Thank Folk It’s Friday – 24th February

TFIF

This Week in Folk

All the News From The Week That Was

– Irish trad group The Séamus Begley Trio will be touring Australia this March. Details here

Laura Marling released her lastest video “Next Time”. Details here

– The Summer Hill Folk Festival announced its 2017 lineup including Brian Campeau, Timothy James Bowen, Bonniesongs, Whoa Mule!, Queen Porter Stomp, Fresh Off The Boat, Richard Ashby Duo, Giffen, The Squeezebox Trio, Chaika, Burrows and more. Details here

– Sydney folk-punks Handsome Young Strangers released their new single “Fisherman’s Blues”. Details here

– English singer-songwriter Johnny Flynn released his new single “Heart Sunk Hank”. Details here

Releases This Week

Broads
VacancyBroads
Bandcamp

Jeff Lang
Alone In Bad CompanyJeff Lang
iTunes

Avalon
Mount RoyalJulian Lage and Chris Eldridge
iTunes

Freedom Highway
Freedom HighwayRhiannon Giddens
iTunes

Timber and Steel Recommends – Go To This Gig

Americana Music Association of Australia NSW Launch Party feat. Jason P. Walker & The Tender Mercies, Fanny Lumsden & The Thrillseekers, Sam Newton, Kevin Bennett, Melody Moko, Bill Hunt

Fanny

The Americana Music Association of Australia launches in Sydney with a who’s who of the local scene.

Thursday 2nd March – Leadbelly, Sydney, NSW

Gigs Next Week

Acoustics Anonymous feat. Chris Porter, Mark Lucas
Wednesday 1st March – Newtown Social Club, Sydney, NSW

Ainsley Farrell, Brendon Moon, Slow Ships
Sunday 26th February – Secret Garden Bar, Sydney, NSW

Alison Avron w/ NY Light
Friday 3rd March – Django Bar, Sydney, NSW

Amanda Palmer
Friday 24th February – Her Majesty’s Theatre, Adelaide, SA
Saturday 25th February – Her Majesty’s Theatre, Adelaide, SA
Thursday 2nd March – The Gasometer Hotel, Melbourne, VIC

Amber Lawrence & Catherine Britt w/ Fanny Lumsden
Friday 3rd March – Gloucester Soldiers Club, Gloucester, NSW

Americana Music Association of Australia NSW Launch Party feat. Jason P. Walker & The Tender Mercies, Fanny Lumsden & The Thrillseekers, Sam Newton, Kevin Bennett, Melody Moko, Bill Hunt
Thursday 2nd March – Leadbelly, Sydney, NSW

Argyle Sun-Sets at Fred’s feat. Kyle Taylor, Tom Lee-Richards, The Lazy Picks
Sunday 26th February – Upstairs at Fred’s, Camden, NSW

Bonniesongs, Matilda Abraham, Dave Kempton
Thursday 2nd March – The Dock, Sydney, NSW

Busby Marou
Friday 24th February – The Reef Casino, Cairns, QLD
Saturday 25th February – The Reef Casino, Cairns, QLD
Thursday 2nd March – Mt Pleasant, Mackay, QLD
Friday 3rd March – Magnums, Airlie Beach, QLD

Carus Thompson
Saturday 25th February – Piping Hot Chicken Shop, Ocean Grove, VIC
Sunday 26th February – Grampians Festival, Halls Gap, VIC
Friday 3rd March – Republic Bar, Hobart, TAS

Claire Anne Taylor
Friday 24th February – House Concert, Don, TAS
Saturday 25th February – Franklin Tavern, Franklin, TAS
Thursday 2nd March – The Chapel, Burnie, TAS
Friday 3rd March – Myalla Community Centre, Sisters Creek, TAS

Cobargo Folk Festival
Friday 24th to Sunday 26th February – Cobargo, NSW

Conor Oberst
Monday 27th February – Sydney Opera House, Sydney, NSW

Courtyard Sessions Presents Amber Rae Slade
Friday 24th February – Seymour Centre, Sydney, NSW

Courtyard Sessions Presents Skyscraper Stan
Friday 3rd March – Seymour Centre, Sydney, NSW

Devil On The Rooftop w/ by The Vanishing Shapes
Friday 3rd March – The Unorthodox Church of Groove, Newcastle, NSW

Elwood Myre
Sunday 26th February – Union Hotel, Sydney, NSW
Friday 3rd March – The Rhythm Hut, Gosford, NSW

Emily C Smith w/ Born in October, Matt Thomson, Joshua Heath
Saturday 25th February – The Newsagency, Melbourne, VIC

Fingermae, Scarlet’s Revenge, Josh Shipton & The Blue Eyed Ravens, Burden Man
Monday 27th February – Newtown Social Club, Sydney, NSW

FolkSwagon feat. Gene Gibson, Cecy & Henry, Carlos’s Small Big Band
Wednesday 1st March – Cafe Lounge, Sydney, NSW

Frances Folk Gathering
Friday 24th to Sunday 26th February – Frances, SA

Friday Fingerpickers feat. Nick Charles, The Weeping Willows
Friday 3rd March – The Spotted Mallard, Melbourne, VIC

