Thank Folk It’s Friday – 20th December


This Week in Folk

All the News From The Week That Was

– Tonight The Davidson Brothers will be joined by The Quarry Mountain Dead Rats and Lachlan Bryan & The Wildes for a Summer Pickin’ Party in Melbourne. Details here

– Hunter Valley festival the Gum Ball have announced their first round of artists for 2014 including Jinja Safari, Adrian Edmondson’s Bad Shepherds, Nicky Bomba, Lachlan Bryan & The Wildes, Lindi Ortega and many many more. Details here

Jack Carty is throwing Christmas party in Sydney this Monday with The Falls, Maples, Iluka, Rosie Catalano, Achoo! Bless You, Luke Wellington, Andrew Brown and James Blow. Details here

Imogen Clark has announced a co-headline tour of NSW this January and February with singer-songwriter Joe Mungovan. Details here

– More artists have been added to the Port Fairy Folk Festival lineup including Pieta Brown, The Waifs’ Donna & Vikki’s side project The Stray Sisters, the Quarry Mountain Dead Rats, The Flying Emus and many more. Details here

– Pearl Jam front man Eddie Vedder has announced dates for a solo Australian tour. Details here

– Singer-songwriter Cass McCombs has revealed his new single “Big Wheel”. Details here

Emma Davis has released the stunning new video for her stunning new track “Stand Tall”. Details here

– Americana singer-songwriter Robert Ellis has released his new single “Only Lies”. Details here

José González released his new video “Stay Alive” from The Secret Life of Walter Mitty soundtrack. Details here

Lachlan Bryan and The Wildes are heading out on tour in January to launch their new album Black Coffee. Details here

– Next April and May Boy & Bear will be heading out on a massive national regional tour. Details here

– Watch the new video from Darren Cross, “Hit The Quit”. Details here

– Adelaide folkies The Timbers have a new single, “Things to Come”, and are hitting the road throughout January. Details here

Simone Felice has revealed his new single “Molly-O!” featuring members of The Lumineers from his upcoming album Strangers. Details here

– The National Folk Festival has added a bunch more artists for 2014 including Rory McLeod, Old Man Luedecke, Tift Merritt, Heath Cullen, The Barons of Tang, Richard Perso and more. Details here


We revealed the top albums of 2013 according to Timber and Steel’s contributors. Read the piece here

Our favourite artists let us in on what they pick as their top album or EP of 2013. Read the piece here

Our Editor in Chief Gareth Hugh Evans chose his top 25 songs of 2013. Read the piece here

Gigs Next Week

April Maze w/ Cisco James
Tuesday 24th December – The Toff in Town, Melbourne, VIC

Festival of Small Halls w/ Jordie Lane and Rose Cousins
Friday 20th December – Degilbo Hall, Degilbo, QLD
Saturday 21st December – Boonarga Cactoblastis Hall, Chinchilla, QLD
Sunday 22nd December – Mt Mee Public Hall, Mt Mee, QLD

Jack Carty Christmas Party feat. Jack Carty, The Falls, Maples, Iluka, Rosie Catalano, Achoo! Bless You, Luke Wellington, Andrew Brown, James Blow
Monday 23rd December – 505, Sydney, NSW

Little May
Friday 20th December – Brighton Up Bar, Sydney, NSW
Saturday 21st December – Brighton Up Bar, Sydney, NSW

Summer Pickin’ Party feat. The Davidson Brothers, The Quarry Mountain Dead Rats, Lachlan Bryan and The Wildes
Friday 20th December – The Curtin Bandroom, Melbourne, VIC

The Morrisons
Thursday 26th December – The Vic, Sydney, NSW

Friday Folk Flashback

“Fairytale Of New York” – Christy Moore

Probably the greatest secular Christmas song ever sung by one of the greatest singers in the world. Merry Christmas everyone!

Jack Carty Announces Christmas Party

Jack Carty
Image Courtesy of Jack Carty

If you happen to find yourself in Sydney a couple of days before Christmas you’d be well placed to head down to 505 in Surry Hills where some of our favourite musos will be getting together for a party.

On Monday 23rd Jack Carty is bringing together The Falls, Maples, Iluka, Rosie Catalano, Achoo! Bless You, Luke Wellington, Andrew Brown and James Blow for his Christmas Party. The music kicks off at 7pm and entry is via donation. For more information you can check out the 505 website here.

And whilst you’re getting in the Christmas celebration why don’t you check out some Christmas music from some of the artists involved in the night.

First there’s Jack Carty’s free 2011 EP B Sides for Christmas:

Then there’s Achoo! Bless You’s 2011 single “Coming Home (To You This Christmas)”:

And finally there’s the 2012 charity single “Heading Home (It’s Christmas Time)” featuring Jack Carty, Achoo! Bless You and Rosie Catalano along with Packwood and Fanny Lumsden:

Review: Mark Wilkinson, High Tea, Sydney

Mark Wilkinson

Mark Wilkinson with Iluka at High Tea
Hibernian House, Sydney, NSW
18th July, 2013

Review by Kat Kinnie

Mark Wilkinson’s voice could melt butter. And everyone who attended a secret pre-album release gig that he did just a week or so ago, got to experience it up close and personal.

From the outside, Surry Hills’ 342 Elizabeth Street is nothing special. In fact, as we navigated the narrow corridors and stairwells, and passed graffiti covered wall after graffiti covered wall, one could have momentarily been mistaken the journey for perhaps choosing a wild goose chase, rather than a night of live music.

However, after following the metaphysical white rabbit, we were rewarded with a wonderland-like venue, offered to us from the lovely people at High Tea. Complete with a tea party, minus the Mad Hatter.

After freshly arriving from a tour of the UK and Germany, Mark entertained us with songs from his upcoming new album Let the River Run. He kicked things off with the captivating “For the First Time in Years”. He also treated us to a very special cover of Tracy Chapman’s “Fast Car”. He joked that someone once suggested he cover the song, because he sounds like her. And not knowing whether to take it as a compliment or not, promptly learnt the song, which has fast become a fan favourite.

He was also joined by the beautiful voice of local songstress, Iluka, and they performed two songs together, one by each artist, including Iluka’s “In the Heat”.

It was an enchanting night and a treat to be able to enjoy Mark’s music in such an intimate and magical setting. Surrounded by lanterns hanging from the ceilings and fairy lights draped over furniture. We sat on cushions upon rugs laid over wooden floors, amongst very good company. A group of people with pure love and appreciation for the music that was entertaining them.

Mark closed with “All I Ever Wanted” a song about a desire to be someone, say something, and search for more in life, to know that you feel alive. Mark is definitely living, breathing proof that it is definitely possible to life a life of purpose and fulfillment, doing something that you love. And the Sydney-based singer-songwriter is destined to continue to spread his music far and wide.

Mark Wilkinson’s new studio album Let the River Run will be released on 9th August and will be available to download on iTunes. He will be embarking upon a nationwide tour of Australia for Timber and Steel from Thursday 15th August. To book tickets, go to – the full list of dates are below:

Thursday 15th August – Beav’s Bar, Geelong, VIC
Friday 16th August – The Thornbury Theatre, Melbourne, VIC
Thursday 22nd August – The Brass Monkey, Cronulla, NSW
Friday 23rd August – The Abbey, Canberra, ACT
Saturday 24th August – Mars Hill Cafe, Parramatta, NSW
Friday 30th August – The Heritage Hotel, Bulli, NSW
Saturday 31st August – The Basement, Sydney, NSW
Friday 6th September – The Promethean, Adelaide, SA
Saturday 7th September – The Ellington, Perth, WA
Sunday 8th September – The Ellington, Perth, WA
Wednesday 11th September – The Rails, Byron Bay, NSW
Thursday 12th September – Cafe Le Monde, Noosa, QLD
Friday 13th September – Mandala Organic Arts Cafe, Gold Coast, QLD
Saturday 14th September – Bon Amici Cafe, Toowoomba, QLD
Sunday 15th September – Black Bear Lodge, Brisbane, QLD
Thursday 19th September – Lizotte’s, Newcastle, NSW
Friday 20th September – Lizotte’s, Central Coast, NSW
Saturday 21st September – The Clarendon Guesthouse, Katoomba, NSW

Gareth Hugh Evans’ Top 25 Tracks of 2012


I thought as editor in chief and founder of this fine blog I would take the opportunity to give you one more list before the year is through. We’ve had the top five albums of the year from all of our contributors, we’ve had the top albums from some of our favourite artists, and now I want to give you my favourite songs of 2012.

It was originally going to be a list of 10 songs. But I couldn’t settle on just 10. So the list grew. And grew and grew. But after my hacking and slashing (and limiting myself to one song per artist) I managed to settle on a top 25 and I think I’ve got a pretty nice mix here – lots of local music, some notable international artists, a few surprises and a number one song that may not have been mentioned on Timber and Steel at all.

I hope you enjoy my choices – here’s to a lot more amazing music in 2012!

1. Anaïs Mitchell – “Shepherd”
It may seem odd that my top track of 2012 is a song we haven’t really covered on Timber and Steel but the truth is I hadn’t been exposed to Anaïs Mitchell’s Young Man in America until months after it had been released. I have to thank Mitchell’s interview on NPR Music’s World Cafe for turning me onto the album and the beautiful track “Shepherd”. Based on a short story by Anaïs Mitchell’s, “Shepherd” feels like a traditional folk song and breaks my heart every single time I hear it.

