Thank Folk It’s Friday – 24th July

TFIF

This Week in Folk

All the News From The Week That Was

Davey Craddock & The Spectacles released their new single “Girls Light Fires”. Details here

– Sydney duo Ivanhoe released their new single “O’Donaghues”. Details here

The Waifs announced their new album Beautiful You, released their new single “6000 Miles” and revealed dates for a WA tour. Details here

– Sydney folk singers Direwolf and Willowy celebrated the end of their joint tour with a live video for the track “The Naked Tree”. Details here

– Melbourne newgrass masters Mustered Courage released their new video “Honesty”. Details here

– Melbourne and Sydney dates have been announced for the 2015 Out On The Weekend Americana festival this October. Details here

– Sydney blues and roots trio Eddie Boyd and The Phatapillars have announced a massive tour kicking off this August. Details here

– Melbourne singer-songwriter Ayleen O’Hanlon announced details of her upcoming debut album Blend and Spill. Details here

Little May announced their debut album For The Company. Details here

– Over the weekend Laura Marling released a new version of her latest album, Short Movie (Director’s Cut). Details here

The Paper Kites released their new video “Electric Indigo” and announced a national tour. Details here

Nathaniel Rateliff & The Night Sweats released their Blues Brothers inspired video “S.O.B.”. Details here

Katie Noonan’s Vanguard released her new video “Quicksand”. Details here

– Brisbane folk singer Sian Evans has a bunch of east coast dates this week. Details here

– New Zealand singer Aldous Harding has announced her first ever Australian headline tour. Details here

Releases This Week

Jane Cameron
The Mercy of the TideJane Cameron
Bandcamp

Transmutant
TransmutantKatie Noonan’s Vanguard
iTunes

Laura Marling
Short Movie (Director’s Cut)Laura Marling
iTunes

Old Man Luedecke
Domestic EccentricOld Man Luedecke
iTunes

Soft Faces to Hold
Soft Faces To HoldToby Graham
Bandcamp

Timber and Steel Recommends – Go To This Gig

Country and Inner Western feat. Green Mohair Suits, Caitlin Harnett, William Crighton

Caitlin

Country and Inner Western returns to The Basement in Sydney this week with the amazing lineup of Green Mohair Suits, Caitlin Harnett and William Crighton. Definitely not one to be missed

Wednesday 29th July – The Basement, Sydney, NSW

Gigs Next Week

Bronte
Friday 24th July – Brighton Up Bar, Sydney, NSW

Country and Inner Western feat. Green Mohair Suits, Caitlin Harnett, William Crighton
Wednesday 29th July – The Basement, Sydney, NSW

Davey Craddock
Friday 24th July – Perfect Drop, Daylesford, VIC
Saturday 25th July – Sofar Sounds, Melbourne, VIC
Thursday 30th July – The Retreat, Melbourne, VIC

Folklore w/ MaD aDaM
Saturday 25th July – Loaded Dog Folk Club, Annandale Neighbourhood Centre, Sydney, NSW

FolkSwagon w/ Billie McCarthy, The Campervan Dancers, Astrid Zeman
Wednesday 29th July – Cafe Lounge, Sydney, NSW

Fraser A. Gorman
Friday 24th July – Barwon Club, Geelong, VIC

Gurrumul
Wednesday 29th July – Enmore Theatre, Sydney, NSW

Jinja Safari
Friday 31st July – Oxford Art Factory, Sydney, NSW

Josh Pyke
Wednesday 29th July – The Soda Factory, Sydney, NSW

Katie Noonan
Friday 24th July – Camelot, Sydney, NSW
Saturday 25th July – Milton Theatre, Milton, NSW
Friday 31st July – Cellar Bar, St Kilda, VIC

Mark Lucas and The Dead Setters
Friday 31st July – Hotel Gearin, Katoomba, NSW

Lacey Cole & the Lazy Colts
Thursday 30th July – Moonshine Cider and Rum Bar, Manly, NSW

Little Features feat. Make Like a Tree, Eddie Boyd & The Phatapillars, Baby Lips and The Silhouettes, Jon Cotton
Saturday 25th July – Hibernian House, Sydney, NSW

Not Good With Horses w/ Katie Brianna
Sunday 26th July – The Union, Sydney, NSW

Rubber Soul Revolver feat. Marlon Williams, Husky Gawenda, Jordie Lane, Fergus Linacre
Thursday 30th July – Concert Hall, QPAC, Brisbane, QLD

Sian Evans
Sunday 26th July – The Triffid, Brisbane, QLD
Thursday 30th July – The Drunken Poet, Melbourne, VIC

Splendour in the Grass
Friday 24th to Sunday 26th July – North Byron Parklands, NSW

The Acfields
Friday 24th July – House Concert, Lismore, NSW
Saturday 25th July – Mandala Organic Arts, Gold Coast, QLD
Sunday 26th July – Bohemian Bungalow, Eumundi, QLD
Friday 31st July – Pizza Paradiso, Byron Bay, NSW

The Stetson Family
Sunday 26th July – The Spotted Mallard, Melbourne, VIC

The Stillsons
Friday 24th July – Post Office Hotel, Melbourne, VIC

Tom StephensTom Stephens, Obscura Hail, Brendon Moon
Friday 24th July – The Bridge Hotel, Sydney, NSW

Tom West
Sunday 26th July – The Grace Emily, Adelaide, SA

Friday Folk Flashback

“Maggie’s Farm” – Bob Dylan

Tomorrow marks the 50th anniversary of the day Dylan went electric at the Newport Folk Festival. This video is footage from the actual show although I’ve heard the booing crowd at the end of the audio was spliced in from the end of Dylan’s set, not from the end of “Maggie’s Farm”. A moment of folk and rock history.

Little May Announce Debut Album For The Company

Little May
Image Courtesy of Little May

Sydney based indie-folk trio Little May have announced plans to release their highly anticipated debut album. Titled For The Company, the album was produced by Aaron Brooking Dessner (The National) and is due for release on the 9th October.

Little May had a massive year in 2014 off the back of their debut EP and For The Company will likely see them dominate again in 2015.

“It was a dream of ours to work with Aaron Dessner,” Little May explained in their press release. “We are so incredibly grateful to have had the opportunity to make this album with him, and Jonathan Lowe, who engineered and mixed the album. Aaron captured the heart of what we are about, and we couldn’t be more thankful.”

The full track listing for For The Company is below:

1. Cicadas
2. Sold
3. Home
4. Oh My My
5. Bow & Arrow
6. Seven Hours
7. Chemicals
8. Sinks
9. Remind Me
10. Where Do You Sleep
11. The Shine Is Brighter At Night
12. Hide [Bonus track]

The album announcement follows on from the release of their new video “Home” – check it out here:

To celebrate the release of For The Company Little May have a handful of Australian dates this September – here are the full list of shows:

Friday 18th September – Oxford Art Factory, Sydney, NSW
Saturday 19th September – The Foundry, Brisbane, QLD
Thursday 24th September – The Corner Hotel, Melbourne, VIC
Saturday 26th September – Jack Rabbit Slims, Perth, WA

Folk Music Lineup for Australia Day at The Rocks

Winterbourne
Image Courtesy of Winterbourne

Every year The Rocks in Sydney hosts one of the best Australia Day celebrations in the country, with free musical performances from some of Timber and Steel’s favourite artists. And this year is no different with the likes of Thelma Plum, Dustin Tebbutt, The Morrisons, Winterbourne (above), Little May and more taking to the stage.

The Rocks will be transformed into “The Common” with George Street closed and two stages erected – The Green at First Fleet Park and The Laneway at Atherden Street.

If you’re in Sydney and you’re keen to see some free music on Australia Day the full set times are below:

The Green at First Fleet Park
Benny Walker – 12:05-12:45pm
Thelma Plum – 1:05-1:50pm
Dustin Tebbutt – 2:15-3:10pm
The Bombay Royale – 3:40-4:35pm
Saskwatch – 5:00-6:00pm

The Laneway – Atherden St
The Morrisons – 12:30-1:15pm
The Lulu Raes – 1:30-2:10pm
Winterbourne – 2:30-3:10pm
Fishing with Special Guest Al (Cloud Control) – 3:30pm-4:15pm
Little May – 4:35-5:30pm

Timber and Steel’s Artists’ Top Albums of 2014

Turntable

You’ve probably read what we think are the top albums of 2014 and now it’s time to turn to Timber and Steel’s favourite artists and see what they pick as their number one.

We reached out to musicians across the folk spectrum, from local singer-songwriters to internationally acclaimed folk stars and the response, as always, has been amazing. So we’ll shut up and we’ll let the artists do the talking with Timber and Steel’s Artists’ Top Albums of 2014:

NightwalkWoody Pitney
Matt WaltersNightwalk
I was a small part of Matt’s crowd-funding campaign to get this album off the ground and it was definitely money well spent! Matt has a really defined, folky sound, which evokes different emotions throughout the album. His understated vocals with his powerful lyrics make a great recipe for an excellent album. My personal highlights are Track 2, “Melbourne Goodbye’ and Track 8, ‘Build A Place’. I highly recommend you give it a listen!

SongsRoland K Smith
John FullbrightSongs
On his second album the best new songwriter in the world pairs lyricism with musicality and musicianship. Seriously, no one is making records as good as this young man from Oklahoma. “High Road”, the album’s penultimate track, still sends shivers down my spine after the hundredth listen. Fingers crossed we see him in Australia soon.

ZabaSteven Barnard (Arbori)
Glass AnimalsZaba
It was a toss up between this record and Jamie Cullum’s Momentum. Both are full are brilliant arranging and some great hip hop and R&B influences. Glass Animals however have created soundscapes, grooves, crochendo, and a singer who’s channelling a rapper, in what I can only describe as indie swag. I have not stopped listening to this record all year

Upside Down MountainTodd Sibbin (Todd Sibbin and the Acadian Driftwood)
Conor OberstUpside Down Mountain
Its been three years since Bright Eyes’ 2011 heavily electronic influenced The Peoples Key and many were expecting a blow back to the early Oberst/Bright Eyes days with the announcement of a solo record. While it certainly is more laid back, the collaboration with producer Jonathan Wilson brings an entirely new aesthetic to anything we’ve heard from an Oberst incarnation (not to mention, in terms of subject matter, Oberst got married three years ago so most of the lyrical content is about the “experiences” of married life, instead of the “experiences” of single life). Defiantly modern sounding (largely due to a decent amount of electronic PAD work), Wilson and Oberst have managed to retain the stripped back and intimate nature of the songs despite the fact that the tracks are still fairly overdubbed (with a decent amount of electric guitar too!). It’s an extremely ambient record which, after speaking to others, can help take some of the “bluntness” out of Oberst’s delivery, certainly making it one of Oberst’s more “friendlier” releases. I love it.

New MoonLiz Frencham
Sarah HumphreysNew Moon
It may seem biased because I played on this album but the things I love about it are nothing to do with my playing. Sarah’s songwriting is exquisite and her voice sublime. It also has the energy and dynamics of a live album.

The Spoon CollectorsLiam Gale (Liam Gale & the Ponytails)
The Spoon CollectorsA Dime for Charon
Part mellow-drama-rock-opera, part nineteen-seventies-swamp-explosion, but mostly a psychedelic journey through The Spoon Collector’s fabricated landscape beyond space and time. I was present for a lot of the recording of this album, out in central NSW with Sunfield Records, and let me tell you: The Spoon Collectors know how to party. The album features guest vocals by the boys from the Dusty Yellow Sunbeams and characterised artwork by the producer’s brother.

