Timber and Steel’s Artists’ Top Albums of 2016

Child Records

You’ve heard what we think the top albums of 2016 were, but lets be honest this is the piece you’ve really been waiting for.

Every year we reach out to the community of folk and acoustic musicians in Australia and around the world to ask them to pick their favourite album or EP of the year, and this year they came through in spades.

So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2016.

Bill ChambersEagle & The Wolf
Bill ChambersCold Trail
What a record. Bill just turns up when he feels like it and shows us all how it’s done. The title track is one of the best driving songs ever written and we’ve done A LOT of driving this year! This record has been with us on every trip and inspires us as artists of the alt. country genre to dig deep and keep being real, in life and in music. He’s the baddest and the best.

James KenyonAnna Cordell
James KenyonImagine You Are Driving
This album takes me into such a beautiful space, it is so beautifully written and produced, I find myself smiling every time I listen to it – I’m entranced and inspired.

Joe MungovanImogen Clark
Joe MungovanWay Down South
Joe totally embodies the Joni Mitchell quote about songwriting, “The closer you get to your heart is the closer you get to everyone else’s”. This EP is an evolution for him, the production is so sparse and spacey, almost Bon Iver-ish, and very different from the folky style of his first EP. But what remains is Joe’s amazing ability to capture so perfectly the melancholy of the human condition with his beautiful melodies and heart-wrenching lyrics. A big 5 stars from me. Love ya, Joe!

Piers FacciniSam Lee
Piers FacciniI Dreamed An Island
This album only came out a couple of weeks ago but I think needs mentioning in this years crop. Piers is one of the finest male singers and his musicianship is exquisite. It’s an album of great sensitivity with deep thought and poetry inside. The songs are so well formed, he has a knack at creation of timeless soundings orgs.

DD DumboDan Flynn
D.D DumboUtopia Defeated
Oliver has really found his own unique sound while incorporating some diverse influences including folk, electronic and world music. I was really impressed with his songwriting and his ability to draw you in to his strange little world. I also love the production with all those sonic layers that reveal themselves over repeated listens. Amazing debut.

Michael KiwanukaSkyscraper Stan
Michael KiwanukaLove and Hate
I got hooked on this album while touring around New Zealand. The songwriting is melodic, the dynamics are masterful and the closing track, “Final Frame”, kicks me in the guts.

William CrightonJosh Rennie-Hynes
William CrightonWilliam Crighton
I first heard William at Nannup at the start of this year and loved it. He’s a great performer and his songs are top notch. This album captures all of that perfectly. The production is spot on and is a testament to the benefits of what a more DIY approach to recording can achieve.

Bon IverTanya Batt (BATTS)
Bon Iver22, A Million
There have been a lot of amazing releases this year, Canary, Braille Face and Hayden Calnin were three I wanted to choose too. However, it had to be Bon Iver. The most highly anticipated album in my life, it did not disappoint. This album means so much to me, It’s an extremely innovative album within soundscapes and also so raw, filled with emotion. Many tears were shed when I first listened.

MoulettesClaude Hay
MoulettesPreternatural
Moulettes new album Preternatural really grabed me from the first second, Distorted Cello, Oboe, guitar bass drums and they all sing insane harmonies perfectly live….Audio candy

Bill HuntLiam Gale (Liam Gale & the Ponytails)
Bill HuntUpwey
Conversational, melodic, witty and hooky songwriting flood through the beautiful ebb and flow of Upwey, Hunt’s first of many offerings. The songs are hued by a consistent arrangement of drums, bass, violin and Hunt’s subtle and precise guitar style. But they don’t rely on these arrangements; each song a story, assisted by the swell of instrumentation to convey the tales that swing from the near Latin grooves of “Odalik” to the slow sexy grind of “Sea of Love”. At six tracks long, it leaves you wanting more. Perfect.

Childish GambinoSahara Beck
Childish GambinoAwaken, My Love!
Listening to this album is like switching off the real world and stepping into an original and new world. I find it very inspiring.

Oh PepThe Little Stevies
Oh Pep!Stadium Cake
I think the songwriting on Stadium Cake is really interesting. The songs take me to a place that I’m not expecting both lyrically and musically when I begin listening to them and they keep me guessing, which I absolutely love. The arrangements and production are also super cool, and I’m simply just a big fan of talented women and female partnerships doing great things in the arts.

Side PonyFanny Lumsden
Lake Street DiveSide Pony
It seriously makes me the most joy filled human ever. Side Pony is possibly my biggest songwriting envy of late and they just really nail that motown meets pop retro good times.

Nick CaveMiles O’Neil (Miles and Simone)
Nick Cave and The Bad SeedsSkeleton Tree
I was scared to listen to this album due to the tragic circumstances surrounding it. Finally
mustering the courage one bright morning I listened to it through while walking beside the sea.
I stopped many times during that walk to sit and, floored, marvel at the breathtakingly
sadness and beauty captured in what is, to me and I’m sure many others, a masterpiece.

Hayden CalninForest Falls
Hayden CalninCut Love Pt 1/2
Hayden is an absolute stayer of the Melbourne music scene, but it’s for good reason. This record is world-class. Sparse, rich, cinematic, and desperate in its feel, it holds on to you long after the first listen.

Button CollectiveThe Bottlers
The Button CollectiveThe Lonesome Sea
As a softly lilting mandolin emerges from the silence of the opening track, Brodie’s haunting lyrical ballad begins to unravel the story of the heartbreak of a man, torn between travelling the lonesome sea and those who he has left behind. This beautiful yet bittersweet combination of well-travelled wordsmithing and an instrumental palate carrying a nostalgically truthful warmth, could be heard in any far-flung tavern in the dead of night, as tired candles flicker. Finishing with a raucous fling titled “Adieu Sweet Lovely Nancy”, the Button Collective’s release concludes on a stirring high, twisting your arm to crave another ale. The EP’s recording, mixing and mastering add a special flair, as you hear the charismatic live-elements that give you a heart-swelling, beer-swilling singalong that you can partake in at any time. Well done fellas!

The Dreaming RoomPhia
Laura MvulaThe Dreaming Room
Her lyrics explore feminism, faith, self-worth, race, and her harmonies, arrangements and production are deep and multi-hued. One of the most exciting songwriters around, unafraid to experiment with multi-genre collaborations, like the London Symphony Orchestra and Nile Rodgers.

JoyGordon Wallace (The Crooked Fiddle Band)
The Peep TempelJoy
This is a great third album by the Melbourne based three piece that has initial flavours of 90s Aussie pub punk/bloke rock (like Cosmic Psychos) but that is just the beginning – the album is musically quite varied, with intelligent, dark, caustically humorous and often political lyrics with moments of honest beauty.

Wartime SweetheartsJoe Gould (The Crooked Fiddle Band)
Wartime SweetheartsSo Long Sparta
It’s always great when a local artist drops something as fully formed and self-assured as Louise Nutting’s second album under the Wartime Sweethearts moniker. Experimental without forgetting the songcraft, it deserves its rightful place amongst the St Vincents, Dirty Projectors and My Brightest Diamonds of the art pop world. Props to local label Art As Catharsis, whose releases in October alone spanned from Wartime Sweethearts to Hashashin’s eastern mathrock and No Haven’s dark hardcore. Eclecticism rules the day!

BeyonceTaryn La Fauci
BeyoncéLemonade
To create and release a piece of work that is so intricately linked and ordered, one you must listen to from start to finish to understand the whole was really refreshing! The film that accompanied the album was also richly interesting, deep and powerful. To address themes such as infidelity and race and then to weave them powerfully into a full album, which on release caused so much controversy and started a conversation world wide, I thought was really great.

Melody PoolKevin Mitchell (Bob Evans)
Melody PoolDeep Dark Savage Heart
Another beautiful record from the most under-rated songwriter in Australia. “Love, She Loves Me” gives me goose bumps every time.

Winter WheatFrank Turner
John K SamsonWinter Wheat
I am a long term partisan of John’s work, so it’s not surprising that I liked this record. But god-DAMN, the man just keeps delivering. This record had me in tears three times on my first listen through, and it gets better with age.

David BowieWilliam Crighton
David BowieBlackstar
My favourite album from 2016 is Blackstar from David Bowie. There were a lot of great albums but I listened to it the most.

TigallerroSteven Barnard (Arbori, Jon Cotton)
Phonte and Eric RobersonTigallerro
Smooth grooves, dope rhymes, sweet melodies. You’d be hard pressed to find another 2016 record his year that has this flow, though Anderson Paaks’ Malibu is a close second. It rolls effortlessly from track to track and the inevitable ass shaking comes with a no “slutty table top twerking” guarantee. It’s rare that a hip hop record explores what it means to be a man of sexual fidelity, a family man, and even man of faith in higher power. Getting hype or turning down, my morning wake up or my party starter, this record has been a solid find.

Julia JacklinJesse Lubitz (TinPan Orange)
Julia JacklinDon’t Let The Kids Win
This album is a gem. The more I listen to this record, the more the songs shimmer and shine with a beautiful honesty. Jacklin’s songwriting is earnest and her voice perfect – it feels like an important voice which dances delicately on a wire between mundanity and profundity.

Bon IverOliver’s Army
Bon Iver22, A Million
Although becoming more and more electronic heavy, Justin Vernon’s signature haunting melodies and dynamic vocals remain consistently endearing. I found the production to be quite bold and experimental, and I love that they’re continuing to explore their sound and push it in new directions. Sonically, it’s spacious and beautiful.

RadioheadKim Churchill
RadioheadA Moon Shaped Pool
My top album of 2016 has probably got to go to A Moon Shaped Pool by Radiohead. It really hit me at the perfect moment. I was deep in the studio and sometimes getting a bit overly flustered by how complex the process of recording can be. I think Radiohead have done something incredible in the way this album is so relaxed, so subtle, but so powerful. There is this beautiful calm confidence that I am completely in awe of. To be alive whilst their legacy is still being added to is a real treat!

Conor OberstThomas Busby (Busby Marou)
Conor OberstRuminations
Brave, personal and heart achingly real. It feels like you’re in the room with him as he’s pouring his heart out.

Iggy PopEm George
Iggy PopPost Pop Depression
It would be a total lie for me to say that I have been patiently and politely waiting for a new Iggy Pop record because I’ve been extremely impatient and downright rude, mouthing off to my vinyl copy of Lust for Life, begging to the Iggy Pop gods for a new release and then Post Pop Depression hit in March this year. Produced by Josh Homme (Queens of the Stone Age), the entire album is gritty and dark, sharp and tight with that small hint of sadness that lies just under the surface of Iggy Pop’s music. However in true Iggy fashion, the melodies and heavy drums lift the album into something that is hard to define, taking you to another place. My pick for 2016!

KaleoGerrit Gmel (Citizen of the World)
KaleoA/B
I came across these guys on Spotify a few months ago as they were our number one associated artist then. I had never heard of them before but their album has been on repeat ever since. Their album is incredibly varied, with high-energy songs like “Way Down We Go” and soft ballads like “Save Yourself”. An emotional rollercoaster from start to finish.

Gregory PorterJoe Glover (Shelley’s Murder Boys, Backsliders)
Gregory PorterTake me to the Alley
I watched a YouTube clip of Gregory Porter performing on NPR’s Tiny Desk Concert and watched it several times over, absolutely mesmerised. The album is just as mesmerising; full of soul, jazz and RnB, beautiful arrangements and Porter’s effortless delivery; just enough grit and soul to keep the jazz interesting! I listen to this album when I want something that will absolutely zone me out of where I am and what I am doing, Porter’s soothing voice is like being wrapped up in blanket and given a cup of hot cocoa.

Bruce MolskyShell Eves (Shelley’s Murder Boys)
Bruce MolskyCan’t Stay Here This a-Way
Bruce Molsky always manages to bring such a rich, unique sound to the old-time classics. His latest album is no exception. His fiddle-singin’ gives me warm fuzzies akin to sitting by a campfire under a starry sky.

David BowieJimmy Murray (Shelley’s Murder Boys)
David BowieBlackstar
It was hot, humid January afternoon driving through a sun-shower when I first listened to David Bowie’s Blackstar album. Released just 2 days after his death aged 69 this is an amazing final piece of work from this incredible artist. The hauntingly beautiful voice and instrumentation echos with songs about finality and death. Listening to this I was filled pure joy, sadness and reflection of this artist’s inspirational legacy.

Black Mountain String bandThe Plough
Black Mountain String BandTime Traveller
This year The Plough discovered the Canberra based Black Mountain String Band and can’t get enough of them. The exuberance and variety they bring to a live show is showcased beautifully in their recording. Their mix of traditional and original songs and instrumentals take the listener back in time through a landscape of high energy Old Time, Western Swing, triangle pumping Cajun and plucky Fiddle polkas. This CD’s been on high rotation in the Lancer’s CD stacker ever since it was launched in the bush capital on a chilly winters night.

TyrannamenFraser A Gorman
TyrannamenTyrannamen
A brilliant, gruff mixture of Memphis Garage-soul blended deep in a gravel filled, VB bottle of Australian 70’s pub rock. Eight tracks long, all killer no filler.

Margo PriceNick Payne (Dear Orphans)
Margo PriceMidwest Farmer’s Daughter
Margo is one of the first of a new breed of Americana artists to come out of the new epicentre of country music in East Nashville. Alongside Cale Tyson, Michaela Anne, Erin Rae, et al., these guys are playing authentic honky-tonk reminiscent of 1970s outlaw country, yet with their own fresh take. Midwest Farmer’s Daughter reminds me of the edgiest tracks from Dolly Parton, and the fact she is the first country act signed to Jack White’s Third Man Records is a testament to the quality of this album.

Oh PepJames Kenyon
Oh Pep!Stadium Cake
Stadium Cake is a brilliant album – brave arrangements, tight pop writing, great lyrics and Liv’s voice is a pleasure. I love the ambition of the album, and the assuredness the result. It’s an inspiring record

Julia JacklinAinsley Farrell
Julia JacklinDon’t Let The Kids Win
I’ve had the chance to see Julia perform these songs over the past couple years so I’ve been very excited for her album. She has an incredible songwriting talent topped by this powerful yet vulnerable voice that’ll break your heart and put it back together again all in one go. If you get the chance to see her and her band live I wouldn’t miss it.

Liz StringerMel Parsons
Liz StringerAll The Bridges
I have been a fan of Liz for a good few years now, I’m completely smitten with her voice – all husk, beauty and pain. I had high expectations for her new album, and All The Bridges delivers and then some, it’s been on repeat in my house since it arrived.

CanaryKathleen Mary Lee
CanaryI Am Lion
I like this because it is a celebration of very big, very beautiful feelings that I reckon have no other way of being celebrated other than through this kind of emotionally epic music. The lyrics are attempts at honesty and the music is always their non verbal emotional equivalent, making the album a very cathartic experience. If you want it to be. A bit of a masterpiece

Eagle and the WolfSam Buckingham
Eagle & The WolfEagle & The Wolf
Sarah brings out Kris’s sweetness and Kris brings out Sarah’s no bullshit strength – making this album the perfect balance of heart and “fuck you”. It just sounds like two musicians being real and having a ball. Awesome songwriting, perfect harmonies – it’s golden.

Sian EvansTori Forsyth
Sian EvansHow Time Has Treated Thee
This EP has only swept across my table recently but it is hands down a stand out. It makes me feel happy, sad and inspired all in one hit!

Songs From DanLucie Thorne
Dan TuffySongs From Dan
Aussie expat (now Dutch resident) and legend Dan Tuffy (Big Low, Wild Pumpkins at Midnight) has made one of my favourite albums not just of 2016 but of all time (seriously!). Co-produced by Melbourne’s Matt Walker, and recorded partly here in Melbourne, and partly in Holland, this album is an extraordinary collection from a true poet who sings straight to the heart of it all. Check it out folks!

Sian EvansHusky Gawenda (Husky)
Damien JuradoVisions Of Us On The Land
While this is Damien Jurado’s twelth album, it is the first I heard of him. Visions is a psychedelic, mystical odyssey, one that takes place within and without. The internal wanderings, the struggles and revelations, mirror an external landscape that is both beautiful and haunting. Each listen draws you further into these mirror worlds and all the while Jurado’s songs and sounds are immediately and undeniably striking.

Tracy McNeilLeah Flanagan
Tracy McNeil and the Good LifeThieves
Thieves is such an enjoyable record to listen to. It’s poppy and catchy yet underneath the veneer of fun singalong good times the songs themselves incredibly well crafted and arranged. Tracey writes a damn good song and if you’re lucky enough to see her band live, you’ll see them play those songs damn well too.

Adora EyeMusketeer
Adora EyeIf You Need A King, I’ve Been Prepared All My Life
This is probably the most raw and enduring folk album I have listened to all year. I am sure that this Swedish singer-songwriter was up all night writing this album in a smokey boat in the Stockholm harbour somewhere. You can almost see him clutching that ink pen with a red right hand, as his pet raven swings in a cage above his head eating dead beetles.

Hiss Golden MessengerDave Powys (The Paper Kites)
Hiss Golden MessengerHeart Like A Levee
I heard this album playing in a record store in London, and as I flicked through racks of vinyl I was drawn into the melodies and depth of his song writing. Every now and then you come across an artist who really moves you, or scratches an itch you never knew you had – this album has done both for me.

The Kill Devil HillsCatherine Traicos
The Kill Devil HillsIn On Under Near Water
This album encapsulates all that I love about the The Kill Devil Hills. A mad racket of noise, it pulses with life and is as ripe with heartfelt ballads as it is with sexy, sinister, badass, guitar driven numbers. Enjoy with whiskey.

Robert Ellis10 String Symphony
Robert EllisRobert Ellis
His first self-produced effort combines thoughtfully crafted songs with unique and interesting arrangements, expertly performed by him and his killer band. It’s the full package real deal and we love it so much.

The Dead MaggiesThe Dead Maggies
The Cloves and The TobaccoAcross The Horizon
TCATT are one of many celt-punk bands making great music in Java, and this album is a standout. It’s straight up driving celtic punk, with big powerful singalong choruses that tug the heartstrings. Good arrangements and musicianship help make this album great. We played with them in their hometown of JogJakarta, in the attic of a vegetarian cafe. The power cut out just before the gig, so the bands went ahead and played unplugged, it was a great moment of sweaty singalongs.

Howe GelbMark Moldre
Howe GelbFuture Standards
Late night meanderings. Laid back, whisky infused jazz piano. Wordplay and lyrical twists that stand alongside the wit of Ira Gershwin and Hoagy Carmichael with the quiet phrasing of Chet Baker. Gelb continues to walk to his own beat – confounding expectations whilst smashing and recreating genres. His history has always hinted towards a love of jazz and occasionally detoured into Monk style musings – here Gelb embraces it wholeheartedly.

TullaraSian Evans
TullaraBetter Hold On
Earthy folk and roots with a dash of dirty grunge, Tullara presents her debut EP Better Hold On. Featuring her superb guitar slinging and percussive finger tapping wizardry, genius pop-roots arrangements and powdery vocals; it’s as if an Aussie Taylor Swift, John Butler and Andy Mckee were entrapped in a love triangle and spawned gold threads of wild honesty weaving together this admirable little Roots record. It’ll jerk a tear and invoke a bit of primal badass equally.

TaliskJake Pember (The Button Collective)
TaliskAbyss
Ever since first hearing Mohsen Amini’s amazing concertina playing earlier this year I have been a little bit obsessed with this band. They have the perfect blend of traditional and modern styles, and each member has such command of their instruments that every track feels as natural and flowing as a conversation.

Max SavageKaurna Cronin
Max SavageTrue Believers
Max has a brilliant ability to invite his audiences into the narrative of his works. With brilliant imagery and musicianship True Believers captures a great snapshot of true Australian culture, while also creating a great sense of nostalgia by grasping that 80’s Australian rock sound perfectly. The perfect soundtrack for an Australian road trip or any suburban household.

Nick CaveAlex L’Estrange
Nick Cave and The Bad SeedsSkeleton Tree
Amongst all the huge artists that dropped albums in 2016, and the loads of Australian artists that arguably dropped career highlights (Ball Park Music, These Guy, D.D Dumbo), there was one album that I found myself frequently listening to, uninterrupted, alone on the hi-fi, and that was Skeleton Tree by Nick Cave and The Bad Seeds. It’s not necessarily my favourite, I think it’s an impossible task to name a favourite, but it was the first album that came to mind for this list, and that means more than anything. Hearing it coupled with the film One More Time With Feeling was challenging, given its subject matter. But its atmosphere was expertly executed; dynamic, fluid, smooth and heartbreaking. The rooms of Air, La Frette and Retreat studios are beautifully on display in songs like “Girl in Amber”, where the wispy backing vocals of The Bad Seeds hauntingly resonate across the walls. These contrast the desperate and almost maddening mantras of “I Need You”. What makes it a truly extraordinary album, is that it isn’t just doom and gloom. ‘Skeleton Tree’ doesn’t dwell on tragedy, it addresses it as part of the human condition, and there is an underlying beauty in that.

William CrightonClaire Ann Taylor
William CrightonWilliam Crighton
The storytelling and the whole atmosphere created by Crighton on this album is incredible. His dark, brooding voice and emotive style of delivery, commanded my attention from the first moment I heard it.

Andy ShaufWilliam Fitzsimmons
Andy ShaufThe Party
This was my favorite album of the year for one simple reason: MELODY!!! Andy is everything that’s right about classic “pop” music; never playing a note without a damn good reason for doing so, and songwriting that makes you feel something deep in your gut. He’s the worthy musical son of Harry Nilsson that we’ve longingly been waiting for.

LuciusRuby Boots
LuciusGood Grief
I have to choose this album because I’m still, since its release, pulling away the layers on it. Although it’s a predominantly pop record, the lyrical content and melodic arrangements are so intelligent and accessible all at once – a fine line that is hard to walk. The girls’ voices are otherworldly and tend to make me forget where I am and what I’m doing every time I put this album on. I still can’t get enough of it.

WetLacey Cole (Lazy Colts)
WetDon’t You
If you have a soft spot for B-grade pop ballads/R&B this Brooklyn-based three piece may just have written the soundtrack of your 90s-nostalgia drenched dreams. Their latest album Don’t You is a not-so-guilty pleasure of mine. Helmed by the stunning front-woman Kelly Zutrau, her unusual vocal inflections and impassioned delivery suggest an emotional complexity in what may otherwise be confused as banal sentiments (one song is called “Baby, You’re The Best”). Once combined with the lush production and rhythms of the band – assigned with the noble task of turning tears into toe-tappers – these songs are wonderfully earnest, rarely overwrought and exactly what you need right now.

James KenyonJoe Murphy (The Timbers)
James KenyonImagine You Are Driving
I have been lucky enough to see James play a couple of times. His beautifully crafted songs are reminiscent of great songwriters like Paul Kelly. The album is a stunning representation of his work.