Gordie Tentrees
Friday 24th February – Wintersun Hotel, Geraldton, WA
Saturday 25th February – WAFF Workshop, Warwick, WA
Sunday 26th February – Dorchester Hall, Warwick, WA
Sunday 26th February – Carine Glades Tavern, Duncraig, WA
Monday 27th February – Supper Club, Maylands, WA
Tuesday 28th February – Perth Blues Club, Perth, WA
Wednesday 1st March – Always Good Concerts, Bunbury, WA
Thursday 2nd March – Manjimup Highschool, Manjimup, WA
Thursday 2nd March – Warren Arts Council, Manjimup, WA
Friday 3rd March – Nannup Music Festival, Nannup, WA

Hannah Robinson
Thursday 2nd March – The Little Guy, Sydney, NSW

Hat Fitz & Cara
Sunday 26th February – Kurunda Amphitheatre, Kurunda, QLD

Hootenanny feat. New Savages
Sunday 26th February – Miss Peaches, Sydney, NSW

Jack Carty
Friday 24th February – 5 Church St, Bellingen, NSW
Saturday 25th February – Rous Mill Hall, Rous Mill, NSW

James Kenyon & Domini Forster
Wednesday 1st March – The Fly Trap, Fremantle, WA

James Vincent McMorrow
Wednesday 1st March – Festival Gardens, Perth, WA
Friday 3rd March – The Triffid, Brisbane, QLD

Jess Locke, Shiny Coin, Dark Fair, Snape
Friday 24th February – Reverence Hotel, Melbourne, VIC

Josh Rennie-Hynes
Friday 3rd March – Junk Bar, Brisbane, QLD

John Flanagan Trio
Friday 24th February – Secret Show, Wollongong, NSW
Friday 24th to Sunday 26th February – Cobargo Folk Festival, Cobargo, NSW

Kasey Chambers and Bernard Fanning
Friday 24th February – Empire Theatre, Toowoomba, QLD
Saturday 25th February 25th – Saraton Theatre, Grafton, NSW

Les Poules à Colin
Friday 24th to Sunday 26th February – Cobargo Folk Festival, Cobargo, NSW
Thursday 2nd March – Camelot Lounge, Sydney, NSW
Friday 3rd March – Masonic Hall, Lindisfarne TAS

Lime and Steel w/ Paperhill
Saturday 25th February – The Old City Bank, Katoomba, NSW

Live ‘n’ Lounging feat. Kyle Taylor, Tom Lee-Richards, Coast & Ocean
Saturday 25th February – House Concert, Sydney, NSW

Mark Lucas
Friday 24th February – Old Growler, Sydney, NSW
Sunday 26th February – Merton Hotel, Sydney, NSW
Wednesday 1st March – Acoustics Anonymous, Newtown Social Club, Sydney, NSW

Nathaniel Rateliff & The Night Sweats and C.W. Stoneking
Friday 3rd March – Perth International Arts Festival, Perth, WA

Nannup Music Festival
Friday 3rd to Monday 6th March – Nannup, WA

Pierce Brothers
Friday 3rd March – Friday’s on My Mind, Wodonga, VIC

Sam Buckingham
Friday 24th February – The Newsagency, Sydney, NSW
Sunday 26th February – The Junkbar, Brisbane, QLD

The Button Collective
Friday 3rd March – Prince Of Wales Hotel, Gulgong, NSW

The East Pointers
Wednesday 1st March – Franklin Palais, Franklin, TAS
Thursday 2nd March – Founders Room, Salamanca Arts Centre, Hobart, TAS
Friday 3rd March – Chudleigh Hall, Chudleigh, TAS

The Long Johns
Friday 24th February – Sound Fest, The J, Noosa, QLD

The McClymonts
Friday 24th February – Doyalson RSL, Doyalson, NSW
Saturday 25th February – Dapto Leagues Club, Dapto, NSW
Friday 3rd March – The Spiegeltent, Adelaide, SA

The Morrisons
Friday 3rd March – Treehouse On Belongil, Byron Bay, NSW

The Séamus Begley Trio
Wednesday 1st March – Jack Duggan’s Irish Pub, Bathurst, NSW
Thursday 2nd March – Ainslie Arts Centre, Canberra, ACT
Friday 3rd March – Illawarra Folk Club, Wollongong, NSW

The Spooky Men’s Chorale
Friday 24th February – Clarence Valley Conservatorium, Grafton, NSW
Saturday 25th to Sunday 26th February – Cobargo Folk Festival, NSW

The Waifs
Thursday 2nd March – Perth Concert Hall, Perth, WA

The Young Folk
Friday 24th to Sunday 26th February – Cobargo Folk Festival, Cobargo, NSW
Wednesday 1st March – Polish White Eagle Club, Canberra, ACT
Thursday 2nd March – Petersham Bowls Club, Sydney, NSW
Friday 3rd March – Adelaide’s Fringe Festival, Trinity Sessions, Adelaide, SA

This Way North
Friday 24th February – The Aztec, Foster, NSW
Saturday 25th February – The Junkyard, Maitland, NSW
Sunday 26th February – The Rhythm Hut, Gosford, NSW

Timberwolf
Friday 24th February – The Grace Emily, Adelaide, SA
Saturday 25th February – The Grace Darling, Melbourne, VIC

Timothy Bowen & John Flanagan Trio
Friday 24th February – Secret Show, Wollongong, NSW