Angel OlsenLauren Moore (Pepperjack)
Angel OlsenBurn Your Fire For No Witness
There’s something consistently cool and brooding about this February release. It’s the fuzzy guitar tones; it’s her angry-drunk to sleepy-drunk vocals. It’s the gripping nature of the tom-heavy drumming in “Forgiven/Forgotten”. You can put this in your ears, down a glass of red and kick in a car window if you want to. I love it when folk meets rock in the most seamless way. And that’s what this album is – an ideal balance of gloom and glow – as well-rounded as a human personality; bleak at times, but honest and changing. As she sings in “High & Wild”, “I’m neither innocent nor wise when you look me in the eyes.” Perfect for long walks in the dark and putting out cigarettes in the carpet.

Salad DaysJay Penaflor
Mac DemarcoSalad Days
I decided to listen to this album before dozing off to sleep. Didn’t sleep of course. My ears were completely drawn to the ‘jizz jazz’ of Mac Demarco and ended up listening to the very end of the album. Upon listening to this album, I found myself head-bopping to nearly all his songs. He has a way of messing with your head with his romantic-like melodies and bizzare yet addictive twangy guitar riffs. For some reason I feel like this album should be listened in a cafe in Paris or something. My hat’s off to Mac Demarco. Listening to him inspired me to write ‘Fridge Buzz (Choirs Of Suburbia)’ on my Incentive EP, though I doubt it’s got nothing on any of his tunes.

BeckOisin Leech (The Lost Brothers)
BeckMorning Phase
On this album Beck appears in the desert wearing silver robes and speaking in tongues of crystal and cold fire. The songs are immaculate. The precision and emotion in this album makes it so special. This album was my close companion as we toured the world. I love it dearly.

The CoralMark McCausland (The Lost Brothers)
The CoralThe Curse of Love
This album was recorded eight years ago and kept hidden in a treasure chest until the flavours had stewed. It’s a unique album of frightening beauty and its songs hold many secrets. I’d been waiting to hear these songs for centuries without realising it. The album immediately unlocked a labyrinth of mysteries to me from the first note to the last. It’s boss.

The No-Hit WonderFrank Turner
Cory BrananThe No-Hit Wonder
Everything Cory does is pretty much flawless – it’s a real wonder to me that he’s not better known than he is. Most every songwriter I know loves his stuff and feels slightly daunted by it, he’s so much better than the rest of us! This new album is no exception. It’s worth the price for the opening lines of “The Only You” alone. A classic record in the making.

Jack WhiteClaude Hay
Jack WhiteLazaretto
This one’s easy for me, Jack White’s Lazaretto. It’s full of wicked riffs, catchy melodies, analog raw production, brilliant songs, all the ingredients for a perfect album. I’ve flogged it to death.

Otis GibbsBill Jackson
Otis GibbsSouvenirs of a Misspent Youth
As well as being a native of Indiana, Otis Gibbs is also noted as “a storyteller’s storyteller” who symbolizes the true essence of the independent spirit thriving in the East Nashville neighbourhood he now calls home. Fiercely independent, Souvenirs of a Misspent Youth produced by Thomm Jutz is Gibb’s seventh album since 2002. Folk is Otis’s style but country is his flavour and many are predicting that this will be his breakout album. Not that it matters as Otis writes to inspire. If you like Guy, Townes, Steve etc then get on board. Every song on this album is a highlight, so as they say “lean in and listen” and you won’t be able to stop. My favourite track: “Ghosts of Our Father’s”. Otis Gibbs has also recorded nearly 100 podcasts under the title Thanks for Giving a Damn that consists of conversational interviews with those who write, sing and play for a living – free on iTunes.

Lily OSam Lee
Sam AmidonLily-O
An album of absolutely sensitive genius, maturity in craft and skill in story telling that is heads beyond most other albums about

Hey RosettaWinterbourne
Hey RosettaSecond Sight
Such a good album! Tim Baker’s vocals are addictive and they’re backed up by clever and moving lyrics. Each song is thick with real instruments, which move together in a way that still feels fresh after the tenth listen. It just makes you feel good.

Damien RiceRyan Oliver (Olivers Army)
Damien RiceMy Favourite Faded Fantasy
It’s classic Damien Rice melancholy but with a new focussed indie-pop sensibility. The songs are well crafted, passionate, raw and honest and you feel like you’re sitting right in his Icelandic borrowed home-studio. The production is beautiful. I love the lengthy songs that take you on a wild journey and the lush orchestral arrangements that almost drown out everything else, in a very good way.

Caitlin ParkHeyMun
Caitlin ParkThe Sleeper
Caitlin Park is a real gem and her latest album is a reflection of great ambition and perspective. A body of work exploring intricate layers of acoustic blended with touches of electronic (“Wake Up In A Whirr”) and thought provoking verses (“Hunt For The Young”) all in all results in a real treat for the senses indeed. Paired with sound engineer extraordinaire Sam Brumby, The Sleeper is a fusion of great ideas executed beautifully. Reminding us of how lucky we are to have inspiring talents like this in Australia.

AtlasCaitlin Harnett
Real EstateAtlas
Bittersweet lyrics, dreamy vocals and guitars and just the right amount of ache to make you fall in love with this record over and over again.

Mikhael PaskalevLittle May
Mikhail PaskelevWhat’s Life Without Losers
This album has been the prominent soundtrack to my year. It is perfection and has really inspired me to think outside the box creatively. Such a genuine guy who deserves all the success that will continue to come his way.

Nikki LaneBex Chilcott (Ruby Boots)
Nikki LaneAll Or Nothin’
It takes about five minutes of watching a Nikki Lane show to become a totally dedicated fan girl and although album was a slow burner for me, its infectious nature took hold this year. She’s got to be one of the nicest badasses both in person and in song. The songs are just good, strong songs that are both honest and lyrically pretty clever, classy hooks and a really good dose of steel and slide which always pulls at my heartstrings. Totally won my heart over this year!

Angus and Julia StoneChris Panousakis (Timberwolf)
Angus & Julia StoneAngus & Julia Stone
For me it would be Angus & Julia Stone’s self titled album no doubt. It’s such a punchy, refreshing version of their songwriting, and there’s an intangible sense of unity between the two that you can really feel listening to it as well as seeing them play live. It almost feels a lot more vulnerable or honest, either way it’s pretty special.

Apex TwinThe Ellis Collective
Aphex TwinSyro
After 13 years, Richard James’ Syro is a tuneful, buoyant and humble return, playfully heralded by a green blimp hanging over London and announced from the depths of the deep web. Without any sonic uppercuts, the likes of Windowlicker or Come To Daddy, Syro dwells in analog manipulations more common to his Analord series (released as AFX) and serves as the frontrunner of what more may come now that the 13 years without Aphex Twin has passed. How bloody exciting!

Daniel ChampagneBearded Gypsy Band
Daniel ChampagneThe Gypsy Moon – Volume II
Dan is one of the most hard working Australian musicians I know of. He is a prolific songwriter and musician of great calibre. The songs on this album are full of depth, they talk of life on the road, of friends and lovers lost and the constant moving on that comes with the touring life. Beautiful melodies accompanied by some of the finest guitar playing you’ll hear makes this album so great.

Against MeBilly The Kid
Against Me!Transgender Dysphoria Blues
Why? It’s the most real, rocking, sincere, vulnerable, brave and catchy thing to get stuck in my ear holes in awhile, with a lyrical perspective that is engrossing, inclusive and yet daringly different. Also, I love these people.

WastelandsMatthew Black (The Bottlers)
Protector 101Wastelands
Tuning into the crackling airwaves of cinematic score saturated post-apocalyptica never felt so awesomely ominous. Maine synthwave artist Protector 101 has paid homage to future shock, nuclear holocaust ravaged movies with an envisioned 17 track soundtrack entitled, Wastelands. Protector 101 takes the listener on a rugged journey through ravaged love, gang warfare and bleak radiated Australian desertscapes circa 2099 with a musically based visual dexterity I could only liken to John Carpenter or Vangelis.

EnmaarCatgut
TinariwenEmmaar
We’ve listened to countless favourite albums on long car trips, lots of familiar country and old-time and bluegrass. But Malian Tuareg band Tinariwen really struck us: rolling rhythmic grooves, bluesy electric guitars and beautiful low male vocals. There’s a hypnotic drive to this desert music that draws you in, we love it!

FanfarloMike McCarthy
FanfarloLet’s Go Extinct
Fanfarlo’s third LP Let’s Go Extinct quickly danced its way to the top of my record collection this year. Fanfarlo have been my go to fun music choice for a few years now and although there are a few more psychedelic moments on the album Let’s Go Extinct delivers with solid songwriting, vocal delivery and production.

Valerie JuneSam Buckingham
Valerie JunePushin’ Against A Stone
It’s bluegrass, it’s folk, it’s rockin’ it’s heartbreaking, it’s uplifting and her voice carries each track in a vulnerable, sexy, “I take no shit, but I just wanna be loved” kind of way. I kind of want to marry her

Caitlin HarnettShane Nicholson
Caitlin HarnettThe River Runs North
My favourite album of 2014 is The River Runs North by Caitlin Harnett. A collection of great songs, played with heart and a minimum of fuss. As an album, it’s incredible – as a DEBUT album, it’s astonishing.

Jack WhiteEddie Boyd (Eddie Boyd and the Phatapillars)
Jack WhiteLazaretto
Jack White! What a man! His latest offering, Lazaretto is a dirty, raucous blues/rock/country mash-up which has been playing on repeat in my kitchen for months. Crunchy guitar riffs, wailing fiddles, ghoulish backing vocals, and a piano which has surely been bashed to pieces by now!
Easily my favourite album of 2014.

Lera LynnJohn Flanagan
Lera LynnThe Avenues
I came home from Nashville in October with a stack of incredible records but this is the one that I’ve listened to non-stop since getting back. I’d call it Americana-Folk-Pop, similar to Lisa Mitchell but more Americana and less pop. The melodies are catchy, but there are offbeat moments (which is what I love about it) and the production is slick and atmospheric tying it all together. Her voice is smooth and irresistible and yes, I might have a slight crush on her.

Tim WheelerTony Wright (VerseChorusVerse)
Tim WheelerLost Domain
The Ash frontman released his debut solo record this year and surprised everyone in that it didn’t sound remotely like the mother-band and it wasn’t (as a lot of solo debuts tend to be) an acoustic record! These songs deal with the loss of Tim’s dad, George, how it affected him and his family and how it’s still affecting them. It’s a work of tremendous emotion and beauty. I lost my mother at a young age and hearing some of the lyrics in this wonderful album tugged at my heart strings in every manner possible. From the instrumental, bluesy movers to the frankly stunning single, “Vigil”, this deeply personal album has an extremely universal appeal. A truly beautiful and happy/sad achievement on a topic we all, sooner or later, can relate to.

Emily BarkerEmily Barker (Emily Barker and The Red Clay Halo, Vena Portae)
Lucinda WilliamsDown Where the Spirit Meets the Bone
I love this new record of Lucinda’s. I’ve been a fan for many years now and this is stand out. The songwriting is exceptional and very much complimented by a great production. Her voice is weathered, broken and beautiful as ever. Very classy and visceral.

The War On DrugsAidan Roberts (The Maple Trail)
The War On DrugsLost In The Dream
Unlike so many rock bands who meddle with reinventing a retro sound, The War on Drugs possess several assets that make them soar above the rest – particularly with this dark, spectacularly beautiful record. The songs live in a world almost entirely ruled by common-time 80’s new-wave rock rhythms, the landscape populated by widescreen analog synth textures and twisting, chorusy guitars. And above it all, the beauty of Adam Granduciel’s weary and insistent tenor tugs you through these resigned and ponderous story songs like a troubled, trusted brother. Amazing.