JRHMabel Windred-Wornes (Charm of Finches)
Josh Rennie-HynesFurthermore
I love this album. It’s got so much warmth, it’s spacious. I listen to it late at night doing my homework and it’s so calming. It’s like the energy he captured recording it in the hills of Woodford transmits. We met him at Bendigo Blues and Roots Fest this year and felt we’d discovered a rare gem. He’s an amazing songwriter.

Tom BrosseauMatt Bauer
Tom BrosseauNorth Dakota Impressions
Beautiful storytelling, vivid imagery, and an incredible sense of place. I’ve always loved Tom’s records and he’s at the top of his game here writing about his native North Dakota.

Jim JamesTimberwolf
Jim JamesEternally Even
It’s a pretty passionate political plea and America needed a timely voice. He even released it the day before election day. I think his voice is very much from another world, so that’s an important “third person” kind of perspective. It’s a well sequenced collection of songs, and I really love the warm psych and soul inspired production/composition. Maybe I’m just biased because I know that Jim James and Blake Mills would make up my sonic dream-team.

Nigel WearneJustin Bernasconi (The Stillsons)
Nigel WearneDrawing Circles
Nigel has really forged his own fingerpicking techniques on both the banjo and guitar on this album, and his voice tenderly delivers every song with intense concern and passion. Just check out the live version of the title track.

The Kill Devil HillsMark ‘Looch’ Lewis – (Wifey/Handsome Young Strangers)
The Kill Devil HillsIn On Under Near Water
I have always loved this band. In all their incarnations and styles whether that is folk, country, gospel, rock or what I call the “WA dirge” (Kim Salmon, Drones type bass driven tunes). Hard to believe it is now 12 years since the release of their debut Heathen Songs when that “Drinkin’ Too Much” song first got my attention. And while it has been 7 years since the last studio album Man You Should Explode, the good news is that I reckon this is the most cohesive album yet. Cracking harmonies, great playing and strong tunes. Tracks like “The Nets”, “Chinese Burns” and notably “The Kid” are 3 of the best tunes they have released. Let’s hope there is more output and touring to come.

Austin LucasMatt Golotta (The Sweet Jelly Rolls)
Austin LucasBetween the Moon & the Midwest
I spend a fair bit of time on the road traveling to see my partner and this record became the perfect traveling companion for me. Took a few listens to get into and also realise it’s a concept album which draws from Lucas’ own past experiences. Without spoiling the outcome, it follows the luckless musician Richard, his partner Kristie Rae and his best friend William. It features killer song writing with pedal steel, twangy tele, country influences with punk rock subtlety, numerous guest vocals from the likes of John Moreland and Corey Brannan, and a cracker duet with Lydia Loveless “Wrong Side of the Dream”, dealing with the struggles and plights that many musicians face. My song of the record is “William”, the solo acoustic number at the end that makes you feel like you’ve just been kicked in the guts. Songwriting at its finest.

Cody JinksAndrew Cavalieri (The Sweet Jelly Rolls)
Cody JinksI’m Not the Devil
Raw, honest and heartache. That is this album! The first track really sets the mood for the rest of the album, but is broken up by “Chase This Song” which is a damn banger of a driving song! The outlaw vibe flowing from Junks’ music really prepares you for some hard times and disappointment in life. Bloody hell I love this album! Honorable mentions: Murlocs – Young Blindness, Jonny Fritz – Sweet Creep and Mudcrutch – 2.

Wartime SweetheartsLaura Bishop (Chaika)
Wartime SweetheartsSo Long Sparta
A killer voice, some super awesome writing skills, and an obsession with bodybuilders (hello Ms Olympia!) make this my favourite album of 2016. Wartime Sweethearts, aka singer-keyboardist-loop artist-songwriter Louise Nutting, signed to Art As Catharsis Records this year and released an album full of all the beats and electric piano and vocal harmony sounds that I like to hear (and I wish I could make) – and my favourite track “Figure It In, Figure It Out” has all the unexpected twistings and turnings of chord progressions that I wish I could write. One day Chaika will make sounds like this! One day…

Neil YoungTristan Goodall (The Audreys)
Neil YoungPeace Trail
Well with everyone saying we should just put 2016 behind us (although to be honest we should probably be approaching 2017 with a little trepidation too) I’ve decided not to dig too deeply into the past when thinking of my favorite record release of the year. I’ve loved many, but my recent love is the just-released 37th album by Neil Young. Peace Trail is short, musically experimental within its tight three piece band approach, and lyrically angry and poignant. I love it for the drummer’s drummer Jim Keltner and the way his delicate touch chases Neil’s quirky phrasing around the songs. I love it because it captures another freeze frame moment from a restless and undaunted songwriter, and I love it, of course, for those mighty guitar tones.

Davey CraddockLachlan Bryan
Davey CraddockCity West
2016 was a great year for my friends releasing good music. Melody Pool comes to mind, as do The Weeping Willows, Henry Wagons, Ange Boxall and Bill Jackson. It’s actually really hard to contribute to a “best of” list when you’re close to many of the artists – it’s hard to be objective – even after I rule out the records I was actually involved in making. Actually – it’s always hard to be objective, whether you know the artists or not. Furthermore, judging a whole body of work is hard – and for me, more than ever, 2016 was the year of the song (as opposed to the album or EP). And as songs go, the one that’s really stuck with me this year is the song “Number 9” by Davey Craddock. I love the cricket references. I asked Davey if he was a diehard cricket fan like me. He’s not. I was bitterly disappointed.

The Stray BirdsThe Mae Trio
The Stray BirdsMagic Fire
The Stray Birds made our fave album of 2014 and they’ve done it again in spectacular style with Magic Fire. It’s everything about this album and this band, the playing, the three part harmony and songs that are unabashed, true and unadorned. Magic Fire is a reminder of the things that matter, it’s definitely a fire and maybe a little bit magic.

Tori ForsythAndrew Swift
Tori ForsythBlack Bird
This EP is right up there as one of my favourite releases of 2016. From the moment I heard the opening title track, “Black Bird”, I knew that I was in for a treat. The diversity on display within the 5 tracks of Tori Forsyth’s debut release excites me. The songs are so well crafted and presented with such a mature sound, especially for someone so young. I’m eagerly awaiting the next release from one of Australia’s most promising young songwriters.

Hayden CalninRoscoe James Irwin
Hayden CalninCut Love Pt 1
A beautiful album from Melbourne artist Hayden Calnin. Drenched in melancholy and ambient awesomeness, this album had me at hello. (One of my favourite live shows of 2016 as well).

Jordie LaneNadine Budge (The Stetson Family)
Jordie Lane & The SleepersGLASSELLLAND
Have to say I’ve been particularly digging Jordie Lane’s GLASSELLLAND this last couple of months – with mighty input from the multi-talented Clare Reynolds. Let’s face it, Jordie’s a bit of an all-round talented guy!

Melody PoolDavey Craddock
Melody PoolDeep Dark Savage Heart
One of my fave local album’s of the year was Melody Pool’s Deep Dark Savage Heart. I’m a sucker for strings and a massive chorus and I love the way the songs build from really intimate, delicate and ornate passages into full-blown, wailing-on-a-mountain top with Stevie Nicks, 100 soaring bats and a thunderstorm moments. I saw her launch it at the Abbotsford Convent earlier this year and it was a really powerful and affecting show for me.

Methyl EthylTim Guy
Methyl Ethel – “No.28”
I know it’s not an album, but I’ve listened to this song more than any other this year, and it only came out a little while back. It has a lot going for it – great rhythm behind a smart piece of songwriting and then the whole thing is bathed in a deep silver mercury type thing. An Australian classic I swear.

DocksThe Staves
Amanda BergmanDocks
Our favourite album of 2016 is Docks by Amanda Bergman. Her voice is utterly sublime. You want to listen to every word she says. The music is dreamy, deep, soft, moody with melodies that whirr deliciously around your mind for days and weeks on end.

Katie BriannaRaechel Whitchurch
Katie BriannaVictim or the Heroine
I picked this album up when Katie and I did a songwriters showcase together. Sitting beside her listening to her songs was so magical – her voice is one of the most enchanting I have ever heard and her lyrics hit you right in the feels every time. Reminds me of a young Lucinda!

James KenyonMandy Connell (Stray Hens)
James KenyonImagine You Are Driving
James’ lyrics have that magic of time and place usually associated with voices like Paul Kelly or Bruce Springsteen. You can practically smell his scenes. You’re there. This album captures the voice but better than that, like a Tim Winton book, its a record that makes you present in Kenyon’s stories.

Jordie LaneLiz Stringer
Jordie Lane & The SleepersGLASSELLLAND
It’s no secret that Jordie Lane and I are good mates. We grew up together, musically speaking, and I am more familiar with his work than with most other artist’s. His new album, his first full-length release in five years, is called GLASSELLLAND, recorded by Jordie himself in various make-shift recording spaces in North Los Angeles and co-produced by his fiercely talented partner, Clare Reynolds, who also co-wrote half of the songs and sings and plays a heap of instruments on the record. Jordie’s songwriting and musicianship continue to evolve and stretch out with the years and these songs, and the way they’re recorded, ache with longing while driving forward with a swagger and a playful showmanship, melodically rich and hooky as fuck. I always become a bit weepy listening to Jordie sing. And, now, the combination of him and Clare ruins me every time. Beautiful.

David BowieColin Jones (Colin Jones & The Delta Review)
David BowieBlackstar
An exceptional reflection on final days and the unknown. Every note by Bowie, McCaslin and the band emphasize the chaos and fragility of life. There is no better swansong for an artist.

A Moon Shaped PoolEmma Anglesey
RadioheadA Moon Shaped Pool
A Moon Shaped Pool completely surrenders to simple truths that both lie in plain sight and in the messy tangled, kicking and screaming realities of life. The epic levels of angst in the opening track “Burn the Witch” are like an exorcism – Jonny Greenwood’s sharp string arrangement take you right to the edge – and then from there it’s like Alice falling through the rabbit hole of raw emotion and you go deeper and deeper.

DawesTim Hart (Boy & Bear)
DawesWe’re All Gonna Die
Some of the best lyric writing welded on to some pretty simple, but catchy, pop songs. Produced by Blake Mills (Alabama shakes, Laura Marling), this is a great record start to finish if you can forgive some slightly John Mayer sounding guitars that pop their head up from time to time. This I the record I keep coming back to this year

Oh PepRebecca Bastoli
Oh Pep!Stadium Cake
I don’t think I have ever been so entranced, excited or exhausted by the journey of listening to an album start to finish.

Bon IverDustin Tebbutt
Bon Iver22, A Million
Bon Iver has once again exceeded expectations on this release. It’s both familiar and foreign, delicately coloured, softly focused yet angular and stark. It’s brave, honest and all the things that I loved about Justin’s earlier works, without coming close to formulaic. It’s colloquial and conversational, yet inherently profound. Incredible stuff both musically and sonically.

Margo PriceJosie Rothwell (Peasant Moon)
Margo PriceMidwest Farmer’s Daughter
There’s something comforting about Margo Price’s debut album, almost like I’d listened to it before, but not in an overly familiar sort of way. Perhaps there’s something in her glorious voice that reminds me of my parent’s Dolly Parton records. She’s a great story teller, and I want to know more about her heartaches and headaches, particularly when accompanied by her crack band. I’m also proud to say my 4 year daughter keeps calling for “Hurtin’ (on the Bottle)” when we’re in the car – and I can’t think of anything else I’d want her to be listening to right now.

BJ BarthamHarvey Russell (Peasant Moon)
BJ BarhamRockingham
It pains me to say this but BJ Barham’s new-found sobriety has coincided with a serious coming of age as a songwriter. Taking a (very) short break from American Aquarium duties, BJ’s solo release (a genuine side-project) is seriously hard-hitting stuff. It rivals Aquarium’s 2012 release Burn. Flicker. Die. for intensity, but of a completely different nature. With sparse arrangements (often acoustic) Barham, as storyteller, gives you an uncensored and unashamed glimpse into how rural America has been left behind. Not for the faint hearted.

William CrightonSam Newton
William CrightonWilliam Crighton
I’d caught Crighton perform a bunch of times at local venues around Sydney and really dug his tune (and especially the music video) “Woman Like You” prior to this album’s release. So I was anticipating this release. Really excited for it. I was stoked when I heard that he and producer Matt Sherrod came through with the goods. Big time. Highlights for me are “Riverina Kid”, “Priest” and “2000 Clicks”. In my mind, this one is about as strong as debut albums get.

Chaim TannenbaumEliza Carthy
Chaim TannenbaumChaim Tannenbaum
The album that I have most enjoyed and most visited this year is the debut of the kind, quiet genius Chaim Tannenbaum (Storysound Records). I’ve had the privilege of working with Chaim over the years but it was only recently I realised that I have lived with his distinctive voice and gorgeous humility since I first began to love music. It’s his voice that forms the third harmony in “Complainte pour St Catherine” on the first McGarrigle sisters’ album, a song I played over and over as a child until you could almost see through the record, and he has been quiet companion and producer to theirs and their extended family’s work ever since. It’s somewhat typical of his humility that he has waited this long to make an album, produced by his dear longtime friend and collaborator Loudon Wainwright III. It’s a collection of avuncular stories told in his gorgeously expressive voice with beautiful, minimal production. Some trad, some conversational originals covering everything from the fate of the baseball stadium Ebbets Field to living in a depressing grey London in the endless rain in the 1960s. An album to listen to with your eyes closed by the fire. Again and again, and again.

PinegroveQuinton Trembath
PinegroveCardinal
The lyrics on this album read like the private diary of a well spoken (and well read) guy filled with both anxiety and excitement for life. The musicianship and dynamics complement this introspectiveness well, making it perfectly suited for intense solo listening as well as for being cranked on road trips with friends.

Sean McMahonAlison Ferrier
Sean McMahon and the MoonMenShiner
Sean McMahon’s laid back yet somehow intense vocal brings this fantastic collection of songs to life in my living room. Shiner’s ragged elegance is full of the sort of raunchy country rock I can’t get enough of. Stand out tracks for me: “Shiner” and “Here Comes the Night Again”.

WhitneyEddie Boyd
WhitneyLight Upon the Lake
This album just grew and grew on me since my first listen. Simple, catchy tunes that make me wanna dance or go driving for a long time. I think Whitney nailed everything about this album – the instrumentation, the production, obviously the songs. Also, they’re heaps good live.

Secret PathThe Once
Gord DownieSecret Path
The Tragically HipMan Machine Poem
This year was a hard year in Canadian Music. We have a fella here by the name of Gord Downie. He is a legend. He has helped raise Canadians to be more real with his music. He is the frontman for the band The Tragically Hip. There are not many people in Canada who don’t know who The Hip are. Their music has become part of our DNA. Gord, this year, made a statement saying he has terminal brain cancer so he obviously fighting for the men and women of the north. The folks that have needed a voice for far too long. He is being that voice. He is showing us how to be Canadian and that we can’t be without acknowledging the needs of all of our people, without respecting all of our people. This year, instead of succumbing to his illness, he put out two albums. One with The Hip and one solo. Here they are. They are magic and will go down in history in our great nation. It’s amazing to watch one man build his second legacy.

Cash SavageJessica Cassar (Jep and Dep)
Cash Savage & The Last DrinksOne Of Us
This has everything you want from a record. It’s dirty and beautiful, and dark as hell. Cash sings with a thunderous anguish that cracks, rumbles and echoes so perfectly any sorrow you might have ever had. And like any good storm, the album’s darkness reveals a little light, one that roars some sort of painful end, or much needed beginning. I love this record!

Tracy McNeilGretta Ziller
Tracy McNeil & The GoodlifeThieves
I’ll be the first to admit I’m late to the game when it comes to Tracy McNeil & The Goodlife. I caught their set at Out on the Weekend and was captivated! Their 2016 album Thieves is just so dang easy to listen to, I will confess it is turning into a “chilling on the deck summer favourite” of mine! Please, if you haven’t already, pick up or download a copy of this album and chill!!

Bill JacksonRosie McDonald (RAPT, Trippy Hippy Band, Seanchas)
Bill JacksonThe Wayside Ballads Vol. 2
Bills’ reputation had preceded him before I heard him at Fairlight folk with Ruth Hazelton and Pete Fiddler. I grabbed the opportunity to contribute to his The Wayside Ballads Vol. 2 crowd funding campaign to get Bill and Pete over to Nashville to record with some very fine session players. Bill kept me updated with postcards and messages so I felt like a sideline cheerer in this whole project. Then the CD arrived! Magnificent songs, co-written with Bills’ brother Ross. Bills’ time worn voice, rich and mellow, rootsy, Americana-ish but very very homegrown, local accent, stories big and small, tender and big hearted. Pete’s playing shines in amongst the session guys, a great listen. Music for travel, the cabin, the verandah, anywhere.

Kate Burke and Pete WildMelanie Horsnell
Kate Burke and Pete WildLive at St Peters
In my small town we have the most marvellous artists touring through, but I also love our sweet locals, and I adore this live record by Kate Burke and Pete Wild. Pete Wild’s “Mars 1” is a love song about a person who goes on the Mars mission leaving his forever love behind, the Martin-Martin song is an old village favourite and the last love song between Doris and Arthur makes me giggle and lament at the same time. And I adore playing Kate Burkes version of Frozen Man on repeat when everything in life gets a bit much.

MontaigneGretta Ray
MontaigneGlorious Heights
My favourite record that was released in 2016 is without a doubt, Montaigne’s Glorious Heights. What impresses me most about this record is the fact that it is rather evident that the artist went into this project with the intention of experimenting with her sound and taking risks, drawing inspiration from a range of her influences and assuring that each song conveyed a slightly different emotion from the previous track. I believe it was this approach of 20-year-old Jess Sero’s (Montainge) that resulted in the production of what I perceive to be a very imaginative and bold debut album. This record showcases the fact that Jess has, unquestionably, one of the strongest and most commanding voices in the Australian music industry, this being exemplified through the outstanding production and arrangements of the songs that make up Glorious Heights. As well as this, each song is demonstrative of Jess’ incredibly clever and unique songwriting, which I cannot wait to hear more of in years to come; the simplicity yet complexity and quirkiness of a lyric such as “when you touch my skin, I think ‘this isn’t boring'” makes one ponder on such a line, as Jess’ way of writing is different, daring and something that never fails to make me smile. Glorious Heights made me so very excited about how extravagant pop music is becoming in this day and age, and on the whole made me very proud to be a young woman in the Australian music scene.

WhitneyTreetop Flyers
WhitneyLight Upon the Lake
I first started hearing about this band online, so was waiting for the album with anticipation. When it dropped I must have played it back to back straight away, which rarely happens. They are hard to put in a genre, which is really great. No Woman is one of our faves of the year. They are great live and do a version’s of NRBQ’s Magnet, so happy campers over here.

Drive By TruckersShane Nicholson
Drive-By TruckersAmerican Band
In a year of many great records, this stands tall above the crowd. It’s everything I love about the Truckers: gutsy and raw, clever and thoughtful, sometimes irreverent and full of attitude, and sometimes tender and restrained. Imagine a bastard-child born to Son Volt, Matthew Ryan and Uncle Tupelo, but all dressed up in those well-worn and unmistakable Drive-By Truckers clothes. How could that not make for the coolest kid on the block this year?

Conor OberstJack Carty
Conor OberstRuminations
It’s bloody beautiful in its simplicity. Gorgeous songs performed honestly. It seems like every track is a complete performance and any imperfections only enhance the sincerity of it all for me. Such an incredibly good songwriter.

Hayes CarllThe Weeping Willows
Hayes CarllLovers and Leavers
Lovers and Leavers is Hayes Carll’s most personal, introspective and “exposed” album to date, both in terms of the intimate, confessional songwriting and the stripped back arrangements, reminiscent of Heartbreaker era Ryan Adams, never saying too much – or too little. This intimacy draws you in, while Carll’s vulnerability captures you and takes you on a journey through heartache and reflection. Hayes was always in good hands with dynamic duo Joe Henry (producer) and Ryan Freeland (engineer) at the wheel, steering gently towards a common, graceful goal. Henry’s arrangements are characteristically unique yet elegant and tasteful, while Freeland brings his trademark clarity and warmth. Check it out if you’re fans of the late, great Guy Clark and/or Townes Van Zandt or fellow Texans, Steve Earle and Kevin Welch. Stand out tracks: “Sake of The Song”, “The Magic Kid” and “Drive”.

Iggy PopKelly Day (Broads)
Iggy PopPost Pop Depression
Sometimes you’ll find a record that makes you feel high from the moment it begins. Iggy’s new album, channelled through the hooky sounds of Josh Homme and given a Bowie-esque lean, made me grin like a mad person. And then immediately take it for another spin.

Robert EllisMegan Cooper
Robert EllisRobert Ellis
I was waiting to go on air for an interview. While we were pfaffing around getting ready “The High Road” came on. I pretended I knew who Robert Ellis was when I was advised who the artist was that had pretty much hypnotised me in 30 seconds flat. I went out and paid cash money for the album the next day. Every song got me on first listen. Cinematic moments. Super personal bits. Non-standard approaches. Aspirational.

PassengerSam Brittain
PassengerYoung As The Morning, Old As The Sea
Mike has always had a wonderful way of crafting simple and memorable melodies. Combine this with his always captivating lyrics and you have a master songwriter who’s tunes that sneak their way into your day. Songs that sooner or later without realising you find yourself humming whilst waiting in line for your morning coffee. Although often his storytelling veers on on the darker side of heartbreak and loss this latest album has a lighter touch, proving Passenger is and a yard stick for the aspiring modern folk troubadour. A dynamic artist who’s albums have been true to his own brand since day one. Additionally his band on this record are also fantastic live. I recently caught his show to a sold out Vicar Street in Dublin, it was one I won’t soon forget.

Bon IverAde Vincent (The Tiger and Me)
Bon Iver22, A Million
Another great record from Bon Iver – I have loved all three so far. I like how it also pushes into some new and interesting territory with the production. The auto-tuned a cappella of “715 – CR∑∑KS” is a particular highlight

Margaret GlaspyMaia Marsh
Margaret GlaspyEmotions and Math
It makes me feel really empowered whenever I listen to it, as a woman myself playing music. The songs are strong, guitar tone is great and her voice has this amazing growl that cuts through a sincere sensitivy at the same time.

BlondDirewolf
Frank OceanBlond
My hat is profusely off to an artist who can seamlessly bridge so many facets of musical integrity. What I mean by that nonsensical shit is that the entire record is some kind of highly strung soundboard (literally) which either sends you flying high just to get high, or high because you’re just too fucking upset. “Skyline To” and “Seigfried” are perfect examples. The whole collective arrangement kills me too, it’s like listening to recent Bon Iver whilst playing Sega in a radio store – the musicality is superb. I could say a lot more, but I’ll safely surrender by saying it definitely influenced the direction of my mind in doing another record.

Bon IverWildwood Kin
Bon Iver22, A Million
Easily. We’ve never heard anything quite like it. It’s just genius.

