations? Well, let’s take a look at what’s on offer, both the big guns and the ones you might not have come across yet.

Woodford Folk Festival – Woodford, QLD

Woodford Cart

Undeniably one of the largest festivals in Australia, it has been repeatedly nominated for all kinds of awards in the events and tourism industries and remains one of my favourite festivals of all time, even if only for a 35 hour experience, I’d love to go back (but sadly, not this year). Based on their own site (Woodfordia, about one hour north of Brisbane), The Queensland Folk Federation have delivered outstanding line ups year after year and offer a range of musical acts and arts activities for all ages making this festival easy for the whole family to attend. While this year’s line up hasn’t yet been announced, we would put money on it being another outstanding list of great musicians from around the world, a quick glance through the 2012/13 programme book will attest to that.

Tickets and camping are still available at pre-festival web prices up until Christmas Eve, or if you’re feeling the pinch, they are always looking for willing volunteers who gain free entry in return for their help before, during or after the festival. Highlights of Woodford, apart from the amazing line up (in which we would name almost ever artist we’ve covered on  Timber and Steel if we were to list past festival performers), includes the huge range of workshops, crafts and activities for all ages to participate in, the exciting range of food and stalls available on site, the breathtaking lantern parade and the penultimate fire event bringing in the New Year. Completely safe for the whole family with plenty for the young and young at heart, if you haven’t been to Woodford, it is probably the festival I would tell everyone to go to no matter what their musical leaning. Don’t believe me? Check out their latest promo video:

The Falls Festival – Lorne Vic, Marion Bay Tas and Byron Bay NSW

Falls Festival, Lorne, 2008, Music Festival

Now, before I get you all excited, tickets for two of the three sites have sold out, tickets are now only available for Marion Bay in Tasmania. So, for those of you already with tickets to Lorne or Byron Bay, I’m only going to be reaffirming your excellent choice in festival for the New Year period. I went along for the 2011/12 festival in Lorne Vic and discovered an experience I had not anticipated, it was so big it required multiple small reviews, no single post could encapsulate it all. 2013 is the first year they’ve expanded to Byron Bay (which has successfully hosted Splendor in the Grass and nearby is the home of Bluesfest) so there is no hesitation that a New Year’s festival will have any trouble in such esteemed company.

Just like Woodford, The Falls Festival is not just a music festival, it has a vast array of arts workshops and experiences to keep every punter engaged no matter their hangover or musical interests, from themed days and fiesta’s through to art attacks. For those thinking still and wondering about Marion Bay, we can confirm it is a kid friendly event meaning, like Woodford, the whole family can come along and enjoy the line up.

Speaking of line ups, since The Falls Festival is not exclusively a folk festival, it means the artists cover a range of styles but still features some of our favourites including Emma Louise, Gossling, Grizzly Bear, Neil Finn, The Cat Empire, The Paper Kites, The Preachers and a whole lot more that we’d love to check out live. For the full line up, visit the listing on their website.

If you’re heading to the Byron Bay site and haven’t decided whether to camp, glamp or swag it, all the accomodation options are available on the Falls Festival travel page including the incredibly groovy Tepee Life village (Tepee Life also available in Marion Bay).

And if the idea of heading to Tasmania isn’t immediately appealing, just pause for a moment to consider the great adventure you could embark on. Not only do you get to head to one of the most pristine and beautiful forest areas within Australia and see some of the best acts around (including voting by Oct 31 in the Foster A Band competition to choose a local band to grace the stage), you can also take advantage of the 29 December start date to have an adventure around Hobart and broader Tasmania before bringing in the New Year!

If you’re struggling to decide, or wish you’d got a ticket to Lorne or Byron Bay, don’t despair, there are a few more options including applying for an Art Camp at any of the three sites to create the artistic heart and soul of the festival, and includes a coveted ticket to the festival. If you’re not so artistically inclined, but don’t mind a bit of work, volunteer applications are still open for Marion Bay.

Now, I move out of my comfort zone to two festival’s I’ve never been to!

Gulgong Folk Festival – Gulgong NSW

Dancing Gulgong Folk Festival by Flickr member farmgrovePhoto courtesy of Flickr member farmgrove

Technically not actually a New Year’s festival, the Gulgong Festival (which Gareth enjoyed earlier this year) takes place over the weekend immediately prior, 28 and 29 December 2013, making it a good option for those who have to work those pesky week days between the public holidays – if you’re in NSW and can manage a drive out to Gulgong that is. However, it’s also a great option for people that want a folky fix AND their big city New Year’s party as you could manage both pretty easily. If a nice jaunt out to Mudgee isn’t tempting enough, what if I told you tickets were free? I kid you not.