Hot DreamsLacey Cole (Lacey Cole & the Lazy Colts)
Timber TimbreHot Dreams
Nostalgically cinematic, hauntingly beautiful and profoundly strange Timber Timbre’s 2014 album Hot Dreams sounds like 50s L.A noir meets Elvis-era Vegas complete with the picturesque road-trip around Arizona it took to get there. Equal parts sexy and creepy Hot Dreams is breathtakingly weird. Each song emerges from the shadows reveling itself as either the night of your life or your worst nightmare, you choose, then hold on tight and enjoy easily the best musical expression of the Grand Canyon ever recorded.

The TimbersGemini Downs
The TimbersLawless
Gotta go with local lads The Timbers. Not only do we love watching them bring crowds to life at awesome Adelaide venues like The Grace, now we have an awesome CD that beautifully captures their live, real, raw spirit. One of the most hard working bands we know and I dare you to try to keep your feet still when that trumpet kicks in.

The War On DrugsMatt Walters
The War On DrugsLost In The Dream
For months I kept hearing about this album and it took me a while to finally get to it. I remember my friends gushing about The War on Drugs. That kind of turned me off. You need to find things in your own time. Anyway, I was sitting in a cafe near my house and this beautiful dreamy music was playing. I thought it was a Dylan live recording that I hadn’t heard or something. So I Shazam’d it! I rarely use Shazam – but I knew I couldn’t miss this. I had to know. And it was the song, “Lost in the Dream”. That beautiful dreamy harmonica – the strange cryptic words – the ambience captured in the recording just pulled me in. It had me immediately. So I went home and bought the record and played nothing else for about 6 months. I’ve only really just stopped. I love this album. The production is just so pristine, flawless and unique. Adam Granduciel is like a master painter with his guitar sounds on this record – so ethereal and haunting. His playing is so detailed, yet raw and visceral at the same time. “Suffering” is so beautiful. Simple and profound. Oh, and If the guitar solo in that song doesn’t destroy you, nothing will. Masterpiece.

Ryan AdamsImogen Clark
Ryan AdamsRyan Adams
This record is heart-wrenching, soulful, moving and pure magic, but also somehow packs this almighty punch and really rocks out. Ryan Adams manages to be a total electric-fuelled punk rocker and a sensitive, poignant, acoustic singer/songwriter all at once. He’s the champion of wearing his heart on his sleeve and he leaves no stone unturned. Thank you, DRA.

Sweet JeanThe Weeping Willows
Sweet JeanGreetings From Goodbye
It is perhaps a little biased of us to choose Sweet Jean’s Greetings From Goodbye mini-LP as our top album of 2014 as it contains most of our favourite songs from the (many) times we’ve seen them play live over the years. Sime Nugent and Alice Keath are everything we would love to be as a duo; timeless singer-songwriters, multi-instrumentalists and heavenly harmonisers, with two of the best voices in the country. Much of this EP was actually recorded “live” in Sime and Alice’s laundry, which further demonstrates their effortless proficiency. Stand-out tracks are Dock Boggs’s “Country Blues” (in the style of Peggy Seeger), the traditional “Weeping Willow” and “Spring Bird” written by Keath and Nugent. Sweet Jean definitely have a gothic-folk sound that is all their own but check them out if you’re into the old-school folk stylings of She and Him or Americana duos Mandolin Orange, The Civil Wars or Australia’s own Jep and Dep.

SiaAnna Buckingham (Nova & the Experience)
Sia1000 Forms of Fear
She’s never had one distinctive style to her career. Some would call her an indie goddess and others a pop princess. 1000 Forms of Fear is an anguished pop album, in its smartest and human form. The first album she has released in four years, her powerful and perfect melodies remain uniformly magnificent throughout these twelve songs, with deeper and darker lyrics that highlight a more intimate side of Sia. Beautiful in all its vulnerability, she delivers great pain with even greater triumph. Every track is magnificently crafted and combines a faultless balance of violently raw emotion with total uplift. You are invited to look into this woman’s anguish through melodies and vocal cartwheels that can make you think she is unbreakable . Hauntingly beautiful in all its cleverness. My favourite by far.

Ben AbrahamTimothy James Bowen
Ben AbrahamSirens
My top album actually only came across my ears just the other day. It’s Sirens by Ben Abraham. He’s a friend of a friend of mine who I met at a house concert we were playing together in Melbourne around this time last year. He said that he had something in the works but I had no idea it would be this tasty. It’s like if you put Gotye, Josh Pyke and Passenger in a room and told them not to come out till they had something musical going on between them. Sort of. But all in his own greatness. Go and check it out.

Sun Kil MoonPeasant Moon
Sun Kil MoonBenji
Our individual short lists were like night and day…from Robert Ellis (Harvey) to Asgeir (Josie). Benji was the point of convergence. We’ve never been to Ohio, but this land of lethal backyard fires, mercy killing, teen sex and albinos can sure inspire some amazing music. This is a brutal and beautiful collection of stories about life, death and gratitude. And it can be confronting – there’s nowhere to hide as Mark Kozelek shuns the use of metaphor and other distractions. This, combined with the mostly simple arrangements, produce deceptively insightful songs about the tragedy and joy of what it is to be human. Dark slacker folk at its finest – think Smog meets Pavement meets Neil Young.

Lily OPete Flood (Bellowhead)
Sam AmidonLily-O
A really great ensemble album rooted in the inspired pairing of Amidon’s spiky banjo picking and Bill Frisell’s more expansive guitar playing. The overall tone is focused and quietly daring – traditional material given space to unfold and evolve in unusual and sometimes disquieting ways – a real breath of fresh air.

Everything UnsaidSam Sweeny (Bellowhead)
Screaming MaldiniEverything Unsaid
This is the second and final album from one of my favourite bands of all time. Perfect, innovative intelli-pop from a band who never got the recognition they deserved.

The Moral of the ElephantJon Boden (Bellowhead)
Eliza and Martin CarthyThe Moral of the Elephant
Two English folk greats on top form, shaking it up a bit with some unexpected material and totally nailing the traditional stuff, as ever.

Ben AbrahamAl Parkinson
Ben AbrahamSirens
I had been waiting for this album for years. YEARS. Ben Abraham is one of my favourite Australian songwriters and performers. You know when you go and see someone play and you HAVE to buy their cd, it’s not a choice, you have to scavenge around your Mary Poppins bag for dollars and even ask your friends if you can borrow some money to buy their album? This is how you would feel if you saw him play and the album is more than we as listeners had hoped for. It was absolutely worth the wait. The production on the album suits Ben’s songs perfectly; subtle where it should be, interesting and very clever. The album was only released in November but I just cannot stop listening to it. ‘Speak’ was the single he released from the album and it’s one of those “EVERYONE BE QUIET AND PLEASE LISTEN TO THIS” songs. Although I’ve listened to it probably 300,000 times, every time is like the first time I heard it. Other favourites are ‘You and Me’, ‘I Belong To You’ and ‘Songbird’ oh and ‘Collide’… Okay so they’re all beautiful. I’m so glad that I finally have these songs in my ears and I’m really excited to see where this stupidly talented persons career heads.

Southerly ChangeSivan Agam (The April Maze)
Southerly ChangeSoutherly Change
I love putting this album on first thing in the morning to get my day going with good vibes. It reminds me to live in the moment. Even if it’s cold outside this album makes me feel like I’m on summer holidays. There are some great singalong tunes in there too, so it’s the perfect album for long road trips.

Searching for TallSophie Klein (Little Wise)
Lauren GlezerSearching for Tall
This Melbourne songwriter likes to describe herself as a true “feeler”. That’s is exactly how I would describe my connection to this little record; emotional. The production, replete with gorgeous string arrangements on certain tracks, gracefully shines a deserving spotlight on Glezer’s tender and sultry vocals. Similarly, her long time rhythm players are sensitive and nuanced. But it is her personal, ever-so-human stories and her unforgettably breathy vocal delivery that really tug on my heartstrings.

Open SwimmerRose Wintergreen
Open SwimmerCanyon
Floaty, nostalgic, haunting melodies anchored with grit, sprinkled with sunshiney pop hooks and glorious references to Melbourne life.

SoutheasternThe Audreys
Jason IsbellSoutheastern
Perhaps his first great solo work, Isbell’s Southeastern is a masterclass in songwriting that doesn’t just touch on its themes of regret and redemption but mines them in ways we’ve never before heard. We were lucky enough to see Jason perform a highlight from the record, opening track “Cover Me Up”, at this year’s Americana Music Awards in Nashville. He got the award for Best Album and we got the pleasure of hearing him play.

Ray LamontagneAshleigh Mannix
Ray LamontagneSupernova
What a surprise this album was! It had me absolutely hooked from the first spin. These psychedelic sounds are completely different to anything I’ve heard from Ray Lamontagne before. This, coupled with its catchy hooks and wonderful lyrics made it a no-brainer for my choice of album of the year. It’s an anywhere album! I love it!

Rob MuinosDan Arnott (Dan and Amy)
Robert MuinosYou’re Not Alone
There have been a few releases this year by wonderful artists who I’m lucky enough to be great mates with, and I think my favourite of these is the debut EP by Robert Muinos called You’re Not Alone. Robbo does what amazing songwriters do; his songs of very personal moments somehow become universalised, making it feel as though you’ve been through whatever he’s singing about yourself, even if you’ve never experienced anything like it. His voice and his melodies are beautiful and I can’t wait for more. (Notable mention to Jackson McLaren’s album)

Daylight ExpressJames Kenyon
Tobias HengeveldThe Daylight Express
Hengeveld’s lyrics are brilliant. He’s operating at a level above. They’d be compelling enough without music, but his melodies and musicianship and that of his band elevate it to great album status for me. Lyrics that good just keep on giving. Every listen brings me to another great line or phrase. “All the old TVs on the side of the road…” that line in “Fools Rush In” kills me. Or “Our Katherine owned a temper like her name-sake. The firecracker always spinning off its nail” from “The Daylight Express”. Brilliant song, and heart breaking.

LulucRuth Hazleton – (Kate Burke and Ruth Hazleton)
LulucPasserby
Gently and quietly profound, Luluc are perfecting the art of simplicity – a trait that is very unique and brave in this age of musical trickery. Unpretentious, disarming, beautifully written, recorded and produced with a “sound” completely their own, Passerby features beautiful vocal harmonies, sophisticated melodies and honest lyrics. Recommended for long drives, Sunday afternoons or whenever your feet and/or heart need to touch the ground again.

BelovedGeorgia Fair
New GodsBeloved
Because “Caravan park” taunts me, “I Love You Too” is like cringing in the mirror, “Beneath the World” is just simply beautiful, “Too High” makes me cry and “Skyman” makes me dance.

BeckDustin Tebbutt
BeckMorning Phase
For me this record perfectly balances precisely sculpted songs and production with organic sounds, and raw stories. I get the sense that this album is a series of “captured moments” in the studio as opposed to so many modern records where every track is edited to an inch of its life. It’s also both hi fi and lo fi at the same time, with the acoustic guitars and drums almost remaining unprocessed while the colours created by the lush reverbs and Beck’s characteristic lazy vocal performances take you on journeys through vast spaces.

Dwight Sings BuckNick Keeling (Mustered Courage)
Dwight YoakamDwight Sings Buck
This ain’t your mother’s country music … it’s more like your grandmother’s! The sweet and pretty country music coming out of Nashville in the 1950’s got a punch in the face by the electrified honky-tonk coming out of Bakersfield California. Pioneers like Buck Owens and Merle Haggard plugged in their telecasters, set the drummer to shuffle, and layed down what would be a huge influence on the music of The Eagles, Creedence Clearwater Revival, Emmylou Harris, Gram Parsons and obviously Dwight Yoakam. Here Dwight nails the style and sound of Bakersfield country but with the fidelity of modern recording techniques. Pull up a barstool and let the steel guitar take you up Highway 99 to that oil patch they call Bakersfield.