2. Old Crow Medicine Show – “Carry Me Back To Virginia”
When Old Crow Medicine Show guitarist and lead vocalist Willie Watson left the band in 2011 a lot of people were telling me that their next release (if they ever released anything again) would never be the same. So when Carry Me Back hit stands in July I was taken aback by how cohesive it was, and how reminiscent of the rest of the band’s catalogue it was. The epitome of Carry Me Back, the track that really sums up the album, is the also the album’s opener “Carry Me Back To Virginia” – a wonderful piece of string band music announcing Old Crow Medicine Show’s return to the world stage.

3. The Chieftains & The Low Anthem – “School Days Over”
If I was to give away a producer of the year award in 2012 it would have to go to T Bone Burnett for his work on the Hunger Games Soundtrack and The Chieftains’ 50th anniversary album Voice of Ages, among others. Both albums saw Burnett’s dedication to the new wave of indie-folk artists with the latter seeing the likes of Punch Brothers, The Civil Wars, The Decemberists, Carolina Chocolate Drops and many more joining the Irish music legends. The Chieftains’ collaboration with with The Low Anthem on the classic “School Days Over” is a highlight amongst highlights and was made even more special by the two bands appearing together top perform the track on The Late Show with David Letterman.

4. Jack Carty – “She’s Got A Boyfriend”
I asked Jack Carty earlier this year why his 2012 album Break Your Own Heart was so much more introspective than his debut One Thousand Origami Birds. His answer? He finally had something personal to say. As the album title would suggest Break Your Own Heart is a break up album, a heart break album, an album about a man whose world has come crashing down and is attempting to build it back up again. “She’s Got A Boyfriend” is the catchiest, most upbeat track on Break Your Own Heart and is ironically also one of the saddest if only because of the desperation in Carty’s lyrics. And you can’t really go past the Jefferton James directed super-hero themed video.

5. Passenger – “Let Her Go”
It was during his sold out, 1000-capacity show at Sydney’s Hi-Fi this year that I suddenly realised that Passenger was bigger than I ever thought he could be. And maybe that’s down to his fantastic 2012 album All The Little Lights or maybe it’s just that Mike Rosenberg has been building his audience from the ground up for years now and it’s finally starting to pay off. “Let Her Go” is possibly the best track on All The Little Lights (although it’s so hard to choose) and definitely a favourite live the last couple of times I’ve seen Passenger.

6. The Falls – “Girl That I Love”
Sydney duo The Falls have had a huge 2012 with the release of their EP Hollywood, triple j airplay, a string of high profile support slots and the runaway success of their regular folk night Folk Club. “Home” was the only official single from Hollywood this year but it’s the Lennon-esque “Girl That I Love” that really captured my attention and is the one you’ll find me singing along to every time I see The Falls live.

7. Taylor Swift feat. The Civil Wars – “Safe & Sound”
It feels a little weird including Taylor Swift, arguably the biggest pop-country artist in the world, on a blog that celebrates artists who “fall through the cracks”. But if you consider Swift’s album Red is her poppiest (and most popular) so far, her two tracks on the T Bone Burnett produced Hunger Games Soundtrack, “Eyes Open” and “Safe & Sound”, both definitely on the country end of the spectrum, have been somewhat overlooked. The latter, a collaboration with the now-on-hiatus Civil Wars is just stunning, mainly down to the harmonies, and was enough to convert me to exploring the rest of Taylor Swift’s catalogue – who would have known?

8. The Lumineers – “Ho Hey”
Some good friends of mine gave my wife and I The Lumineers’ self titled album as a wedding present in March, long before it was officially released in this country. While the entire album is amazing it was “Ho Hey” that caught my attention on first listen and I wasn’t surprised when it was released as a single. I was surprised, however, with just how popular The Lumineers have become – but good on them, they deserve it!

9. Sam Lee – “The Ballad of George Collins”
Sam Lee first came to my attention via the Podcast – a show that piqued my interest so much I just had to find out more. Having spent the last six years collecting traditional music from all over the British Isles Sam Lee has since released the Mercury Prize nominated Ground Of Its Own which brings this music into the twenty-first century. “The Ballad of George Collins” is a well known traditional song but Lee’s version is like no other version – both reverent and thoroughly modern. Listen to this song and then seek out Ground Of Its Own, you’re in for a treat.

10. Jerry Douglas feat. Mumford & Sons and Paul Simon – “The Boxer”
When you listen to this version of “The Boxer” you think it was written for the dobro. That’s the power of Jerry Douglas. First relased on Douglas’ collaborative album Traveler and then later on the special edition of Mumford & Sons’ Babel, “The Boxer” is not only the best cover of the year but the perfect example of the power of collaboration – Jerry Douglas reinventing the song for his instrument, Marcus Mumford adding his distinctive voice (along with the full input of Mumford & Sons) and Paul Simon’s gentle addition as the song’s original writer, sprinkling his magic without ever being overbearing. Perfect.

11. Faith Lee – “Golden Girl”
I fell in love with Faith Lee this year. Actually that’s a lie – I’ve always been in love with Faith Lee. But this year Lee released Damascus and my love of her music was solidified. “Life Long Friend” is my favourite track on Damascus but the truth is that it was released as a single in 2011. But it’s testament to just how good this EP is that the 2012 single “Golden Girl” still makes this list – I just love how playful this track is. And what a voice!

12. Arbori feat. The Falls and ILUKA – “In the Places You Fold”
I’ve been following Arbori’s career pretty much from the moment I started Timber and Steel but I have to admit that “In the Places You Fold” took my by surprise. The day this song arrived in my inbox was the day Arbori rose in my estimation from nice-little-indie-band to amazing songwriters and performers. Just take a moment to listen to this song – something about it penetrates you, something just fills you up. I know how rare it is that the band can get together, in whatever form they take, but I do hope Arbori produce a lot more music like “In the Places You Fold”.

13. Dan Mangan – “About As Helpful As You Can Be Without Being Any Help At All”
I think it’s the video for “About As Helpful…” that sold me on the song. The way that it seems to spin almost out of control, the way Mangan seems to control the camera – I love it. And once the video had firmly implanted itself in my head the song took on a life of its own. If you’ve recieved a mix tape from me this year “About As Helpful…” is almost definitely on it.

14. Patrick James – “All About To Change”
Why Patrick James hasn’t got a higher profile I’ll never understand. His music is just as good, if not better, than a lot of the indie folk played on national radio and his songwriting is second to none. James released two singles this year from an EP that’s due at some point in 2013 and “All About to Change” is easily my favourite so far. Can’t wait to hear what 2013 has in store for Patrick James – big things I hope.

15. Mumford & Sons – “I Will Wait”
If you’ve been a constant reader of Timber and Steel this year you’ll have picked up that Mumford & Sons’ sophomore album Babel was pretty much our most anticipated of 2012. And with good reason – the fortunes of Mumford & Sons are so intertwined with the beginnings of this blog. The first single from Babel, the rollicking “I Will Wait”, announced the album in the perfect way – reassuring fans that what we were in store for was more of what made Sigh No More so great. Mumford & Sons didn’t break any new boundaries this year and one might argue that they didn’t grow or evolve (although it’s my opinion that they’ve really sharpened themselves in terms of their songwriting and composition) but they did deliver us with 12 tracks that are Mumford & Sons through and through.

16. The Tallest Man On Earth – “1904”
With There’s No Leaving Now Kristian Matsson (AKA The Tallest Man On Earth) has finally shaken off the Boy Dylan comparisons and proven himself a singer-songwriter in his own right. I’m constantly astounded that Matsson can write such powerful songs in what is essentially his second language. “1904” may harken back to a lot of The Tallest Man On Earth’s back catalogue but it’s still my favourite song on the album and the first song I turn to when introducing his music to someone new.

17. The Maple Trail – “The Dinosaur Hunters”
2012’s Cable Mount Warning may be the last time we hear from Aidan Roberts’ The Maple Trail project with the Sydney/Blue Mountains based singer-songwriter already dedicated to a number of other endeavors in 2013. But what a record to leave us with! “The Dinosaur Hunters”, the album’s third track, just sounds so timeless – part traditional Australian folk, part Mark Knopfler, part American country music. I’ve managed to catch The Maple Trail live a couple of times this year and have been taken aback at each and every performance. Aidan Roberts is a true Australian talent.

18. Packwood – “Bats”
Packwood seemed to explode out of no where in late 2011 with a sound unlike anything I had ever heard – simple banjo licks over a full orchestra all pulled together with Bayden Hine’s distintive old-timey voice. In March 2012 Packwood released his self titled EP and quickly became one of the must-see acts on the Sydney folk scene. My favourite track from Packwood has always been “Bats”, not because of the lyrics (“Bats are better than birds” is not going to win any songwriting awards) but for the way the banjo and the orchestral arrangement weave together to create this wonderful folk landscape.

19. Missy Higgins – “Everyone’s Waiting”
The return of Missy Higgins this year, after a self-imposed hiatus, was a blessing. She is arguably one of the best songwriters in the country and to hear her distinctive voice again has been very special. “Everyone’s Waiting” is Missy Higgins at her finest – raw, emotional, brutal and honest – and the perfect example of what The Ol’ Razzle Dazzle holds in store for listeners. The Natasha Pincus clip is the icing on the cake for this track. I’m so glad you’re back Missy!

20. Husky – “Tidal Wave”
I don’t need to tell you Husky have had a big 2012 – the fact that the Melbourne four-piece are everywhere are testament to just how popular they have become. “Tidal Wave” from the band’s Forever So album was released as a single this and perfectly showcases Husky Gawenda’s songwriting and voice. The perfect song to lose yourself in.