TinPan Orange
Friday 3rd March – The Odd Fellow, Fremantle, WA

William Crighton
Saturday 25th February – Boyd Education Centre, Riversdale, NSW

Winter Wilson
Saturday 25th February – Music@Melway House, Melbourne, VIC
Sunday 26th February – The Veranda Folk Club, Mia Mia, VIC
Friday 3rd March – The Hills Folk Club, Lesmurdie, WA

Winterbourne
Friday 24th February – The Brass Monkey, Cronulla, NSW

Friday Folk Flashback

“This Train Is Bound For Glory” – Mumford and Sons, Old Crow Medicine Show & Edward Sharpe and the Magnetic Zeros

Watch the new Handsome Young Strangers Video “Fisherman’s Blues”

Handsome Young Strangers
Image Courtesy of Handsome Young Strangers

For their new single Sydney folk-punks Handsome Young Strangers have broken their own unwritten rule of only playing Australian songs by covering The Waterboys’ classic track “Fisherman’s Blues”.

The track is taken from Handsome Young Strangers’ latest EP Battle Of Broken Hill. The accompanying video for “Fisherman’s Blues” features footage from a bunch of recent live shows – check it out below:

Full Lineup of the 2017 Illawarra Folk Festival

Illawarra Folk Festival
Image Courtesy of The Illawarra Folk Festival

One of my favourite folk festivals of the year, The Illawarra Folk Festival, hits the Bulli showground in New South Wales on the 12th to the 15th of January and the lineup is incredible.

Despite being a medium sized festival The Illawarra Folk Festival manages to attract some pretty amazing acts and this year is no different. The lineup includes, but is not limited to, Andy Irvine and Luke Plumb, FourWinds, Tattletale Saints, The Whitetop Mountaineers, Tim O’Brien, Wallis Bird, Daniel Champagne, Echo Deer, Handsome Young Strangers, Lime and Steel, Mandy Connell, Martin Pearson, Nigel Wearne, Shanty Club, The Squeezebox Trio, Tinpan Orange, Big Erle, Jane Aubourg, Joe Mungovan, Kay Proudlove, Shelley’s Murder Boys, The Lurkers and many many more.

Tickets are still available for the festival and can be picked up here. If you live in Sydney I’d recommend jumping on one of the Music Trains down to Bulli for the full festival experience.

The full lineup for The Illawarra Folk Festival is below:

International Artists:
Andy Irvine (Ire) and Luke Plumb, Azzband (Italy/Spain), Christine Collister (UK) & Michael Fix, FourWinds (Ire), George & Noriko (Japan), Girls with Knives (Canada), Gregory Page (USA), Ken Field’s Hoot Band (USA), Kenta Hayashi (Japan), Kirsty Bromley (UK), London Klezmer Quartet (UK), Tattletale Saints (NZ), The Haywood Billy Goats (USA), The Outside Track (Scot) , The Sauerkrauts (Germany), The Whitetop Mountaineers (USA), Tim O’Brien (USA), Wallis Bird (Ire), Winter Wilson (UK)

National Artists:
1917: Strike!, 8Foot Felix, Adder’s Fork, Alanna and Alicia, Albion Fair Morris Dancers, Alex Hood, Baltic Bar Mitzvah, Black Bear Duo, Black Joak Morris, Blakboi, Brian Bell, Bruce Mathiske, Bush Music Club, Charlotte Emily, Chloe & Jason Roweth, Col Hardy, Colleen Z Burke, Daddy Longlegs & the Swamp Donkeys, Daniel Champagne, Dave de Hugard, Dave Elliston, Den Hanrahan & the Rum Runners, Dingo’s Breakfast Oz Music & Poetry Band, Echo Deer, Equus, Errol Gray, Fettler’s Yard, Folkaphonic Youth Orchestra, Free Fried Chicken, Genni Kane, Geoffrey W Graham, Glenn Skuthorpe, Glover & Sorrensen, Gone Molly, Good Tunes Band, Gordon Lightfoot Tribute Band, Graham Maureen Seal, Rob & Olya Willis, Gregory North, Handsome Young Strangers, Hillbilly Goats, Homegrown Quartet, Ionia, Jaga Band, Jay Wars & The Howard Youth, Jim Haynes, Jody + Innes, John Broomhall, Junkadelic Brass Band, Kate Maclurcan & The Loose Ends, Lime and Steel, Lindy lady of the Forest: Storyteller, Lisa Couper, Lizzie Flynn & The Reckoning, Low Down Riders, Malcura, Mandy Connell, Mark Cryle & Carmel Newman, Martin Pearson, Matthew Dames , Melbourne Scottish Fiddle Club, Men With Day Jobs, Nigel Wearne, Out of Abingdon, Pat Drummond, Pete Denahy, Peter Hicks, Peter Mace, Peter Willey & Matthew Hobbs˜, Rory Faithfield, Rosie Burgess Trio, Rough Red, Rusty & The Saint, Sadie & Jay, Shanty Club, Sissybones, Taylor Pfeiffer – The Banjo Girl, The Good Girl Song Project, The Northern Folk, The Squeezebox Trio, The String Family, The Three Marketeers, The Trippy Hippy Band, The Wish List, Tinpan Orange, Tom Dockray, Tulalah, Women in Docs , Yellow Blue Bus