StromaeKim Churchill
StromaeRacine Carrée
My album of the year is Racine Carrée by the Belgian artist Stromae. It has an essentially electronic dance feel, which is impeccably well complimented by absolutely brilliant song writing. I have had endless pleasure in sitting around on Google translate (as Stromae sings in French) discovering what each of my favourite songs is about. He sets the scene of each song magnificently and opens up discussions that are quite challenging for the listener. Given the dance feel – I find it amazing that people all over the world are jumping up and down in arenas to these words of wisdom. Stromae has incredible film clips – the artistic direction is both engaging and unique. He also incorporates elements of his clips into his live performances of each song and way he dances is literally ground breaking. There is a reason the new single “Papaoutai” has had over 200 millions views. Stromae is a master craftsman on every level and quickly becomes a complete obsession.

RuinsSarah Humphreys
Kris MorrisRuins
Ruins is a breath of honesty in a sea of over-earnest, over-thought out music that’s flooding my ears at the moment. I need truth in what I listen to and this is as raw as it gets and totally from the heart, a broken one. Bravely and beautifully produced by Kasey Chambers, he’s like the Australian Steve Earle.

Damien RiceJoel Barker
Damien RiceMy Favourite Faded Fantasy
I was driving to Denmark in the south of Western Australia, listening to NPR’s All Songs Considered program, when one of the program hosts started talking about Damien Rice’s long hiatus being over with the release of his new album My Favourite Faded Fantasy. It’s been so long since Damien has released anything that I kind of forgot what his music is to me. But on first impressions, this record didn’t make much of an impact with me. Not because it’s not staggeringly beautiful, but merely because of how I was listening to it. In the car. Through portable speakers. Driving at 110km per hour. I didn’t do it justice. I found the time the following week to sit down at listen to the record in full, and I’m completely blown away by it.
I’ve come to the conclusion the Damien Rice has three different writing personalities that are vastly different from one another, yet somehow come together to make what is uniquely his. There’s the distinctive guitar melodies, nothing complicated, but kind of like a place to house his other personalities. The second is his lyrical genius. Somehow always melancholic, even in moments of joy, his words resonate with honesty and integrity, self doubt, love and hate. His words become place holders for his third personality, which are the arrangements. Other than perhaps Bon Iver’s self-titled album, I’m not sure I’ve heard an album that balances the sincerity of words with these almost orchestra arrangements that soar with optimisim and drown with sorrow equally. All these personalities come together to give us a collection of songs which probably mean just as much to us as they do to him. I can live with a Damien Rice album every 8 years or so if this is the result. So see you in 2022, Damien. Until then, enjoy the solitude.

Upside Down MountainJack Carty
Conor OberstUpside Down Mountain
This album is beautiful on so many levels. The songs are thoughtfully produced, delicately arranged and seem less overtly melodramatic than most of his previous work, but somehow they still manage hold the same sort of poetic weight and satirically pointed attention to detail that has drawn me to Conor Oberst as a songwriter for years.

True StrengthJulia Johnson (Julia and the Deep Sea Sirens)
True StrengthTrue Strength
Lost in an empty old building in East Berlin while trying to find a bar Ned Colette was playing in, I arrived just in time to discover support act True Strength, an Australian/Danish duo. If you love your folk with a touch of experimentation, or your Joanna Newsom mixed with a bit of Scandinavia, you might love True Strength. The almost a-tonal tinges to their light, delicate melodies only make them more beautiful and robust. Their self titled EP is a work I have found myself returning to often, and their performance that night is a memory I find delicious to linger on.

Tarpaper SkyBrad Butcher
Rodney CrowellTarpaper Sky
The name Rodney Crowell was only made known to me at the beginning of the year by a friend who told me I had to listen to Sex & Gasoline, an earlier release of Rodney’s, which I instantly connected with. I had become aware of a new album being released later this year couldn’t wait to get my hands on it. It became the sound track of my first Tasmanian Tour in July this year and is still on high rotation. The way he looks at a song is not only unique but refreshing, this you might not expect from someone who’s been doing it for over 4 decades, but thats the very reason he is still at the top of his game and why this is my pick of 2014.

KimbraCurtis Smith (Yetis)
KimbraThe Golden Echo
Kimbra has got it. Her vocal ability seems limitless and her sense of groove is spot on. Not necessarily “beautiful” or “folky” but I can’t stop listening to it. One of those artists who doesn’t appear to be restricted by any means, and through this is making me think about my voice and to explore it’s capabilities. Also, my brother, sister and I (half of Yetis) are half kiwi, and are way too proud of it. We believe everything that comes out of NZ is brilliant, such as Kimbra.

Royal BloodJoe Murphy (The Timbers)
Royal BloodRoyal Blood
Simply the album is a rocking banger from start to finish!! Influenced heavily by the White Stripes with a touch of Muse at times. Its been on rotation for weeks and responsible for a lot of head banging!!

Gon BoogalooMark Moldre
CW StonekingGon’ Boogaloo
This album was well and truly worth the wait. CW Stoneking managed to reinvent his sound whilst retaining his authenticity. I actually wonder whether he may own a flux capacitor and a DeLorean because there’s no doubt in my mind that he has just stepped out of a 1930’s speakeasy. The fact that he picked up a Fender Jazzmaster for this album and put down the banjo allowed him to swing a little harder and dig himself into deeper grooves. It’s a wonderful blend of blues, jazz and ragtime – yet there is also something here that is intangible and undefinable – and completely his own. Nobody wants to see me dance – I promise you that, but this album makes me want to get up on the floor.

Let It LieStu Larsen
The Bros. LandrethLet It Lie
I randomly met these guys a few months ago when they were on their way home to Winnipeg, Manitoba. They were a last minute support act for my show in Chicago and really blew me away, in fact, I should have been the one supporting them, they were phenomenal. There is something incredibly captivating about these four guys when they play and sing together, both on the stage and on their album. Let It Lie is out in Canada and set for release in the States and Europe in a month or so from what I understand. I haven’t stopped listening to this album since they snuck me a copy in Chicago, hopefully Australian crowds will have the chance to fall in love with them soon!

TemplesTanya Batt
TemplesSun Structures
This year I discovered Temples and thank golly gosh for that. Think the Beatles mix the best of Tame Impala on more psychedelics with the world’s best summer vibes. It suits every mood I’m in and compliments it perfectly. I was pretty much hooked from the first bar of the first song “Sun Shelters” on the album and have listened to the album in its entirety most days since. It gives me the warm fuzzy’s because I love the vibe so much.

Stray BirdsThe Mae Trio
The Stray BirdsBest Medicine
It’s extremely hard to communicate the strength and intensity of these three musicians on record, but the album is tracked live and what is captured is still enough to make it our favourite release this year. Lush, gutsy harmonies and warm acoustic instruments are part of the joy of this album, but the most exciting bit is the songwriting – there are some jaw-dropping songs on there. This is just such no-nonsense, straight up, great music to make you laugh and cry and sing along reeeally loudly!

Jack CartyRosie Catalano
Jack CartyEsk
Jack has the most delightful voice, pens lyrics that take you on little faraway journeys, and has recorded an album that includes a song I suffer withdrawals from (“Honey, Do You Know The Way Back Home?”).

HuskyJesse Lubitz (Tinpan Orange)
HuskyRuckers Hill
This is a mighty record. The soaring harmonies and tight arrangements wrap perfectly around the beautifully crafted songs. This is one of the best albums to come out of Australia in the past few years. Faultless.

Jacob WyldeHayden Calnin
Jacob WyldeIt’s All About To Go
I’ve been following folk artist Jacob Wylde’s music for some time, impatiently waiting for an EP release from him for far too long. He’s 18, from Perth and been very busy with school I imagine. Then one day, It’s All About To Go came along and (pardon my foul mouth) but… HOLY F*CK! He’s the musician the world’s been needing and I’m spreading the word and supporting this guy till the bitter end of my days. Please listen to Jacob Wylde. He’s a rare find.

Kate Miller HeidkeImogen Bel
Kate Miller-HeidkeO Vertigo!
I love the way Kate surprises you with each new album. She never rests on her laurels and she is impossible to pin down. This is what has kept her fan-base so loyal. On this album, she has found the perfect balance of her theatrical leanings with off-kilter pop hooks and her mixture of literal and absurd lyrics. I’m a huge fan of the production on this one and the subtle eighties pop influences that never sound obviously retro. I began following (stalking) her career since her first EP and she has been a huge inspiration to me. Thanks, Kate!

VariousLes Thomas
VariousAustralian Artists for Asylum Seekers
I was blown away by the Australian Artists for Asylum Seekers Christmas album, which was put together by Lindsay Philips and features 25 excellent local songwriters. Christmas albums have never done it for me before, but the quality of every song and the fact that all proceeds go towards supporting the Asylum Seeker Resource Centre make it a beautiful example of an artistic collaboration in the best traditions of giving.

Phantom RadioMichael Paolino (Husband)
Mark Lanegan BandPhantom Radio
I got into Mark Lanegan’s music this year and I don’t know how I got through the last 30 years without it. This album has a pretty diverse sound, going from incredibly soulful, organic southern/gothic rock to some synth experimentation with iPhone drum apps! Best track “Harvest Home”. All in all a great listen.

Possessed By Paul JamesIsaac Graham
Possessed by Paul JamesThere Will Be Nights When I’m Lonely
I stumbled across Possessed by Paul James (stage name of musician Konrad Wert) at a show in San Francisco a few years ago. I was amazed at his effortless and energetic performance and impressed by his ability to seamlessly switch gears between heartfelt folk ballads and fiddle-driven, foot stompers. Although he fell off my radar for a little while I recently tracked down his latest album There Will Be Nights When I’m Lonely (2013) and was immediately captivated. Although it was released late last year I’m still claiming it as my favourite for 2014. Through his shrewd lyrics and restless performance, Wert seems to capture both the inevitable joy and loneliness of everyday life. The end product is a series of songs that are as heartbreaking as they are heart-warming. Standout tracks are “Hurricane”, “Where Does All the Time Go” and title track “There Will Be Nights When I’m Lonely”. Let’s hope he tours here sometime soon.

BeckMatt Dewar (Direwolf)
BeckMorning Phase
I don’t mean to split hairs, but I was vigorously torn between Faker, FKA Twigs and Beck. However I landed on Morning Phase because of its beautiful complicated simplicity. Despite the gusty blend of 60’s inspired psychedelic folk/rock, I’m constantly in awe of a man who can bring so much weight with such blunt phrases like “these are the words you use, to say goodbye”. It’s truly a lament of husky wails, lingering sadness and about 20 years of making records.

About FaceJaye Kranz (Brighter Later)
#1 DadsAbout Face
CAVEAT: I decided to choose my fav local release. It just seems like such an impressive time for Oz music, right? #1 Dads About Face flew in on first listen and still hasn’t left me. As per Big Scary, Tom Iansek is once again behind the production desk, wielding his sonic sensibilities in ways at once strangely familiar, decidedly new, and always astonishingly beautiful. I love how much he does with sometimes the simplest production choices and changes, doing only as much as the song needs. Love the collaborations, “Return To” being my standout. Also: a sax solo. (Equal first: Lowlakes – Iceberg Nerves)

Mia DysonLiz Stringer
Mia DysonIdyllwild
Idyllwild is such a playful and coherent bunch of songs. One of my favourites is “Based On Your Eyes”, a beautiful, honest and soulful love song that’s vulnerable and tender and heaving with feeling. It gets better with every listen which, for me, is a mark of a quality album. There’s a brashness to Idyllwild that I love. Mia seems to have reached another level of writing and playing. Just when you think it can’t get any better.