21. Edward Sharpe & The Magnetic Zeros – “Man On Fire”
I was lucky enough to catch Edward Sharpe & The Magnetic Zeros for the first time this year when they toured with Mumford & Sons and I have to say they were amazing live. So much energy! 2012’s Here feels a lot more cohesive than the group’s debut album Up from Below, it really takes Edward Sharpe & The Magnetic Zeros’ country music and 60s influences and runs with it. I love the way “Man On Fire” builds from a single guitar and voice into a full-blown spiritual. And live it’s bags and bags of fun.

22. TinPan Orange – “Flowers”
TinPan Orange are another band that have come a long way in 2012. The release of their album Over the Sun saw the band released from the folky shackles of their earlier work to become fully realised as proponents of intelligent pop music. “Flowers” has been in the band’s repertoire for a while now and I’ve loved watching it evolve live. Alex Burkoy’s orchestral closing of the song is really what makes this for me.

23. Tigertown – “Morning Has Finally Come”
I’ve been predicting Tigertown’s rise for so long now and I think with “Morning Has Finally Come” (and the entire Before the Morning EP) they’re finally realising their potential. “Morning Has Finally Come” is three and a half minutes of perfect folk-soaked indie music jammed with the kind of harmonies only Tigertown. I’ve been hearing this track all over the radio and it’s so nice to see these guys get national exposure. 2013’s going to be an even bigger year for Tigertown, I can tell!

24. Tim Hart – “Architects”
Tim Hart may not have the greatest voice in the indie-folk scene but his songwriting and expert guitar playing more than make up for it. “Architects” feels like it should be showcased in a 1960s New York coffee house somewhere. There’s a Paul Simon element to the lyrics and you can definitely feel Paul Kelly coming through as well. No, Tim Hart may not have the greatest voice in the indie-folk scene, but I could listen to his music all day.

25. Sarah Humphreys – “Like A House Needs A Door”
Sometimes you just want to put a song on that puts a smile on your face. “Like A House Needs A Door”, the nursery rhyme-esque folk-pop gem from Sarah Humphreys does just that – and with one of the cutest clips of the year you can’t help but feel happy whenever this song comes on. And what I love most about “Like A House Needs A Door” is just how much it captures Sarah Humphreys’ personality – playful, cheeky and ever so fun.

Timber and Steel’s Artists’ Top Albums of 2012

Listening to Records

Not satisfied with just providing you with our own opinions around the best albums of 2012 we have once again put the call out to some of our favourite artists to find out what they’ve been listening to this year. And the response to this call has been simply astounding – over 90 artists sent us their number one album of 2012, along with a couple of sentences as to why it’s their number one, almost tripling the amount of submissions from last year and demonstrating once again just how personal and diverse everyone’s relationship to music can be.

Once again a big thank you has to go out to all the artists who contributed along with the dedicated managers, publicity people and record labels we pestered to get this piece across the line – you’re all amazing, dedicated, wonderful people who keep this great national (and international) beast that is the music industry alive.

And now it’s time for the blogger to pass his keyboard over to the blogged as we present to you Timber and Steel’s Artists’ Top Albums of 2012:

The Lion's ShareSarah Humphreys
Mike McCarthyThe Lion’s Share
Mike has a beautiful way with words and melodies, he can stir up feelings of love, loss, mystery and hope all in one album. Sometimes in one song! There’s a gentleness in this record, I can hear more love in his voice than ever before.

God Bless You AmigoRoland Kay-Smith (Roland K Smith and the Sinners)
Felice BrothersGod Bless You Amigo
After the brave, but often confusing album that was Celebration Florida, The Felice Brothers return to more familiar territory with God Bless You Amigo. “Her Eyes Dart Around” is a tear-jerkingly beautiful ballad, the off-kilter harmonies in “Lincoln Continental” blow my mind every time I hear them, and “Dream On” is a fantastically melancholic retelling of the Stagger Lee story. At 20 tracks it’s overlong, but the porch-strumming charm of the album makes each song a joy to listen to, and I should know, I’ve listen to this album plenty.

The AnecdotesSam Lee
Seamus Cater & Viljam NybackaThe Anecdotes
English Dutch duo based in Amsterdam who have written this chronicle of biographic songs based around cultural figures and steeped in folklore and alternative experimental theatre sound art. They have created this soundworld that is both sepia toned in 70s fender rhodes and melodic drum work and captures the sounds of revival and the monologues of obscure historical figures. A work of touching depth and simplicity.

Who's Feeling Young NowChris Stone (The String Contingent)
Punch BrothersWho’s Feeling Young Now?
Outrageously virtuosic instrumentalists, with super strong musical vision, brilliant execution, and a work ethic like no other … they are the tightest, most polished band around, and given the technical and musical complexity of there music, is both depressing and inspirational.

Carry Me BackBen and James Daley (Bellyache Ben and the Steamgrass Boys, The Daley Brothers)
Old Crow Medicine ShowCarry Me Back
This album has all the Old Crow trademarks: hard hitting blues, fast pickin bluegrass, honest singing and lyrics, great harmonies, and most importantly brilliant songwriting. The title track and “Levi” are both contenders for song of the year. This album (and Old Crow’s ever growing and ever impressive body of work) confirms them as one of the great modern American bands. I dare say when they are done they will be remembered as one of the great all time American bands.

Who's Feeling Young NowClaude Hay
SoundgardenKing Animal
This is easy for me: Soundgarden, King Animal, quiet simply my favourite singer of all time. I’ve been waiting for this release for ever, some classic dirty guitar and pure rock the world’s been missing.

The Lion's RoarTodd Sibbin (Todd Sibbin and the Opposite Ends, Traveller and Fortune)
First Aid KitThe Lion’s Roar
Besides the blatantly obvious reasons (fantastic singing, fantastic songwriting), Mike Mogis (of Bright Eyes fame) has nailed the “atmospheric moodiness” vibe in his production techniques. It’s got that unmistakeable old school Bright Eyes sound, with slightly more polish

Into The BloodstreamWarren Fahey
Archie RoachInto the Bloodstream
I was never a hooked Archie fan but this new collection of very personal and aspirational songs really grabbed me emotionally. Archie has seen a lot of shit in his life including the loss of his partner Ruby Hunter and, over the past couple of years, some shocker medical hurdles yet he writes and sings in such an uplifting manner you feel the joy. It is also a craftily assembled album with a great choir, really tasty musicianship and some vocal acrobatics from Archie that I just wasn’t expecting. At one stage he produces a growl befitting the blues and soul and then his voice soars to the rafters. This is a really fine album

Carried in MindHat Fitz and Cara Robinson
Jeff LangCarried in Mind
This album of 2012 is one of those albums that more than manages to carry you away into another time and world. That’s what I love about a great album, it switches off the mind and lets the imagination take over and it does that completely. One song in particular is track 3, “Fisherman’s Farewell”, co written with his wife Alison Ferrier, a truly exquisite piece of writing.

LeelanauMatt Bauer
Dana FalconberryLeelanau
It’s rare when an album is as fully realized as this. It has everything I want in music: great lyrics and melodies, strange harmonies, beautiful arrangements, unexpected rhythms, a specific sense of place, an air of mystery, and just some kind of undefinable magic. Perfect from start to finish.

Mid AirMatt Walters
Paul BuchananMid Air
Paul Buchanan is the lead singer of one of the world’s most important and underrated bands, The Blue Nile. The lead singer’s first solo offering is a quiet masterpiece. Comprised almost completely of subdued piano, and smoky, hushed vocals; this is one of the most transformative, beautiful records I’ve ever heard. Buchanan, now in his late 50’s, croons like a more poetic and mournful Sinatra – reminiscing, regretting and reconciling through some of the most poignant and intimate songs ever recorded.

Born and RaisedAshleigh Mannix
John MayerBorn and Raised
Truthfully I’ve only listened to it a few times, but it was the first album that came into my head when asked about my favourite album of the year – and for good reason! Mr Mayer always surprises with the twist and turns he has taken when recording his albums. He’s playing with more of a country vibe in this one. In the second single “Queen of California”, there’s a lyric that says “Looking for the sun that Neil Young hung/After the gold rush of 1971”. There’s definitely a Neil Young-esque vibe throughout the album. I love it! It will be my soundtrack for hungover weekend’s in the sun!

Edward Sharpe and the Magnetic ZerosHere
A perfect way to follow up their first album Up From Below, they have captured the large group sound that they have live while still leaving enough space for Alexander Ebert’s genius song-writing and lyrics to shine through. This record always makes a loud appearance on our touring mix tape.

Farthest FieldMike McCarthy
Daniel Martin Moore & Joan ShelleyFarthest Field
Farthest Field sounds like an album recorded in a hall, live, with four beautiful microphones between two great songwriters. Sparse and incredibly beautiful is how I would describe it.

Mad BastardsJeanette Wormald
Alex Lloyd, The Pigram Brothers, Kasey Chambers and Shane NicholsonMad Bastards: Music From the Motion Picture
I found this late in 2011 and haven’t stopped listening to it. Great colours, great artists and oh so Australian. It’s fresh and it’s interesting and I really enjoyed the collaborations between Alex Lloyd and The Pigram Brothers. The movie is incredibly compelling too. A must see for people wanting an insight into the challenges of Australians living on the fringe.

DeathFrank Turner
Jim Lockey & The Solemn SunDeath
I’ve known Jim for a while and loved his work, but I always suspected he had a record in him that would take what he did from being good to being truly great. It was with great satisfaction, then, that I listened to this one for the first time. It’s everything I was hoping for, a perfect blend of country, rock, folk and something heavier and darker. Brilliant.