There’s no obvious camping options unless you seek out a camping ground but their website does list a number of motels and accommodation options, and really who doesn’t like a trip out in to the countryside and a good B&B to see you through?

Again, their line up is not announced yet, but with past acts like Jack Carty, The Falls, Mustered Courage, April Maze, we’re pretty confident it will be an impressive selection. A little birdy has shared some inside information that Daniel Champagne, Melanie Horsnell, Alan Caswell, Big Erle and Matt Southon may well make appearances *nudge, nudge, wink, wink*

Nariel-Creek Folk Festival – Nariel Creek Vic

Vendulka performing at the Nariel-Creek Folk FestivalVendulka on stage. Photo courtesy of Nariel-Creek Folk Festival

A beaut little festival in regional Victoria (North East for those playing at home) which looks to be the kind of scale of The Gum Ball or Corinbank and equally delightful feel for all the family. They went simple in their online presence – a facebook page only, having pulled down their website earlier in the year. Tickets are cheap at $20 a head and available at the door, camping is an incredibly low $5/ night and you can turn up early and stay late if you really want. No idea who is on their bill, but in honesty, it just looks like an amazing and relaxed way to spend a New Year’s, especially if you want to avoid the crowds! Plus there is ample opportunity to dress up for the fun of it with plenty of great shots of their past New Year’s Even cocktail parties on their facebook page.

Gum Ball Crowd

An honourable mention goes to The Gum Ball, who last month put the call out online to see who might be inclined to turn up at their Dashville property for a New Year’s Gum Ball-esque event. Unfortunately they didn’t get enough interest to make anything happen this year, but if you’re keen to see a New Year festival in the Hunter Valley for future years, we think heading to the 2014 Gum Ball and making noises at the organisers might help them decide to go ahead in 2014.

So, where are you spending New Year’s? We’re still considering the conundrum ourselves!

Musical Lineup for the Sydney Finders Keepers Markets This Weekend

Melanie Horsnell
Image Courtesy of Melanie Horsnell

The glorious bi-annual Finders Keepers Markets are returning to Sydney for their Autumn/Winter event this weekend. If you haven’t been to a Finders Keepers before you should make an effort to check it out – loads of artists and designers showcasing their wares, some fantastic food and drink and of course live music of the acoustic variety.

Finders Keepers Sydney will take place at Carriageworks in Eveleigh (near Redfern) on Friday evening and during the day on Saturday. Entry is via a $2 donation. The musical lineup this time around includes Melanie Horsnell, The Green Mohair Suits, 200K, Andy Golledge and more.

For more information on Finders Keepers check out the official site here. The full live music scheduled is below:

Friday Evening
6:00pm – Melanie Horsnell
7:00pm – Annie Mckinnon
8:00pm – Jackie Marshall
9:00pm – The Green Mohair Suits

Saturday
10:00am – Jack Shit
12:00pm – Night 0wl
12:45pm – 200K
1:30pm – Andy Golledge
2:30pm – DJ Dylabolical

Thank Folk It’s Friday – 12th April

TFIF

This Week in Folk

All the News From The Week That Was

Martha Wainwright has announced the first round of dates for an Australian tour this June. Details here

Daniel Champagne has released a new video for the track “Heart Like This” featuring Mikaela Atkins. Details here

The Mid-North released another new video, this time for the track “Rosewood”. Details here

– Melbourne’s Nigel Wearne has just released the title track from his album Black Crow. Details here

– US buzz band The Milk Carton Kids are touring Australia in June. Details here

– Canadian singer-songwriter Woodpigeon has released his brand new video “Robin Song”. Details here

Communion Melbourne have come through with another amazing lineup for the 21st April – Thelma Plum, Deja, Stu Larsen & Natsuki Kurai, Jack Carty and Ali Barter. Details here

Interviews

“I love the sound of American folk music, but I’m not American. All my experiences are as an Australian, so to write about anything else just wouldn’t do. I see all to often though Australian songwriters, perpetuating American clichés and avoiding writing about what’s on their doorstep. We have such rich culture and history here that is really worth looking at” – James Daley from Bellyache Ben and the Steamgrass Boys chats to Gareth Hugh Evans. Interview here