In The SilenceThom Lion
ÁsgeirIn The Silence
I’ve always admired artists who could mix organic instruments into their sound with electronic circuitry. So many try and fail, yet Iceland’s Ásgeir does it with supreme conviction. His release In The Silence had me intrigued and genuinely moved from the first listen. The Bon Iver influence can be heard throughout (especially in the layered vocal production and acoustic guitars) but Ásgeir carves his own sound through bleeps, bloops and R&B beats. The fact that these songs have been translated from their original Icelandic form to English makes the words all the more wholesome and endearing. His voice exudes a soft, pleading emotion, with ethereal qualities. “Kings and Queens” is a folky song, yet would not be out of place on a chillout sessions compilation. Punctuated by pulsing synths, lyrically it conjures beautiful imagery and a sense of wonder. “Torrent” is an absolute belter, with its anthemic piano line, the band joins in with the spirit of Arcade Fire. Do yourself a favour and check out his vulnerable yet grandiose take of Nirvana’s “Heart Shaped Box” on youtube, for an insight into his stunning live show.

ElbowOlivia Hally (Oh Pep!)
ElbowThe Taking Off And Landing Of Everything
Elbow’s arrangements hit you hard, even more so with this latest release. Guy Garvey’s lyrics make you smile, but not because they’re particularly happy. This is a great album, my favourite this year.

KimbraJames McKendry (Takadimi)
KimbraThe Golden Echo
This is not a lo-fi listen, it is as much about sound design and exploration of textures as it is about songs. On each track you can hear that great care was taken to a sculpt a piece of art, and not just write some catchy tunes that everybody would like. It still has Kimbra’s trademark quirky sense of melody but it is far more experimental and eclectic in it’s influences than Vows. There are strong influences of neo-soul, experimental electronic music and psychedelia present. Washy, armchair sinking moments of ambient bliss like those heard on Carolina are contrasted with some edgier and more confronting works like the tongue in cheek ode to nostalgia that is “90’s music”. All in all I’m blown away by this album. Go get it.

Emma SwiftJames Morrison (The Morrisons)
Emma SwiftEmma Swift
Emma really delivered with this album. The songs are full of conviction, and her voice is equal parts of beauty and sorrow. It’s a real late night record. The whole thing is understated and moody, the session band are subtle and tasteful, Anne McCue did a great job with the production, and there’s more than one moment that will bring on a blissful sigh (special mention to the chorus in “James”). Just go and listen to it, watch her live, fall in love with her, and if you meet anyone who belittles the state of Australian country music, throw this their way.

Daniel RossenShannon Carpenter (Sleepy Dreamers)
Daniel RossenSilent Hour/Golden Mile
I love Grizzly Bear so I was probably always going to love this. I’ve always been a big fan of his voice and guitar playing. Was really hard to choose a fav so I should give an honourable mention to The War on Drugs. Their album was ridiculously good as well.

The War On DrugsOllie Brown
The War On DrugsLost In The Dream
It’s the subtle change of the snare drum after the first chorus of Lost in the Dream. It’s the distant piano that melts away in your ears. It’s the shimmering tremolo guitars, driving 80s rock beats and Dylan-esc vocal delivery that makes this record timeless, refreshing and my favourite album of 2014.

S CareyRoscoe James Irwin
S. CareyRange of Light
S. Carey is mostly known for being the drummer and main backing vocalist in the Bon Iver live band, but his own solo records are amazing and place him highly as a genuine artist in his own right. He manages to blend live instruments and orchestration with manipulated ambient sound into something very haunting and really incredible. Once you’ve heard the opening track “Glass/Film”, you’ll be hard pressed not to listen to the whole record. “Crown the Pines”, with it’s free melody and layered double-stop fiddles, and “Alpenglow”, with it’s deep and powerful string arrangement, are both highlights.

The StavesRosie McDonald (RAPT, Folklore)
The StavesIf I Was
I’m really pre-empting as the full album isn’t out until early Feb but I’ve heard snippets of the songs on If I Was from the online trailer for the album and i love it already and have even pre ordered it. I don’t know if you are like me but I tend to judge if I like a song in the first few seconds and this sister act have the goods to deliver. I saw the family band – Emily, Jess, Camilla – at the Cambridge folk festival last year having not heard them before and loved their close harmonies and lovely poetic songs (like Wailing Jenny’s, Fleet Foxes, Crosby Still Nash & Young) but the band could crank when needed also. There is something very special about family voices together that finds a cohesive fullness and beauty. Ukulele, still the new black, was a feature as well as very nice guitar playing. I bought their album Dead, Born and Grown and have absolutely loved listening to it. Their Live at Cecil Sharpe House album is also sublime with a beautiful reading of that American folk ballad “Silver Dagger” made famous by Joan Baez. Like his year’s release pre release of The Blood I Bled From, If I Was was produced by Bon Iver’s Justin Vernon in the wintry wilds of Wisconsin and will be on high rotation as soon as I have it in my hands.

Tiny RuinsJane Hendry (Broads, The Nymphs)
Tiny RuinsBrightly Painted One
I had been waiting for this album, as I am a massive fan. Kel (also from Broads) is also a big fan. I was lucky enough to see Holly do a solo album preview show in Melbourne a few months ago put on by the Melbourne Folk Club and she played the entire album in order from start to finish. It was such a beautiful, intimate show. And she’s totally lovely as well.

HozierMark Wilkinson
HozierHozier
A really impressive collection of songs. The production gives the album a rawness and a darkness which I really like.

The War On DrugsAidan Cooney (Boy Outside)
The War On DrugsLost In The Dream
A complete album and the sound of art being perfected over years. Culminating in this painstakingly crafted masterpiece. Beauty from start to finish.

Swimmin TimeTracy McNeil
Shovels & RopeSwimmin’ Time
Cary Ann Hearst and Michael Trent conjure up the dead, awake the living and are in my opinion one of the best and purest forms of male-female–husband-wife country duo’s of all time. On this latest release they tread through deeper waters, transforming darkness into light, dirt into finely cut diamonds, all within just a few bars. I’m at times exhausted having gone on the journey with them but always better for it. Swimmin’ Time is magic! Hands down my favorite release of 2014. “There’s hope where you can’t see it, there’s a light after the storm”. I’m glad Shovels & Rope are around to remind us of that.

GirlAde Vincent (The Tiger and Me)
Pharrell WilliamsGirl
Great voice, great writing, full of fantastic hooks and well executed ideas. And I always love his production. My favourite pop album in years.

Angel OlsenJulia Jacklin
Angel OlsenBurn Your Fire For No Witness
This album sounds like 2014 for me. My housemates can attest that I have probably listened to it too much but it really hit me hard. She crafts really interesting songs which kind of meander but never lose focus. Her voice is this incredibly powerful thing that just cuts right through, she is one of the most unique and evocative vocalists I have ever heard. Some of the best moments on the record are when it’s just a strummed electric guitar and her singing in a whisper. It’s just beautiful heartbreaking lo-fi goodness.

The StavesSibylla Stephen (The Little Stevies)
The StavesThe Blood I Bled From
I am devastatingly slow when it comes to discovering to “new music”, even though I love it. These days, my two year old takes up most of my time (when I’m not concentrating on my own music), so I tend to catch onto things late, but I don’t enjoy them any less. The band I have discovered this year are The Staves. Their music moves me into a steady pace where I feel at peace. I’m pregnant again, and their album replaced my nightly 6pm-ish glass of wine (which is was very much missing!). I also want to shout-out to the best live band I’ve seen all year The Eastern, and the songs of Sweet Jean that featured heavily in the toddler music class my son and I have been attending at the Footscray Arts Centre, Rock On.

Ane BrunJames Lindsay (Breabach)
Ane BrunRarities
We really grew to be big fans of Ane when we were at WOMADelaide and Womad NZ together back in March this year. This album perfectly displays her serene voice, subtle lyrics and brilliant band.

VagabondLyn Taylor (Dear Orphans)
Stu LarsenVagabond
I waited too long for this album. Mike Rosenberg’s production of this album is sublime.

Gretta ZillerNick Payne (Dear Orphans)
Gretta ZillerHell’s Half Acre
I’m a sucker for a good turn of melody and Gretta’s EP has a plenitude of notes that turn in unexpected directions. I also like songs that can take me to a different time and place. The title track “Hell’s Half Acre” transported me straight away to Wyoming, and “the low country where those lands were so so bad … for me”.

HITSMark ‘Looch’ Lewis (Handsome Young Strangers)
HITSHikikomori
This may be a controversial choice nominating a flat out rock and roll band in this forum. But sometimes exceptions need to be made. HITS have delivered a staggering album which stands right up there with the best Australian rock n roll flag wavers before them. Think Radio Birdman, The Saints, The Hard Ons at their best – this album sits right up there with them. Quite possibly the best rock n roll band in the world ATM.

InterstellerLaura Bishop (Chaika, Laura & Susie)
Hans ZimmerInterstellar: Original Motion Picture Soundtrack
It starts with a soft theme reminiscent of the opening of Prokofiev’s Cinderella, minuscule in sound like a forgotten echo of humanity’s first footsteps into space flight; progresses to the magnitude of a full church organ with columns of air blasting through metal pipes, matching the enormity of rocket engines launching; later sits back to watch as an observer from afar with a simple yet beautiful piano theme; and even at points uses a theme that is similar to one I wrote myself over a decade ago for a short film about the Apollo 11 mission. Wormholes much? Who knows! Either way, it’s a jolly good ride.

New MoonFanny Lumsden
Sarah HumphreysNew Moon
Generally I am not into “love songs” or sincerity however this album makes me want to hug, love and high five everyone that is dear to me. The song writing is just top notch with equal parts heart, fight and spunk. I also really singing the songs into a wooden spoon and dancing around the kitchen. Also other tops were: Caitlin Harnett’s The River Runs North, Nikki Lane’s All or Nothin’ (yep girl power) and Del Barber’s Prarieography.

Tiny RuinsEmma Davis
Tiny RuinsBrightly Painted One
I was tremendously excited for this release. Holly’s first record, Some Were Meant for Sea, is one of my favourites – a beautiful piece of storytelling, cleverly told and delicately produced. This record has a little more of everything. More instruments, a little more electric, more variation and dynamics, but no less heart. It’s the perfect example of what happens when a musician grows a constant band around her. The arrangements become a little more thought out, the songs lift and fall a little more. Buy this record, wrap it up in paper, and leave it in the letterbox of someone brilliant.

Lily OJoe Gould (The Crooked Fiddle Band)
Sam AmidonLily-O
I bumped into good friend and man of impeccable taste, Mr Leroy Lee, at the Townie. It was 1:30am and luckily I wrote down the recommendation of this album. “You’ll love the beats” said Leroy. Beats? On a Sam Amidon album? He’s never been scared of percussion, but that’s not a comment to expect for the rustic strumming and plucking I’d enjoyed on Sam A’s previous outings. It was drizzly on my walk home, and I took an extra long way just to hear more as the early morning mistiness surrounded me. It perfectly suited the crystal clear production and voice filled with humanity. The version of “Groundhog Variations” is perfect, so try starting there. And if you see Leroy Lee around, get him to recommend your next favourite album.