The Lion's RoarCallum Adamson (ahab)
First Aid KitThe Lion’s Roar
I’ve chosen First Aid Kit’s record for a few reasons.
1. The record is nothing more than great country songs beautifully produced
2. They are one of the few bands that are just as good live as on record
3. One of my “goosebumps” moments of this year was when I first heard “Emmylou” – I really really wish I’d written it.

DearEmily and the Woods
Keaton HensonDear
Keaton’s voice and lyrics cut through whatever is happening, wherever I am. There is an immediacy and strength to his words and his delivery is so full of emotion that it makes me want to cry with him. I believe in his heartache; it feels raw. This album truly reminded me how powerful it is when you tell it how you feel it. That’s my favourite kind of songwriting, and it feels exemplified in the way he phrases and sings some lines. My favourite song on the album is the closing track, “Party Song”; which is unashamedly bleak.

Stars and SatellitesThe Quarry Mountain Dead Rats
Trampled By TurtlesStars and Satellites
We were waiting for this album to be released and it didn’t disappoint. Got a good mix of slower songs and and the usual kick ass ones. Ear f*$#ingly good!

Trains I MissedNick Keeling (Mustered Courage)
Balsam RangeTrains I Missed
Balsam Range deliver straight up modern driving bluegrass at its best. They are world class pickers, songwriters and boy can they sing. The harmonies are super tight and I love how the vocals are mixed. It gives you that baseball bat of three part harmony hit, straight in the face.

Stars and SatellitesCoty Hogue
RodriguezSearching for Sugar Man Soundtrack
Okay, so maybe all these songs were originally released in 1970-71, but considering most all of us (at least over here in the States) had never heard of Rodriguez before this film, and the fact that these songs are absolutely BRILLIANT and beautiful, makes this my must listen to album of the year! (I should also include the original two albums that these songs come from)

Warm in the DarknessNadine Budge (The Stetson Family)
Liz StringerWarm in the Darkness
From the multitude of reasons why this is my favourite album this year, the overarching one is that Liz Stringer is authentic – the real deal. This album serves up some of the melting beauty of Liz’s slower songs that she has shown herself to be a master of – then whacks it for a six when she pulls out some big guns and rocks it out! It’s the triple threat of great songwriting, sublime vocals and kick-arse musicianship.

Hard RubbishLouise O’Reilly (Laneway)
Lower Plenty – Hard Rubbish
It’s stony dreamy domestic. We found it driving from Melbourne to Adelaide on our tour and it took us all the way home.

Off We GoDesert Rat Shorty (The Lurkers)
Jess and Richard ArrowsmithOff We Go
This year I have a toddler, and as a consequence, I’ve spent most of the year listening to my favourite kids CD. It’s real music for kids. No autotune, no synthesisers and no politically correct rewriting for kids (the pirates in the songs still drink rum!). The songs are all old English nursery rhymes played on traditional instruments. And our one-and-a-half-year-old loves it.

Black Vat TrioWeary Hobo and Rocky Mountain Slim (The Lurkers)
Black Vat TrioBlack Vat Trio
They are a Sydney-based trio with Rishin (trombone), Rascal (violin) and Bones (piano accordion plus drums) who play Klezma and Romani inspired originals and Eastern European Classics. Songs and tunes they perform from other traditions they acknowledge openly unlike some Australian bands in the same scene. What Black Vat Trio create themselves are soundtracks to my dirty old Sydney town. Songs like “Rapscallions” are reminiscent of Waiting for Guinness and the genuine, straightforward production of the album brings it out on top of the new releases of the year for me. This album keeps toddlers of all ages laughing and dancing!

Court The StormJeremiah Fraites (The Lumineers)
Y La BambaCourt the Storm
It’s a terrific album. Is it folk, is it world, is it singer-songwriter? I don’t know. And personally, I don’t care. Talking about music is like dancing about architecture. Just listen to the damn thing.

Spirit BirdNardi Simpson (Stiff Gins)
Xavier RuddSpirit Bird
I first heard Xavier Rudd perform over twelve years ago. I knew nothing about him but watched as he played and stomped and sang the young audience into waves of inspired frenzy. He was on the way up, he sounded great, the kids loved him and he had his own unique sound. He also played the yidaki or didjeridoo. Now as blackfullas we regularly walk around festivals and see masses of people dancing and trancing out to the sound of yidaki – but most times it is not being played by a black musician. And so we carry this with us a little bit, well I do anyway. I sat there and listened to Rudd and looked at the crowd and thought of all the brothers I knew who would never get the same chance or attention if they did. Ten years later an ‘Indig’ stage was funded at Bluesfest. We had got a gig and walked around starry eyed, shyly watching legends from the wings and spinning out on the greenroom facilities. We walked past dressing room doors…Blind Boys of Alabama, Michael Franti & Spearhead, Jason Mraz, Angelique Kidjo, and as we came up to Xavier Rudd’s room out popped his head: “Brother, come and be part of this smoking ceremony”, he asked my partner. I can only guess he didn’t see or recognise me. So in he went, into this stranger/stars dressing room and did ceremony. Four months ago I saw Xavier Rudd had a new album out. I assembled together all the little pieces of him I knew and I bought it. I wanted to understand something more of the man. I listened to his songs and let them soak into me and it was at that point that our worlds collided. Where first I was a young musician, starting to sing of my world and my special place in it – and compete with all those who were doing the same, now I was a searcher of stories and of deep, and meaningful connections. I had come to the place that perhaps Rudd was at all those years ago- creating narratives to forge and maintain relationships with people, place and country. As a musician Rudd has consistently taken steps towards the place that I too now wish to explore. To show others how beautiful it is when country sings back. I still haven’t met Xavier Rudd, I doubt whether I will but I think I am a little closer to understanding him and his music. And so I see this album Spirit Bird as more than a collection of songs, it’s a story about a man on a journey. And as he walks, so do we.

BlunderbussHenry Wagons
Jack WhiteBlunderbuss
Following the epic legacy of his other bands, there is no doubt the pressure was on, whether Jack admitted it to himself or not. All the publicity said this album was kinda throwaway, recorded when another artist cancelled his session at Third Man Records. Yet, when you tune in to the opening riff of the album’s opener “Missing Pieces”, you immediately realise this album is about to deliver in spades to all those curious ears pointed towards it. It sounds so smooth, rockin’ and analogue … and seems it would have been a blast to put together. Its sense of spontaneity and creative freedom translates through to the listener. A bluesy, garage masterpiece, gloriously thrown together.

Me and MoonHannah Acfield (Dan and Hannah Acfield)
Lydia ColeMe & Moon
As I suspected, iTunes confirmed this was my most played album of 2012! I met Lydia at the APRA Song Summit earlier in the year and she was so lovely it prompted me to buy her album. Me & Moon is a stunning collection of songs, the production is delicate and raw, yet so beautiful and clever. In this case, less is certainly more. Lydia has an exquisite voice that captured me straight away. The songs are well written, am honest tale of heartbreak and loss. I had an immediate connection with this album and have not stopped playing it. Beautiful.

BlunderbussDave “Christo” Christensen (Charlie Mayfair)
Jack WhiteBlunderbuss
By far the most soulful and energetic album of the year from a man that understands the effect that the women in his life have had on his personality and the insecurities it hides. Through big speakers this album is louder than anything else out this year.

Young Man in AmericaEmily Barker
Anaïs MitchellYoung Man in America
I love the mood she creates straight from the outset; pensive and alluring. Lyrically I think it’s phenomenal – it has a stream of consciousness element and repetition of themes: childhood; parenthood; growing up in America; stories we inherit. Instrumentally it’s killer too – I love the combination of woodwind instruments, mandolin, guitars, layered vocals, such rich textures always serving the songs. I get more and more from it every time I listen to it – there is so much depth in this record.

There's No Leaving NowLittle Bastard
Tallest Man on EarthThere’s No Leaving Now
It’s great to see a modern day artist maintain the quality of songwriting up to his fourth release. He has also manage to arrange and produce the music that keeps the listener interested and shows growth from previous albums.

The Burgh Island EPHeidi Waddell (Cordial Factory)
Ben HowardThe Burgh Island EP
All I want to do is sit in a cool, dark room with my eyes closed and breathe in the sounds of this EP. Since I heard Ben Howard’s song “Depth Over Distance” last year, I had been waiting and hoping that his new EP would be much the same and it is. I love that he’s not afraid of combining stillness and passion. He’s created something really unique; it’s deep and full and haunting.

Back at the Quonset HutKetch Secor (Old Crow Medicine Show)
Chuck Mead & His Grassy Knoll BoysBack at the Quonset Hut
About 20 years ago, while Nashville was perfecting it’s recipe for the blandest batch of country music yet, a band called BR-549 was serving it up raw seven nights a week on the freaky streets of Lower Broad. This year Chuck Mead, BR’s longtime frontman, released Back At The Quonset Hut – 12 classic cuts backed by Nashville’s A-Team of sessions players, the color guard of pickers, the very men who made country music what the world knows it to be – true. It still is, and Chuck Mead proves it.

Race the LoserJohn Spiers (Bellowhead, Spiers and Boden)
LauRace the Loser
It’s got everything going for it. It’s hugely complex and experimental with some superb playing yet it bears up to repeated listening incredibly well. For me, the ability to listen to it on lots of different levels makes it the perfect album.

Adventures in Your Own BackyardPete Flood (Bellowhead)
Patrick WatsonAdventures in Your Own Backyard
Eerie, lush, cinematic and full of intriguing twists and turns – it’s like walking through a sunlit wood in late autumn. Pretentious but true.

GossamerSam Sweeny (Bellowhead)
Passion PitGossamer
It’s a perfect pop record. It combines musical simplicity with awesome technical complexity. Each track has new layers that keep jumping out at you at every listen, and to top it all, there isn’t a duff track on the album. It’s sublime music.