Tattletale SaintsGeorge Jackson (The Company, Buffalo Nickel, One Up, Two Down)
Tattletale SaintsTattletale Saints
Nashville based, New Zealand duo Tattletale Saints released their self-titled, second album this year, and it’s beautiful. Cy Winstanley (Guitars, Vocals) can pen songs with the best of them, his offerings on this album range from self-reflective and insightful, to sometimes cynical and cutting but always with a masterful craftsmanship. Vanessa McGown (Double Bass, Vocals) provides both solid and virtuosic Double Bass playing and vintage tinged country vocals. The new album is definitely a departure from their earlier acoustic recordings – but for a new fan, like me coming along, this is a bold and engaging listen complete with a production dripping in vintage tones and depth. Listen, and enjoy!

Genni KaneBill Jackson
Genni KaneSelfies
Ex-member of seminal Australian band, The Flying Emus, Genni Kane has a voice that can’t be denied. This long awaited record shows she is also a very gifted songwriter and the opening track “Little White Dog” is the beginning of a beautiful journey that deserves your attention.

Nancy KerrRuth Hazleton (http://www.billjacksonmusic.com/, Kate Burke & Ruth Hazleton)
Nancy KerrInstar
A heady mix of poetry, politics and social commentary, Nancy Kerr’s Instar is an achingly beautiful collection of original songs framed within the landscape of traditional folk music. Beautifully performed and produced, Instar is, without doubt, one of the masterpieces of folk from 2016 and a work that will inform the tradition for a long time to come.

Fanny LumsdenThe Pigs
Fanny LumsdenSmall Town Big Shot
This album is full of great songs written from Fanny’s heart. She’s the real McCoy. Whenever we see her play live her songs get stuck in our head for weeks after. “Bravest Of Hearts”, “Soapbox” and “Don’t Let The Bastards Get You Down” are just a few of the crackers on this rekid. This is a breath of fresh air for Australian Country Music. We love Fanny! More… More…

Side PonyHannah Acfield (The Acfields)
Lake Street DiveSide Pony
Give me a bit of 60’s sounding soul any day of the week! The songs are catchy, nice melodies and make you wanna move. I’m a sucker for a sterling vocalist. This was fav album for me.

Julia JacklinWillowy
Julia JacklinDon’t Let The Kids Win
An album about the little things in life that somehow manages to sum up the bigger things as well, cutting right through the mess to the heart of it all. Beautifully written and perfectly executed. It’s lovely to see an artist from the Sydney folk music family reaching great heights with an exceptional debut album.

John FlanaganSal Kimber (Sal Kimber & The Rollin’ Wheel)
John FlanaganThere’s Another Way To Where You’re Going

Bill ChambersRicky Pann (The Willing Ponies)
Bill ChambersCold Trail
Jen MizeWarnings and Wisdom
Sam BushStoryman
Bill Chambers is an Australian Journeyman troubadour. Songwriter, producer, sideman and front man, Bills live shows have influenced many and earned him a legion of devoted fans. Cold trail is Bills first studio album in four years and reminds the rock pop acts infiltrating modern country of where the heart of country lies. Cold Trail is a collection of honky-tonk “life lived” country that is the real deal. Produced by Bill and Recorded at his son Nash Chambers foggy mountain studios, Cold Trail is a world class record that draws on many influences to deliver country authenticity with Aussie perspective. A cracker record.
It’s a long way from Jen Mize roots in the Appliacian mountains of Georgia and North Carolina as a decedent of Lumbee Tribe of native Americans to the Sunshine coast of Queensland. Jen Mize is the real deal in every respect. An American songwriter with an incredible voice delivering an album packed with dynamic, well-crafted songs that’s all killer no filler. Shane Nicholson’s earthy production, arrangments and playing provide a tastefully rich sonic pallet that does this fine singer justice. The album glides from old-timey to traditional country and honky tonk, setting a very high bar of authenticity. An absolute stand out record.
Sixty-four-year-old Sam Bush has many stories to tell as a musician, innovator, writer and singer. One of my favourite musicians on the planet, Sam is a bluegrass master and the father of newgrass music spawned from his groundbreaking band the New Grass Revival. Sam is arguably one of the most influential mandolin players in history having played with just about everyone from Bill Monroe to Leon Russell. This record is a collection of finely crafted songs with a crack band featuring vocals from Emmylou Harris and Alison Kraus. A masterful record.

Thank Folk It’s Friday – 22nd January

TFIF

This Week in Folk

All the News From The Week That Was

– American singer-songwriter Matt Bauer released his new video “What The White Book Said”. Details here

Radical Face announced that he will be releasing the final album in his trilogy, The Family Tree: Leaves, this March. Details here

The Brunswick Music Festival has announced its 2016 lineup including Blind Boy Paxton, Jeff Lang, Alison Ferrier, Mandy Connell, Charles Jenkins, Cat Canteri & Justin Bernasconi, Brooke Russell, Ayleen O’Hanlon, Hat Fitz & Cara, Mountain Mocha Kilimanjaro, Mànran, Spiro, Moxie, Shane Howard Trio, Mia Dyson, Jess Ribeiro and many more. Details here

– Sydney singer-songwriter Imogen Clark released her new video “Take Me For A Ride”. Details here

– UK nu-folkers Matthew and the Atlas released their new single “Elijah”. Details here

– Melbourne singer-songwriter Zac Saber released his new single “Soak Up The Sun”. Details here

Boy & Bear released their new video “Limit of Love” ahead of their national tour. Details here

– Folk trio Applewood Road released their new video “Lovin’ Eyes”. Details here

– Americana singer-songwriter James Thomson has announced an East Coast tour this February and March. Details here

– We were really proud to debut the new single from The Campervan Dancers, “Slow Down, Butterfly”. Details here

– English nu-folk artist King Charles released his new single “Choke”. Details here

– Perth based Americana singer Davey Craddock released his new single “Peaceful Bay”. Details here

Releases This Week

Aoife
In The Magic HourAoife O’Donovan
iTunes

Desert Songs
Desert SongsPiers Faccini & Dawn Landes
iTunes

Gamble for a Rose
Gamble For A RoseKing Charles
iTunes

Timber and Steel Recommends – Go To This Gig

Tom West

Tom West

Singer-songwriter Tom West returns to his spiritual home of The Grace Emily in Adelaide to play the first of two live album recording sessions

Thursday 28th January – The Grace Emily Hotel, Adelaide, SA

Gigs Next Week

40 Ways to Love Your City w/ Warren Fahey, Christa Hughes and Mic Conway’s National Junk Band
Saturday 23rd January – The Famous Spiegeltent, Sydney, NSW
Sunday 24th January – The Famous Spiegeltent, Sydney, NSW
Monday 25th January – The Famous Spiegeltent, Sydney, NSW

Allison Forbes
Friday 22nd January – Tudor Hotel, Tamworth, NSW
Friday 22nd January – The Pub, Tamworth, NSW
Saturday 23rd January – Tudor Hotel, Tamworth, NSW

Andrew Swift
Friday 22nd January – Hogs Breath Stage, Tamworth, NSW
Saturday 23rd January – Tudor Hotel, Tamworth, NSW

Beth Patterson
Friday 22nd to Sunday 24th January – Newstead Live Folk Festival, Newstead, VIC
Thursday 28th January – Lass O’Gowrie Hotel, Newcastle, NSW
Friday 29th January – Ocean View Hotel, Urunga, NSW

Country Conquers Cancer feat. Paddy McHugh, Pat Tierney, Megan Cooper, Dana Hassall, Sian Evans, Josh Rennie-Hynes, Brad Butcher, Dana Gehrman, The Mighty Kind, Jen Mize, The Floyd Family Breakdown, Ben Bunting, Andy McDonnell, Cameron Milford, Emma Bosworth, Hayley Marsten, Ellie Jane, Boatkeeper, Byron Short and the Sunset Junkies
Thursday 28th January – The Zoo, Brisbane, QLD

Boy & Bear
Friday 22nd January – Odeon Theatre, Hobart, TAS
Saturday 23rd January – Festival Hall, Melbourne, VIC
Friday 29th January – Thebarton Theatre, Adelaide, SA

Cake & Cordial Sessions feat. Paddy McHugh, Megan Cooper, Gretta Ziller, Andy Golledge, Brad Butcher
Friday 22nd January – St Paul’s Anglican Church, Tamworth, NSW

Dana Hassall
Friday 22nd January – City Plaza, Tamworth, NSW
Friday 22nd January – FanZone, Tamworth, NSW
Friday 22nd January – The Songwriters Round, Capitol Theatre, Tamworth, NSW

Davey Craddock w/ The Waifs
Sunday 24th January – Fremantle Arts Centre, Fremantle, WA

Deep Down South feat. Lachlan Bryan, Les Thomas, Mr Alford Country, Jemma Nicole, Andrew Swift, Brooke Russell, Tom Dockray, Gretta Ziller
Sunday 24th January – The Stag, Newcastle, NSW

Eagle & The Wolf
Friday 22nd January – The Longyard, Tamworth, NSW

Elwood Myre
Tuesday 26th January – Flow Bar, Old Bar, NSW

Fanny Lumsden
Friday 22nd January – Capitol Theatre, The Songwriters Round, Tamworth, NSW
Friday 22nd January – Longyard Deck, Tamworth, NSW
Saturday 23rd January – Longyard Goonoo Goonoo Room, Tamworth, NSW

Far From Folsom Featuring Tex Perkins and The Tennessee Four with Rachael Tidd
Friday 29th January – Melbourne Zoo Twilights, Melbourne, VIC

FolkSwagon feat. Comedownsundown, The Campervan Dancers, Special Guest
Wednesday 27th January – Cafe Lounge, Sydney, NSW

Hootenanny Bluegrass Sundays feat. Echo Deer
Sunday 24th January – Miss Peaches, Sydney, NSW

Imogen Clark
Friday 22nd January – Tudor Upstairs, Tamworth, NSW
Saturday 23rd Januray – FanZone, Tamworth, NSW

Irish Mythen
Friday 22nd January – The Django Bar, Marrickville, NSW
Saturday 23rd January – The Paragon Cafe, Katoomba, NSW
Friday 29th January – The Wesley Anne, Northcote, VIC

John Butler Trio
Friday 22nd January – Belvoir Amphitheatre, Upper Swan, WA
Saturday 23rd January – Leeuwin Estate, Margaret River, WA
Sunday 24th January – Quindanning Tavern, Quindanning, WA

Josh Pyke
Friday 29th January – Twilight at Taronga, Sydney, NSW

Lachlan Bryan & The Wildes
Friday 22nd January – The Tamworth, Tamworth, NSW

Megan Cooper
Friday 22nd January – Cake & Cordial Sessions, St Paul’s Anglican Church Hall, Tamworth, NSW

Michael Hurley and Meg Baird
Sunday 24th January – St Stephen’s Uniting Church, Sydney, NSW

Newstead Live! Music Festival
Friday 22nd to Monday 25th January – Castlemaine, VIC

Numeralla Folk Festival
Friday 22nd to Monday 25th January – Numeralla, NSW

One Up, Two Down
Tuesday 19th to Saturday 23rd January – Andrew Clemont’s Supper Club, Tamworth, NSW
Saturday 23rd January – West Leagues Club, Tamworth, NSW
Wednesday 27th January – Cat and Fiddle Hotel, Sydney, NSW
Thursday 28th January – Smith’s Alternative, Canberra, ACT
Friday 29th January – Hotel Gearin, Katoomba, NSW

Out of Abingdon
Saturday 23rd January – Nethercote Music Factory, Nethercote, NSW
Wednesday 27th January – Hippo Co, Canberra, ACT

Ryley Walker
Friday 22nd January – The Famous Spiegeltent, Sydney, NSW
Saturday 23rd January – The Famous Spiegeltent, Sydney, NSW
Sunday 24th January – Junk Bar, Brisbane, QLD
Monday 25th January – The Toff, Melbourne, VIC

Tamworth Country Music Festival
Saturday 15th to Sunday 24th January – Tamworth, NSW

The Audreys
Saturday 23rd January – Live at the Vines, Kay Brothers Winery, McLaren Vale, SA
Sunday 24th January – Flying Saucer Club, Elsternwick, VIC
Monday 25th January – Spotted Mallard, Brunswick, VIC

The Brouhaha
Friday 29th January – Wheatsheaf Hotel, Adelaide, SA

The Button Collective
Friday 22nd January – Smiths Alternative, Canberra, ACT
Saturday 23rd January – Swamp Collective, Newcastle, NSW
Sunday 24th January – Oriental Hotel, Newcastle, NSW

The East Pointers
Friday 22nd January – Chudleigh Community Hall, TAS
Saturday 23rd January – Queenstown Memorial Hall, TAS
Sunday 24th January – Southport Community Centre, TAS

The Franklin Electric
Friday 22nd January – The Fat Controller, Adelaide, SA
Friday 29th January – Corner Hotel, Melbourne, VIC

The Waifs
Saturday 23rd January – Leeuwin Estate, Margaret River, WA
Sunday 24th January – Fremantle Arts Centre, Fremantle, WA

The Wayward Henrys
Friday 22nd January – Hogs Breath Cafe, Tamworth, NSW
Friday 22nd January – Tudor Hotel, Tamworth, NSW
Saturday 23rd January – Hogs Breath Stage, Tamworth, NSW
Saturday 23rd January – Cafe Retro, Tamworth, NSW

Tom West
Thursday 28th January – The Grace Emily Hotel, Adelaide, SA

Friday Folk Flashback

“Johnny Stewart, Drover” – John Thompson

This week we lost Chris Buch who wrote this magnificent song.

Watch the New Matt Bauer Video “What The White Book Said”

Matt Bauer
Image Courtesy of Matt Bauer

American indie-folk singer-songwriter Matt Bauer released his gorgeous new album Dream’s End towards the end of last year. The album is definitely a big step forward for Bauer’s sound with the production adding a sumptuous element to his sparse folk songs.

The latest single from Dream’s End is the beautiful “What The White Book Said” – check it out here:

Timber and Steel’s Artists’ Top Albums of 2015

Record Collecting

So you’ve read what we think the top 25 albums of 2015 are but here’s what you’re really waiting for – the article where we ask our favourite artists to pick their favourite recordings of the year.

Every year we reach out to artists across the Timber and Steel genre spectrum to pick their number one album or EP of the year and the results are always surprising. So get yourself a cold drink, find somewhere comfortable to site down and enjoy Timber and Steel’s Artists’ Top Albums of 2015:

Postcards From Ursa MinorFrank Turner
Will VarleyPostcards From Ursa Minor
I stumbled across Will a few years back and instantly fell in love. He’s currently my favourite songwriter, and I think this album is little short of a masterpiece.

The DeslondesJimmy Daley (The Morrisons, The Tawny Owl Stringband)
The DeslondesThe Deslondes
Heard the song “Louise” on a live music series on YouTube called Jammin In The Van and was immediately bowled over. Went and bought the album (yes I bought it) and was not disappointed. Killer songs, retro production that sounds modern at the same time, great playing and awesome singing/harmonies. I’ll be knocking back many tins over summer while listening to this album.

The Phosphorescent BluesMichael O’Donnell (The Squeezebox Trio)
Punch BrothersThe Phosphorescent Blues
Stop reading this review right now and go listen to this album. Its just perfect. From the 10 minute opener to Debussy to one hell of an ending, this album is a game changer. There is only one (10 second) instrumental solo on the whole album, opting for lush orchestrations instead. It was a HUGE influence on us.

Paradise is ThereTaryn La Fauci
Natalie MerchantParadise is There: The New Tigerlily Recordings
To be able to re-release a complete new version of a record first released 20 years ago in 1995 is an incredible artstic achievement. Karl Broadie introduced me to her music and since then I have drank up her journey and past records. Her voice holds this piercing warmth and wisdom that coos you in and wraps you up like a child in its mothers arms. Getting to devour this rediscovery of Tigerlily and how she has evolved with it is why this record is my favourite release of 2015.

Wilder MindGerrit Gmel (Citizen of the World)
Mumford & SonsWilder Mind
This is really a no brainer for me, I absolutely adore these guys and without them I probably wouldn’t write the music I write today. This being said, their new sound took me a while to get used to and I went from loving 95% of the songs to loving 70% on this new album. Still, it shows how even a genre-defining band can have the guts and skill to reinvent their sound and write powerful songs independently of the instrumental setup.

Diamonds in the BloodstreamJosh Rennie-Hynes
Raised by EaglesDiamonds in the Bloodstream
A great collection of songs. Honest and thoughtful and the production is spot on. One of my favourite Australian bands.

But For All These Shrinking HeartsWoody Pitney
Josh PykeBut For All These Shrinking Hearts
Josh Pyke delivered again with this new gem of an album, But For All These Shrinking Hearts. Staying true to his iconic style and sound, this tightly produced record is a great listen. Despite not having any stand-out hits like previous albums, it still has plenty of sparkle and charm. My personal favourites are “Hollering Hearts” and “Book of Revelations”.

Carrie & LowellCaitlin Park
Sufjan StevensCarrie & Lowell
There is no-one quite like Sufjan Stevens. It is hard to put your finger on the power of his story-telling, what it is that drags us in so. For me, it is the way he paints the picture; he writes about the little things, the smaller moments between two people. A whole album dedicated to the memory of his mother and descriptions of her passing, we are left to fill in the the rest of the story. Where they lived, their age – these things don’t matter as long as you are privy to their quiet moments alone. And then in one foul swoop, he wraps up the meaning of the song in one sentence, and your heart breaks into a thousand pieces **we’re all gonna’ die**. A lyric that will stay with me forever, a lyric i will always remember from the year 2015: “What could I have said to raise you from the dead, oh could I be the sky on the fourth of July?”

Strange New PastSteven Barnard (Arbori)
Seth SentryStrange New Past
I know this puts me at risk of losing my indie folk privileges but Seth Sentry’s second LP was simply outstanding. Kendrick Lamars to pimp a butterfly was musically more brilliant but topically from another world. His harmonic nostalgia tethered by trap beats rap ego and existential early 30’s humility is seamless. The record plays from start to finish effortlessly and voids of any Aus hip hop cringe worthy cleches that we have blushed at when measured against the likes of Kings Kunta and Kick Push. I’m a hip hop dancer and this is hands down the best Aussie rap release for getting down to ever. If you dig emotional depth, impressive musicality and need a reason to shake your ass, this record is all that and more.

sound and colorRosie Jackson-Taylor (Liam Gale & The Ponytails)
Alabama ShakesSound & Color
I have been completely obsessed with every single track on the album since the first time I heard it and it was on welcomed high rotation for the entire drive of our East Coast tour earlier this year. Brittany Howard’s voice is unbelievable and every song is captivating in its own right. The whole experience of the album is kind of like listening to futuristic funk blues in space, naked.

Sol InvictusClaude Hay
Faith No MoreSol Invictus
I had been waiting for this album for years. Singer Mike Patton can put an unique infectious melody to anything he touches, melodies that stick. There’s always something different that comes from these guys that is so refreshing to my ears, the complete opposite of commercial radio.

Carrie & LowellSam Newton
The Milk Carton KidsMonterey
This is one of the most ‘pure’ sounding records that I’ve ever heard. I know that this could be said of just about all of the releases by these guys but I feel that with Monterey, they have reached all new heights in lyricism, vocal unity and the art of subtle lead/guitar fills. It says something special about the songwriting of a group when every track on an album contains a maximum of 2 voices and 2 guitars but can still hold its own from start to finish. I bought the vinyl when I saw them live earlier in the year and it has easily been one of my favourite purchases of 2015.

LoyaltyMatt Bauer
The Weather StationLoyalty
I haven’t connected with a record this strongly in a very long time. From the first lines of “The Way It Is And The Way It Could Be” I was just – there. It took me several attempts to get to the end of the record because I was so moved I kept having to turn it off.

Key ChangeMatt Corby
MockyKey Change
This album is full of songs to live life to, songs you can put on at any moment and jam out to.

Carrie & LowellDan Flynn
Sufjan StevensCarrie & Lowell
How many gobsmackingly good folk songs can you fit into one album? Eleven it seems. This album is unbelievably melancholy but also curiously uplifting and indeed healing. The vocal melodies are outrageously good, the instrumentation is pitch perfect and the production is stunning despite the fact that part of the album was recorded on his iPhone. I will be listening to this for years to come.

Darling ArithmeticKim Churchill
VillagersDarling Arithmetic
I have ogled at the songwriting abilities of Conor J O’Brien since we played a small gig in an odd venue called the Duncan Garage Showroom on Vancouver Island years ago. In the past his lyrics have portrayed a depth and insight that guided me as a person much further into myself and my unconscious emotional processes. Again he helps me make those journeys on this album but with a simplicity and vulnerability that is just profound! He has clearly had some pain and rebirth in his life and he puts it out on the table in an incredible honest way. He reaches further inside himself than many of us ever will and gives us songs that allow us to take the same journey’s into ourselves. It’s kind of creepy how he does it. But he’s always flirted with being a bit creepy. Watch the video clip to his first single off the album, “Courage”, and you’ll see what I mean. In many ways its the essence of psychedelic folk; Spooky, insightful, melodically stunning and at its core undeniably beautiful and honest.

Phosphorescent BluesBlair Dunlop
Punch BrothersPhosphorescent Blues
Whilst it’s an incredibly impressive body of work from a technical standpoint, it never strays into grandstanding or over-indulgence. Beautiful arrangements, soaring harmonies and songs that keep me guessing – a gem!

Soft Faces to HoldAlanna Eileen
Toby GrahamSoft Faces to Hold
Beautiful, surreal alternative folk music with incredible vocals, lyrically inventive and delicate in all the right places. It got me through the year.

When The Storms Would ComeBronte
Holy HolyWhen The Storms Would Come
I have been a fan of Holy Holy since they released their first EP. Their album When The Storms Would Come, which was released in July this year, has been a stand out album in my opinion. I enjoy the lyrics and the melodies that flow throughout their music which continues to improve with each release. I think the next few years for Holy Holy will be huge and they are starting to enjoy a great deal of success from overseas audiences. Stand out track is “History” but “You Cannot Call For Love Like A Dog” just makes me want to crank up the dial and drive around all night, it is such a cruising tuneeee.

Nathaniel RateliffJoe Murphy (The Timbers)
Nathaniel Rateliff & The Night SweatsNathaniel Rateliff & The Night Sweats
Only released recently this album is straight out of the 70’s!! Full of now Motown and soul, it’s 2015’s ultimate road trip album.

NinaThe Campervan Dancers
Daniel MarchNina
So much groove! It’s really tight, shows a wonderful depth of stylistic influences. Great production and musicianship – just the whole package. These have been our chosen cruisin’ tunes in Candice-the-Campervan-Dancer-van this springtime.