Sun Kil MoonDarren Hanlon
Sun Kil MoonBenji
Sun Kil Moon had been one of those bands that, due to their bulky catalog and my own laziness, I’d never delved into. I couldn’t find an obvious doorway. I’d even played a show with them in Manchester a few years back, but it was a bad fit. The crowd watched me blank-faced and I felt self-conscious about displaying any kind of sunniness so just put my head down and plowed through. Mark Kozelek didn’t see me play but he was cordial in the bandroom and let me pilfer one of the bananas off his rider.
Just a few months back a good friend, in whose music taste I trust, implored me to listen to Benji, it was much more than a recommendation. So I took it very seriously and was, surprising to me, drawn into it right away by the croaky conversational tone and the stripped bare emotional tales he was telling.
A lot of the subject matter leans towards family, and is often confronting and candid. Lots of death and regret and tenderness. “I Can’t Live without My Mothers Love” is a far cry from your average Rock and Roll subject matter – and reminds me of first hearing Jonathan Richman sing about his wife in “Closer” – and just because of that is more Rock and Roll than any sex or drug reference. But there’s plenty of sex to be found. “Dogs” details the history of the protagonist’s (Kozelek’s?) early carnal explorations in erotic, graphic detail.
The songs are long, but don’t feel it. Like floating along on a stream where you’re too busy taking in the details of the surroundings to keep an eye on the time. The usual long-ingrained formulas of much popular music don’t apply here. The narratives are forthright and metaphor-free and the sparse instrumentation reflects this; it is subtle but inventive.
I’ve been thinking that as you get older poetry, for the sake of itself, can start to feel superfluous held up against pure message, or just plain truth. I’d spent my 20s trying to think up clever wordplay when now they can seem like window dressing. It’s not to say Benji isn’t clever. There’s so many surprising and inventive rhymes, or off-rhymes; it’s as if he’s tailored them to not quite fit so they jump out. And there’s a lot of humor, I actually laughed out loud hearing the line about his Dad flirting with the girls at Panera Bread. How often does that happen listing to serious folk music?
And it would take a hard heart not to find at least one tear. Listen to the story of his Dad’s downtrodden friend “Jim Wise”.
Very rarely, but every now and then, discovering a new band can pull back a curtain on a new way to approach songwriting, and another piece of the eternal puzzle falls away. I felt like this when I first heard Benji, ideas for about three new songs popped into my head. I feel like I have new tools with which to work.
I wonder if Mark Kozelek had an epiphany one day and a new horizon opened up, where the shackles of his old systems dissolved. Cause to me, as far as the lyrics go, this path he’s on feels limitless. Judging by his recent crazy slinging match with War On Drugs I hope this freedom of expression isn’t eating him up. I’m gonna go backwards now through his catalog to look for clues.
So listening to Benji has been a positive experience for me. I’ve also recommended it to other friends and they haven’t had the same experience, so evidently it’s not for everyone. But I’ve written this review without having listened to it for a few weeks now. That’s how vivid it still is in my mind.

Timber and Steel’s Top Albums of 2014

Records

It that’s time of year again when we sit down and wade through the wealth of amazing releases from throughout 2014 and try to put them into some sort of order. For the past few years we’ve asked Timber and Steel contributors to list their top five albums or EPs from the past 12 months, but this year we thought it was time to provide a single, consolidated list.

It was another cracker year for folk and acoustic music and putting this list together was so difficult – you’ll notice that there’s a few omissions that were on our Ten Albums and EPs From the First Half of 2014 You Should Own showing just how strong the last six months were.

So here it is, our top 25 albums and EPs from 2014. Hopefully your favourite is here or you’ll discover some of the fantastic music from the year that was.

Nick Mulvey

1. Nick MulveyFirst Mind
While Timber and Steel skews towards Australian music I’m always interested to see what’s happening in the folk scenes around the world, in particular the UK and USA. The amount of music from overseas can be overwhelming so I usually go to sources I trust – and the top of that list is the Communion community which is where I discovered Nick Mulvey.

There’s something really special about the way Nick Mulvey approaches songwriting – manipulating his guitar into non-standard tunings with multiple capos, building rhythms and riffs on top of each other and layering in his understated vocals. The entire album is insanely listenable and while highlights are hard to pick the singles – “First Mind”, “Fever to the Form”, “Cucurucu” and “Meet Me There” – always stand out.

I hope that when Nick Mulvey visited our shores earlier this year he gained more than a handful of Australian fans because I’d love to see him back here at some point. His music is simply magical.

Caitlin Harnett

2. Caitlin HarnettThe River Runs North
Where did you come from Caitlin Harnett? Well, I know where you came from. I’ve seen you a number of times over the years in and around Sydney. But when The River Runs North came out it completely blindsided me. Here is one of the most powerful, sensitive, eloquent and strong releases of the year. Caitlin Harnett has a clear musical voice that shines through on the most exciting debut in Australia in 2014.

Sam Amidon

3. Sam AmidonLily-O
2013’s Bright Sunny South was such a revelation for me, the way Sam Amidon was able to reinvent traditional music. I thought it would be impossible to top but then Lily-O came along and all my epectations were blown out of the water. Maybe it’s his work with jazz guitarist Bill Frisell this time around. Or that Lily-O is a little more rhythm section driven than Amidon’s previous effort. Whatever it is, this album is a masterpiece that I just can’t stop listening to. Can’t wait to see you try and top this one Sam Amidon!

Husky

4. HuskyRuckers Hill
“I’m Not Coming Back” announced Husky’s triumphant return with their second full length album Ruckers Hill, giving us another slice of indie-folk goodness. Husky Gawenda’s songwriting is at its best with gutsy melodies and sweet harmonies all over this album. I feel like Husky’s sound has been cemented here – they’ve grown up without losing their essence, without feeling the need to reinvent. I was lucky enough to make it to the Sydney launch of Ruckers Hill and I can say that all of the tracks translate really well live which is just the icing on the cake.

Sweet Jean

5. Sweet JeanGreetings From Goodbye
Sime and Alice from Sweet Jean refer to Greetings From Goodbye as their “folk album” – a strange turn of phrase considering folk is at the heart of pretty much everything they produce. But when you sit down and listen to Greetings From Goodbye you understand exactly what they mean. Recording in the duo’s converted-laundry studio and featuring traditionals, covers and originals, the album is a laid back, stripped back, heartbreaking masterpiece that sucks you in and leaves you wanting more (seven tracks is never enough).

Bears Den

6. Bear’s DenIslands
When I asked Kevin Jones why he and Andrew Davie ended their original band Cherbourg to only then start Bear’s Den he said “It was quite a set formula with Cherbourg and I think we’re all multi-instrumentalists in Bear’s Den and it allows us to be a lot more fluid with the sort of sounds we can make and what we choose to do with them”. And this fluidity has culminated in Islands. The album has some really touching folky moments in tracks like “Elysium”, “Above The Clouds of Pompeii” and “Isaac” but is not afraid to embrace the rock side of the spectrum as well with the likes of “Think of England”. A wonderful album that I just can’t put down.

JVM

7. James Vincent McMorrowPost Tropical
Post Tropical would have made my best of list last year if its release wasn’t delayed until January – even though I had an advance copy at the end of 2013 I still consider this a 2014 release. Post Tropical is the evolution of James Vincent McMorrow from acoustic singer-songwriter to synth-driven, pop purveyor. This will likely be the last album of McMorrow’s that we cover – there’s an essence of folk in tracks like “Look Out”, “Gold” and “Red Dust” but it feels like he’s saying goodbye to the genre. As a transitional record I couldn’t have asked for anything more.

OCMS

8. Old Crow Medicine ShowRemedy
When this album came out I listened to it non-stop for two weeks. Everything else fell by the wayside as I found myself transported to Tennessee and beyond, travelling with the world’s best string band. Sure, some tracks are silly (“Brushy Mountain Conjugal Visit”, “8 Dogs 8 Banjos”) and their latest Bob Dylan collaboration on “Sweet Amarillo” is no “Wagon Wheel”, but the album as a whole is one of my favourites to date from Old Crow Medicine Show and is well worth investing time in. In fact I might go and listen to it right now.

Passenger

9. PassengerWhispers
Passenger has faced down the pressure of following up the massive international success of All The Little Lights by producing another classic in Whispers. It’s a little more slickly produced than his previous work but at the core of Whispers is the solid songwriting and storytelling that Passenger is renowned for. And the more I listen to it the more I’m convinced that “Heart’s on Fire” is my favourite Passenger song to date.

Bellowhead

10. BellowheadRevival
I love Bellowhead dearly but sometimes their bombasity makes it difficult to make it through an entire album in one sitting. But with Revival this all changes making it their most listenable album to date. Jon Boden’s voice is still in fine form (and fast becoming synonymous with modern English traditional music) and the arrangement of each track is pitch perfect. I love their version of Richard Thompson’s “I Want to See the Bright Lights Tonight”, the only contemporary song amongst eleven traditionals but its the instrumental “Jack Lintel’s Jig” that is by far and away my favourite.

Jack and Charlie

11. Jack McNeill and Charlie HeysAny Other Morning
A contemporary folk gem, combining fiddle, guitar and the Jack McNeill and Charlie Heys’ beautiful voices in some of the best music of the year.

Jack Carty

12. Jack CartyEsk
Jack Carty finally seems happy in his 2014 offering, but don’t let that scare you away – Esk is his most mature record to date and confirms Carty as one of the finest songwriters in the country.

First Aid Kit

13. First Aid KitStay Gold
Filled with lush arrangements, beautiful harmonies and First Aid Kit’s trademark cascading lyrics, Stay Gold transports you to a 70s summer somewhere on the west coast of the USA.

Patrick James

14. Patrick JamesBroken Lines
Patrick James’ output is consistently brilliant and Broken Lines sees him continue to shine as a songwriter creating little drops of folk gold with every lyric, chord and melody.

The Staves

15. The StavesBlood I Bled
It may only be a precursor to their upcoming Justin Vernon produced album If I Was, due in January next year, but Blood I Bled is three songs of pure harmonic wonder and joy that you need to buy right now.

One Up Two Down

16. One Up, Two DownOne Up, Two Down
On the surface this is a bluegrass release but One Up, Two Down are so well versed in the folk traditions that you can feel celtic, blues and country influences creeping in to make a wonderful, folky mess.

Davidson Brothers

17. Davidson BrothersWanderlust
The Davidson Brothers are not only some of the best musicians – of any genre – in Australia but they’re also amazing bluegrass songwriters – I just couldn’t stop listening to Wanderlust when it was released this year.

Jordan Millar

18. Jordan MillarThe Wheel EP
The song “If Only…” sucked me into this EP early and I stayed because I love the way Jordan Millar writes pop music – although I suspect he’s a folkie at heart.

Kasey Chambers

19. Kasey ChambersBittersweet
There’s so much to love about Bittersweet, from its old-timey Americana influences to the collaborations with Bernard Fanning, Dan Kelly, Bill Chambers and more, that I reckon it could be Kasey Chambers’ best solo effort yet.

Stu Larsen

20. Stu LarsenVagabond
Travelling the world, playing to thousands of people every night – none of this deterred Stu Larsen from creating an intimate, stripped back album with Vagabond, and we wouldn’t have it any other way.

New Moon

21. Sarah HumphreysNew Moon
This has been a big year of change for Sarah Humphreys and this has bled into her music – the cutesy pop-folk princess has been dismantled and in her place a confident, mature singer-songwriter has emerged.

Emma Swift

22. Emma SwiftEmma Swift
There’s nothing technically amazing about Emma Swift’s self titled EP, but its simple, stripped back, three-chords-and-the-truth style harkens back to country music of old and is one of the most honest releases of the year.

Little May

23. Little MayLittle May
Epic indie-folk from the Sydney trio whose star is most definitely on the rise, the EP is full of hamonies, building crescendos and catchy melodies.

Winter Pick

24. Justin BernasconiWinter Pick
Justin Bernasconi is one of the best folk/country/blues guitarists in the business right now and Winter Pick is full to the brim with awe inspiring instrumentals and deceptively laidback songs.