Local Artists:
Alex Boston, Astarte Studio’s Steampunk Gypsies, Big Erle, Brian Jonathon, Brynn Luker, Cake Tin Rattlers, Carefree Road Band, Cat Walk City and Friends, Chord-eaux, Cinnamon Twist Belly Dance, Circus WOW, Chinese Lion Dancers, Cross Rhythm Dance Company, Dani Karis, Erika Steller, Festival Choir & Orchestra, Five Sad Men, Gobsmacked!, Grace Gladwin, Harman & Hellens, Illawarra Breakfast Poets, Illawarra Flame Three, James R Cooper, Jane Aubourg, Joe Mungovan, John Littrich & The Water Runners, Josh Maynard, Kay Proudlove, Kenny Bartley/Super Kenny, King & Queen of Green – The Pearlies, Leo, Lizzie Bennet Band, Love In The Jungle, Man from the Misty Mountains, Maya & Tala, Maypole with Molly, Melanie April, Moscateros, Murmur, My Secret Window, No Such Thing, Paddy & The Wonderband, Patrick Lyons & The American Creek Band, Patron Saints Of Folk, Ralph Scrivens, Rani’s Fire, Ribbon Gang, Ruido Indy Flamenco, Scientists Behaving Badly, Shalani & Chloe, Shelley’s Murder Boys, Silver Lotus Tribal Bellydance, SingGongGo, Soul Flamenco, Southern Gentlemen, Story Beats, Stringline, Swamp n’ Beats, The Beatmeisters, The Bowhemians, The Calamities, The Con Artists, The Derby Dolls, The Lighthouse Keepers, The Lurkers, The Scratchies, The Swingaleles, Three-Sixty, Vic Janko Orkestar, Zlatkos Balkan Cabaret, Zumpa

Timber and Steel’s Artists’ Top Albums of 2016

Child Records

You’ve heard what we think the top albums of 2016 were, but lets be honest this is the piece you’ve really been waiting for.

Every year we reach out to the community of folk and acoustic musicians in Australia and around the world to ask them to pick their favourite album or EP of the year, and this year they came through in spades.

So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2016.

Bill ChambersEagle & The Wolf
Bill ChambersCold Trail
What a record. Bill just turns up when he feels like it and shows us all how it’s done. The title track is one of the best driving songs ever written and we’ve done A LOT of driving this year! This record has been with us on every trip and inspires us as artists of the alt. country genre to dig deep and keep being real, in life and in music. He’s the baddest and the best.

James KenyonAnna Cordell
James KenyonImagine You Are Driving
This album takes me into such a beautiful space, it is so beautifully written and produced, I find myself smiling every time I listen to it – I’m entranced and inspired.

Joe MungovanImogen Clark
Joe MungovanWay Down South
Joe totally embodies the Joni Mitchell quote about songwriting, “The closer you get to your heart is the closer you get to everyone else’s”. This EP is an evolution for him, the production is so sparse and spacey, almost Bon Iver-ish, and very different from the folky style of his first EP. But what remains is Joe’s amazing ability to capture so perfectly the melancholy of the human condition with his beautiful melodies and heart-wrenching lyrics. A big 5 stars from me. Love ya, Joe!

Piers FacciniSam Lee
Piers FacciniI Dreamed An Island
This album only came out a couple of weeks ago but I think needs mentioning in this years crop. Piers is one of the finest male singers and his musicianship is exquisite. It’s an album of great sensitivity with deep thought and poetry inside. The songs are so well formed, he has a knack at creation of timeless soundings orgs.

DD DumboDan Flynn
D.D DumboUtopia Defeated
Oliver has really found his own unique sound while incorporating some diverse influences including folk, electronic and world music. I was really impressed with his songwriting and his ability to draw you in to his strange little world. I also love the production with all those sonic layers that reveal themselves over repeated listens. Amazing debut.

Michael KiwanukaSkyscraper Stan
Michael KiwanukaLove and Hate
I got hooked on this album while touring around New Zealand. The songwriting is melodic, the dynamics are masterful and the closing track, “Final Frame”, kicks me in the guts.

William CrightonJosh Rennie-Hynes
William CrightonWilliam Crighton
I first heard William at Nannup at the start of this year and loved it. He’s a great performer and his songs are top notch. This album captures all of that perfectly. The production is spot on and is a testament to the benefits of what a more DIY approach to recording can achieve.

Bon IverTanya Batt (BATTS)
Bon Iver22, A Million
There have been a lot of amazing releases this year, Canary, Braille Face and Hayden Calnin were three I wanted to choose too. However, it had to be Bon Iver. The most highly anticipated album in my life, it did not disappoint. This album means so much to me, It’s an extremely innovative album within soundscapes and also so raw, filled with emotion. Many tears were shed when I first listened.

MoulettesClaude Hay
MoulettesPreternatural
Moulettes new album Preternatural really grabed me from the first second, Distorted Cello, Oboe, guitar bass drums and they all sing insane harmonies perfectly live….Audio candy

Bill HuntLiam Gale (Liam Gale & the Ponytails)
Bill HuntUpwey
Conversational, melodic, witty and hooky songwriting flood through the beautiful ebb and flow of Upwey, Hunt’s first of many offerings. The songs are hued by a consistent arrangement of drums, bass, violin and Hunt’s subtle and precise guitar style. But they don’t rely on these arrangements; each song a story, assisted by the swell of instrumentation to convey the tales that swing from the near Latin grooves of “Odalik” to the slow sexy grind of “Sea of Love”. At six tracks long, it leaves you wanting more. Perfect.