If I WasJoel Barker
The StavesIf I Was
It was hard to chose against Glen Hansard’s Didn’t He Ramble but after seeing The Staves at The Beautiful Days Festival in Devon, UK a couple of years ago I had to go with their 2015 release If I Was. Hearing three sisters sing together in perfect harmony make it seems so damn easy. The addition of Justin Vernon as producer takes the intimacy of their past work and elevates it into a more accessible market. Theres a new dynamic and consideration to the recording process that really hits a note with me. Songs such as “Make It Holy” and “Steady” have magnificent vocal loops and hooks that keep you wanting more of those voices made to sing together. It’s got a lot of texture, as much intimacy of their previous releases, but additional drive which undoubtedly has introduced them to a whole new fan base. Makes we want to prop myself up against a tree, close my eyes and listen to it on repeat, over and over again.

These WallsRose Wintergreen
Anna CordellThese Walls
Sometimes, very rarely, new songs come to me in my dreams. I wake up with the melody in my bones, I sleepily reach for my phone to record it before it disappears forever. It’s happened several times recently, and I’ve been ecstatic with the deep, haunting quality of the melodies, the pleasing way they meander effortlessly like a creek rambling unselfconsciously in bushland so remote that no one will pass through for decades at a time. Unfortunately for me, I’ve realised that these melodies are actually Anna Cordell’s, from her stunning debut record, These Walls! Arresting and deeply affecting.

EPTim Guy
BumspaEP
A force of nature in the very northern parts of NSW. They made an EP this year and squeezed 5 songs onto a little ’45. The last track comes from the view of a Bushranger being in his cell while awaiting hanging. It’s really rare and really wonderful. Great songwriting with ragged attitude to the musical accompaniment.

FourwindsThe East Pointers
FourWindsFourWinds
After chatting about our many favourite records from this past year, the 3 of us decided that FourWinds deserve the top spot with their self-titled album. This crew from Ireland is tearing up the traditional music scene with their authentic sound and top-notch musicianship. Check ‘em out live if you can!

Modern VintageSian Evans
Cheap FakesModern Vintage
If its not for the super smooth vocals of Kiwi front man Hayden Andrews alone, it’s the funk, the phat base, totally hot horn lines and syncopated silences. Production instrumentation ties cleverly a carnival dub vintage rock’n’roll infused surf style funk and soul variety. Consistent. Solid. It dribbles dizziness, you can’t sit still!

The Woodshed SessionsScott Collins (The Mid-North)
Wood and WireThe Woodshed Sessions Vol. 1
Six tracks recorded in one take around one microphone. It is an exciting display of musicianship and energy. Very fun and awe inspiring.

Sound and ColorAlison Ferrier
Alabama ShakesSound & Color
An exciting, innovative and uplifting second release from the rock band with soul. Singer/guitarist Brittany Howard’s performance is utterly inspiring: she gives it everything she’s got. I sing along with this in the car quite a lot!

The PositionsCastlecomer
Gang of YouthsThe Positions
We love that the album is so dark in theme yet the melodies could be on any pop album. It’s an impressive body of work. Our runners up are Holy Holy’s When the Storms Would Come and Tame Impala’s Currents.

AngelenoNick Payne (Dear Orphans)
Sam OutlawAngeleno
California has always been a source of great country music – first with the Bakersfield Sound and then later from Los Angeles. This year Californian Sam Outlaw refused to move to Nashville to record his debut album Angeleno and instead insisted on recording in Los Angeles with the help of Ry Cooder as producer. The album is both genuine country in its sound and also its stories. This album takes me back to an earlier time in country music whilst still sounding fresh and un-clichéd.

All Your Favourite BandsTracy McNeil (Tracy McNeil, Bell St Delays)
DawesAll Your Favourite Bands
From the first drop of the needle your ears are hit with six single, drawn out notes played on one guitar against a spattering of drumrolls from off in the distance – this is the hook, the earworm of the song painted thinly as a foreshadowing of what’s to come. And what is to come? Like the sun bursting through a dark cloud, the soundscape breaks wide open as the band punches in with that very same hook – this time fully realised. Dawes always create a sound that is purposeful, epic and at times slightly over-worked in terms of lyrics, but their latest release All You’re Favorite Bands gets the balance just right. Produced by David Rawlings, Dawes will find it hard to top this collection of world-class songs, played and captured live in a room by a band at the height of their career.

Trans Arlantic HighwayLuke Sinclair (Raised By Eagles, Bell St Delays)
Lost RagasTrans Atlantic Highway
The most soul shaking cosmic country experience I’ve had since Beck tried his hand at the genre. It’s more traditional than that of course and has all the essential ingredients you need to make a good country album – pedal steel, guitars, drums, bass, great song writing – but there’s an indescribable magic to it. Something deep that runs right to the heart. Matt Walker, Shane Reilly, Roger Bergodaz and Simon Burke are like the components of a beautifully engineered vintage engine, each part absolutely essential to the whole, the art of what happens when things are put together in the right way. Buy this album – it runs like a dream.

The Stars My DestinationNick O’Mara (Raised By Eagles)
Ben SalterThe Stars My Destination
There’s a sense of humour and a sense of dread in varying degrees throughout this album. Track 4 scares the shit out of me. Salter’s an incredible lyricist, his guitar playing’s tidy as fuck and his voice – sheesh, forget about it. This album is more than the sum of those wonderful parts I reckon. It’s just funny, thoughtful, sometimes rockin’, soulful – hope he hasn’t read this the next time I run into him at the pub. “We’ll have all the time in the world, An endless afternoon, When we’re bones under the dunes”.

Choose Your Weapon
Luke Richardson (Raised By Eagles)
Hiatus KaiyoteChoose Your Weapon
It’s complicated and tricky-clever but with grooves that are solid and so grounded. I think my favourite thing about this band is that each part – drums, keys, vocals, etc – are given their own separate sonic space so even when individually there are some pretty dense rhythmic and harmonic things going on the overall sound is still really open.

TravellerGretta Ziller
Chris StapletonTraveller
I was really excited when Gareth emailed me asking for my favourite album of 2015! Determined to do my due diligence, I got straight onto my 2015 Soundtrack on Spotify (where I put all the new music I find) and went round and round. The one album I just could not go past was Chris Stapleton’s Traveller – it’s just so dang good!!! This album came out and it was like he was holding a hand full of ace’s around a table full of jokers in the poker game they call country music! If you’ve heard of The SteelDrivers you would instantly recognise Stapleton’s voice, its a lonely shot of whiskey in an empty bar, it’s singing to Jesus on Sunday morning, it’s whispering to your lover in the dark of night and it crying over a broken heart, and of course his songs cover all this and more! On a side note, I do recommend googling Stapleton, he is no newcomer to Country music, having been involved with the aforementioned SteelDrivers, but he has also been in the background writing hit songs for major country music artists for years! I could keep gushing about this album for days, but, in short, Traveller is a return to good honest heartfelt country music – and we all say Amen!

Echolocations CanyonAinsley Farrell
Andrew BirdEcholocations: Canyon
This entire album was recorded in the Coyote Gulch Canyons in Utah. It’s the first of a series where Bird uses different components of the environment to stretch, bend and explore sound. I think it’s important to give credit to your surroundings and appreciate that the environment you’re in has a huge influence on the sound you put out.

OutsidersKate Burke (Kate Burke & Ruth Hazleton, Trouble In The Kitchen)
Heath CullenOutsiders
The fact that I love this album has only a little to do with the fact that Heath lives up the road from me. This album, where Heath is joined by Elvis Costello’s Impostors, has fantastic songs that range from the danceable “Two Left Feet” to the gorgeously Daniel Lanois-esque “Who’ll Rock the Cradle” and anthemic “One for the Road”, all lush and powerful and featuring mad, crazy, wonderful keys and piano at almost every turn. I love it more with every listen.

Mother's Not Feeling Herself TodayRuth Hazleton (Kate Burke & Ruth Hazleton)
Suzannah EspieMother’s Not Feeling Herself Today
A brave, bold, powerful and honest collection of songs that successfully destroys taboos and exposes truths; a very rare thing. Beautifully performed and produced, this album is laden with artistic integrity from a songwriter who’s driven from a deeply personal space and sings like a rising angel.

Carrie & LowellWilliam Fitzsimmons
Sufjan StevensCarrie & Lowell
Sufjan + return to acoustic music. What’s not to love!?!! Truth be told, even though I love and respect Sufjan’s art more than just about anybody else alive (Sorry Selena Gomez!) I was kind of bummed when I heard that he’d be returning to an “acoustic” sound for this record. Don’t get me wrong, I love acoustic music. I make acoustic music. But I cherish the fact that Sufjan has always been willing to do something kind of, well, different … and still make you hum along (e.g. that ghastly solo in “Springfield!!!”). And I snobbishly loved being one of the people who really, really loved the Adz project and his increasingly left of center writing. But once I got past the hype of Carrie & Lowell (the unopened vinyl sat in my studio for about 2 months) and actually listened, I was overjoyed. I recently lost someone very important to me, so certainly the subject matter of Carrie & Lowell hit close to home. But, moreover, it was the record’s ability to wrap these difficult ideas into such simple, small, understated songs. Nobody messes with the idea of subtlety and histrionics like Suf. And to perfect that tricky dance and sing about death at the same time is tantamount to a masterpiece.

CurrentsAnnie Hamilton (Little May)
Tame ImpalaCurrents
Tame Impala have seriously nailed it with this album, there are some excellent musical moments in there. It’s really cool to see a band evolve and grow over the course of a few albums while still maintaining their own sound and style.

Sound and ColorOlivia Hally (Oh Pep!)
Alabama ShakesSound & Color
There’s only one way to listen to this album: from top to bottom and on repeat. It was already my favourite album this year and then I later discovered a bonus track called “Joe” on a TV show and I cried a little bit. It’s too good.

Ryan BinghamRuby Boots
Ryan BinghamFear and Saturday Night
I love the balance between emotive songs/story telling and grit. I am a sucker for good Americana music with raw delivery and grunt behind it and this album fulfils all of that and more. Every track on there is A grade songwriting with classy melody hooks that are not too obvious until you turn it off and they are running through your head for the rest of the day. These songs that make me a little sad but fill me full of hope at the same time, also another soft spot for me. I love this artist, and this album is my favourite album of 2015.

ShipsOscar Lush
Water MusicShips
“Four weeks after the devastating suicide of my sister, I locked myself in my shed for four days and wrote and recorded these songs on my 8-track as both tribute and therapy. I’ve had death close to me before and here I was again.” – This record absolutely broke my heart and still continues to do so. Every time I listen it brings me to tears. Mathew is such a powerful and unique songwriter. Nothing I listened to this year came close in depth and heartache to this record.

DeclarationAnna Cordell
Kate Burke & Ruth HazletonDeclaration
This is REAL folk music. And these are REAL women. This music has purpose beyond the artists own egos. I am completely inspired by this album and these two women – and, well, the music is just so beautiful!

Ron BlockHamish Davidson (Davidson Brothers)
Ron BlockHogan’s House of Music
So many of my favourite contemporary bluegrass musicians are giving it their all on this creative instrumental album. Best of all, there are so many “you can’t do that on a banjo” moments!

Small Town BigshotLachlan Davidson (Davidson Brothers)
Fanny LumsdenSmall Town Big Shot
Fanny is a great artist and natural entertainer, her hard work and real songs have been fantastically produced on her debut record. Catchy, easy listening and a great voice makes you wanna hit repeat every time.

Don't Lose ThisSkyscraper Stan
Pops StaplesDon’t Lose This
I’ve never had much of a hard-on for Jeff Tweedy so I was skeptical when I heard he was collaborating with Mavis Staples on the final, posthumous release of her father’s music. As it turns out, both Jeff and Mavis have done an amazing job fleshing out the bare-bones recordings Pops made in 1999, a year before his death. It’s all here; tremolo guitar, reverby drum sounds and beautiful group vocals from the Staples sisters. Plus some unexpectedly clever lyricism.

The Stars My DestinationMark “Looch” Lewis (Handsome Young Strangers, Wifey)
Ben SalterThe Stars My Destination
Well I have to admit in the 4 years I have been doing this for you lovely folk at Timber And Steel I have had the hardest time choosing. Kudos to Buddy Glass and Bad Dreems for almost getting there. It took me a week but I’m giving my gong to Ben Salter for My Stars The Destination. The thing that kills me about this guy is that he just improves artistically and vocally with every release. His debut The Cat was a magnificent effort but he has raised the bar again here. As a songwriter he is up there in my book with Gareth Lilliard, Tim Rogers, Mick Thomas and Paul Kelly. I don’t think it would be overselling to say he is possibly the best vocalist in the land right now. Listen to the title track when the vocals beef up half way through. If that doesn’t make your neck hairs stand up I don’t know what will. Usual story: should be huge, probably wont be. Travesty.

1989Ryan Oliver (Oliver’s Army)
Ryan Adams1989
I’ve always been a fan of Ryan’s ability to take a song and completely own it, especially in cover songs (We all remember his haunting version of ‘Wonderwall’ don’t we?). He took probably the most commercial and poppy sounding album and turned it into a very solid folk rock album that you wouldn’t know wasn’t if they didn’t happen to be mega-hits that he was covering. The production is great and I think maybe most noteworthy is his ability to spin somewhat jovial adolescent lyrics and somehow add that signature Ryan Adams melancholy. Respect.

HighRoland Kay-Smith
Royal HeadacheHigh
The formula these guys have is irresistible. I’m not much of a heavy rock guy, traditionally favouring more Timber-and-Steel-esque tunes, but the whole blue-eyed garage soul thing just gets me. Some of it’s silly, some of it’s naff, but there are enough great tunes here to keep me coming back again and again.

ValleywoodNad Budge (The Stetson Family)
Dan ParsonsValleywood
I first heard Dan Parson’s new album Valleywood whilst driving around Nashville in a crappy rental car with a really crappy sound system, and it blew me away – Valleywood, that is, not the car! I was first struck by how great the production came across, full, rich and really well balanced – then I was drawn into Dan’s songs, each one wanting me to listen to what he had to say, and giving me a sense of nostalgia as well as excitement for this next generation of great songwriters.

CurrentsDustin Tebbutt
Tame ImpalaCurrents
This was my favourite release this year. I hadn’t really listened to the band before this album, and it was an incredible introduction. For me, it’s the beautiful combination of genres in here that gives this record so much depth. A lot of the song structures and mixing techniques borrow heavily from house music (the extensive use of filters for example), and a lot of the beats are a mix of old school soul and breaks. These fundamentals are then built upon with psychedelic guitar parts and raw, dreamy vocals. The record has attitude, vibe, heart and a real overarching journey. I just love it.

The Phosphorescent BluesJon Boden (Bellowhead, Spiers & Boden)
Punch BrothersThe Phosphorescent Blues
I was a bit late to the Punch Brothers party, but what a sound! It’s not really bluegrass, more experimental art-pop with bluegrass instrumentation. Beachboys-esque vocals, mandolin funk workouts, beautiful style and tone throughout by five masters of their instruments.

Carrie & LowellSam Sweeney (Bellowhead)
Sufjan StevensCarrie & Lowell
This is such a beautiful and poignant record. It’s hard to listen all the way through without shedding a tear. After The Age Of Adz, this a welcome return to Sufjan’s folkier side. It’s a heart breaking album about his relationship with his mother who died of cancer in 2012 after a long history of substance abuse and mental health issues. It’s a painful listen and yet so perfect.

Mellow DramaMark Lucas
James McMurtryComplicated Game
It’s the narrative, those fragile vignettes that come alive with truth and a sheer humanity that doesn’t preclude a little bitterness but is always tempered by a dry humour. As he says himself, like his American literary giant father, Larry McMurtry (“The Last Picture Show”, “Lonesome Dove” etc.), James is a fiction writer. His dad was an inspiration to me before I stumbled across his son’s work on a drive across Texas in ‘89. It’s been a heck of a journey in song and, to my way of thinking, that’s what it’s all about – a Complicated Game indeed and I still “miss my dog from years ago” too.

TrackerBob Barford (Bloodwood)
Mark KnopflerTracker
Mr Laidback personified. I reckon he put this album together for his own amusement and just because he could. While not overly impresive on the first few listens, like any good album it grows on you. It’s an insight into what he is up to at this point in time.

Shadows In The NightMark Moldre
Bob DylanShadows In The Night
So many iconic artists have tried the “American Songbook” album and have dismally failed. This is Dylan at his most intimate and unguarded. We hear every drawn breath from Dylan at microphone, every finger touching a string, the slow drag of a bow across a double bass string, a quiet movement or shifting of feet in the room – nothing is hidden from the listeners ear. No careful ProTools editing. A band in a hushed room. Guitars are caressed, sweeping pedal steel is syrupy and lush, drums are ever so softly brushed, tempos remain languid and dreamy while Dylan growls and croons his way through the mist. Lyrics written decades ago seem timeless, ironic and strangely poignant in Dylan’s gentle phrasing. Imagine granddad at the family reunion recalling songs of his younger days at the upright piano in the corner of your lounge room as the warm glow of an open fire crackles and pops. Nostalgia, sadness, wry humour and regret all seep and melt into one another until you feel you’re drifting in a grainy sepia haze. Perfect.

The Hedge SchoolsColm Mac Con Iomaire (Colm Mac Con Iomaire, The Frames)
The Hedge SchoolsAt the End of a Winding Day
My favourite albums involve time and space travel. They bring you places. This album At the End of a Winding Day by Dublin songwriter Patrick Barrett and Producer and co-conspirator Joe Chester AKA The Hedge Schools is a warm, golden, sonic-embrace. Visit this place and be well.

WindfallBrad Butcher
Joe PugWindfall
As much as I loved Rodney & Emmylou’s Traveling Kind or Isbell, Stapleton, or Oz’s very own songsmith Shane Nicholson’s great albums of 2015 Windfall speaks to me the most from an artistic point of view and holds the elements of music I love dearly; great songwriting recorded in a moving an honest way.

Kill It YourselfJesse Lubitz (TinPan Orange)
Jess RibeiroKill It Yourself
The latest album from Jess Ribeiro creates an entire world. It’s a fully cohesive album with songs that draw you in and make you want to listen harder – it feels as though you might miss something important if you’re not paying full attention. Each song is beautiful and the production is perfect.

TelegraphCara Robinson (Hat Fitz & Cara Robinson)
Kevin DohertyTelegraph
I had the pleasure of hearing Kevin Doherty’s live set while in a play in Dublin, Ireland. I fell in love with the stories that he made into song about his insight into the world today, the world that has passed and indeed the world too set before us. His own stories in song take on the heroism, evil, love, madness all words and more that is more than the story itself he quotes. The album itself is personal and inviting and welcomes you in with the warmth and depth that he has in his voice to listen with intent as the album unfolds. There is a sense of awareness that is brought forward from a time long forgotten in the music and it is so important in song writing today that these stories of historical changes are kept alive as it seems a lot of the modern day writing is about surface subjects only a few dare to reiterate in a whole album. Recorded by a mighty line up of artists indeed within their own right, Liam Bradley, James Delaney, Paul Moore, Paul Rodden, Nicky Scott, Enda Walsh and Kevin Doherty set the tempo aptly. Favorite tracks “Camden Street” and “Tug Boat” The story and historical references are poetical and strong and is indeed offered beautifully and honestly to the listener. Inspiring writing.

Marlon WilliamsPatrick James
Marlon WilliamsMarlon Williams
Although I’m in a library, listening with headphones and writing about this, it’s almost as if I am sitting in a tin shed listening on a half broken record player with a glass of aged scotch delving into something from my mum and dad’s music collection. Obviously this guy has such an incredible vocal ability, but sometimes that’s hard to capture and draw an intimate focus to on record. He and his team have nailed that and the band compliments it so well. I tend to be drawn to albums that inspire my own writing or change the way I think for a minute about music. This album does that for me. Not because the production is over the top or revolutionary but because it’s raw and honest and it takes me to a specific setting. It’s also performed in a refined way that almost seems theatrical, I think that’s what gets in me in from the start.

Hell Breaks LooseImogen Clark
Shane NicholsonHell Breaks Loose
Hell Breaks Loose is like a glass of whisky you want to drink, and love to drink, even though you know that when you ingest it, it’s going to bring to the forefront of your mind some of the most heartbreaking truths you’ve ever known and expose things you didn’t even know you felt or thought. Gut-wrenching lyrics and beautiful melancholic melodies, and more honesty than even whisky could bring.

BloodPhia
Lianne La HavasBlood
Lianne’s voice is so velvety and intoxicating and enveloping, and the songs she writes are deep and powerful. She writes a killer pre-chorus too. The production is also fantastic, highlighting the light and shade and rough and smooth of her voice and songs. I can’t stop listening to it!

One Song RomanceNick Keeling (Mustered Courage)
Michael BarnettOne Song Romance
This album is a precision powered product of over 50 years of stringband music in America. Michael is a champion of the newest ilk in bluegrass and old-timey, and can play the fiddle like you wouldn’t believe. The front porch isn’t enough these days and folk musicians that were inspired by the likes of Bela Fleck and Chris Thile a decade ago are now taking to advanced tertiary institutions like Berklee and Juliard to hone their craft. If you like Punch Brothers, Crooked Still, or The Deadly Gentlemen, then rosin up to One Song Romance.

GoonJon O’Neill (Forest Falls)
Tobias Jesso JrGoon
It’s been hard as of late to find music that gives me a comforting chill down my spine, but this album did. Every one of Jesso’s masterpieces is straight from the heart and has an overwhelming sense of home and familiarity. I love this album because it doesn’t rely on production to make the songs “better” – rather, they are simple, beautiful and raw.

10Bill Jackson
Darrell Scott10: Songs of Ben Bullington
Darrell Scott met Ben Bullington during a trip to Yellowstone National Park with his children. Bullington was a small town Montana doctor who happened to write songs in his spare time and a mutual friend thought they might enjoy each other’s company – two single dads on vacation in the wilderness with their offspring. In fact, they wound up good friends with more in common than they probably thought at first. Bullington, it turned out, was fighting a cancer diagnosis that wound up taking his life. But, before he passed, he wanted to play a songwriters-in-the-round show in Nashville, and the date was set at the Station Inn. According to the liner notes on Scott’s new album, 10: Songs of Ben Bullington, that was the first time that he’d heard Bullington’s songs. And, as we can hear on the disc, Bullington was a remarkable songwriter. His lyrics have a natural musicality, and the nuance of his stories is bowl-you-over good in places. Scott’s treatment of the songs is pure and arresting. Here’s one of the most versatile artists in the Americana/roots world, whose instrumental prowess is well documented, giving one strum per measure in some cases, leaving room for the songs to create their own life. Not a lot of songs could stand up when stripped back to such simplicity. On the one hand, it’s a shame that a songwriter the calibre of Ben Bullington lived most of his whole life without his songs getting much further than his own guitar. On the other hand, it’s a blessing that his friend Darrell Scott picked up that very guitar and immortalized them. Favourite tracks: “I’ve Gotta Leave You Now”, “Born in 55”.