Aubergine

25. Green Mohair SuitsAubergine
I honestly wasn’t expecting to like Aubergine as much as I do but I was so impressed with just how tight it is, how good the songwriting is and how much fun The Green Mohair Suits are having taking Bluegrass seriously.

Angus and Julia Stone Announce Summer 2015 Tour

Angus and Julia Stone
Image Courtesy of Angus and Julia Stone

After a recent sold-out tour of Australia off the back of their critcally acclaimed self-titled album Angus and Julia Stone have announced plans to hit the road again this February. For this tour Angus and Julia Stone will be joined by Cloud Control and Jarryd James plus Little May for the shows in Melbourne, Sydney, Adelaide, Brisbane and Perth.

Check out the full list of dates below:

Wednesday 4th February – Kings Park & Botanic Garden, Perth, WA
Saturday 7th Fenruary – Entertainment Centre, Darwin, NT
Tuesday 10th February – Convention Centre, Cairns, QLD
Wednesday 11th February – Entertainment Centre, Townsville, QLD
Friday 13th February – Riverstage, Brisbane, QLD
Friday 20th February – Sydney Opera House Forecourt, Sydney, NSW
Tuesday 24th February – AEC Theatre, Adelaide, SA
Friday 27th February – Margaret Court Arena, Melbourne, VIC

Bernard Fanning Announces Solo Tour

Bernard Fanning
Image Courtesy of Bernard Fanning

The legendary Bernard Fanning has announced a solo tour this coming January. Fanning will be performing tracks from his two solo albums – the rootsy Tea & Sympathy and the rockier Departures – with shows planned in Brisbane, Margaret River, Sydney and Melbourne. Joining him in support will be Timber and Steel favourites Little May.

Check out the full list of dates below:

Thursday 22nd January – The Triffid, Brisbane, QLD
Saturday 24th January – Leeuwin Estate Winery, Margaret River, WA
Thursday 29th January – Newtown Social Club, Sydney, NSW
Friday 30th January – Twilight At Taronga, Sydney, NSW
Saturday 31st January – Melbourne Zoo Twilights, Melbourne, VIC

Thank Folk It’s Friday – 26th September

TFIF

This Week in Folk

All the News From The Week That Was

– Genre defying singer-songwriter James Vincent McMorrow released his new video “Look Out”. Details here

– Sydney trio Little May have released their new video “Dust” and have a national tour planned this November with Winterbourne. Details here

– The next Little Features takes place in Sydney this Saturday featuring Caitlin Harnett, Hannah Rosa and Jon Reichardt along with poetry from Kaveh and live art from Sally Conwell. Details here

Dallas Green and Pink gave us a little more information on what went into their new folk project You+Me. Details here

– Singer-songwriter Jack Carty has announced 25 additional dates for his album launch tour this October, November and December. Details here

Ryan Adams released his new video “My Wrecking Ball”. Details here

Fred Smith kicked off his album launch tour yesterday. Details here

The Perch Creek Family Jugband are hitting the road when they return to Australia next month for an east coast tour. Details here

– UK singer-songwriter Hattie Briggs released her new video “Old Eyes”. Details here

– Canadian singer-songwriter Lindi Ortega released her new video “Lived and Died Alone”. Details here

– Folk rock legends The Levellers have collaborated with Imelda May, Frank Turner and Billy Bragg on new versions of their classic tracks. Details here

– Irish singer-songwriter Hozier has released his new single “Take Me To Church”. Details here

All Our Exes Live In Texas have released their hilarious new clip for “Tell Me” staring Jake Stone, Phil Jamieson, Jackson Gallagher and Lawrence Leung. Details here

– We premiered the new video from Ruby Boots, “Oh Lover”. Details here

– Sydney’s Jep and Dep revealed details of their new album Word Got Out along with the video for “Granted” and tour dates from this October. Details here

– Folk trio RAPT will be launching their self-titled album at Folk By The Sea tomorrow. Details here

Interviews

“I enjoyed writing songs and when I went to record the first album I’ll be honest, I didn’t have a great deal of direction. I had the songs that were acoustic and that was the way they were so I didn’t want to stray too far from the way that I’d written them. Luckily Anthony Lycenko and Ben McCarthy who co-produced that one, they got me onto people like Ray LaMontagne and Ryan Adams, along those sort of Americana, alt-country lines. It fit very well. Those guys knew what they were doing so under their guidance and advice, off I went”Brad Butcher chats to Gareth Hugh Evans. Interview here

“I’ve come to terms with the fact that I love country music. It’s only been this year. I recently went away to Europe and all I listened to was Gillian Welch, Bill Callahan, Johnny Cash – all my favourites. And I was like “You know what Bree? You loved country music. Don’t be ashamed of it anymore”. I used to be really apologetic about it but now I know that I love it”Bree De Rome chats to Gareth Hugh Evans. Interview here

Releases This Week

Billy The Kid
Horseshoes & Hand GrenadesBilly The Kid
iTunes

Jack Carty
EskJack Carty
iTunes

Lost Brothers
New Songs Of Dawn and DustThe Lost Brothers
Official Site

Timber and Steel Recommends – Go To This Gig

Folk By The Sea

Button Collective

Today, Saturday and Sunday Kiama in NSW will be getting its folk on with the Folk By The Sea festival hitting town. A bunch of Timber and Steel’s favourite artists are playing including Mic Conway & Phil Donnison, The Bottlers, The Button Collective, Big Erle, Joe Mungovan, RAPT and many more. Who’s thinking road trip?

Friday 26th to Sunday 27th September – Kiama, NSW

Gigs Next Week

Angus and Julia Stone
Friday 26th September – Palais Theatre, Melbourne, VIC

Boy & Bear
Friday 26th September – Bunbury Entertainment Centre, Bunbury, WA
Sunday 28th September – Fremantle Arts Centre, Fremantle, WA

Castlecomer
Friday 26th September – The Northern, Byron Bay, NSW
Saturday 27th September – Spring Soiree, Toowoomba, QLD
Sunday 28th September – Black Bear Lodge, Brisbane, QLD

Cat Canteri
Friday 26th September – Pacific Hotel, Yamba, NSW
Saturday 27th September – Queens St Mall, Brisbane, QLD
Saturday 27th September – St Martin’s Hall, Mullumbimby, NSW
Sunday 28th September – LiveSpark, Brisbane Powerhouse, Brisbane, QLD
Sunday 28th September – Lefty’s Old Time Music Hall, Brisbane, QLD
Thursday 2nd October – The Rails, Byron Bay, NSW
Friday 3rd October – 5 Church St, Bellingen, NSW

Festival of Small Halls feat. Andy Brown, The Mae Trio
Thursday 2nd October – Caloundra Music Festival, Caloundra, QLD
Friday 3rd October – Caloundra Music Festival, Caloundra, QLD

Folk By The Sea
Friday 26th to Sunday 27th September – Kiama, NSW

Fred Smith
Friday 26th September – Taste Canowindra, Canowindra, NSW
Saturday 27th September – The Street Theatre, Canberra, ACT
Friday 3rd October – The Clarendon, Katoomba, NSW

Green Mohair Suits
Friday 26th September – The Lass O’Gowrie, Newcastle, NSW
Sunday 28th September – The Junction hotel, Maitland, NSW
Friday 3rd October – Tanswell’s Commercial Hotel, Beechworth, VIC

Helen Begley and Penny Larkin
Sunday 28th September – Sappho Books Cafe, Sydney, NSW

Lacey Cole
Friday 3rd October – St John’s Glebe, Sydney, NSW

Little Features feat. Caitlin Harnett, Hannah Rosa, Jon Reichardt
Saturday 27th October – Hibernian House, Sydney, NSW

Missy Higgins
Friday 26th September – The Events Centre Theatre, Caloundra, QLD
Saturday 27th September – BCEC – Great Hall, Brisbane, QLD
Sunday 28th September – Empire Theatre, Toowoomba, QLD
Tuesday 30th September – GCAC – Arts Theatre, Gold Coast, QLD
Wednesday 1st October – Lismore City Hall – Churchill Auditorium, Lismore, NSW
Friday 3rd October – Civic Theatre, Newcastle, NSW

Patrick James
Friday 26th September – Old Museum, Brisbane, QLD

Sahara Beck
Sunday 28th September – Powerhouse, Brisbane, QLD
Friday 3rd October – Studio 188, Ipswich, QLD

Steve Smyth
Friday 26th September – Baroque Bar, Katoomba, NSW
Sunday 28th September – The Rhythm Hut, Central Coast, NSW
Friday 3rd October – The Golden Vine Hotel, Bendigo, VIC

The Perch Creek Family Jugband
Friday 3rd October – Turner Bowls Club, Canberra, ACT

The Pierce Brothers
Friday 3rd October – Caloundra Music Festival, Caloundra, QLD

Wagons
Friday 26th September – Under the Clothesline, Perth, WA
Saturday 27th September – Wave Rock Festival, WA

Wollombi Music Festival
Saturday 27th September – Wollombi, NSW

Xander Smith
Sunday 28th September – Wave Rock Weekender, WA

Friday Folk Flashback

“Big Sciota” – David Benedict

So I get obsessed with fiddle tunes and this is my current obsession. There’s literally hundreds of versions out there (it’s a bluegrass and old timey standard) but I just like the clean recording on David Benedict’s recording.

Watch the New Little May Video “Dust” Plus National Tour Dates

Little May
Image Courtesy of Little May

There are so many good things happening with Little May at the moment – we’re super proud of the Sydney trio. There’s a new EP on the way (due on the 10th October), they’ve signed to Capitol Records in the US and have an overseas tour in the works.

Then there’s also their brand new video “Dust” which sees the band collaborating with Melbourne based creative house Oh Yeah Wow.

Oh Yeah Wow were intrigued by the concept of how we, as viewers, are often more affected by the loss of an animal than of a human on screen,” Little May explained. “They wanted to explore the power in this, which we immediately connected to. There is a real purity and simplicity in the story. We felt like it was the best fit for this song”

Check out the video for “Dust” below:

Little May have also just announced plans for a November national tour. The first 3 dates will be supporting the legendary Rodriguez in Perth followed by headline shows which will see Little May joined by Timber and Steel favourites Winterbourne in support. Check out the full list of dates below:

Thursday 6th November – Kings Park & Botanic Garden, Perth, WA (Supporting Rodriguez)
Friday 7th November – Kings Park & Botanic Garden, Perth, WA (Supporting Rodriguez)
Sunday 9th November – Kings Park & Botanic Garden, Perth, WA (Supporting Rodriguez)
Sunday 16th November – Rad Bar, Wollongong, NSW
Friday 21st November – Northcote Social Club, Melbourne, VIC
Saturday 22nd November – The Front Gallery & Cafe, Canberra, ACT
Thursday 27th November – Newtown Social Club, Sydney, NSW
Friday 28th November – Newtown Social Club, Sydney, NSW
Saturday 29th November – Gorgeous Music Festival, McLaren Vale, SA
Friday 5th December – Solbar, Sunshine Coast, QLD
Saturday 6th December – Black Bear Lodge, Brisbane, QLD

Splendid Splendour

Splendid crop - SITG by A CattPhoto by A. Catt

Having never been to a Splendour but having been to a great number of other festivals up and down the eastern seaboard, I can say I went in with a particular set of expectations and was delighted to have many of those absolutely smashed by my Splendour in the Grass experience.

The venue itself is huge and surprisingly well laid out and the flow of the nearly 30,000 punters was so smooth that I could have been forgiven thinking the numbers were less. Except for when we saw any of the amazing acts, then it became abundantly clear that the festival was at capacity with thousands of very happy festival goers rocking out at any given stage.