Time As We Know ItAdam McGrath (The Eastern)
Todd SniderTime As We Know It: The Songs of Jerry Jeff Walker
We spend at least 100-150 days a year sucking up bitumen, roadside pies (best one in six years is the fish pie from wairoa on the bottom of the east cape of the Nth Island of NZ), junk from junk shops, and lung disorders from the air con, in all manner of wheeled transport around New Zealand, Australia and parts and ports beyond. There are basically three rules in the van, 1) Only let Flora the fiddle player drive when no one else can possibly manage it 2) Adam must listen to Waylon Jennings on any post 1am drives (and be allowed to sing along with gusto and a slight edge of drunken melencholy) 3) and when the shit gets bad, hard, or both then we must listen to Todd Snider bootlegs (Tales From Moondog Tavern Vol. 1-5 are particular faves) or Jerry Jeff Walker, they are our road guards. This year Todd Snider released Time As We Know It an album of Jerry Jeff Walker covers, it wouldn’t have mattered if it sucked (it doesn’t) the idea alone would have made it our album of 2012. If next year he does an album of Thin Lizzy songs our lives would indeed be complete.

The Idler WheelTexture Like Sun
Fiona AppleThe Idler Wheel…
Although I haven’t listened to too much new music this year this album is one that recently came to me, and floored me. It’s dark, melancholly and sparse, about what I’d excpect from a Fiona Apple album. Love the additional instumentation in some tracks (you can hear lot of things clanging in the background) – and her voice! This music makes me feel something more than most.

I've Got a Friend Called Emily FerrisJen Cloher
Courtney BarnettI’ve Got a Friend Called Emily Ferris
The debut release from Melbourne based singer-songwriter Courtney Barnett was recorded in a friend’s lounge room in Thornbury. A lo-fi seven song collection of pop gems with plenty of psych-rock wig outs to boot. Original, often humorous lyrics tumble effortlessly over catchy-as-hell melodies. The first song, “Lance Jnr” opens with the lyric “I masturbated to the songs you wrote”. Nuff said.

The Stars Are Indifferent to AstronomyKevin Micthell (Bob Evans, Basement Birds)
Nada SurfThe Stars Are Indifferent To Astronomy
I’ve been a fan of this band since their seminal album Let Go around 10 years ago and they’ve barely put a foot wrong since. Their new album is another perfect template on how to write glistening power pop with intelligent, poetic lyrics. Underated? I think so.

A Different ShipHusky Gawenda (Husky)
Here We Go MagicA Different Ship
Interesting, infectious songs. A diverse album, but one that flows nicely from start to finish. Spoke to me immediately, before I had a chance to consider why – as all good albums do.

All The Little LightsHelen Croome (Gossling)
PassengerAll The Little Lights
A beautiful album with sweet and heartbreaking stories. Mike is an incredible story-teller who manages to find the perfect balance between memorable melodies and a descriptive tale. A favourite track would be “Let Her Go” with it’s beautiful lyric imagery. And the live version of “I Hate” is another favourite for it’s humour and honesty.

Out of FrequencyNikki Thorburn (ILUKA)
The Asteroid Galaxy TourOut Of Frequency
Danish psychedelic pop band The Asteroid Galaxy Tour are in a class of their own, and their second studio album Out Of Frequency proves just this. With more attitude and swagger than their debut album Fruit, this record is as innovative and refreshing as it is inviting. Drawing on array of eccentric, hypnotic and inviting sounds, they create a fantasy world that is deeply potent and entrancing. Chicago blues on “shrooms” and film noir on acid, it’s truly a case of the sum being greater than its parts.

Mirage RockMark “Looch” Lewis (Handsome Young Strangers)
Band of HorsesMirage Rock
On first listen its hard to believe this is the same band who put out the excellent Everything All The Time album back in 2006. Raw, loose and stripped back, Mirage Rock is everything that their debut was not. Folk purists may baulk at the move in a popier direction on some tunes and whilst I agree that it is not all an easy ride, stand firm! Because with repeated listening this record will reward you if you invest the time. As all great records should.

An Awesome WaveHayden Calnin
Alt-J (∆)An Awesome Wave
This is one of those albums that you tend to pick up and chuck on pretty much every day. In my eyes (ears?) Alt-J have delivered not only the most original sounding record of the year with their very infectious compositions and hauntingly fragile yet powerful vocal style, but also the best written as well. My personal favourite “Ms” off the album takes the cake for being my favourite track of the year as well.

Mirage RockGeorge Jackson
Brittany Haas and Dan TruemanCrissCross
Here’s something you don’t hear every day, unless you have the album like me. Appalachian fiddle goddess Brittany Haas meets Norwegian style fiddler and modern composer Dan Trueman. There is no music I’ve heard before that sounds quite like this, and to top it off the performers achieve that oh so important mix of stimulating both the body and the mind! This project is full of beautiful and mind bending new compositions by both Brittany and Dan. Mix in Natalie Haas on cello + guitarist Jordan Tice along with Brittany’s Crooked Still comrade Cory Di’Mario on Double Bass = a stellar line up. The tunes literally criss-cross the complimentary fiddle styles of Norway and Appalachia, developed with masterful ensemble arrangements and some demanding modern harmony.

JerildereeLachlan Bryan
Bill JacksonJerilderee
It’s actually pretty hard to write convincingly about Australia – most people end up stumbling over the awkward sounding place names, or struggling to extract poetry from our often brutal, frequently covered-up history. Bill and his brother Ross are exceptions to the rule. They write stunning songs together, and microphones just seem to love Bill’s warm, weathered voice. Jerilderie is full of great stories, and was my favourite record this year.

PrisonerEli Wolfe
The JezabelsPrisoner
Driving on tour we have been listening to The Jezabels Prisoner, which fits the landscape perfectly. Though it was released late 2011, I only bought Prisoner this year. It’s a great vibey album and Hayley is an amazing front woman.

How About I Be MeDamien Dempsey
Sinead O’ConnorHow About I Be Me (And You Be You)?
A blinding return to form by a fearless warrior woman who is my favorite female singer. Her song “Take Off Your Shoes” makes the hair stand up on the back of my neck every time I hear it, breathtaking.

Fear FunTom Busby (Busby Marou)
Father John MistyFear Fun
This album reminds me of why I love listening to music – it makes me so happy! The songs are cheeky and full of swagger, and somehow steers away from sounding arrogant. I love the production, including the small imperfections which are clearly intended. It is obvious that there were no rules when recording the record and this is probably why I can’t stop smiling each time I hear it.

Toward The Low SunAidan Cooney (Boy Outside)
Dirty ThreeToward the Low Sun
Choose your time wisely because I cried like a mother fucking bitch recently on a long haul flight listening to this album. Melancholy to get lost in and the dirtiest violin sound known to man give you an album that should be sold with a warning.

Music From Kennedy's PoolCourtney Barnett
Merri Creek PickersMusic From Kennedy’s Pool
I have seen the Merri Creek Pickers play live about 80 times. I’ve heard them rehearsing about 400 times. I adore the gentle genius of Alex Hamilton’s songwriting, the all-inclusive yet sometimes argumentative arrangement process and the fact that it was all recorded by the band themselves live at a farm in the middle of nowhere. This is a classic album that should transcend our generation.

Warm in the DarknessCat Canteri (The Stillsons)
Liz StringerWarm in the Darkness
Beautifully tasty arrangements, playing, sounds and songs across the whole album.

HereSam Buckingham
Edward Sharpe and the Magnetic ZerosHere
It’s so full of joy and somehow, every time I listen, manages to remind me to stop and enjoy the simplest and most beautiful things the world has to offer, and I have to offer the world. I love the songwriting, the production is unique and brilliant but I think, more than anything, it’s the feeling of hope and beauty that sits inside every song.

El CaminoCat Colman (Billygoat and the Mongrels)
The Black KeysEl Camino
So many albums to choose from!! The Black Keys scraped in at number 1, mainly because it has such a full solid and infectious sound.

Carry Me BackJohn Flanagan (John Flanagan and the Begin Agains)
Old Crow Medicine ShowCarry Me Back
Having just traveled to the US this year for the first time I’ve fallen in love with the mountain music that is so prominent in North Carolina and Virginia. Old Crow Medicine Show clearly draw on a wide range of influences though I love the old-timey core to their music with the claw-hammer banjo and fiddle. There are a lot of references to places we recently visited: Virginia, the Shenandoah river, etc, so for many reasons the album brings back fond memories of traveling through the South.

The Lion's RoarElla Hooper
First Aid KitThe Lion’s Roar
First Aid Kit are so full of potential it hurts. I don’t think they’ve quite revealed all they will in years to come but Lions Roar boasts great lush production from Mike Mogis (a modern master) and the girls’ tight folk pop songwriting is just my kind of teenage day dream, sorry Katy Perry, but This is talent.

PackwoodJulia Johnson (Julia and the Deep Sea Sirens)
In all honesty, I spent much of 2012 rediscovering old favourites. I re-arranged my bedroom, which inadvertently meant it was much easier for me to use my record player. Dad’s impeccable record collection has been liberated from the garage and given a healthy airing this year. There is one 2012 release that has had a particular impact on me musically though, so that automatically catapults in to becoming my favourite release of 2012. Early in the year I supported Packwood and The Falls in Canberra, at The Front Gallery. Probably one of the loveliest gigs with some of the loveliest musicians I’ve played with all year, but I digress. I’ve never heard such an ambitious EP as Packwood’s. Simply a man, his banjo, and an orchestra. Yup, a 50 piece orchestra. With a banjo. I’ve been messing around with my banjo for a few years half-arsedly, but since hearing that EP I haven’t practiced my guitar at all. I can’t put my banjo down. So thank you Packwood, for re-invigorating my love for banjo, and sorry housemates and neighbours, I’m not going to stop playing my banjo any time soon.