Mellow DramaAriela Jacobs
Kevin GarrettMellow Drama
Colouring was the first track I heard off Garrett’s debut EP and I immediately fell in love with the rest of the compilation. Similar to the James Blake aesthetic, his songs are punctuated with electronic beats but they are used gently and sparingly. Lyrically, he grabs your attention from the get go and although simplistic in narrative, he reels you in with unheard of metaphors to symbolise a broken relationship. Kevin may make you weep your eyes out, but I’m telling you it’s worth the sob and the copious amounts of ice cream afterwards.

Dogs at BayThom Lion
Bad DreemsDogs At Bay
I haven’t heard rock this real in a while. The songs and sound are unashamedly Australian. A raw record that hits you right in the face!

Daniel RomanoHarvey Russell (Peasant Moon)
Daniel RomanoIf I’ve Only One Time Askin’
Canadians do country well and Daniel Romano is no exception. On his fourth solo album the Ontarian moves away from the country folk of early material and beyond the twangy honky tonk of his 2013 release. This time it’s a modern interpretation of the countrypolitan sound which emerged in the 1960s. Some will accuse him of pastiche, and this is tempting if only the songwriting, instrumentation and vocal phrasings weren’t so damned good. George, Merle, Willie and even Charlie Rich would be happy to have written these songs. Romano knows he’s writing classics too, his brashness is evident through the use of rich synth-strings and drum machines. This was album of the year before I’d reached the end of my first listen.

Daniel KnoxJosie Rothwell (Peasant Moon)
Daniel KnoxDaniel Knox
The 2015 release from Chicago troubadour Daniel Knox is my fave album of the year – the top of a very long short list. The album is rich with gorgeous instrumentation, surprising given the stark piano and vocal package of his earlier releases. The arrangements complement the sharpness of his songwriting and his utterly enchanting voice. I love the breadth of the album – Knox gives us hazy dream trance on “Blue Car”, sharp and catchy on “Don’t Touch Me” and even a hypnotic choir in 14 15 111. Lyrically, Knox’s observations of the sometimes mundane imbue the entire album with an undercurrent of creepy menace

Imaginary ManAshleigh Mannix (Ashleigh Mannix, Little Georgia)
Rayland BaxterImaginary Man
I was hooked on the first listen. The first track “Mr. Rodriguez” had me bopping from the intro, and by the time the second verse had kicked in, I was swinging my hair and red wine around the kitchen like no tomorrow. My favourite song is “My Captain”, followed closely by “Rugged Lovers”. Both songs make me stop whatever I’m doing, and just listen. He makes me want to be a better songwriter. It’s just such a friken great album.

Imaginary ManJustin Carter (Justin Carter, Little Georgia)
Rayland BaxterImaginary Man
A lyrically inspiring album from start to finish.

Multi-LoveSahara Beck
Unknown Mortal OrchestraMulti-Love
Every song makes me fall in love again and again, not only with its extremely catchy melodies which dance through every instrument but also the lyrics that call you in with their familiar and relatable subject of thought. Unknown Mortal Orchestra have been on repeat in my mind all year long, this album is a wise old ear worm that I welcome into my mind with a warm accommodating smile

Chaos and the CalmMark Wilkinson
James BayChaos and the Calm
This record is really strong from top to bottom. It has a fantastic energy about it and the production hasn’t been overdone which really allows Bay’s voice to shine. The songs are catchy and accessible without being soulless and Bay’s vocals can stretch from intimate to powerful giving the album space for light and shade.

Sam AmidonCatgut
Sam AmidonHome Alone Inside My Head
Sam Amidon can go from quietly beautiful to shockingly abrasive in seconds. For Home Alone Inside My Head he put together a bunch of field recordings captured in 2002 after studying with old time fiddler Bruce Greene and free jazz violinist Leroy Jenkins. It’s not easy listening but it’s a glimpse inside the musical mind of someone we find very inspiring.

CurrentsTom Stephens
Tame ImpalaCurrents
Couldn’t deny Kev the props he deserves. The tunes are written, recorded, performed and produced all by the man himself, on his lonesome. There wasn’t even a dude around to get him a coffee when he was feeling flat. When it dropped the band and I listened to it five times in a row driving back from Melbourne. Everything is perfectly placed. The man is a master.

Yours DreamilyEddie Boyd (Eddie Boyd and the Phatapillars)
The ArcsYours, Dreamily,
The album is just filled with bangers from start to finish. Really great songwriting, catchy as f*@k and really interesting production. I would best describe it as soul/motown rock meets wild wild west. Super cool.

Ben MastwykJustin Bernasconi (Justin Bernasconi, The Stillsons)
Ben MastwykMornin’ Evenin’
Mastwyk’s beautifully crafted debut album is full of gems, the songs gently pushes and pulls you all the way from Texas to Melbourne inner north in one long dance.

The GleanerJordie Lane
Brendan WelchThe Gleaner
Thanks to local new Ballarat label, Heart Of The Rat Records, this brilliant album was given new life in October. Undoubtedly my favorite Australian voice, Brendan’s epic songs are matched by Paul Dempsey (Something For Kate) with the producer hat on! I know already it’s gonna be one of my favorite records of all time!

Coming HomeBroads
Leon BridgesComing Home
Our pick for 2015’s top album was the debut album from Texan soul singer Leon Bridges. Co-written with members of Texan band White Denim, the album perfectly pays homage to that moment in history when gospel music bled into the world of soul. Particularly reminiscent of the velvet tones of Sam Cooke, the charismatic charm of this album had us absolutely bowled over, and has been played on high rotation since its release mid way through the year. Check out the single “Lisa Sawyer” – absolute retro gold.

Father John MistyTanya Batt
Father John MistyI Love You, Honeybear
I can’t even express what this album did to me the first time I heard it. It’s no hidden secret that Joshua Tillman is one of the best singer/songwriters of our generation/ever. His lyrical ability to tell a story is like no other. Then throw in the incredible voice and arrangements within his work and you just die a little inside with the pain he shares with you. I am a bit of a sucker for a concept album also so this is why this ended up being the winner. It’s such an honest album, so honest that he found it incredibly hard playing these songs in front of those close to him, and I feel that’s something I can relate to. I love you, Father John Misty. Thank you for sharing this with us all.

Such JubileePaddy Connor (Lime and Steel)
Mandolin OrangeSuch Jubilee
This duo have a magic touch of writing and playing songs that seem deceptively simple: and sometimes just that little extra beat or chord that grabs you. That can really play, but it’s never flashy: feels like you’re around a kitchen table at 2am with old friends singing that one song that opens their heart.

Jason IsbellAndrew Swift
Jason IsbellSomething More Than Free
A lot of my friends ok the music industry were raving about Jason Isbell, especially the women. If his name got mentioned on social media it was often followed by “swoon” or “my future husband” but it was actually my Dad that handed me his album and upon first listen I didn’t understand the fuss. As I’m lazy when it comes to changing CDs in my car it stayed in there for a while and played through several times and I came to realise just how impressive this man is. Something More Than Free is an album of songs I wish I had written. They’re not catchy when you first hear them but they grow on you, become a part of you, draw you in so you want to listen to the lyrics and thank god they do, the man is a wordsmith! This is one of those album where you don’t skip a song from start to finish.

Hell Breaks LooseTristan Goodall (The Audreys)
Shane NicholsonHell Breaks Loose
We don’t always agree on things like this, but in the case of the best album of 2015, my band-mate Taasha and I are in complete agreement. Shane Nicholson’s Hell Breaks Loose is a killer record. A break-up album for the educated country set (I think that’s us) that hums with vibrant melodies, deadly hooks and stinging lyrics, it sets a new bar for roots acts in our neck of the woods. Gently driving acoustic guitars and shuffling drums support a singer in search of a new start – confident, melancholy and yet tuned to hope.

Be ItThe April Maze
Jesse WitneyBe It
Four tracks of gold. The musicianship, arrangements and production are off-hook. Track 2, “Higher”, really takes you higher, it is so uplifting. But track 4, “Australia”, Jesse does something really special – it is very beautiful and captures the true essence of Australia. The perfect soundtrack for a roadtrip.

Glass FoolTodd Sibbin
Kaurna CroninGlass Fool
I’ve watched Kaurna’s development through four releases and on every level Glass Fool marks a significant step up. The songwriting, both lyrically and melodically, arrangement, production and his band’s cohesion (particularly Chris Panousakis’ lead guitar work) combine for a very tidy release indeed.

PondBetty & Oswald
PondMan It Feels Like Space Again
Oh boy the new Pond album has been round the block a few times at our place. Sonically arousing and drenched in all that bowie-esque glamour, these guys are right on!

Glass FoolBeth Stephen (The Little Stevies)
Tim GuyChords
The first thing that stood out to me hearing Chords for the first time was the song arrangements. I suspected from the moment I heard them that a lot of thought had gone into the structure of the songs and the lengths of the sections in each song. None of the songs are too over played, it’s full of great guitar licks and vocal hooks, the melodies and chord progressions are really interesting and unexpected, and Tim has given great vocal performances on all tracks. He’s used his whole vocal range and included stacks of killer harmonies. The album covers a range of genres which I think can be risky sometimes in terms of keeping a natural flow. But Tim pulled it off. My fav’s are “Footsteps” and “It’s The Weekend”. Chords is a strong collection of strong stand alone songs.

Kendrick LamarHayden Calnin
Kendrick LamarTo Pimp A Butterfly
This is a piece of art. Kendrick has made what I consider to be one of the greatest hip hop albums of all time. He’s doing wonders for an ever-rising genre of music and delivers an intelligent, modern, original, political and poetic masterpiece with this LP. Fav track: “Alright”

Glass FoolWillowy
The Weather StationLoyalty
Beginning with a stumbling fast paced picking of the guitar and warped percussion – the mood of this album is immediately established, taking the listener on a somber yet hopeful sonic journey. Even with upbeat songs like the title track “Way it is, Way it Could Be” there lies a weight in expectation. Noticing this year a pull towards a fuller and often more electric centered production, each track on this album unashamedly bares it soul with a stripped back, predominantly acoustic, yet thoughtful layering of instruments that builds when needed. The album highlights Tamara Lindeman’s emotional and warmly experimental vocals that compliment her soul bearing songwriting.

Jason IsbellEmily Barker
Jason IsbellSomething More Than Free
Like many, I adore Jason’s record, Southeastern, so it was always going to be a difficult album to follow up. I bought Something More Than Free at Grimey’s record shop in Nashville and it was the only CD I had in my hire car for the week I was there. It is fantastic. As always, his raw lyrics and vocal delivery are arresting. Dave Cobb’s production is also killer. My favourite track is “Children of Children” because it reminds me of the beautiful, haunting Dillard and Clark record, Through the Morning, Through the Night.

TravellerTimothy James Bowen
Chris StapletonTraveller
He’s got a voice that will leave you mouth-gapingly speechless and a beard/hat combo to match. Do your ears a favour and get into it as fast as humanly possible. In particular, listen out for the track, “Tennessee Whiskey”. Good Lord.

Mother's Not Feeling Herself TodayLiz Stringer
Suzannah EspieMother’s Not Feeling Herself Today
Suzannah has always been one of my favourites. As a writer and performer. This new collection of songs, recorded with Jeff Lang at his studio and a stellar band, is another heartbreakingly beautiful one. One of the few artists that consistently brings me to tears, Espie has trawled some depths lyrically throughout this album that few would be brave enough to attempt and, in doing so, has cracked open a vein of shining gold. It’s stunning.

Songs to PlayJulia Jacklin
Robert ForsterSongs to Play
I hadn’t heard of Robert Forster until I listened to him being interviewed by Richard Fidler about story songs from the 1970s. I liked his talking voice and his passion for Carly Simons “You’re So Vain”, I’d never really listened closely to the lyrics. So I looked up his record and it made me really happy! His wobbly vocals, Australian accent, the Christmas bells in “And I Knew”. Listen to “A Poet Walks” if you need a confidence boost over the Christmas socialising period.

Dorsal FinsRoscoe James Irwin
Dorsal FinsMind Renovation
An absolute cracker of a record from some of the best dudes in Melbourne. With Ella Thompson (GL), Jarrad Brown (Eagle and The Worm) and Liam McGorry (Saskwatch) at the helm, there was no chance this record wasn’t going to rule. Sweet 90s garage vibes and some great electro boogie, all without actually sounding like a retro throwback record. “Nothing Left to Hide” with its Iggy-ness, and “Heart On The Floor” are standouts. One of the best live bands kicking around as well.

MotorheadShane Nicholson
MotorheadBad Magic
After 40 years in the game, they have just released one of their best records ever. The songs, the execution, the sheer power, the consistent disregard for trends. Best band that ever was.

Hell Breaks LooseThe Weeping Willows
Shane NicholsonHell Breaks Loose
The combination of skilfully crafted songs and his soul-soothing voice place Shane Nicholson in the world-class league of singer-songwriters. To us, “Hell Breaks Loose” is Song of the Year and we challenge you to stay dry-eyed throughout “Single Fathers”, “Secondhand Man” and “Hermannsburg”.

PassengerThe Once
PassengerWhispers II
Passenger is a songwriting king. There are songs on this record that will kick you in the guts, make you question your very own choices of the heart, make you remember all the feelings that you stopped allowing yourself and all in the most positive way. AND he is donating ALL of the album sales to UNICEF in a quest to help end painful hunger in Liberia. What? He’s unreal. Just sayin’.

RadiusThe Brouhaha
Allen StoneRadius
The lead single “Freedom” hooked me in. Live video on top of Capitol records, so much soul, so much vibe. Love love love 🙂

The MiraculousMusketeer
Anna Von HausswolffThe Miraculous
I had the pleasure of watching Anna play the pipe organ at the Town Hall in Sydney early in the year. I also had the pleasure of exploring and playing music in her home country of Sweden, in their summer months. So, when she dropped this album I couldn’t help but fall back into that vivid northern world. I guess that makes me a little biased, but The Miraculous is probably the most well crafted piece of music I have heard all year. I would call it gothic folk rock. It is unique and moving and Anna’s voice will open your soul.

Deeper SouthRosie McDonald (RAPT, Folklore)
Shane HowardDeeper South
So many great albums out this year, but the one that stays with me, like a prayer shawl, is Deeper South by Shane Howard with Ewan Baker and John Hudson. I have huge respect for Shane. His music, poetry, philosophy and voice now seem to have been honed by the elements, love and love lost, empathy with others and his own life struggles. There is no preaching, no soap box, just wry observations of love, despite the struggles and realities of living. The first track, the windswept evocative “Deeper South”, got under my skin and recently when all the news was so dire, I’ve played it like a psalm. I can come back and back to it and each time is moves and calms me. The album has celtic, jazz and folk influences and the other musicians, Ewan on fiddle and mando, and John on beautifully played guitar, complement the songs exquisitely along with guest performers. Live, the experience is just as meaningful but this crowd sourced and lovingly packaged album, like a small hard cover book, is a true work of brilliance and worthy of a place in any collection.

Kendrick LamarMatthew Black (The Bottlers)
Kendrick LamarTo Pimp A Butterfly
Kendrick Lamar takes to his expansive african-americana scrapbook with a cleverly glinted and winking poet’s eye view of everyday life based subject matter with 2015’s To Pimp a Butterfly. 

Swaggering back into beat poetesque lyricism mixed with gritty urban, jazz draped drawls he looks at today’s America and further into tommorow’s American influenced world from the perspective of a young black man still fighting the battles his radical forebearers fought. Casting aside industry pushed gangster rap stereotypes this illuminating stew all cooks down into what very well could be classified as the next leap in the evolution of hip hop music.

Universal ThemesGeorgia Fair
Sun Kil MoonUniversal Themes
Because my girlfriend hates it and “Birds of Films” is so beautiful.

courtney barnettLauren Moore (Pepperjack)
Courtney BarnettSometimes I Sit and Think And Sometimes I Just Sit
Courtney Barnett is undeniably a force in the Australian music industry. She has the complexity and aloofness of an aging rock star but with the level headed intellect of a philosopher. The elaborately titled Sometimes I Sit And Think And Sometimes I Just Sit showcases her signature lyrical witticisms and deadpan vocal style but also brings some unexpected angst. It’s refreshing and relatable. Barnett has something to say and the world is listening. I can’t wait to hear more.

Bird Under WaterTom West
Arooj AftabBird Under Water
Bird Under Water is a beautifully serene and lush record by Brooklyn Based Arooj Aftab. I have found myself getting lost time and time again in her complex, haunting melodies and flawless vocals, often splendidly layered and harmonised. The songs feel skilfully composed and even after repeated listens I still get a thrill out of the many unexpected turns and instrumental surprises. I can’t recommend this record highly enough.

Weight of the WorldGeorge Jackson (One Up, Two Down, The Company, Chris Henry & The Hardcore Grass, Buffalo Nickel)
10 String SymphonyWeight Of The World
Nashville based 10 String Symphony released a great full length album this October which has been on high rotation for me since. The 5-string fiddle/banjo duo consists of Rachel Baiman and Christian Sedelmyer who are both fantastic and acclaimed fiddlers, though interestingly this album is strongly song-centric. The minimal instrumentation and vocal arrangements are super interesting to listen to, they’ve come up with some really interesting solutions to creating a full sound with just the two voices and two fiddles (or one fiddle and one banjo) to work with.

Carly Rae JepsonImogen Bel
Carly Rae JepsenE-mo-tion
I was definitely a sucker for Jepsen’s huge hit “Call Me Maybe” but it seemed as though she was headed for one hit wonder territory after that. Not the case! This album is full of fun and catchy hook-filled tunes with production that makes me feel like I’m dancing under a mirror ball on prom night in 1985. It’s full of the energy and naivety of a first crush, and it’s a lot of fun to get swept away in the drama of it all. Best tracks: “E-mo-tion”, “All That”, “Run Away With Me”.

Cold SummersFraser A Gorman
CrepesCold Summers
Tim Karmouche’s songwriting is some of the most exciting music I’ve heard lately. He retains a classic style akin to the Beatles/John Lennon but it’s contemporary, exciting, lyrically interesting pop music at its best.

Loren KateKris Morris
Loren KateTil Night Meet’s The Sun.
Loren is an amazing story teller and the EP captures the honesty and fragility of what she does perfectly. It’s a heartbreaker but there’s hope and love in there. It’s really something.

Blessing and CursingMandy Connell (Mandy Connell, Stray Hens)
Jimmy DowlingBlessing and Cursing
Co-produced by Matt Walker, with harmonies from Lucie Thorne. Simple instrumentation, very Aussie writing style, with stark images of our industrial landscape mixed with the light and space of the countryside. His best realisation yet.

Mother's Not Feeling Herself TodayLes Thomas
Suzannah EspieMother’s Not Feeling Herself Today
Suzannah Espie’s courageous album Mother’s Not Feeling Herself Today tops my list because it shows how music and songwriting can express topics that are usually too taboo to speak about. The honesty and generosity she shares about getting through post-natal depression and early motherhood is extremely rare and beautiful, and for that reason I hope these songs can be heard everywhere. Yes, it’s pretty heavy, but it’s also done in a supremely artful and moving way that would no doubt help countless people to process these under-acknowledged challenges and hardships.

Dick DiverDarren Hanlon
Dick DiverMelbourne, Florida
Boisterous, erudite, effortlessly nostalgic. All four songwriters share an aesthetic of detailed suburban minutiae and find poetry, humour and melancholy in the commonplace. This album feels like such an important beacon of light in Australian music at the moment, so therefore it’s criminal that they don’t play live more.

Tomorrow is my TurnSam Lee
Rhiannon GiddensTomorrow Is My Turn
This is more than a covers album – Rhiannon has taken some classic American song book standards and also lesser known blues and old time songs and crafted the most elegant dynamic and rich album that keeps so much of the original’s flare but represents these songs as though they were brand new and freshly forged. A true pioneer and gifted singer and musician coming into her own.

Brandie carlileFanny Lumsden
Brandi CarlileFirewatcher’s Daughter and Kacey MusgravesPageant Material
Just bloody great music. Purely honest to themselves in their songwriting and production and vocal delivery. Sassy, Classy and smart assy.

Skull n BonesThe Dead Maggies
So we marched through the woodlands to meet up ’round a campfire, and decide on the best album of 2015. After a few gallons of rum we decided that there was nothing good released in 2015. In fact we draw our inspiration from 1830s Tasmanian bushranger music, so we don’t listen to modern stuff. We can however give you a couple of tips for 2016… The Australian Beefweek Show (Newcastle pub-rock-cow-punk yobs) and Dominic Francis Grief Ensemble (Hobart, deep-intelligent-folk-rock), check them both out when they release albums next year. Now, where did I leave that rum…

Timber and Steel’s Top Albums of 2015

Record Player

If anything has characterised 2015 for me in terms of new albums it’s that we finally saw debuts from some of our favourite artists. So many bands these days are serial EP releasers so it’s great to see the likes of Patrick James, Falls Marlon Williams and more knuckle down and get into the studio. It’s also great to see the return of firm favourites after time away and an explosion of traditional music that pushes boundaries and challenges our perception of what trad music can be.

Coming up with a top 25 list is always a challenge (let alone putting them in some kind of order) but I think what we’ve come up with is a wonderful cross section of all the genres of “folk” music we cover on Timber and Steel – from singer-songwriter to Americana to indie folk to traditional and beyond.

So without further ado here it is – our top 25 albums and EPs from 2015!

Kate and Ruth

1. Kate Burke & Ruth HazletonDeclaration

What a year 2015 has been for traditional music. Maybe it’s just me but it seems like a lot more trad is breaking through at the moment and the icing on the cake this year has been the incredible new album from Kate Burke & Ruth Hazleton, Declaration.

This is the duo’s first album in about eight years and their return to the studio has been a welcome one. Once again teaming with producer Luke Plumb, Declaration is loosely themed around traditional music from the female perspective with a few contemporary tracks thrown in for good measure.

The tracks are rich, heartbreaking, emotional and beautiful. So many of the songs deal with pretty heavy themes such as domestic violence (“Bleezin’ Blind Drunk”), false accusations of adultery (“Waly Waly”) and the disintegration of a woman’s public reputation (“Katy Cruel”) and these are conveyed with resonance by Burke and Hazleton. Hearing these two singing together again reminds me of why I fell in love with their harmonies all those years ago.

The two originals on the album – “The Freeze” and “Hearts Of Sorrow” – are two of my favourites and they make me wish Kate Burke & Ruth Hazleton were more prolific as songwriters. Maybe one day we’ll get a full album of self penned tracks?

I love how much Kate Burke & Ruth Hazleton have matured as performers over the last 15 years. Gone is the rigid need to stick 100% to the tradition and instead we have a fluid take on the material that draws as much from contemporary music as it does from Anglo, Celtic and American music. A simply wonderful album

Sufjan

2. Sufjan StevensCarrie & Lowell

Touted as the return to Folk Music for Sufjan Stevens, Carrie & Lowell is in fact the next step in his musical evolution. Rather than shrugging off the electronic chaos of his recent albums, Stevens has merely toned it down and brought back his acoustic guitar to dive into the complex relationship with his mother following her passing. This album is so raw, so nuanced and deserved of every bit of praise that has been heaped upon it.