Reviews

Recordings

“Melanie Horsnell opens her third album, The Cloud Appreciation Society, with a delightful, sweet Gershwin cover, “Oh So Nice,” inspired by the birth of her second child, Gypsy. Although Horsnell confesses to crying the first time she heard it, alone in the car, its presence on the album is far from miserable – quite the opposite, in fact”Serena Skye reviews The Cloud Appreciation Society from Melanie Horsnell. Review here

Gigs

“A long time fan, adorned in leather, spikes and tattoos, scurries to the front of the crowd and passionately screams at Stefanou, “you are not fucking breaking up!” Every set of hands on that rooftop clapped like giants”Janine Estoesta reviews Tehachapi at The Evelyn Hotel in Melbourne. Review here

Releases This Week

Gypsy Moon
The Gypsy Moon – Volume 1Daniel Champagne
Official Site

Dreaming of a Night Mango
Dreaming of a Night MangoTim Guy
Bandcamp

Timber and Steel Presents

Steamgrass
Country Roads feat. The Steamgrass Boys, Mustered Courage, 200k, Luke Escombe
Thursday 18th April – The Oxford Art Factory, Sydney, NSW
Tickets Here

Gigs Next Week

Aluka
Friday 12th April – Salamanca Arts Centre, Hobart, TAS
Wednesday 17th April – Black Bear Lodge, Brisbane, QLD
Friday 19th April – Nexus Arts Centre, Adelaide, SA

Ann Vriend
Friday 12th April – Albert Park Yacht Club, Vic
Saturday 13th April – Candelo Music Festival, NSW
Monday 15th April – venue TBA, Wagga Wagga, NSW
Wednesday 17th April – private concert, Jan Juc, Vic
Thursday 18th April – private concert, Geelong, Vic

Betty & Oswald
Saturday 13th April – FBi Social, King’s Cross, NSW

Bob Evans
Friday 12th April – Tanks Arts Centre, Cairns, QLD
Saturday 13th April – The Zoo, Brisbane, QLD
Friday 19th April – Discovery, Darwin, NT

Bobby Alu
Sunday 14th April – Brunswick Hotel, Brunswick Heads, NSW
Friday 19th April – The Joynt, Brisbane, QLD

Boy Outside
Wednesday 17th April – Hibernian House, Sydney, NSW

Darren Cross
Sunday 14th April – Midnight Special, Sydney, NSW

Eli Wolfe
Friday 12th April – Harvester Moon, Bellarine, VIC
Saturday 13th April – The Carolyn Theatre, Cororooke, VIC
Friday 19th April – Bon Amici Winebar and Cafe, Toowoomba QLD

Fanny Lumsden & the Thrillseekers
Friday 12th April – Yalgogrin Hall, Yalgogrin, NSW
Saturday 13th April – Collingullie Soldiers Memorial Hall, Collingullie, NSW
Sunday 14th April – Marrar Town Hall, Marrar, NSW

Jack Carty and Jordan Millar
Friday 12th April – Lennox Head Hotel, Lennox Head, NSW
Saturday 13th April – 5 Church St, Bellingen, NSW
Sunday 14th April – Hoey Moey, Coffs Harbour, NSW
Thursday 18th April – Lizzotes Restaurant, Newcastle, NSW

James Kenyon
Friday 12th April – The Theatre Royal, Castlemaine, VIC
Wednesday 17th April – The Green Room Lounge, Sydney, NSW
Thursday 18th April – The Grand Junction, Maitland, NSW
Friday 19th April – The Naked Bean, Grafton, NSW

Jep and Dep
Friday 12th April – Brisbane Hotel, Hobart, TAS

Jordie Lane
Saturday 13th April – The Four Leaf Sessions, Melbourne, VIC
Sunday 14th April – Burke & Wills Winery, Mia Mia, VIC
Thursday 18th April – Republic Bar, Hobart, TAS
Friday 19th April – Royal Oak Hotel, Launceston, TAS

Katie Noonan with Brian Campeau
Saturday 13th April – The Basement, Sydney, NSW
Sunday 14th April – Clarendon Guesthouse, Katoomba, NSW

MoFo feat. Lucy Wise and the B’Gollies, Mem Davis and the Kindred Spirits
Friday 12th April – The Gaelic Club, Sydney, NSW

Patrick James
Sunday 14th April – The Vanguard, Sydney, NSW

Sarah Humphreys
Thursday 18th April – Bottlerocket Bar & Cafe, Nowra, NSW
Friday 19th April – The Shellharbour Club, Shellharbour, NSW