Childish GambinoSahara Beck
Childish GambinoAwaken, My Love!
Listening to this album is like switching off the real world and stepping into an original and new world. I find it very inspiring.

Oh PepThe Little Stevies
Oh Pep!Stadium Cake
I think the songwriting on Stadium Cake is really interesting. The songs take me to a place that I’m not expecting both lyrically and musically when I begin listening to them and they keep me guessing, which I absolutely love. The arrangements and production are also super cool, and I’m simply just a big fan of talented women and female partnerships doing great things in the arts.

Side PonyFanny Lumsden
Lake Street DiveSide Pony
It seriously makes me the most joy filled human ever. Side Pony is possibly my biggest songwriting envy of late and they just really nail that motown meets pop retro good times.

Nick CaveMiles O’Neil (Miles and Simone)
Nick Cave and The Bad SeedsSkeleton Tree
I was scared to listen to this album due to the tragic circumstances surrounding it. Finally
mustering the courage one bright morning I listened to it through while walking beside the sea.
I stopped many times during that walk to sit and, floored, marvel at the breathtakingly
sadness and beauty captured in what is, to me and I’m sure many others, a masterpiece.

Hayden CalninForest Falls
Hayden CalninCut Love Pt 1/2
Hayden is an absolute stayer of the Melbourne music scene, but it’s for good reason. This record is world-class. Sparse, rich, cinematic, and desperate in its feel, it holds on to you long after the first listen.

Button CollectiveThe Bottlers
The Button CollectiveThe Lonesome Sea
As a softly lilting mandolin emerges from the silence of the opening track, Brodie’s haunting lyrical ballad begins to unravel the story of the heartbreak of a man, torn between travelling the lonesome sea and those who he has left behind. This beautiful yet bittersweet combination of well-travelled wordsmithing and an instrumental palate carrying a nostalgically truthful warmth, could be heard in any far-flung tavern in the dead of night, as tired candles flicker. Finishing with a raucous fling titled “Adieu Sweet Lovely Nancy”, the Button Collective’s release concludes on a stirring high, twisting your arm to crave another ale. The EP’s recording, mixing and mastering add a special flair, as you hear the charismatic live-elements that give you a heart-swelling, beer-swilling singalong that you can partake in at any time. Well done fellas!

The Dreaming RoomPhia
Laura MvulaThe Dreaming Room
Her lyrics explore feminism, faith, self-worth, race, and her harmonies, arrangements and production are deep and multi-hued. One of the most exciting songwriters around, unafraid to experiment with multi-genre collaborations, like the London Symphony Orchestra and Nile Rodgers.

JoyGordon Wallace (The Crooked Fiddle Band)
The Peep TempelJoy
This is a great third album by the Melbourne based three piece that has initial flavours of 90s Aussie pub punk/bloke rock (like Cosmic Psychos) but that is just the beginning – the album is musically quite varied, with intelligent, dark, caustically humorous and often political lyrics with moments of honest beauty.

Wartime SweetheartsJoe Gould (The Crooked Fiddle Band)
Wartime SweetheartsSo Long Sparta
It’s always great when a local artist drops something as fully formed and self-assured as Louise Nutting’s second album under the Wartime Sweethearts moniker. Experimental without forgetting the songcraft, it deserves its rightful place amongst the St Vincents, Dirty Projectors and My Brightest Diamonds of the art pop world. Props to local label Art As Catharsis, whose releases in October alone spanned from Wartime Sweethearts to Hashashin’s eastern mathrock and No Haven’s dark hardcore. Eclecticism rules the day!

BeyonceTaryn La Fauci
BeyoncéLemonade
To create and release a piece of work that is so intricately linked and ordered, one you must listen to from start to finish to understand the whole was really refreshing! The film that accompanied the album was also richly interesting, deep and powerful. To address themes such as infidelity and race and then to weave them powerfully into a full album, which on release caused so much controversy and started a conversation world wide, I thought was really great.

Melody PoolKevin Mitchell (Bob Evans)
Melody PoolDeep Dark Savage Heart
Another beautiful record from the most under-rated songwriter in Australia. “Love, She Loves Me” gives me goose bumps every time.

Winter WheatFrank Turner
John K SamsonWinter Wheat
I am a long term partisan of John’s work, so it’s not surprising that I liked this record. But god-DAMN, the man just keeps delivering. This record had me in tears three times on my first listen through, and it gets better with age.

David BowieWilliam Crighton
David BowieBlackstar
My favourite album from 2016 is Blackstar from David Bowie. There were a lot of great albums but I listened to it the most.

TigallerroSteven Barnard (Arbori, Jon Cotton)
Phonte and Eric RobersonTigallerro
Smooth grooves, dope rhymes, sweet melodies. You’d be hard pressed to find another 2016 record his year that has this flow, though Anderson Paaks’ Malibu is a close second. It rolls effortlessly from track to track and the inevitable ass shaking comes with a no “slutty table top twerking” guarantee. It’s rare that a hip hop record explores what it means to be a man of sexual fidelity, a family man, and even man of faith in higher power. Getting hype or turning down, my morning wake up or my party starter, this record has been a solid find.