Fanny Lumsden

3. Fanny LumsdenSmall Town Big Shot

I’ve always predicted big things for Fanny Lumsden ever since I saw her perform at a rooftop bar in Sydney many moons ago. Small Town Big Shot is the album that is currently turning Lumsden from Sydney’s alt-country darling to a favourite of the Australian country scene. The album is full of Fanny Lumsden’s true-to-life accounts of growing up in rural Australia while never straying into the Americanised, dust kicking ideal of country life so often portrayed by Australian country artists. Not to be ignored, Lumsden’s band The Thrillseekers add a rich musical tapestry to her songs and really seem to have gelled as group. Only released in September there’s a lot of life in Small Town Big Shot so we’ll continue to see Fanny Lumsden riding high off it’s ever growing success in 2016.

Paper Kites

4. The Paper Kitestwelvefour

The Paper Kites have produced what has to be one of the most interesting concept albums of recent years. twelvefour was written exclusively between the hours of 12am and 4am as frontman Sam Bentley believed this is when people are at their most creative. The result is stunning – a patchwork of eighties electro influences and the band’s trademark indie-folk – and will no doubt go down as a high watermark in their career. twelvefour feels very deliberately structured moving from the straight up electro of “Electric Indigo” and “Relevator Eyes” to more folky numbers in the second half of the album (“A Silent Cause” is a standout for me). I’m interested to see where The Paper Kites take their sound next.

Packwood

5. PackwoodAutumnal

This year chamber-folk artist Packwood released four seasonally themed EPs as part of his Vertumnus album project. The first of these was Autumnal which has remained my firm favourite through all of the subsequent releases. Gone is Packwood’s trademark sparsely plucked banjo (don’t worry, it returns in later EPs) and instead we get delicately fingerpicked guitar accompanied by choir and chamber orchestra. The songs are delicate and sumptuous and Packwood has really come a long way as a songwriter since his debut. Put on Autumnal, close your eyes and let the world fall away.

Laura Marling

6. Laura MarlingShort Movie

We’re now five albums into Laura Marling’s career and her songwriting has never been stronger. On her latest release Short Movie Marling’s songwriting takes on a freeform, Dylan-esque mode only hinted at on previous albums and it takes her into some very ineteresting places. There’s a lot more electric guitar on Short Movie and at times she descends into beat-poet-like spoken word phrases (like on the amazing “Gurdjieff’s Daughter”) yet no one is crying that Marling’s turned her back on her folk roots (like Marling’s old band Mumford & Sons). Instead Short Movie is being praised as an evolution of her sound and while it is miles away from her 2008 debut Alas, I Cannot Swim, both musically and stylistically, this is 100% a Laura Marling album.

Pittsburgh

7. William FitzsimmonsPittsburgh

In his ode to his recently passed Grandmother and her home town of Pittsburgh, William Fitzsimmons has created a delicate, beautiful piece of magic. This is his first self-produced album since 2006’s Goodnight and it does feel markedly different from his recent releases – the production is not a slave to his voice and guitar, instead it sits more comfortably as part of each song. At only seven tracks long Pittsburgh leaves you warm and fuzzy and wanting more.

Outlier

8. Patrick JamesOutlier

It seems like 2015 saw a lot of long time favourite Timber and Steel artists finally got around to releasing their debut album – and one of the debuts we were most excited about was from Patrick James. Over the course of a bunch of EPs Patrick James has refined his James Taylor-esque folk songs and Outlier is the culmination of years of solid songwriting. The production on Outlier makes the most of James’ unique voice and elevates his solo singer-songwriter roots into a rich, luscious landscape.

Wilder Mind

9. Mumford & SonsWilder Mind

With all of the attention on Mumford & Sons “ditching the banjo” and turning their back on folk music when Wilder Mind came out very little attention was paid to the album itself. Which is a shame because it’s another solid outing for the boys. If you push through the electric guitars and drums you discover that Wilder Mind is unmistakably a Mumford record with big choruses, melodies dripping with four part harmonies and festival ready lyrical hooks. And anyone who has seen Mumford & Sons this year will know they have in no way ditched the banjo – Wilder Mind sits perfectly within their entire catalogue.

Omaha

10. FallsOmaha

It took Falls moving to LA 18 months ago (and dropping the “The”) to produce their gorgeous debut album Omaha. Falls have expanded their two-voices-and-a-guitar sound to an almost orchestral level, but at the forefront is still their lyrically driven melodies and beautiful harmonies. I’m actually really impressed that all of the tracks on Omaha having seen them perform almost exclusively from their Hollywood EP before their big move Stateside. Now we just need a national Australian tour off the back of the album!

Omaha

11. TolkaOne House

The stunning result of trad band Tolka’s trip to Belfast last year to write and record a new album – one of the tightest trad bands in the country.

Limit of Love

12. Boy & BearLimit of Love

Boy & Bear return with a 70s vibe and a bunch of new tracks that saw the band collaborating on the songwriting duties.

If I Was

11. The StavesIf I Was

The Justin Vernon (Bon Iver) production on The Staves’ debut elevates their sound from simple three part harmonies to full blown indie-folk goodness.

Secret Victory

12. The East PointersSecret Victory

The result of writing sessions on their summer tour of Australia, The East Pointers have written 10 original tracks that sound as if they’ve been ripped directly from the tradition.

Monterey

13. The Milk Carton KidsMonterey

Monterey is the closest The Milk Carton Kids have come to capturing their mesmerising live show on record – this is something special.

Freewheeler

14. Dougal Adams, Ado Barker & Ben StephensonThe Freewheeler

Instead of complaining that it’s been too long between albums for Trouble in the Kitchen get your trad fix with the debut album from Dougal Adams, Ado Barker & Ben Stephenson.

Solitude

15. Ruby BootsSolitude

The Perth songstress has nailed down an amazing band and has produced one of the best alt-country albums of the last few years.

Tomorrow Is My Turn

16. Rhiannon GiddensTomorrow Is My Turn

In her debut solo album Rhiannon Giddens has built on the trad and old time of her work with the Carolina Chocolate Drops and spun it into something new and very exciting.

Marlon Williams

17. Marlon WilliamsMarlon Williams

With a voice that has reduced grown men and women to tears, there’s a lot to love about Marlon Williams’ debut record – this man is taking country music back to its roots and winning fans every step of the way.

Inside Llewyn Davis

18. VariousAnother Day, Another Time: Celebrating the Music of Inside Llewyn Davis

The folk and Americana industry’s best come together for a night of music inspired by the 60s folk scene and to a lesser extent the Cohen Brothers’ film Inside Llewyn Davis.

Dream's End

19. Matt BauerDream’s End

On his latest album Matt Bauer has upped the production stakes, forgoing his normally sparse folk songs and the result is wonderful.

Punch Brothers

20. Punch BrothersThe Phosphorescent Blues

I think it’s time to stop referring to Punch Brothers as “bluegrass” or “nu-grass” or anything at all – with The Phosphorescent Blues they have proven they are undefinable.

WHITE LIES

21. Mustered CourageWhite Lies and Melodies

Mustered Courage have always been the most polished bluegrass band in Australia but they’ve upped the ante with their new album adding a pop sheen to their sound.

Hell Breaks Loose

22. Shane NicholsonHell Breaks Loose

The godfather of the Australian Americana scene released one of the year’s best country albums – all heartbreak and whisky and everything that’s good about this kind of music.

The Decemberists

23. The DecemberistsWhat A Terrible World, What A Beautiful World

A welcome return to the studio from The Decemberists to follow up their amazing 2011 album The King Is Dead – a little less folk, a little more rock and all sorts of goodness.

Josh Pyke

24. Josh PykeBut For All These Shrinking Hearts

Australia’s premiere troubadour delivers yet another stunning album with his trademark wry lyrics and hooky melodies.

S

25. Emmy The GreatS

Emmy The Great slides into electro music while maintaining the folk-inspired melodies she’s become known for.

Thank Folk It’s Friday – 27th November

TFIF

This Week in Folk

All the News From The Week That Was

The National Folk Festival announced a bunch more acts for 2016 including Vishten, Tony McManus & Beppe Gambetta, Bluetongue Bush Ceilidh, Brian Peters, The Beez, All Our Exes Live in Texas, Castlecomer, Andy White, The Davidson Brothers, Women in Docs, Matthew Dames, Eastwinds, Le Blanc Bros Cajun Band, Danny Spooner and Margret RoadKnight. Details here

– Melbourne duo Sweet Jean will be touring through the summer. Details here

– US singer-songwriter Matt Bauer released his haunting new video “I Am Trying To Disappear”. Details here

Edward Sharpe and the Magnetic Zeros have released a brand new single “Hot Coals”. Details here

Jason Isbell announced Australian headline shows next March. Details here

– This January Mudgee will play host to the Mudsling min-festival featuring Daniel Champagne, Saltwater Sound System, April Maze, Out of Abingdon, Big Erle, Honey, Euripi, Nick Wall and more. Details here

– In huge news both Gillian Welch and Dave Rawlings Machine have announced tours in 2016. Details here

– Sydney nu-folk singer Willowy released the gorgeous stop motion video for “More Than a Shadow”. Details here

Darren Hanlon has released dates for his traditional Christmas tour. Details here

– The Lucy Wise Trio will be launching their new EP in Sydney this Sunday. Details here

– Adelaide singer-songwriter Todd Sibbin released his new single “And We’ll Say That We’re Done”. Details here

Nathaniel Rateliff & The Night Sweats announced Bluesfest sideshows. Details here

Interviews

“It feels like home there now. I still have a sense of “Oh, I’m performing” and I get nervous and want to do really well, but it’s so much more comfortable than any other venue. Even just the regularity of it has pushed us to be better. With that amount of performance practice you just get better at reflecting on what works well and what people respond to. Having that regular audience who gives us feedback on what they really love about us and what songs they like, and even getting some feedback on what they think we could improve on, has been really helpful just in developing our stage presence. I think it’s done a world of difference in progressing us performance wise”Gareth Hugh Evans chats to The Campervan Dancers about their Folkswagon night. Interview here

Releases This Week

And a Hotplate
And A HotplateThe Squeezebox Trio
Bandcamp

Hurtling Through
Hurtling ThroughTiny Ruins
Spunk

Timber and Steel Presents

TJB
Timothy James Bowen

Friday 27th November – Secret Show, Philip Island, VIC
Saturday 28th – EP Launch, Sydney, NSW
Sunday 29th – The Waterhouse, Jervis Bay, NSW
Wednesday 2nd – Folkswagon, Cafe Lounge, Sydney, NSW

Timber and Steel Recommends – Go To This Gig

Lucy Wise Trio

Lucy Wise

The Lucy Wise Trio will launch their amazing new EP A Painting of the Universe in Sydney this Sunday. The show will feature appearances by Saba Vayani-Lai, Jessica Rose and Emma Dell who will be reciting their original poems which inspired songs on the EP

Sunday 29th November – Django Bar, Sydney, NSW

Gigs Next Week

A Day on the Green feat. Paul Kelly Presents: The Merri Soul Sessions, Lucinda Williams, Kasey Chambers and Marlon Williams
Saturday 28th November – Bimbadgen Winery, Hunter Valley, NSW
Sunday 29th November – Sirromet Wines, Mt Cotton, QLD

Archie Roach
Thursday 3rd December – Theatre Royal, Castlemaine, VIC
Friday 4th December – Thornbury Theatre, Melbourne, VIC

Dan Flynn and The State of Things
Saturday 28th November – Shadow Electric, Melbourne, NSW

Dana Hassall
Friday 27th November – Rooty Hill RSL, Rooty Hill, NSW
Saturday 28th November – The Basement, Sydney, NSW
Sunday 29th November Brass Monkey, Cronulla, NSW
Thursday 3rd December – The Junkyard, Maitland, NSW

Direwolf w/ Maia Jelavic, Dave Calandra
Saturday 28th November – Secret Show, Sydney, NSW

Ed Sheeran w/ Passenger, Foy Vance, Rudimental
Saturday 28th November – Suncorp Stadium, Brisbane, QLD
Wednesday 2nd December – Nib Stadium, Perth, WA

Festival of Small Halls feat. Irish Mythen, Starboard Cannons
Friday 27th November – Felton Hall, Felton, QLD
Saturday 28th November – St George Amphitheatre, St George, QLD
Sunday 29th November – Tambo Shire Hall, Tambo, QLD
Friday 4th December – Springbrook Community Hall, Springbrook QLD

Folkswagon feat. Sam Joole, The Campervan Dancers, Timothy James Bowen
Wednesday 2nd December – Cafe Lounge, Sydney, NSW

Gorgeous Festival
Friday 27th to Saturday 28th November – Penny’s Hill Estate, McLaren Vale, SA

Heartbreaker Sessions feat. Fanny Lumsden, Bree De Rome
Sunday 29th November – Freda’s, Sydney, NSW

Lachlan Bryan & The Wildes
Saturday 28th November – The Milk Factory, Brisbane, QLD
Friday 4th December – The Pub, Tamworth, NSW

Lucinda Williams
Saturday 28th November – A Day on the Green, Bimbadgen Winery, Hunter Valley, NSW
Sunday 29th November – A Day on the Green, Sirromet Wines, Mt Cotton, QLD
Wednesday 2nd December – Enmore Theatre, Sydney, NSW

Lucy Wise Trio
Friday 27th November – House Concert, Yatteyattah, NSW
Saturday 28th November – Araluen Gold Concert Series, Araluen, NSW
Sunday 29th November – Django Bar, Sydney, NSW

Mark Lucas w/ Tom Dockray, Sam Newton
Sunday 29th November – The Newsagency, Sydney, NSW

Marlon Williams and The Yarra Benders w/ Ben Salter
Friday 27th November – Prince Bandroom, Melbourne, VIC
Saturday 28th November – A Day on the Green, Bimbadgen Winery, Hunter Valley, NSW
Sunday 29th November – A Day on the Green, Sirromet Wines, Mt Cotton, QLD
Thursday 3rd December – The Gov, Adelaide, SA
Friday 4th December – The Railway, Darwin, NT

Musketeer, Josh Overett, Hannah Robinson
Sunday 29th November – Mr Falcons, Sydney, NSW

Mustered Courage
Saturday 28th November – Queenscliff Music Festival, Queenscliff, VIC

Nova and the Experience
Wednesday 2nd December – The Star, Sydney, NSW

Queenscliff Music Festival
Friday 27th to Sunday 29th November – Queenscliff, VIC

Ron Sexsmith
Friday 27th November – Caravan Club, Melbourne, VIC
Saturday 28th November – Northcote Social Club (Matinee), Melbourne, VIC
Saturday 28th November – Northcote Social Club (Evening show), Melbourne, VIC
Sunday 29th November – Queenscliff Music Festival, Queenscliff, VIC


Suzannah Espie
Sunday 29th November – Courtyard Sessions Fremantle Arts Centre, Fremantle, WA

Sweet Jean
Friday 27th November – The Skukum Lounge, Ashgrove, QLD

The Brisbane Folk Club feat. Ben Salter, Neighbour and Marcus Blacke
Wednesday 2nd December – The Foundry, Brisbane, QLD

The Campervan Dancers
Friday 27th November – The Kincumber Hotel, Kincumber, NSW
Wednesday 2nd December – Cafe Lounge, Sydney, NSW

The Dead Maggies
Friday 27th November – The Pyrate House, Sydney, NSW
Saturday 28th November – The Reverence Hotel, Melbourne, VIC
Sunday 29th November – Open Studio Bar, Melbounre, VIC

The Morrisons
Friday 27th November – Franks Wild Years, Thirroul, NSW
Saturday 28th November – Smiths Alternative Bookshop, Canberra, ACT

The Snowdroppers
Friday 27th and Saturday 28th November – Queenscliff Music Festival, VIC

The Timbers
Sunday 29th November – Grace Emily Hotel, Adelaide, SA

Timothy James Bowen
Friday 27th November – Secret Show, Philip Island, VIC
Saturday 28th – EP Launch, Sydney, NSW
Sunday 29th – The Waterhouse, Jervis Bay, NSW
Wednesday 2nd – Folkswagon, Cafe Lounge, Sydney, NSW

TinPan Orange
Friday 27th November – Queenscliff Music Festival, Queenscliff, VIC

Tiny Ruins
Saturday 28th November – The Toff in Town, Melbourne, VIC
Sunday 29th November – The Toff in Town, Melbourne, VIC

Friday Folk Flashback

“Still Trying” – Nathaniel Rateliff

Remember when Nathaniel Rateliff wrote folk songs? We love his new bluesy direction but I’m so happy songs like “Still Trying” exist in the world.

Watch Matt Bauer’s New Video “I Am Trying To Disappear”

Matt Bauer
Image Courtesy of Matt Bauer

US based singer-songwriter Matt Bauer released his incredible new album Dream’s End last week. The album is a break from Bauer’s previous sparse releases with the melodic, electric and rhythmic elements of his songwriting dialled up.

The first single from Dream’s End is the haunting “I Am Trying To Disappear” – check it out below:

Timber and Steel’s Artists’ Top Albums of 2012

Listening to Records

Not satisfied with just providing you with our own opinions around the best albums of 2012 we have once again put the call out to some of our favourite artists to find out what they’ve been listening to this year. And the response to this call has been simply astounding – over 90 artists sent us their number one album of 2012, along with a couple of sentences as to why it’s their number one, almost tripling the amount of submissions from last year and demonstrating once again just how personal and diverse everyone’s relationship to music can be.

Once again a big thank you has to go out to all the artists who contributed along with the dedicated managers, publicity people and record labels we pestered to get this piece across the line – you’re all amazing, dedicated, wonderful people who keep this great national (and international) beast that is the music industry alive.

And now it’s time for the blogger to pass his keyboard over to the blogged as we present to you Timber and Steel’s Artists’ Top Albums of 2012:

The Lion's ShareSarah Humphreys
Mike McCarthyThe Lion’s Share
Mike has a beautiful way with words and melodies, he can stir up feelings of love, loss, mystery and hope all in one album. Sometimes in one song! There’s a gentleness in this record, I can hear more love in his voice than ever before.

God Bless You AmigoRoland Kay-Smith (Roland K Smith and the Sinners)
Felice BrothersGod Bless You Amigo
After the brave, but often confusing album that was Celebration Florida, The Felice Brothers return to more familiar territory with God Bless You Amigo. “Her Eyes Dart Around” is a tear-jerkingly beautiful ballad, the off-kilter harmonies in “Lincoln Continental” blow my mind every time I hear them, and “Dream On” is a fantastically melancholic retelling of the Stagger Lee story. At 20 tracks it’s overlong, but the porch-strumming charm of the album makes each song a joy to listen to, and I should know, I’ve listen to this album plenty.

The AnecdotesSam Lee
Seamus Cater & Viljam NybackaThe Anecdotes
English Dutch duo based in Amsterdam who have written this chronicle of biographic songs based around cultural figures and steeped in folklore and alternative experimental theatre sound art. They have created this soundworld that is both sepia toned in 70s fender rhodes and melodic drum work and captures the sounds of revival and the monologues of obscure historical figures. A work of touching depth and simplicity.

Who's Feeling Young NowChris Stone (The String Contingent)
Punch BrothersWho’s Feeling Young Now?
Outrageously virtuosic instrumentalists, with super strong musical vision, brilliant execution, and a work ethic like no other … they are the tightest, most polished band around, and given the technical and musical complexity of there music, is both depressing and inspirational.

Carry Me BackBen and James Daley (Bellyache Ben and the Steamgrass Boys, The Daley Brothers)
Old Crow Medicine ShowCarry Me Back
This album has all the Old Crow trademarks: hard hitting blues, fast pickin bluegrass, honest singing and lyrics, great harmonies, and most importantly brilliant songwriting. The title track and “Levi” are both contenders for song of the year. This album (and Old Crow’s ever growing and ever impressive body of work) confirms them as one of the great modern American bands. I dare say when they are done they will be remembered as one of the great all time American bands.

Who's Feeling Young NowClaude Hay
SoundgardenKing Animal
This is easy for me: Soundgarden, King Animal, quiet simply my favourite singer of all time. I’ve been waiting for this release for ever, some classic dirty guitar and pure rock the world’s been missing.

The Lion's RoarTodd Sibbin (Todd Sibbin and the Opposite Ends, Traveller and Fortune)
First Aid KitThe Lion’s Roar
Besides the blatantly obvious reasons (fantastic singing, fantastic songwriting), Mike Mogis (of Bright Eyes fame) has nailed the “atmospheric moodiness” vibe in his production techniques. It’s got that unmistakeable old school Bright Eyes sound, with slightly more polish

Into The BloodstreamWarren Fahey
Archie RoachInto the Bloodstream
I was never a hooked Archie fan but this new collection of very personal and aspirational songs really grabbed me emotionally. Archie has seen a lot of shit in his life including the loss of his partner Ruby Hunter and, over the past couple of years, some shocker medical hurdles yet he writes and sings in such an uplifting manner you feel the joy. It is also a craftily assembled album with a great choir, really tasty musicianship and some vocal acrobatics from Archie that I just wasn’t expecting. At one stage he produces a growl befitting the blues and soul and then his voice soars to the rafters. This is a really fine album

Carried in MindHat Fitz and Cara Robinson
Jeff LangCarried in Mind
This album of 2012 is one of those albums that more than manages to carry you away into another time and world. That’s what I love about a great album, it switches off the mind and lets the imagination take over and it does that completely. One song in particular is track 3, “Fisherman’s Farewell”, co written with his wife Alison Ferrier, a truly exquisite piece of writing.

LeelanauMatt Bauer
Dana FalconberryLeelanau
It’s rare when an album is as fully realized as this. It has everything I want in music: great lyrics and melodies, strange harmonies, beautiful arrangements, unexpected rhythms, a specific sense of place, an air of mystery, and just some kind of undefinable magic. Perfect from start to finish.

Mid AirMatt Walters
Paul BuchananMid Air
Paul Buchanan is the lead singer of one of the world’s most important and underrated bands, The Blue Nile. The lead singer’s first solo offering is a quiet masterpiece. Comprised almost completely of subdued piano, and smoky, hushed vocals; this is one of the most transformative, beautiful records I’ve ever heard. Buchanan, now in his late 50’s, croons like a more poetic and mournful Sinatra – reminiscing, regretting and reconciling through some of the most poignant and intimate songs ever recorded.

Born and RaisedAshleigh Mannix
John MayerBorn and Raised
Truthfully I’ve only listened to it a few times, but it was the first album that came into my head when asked about my favourite album of the year – and for good reason! Mr Mayer always surprises with the twist and turns he has taken when recording his albums. He’s playing with more of a country vibe in this one. In the second single “Queen of California”, there’s a lyric that says “Looking for the sun that Neil Young hung/After the gold rush of 1971”. There’s definitely a Neil Young-esque vibe throughout the album. I love it! It will be my soundtrack for hungover weekend’s in the sun!