Baby We Were Born to DieRosie Catalano
Jen CloherBaby We Were Born To Die
Each song on this 3-track EP is so special. “Call If You Need Me” has an incredible ability to transport me to a whole other world every time I listen to it, “Baby We Were Born To Die” leaves me awed by Jen Cloher’s way of looking at the world and the hand she has been dealt, and the lyrics in her duet with Courtney Barnett always manages to catch me by surprise and make me laugh.

Love This GiantSarah Blasko
David Byrne & St VincentLove This Giant
It’s a collaborative album that really works and feels very cohesive. The arrangements are really imaginative and it has the freshness of not sounding like anything else that’s out at the moment. The brass arrangements are fantastic. It’s a classic sounding record, it’s beautiful and rich and full.

A Creature I Don't KnowLiam Gale (Liam Gale and The Ponytails)
Laura MarlingA Creature I Don’t Know
I spent this year listening to some not-so-current music, and it seems I’ve got some catchng up to do considering the snippets of albums I’ve heard over the last twelve months. Of 2012’s offerings, Laura Marling’s A Creature I Don’t Know was one that caught my ear. It had a lilt toward that concept-album-feel, some tracks outright flowing into the next, like Floyd with banjos or something. There was this poem she’d written that came out shortly after the album was released that seemed to explore the record’s protagonist character; the Beast. It’d come up every now again, like it was teasing the other characters on the album. Trippy.

Phaux CiscoSivan (The April Maze)
VariousPhaux Cisco
It astounds me that some of the greatest songwriters of all time remain relatively unheard. James Cisco is one of them. This album was produced as a surprise gift for the songwriter and includes some great Melbourne musos doing versions of his wonderful songs. The album features versions from Jeb Cardwell, Dan Lethbridge, Jed Pickett & Kate Walker, Kate Crowley, The Shivering Timbers, Simon Hudson & Anita Quail, Adrian Whitehead and more. The songs are in chronological order of when they were written, from 1988 to 2012. Its a real genre journey and wanders through folk, rock, country, punk, soul and blues. We love it and listen to it on the road all the time.

The Great DespiserFanny Lumsden
Joe PugThe Great Despiser
To me his songs are like stories from those who don’t usually tell stories. This album feels like I’m moving forward on a monster of a drive where one has very minimal encounters with anything man made and at the same time feeling settled. Good one JPUG.

An Awesome WaveBity Booker
Alt-J (∆)An Awesome Wave
Driven by Joe Newman’s haunting melodies, vowel-curling words, heart breaking notes; each song on this album is an independent masterpiece: cohesive and scrupulous. Every track is rich in layered detail, synthesizing meticulous sounds of pianos, guitars and xylophones. “Taro” is a wonderful story and an adventure in itself. I can’t get enough of it’s obsessive melody, which reaches a haunting climax when Newman’s voice breaks in the refrain, missing the crucial note, but making it that much more important in its absence.

The Only PlaceEmma Davis
Best CoastThe Only Place
This album really just came at the perfect time. I had just returned from a long trip overseas and having had a few changes along the way I took some time out to live by the beach and write. There’s nothing really ground-breaking or creatively astounding about this record, it’s just a great record. Solid, well-constructed pop songs all the way through. It’s a more positive sounding album than the last, with cleaner production and perhaps less raw emotion but to me still has that distinct ‘Best Coast’ sound that I first fell in love with. The lyrics are beautifully simple to the point where I’m not sure sometimes how they get away with it, but they do. Overall, it simply made me feel good, and at a time when I needed it. I’ve listened to it so much that I wouldn’t be surprised if a few subconscious references to “waves” or “babes” make it into my next record.

The Money StoreMark Piccles (Tin Sparrow)
Death GripsThe Money Store
Possibly the most intense, in-your-face hip hop record I’ve ever heard, but it’s endless originality and almost tangible persona is undeniable. It’s not for everyone but if you can withstand the brutality of the initial listen, there is much to be discovered on second venture and beyond.

LonerismDean McLeod (Tin Sparrow)
Tame ImpalaLonerism
Some killer overseas albums this year but Lonerism is by far my favourite. It’s texturally amazing which is really important for me and I love Kevin’s song writing. It also expands the sound they crafted on Innerspeaker. Almost perfect psych pop. Plus after seeing them at Splendour this year I reckon they are one of the best live bands going. Conclusion: instant froth.

The Year of HibernationBen Cooper (Radical Face)
Youth LagoonThe Year of Hibernation
I’m never good at these lists. I’m almost always a year or two behind, as I tend to stop hunting new records while recording and then play catch up when I’m not. So this album was late 2011, but I was told that’s okay. Anyway, this is one of those records that feels like it was made in a bedroom and is all the better for it. It’s a record that makes me smile, and as the lyrics slowly became discernible I found I really liked them. I don’t often describe records as charming, but this one I do. And it’s good walking music. I like it a lot

Spring and FallJack Carty
Paul KellySpring And Fall
I got myself into a tis trying to choose between a bunch of amazing releases this year by First Aid Kit, The Falls, Leroy Lee, Tim Hart and Packwood (just to name a few) but when I stopped thinking too much about it and just went with my gut, I had to go with Paul Kelly’s Spring And Fall for my favourite album of 2012. I am not sure if it’s because I grew up listening to my Dad singing along to his records or just because of the beautiful, simple honesty with which he writes, but I find something about Paul Kelly’s records incredibly comforting, and Spring And Fall is among his best. Each song is a story in itself, and a paragraph in the bittersweet tale the album as a whole tells. It doesn’t take itself too seriously, just says it plain and true … Music for everyone.

Unfinished BusinessJessica Cassar and Darren Cross (Jep and Dep)
Wanda JacksonUnfinished Business
It was on our way back from our Jep and Dep tour of Germany, cheap flights with Air China, that we spent our last night in Frankfurt. With a giant stroke of luck, Wanda Jackson was performing a stones throw away from our crappy fluorescent pink hostel. After one song she blew us away. The devil’s girlfriend. Queen of Rockabilly. She is Rockabilly (no visible tattoos by the way). Her 2012 album, Unfinished Business, is mixed a saddlebag of rock, blues and country covers and originals that doesn’t try to be anything that it isn’t. It’s a fun and sassy album that pays tribute to the era the 75-year-old pint-sized, tassle wearing old school banshee reigned in. Listen to it.

SomethingEdward Deer
For me the realm of intelligent and visceral pop music was completely owned by the ladies in 2012 (see also the exceptional recent records from Bat for Lashes, Cat Power, First Aid Kit and Sharon Van Etten, to name just a few). But the album I listened to more than any other this year was probably Chairlift’s Something. It’s full of thrilling juxtapositions – spontaneous and energetic performances meet painstaking songcraft, super hooky 80s-inspired pop melodies sit alongside bizarre sounds you’ve never heard before in your life. Caroline’s angelic, crystal clear voice is used to deliver wounded and often darkly comic lyrics, while Patrick’s bass lines are just plain killer. The band has just released some early demos from this album and those bare bones recordings reveal just how much work went into making the finished product so great.

Summer SongsJake Holmes (Merri Creek Pickers)
My Left BootSummer Songs
This is the coolest album I’ve heard in such a long time, absolute stoner heaven. “Sharks in the water” will make your hair stand on end. Roll up and just put it on.

The LumineersAchoo! Bless You
The LumineersThe Lumineers
I (Ross) heard the single “Ho Hey” in about July, and it was love at first listen. Catchy, awesome americana-folk-pop. There’s a massive scene they are championing, and they’re doing it real well.

MuseumPatrick James
Ball Park MusicMuseum
I often love albums where you can discover something new in the music every time. For me, this is one of them. I happened to catch a Ball Park Music concert at the Metro Theatre in the latter part of the year and was blown away. Since then, I keep going back to this band and especially this record, even to the point of covering one of their songs at my own live show. The songwriting is so left of field and it never fails to surprise me. Every time I listen to this album, I feel it moves me in a different way and keeps me intrigued about their music.

HypnotisedThe Twoks
Pony FaceHypnotised
Mature, fuzzy, warm and dark. The sound of three lads who know exactly how their music should sound, but (having mastered the art of subtlety) don’t shove it down your throat. Hypnotised has beautiful layers and textures. Not only does the album creep up and grow on you, but each song does. Highlights are the amazing “Alabama” (featuring the coolest laconic percussive vocal) and the spirited “Holly Said”.

Who's Feeling Young NowJane Hendry (The Tiger and Me)
Punch BrothersWho’s Feeling Young Now?
I’ve been a big fan of these guys for a few years now and this album shows just how talented they all are. I love the way they are bringing together traditional bluegrass instrumentation and techniques with songwriting that is much more indie-pop. This particular album does this probably more than their previous releases, but their complex and intricate arrangements are still there in spades, coupled with some heartbreakingly good melodies. There’s quite a bit of swagger too! Top track (changes regularly for me) – “Hundred Dollars”, where Gabe Witcher (fiddle) takes the lead vocals and swaggers all over the place.

The RubensSally Balfour
The RubensThe Rubens
Soulful, rockin’ blues; can’t get enough of The Ruben’s debut album. This album stirs something new within me each time I listen to it, especially their single “My Gun”. That track always cuts straight through to my heart. It is no wonder The Rubens are this year’s triple j Unearthed Artists of the Year.