Julia JacklinJesse Lubitz (TinPan Orange)
Julia JacklinDon’t Let The Kids Win
This album is a gem. The more I listen to this record, the more the songs shimmer and shine with a beautiful honesty. Jacklin’s songwriting is earnest and her voice perfect – it feels like an important voice which dances delicately on a wire between mundanity and profundity.

Bon IverOliver’s Army
Bon Iver22, A Million
Although becoming more and more electronic heavy, Justin Vernon’s signature haunting melodies and dynamic vocals remain consistently endearing. I found the production to be quite bold and experimental, and I love that they’re continuing to explore their sound and push it in new directions. Sonically, it’s spacious and beautiful.

RadioheadKim Churchill
RadioheadA Moon Shaped Pool
My top album of 2016 has probably got to go to A Moon Shaped Pool by Radiohead. It really hit me at the perfect moment. I was deep in the studio and sometimes getting a bit overly flustered by how complex the process of recording can be. I think Radiohead have done something incredible in the way this album is so relaxed, so subtle, but so powerful. There is this beautiful calm confidence that I am completely in awe of. To be alive whilst their legacy is still being added to is a real treat!

Conor OberstThomas Busby (Busby Marou)
Conor OberstRuminations
Brave, personal and heart achingly real. It feels like you’re in the room with him as he’s pouring his heart out.

Iggy PopEm George
Iggy PopPost Pop Depression
It would be a total lie for me to say that I have been patiently and politely waiting for a new Iggy Pop record because I’ve been extremely impatient and downright rude, mouthing off to my vinyl copy of Lust for Life, begging to the Iggy Pop gods for a new release and then Post Pop Depression hit in March this year. Produced by Josh Homme (Queens of the Stone Age), the entire album is gritty and dark, sharp and tight with that small hint of sadness that lies just under the surface of Iggy Pop’s music. However in true Iggy fashion, the melodies and heavy drums lift the album into something that is hard to define, taking you to another place. My pick for 2016!

KaleoGerrit Gmel (Citizen of the World)
KaleoA/B
I came across these guys on Spotify a few months ago as they were our number one associated artist then. I had never heard of them before but their album has been on repeat ever since. Their album is incredibly varied, with high-energy songs like “Way Down We Go” and soft ballads like “Save Yourself”. An emotional rollercoaster from start to finish.

Gregory PorterJoe Glover (Shelley’s Murder Boys, Backsliders)
Gregory PorterTake me to the Alley
I watched a YouTube clip of Gregory Porter performing on NPR’s Tiny Desk Concert and watched it several times over, absolutely mesmerised. The album is just as mesmerising; full of soul, jazz and RnB, beautiful arrangements and Porter’s effortless delivery; just enough grit and soul to keep the jazz interesting! I listen to this album when I want something that will absolutely zone me out of where I am and what I am doing, Porter’s soothing voice is like being wrapped up in blanket and given a cup of hot cocoa.

Bruce MolskyShell Eves (Shelley’s Murder Boys)
Bruce MolskyCan’t Stay Here This a-Way
Bruce Molsky always manages to bring such a rich, unique sound to the old-time classics. His latest album is no exception. His fiddle-singin’ gives me warm fuzzies akin to sitting by a campfire under a starry sky.

David BowieJimmy Murray (Shelley’s Murder Boys)
David BowieBlackstar
It was hot, humid January afternoon driving through a sun-shower when I first listened to David Bowie’s Blackstar album. Released just 2 days after his death aged 69 this is an amazing final piece of work from this incredible artist. The hauntingly beautiful voice and instrumentation echos with songs about finality and death. Listening to this I was filled pure joy, sadness and reflection of this artist’s inspirational legacy.

Black Mountain String bandThe Plough
Black Mountain String BandTime Traveller
This year The Plough discovered the Canberra based Black Mountain String Band and can’t get enough of them. The exuberance and variety they bring to a live show is showcased beautifully in their recording. Their mix of traditional and original songs and instrumentals take the listener back in time through a landscape of high energy Old Time, Western Swing, triangle pumping Cajun and plucky Fiddle polkas. This CD’s been on high rotation in the Lancer’s CD stacker ever since it was launched in the bush capital on a chilly winters night.

TyrannamenFraser A Gorman
TyrannamenTyrannamen
A brilliant, gruff mixture of Memphis Garage-soul blended deep in a gravel filled, VB bottle of Australian 70’s pub rock. Eight tracks long, all killer no filler.

Margo PriceNick Payne (Dear Orphans)
Margo PriceMidwest Farmer’s Daughter
Margo is one of the first of a new breed of Americana artists to come out of the new epicentre of country music in East Nashville. Alongside Cale Tyson, Michaela Anne, Erin Rae, et al., these guys are playing authentic honky-tonk reminiscent of 1970s outlaw country, yet with their own fresh take. Midwest Farmer’s Daughter reminds me of the edgiest tracks from Dolly Parton, and the fact she is the first country act signed to Jack White’s Third Man Records is a testament to the quality of this album.