HereTigertown
Edward Sharpe and the Magnetic ZerosHere
A perfect way to follow up their first album Up From Below, they have captured the large group sound that they have live while still leaving enough space for Alexander Ebert’s genius song-writing and lyrics to shine through. This record always makes a loud appearance on our touring mix tape.

Farthest FieldMike McCarthy
Daniel Martin Moore & Joan ShelleyFarthest Field
Farthest Field sounds like an album recorded in a hall, live, with four beautiful microphones between two great songwriters. Sparse and incredibly beautiful is how I would describe it.

Mad BastardsJeanette Wormald
Alex Lloyd, The Pigram Brothers, Kasey Chambers and Shane NicholsonMad Bastards: Music From the Motion Picture
I found this late in 2011 and haven’t stopped listening to it. Great colours, great artists and oh so Australian. It’s fresh and it’s interesting and I really enjoyed the collaborations between Alex Lloyd and The Pigram Brothers. The movie is incredibly compelling too. A must see for people wanting an insight into the challenges of Australians living on the fringe.

DeathFrank Turner
Jim Lockey & The Solemn SunDeath
I’ve known Jim for a while and loved his work, but I always suspected he had a record in him that would take what he did from being good to being truly great. It was with great satisfaction, then, that I listened to this one for the first time. It’s everything I was hoping for, a perfect blend of country, rock, folk and something heavier and darker. Brilliant.

The Lion's RoarCallum Adamson (ahab)
First Aid KitThe Lion’s Roar
I’ve chosen First Aid Kit’s record for a few reasons.
1. The record is nothing more than great country songs beautifully produced
2. They are one of the few bands that are just as good live as on record
3. One of my “goosebumps” moments of this year was when I first heard “Emmylou” – I really really wish I’d written it.

DearEmily and the Woods
Keaton HensonDear
Keaton’s voice and lyrics cut through whatever is happening, wherever I am. There is an immediacy and strength to his words and his delivery is so full of emotion that it makes me want to cry with him. I believe in his heartache; it feels raw. This album truly reminded me how powerful it is when you tell it how you feel it. That’s my favourite kind of songwriting, and it feels exemplified in the way he phrases and sings some lines. My favourite song on the album is the closing track, “Party Song”; which is unashamedly bleak.

Stars and SatellitesThe Quarry Mountain Dead Rats
Trampled By TurtlesStars and Satellites
We were waiting for this album to be released and it didn’t disappoint. Got a good mix of slower songs and and the usual kick ass ones. Ear f*$#ingly good!

Trains I MissedNick Keeling (Mustered Courage)
Balsam RangeTrains I Missed
Balsam Range deliver straight up modern driving bluegrass at its best. They are world class pickers, songwriters and boy can they sing. The harmonies are super tight and I love how the vocals are mixed. It gives you that baseball bat of three part harmony hit, straight in the face.

Stars and SatellitesCoty Hogue
RodriguezSearching for Sugar Man Soundtrack
Okay, so maybe all these songs were originally released in 1970-71, but considering most all of us (at least over here in the States) had never heard of Rodriguez before this film, and the fact that these songs are absolutely BRILLIANT and beautiful, makes this my must listen to album of the year! (I should also include the original two albums that these songs come from)

Warm in the DarknessNadine Budge (The Stetson Family)
Liz StringerWarm in the Darkness
From the multitude of reasons why this is my favourite album this year, the overarching one is that Liz Stringer is authentic – the real deal. This album serves up some of the melting beauty of Liz’s slower songs that she has shown herself to be a master of – then whacks it for a six when she pulls out some big guns and rocks it out! It’s the triple threat of great songwriting, sublime vocals and kick-arse musicianship.

Hard RubbishLouise O’Reilly (Laneway)
Lower Plenty – Hard Rubbish
It’s stony dreamy domestic. We found it driving from Melbourne to Adelaide on our tour and it took us all the way home.

Off We GoDesert Rat Shorty (The Lurkers)
Jess and Richard ArrowsmithOff We Go
This year I have a toddler, and as a consequence, I’ve spent most of the year listening to my favourite kids CD. It’s real music for kids. No autotune, no synthesisers and no politically correct rewriting for kids (the pirates in the songs still drink rum!). The songs are all old English nursery rhymes played on traditional instruments. And our one-and-a-half-year-old loves it.

Black Vat TrioWeary Hobo and Rocky Mountain Slim (The Lurkers)
Black Vat TrioBlack Vat Trio
They are a Sydney-based trio with Rishin (trombone), Rascal (violin) and Bones (piano accordion plus drums) who play Klezma and Romani inspired originals and Eastern European Classics. Songs and tunes they perform from other traditions they acknowledge openly unlike some Australian bands in the same scene. What Black Vat Trio create themselves are soundtracks to my dirty old Sydney town. Songs like “Rapscallions” are reminiscent of Waiting for Guinness and the genuine, straightforward production of the album brings it out on top of the new releases of the year for me. This album keeps toddlers of all ages laughing and dancing!

Court The StormJeremiah Fraites (The Lumineers)
Y La BambaCourt the Storm
It’s a terrific album. Is it folk, is it world, is it singer-songwriter? I don’t know. And personally, I don’t care. Talking about music is like dancing about architecture. Just listen to the damn thing.

Spirit BirdNardi Simpson (Stiff Gins)
Xavier RuddSpirit Bird
I first heard Xavier Rudd perform over twelve years ago. I knew nothing about him but watched as he played and stomped and sang the young audience into waves of inspired frenzy. He was on the way up, he sounded great, the kids loved him and he had his own unique sound. He also played the yidaki or didjeridoo. Now as blackfullas we regularly walk around festivals and see masses of people dancing and trancing out to the sound of yidaki – but most times it is not being played by a black musician. And so we carry this with us a little bit, well I do anyway. I sat there and listened to Rudd and looked at the crowd and thought of all the brothers I knew who would never get the same chance or attention if they did. Ten years later an ‘Indig’ stage was funded at Bluesfest. We had got a gig and walked around starry eyed, shyly watching legends from the wings and spinning out on the greenroom facilities. We walked past dressing room doors…Blind Boys of Alabama, Michael Franti & Spearhead, Jason Mraz, Angelique Kidjo, and as we came up to Xavier Rudd’s room out popped his head: “Brother, come and be part of this smoking ceremony”, he asked my partner. I can only guess he didn’t see or recognise me. So in he went, into this stranger/stars dressing room and did ceremony. Four months ago I saw Xavier Rudd had a new album out. I assembled together all the little pieces of him I knew and I bought it. I wanted to understand something more of the man. I listened to his songs and let them soak into me and it was at that point that our worlds collided. Where first I was a young musician, starting to sing of my world and my special place in it – and compete with all those who were doing the same, now I was a searcher of stories and of deep, and meaningful connections. I had come to the place that perhaps Rudd was at all those years ago- creating narratives to forge and maintain relationships with people, place and country. As a musician Rudd has consistently taken steps towards the place that I too now wish to explore. To show others how beautiful it is when country sings back. I still haven’t met Xavier Rudd, I doubt whether I will but I think I am a little closer to understanding him and his music. And so I see this album Spirit Bird as more than a collection of songs, it’s a story about a man on a journey. And as he walks, so do we.

BlunderbussHenry Wagons
Jack WhiteBlunderbuss
Following the epic legacy of his other bands, there is no doubt the pressure was on, whether Jack admitted it to himself or not. All the publicity said this album was kinda throwaway, recorded when another artist cancelled his session at Third Man Records. Yet, when you tune in to the opening riff of the album’s opener “Missing Pieces”, you immediately realise this album is about to deliver in spades to all those curious ears pointed towards it. It sounds so smooth, rockin’ and analogue … and seems it would have been a blast to put together. Its sense of spontaneity and creative freedom translates through to the listener. A bluesy, garage masterpiece, gloriously thrown together.

Me and MoonHannah Acfield (Dan and Hannah Acfield)
Lydia ColeMe & Moon
As I suspected, iTunes confirmed this was my most played album of 2012! I met Lydia at the APRA Song Summit earlier in the year and she was so lovely it prompted me to buy her album. Me & Moon is a stunning collection of songs, the production is delicate and raw, yet so beautiful and clever. In this case, less is certainly more. Lydia has an exquisite voice that captured me straight away. The songs are well written, am honest tale of heartbreak and loss. I had an immediate connection with this album and have not stopped playing it. Beautiful.

BlunderbussDave “Christo” Christensen (Charlie Mayfair)
Jack WhiteBlunderbuss
By far the most soulful and energetic album of the year from a man that understands the effect that the women in his life have had on his personality and the insecurities it hides. Through big speakers this album is louder than anything else out this year.

Young Man in AmericaEmily Barker
Anaïs MitchellYoung Man in America
I love the mood she creates straight from the outset; pensive and alluring. Lyrically I think it’s phenomenal – it has a stream of consciousness element and repetition of themes: childhood; parenthood; growing up in America; stories we inherit. Instrumentally it’s killer too – I love the combination of woodwind instruments, mandolin, guitars, layered vocals, such rich textures always serving the songs. I get more and more from it every time I listen to it – there is so much depth in this record.

There's No Leaving NowLittle Bastard
Tallest Man on EarthThere’s No Leaving Now
It’s great to see a modern day artist maintain the quality of songwriting up to his fourth release. He has also manage to arrange and produce the music that keeps the listener interested and shows growth from previous albums.

The Burgh Island EPHeidi Waddell (Cordial Factory)
Ben HowardThe Burgh Island EP
All I want to do is sit in a cool, dark room with my eyes closed and breathe in the sounds of this EP. Since I heard Ben Howard’s song “Depth Over Distance” last year, I had been waiting and hoping that his new EP would be much the same and it is. I love that he’s not afraid of combining stillness and passion. He’s created something really unique; it’s deep and full and haunting.

Back at the Quonset HutKetch Secor (Old Crow Medicine Show)
Chuck Mead & His Grassy Knoll BoysBack at the Quonset Hut
About 20 years ago, while Nashville was perfecting it’s recipe for the blandest batch of country music yet, a band called BR-549 was serving it up raw seven nights a week on the freaky streets of Lower Broad. This year Chuck Mead, BR’s longtime frontman, released Back At The Quonset Hut – 12 classic cuts backed by Nashville’s A-Team of sessions players, the color guard of pickers, the very men who made country music what the world knows it to be – true. It still is, and Chuck Mead proves it.

Race the LoserJohn Spiers (Bellowhead, Spiers and Boden)
LauRace the Loser
It’s got everything going for it. It’s hugely complex and experimental with some superb playing yet it bears up to repeated listening incredibly well. For me, the ability to listen to it on lots of different levels makes it the perfect album.

Adventures in Your Own BackyardPete Flood (Bellowhead)
Patrick WatsonAdventures in Your Own Backyard
Eerie, lush, cinematic and full of intriguing twists and turns – it’s like walking through a sunlit wood in late autumn. Pretentious but true.

GossamerSam Sweeny (Bellowhead)
Passion PitGossamer
It’s a perfect pop record. It combines musical simplicity with awesome technical complexity. Each track has new layers that keep jumping out at you at every listen, and to top it all, there isn’t a duff track on the album. It’s sublime music.

Time As We Know ItAdam McGrath (The Eastern)
Todd SniderTime As We Know It: The Songs of Jerry Jeff Walker
We spend at least 100-150 days a year sucking up bitumen, roadside pies (best one in six years is the fish pie from wairoa on the bottom of the east cape of the Nth Island of NZ), junk from junk shops, and lung disorders from the air con, in all manner of wheeled transport around New Zealand, Australia and parts and ports beyond. There are basically three rules in the van, 1) Only let Flora the fiddle player drive when no one else can possibly manage it 2) Adam must listen to Waylon Jennings on any post 1am drives (and be allowed to sing along with gusto and a slight edge of drunken melencholy) 3) and when the shit gets bad, hard, or both then we must listen to Todd Snider bootlegs (Tales From Moondog Tavern Vol. 1-5 are particular faves) or Jerry Jeff Walker, they are our road guards. This year Todd Snider released Time As We Know It an album of Jerry Jeff Walker covers, it wouldn’t have mattered if it sucked (it doesn’t) the idea alone would have made it our album of 2012. If next year he does an album of Thin Lizzy songs our lives would indeed be complete.

The Idler WheelTexture Like Sun
Fiona AppleThe Idler Wheel…
Although I haven’t listened to too much new music this year this album is one that recently came to me, and floored me. It’s dark, melancholly and sparse, about what I’d excpect from a Fiona Apple album. Love the additional instumentation in some tracks (you can hear lot of things clanging in the background) – and her voice! This music makes me feel something more than most.

I've Got a Friend Called Emily FerrisJen Cloher
Courtney BarnettI’ve Got a Friend Called Emily Ferris
The debut release from Melbourne based singer-songwriter Courtney Barnett was recorded in a friend’s lounge room in Thornbury. A lo-fi seven song collection of pop gems with plenty of psych-rock wig outs to boot. Original, often humorous lyrics tumble effortlessly over catchy-as-hell melodies. The first song, “Lance Jnr” opens with the lyric “I masturbated to the songs you wrote”. Nuff said.

The Stars Are Indifferent to AstronomyKevin Micthell (Bob Evans, Basement Birds)
Nada SurfThe Stars Are Indifferent To Astronomy
I’ve been a fan of this band since their seminal album Let Go around 10 years ago and they’ve barely put a foot wrong since. Their new album is another perfect template on how to write glistening power pop with intelligent, poetic lyrics. Underated? I think so.

A Different ShipHusky Gawenda (Husky)
Here We Go MagicA Different Ship
Interesting, infectious songs. A diverse album, but one that flows nicely from start to finish. Spoke to me immediately, before I had a chance to consider why – as all good albums do.

All The Little LightsHelen Croome (Gossling)
PassengerAll The Little Lights
A beautiful album with sweet and heartbreaking stories. Mike is an incredible story-teller who manages to find the perfect balance between memorable melodies and a descriptive tale. A favourite track would be “Let Her Go” with it’s beautiful lyric imagery. And the live version of “I Hate” is another favourite for it’s humour and honesty.

Out of FrequencyNikki Thorburn (ILUKA)
The Asteroid Galaxy TourOut Of Frequency
Danish psychedelic pop band The Asteroid Galaxy Tour are in a class of their own, and their second studio album Out Of Frequency proves just this. With more attitude and swagger than their debut album Fruit, this record is as innovative and refreshing as it is inviting. Drawing on array of eccentric, hypnotic and inviting sounds, they create a fantasy world that is deeply potent and entrancing. Chicago blues on “shrooms” and film noir on acid, it’s truly a case of the sum being greater than its parts.

Mirage RockMark “Looch” Lewis (Handsome Young Strangers)
Band of HorsesMirage Rock
On first listen its hard to believe this is the same band who put out the excellent Everything All The Time album back in 2006. Raw, loose and stripped back, Mirage Rock is everything that their debut was not. Folk purists may baulk at the move in a popier direction on some tunes and whilst I agree that it is not all an easy ride, stand firm! Because with repeated listening this record will reward you if you invest the time. As all great records should.

An Awesome WaveHayden Calnin
Alt-J (∆)An Awesome Wave
This is one of those albums that you tend to pick up and chuck on pretty much every day. In my eyes (ears?) Alt-J have delivered not only the most original sounding record of the year with their very infectious compositions and hauntingly fragile yet powerful vocal style, but also the best written as well. My personal favourite “Ms” off the album takes the cake for being my favourite track of the year as well.

Mirage RockGeorge Jackson
Brittany Haas and Dan TruemanCrissCross
Here’s something you don’t hear every day, unless you have the album like me. Appalachian fiddle goddess Brittany Haas meets Norwegian style fiddler and modern composer Dan Trueman. There is no music I’ve heard before that sounds quite like this, and to top it off the performers achieve that oh so important mix of stimulating both the body and the mind! This project is full of beautiful and mind bending new compositions by both Brittany and Dan. Mix in Natalie Haas on cello + guitarist Jordan Tice along with Brittany’s Crooked Still comrade Cory Di’Mario on Double Bass = a stellar line up. The tunes literally criss-cross the complimentary fiddle styles of Norway and Appalachia, developed with masterful ensemble arrangements and some demanding modern harmony.

JerildereeLachlan Bryan
Bill JacksonJerilderee
It’s actually pretty hard to write convincingly about Australia – most people end up stumbling over the awkward sounding place names, or struggling to extract poetry from our often brutal, frequently covered-up history. Bill and his brother Ross are exceptions to the rule. They write stunning songs together, and microphones just seem to love Bill’s warm, weathered voice. Jerilderie is full of great stories, and was my favourite record this year.

PrisonerEli Wolfe
The JezabelsPrisoner
Driving on tour we have been listening to The Jezabels Prisoner, which fits the landscape perfectly. Though it was released late 2011, I only bought Prisoner this year. It’s a great vibey album and Hayley is an amazing front woman.

How About I Be MeDamien Dempsey
Sinead O’ConnorHow About I Be Me (And You Be You)?
A blinding return to form by a fearless warrior woman who is my favorite female singer. Her song “Take Off Your Shoes” makes the hair stand up on the back of my neck every time I hear it, breathtaking.

Fear FunTom Busby (Busby Marou)
Father John MistyFear Fun
This album reminds me of why I love listening to music – it makes me so happy! The songs are cheeky and full of swagger, and somehow steers away from sounding arrogant. I love the production, including the small imperfections which are clearly intended. It is obvious that there were no rules when recording the record and this is probably why I can’t stop smiling each time I hear it.

Toward The Low SunAidan Cooney (Boy Outside)
Dirty ThreeToward the Low Sun
Choose your time wisely because I cried like a mother fucking bitch recently on a long haul flight listening to this album. Melancholy to get lost in and the dirtiest violin sound known to man give you an album that should be sold with a warning.

Music From Kennedy's PoolCourtney Barnett
Merri Creek PickersMusic From Kennedy’s Pool
I have seen the Merri Creek Pickers play live about 80 times. I’ve heard them rehearsing about 400 times. I adore the gentle genius of Alex Hamilton’s songwriting, the all-inclusive yet sometimes argumentative arrangement process and the fact that it was all recorded by the band themselves live at a farm in the middle of nowhere. This is a classic album that should transcend our generation.

Warm in the DarknessCat Canteri (The Stillsons)
Liz StringerWarm in the Darkness
Beautifully tasty arrangements, playing, sounds and songs across the whole album.

HereSam Buckingham
Edward Sharpe and the Magnetic ZerosHere
It’s so full of joy and somehow, every time I listen, manages to remind me to stop and enjoy the simplest and most beautiful things the world has to offer, and I have to offer the world. I love the songwriting, the production is unique and brilliant but I think, more than anything, it’s the feeling of hope and beauty that sits inside every song.

El CaminoCat Colman (Billygoat and the Mongrels)
The Black KeysEl Camino
So many albums to choose from!! The Black Keys scraped in at number 1, mainly because it has such a full solid and infectious sound.

Carry Me BackJohn Flanagan (John Flanagan and the Begin Agains)
Old Crow Medicine ShowCarry Me Back
Having just traveled to the US this year for the first time I’ve fallen in love with the mountain music that is so prominent in North Carolina and Virginia. Old Crow Medicine Show clearly draw on a wide range of influences though I love the old-timey core to their music with the claw-hammer banjo and fiddle. There are a lot of references to places we recently visited: Virginia, the Shenandoah river, etc, so for many reasons the album brings back fond memories of traveling through the South.

The Lion's RoarElla Hooper
First Aid KitThe Lion’s Roar
First Aid Kit are so full of potential it hurts. I don’t think they’ve quite revealed all they will in years to come but Lions Roar boasts great lush production from Mike Mogis (a modern master) and the girls’ tight folk pop songwriting is just my kind of teenage day dream, sorry Katy Perry, but This is talent.

PackwoodJulia Johnson (Julia and the Deep Sea Sirens)
PackwoodPackwood
In all honesty, I spent much of 2012 rediscovering old favourites. I re-arranged my bedroom, which inadvertently meant it was much easier for me to use my record player. Dad’s impeccable record collection has been liberated from the garage and given a healthy airing this year. There is one 2012 release that has had a particular impact on me musically though, so that automatically catapults in to becoming my favourite release of 2012. Early in the year I supported Packwood and The Falls in Canberra, at The Front Gallery. Probably one of the loveliest gigs with some of the loveliest musicians I’ve played with all year, but I digress. I’ve never heard such an ambitious EP as Packwood’s. Simply a man, his banjo, and an orchestra. Yup, a 50 piece orchestra. With a banjo. I’ve been messing around with my banjo for a few years half-arsedly, but since hearing that EP I haven’t practiced my guitar at all. I can’t put my banjo down. So thank you Packwood, for re-invigorating my love for banjo, and sorry housemates and neighbours, I’m not going to stop playing my banjo any time soon.

Baby We Were Born to DieRosie Catalano
Jen CloherBaby We Were Born To Die
Each song on this 3-track EP is so special. “Call If You Need Me” has an incredible ability to transport me to a whole other world every time I listen to it, “Baby We Were Born To Die” leaves me awed by Jen Cloher’s way of looking at the world and the hand she has been dealt, and the lyrics in her duet with Courtney Barnett always manages to catch me by surprise and make me laugh.

Love This GiantSarah Blasko
David Byrne & St VincentLove This Giant
It’s a collaborative album that really works and feels very cohesive. The arrangements are really imaginative and it has the freshness of not sounding like anything else that’s out at the moment. The brass arrangements are fantastic. It’s a classic sounding record, it’s beautiful and rich and full.

A Creature I Don't KnowLiam Gale (Liam Gale and The Ponytails)
Laura MarlingA Creature I Don’t Know
I spent this year listening to some not-so-current music, and it seems I’ve got some catchng up to do considering the snippets of albums I’ve heard over the last twelve months. Of 2012’s offerings, Laura Marling’s A Creature I Don’t Know was one that caught my ear. It had a lilt toward that concept-album-feel, some tracks outright flowing into the next, like Floyd with banjos or something. There was this poem she’d written that came out shortly after the album was released that seemed to explore the record’s protagonist character; the Beast. It’d come up every now again, like it was teasing the other characters on the album. Trippy.

Phaux CiscoSivan (The April Maze)
VariousPhaux Cisco
It astounds me that some of the greatest songwriters of all time remain relatively unheard. James Cisco is one of them. This album was produced as a surprise gift for the songwriter and includes some great Melbourne musos doing versions of his wonderful songs. The album features versions from Jeb Cardwell, Dan Lethbridge, Jed Pickett & Kate Walker, Kate Crowley, The Shivering Timbers, Simon Hudson & Anita Quail, Adrian Whitehead and more. The songs are in chronological order of when they were written, from 1988 to 2012. Its a real genre journey and wanders through folk, rock, country, punk, soul and blues. We love it and listen to it on the road all the time.