Stu Larsen and Natsuki Kurai
Wednesday 17th April – The Ellington, Perth, WA
Thursday 18th April – A Little House Gig, Adelaide, SA

The Hillbilly Killers
Thursday 18th April – Sleep At The G, MCG, VIC
Friday 19th April – Meeniyan Hall, Meeniyan, VIC

The Starry Field
Saturday 13th April – The Bird, Perth, WA

The Tiger and Me
Friday 12th April – The Workers Club, Melbourne, VIC
Saturday 13th April – The Workers Club, Melbourne, VIC

Tim Guy
Friday 12th April – The Green Room Lounge, Sydney, NSW
Saturday 13th April – The Front Gallery & Cafe, Canberra, ACT
Sunday 14th April – Albion Hotel, Albury, NSW
Thursday 18th April – The Grace Emily Hotel, Adelaide, SA
Friday 19th April – The Old Mt Gambier Gaol, Mt Gambier, SA

Friday Folk Flashback

“Look At Miss Ohio” – Gillian Welch & Dave Rawlings

We’ve been to a lot of festivals this season and one of the most consistently amazing bands was The April Maze who do a great cover of this song – which means its been in my head for pretty much the entire Summer.

Review: Melanie Horsnell, The Cloud Appreciation Society

Cloud Appreciation Society
Image Courtesy of Melanie Horsnell

Melanie Horsnell opens her third album, “The Cloud Appreciation Society”, with a delightful, sweet Gershwin cover, “Oh So Nice,” inspired by the birth of her second child, Gypsy. Although Horsnell confesses to crying the first time she heard it, alone in the car, its presence on the album is far from miserable – quite the opposite, in fact. Its childlike enthusiasm and tempo sets the tone for what appears to be a very relaxed and comfortable listening experience, the kind of album that one might associate with young love and summer dresses. Most of the album is built around this sound; Subtle acoustic guitars and bass, vulnerable vocals, cello, soft and sparse drums and the occasional instance of a glockenspiel.

 However, just three tracks in, after the brilliantly poppy “Uncoordinated Conversation” (a lovely track about the awkwardness of new romance), there is a more complex and somewhat darker sentiment. Disguised by Melanie’s undeniably gentle voice, comes the reflections of a woman torn apart by the grief and loss of abandonment, in “Love You Madly”- A song rich in sorrow and heart-breaking images, a song that describes complete surrender. The words “I will love you madly” reach out and pull on your stomach in a way so familiar to anyone who has ever endured a significant separation, drawing the listener under her light sound, into her fierce lyrics. This track, followed by the equally sad and desperate “If We Can’t be Together,” leads the album far from the listener’s prior expectation, on a much more poignant journey.

While the delivery and instrumentation is not vastly different throughout, it is the seamless transition into these darker tones that strikes me most about this record. One can identify so strongly with the angst and imagery, and yet it sounds so calm, the melody crisp, with a lilting cello carrying the song forward. It is the sparse and gentle instrumentation, coupled with Horsnell’s clean vocal that could lead to some of this album’s depth being miscalculated, which makes her eye for detail and rich imagery so important. Her ability to capture her landscape, both literal and emotional is one of the things that makes this album stand out fully, within a well-explored genre.

This detail is particularly strong in “Tall Trees Arms”, wherein Melanie writes from the perspective of an older man, staring out at his rugged mountain home after the death of his wife with the “grey-green eyes.” One can almost feel the “frosty air,” almost hear his soft journey, among lonely valleys, green foothills and trilling creeks. Similarly, in “Late Afternoons and Ochre Walls” the “dappled light,” in which a young couple cuddle on the couch quietly, that Melanie describes is as easy to imagine here as the “big dolly eyes and cheeky smiles” of her two babies in “My Harmony, My Gypsy”, a song written out of pure adoration for her girls, in a very difficult time for her.

While similar in sound to many of her female contemporaries, “The Cloud Appreciation Society” has a very strong narrative to it, something Horsnell herself touched on in an interview with ABC southeast. The progression of the songs mimics the progression of her life at the time, starting with the joy of the birth of a new child, and moving to a new home in country NSW, to the pain of her separation. The mid-section of the album speaks of the potential for finding new love, bonding with her children and immersing herself in her new surrounds. This leads to the final track “My Heart just Wants to Fall in Love”, a joyful song about letting go of past grievances and moving on, which brings the album full circle, back to the quirky happiness of “Oh So Nice,” the sound that originally attracted my attention so quickly. I really enjoyed this album, short though it may be, and I look forward to the chance to see her live in the future.