Oh PepJames Kenyon
Oh Pep!Stadium Cake
Stadium Cake is a brilliant album – brave arrangements, tight pop writing, great lyrics and Liv’s voice is a pleasure. I love the ambition of the album, and the assuredness the result. It’s an inspiring record

Julia JacklinAinsley Farrell
Julia JacklinDon’t Let The Kids Win
I’ve had the chance to see Julia perform these songs over the past couple years so I’ve been very excited for her album. She has an incredible songwriting talent topped by this powerful yet vulnerable voice that’ll break your heart and put it back together again all in one go. If you get the chance to see her and her band live I wouldn’t miss it.

Liz StringerMel Parsons
Liz StringerAll The Bridges
I have been a fan of Liz for a good few years now, I’m completely smitten with her voice – all husk, beauty and pain. I had high expectations for her new album, and All The Bridges delivers and then some, it’s been on repeat in my house since it arrived.

CanaryKathleen Mary Lee
CanaryI Am Lion
I like this because it is a celebration of very big, very beautiful feelings that I reckon have no other way of being celebrated other than through this kind of emotionally epic music. The lyrics are attempts at honesty and the music is always their non verbal emotional equivalent, making the album a very cathartic experience. If you want it to be. A bit of a masterpiece

Eagle and the WolfSam Buckingham
Eagle & The WolfEagle & The Wolf
Sarah brings out Kris’s sweetness and Kris brings out Sarah’s no bullshit strength – making this album the perfect balance of heart and “fuck you”. It just sounds like two musicians being real and having a ball. Awesome songwriting, perfect harmonies – it’s golden.

Sian EvansTori Forsyth
Sian EvansHow Time Has Treated Thee
This EP has only swept across my table recently but it is hands down a stand out. It makes me feel happy, sad and inspired all in one hit!

Songs From DanLucie Thorne
Dan TuffySongs From Dan
Aussie expat (now Dutch resident) and legend Dan Tuffy (Big Low, Wild Pumpkins at Midnight) has made one of my favourite albums not just of 2016 but of all time (seriously!). Co-produced by Melbourne’s Matt Walker, and recorded partly here in Melbourne, and partly in Holland, this album is an extraordinary collection from a true poet who sings straight to the heart of it all. Check it out folks!

Sian EvansHusky Gawenda (Husky)
Damien JuradoVisions Of Us On The Land
While this is Damien Jurado’s twelth album, it is the first I heard of him. Visions is a psychedelic, mystical odyssey, one that takes place within and without. The internal wanderings, the struggles and revelations, mirror an external landscape that is both beautiful and haunting. Each listen draws you further into these mirror worlds and all the while Jurado’s songs and sounds are immediately and undeniably striking.

Tracy McNeilLeah Flanagan
Tracy McNeil and the Good LifeThieves
Thieves is such an enjoyable record to listen to. It’s poppy and catchy yet underneath the veneer of fun singalong good times the songs themselves incredibly well crafted and arranged. Tracey writes a damn good song and if you’re lucky enough to see her band live, you’ll see them play those songs damn well too.

Adora EyeMusketeer
Adora EyeIf You Need A King, I’ve Been Prepared All My Life
This is probably the most raw and enduring folk album I have listened to all year. I am sure that this Swedish singer-songwriter was up all night writing this album in a smokey boat in the Stockholm harbour somewhere. You can almost see him clutching that ink pen with a red right hand, as his pet raven swings in a cage above his head eating dead beetles.

Hiss Golden MessengerDave Powys (The Paper Kites)
Hiss Golden MessengerHeart Like A Levee
I heard this album playing in a record store in London, and as I flicked through racks of vinyl I was drawn into the melodies and depth of his song writing. Every now and then you come across an artist who really moves you, or scratches an itch you never knew you had – this album has done both for me.

The Kill Devil HillsCatherine Traicos
The Kill Devil HillsIn On Under Near Water
This album encapsulates all that I love about the The Kill Devil Hills. A mad racket of noise, it pulses with life and is as ripe with heartfelt ballads as it is with sexy, sinister, badass, guitar driven numbers. Enjoy with whiskey.

Robert Ellis10 String Symphony
Robert EllisRobert Ellis
His first self-produced effort combines thoughtfully crafted songs with unique and interesting arrangements, expertly performed by him and his killer band. It’s the full package real deal and we love it so much.

The Dead MaggiesThe Dead Maggies
The Cloves and The TobaccoAcross The Horizon
TCATT are one of many celt-punk bands making great music in Java, and this album is a standout. It’s straight up driving celtic punk, with big powerful singalong choruses that tug the heartstrings. Good arrangements and musicianship help make this album great. We played with them in their hometown of JogJakarta, in the attic of a vegetarian cafe. The power cut out just before the gig, so the bands went ahead and played unplugged, it was a great moment of sweaty singalongs.

Howe GelbMark Moldre
Howe GelbFuture Standards
Late night meanderings. Laid back, whisky infused jazz piano. Wordplay and lyrical twists that stand alongside the wit of Ira Gershwin and Hoagy Carmichael with the quiet phrasing of Chet Baker. Gelb continues to walk to his own beat – confounding expectations whilst smashing and recreating genres. His history has always hinted towards a love of jazz and occasionally detoured into Monk style musings – here Gelb embraces it wholeheartedly.