Seven DaysAndrew Drummond
Emmy BryceSeven Days
The songs are fun and catchy and full of 90s pop influenced goodness! The EP also showed what an artist (and team) with drive and vision can achieve in a short period of time, with numerous TV show appearances (both live and soundtrack) and a national tour. Seven Days by Emmy Bryce inspired me to keep dreaming.

Ashes & FireStu Larsen
Ryan AdamsAshes & Fire
I know it was released pretty late in 2011, but all year long I just always went back to it. A classic easy listening album. I love the simplicity, I love the instrumentation and I love the way Ryan Adams’ imagery takes me some place else. My favourite track off this album at the moment is the opener, “Dirty Rain”.

Warm in the DarknessLeah Flanagan
Liz StringerWarm in the Darkness
Liz is one of my favourite Australian songwriters. The quality of musicianship and songwriting on Warm in the Darkness is incredible and it’s nice to hear her rocking out with full band and horn section. There are moments when listening to this record that I suddenly get goosebumps. They remind me of how truly beautiful her voice is. Buy it. Favourite songs are “High Open Hills” and “Warm in the Darkness”.

Slay Me In My SleepPiers Twomey
Grand SalvoSlay Me In My Sleep
The paradox about Paddy Mann – aka Melbourne’s Grand Salvo – is how he’s both adored and celebrated while also being overlooked and unsung. His critically acclaimed albums come across (to me) like profound, melodically gorgeous, yet slightly awkward museum folk songs: pure and emotionally charged vignettes from another era. Enough has been written about 2012’s Slay Me In My Sleep being one of his very best. I’ll just add that the record’s “The Boy’s Story Of His Faithful Family Dog” reduces me to tears. If you’ve ever loved and lost a family dog – and if you let it – the song may evoke the same consequence in you.

Over The SunCountry Town Collective
Tinpan OrangeOver the Sun
We love Tinpan Orange’s new album. It’s quirky, unexpected and eerily beautiful. A bit like Portishead but more organic sounding, it could be the soundtrack to an old movie, a bit James Bond theme even? It’s definitely got some magic to it.

Swing Low MagellanSteven Barnard (Arbori)
Dirty ProjectorsSwing Lo Magellan
I was surprised and satisfied by the peculiar and purposed brilliance of this record. It satisfies so many corners of my affection as it effortlessly showcased a band that are so deliberate and intentional. From the intricate electronic sounds scapes, to the biting crunch of guitar riffs, to the sweet and often bitter harmonics, dull acoustic tones, manic riffs, intimacy, mania … Lyrically prophetic both socially and emotionally and musically nostalgic yet completely original. I listened to it over and over as it continued to claimed my satisfaction.

Odd SoulPaul Brown (Arbori)
MutemathOdd Soul
This album came as a bit of a surprise to me. Mutemath have been a favourite band of mine for a while and they always do something different with each album, yet manage to create a sound uniquely theirs. Odd Soul is a masterpiece of musicianship which in my mind brings together the Mutemath feel to a very 60s soul and psychedelic sound. It is a fresh sound (albeit retro) in a market saturated in same sounding music! Fav tracks: “Cavalries” and “One More”.

RedJames Hutchinson (Arbori)
Taylor SwiftRed
We’re forgetting the biggest album of the year, the one that defines this generation and will go down in the annals of history as a watermark in the second decade of this century – Taylor Swift’s Red. It is my emotional comfort when I’m home crying myself to sleep over a lost boyfriend at night and the musical incentive to get me through the day.

Born and RaisedSibylla Stephen (The Little Stevies)
John MayerBorn and Raised
First let me say, I haven’t heard many new albums this year as I gave birth to my son in June. And like many first time mums I’ve just been tumbling my way through his first year trying to keep my head above water. It sure has been fun though, and one new album that we have sung, danced and gone to sleep to is the new John Mayer, Born and Raised. I know it’s cheesy, and it’s not all that “cool” to admit it, but I’m a big fan of his. I’ve always loved his lyrics, he had me at “I’ll never let your head hit the bed without my hand behind it” … Swoon … And on this new album he’s done it again. It’s full of songs I can’t stop humming and lyrics I wish I’d come up with. And he seems to have taken a little turn towards a more alt-country sound in some songs which I love. But all-in-all its just a great pop record, my favourite. Don’t judge me!!!

Young NorthZoe Elliot
The Paper KitesYoung North
The Young North EP has managed to stay true to the Paper Kites sound while still feeling fresh. My two favourite songs are “Leopold Street” due to the romantic nostalgia I hold onto of my grandparents, and “Paint” as its beautiful simplicity brought me to tears when I first turned it on sitting alone in my car – it takes a strong lyric to break me.

Goat Rodeo SessionsBayden Hine (Packwood)
Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris ThileGoat Rodeo Sessions
Of all the albums that I heard over the course of 2012, the one that really stood out for me was Goat Rodeo Sessions – a collaborative album put together by Yo-Yo Ma, Stuart Duncan, Edgar Meyer and one of my musical heroes Chris Thile. I first heard the album by way of a buddy, who told me I “had to listen to this”. Naturally I didn’t, until several months later whilst sitting in a car listening to The Punch Brothers’ latest album – at which point I remembered. The album’s title refers to a chaotic ruckus of sorts, a big ol’ mess that somehow just … works out in the end – exactly what this album is. I absolutely adore blended genres – especially blends of classical/folk/bluegrass – and so this album has been on high-rotation ever since! The stand out track for me is “Attaboy”, but if you can’t stand instrumentals and harmonies are your thing – “Here and Heaven” is sure to please.

TempestNigel Wearne
Bob DylanTempest
Yes, I’m another songwriter who’s a Bob Dylan fan but I had to choose this album because he’s still got it in spades. It’s more of a poetry reading these days but his phrasing is as good as it’s ever been. It’s pretty hard to beat a nasty 8 minute murder ballad and a beautiful 15 minute epic about the Titanic sinking. The man still has something to say!

The Rip TideJesse Lubitz (TinPan Orange)
BeirutThe Rip Tide
I started my year off with a live Beirut show in early 2012 and it’s stayed with me as one of the best shows I’ve seen all year. The songs on The Rip Tide seem effortless and the album flows as an album should flow. I love the quirky instrumentation and clever arrangements – it’s an album from a band who don’t sound like they are trying to sound like anything other than themselves.

Timber and Steel Presents: Artists for Don’t Think Twice on 28th October

Don't Think Twice
Image Courtesy of The Annandale Hotel

While Sydney is bright and sunny at the moment the weather look like its going to cool off a bit and we’re likely to see more pub action than beach action this weekend. Which suits us just fine because on Sunday afternoon Don’t Think Twice, the sometimes-weekly folk and acoustic session presented by Timber and Steel, returns to The Annandale Hotel with one hell of a lineup.

From 2pm this Sunday 28th October you’ll be able to catch Timber and Steel favourites Iluka, We Are The Birdcage and Ross Henry. And best of all the afternoon is free – so that leaves you more cash to spend on cold beers and hot food.

The early afternoon time is to make way for the Keg Party which kicks off at The Annandale from 5pm – which is also free, although not folk. For more information on Don’t Think Twice check out the official Annandale web site here.

Thank Folk It’s Friday – 27th July


This Week in Folk

All the News From The Week That Was

– The biggest news of the week would have to be the revelation that Timber and Steel will be presenting Sunday afternoons at iconic Melbourne venue The Workers Club from August. The first show features Melbourne 5-piece Whitaker (fronted by Ryan Meeking) and kicks off on the 5th August. Details here.

Arbori released the video for their gorgeous new single “In The Places You Fold” featuring footage from their recording session last year. Watch the video to see cameos from The Falls and ILUKA. Details here.

– Sydney activist-bluegrass quartet The Lurkers revealed a brand new track titled “Mining Man” that they’re also offering up as a free download. Details here.

– The trailer for the upcoming Paul Kelly documentary, Stories of Me, was released revealing his drive and ambition along with personal insights including the breakdown of his marriage and his relationship with heroin. The documentary will be screening around the country in October and November. Details here.

The Alice Springs Courtyard Sessions continue their dedication to Central Australian folk music with a show titled “Generations of Folk” this Sunday featuring Scotty Balfour (Bloodwood), Sally Balfour and other members of the Balfour clan. Details here.

– The new video from Passenger, “Let Her Go”, debuted on Tuesday ahead of his Australian tour this August. Details here.

– Using the power of YouTube we gave you an idea of how the upcoming Mumford and Sons album Babel might sound. We get annoyed we people stick a camera phone right in our line of vision at gigs but we love it when they post new tracks online. Details here.

Andrew Bird released the latest video from his album Break It Yourself for the track “Give It Away”. Details here.

– Australian country royalty Kasey Chambers and Shane Nicholson have announced the followup to their amazing 2008 album Rattlin’ Bones. Titled Wreck and Ruin the album is due for release on the 7th September with a national tour planned for October, November and December. Details here.

Bellyache Ben and the Steamgrass Boys and The Green Mohair Suits are transforming iconic Sydney rock venue The Annandale Hotel into a hoedown when they perform an afternoon of bluegrass on the 5th August. Details here.

Martha Wainwright returns with her first solo album since 2008 this October. The album is titled Come Home To Mama. Details here.

Timber and Steel favourite Leroy Lee will be launching his brand new EP Arcadia at FBi Social on 9th August. Details here.

– The first track from the upcoming Mountain Goats album Transcendental Youth, “Cry for Judas”, was revealed online and is available as a free download. Details here.