This year’s line up offered a great variety, so much so that there really were three distinct precincts within the site that allowed people to hang around stages that floated their genre boats.

The Timber and Steel friendly acts were evenly spread across the three main days and over two of the main three stages, so lets take a look at the folkier side of Splendour in the Grass.

Friday.

Photo by Justin Ma.
sitg14_HeadAndTheHeart_justinma-28The first act we caught was The Head and The Heart who delivered a really tight set and hearty performance for what was a modest crowd. “Ghosts” showed off their great harmonies in the live setting and the audience was treated to loads of favourites throughout their set list.  They were a solid start to the festival and I feel like loads of people missed out by not catching them. They don’t often get to come to Australia so they profusely thanked the crowd for coming to watch to much cheering and applause from said crowd. They tried out a new song with a bouncy tempo and happy vibe which was all very well received. “Sound Like Hallelujah” created a chilled vibe but with an immensely satisfying full sound. “Lost In My Mind” drew a rousing cheer from audience as it begun and took over the space with great drum build up before the crowd took over with a sing-along. The last song was an emphatic rendition of “Rivers and Roads” complete with epic drums thumping before stripping back to a delicate a Capella ending. And tumultuous applause.

We checked out Asgier, who has cropped up on the scene while I was away, but who commanded a huge and somewhat vocal crowd, all comfortably held in the palm of his hand. They sang along in crystal clarity. They swayed, sang, cheered and danced through a beautifully balanced set of both chilled tracks and up tempo songs. His popularity is clear as a really responsive crowd eagerly anticipated every song, with cheers of recognition in each of the opening bars and a seemingly constant surge forward of people to join the throng. “Going Home” delivered a beautiful mix of earthy drums, clear cut piano and haunting vocals undercut by subtle harmonies. The entire tent would clap along at poignant points of a slow song before the whole vibe would morph through the build up to a huge all encompassing piano and drums sound sphere. And to top it off, he pulled out a stunning cover of “Heart Shaped Box”, wow, just wow! His manipulation of piano and chillingly delicate treatment of vocals had everyone hanging on every lyric and every note. Definitely worth seeing any time you can.

We’ve all been hotly anticipating the return of Angus and Julia Stone and they did not disappoint. Starting with some of their new stuff, their set came wrapped in schmick presentation with a tight and polished sound with an obvious comfort on stage, oozing cool. Their new music is a few more steps away from the folky sound they originally brought to the scene and accomplishes a more indie vibe. While the crowd lapped up the new materials, it’s the old favourites so many know and love that really stirred the crowd with mega sing-along to “For You” melding beautifully with the song’s acoustic style. Julia seems really strong and playful in her style rather than the breathy, demure self we’ve known, which was a lovely counterpoint to previous performances. As an alternate opening and sound for “Big Jet Plane” dawned on the crowd, it was clear that their Hottest 100 winning track will always be a staple, crowd favourite that they are so comfortable playing and can completely turn on its head for both our and their pleasure. Their playfulness with their back catalogue was evident and jovial, with “Private Lawns” amping up the reggae vibe and syncopation. Julia pulled out a brilliant performance of “You’re The One That I Want” capturing the audience’s imagination with it’s fragility, building in to a full band resonance that proves they really own it as their own track now, it is no longer a cover. And if that wasn’t enough, they proved without a doubt that “Girls Just Wanna Have Fun”! A rousing set and a great way to welcome Angus and Julia Stone back in to the festival rounds.

Saturday.

One of the great things about Splendour in the Grass is the sheer space available to absorb the almost 30,000 punters that flock to Byron Bay in search of great music and a good time. Aside from the 3 main stages, there’s a multitude of smaller spaces where all manner of performances take place, from the exciting extravagance of the colourful Dr Sketchy’s Burlesque Life Drawing, to the ukulele classes, to the buskers stage and its revolving selection of grunge, blues, roots, rock and alt bands, even dancing to the wee hours of the morning at the Tipi Forest full of dance DJs and electronica.

Amish Crop - SITG by ACatt_Saturday107Photo by A. Catt

Probably my favourite small (and surprising) space was the Amish Barn. In 2013, artist Bennet Miller ran a live installation called Barnraiser, where volunteers dressed as Amish people to raise a Barn. I kid you not. And this year, since the barn is complete, they opened it to the Splendour patrons for Rumspringer. Walk in to the barn at any point in the day and not only were you surrounded by Amish folk relaxing and enjoying the weather, but you could buy a drink from the bar and catch snippets of their pop-up bands playing folk in a ‘session’ style, or playing heavy rock like they were in their Barn’s garage band.

The sheer diversity of Splendour makes it an amazing experience. I hope to see the Amish again soon.

I haven’t seen anything of Darren Middleton’s new solo offerings, but as a Powderfinger fan, I was keen to see what he was serving up. As a duo with a stripped back setting on an enormous stage, their acoustic opening of guitar accompanied by violin and stomp pedal surrounded the small crowd with beautiful two part harmonies. Middleton is a humble performer, thanking the audience for coming to see him as he has played Splendour approximately 10 times in different acts, which must be some kind of record, and this time he plays it with his musical off-sider, Kelly. Picking through a back catalogue of numerous bands meant that the set was diverse and varied but sewn together with clever harmonies and a pristine acoustic style. His tracks from recent solo album, “Transition”, demonstrated the intimacy of close harmonies, plucky violin, upbeat acoustic guitar and stomp pedal in a big stage setting.  While touring, they have taken to playing a cover, a track Middleton never thought he would play again, “Falling Slowly” from the movie musical Once which drew a hush over the crowd and the occasional quiet lyrics sung along by individuals in the crowd. Middleton is currently touring with Busby Marou, and with such a solid set from Middleton, the tour will be a strong 1-2 combination definitely worth catching.

Camp Walkway - SITG by LachlanJohnstonPhoto by Lachlan Johnstone

Little May was new to me and they struck me as a sort of a combination of Lisa Mitchell, Gosling and Julia Stone all wrapped up in an indie pop 5 piece. They delivered great sound and a solid stage presence with a range of tracks including a rockier number with fabulous femme vocal harmonies.

Dustin Tebbutt drew a huge crowd in anticipation of his set. Opening with an ethereal quality and acoustic guitar built over top, he looked comfortable surrounded by his band creating a sensational blanket of music and melding sound. They make a cohesive group working together to scale the emotive heights of his body of work through the sweet ballads to the poignant numbers and his flawless falsetto. Tebbutt has the makings of a true balladeer. 12 months ago he was in Armidale planning to come to Splendour, and just starting to put out music. Sadly he wasn’t able to make it to Splendour that year but a friend reassured him not to worry, as next year he’d be playing Splendour. And there he was. The crowd loved it.

Tune Yards were a wild card on our list and if folkies wanted to go clubbing, this is what they’d see. Layered sounds and folky instruments looped to create danceable tracks and quirky grooves creating a somewhat “tribal tea party” soundtrack. They slip through genres, even the rnb and hip hop styles, with confidence and flair. In a nutshell, they are weird and quirky folktronica!

VanceJoy_SITG_26JUL2014_StephenBooth-56Vance Joy. Photo by Stephen Booth

Vance Joy has the potential to be a one hit wonder or a rising star and attracted a huge crowd to prove it. The audience were animated and engaged throughout, a sure sign of good things to come. With a full band behind him, new tracks like “Georgia” soared as a ballad with beautiful accompaniment, a troubled love song. His set was full of sing-a-long’s with the audience including “Snaggletooth” and “From Afar” proving popular. Special guests from Sasquatch created a hullabaloo on stage with a full, robust sound, tangy horn section, altogether a bit like a hoe down vibe a la Mumford and Sons. New songs and old songs, everything was eagerly devoured by the devoted audience. Huge cheers and clapping along carried him on high throughout his set, and then, out came the ukelele to a huge roar from the crowd who sang along, word for word. He wrapped up the set with a cover of “Stand by me” to an enthusiastic crowd. Definitely a star rising performance.

Sunday.

BallParkMusic_SITG2014_StephenBooth-2Photo by Stephen Booth

This year was the first year the site featured the enormous amphitheater, and while punters complained about the huge hill to scale, the reward of that stage was worth all the huffing and puffing to get there. We realised that the amphitheater was large enough to contain the entire main stages area of The Falls Festival, Lorne and the absolute scale of the space really hit home. While the Timber and Steel friendly acts were predominantly on the GW McLennan stage, the entire festival benefits from the innovations and expansion of the site.

Nick Mulvey, SITG_2014-1Nick Mulvey. Photo by Splendour Official

Nick Mulvey is someone I was told to keep an eye out for. An expectant audience gathered early with eager fans right up at the barrier claiming their spot. A small but dedicated crowd cheered him as he walked on stage. He opened with amazing classical guitar work, reminiscent of flamenco, and a really sweet voice with a low level resonance. As a soloist, his guitar style and confident voice really filled the space. The audience had tripled in size halfway through the first song, with a steady stream of people still coming in. Transitioning to a more bluesy, plucking style effortlessly for his next song showed off his diverse range and skill. He creates a really amazing presence through one instrument with really cool syncopation for emphasis and effect. With the crowd swaying along fluidly and the playful lyrics beckoning, I think every girl there wanted to do as his lyrics asked, and maybe some of the guys too… As his first trip as a solo artist to Australia and he could see a few people singing along and it’s obvious he is genuinely flattered by the audience appreciation which is evident throughout the set. Mulvey will be a force to be reckoned with on the scene. Watch this space!

Mikhail Paskalev is a Norwegian/ Bulgarian pop troubador by all accounts, and has a real mix of styles and variety of songs in his back catalogue which had the crowd pumping. He gave a very chilled out and mellow set with a woven sound of thrumming bass and vocal harmonies. Certainly a multifaceted act to look further in to.

I had heard of First Aid Kit, but hadn’t caught up with any of their music until Splendour. Their clear, crisp vocals attracted a decent sized crowd, complete with sparklers and incense. They have a beautiful on stage energy and presence and a light, airy delightful sound with an indie pop beat keeping it all trundling along. With a cover of Paul Simon and the occasional Carpenters-esque sound, their set was rounded out with a tinkly, delightful, angelic melding of voices and harmonies, even for their upbeat tracks.

Ben Howard, SITG_2014-3Ben Howard. Photo by Splendour Official

Rarely have I ever seen a folky act that the crowd chants their name to get them to come on stage, but it worked and Ben Howard presented himself, centre stage with steel string guitar and a cheeky “G’day Splendour!” He instantly had the crowd beside themselves. His set was peppered with a bit of everything, something a little poppy, something a little indie, something bordering on a Placebo track, and a great blend of indie pop layers and strings. A plucky rendition of “Black Flies” had the crowd going mid way through the set. I felt like sometimes his music and performance was moody introversion on public display but then a quick switch would see the entire set move in direction. The upbeat, twangy riffs of “The Wolves” had the crowd cheering and clapping, singing along, rallying the entire tent and surrounds to an almost frenzied state of hoe down style dance. Truly a highlight of Splendour.

All in all, if I could have cloned myself, I could have had 3 or 4 entirely different Splendour experiences – from the Splendour in the Craft tent and it’s Craft singles speed dating event, to the comedy and forum stage, to the crazy fashions punters strut in, the art installations and amazing range of bars with their own DJs and themes, or spending a fortune at the amazing array of stalls selling handmade and bespoke coolness in all it’s forms – each experience would have been just as amazing (plus I could have seen far more of the amazing musical line up). But in a nutshell, I think the 2014 Splendour in the Grass is quite possibly the best festival I have been too. Do anything you can to get to the next one, it’s truly Splendid!

Splendour crop - SITG by LachlanJohnstonPhoto by Lachlan Johnstone

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