The Great DespiserFanny Lumsden
Joe PugThe Great Despiser
To me his songs are like stories from those who don’t usually tell stories. This album feels like I’m moving forward on a monster of a drive where one has very minimal encounters with anything man made and at the same time feeling settled. Good one JPUG.

An Awesome WaveBity Booker
Alt-J (∆)An Awesome Wave
Driven by Joe Newman’s haunting melodies, vowel-curling words, heart breaking notes; each song on this album is an independent masterpiece: cohesive and scrupulous. Every track is rich in layered detail, synthesizing meticulous sounds of pianos, guitars and xylophones. “Taro” is a wonderful story and an adventure in itself. I can’t get enough of it’s obsessive melody, which reaches a haunting climax when Newman’s voice breaks in the refrain, missing the crucial note, but making it that much more important in its absence.

The Only PlaceEmma Davis
Best CoastThe Only Place
This album really just came at the perfect time. I had just returned from a long trip overseas and having had a few changes along the way I took some time out to live by the beach and write. There’s nothing really ground-breaking or creatively astounding about this record, it’s just a great record. Solid, well-constructed pop songs all the way through. It’s a more positive sounding album than the last, with cleaner production and perhaps less raw emotion but to me still has that distinct ‘Best Coast’ sound that I first fell in love with. The lyrics are beautifully simple to the point where I’m not sure sometimes how they get away with it, but they do. Overall, it simply made me feel good, and at a time when I needed it. I’ve listened to it so much that I wouldn’t be surprised if a few subconscious references to “waves” or “babes” make it into my next record.

The Money StoreMark Piccles (Tin Sparrow)
Death GripsThe Money Store
Possibly the most intense, in-your-face hip hop record I’ve ever heard, but it’s endless originality and almost tangible persona is undeniable. It’s not for everyone but if you can withstand the brutality of the initial listen, there is much to be discovered on second venture and beyond.

LonerismDean McLeod (Tin Sparrow)
Tame ImpalaLonerism
Some killer overseas albums this year but Lonerism is by far my favourite. It’s texturally amazing which is really important for me and I love Kevin’s song writing. It also expands the sound they crafted on Innerspeaker. Almost perfect psych pop. Plus after seeing them at Splendour this year I reckon they are one of the best live bands going. Conclusion: instant froth.

The Year of HibernationBen Cooper (Radical Face)
Youth LagoonThe Year of Hibernation
I’m never good at these lists. I’m almost always a year or two behind, as I tend to stop hunting new records while recording and then play catch up when I’m not. So this album was late 2011, but I was told that’s okay. Anyway, this is one of those records that feels like it was made in a bedroom and is all the better for it. It’s a record that makes me smile, and as the lyrics slowly became discernible I found I really liked them. I don’t often describe records as charming, but this one I do. And it’s good walking music. I like it a lot

Spring and FallJack Carty
Paul KellySpring And Fall
I got myself into a tis trying to choose between a bunch of amazing releases this year by First Aid Kit, The Falls, Leroy Lee, Tim Hart and Packwood (just to name a few) but when I stopped thinking too much about it and just went with my gut, I had to go with Paul Kelly’s Spring And Fall for my favourite album of 2012. I am not sure if it’s because I grew up listening to my Dad singing along to his records or just because of the beautiful, simple honesty with which he writes, but I find something about Paul Kelly’s records incredibly comforting, and Spring And Fall is among his best. Each song is a story in itself, and a paragraph in the bittersweet tale the album as a whole tells. It doesn’t take itself too seriously, just says it plain and true … Music for everyone.

Unfinished BusinessJessica Cassar and Darren Cross (Jep and Dep)
Wanda JacksonUnfinished Business
It was on our way back from our Jep and Dep tour of Germany, cheap flights with Air China, that we spent our last night in Frankfurt. With a giant stroke of luck, Wanda Jackson was performing a stones throw away from our crappy fluorescent pink hostel. After one song she blew us away. The devil’s girlfriend. Queen of Rockabilly. She is Rockabilly (no visible tattoos by the way). Her 2012 album, Unfinished Business, is mixed a saddlebag of rock, blues and country covers and originals that doesn’t try to be anything that it isn’t. It’s a fun and sassy album that pays tribute to the era the 75-year-old pint-sized, tassle wearing old school banshee reigned in. Listen to it.

SomethingEdward Deer
ChairliftSomething
For me the realm of intelligent and visceral pop music was completely owned by the ladies in 2012 (see also the exceptional recent records from Bat for Lashes, Cat Power, First Aid Kit and Sharon Van Etten, to name just a few). But the album I listened to more than any other this year was probably Chairlift’s Something. It’s full of thrilling juxtapositions – spontaneous and energetic performances meet painstaking songcraft, super hooky 80s-inspired pop melodies sit alongside bizarre sounds you’ve never heard before in your life. Caroline’s angelic, crystal clear voice is used to deliver wounded and often darkly comic lyrics, while Patrick’s bass lines are just plain killer. The band has just released some early demos from this album and those bare bones recordings reveal just how much work went into making the finished product so great.

Summer SongsJake Holmes (Merri Creek Pickers)
My Left BootSummer Songs
This is the coolest album I’ve heard in such a long time, absolute stoner heaven. “Sharks in the water” will make your hair stand on end. Roll up and just put it on.

The LumineersAchoo! Bless You
The LumineersThe Lumineers
I (Ross) heard the single “Ho Hey” in about July, and it was love at first listen. Catchy, awesome americana-folk-pop. There’s a massive scene they are championing, and they’re doing it real well.

MuseumPatrick James
Ball Park MusicMuseum
I often love albums where you can discover something new in the music every time. For me, this is one of them. I happened to catch a Ball Park Music concert at the Metro Theatre in the latter part of the year and was blown away. Since then, I keep going back to this band and especially this record, even to the point of covering one of their songs at my own live show. The songwriting is so left of field and it never fails to surprise me. Every time I listen to this album, I feel it moves me in a different way and keeps me intrigued about their music.

HypnotisedThe Twoks
Pony FaceHypnotised
Mature, fuzzy, warm and dark. The sound of three lads who know exactly how their music should sound, but (having mastered the art of subtlety) don’t shove it down your throat. Hypnotised has beautiful layers and textures. Not only does the album creep up and grow on you, but each song does. Highlights are the amazing “Alabama” (featuring the coolest laconic percussive vocal) and the spirited “Holly Said”.

Who's Feeling Young NowJane Hendry (The Tiger and Me)
Punch BrothersWho’s Feeling Young Now?
I’ve been a big fan of these guys for a few years now and this album shows just how talented they all are. I love the way they are bringing together traditional bluegrass instrumentation and techniques with songwriting that is much more indie-pop. This particular album does this probably more than their previous releases, but their complex and intricate arrangements are still there in spades, coupled with some heartbreakingly good melodies. There’s quite a bit of swagger too! Top track (changes regularly for me) – “Hundred Dollars”, where Gabe Witcher (fiddle) takes the lead vocals and swaggers all over the place.

The RubensSally Balfour
The RubensThe Rubens
Soulful, rockin’ blues; can’t get enough of The Ruben’s debut album. This album stirs something new within me each time I listen to it, especially their single “My Gun”. That track always cuts straight through to my heart. It is no wonder The Rubens are this year’s triple j Unearthed Artists of the Year.

Seven DaysAndrew Drummond
Emmy BryceSeven Days
The songs are fun and catchy and full of 90s pop influenced goodness! The EP also showed what an artist (and team) with drive and vision can achieve in a short period of time, with numerous TV show appearances (both live and soundtrack) and a national tour. Seven Days by Emmy Bryce inspired me to keep dreaming.

Ashes & FireStu Larsen
Ryan AdamsAshes & Fire
I know it was released pretty late in 2011, but all year long I just always went back to it. A classic easy listening album. I love the simplicity, I love the instrumentation and I love the way Ryan Adams’ imagery takes me some place else. My favourite track off this album at the moment is the opener, “Dirty Rain”.

Warm in the DarknessLeah Flanagan
Liz StringerWarm in the Darkness
Liz is one of my favourite Australian songwriters. The quality of musicianship and songwriting on Warm in the Darkness is incredible and it’s nice to hear her rocking out with full band and horn section. There are moments when listening to this record that I suddenly get goosebumps. They remind me of how truly beautiful her voice is. Buy it. Favourite songs are “High Open Hills” and “Warm in the Darkness”.

Slay Me In My SleepPiers Twomey
Grand SalvoSlay Me In My Sleep
The paradox about Paddy Mann – aka Melbourne’s Grand Salvo – is how he’s both adored and celebrated while also being overlooked and unsung. His critically acclaimed albums come across (to me) like profound, melodically gorgeous, yet slightly awkward museum folk songs: pure and emotionally charged vignettes from another era. Enough has been written about 2012’s Slay Me In My Sleep being one of his very best. I’ll just add that the record’s “The Boy’s Story Of His Faithful Family Dog” reduces me to tears. If you’ve ever loved and lost a family dog – and if you let it – the song may evoke the same consequence in you.

Over The SunCountry Town Collective
Tinpan OrangeOver the Sun
We love Tinpan Orange’s new album. It’s quirky, unexpected and eerily beautiful. A bit like Portishead but more organic sounding, it could be the soundtrack to an old movie, a bit James Bond theme even? It’s definitely got some magic to it.

Swing Low MagellanSteven Barnard (Arbori)
Dirty ProjectorsSwing Lo Magellan
I was surprised and satisfied by the peculiar and purposed brilliance of this record. It satisfies so many corners of my affection as it effortlessly showcased a band that are so deliberate and intentional. From the intricate electronic sounds scapes, to the biting crunch of guitar riffs, to the sweet and often bitter harmonics, dull acoustic tones, manic riffs, intimacy, mania … Lyrically prophetic both socially and emotionally and musically nostalgic yet completely original. I listened to it over and over as it continued to claimed my satisfaction.

Odd SoulPaul Brown (Arbori)
MutemathOdd Soul
This album came as a bit of a surprise to me. Mutemath have been a favourite band of mine for a while and they always do something different with each album, yet manage to create a sound uniquely theirs. Odd Soul is a masterpiece of musicianship which in my mind brings together the Mutemath feel to a very 60s soul and psychedelic sound. It is a fresh sound (albeit retro) in a market saturated in same sounding music! Fav tracks: “Cavalries” and “One More”.

RedJames Hutchinson (Arbori)
Taylor SwiftRed
We’re forgetting the biggest album of the year, the one that defines this generation and will go down in the annals of history as a watermark in the second decade of this century – Taylor Swift’s Red. It is my emotional comfort when I’m home crying myself to sleep over a lost boyfriend at night and the musical incentive to get me through the day.

Born and RaisedSibylla Stephen (The Little Stevies)
John MayerBorn and Raised
First let me say, I haven’t heard many new albums this year as I gave birth to my son in June. And like many first time mums I’ve just been tumbling my way through his first year trying to keep my head above water. It sure has been fun though, and one new album that we have sung, danced and gone to sleep to is the new John Mayer, Born and Raised. I know it’s cheesy, and it’s not all that “cool” to admit it, but I’m a big fan of his. I’ve always loved his lyrics, he had me at “I’ll never let your head hit the bed without my hand behind it” … Swoon … And on this new album he’s done it again. It’s full of songs I can’t stop humming and lyrics I wish I’d come up with. And he seems to have taken a little turn towards a more alt-country sound in some songs which I love. But all-in-all its just a great pop record, my favourite. Don’t judge me!!!

Young NorthZoe Elliot
The Paper KitesYoung North
The Young North EP has managed to stay true to the Paper Kites sound while still feeling fresh. My two favourite songs are “Leopold Street” due to the romantic nostalgia I hold onto of my grandparents, and “Paint” as its beautiful simplicity brought me to tears when I first turned it on sitting alone in my car – it takes a strong lyric to break me.

Goat Rodeo SessionsBayden Hine (Packwood)
Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris ThileGoat Rodeo Sessions
Of all the albums that I heard over the course of 2012, the one that really stood out for me was Goat Rodeo Sessions – a collaborative album put together by Yo-Yo Ma, Stuart Duncan, Edgar Meyer and one of my musical heroes Chris Thile. I first heard the album by way of a buddy, who told me I “had to listen to this”. Naturally I didn’t, until several months later whilst sitting in a car listening to The Punch Brothers’ latest album – at which point I remembered. The album’s title refers to a chaotic ruckus of sorts, a big ol’ mess that somehow just … works out in the end – exactly what this album is. I absolutely adore blended genres – especially blends of classical/folk/bluegrass – and so this album has been on high-rotation ever since! The stand out track for me is “Attaboy”, but if you can’t stand instrumentals and harmonies are your thing – “Here and Heaven” is sure to please.

TempestNigel Wearne
Bob DylanTempest
Yes, I’m another songwriter who’s a Bob Dylan fan but I had to choose this album because he’s still got it in spades. It’s more of a poetry reading these days but his phrasing is as good as it’s ever been. It’s pretty hard to beat a nasty 8 minute murder ballad and a beautiful 15 minute epic about the Titanic sinking. The man still has something to say!

The Rip TideJesse Lubitz (TinPan Orange)
BeirutThe Rip Tide
I started my year off with a live Beirut show in early 2012 and it’s stayed with me as one of the best shows I’ve seen all year. The songs on The Rip Tide seem effortless and the album flows as an album should flow. I love the quirky instrumentation and clever arrangements – it’s an album from a band who don’t sound like they are trying to sound like anything other than themselves.

New Matt Bauer Single “Tonight We Get To Sing Our Songs”

Matt Bauer
Image Courtesy of Matt Bauer

Last week we brought you the news that Matt Bauer has a new EP, No Shape Can Hold Me Now, in the works and debuted the first video “Andaman Sea”. Well a second track has now emerged online that we also had to share with you.

Titled “Tonight We Get To Sing Our Songs”, the song is once again a departure from the banjo driven tracks from his previous releases, but it’s still very much a Matt Bauer song. Take a listen below:

No Shape Can Hold Me Now is scheduled for release on the 23rd October.

Thank Folk It’s Friday – 21st September

TFIF

This Week in Folk

All the News From The Week That Was

– Grammy award winning mandolinist Mike Compton is heading to Australia this October and November for a national tour. During his Perth leg he will be joined on stage at the WA State Theatre with the likes of Kate Burke and Ruth Hazleton, Andrew and Karen Winton, Bluegrass Parkway, Bernard Carney and David Hyams, Jane Germain and Ian Simpson and Clarke’s Grey Vest for In Constant Sorrow – A Night of Bluegrass. Details here

– Virtuosic instrumental folk trio The String Contingent have confirmed the dates for their massive spring tour. Details here

– The Surry Hills Sacred Harp Singers will be holding the first ever Australian Sacred Harp Convention this October long weekend in Sydney. Details here

Sarah Blasko revealed the first single from her forthcoming album I Awake to be the title track. Details here

Mama Kin seemed to disappear for a while but it looks as though it was just to record a brand new album, due in 2013. The first single from the album hits stores this month with a massive tour planned for October. Details here

– The first two artists announced for the 2013 Port Fairy Folk Festival are folk legends Eric Bogle and Arlo Guthrie. Early-bird tickets for the festival are now on sale. Details here

The Staves strapped on their cowboy boot and stetson hats for their latest western inspired video for “Tongue Behind My Teeth”. Details here

– Blues-folk troubadour Ashleigh Mannix has just released her second live album Ashleigh Mannix – LIVE at The Vanguard and its available to stream and purchase online. Details here

– After her appearance at Communion Melbourne this Sunday Melbourne songstress Ainslie Wills has announced shows in Adelaide, Melbourne, Hobart and Brisbane. Details here

Holland recently released their brand new single “Without You”. Details here

Elliot The Bull have a massive tour throughout the east coast planned this spring. Details here

– The first round of artists for Bluesfest 2013 have been announced and they’re pretty impressive – Ben Harper, Wilco, Bonnie Raitt, Dropkick Murphys, Glen Hansard with The Frames, William Elliott Whitmore, Frank Turner and The Sleeping Souls and more. Bluesfest will be rolling out their full program over four announcements in the coming weeks. Details here

Angus Stone shot and directed his latest video for the track “Clouds Above” in southern India. Details here

– Swedish sisters First Aid Kit have ventured into the forest to shoot their new video for the track “Wolf”. Details here

Wilco also released a brand new video this week for the track “Sunloathe”. Details here

Martha Tilston will be releasing her brand new album Machines of Love and Grace next month and has just dropped the first video “Stags Bellow”. Details here

– The lineup for the 2013 Gulgong Folk Festival is stuffed full of Timber and Steel favourites including Wes Carr’s Buffalo Tales (above), Jack Carty, The Falls, April Maze, Daniel Champagne, Fanny Lumsden, Bellyache Ben and Mustered Courage. Details here

– US folk singer-songwriter Matt Bauer will be releasing his new EP No Shape Can Hold Me Now on the 23rd October. The first single from the EP is “Andaman Sea” which has a gorgeous new video. Details here

Paul Kelly has revealed the details of his 19th studio album, due for release next month. Details here

Interviews

“Tinpan has never been a very self-conscious band. I mean, we have never set out to make a certain type of music or capture a certain sound. However, this album, Over the Sun, was a little more considered when it came to the recording process. We wanted it to be a bit more epic, a little further from the folky production we have had in the past. Also, I wanted to jump around on stage a bit more so we had to make the music accordingly.” – Emily Lubitz from TinPan Orange chats to Gareth Hugh Evans. Interview here

“Since releasing Woodland, we have toured relentlessly around the country, experimented with all sorts of instruments and writing techniques, and feel we’ve grown massively. To release Young North was our chance to showcase where we are at and what we have learnt over the last year” – Sam Rasmussen from The Paper Kites chats to Gareth Hugh Evans. Interview here

Releases This Week

Live at the Vanguard
Ashleigh Mannix – LIVE at The Vanguard – Ashleigh Mannix
Bandcamp

Love Your Crooked Neighbour
Love Your Crooked Neighbour With Your Crooked Heart – Charles Jenkins & The Zhivagos
Bandcamp

I Love Hate You
I Love Hate You – Claude Hay
iTunes

Babel
Babel – Mumford and Sons
iTunes

Hello
Hello – Sarah Humphreys
iTunes

Before The Morning
Before The Morning – Tigertown
iTunes

Over The Sun
Over The Sun – TinPan Orange
iTunes

Timber and Steel Presents

Fanny Lumsden
Don’t Think Twice feat. Fanny Lumsden, Bec Sandridge and Bity Booker
Sunday 23rd September – The Annandale Hotel, Sydney, NSW

Patrick James
Patrick James
Saturday 22nd September – Brighton Up Bar, Sydney, NSW

The Eastern
The Eastern
Thursday 27th September – Clancy’s, Fremantle, WA

The Tiger and Me
The Tiger and Me with Al Parkinson and James Kenyon
Sunday 23rd September – The Workers Club, Melbourne, VIC

Gigs Next Week

Charlie Mayfair with The Falls
Friday 21st September – Brighton Up Bar, Sydney, NSW
Thursday 27th September – Alhambra Lounge, Brisbane, QLD
Friday 28th September – Great Northern Hotel, Byron Bay, NSW

Communion Melbourne feat. Battleships, Ainslie Wills, Packwood, Haydin Calnin, Grizzly Jim Lawrie
Sunday 23rd September – The Toff in Town, Melbourne, VIC

Elliot The Bull
Friday 21st September – Lizottes, Central Coast, NSW
Friday 28th September – Revolver, Melbourne, VIC

Julia Stone
Friday 21st September – Community Centre, Byron Bay NSW
Saturday 22nd September – Tanks Arts Centre, Cairns QLD
Friday 28th September – Astor Theatre, Perth WA

Katie Noonan and Karin Schaupp
Friday 21st September – Melbourne Recital Centre, Melbourne, VIC
Saturday 22nd September – Wangaratta P.A.C., Wangaratta, VIC
Thursday 27th September – Albany Entertainment Centre, Albany, WA
Friday 28th September – Winthrop Hall, Perth, WA

Krystle Warren
Sunday 23rd September – The Factory Floor, Sydney, NSW
Tuesday 25th September – Lizotte’s, Kincumber, NSW
Thursday 27th September – Northcote Social, Melbourne, VIC

Laneway
Friday 21st September – The Heritage Hotel, Bulli, NSW
Saturday 22nd September – The Great Northern, Newcastle, NSW
Sunday 23rd September – The Clarendon Guesthouse, Katoomba, NSW
Wednesday 26th September – Folk Club, Oxford Art Factory, Sydney, NSW
Friday 28th September – The Soundlounge, Gold Coast, QLD

Lanie Lane
Friday 21st September – The Loft, Warrnambool, VIC
Saturday 22nd September – Theatre Royal, Castlemaine, VIC
Thursday 27th September – Courier-Mail Spiegeltent, Brisbane Festival, QLD

Nexus World Music Series
feat. Banjo Jackson and Golonka

Friday 21st September – Nexus 
Multicultural
 Arts
 Centre, Adelaide, SA
feat. The Atlantic Street Band and Marmalade Circus
Friday 28th September – Nexus 
Multicultural
 Arts
 Centre, Adelaide, SA

Nick and Liesl
Saturday 22nd September – The Berry Hotel, Berry, NSW
Sunday 23rd September – Jamberoo Pub, Jamberoo, NSW

The Stillsons
Wednesday 26th September – The Front, Canberra, ACT
Thursday 27th September – The Wickham Park Hotel, Newcastle, NSW
Friday 28th September – The Sound Lounge, Gold Coast, QLD

The String Contingent
Friday 21st September – The Court House, Camperdown, VIC
Saturday 22nd September – The Flying Saucer Club, Elsternwick, VIC
Sunday 23rd September – Stoves for Africa, Torquay Uniting Church, Torquay, VIC
Friday 28th September to Monday 1st October 1 – Rose’s Gap Music Camp, Rose’s Gap, VIC & Sunshine Fiddle Camp, Alexandra Headland, QLD

Tim Hart
Friday 21st September – The Vanguard, Sydney, NSW
Saturday 22nd September – Yours & Owls, Wollongong, NSW
Sunday 23rd September – Clarendon Guesthouse, Katoomba, NSW
Thursday 27th September – Black Bear Lodge, Brisbane, QLD
Friday 28th September – The Loft, Gold Coast, QLD

TinPan Orange
Saturday 22nd September – Caravan Music Club, Oakleigh, VIC

Friday Folk Flashback

“The Boxer” – Simon and Garfunkel

If you’ve picked up the deluxe edition of the new Mumford and Sons album Babel today you’ll have been treated to their version (with Jerry Douglas and Paul Simon) of this classic track. The Mumford version has gone a long way to reminding us just how amazingly well written this song is. Check out Simon and Garfunkel performing “The Boxer” live in Central Park in 1981.

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