Katie Noonan, along with collaborator Karin Schaupp, has announced Songs of the Southern Skies, an album of Australia’s best loved classical, folk, jazz and pop songs featuring appearances from the likes of Gurrumul and Clare Bowditch. The album is due for release on the 17th August. Noonan and Schaupp will also be touring throughout Australia in August, September and October. Details here.

Releases This Week

Ground of Its Own
Ground of Its OwnSam Lee

Gigs Next Week

Alice Springs Courtyard Sessions (Scotty Balfour, Sally Balfour)
Sunday 29th July – Alice Springs Desert Park, Alice Springs, NT

Father John Misty
Friday 27th July – Oxford Art Factory, Sydney, NSW
Saturday 28th July – The Corner Hotel, Melbourne, VIC

Folk Club feat. Jack Colwell, The Falls, Little Bighorn
Wednesday 1st August – Oxford Art Factory Gallery Bar, Sydney, NSW

Jack Carty (with Packwood)
Sunday 29th July – Betty Bar, Melbourne, VIC

Little Features Presents: Faith Lee, Charlie Gradon, The Campervan Dancers & Little Bighorn
Friday 27th July – Hibernian House, Sydney, NSW

Missy Higgins
Fri 27th July – Mackay Entertainment Centre, Mackay
Sat 28th July – The Pilbeam Theatre, Rockhampton

Roland K Smith & The Sinners (with Chuck’s Wagon, The Tombstone Ramblers)
Wednesday 1st August – Sandringham Hotel, Sydney, NSW

Splendour in the Grass (Angus Stone, Lanie Lane, Jinja Safari, The Beautiful Girls, Husky, Gossling, Missy Higgins, Michael Kiwanuka, Father John Misty, Ben Howard)
27th to 29th July – Byron Bay, NSW

The Beautiful Girls
Friday 3rd August – Magnums Hotel, Airlie Beach

Friday Folk Flashback

“Bihu Naam (Pak Pak)” – Papon

When I was in India last year I stumbled accross Coke Studio @ MTV, a series that brings Indian folk revival artists together with contemporary and Bollywood artists to create wonderful music. I got a little obsessed with this track from Papon and have since tracked down as much of his music as I can in Australia. It doesn’t matter if you can’t understand the words – the music here is very special. Maybe MTV should try Coke Studio in Australia as well?

New Arbori Video, “In The Places You Fold”

Image Courtesy of Arbori

In October 2011 Arbori and a bunch of musical friends set up a studio in the Kinross Mackie Chapel of St Andrews College at Sydney Uni and recorded their six track EP The Polar Bear Swim live. The EP will eventually hit our eardrums later this year with the first track, “In The Places You Fold” currently available as a free download (details here).

The video for “In The Places You Fold” was released over the weekend and features guest appearances by The Falls and ILUKA. The video was shot live while the track was being recorded and a full documentary of The Polar Bear Swim EP recording session will be available in November this year. Check out Arbori’s “In The Places You Fold” below:

Arbori will be launching “In The Places You Fold” this Saturday 28th July at Hibernian House in Sydney’s Surry Hills with The Falls and We Are The Birdcage in support. More details here.

Thank Folk It’s Friday – 13th July


This Week in Folk

All the News From The Week That Was

Arbori unleashed their gorgeous new track “In The Places You Fold” featuring backing vocals from The Falls, ILUKA, Chelsea Gibson and Stu Larsen. The track is available as a free download and will be officially launched at Hibernian House in Sydney on the 28th July. Details here.

Jack Carty is stocking up on frequent flyer points with weekly residencies in both Sydney and Melbourne. Packwood will be supporting Carty at all of the shows and the pair have released a video of them covering Sufjan Stevens’ “Decatur” to celebrate. Details here.

Grizzly Bear, who will be winging their way to Australia in November for the Harvest Festivals, have finally revealed the artwork and titled for their upcoming album, due for release on the 18th September. Details here.

– Sydney singer-songwriter Edward Deer shared his gorgeous new single “Washed Ashore” with us. “Washed Ashore” is set to appear on Deer’s upcoming debut album. Details here.

– Not ones to take a break The Mountain Goats have announced they’ll be releasing a new album, Transcendental Youth, this October. Details here.

– One of our favourite Aussie music sites, The AU Review, is turning four and to celebrate they’re holding a very special concert in Sydney that will recreate The Beatles’ Magical Mystery Tour album live on stage with a bunch of local artists. Fanny Lumsden and Winter People are flying the folk flag at the gig which is set to take place on 3rd August. Details here.

YOLK Collective, the Young Centenary Foundation and Georgie & Friends have announced a very special night of folk music and visual art in Sydney this Saturday. Featuring music from Karla Nader, ILUKA with Taylor Hogan, Arbori and the aforementioned Georgie & Friends the night will also support finding a cure for cancer. Details here.

– The wonderful new clip from Jordan Millar (who toured with Jack Carty last year) hit the interwebs. The track is called “Guilty” and the video was directed by Kane Waldron. Details here.

Sam Lee is one of the most exciting young trad musicians coming out of the UK at the moment. Combining songs he has collected mostly from the Traveller and Gypsy communities with diverse instrumentation, sampling and modern arrangements, Lee has created something really unique on his new album Ground Of Its Own, which has just been given a release date of 23rd July. Details here.

– For the second week in a row The Falls Festival has revealed a handful of artists for 2012. This time around the folk flag is being well and truly waved by First Aid Kit, returning to Australia for the second time this year. Details here.

Beth Orton announced her first album in almost 6 years titled Sugaring Season. The album is due for release on the 5th October with the first single “Something more Beautiful” already causing a buzz online. Details here.

– The new Old Crow Medicine Show album Carry Me Back will be released on the the 17th July but has an advance stream. It’s very very good. Details here.

– Folk rockers America are touring Australia in September featuring original members Gerry Beckley and Dewey Bunnell. Details here.

The Falls, who are set to release their new EP Hollywood on the 3rd August, have announced launch shows in Sydney and Melbourne immediately followed by a support slot on Passenger national tour. Big things are happening for our favourite Sydney duo! Details here.

– Melbourne four piece Cordial Factory have just released “What Did You Ask For” the lastet single from their forthcoming EP First Make Thieves. The band will be launching the EP at the Northcote Social Club on the 8th August. Details here.

ILUKA released her brand new single “Paper Doll” following a successful launch at FBi Social. Its mixture of folk, jazz, blues and doo-wop is bound to have you dancing – and best of all ILUKA’s offering it up for free. Details here.


Track By Track

“We played all the songs on Damascus live in the studio. I didn’t want to produce a product that was perfected and sounded like a recording”Faith Lee, Damascus. Track By Track here


“It’s likely I’ve said this before but Jordie Lane really does epitomise everything I want in a folk singer”Jordie Lane, Camelot Lounge, Sydney. Review here

“It was a great hour-long set combining a range of new songs and old favourites and a show that should keep fans happy”Georgia Fair, The Standard, Sydney. Review here

Releases This Week

Broken BrightsAngus Stone

DamascusFaith Lee
CD Baby

Gigs Next Week

Breaking Hart Benton
Saturday 14th July – Spotted Cow, Toowoomba, QLD
Monday 16th July – The Cave, Gold Coast, QLD
Friday 20th July – Upfront Club, Maleny, QLD

Busby Marou
Fri 13th July – The SoundLounge, Gold Coast QLD
Sat 14th July – The Tivoli, Brisbane QLD
Sun 15th July – Great Northern, Byron Bay NSW

Jack Carty with Packwood
Sunday 15th July – Betty Bar, Melbourne, VIC
Thursday 19th July – Cafe Lounge, Sydney, NSW

John Williamson
Friday 13th July – Commercial Club, Albury, NSW
Saturday 14th July – Montreal Community Theatre, Tumut, NSW
Wednesday 18th July – 99 on York, Sydney, NSW
Friday 20th July – Belmont 16ft Sailing Club, Belmont, NSW

MoFo (Telegraph Tower, My Sauce Good)
Friday 13th July – The Gaelic Club (Upstairs), Sydney, NSW

Paper Kites
Friday 13th July – Jive, Adelaide, SA
Thursday 19th July – The Lair, Sydney, NSW
Friday 20th July – Alhambra Lounge, Brisbane, QLD

Simone Felice
Friday 13th July – Meeniyan Town Hall, Meeniyan, VIC

The Good Ship
Saturday 14th July – The Zoo, Brisbane, QLD

The Redlands Bluegrass Convention (The Hamilton County Bluegrass Band, The Davidson Brothers, Mustered Courage, Bluegrass Parkway, Kristy Cox)
13th to 15th July – Redland Bay, QLD

The Rescue Ships
Friday 13th July – The Red Rattler, Sydney, NSW
Wednesday 18th July – The Lass O’Gowrie, Newcastle, NSW
Friday 20th July – 5 Church Street, Bellingen, NSW

YOLK Folk (Karla Nader, ILUKA with Taylor Hogan, Arbori, Georgie & Friends)
Saturday 14th July – 49 Crown St, Woolloomoolloo, NSW

Friday Folk Flashback

“The Drover’s Boy” – Ted Egan

We know there’s a very famous American folk birthday tomorrow but we wanted to recognise an Australian living legend and dear friend, Ted Egan who turned 80 last week. If you have never heard this song you’re in for a treat. Happy Birthday mate!

ILUKA Releases New Single “Paper Doll”

Image Courtesy of ILUKA

Following on from a successful launch at FBi Social last night, ILUKA has finally unleashed her new single “Paper Doll”. The blend of folk, jazz, blues and doo-wop makes this a really catchy, really fun track.

ILUKA is offering up “Paper Doll” as a free download via her triple j Unearthed page. take a listen below and then head over to download (making sure you write a review while you’re there).

“Paper Doll”

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