TullaraSian Evans
TullaraBetter Hold On
Earthy folk and roots with a dash of dirty grunge, Tullara presents her debut EP Better Hold On. Featuring her superb guitar slinging and percussive finger tapping wizardry, genius pop-roots arrangements and powdery vocals; it’s as if an Aussie Taylor Swift, John Butler and Andy Mckee were entrapped in a love triangle and spawned gold threads of wild honesty weaving together this admirable little Roots record. It’ll jerk a tear and invoke a bit of primal badass equally.

TaliskJake Pember (The Button Collective)
TaliskAbyss
Ever since first hearing Mohsen Amini’s amazing concertina playing earlier this year I have been a little bit obsessed with this band. They have the perfect blend of traditional and modern styles, and each member has such command of their instruments that every track feels as natural and flowing as a conversation.

Max SavageKaurna Cronin
Max SavageTrue Believers
Max has a brilliant ability to invite his audiences into the narrative of his works. With brilliant imagery and musicianship True Believers captures a great snapshot of true Australian culture, while also creating a great sense of nostalgia by grasping that 80’s Australian rock sound perfectly. The perfect soundtrack for an Australian road trip or any suburban household.

Nick CaveAlex L’Estrange
Nick Cave and The Bad SeedsSkeleton Tree
Amongst all the huge artists that dropped albums in 2016, and the loads of Australian artists that arguably dropped career highlights (Ball Park Music, These Guy, D.D Dumbo), there was one album that I found myself frequently listening to, uninterrupted, alone on the hi-fi, and that was Skeleton Tree by Nick Cave and The Bad Seeds. It’s not necessarily my favourite, I think it’s an impossible task to name a favourite, but it was the first album that came to mind for this list, and that means more than anything. Hearing it coupled with the film One More Time With Feeling was challenging, given its subject matter. But its atmosphere was expertly executed; dynamic, fluid, smooth and heartbreaking. The rooms of Air, La Frette and Retreat studios are beautifully on display in songs like “Girl in Amber”, where the wispy backing vocals of The Bad Seeds hauntingly resonate across the walls. These contrast the desperate and almost maddening mantras of “I Need You”. What makes it a truly extraordinary album, is that it isn’t just doom and gloom. ‘Skeleton Tree’ doesn’t dwell on tragedy, it addresses it as part of the human condition, and there is an underlying beauty in that.

William CrightonClaire Ann Taylor
William CrightonWilliam Crighton
The storytelling and the whole atmosphere created by Crighton on this album is incredible. His dark, brooding voice and emotive style of delivery, commanded my attention from the first moment I heard it.

Andy ShaufWilliam Fitzsimmons
Andy ShaufThe Party
This was my favorite album of the year for one simple reason: MELODY!!! Andy is everything that’s right about classic “pop” music; never playing a note without a damn good reason for doing so, and songwriting that makes you feel something deep in your gut. He’s the worthy musical son of Harry Nilsson that we’ve longingly been waiting for.

LuciusRuby Boots
LuciusGood Grief
I have to choose this album because I’m still, since its release, pulling away the layers on it. Although it’s a predominantly pop record, the lyrical content and melodic arrangements are so intelligent and accessible all at once – a fine line that is hard to walk. The girls’ voices are otherworldly and tend to make me forget where I am and what I’m doing every time I put this album on. I still can’t get enough of it.

WetLacey Cole (Lazy Colts)
WetDon’t You
If you have a soft spot for B-grade pop ballads/R&B this Brooklyn-based three piece may just have written the soundtrack of your 90s-nostalgia drenched dreams. Their latest album Don’t You is a not-so-guilty pleasure of mine. Helmed by the stunning front-woman Kelly Zutrau, her unusual vocal inflections and impassioned delivery suggest an emotional complexity in what may otherwise be confused as banal sentiments (one song is called “Baby, You’re The Best”). Once combined with the lush production and rhythms of the band – assigned with the noble task of turning tears into toe-tappers – these songs are wonderfully earnest, rarely overwrought and exactly what you need right now.

James KenyonJoe Murphy (The Timbers)
James KenyonImagine You Are Driving
I have been lucky enough to see James play a couple of times. His beautifully crafted songs are reminiscent of great songwriters like Paul Kelly. The album is a stunning representation of his work.

JRHMabel Windred-Wornes (Charm of Finches)
Josh Rennie-HynesFurthermore
I love this album. It’s got so much warmth, it’s spacious. I listen to it late at night doing my homework and it’s so calming. It’s like the energy he captured recording it in the hills of Woodford transmits. We met him at Bendigo Blues and Roots Fest this year and felt we’d discovered a rare gem. He’s an amazing songwriter.

Tom BrosseauMatt Bauer
Tom BrosseauNorth Dakota Impressions
Beautiful storytelling, vivid imagery, and an incredible sense of place. I’ve always loved Tom’s records and he’s at the top of his game here writing about his native North Dakota.

Jim JamesTimberwolf
Jim JamesEternally Even
It’s a pretty passionate political plea and America needed a timely voice. He even released it the day before election day. I think his voice is very much from another world, so that’s an important “third person” kind of perspective. It’s a well sequenced collection of songs, and I really love the warm psych and soul inspired production/composition. Maybe I’m just biased because I know that Jim James and Blake Mills would make up my sonic dream-team.

Nigel WearneJustin Bernasconi (The Stillsons)
Nigel WearneDrawing Circles
Nigel has really forged his own fingerpicking techniques on both the banjo and guitar on this album, and his voice tenderly delivers every song with intense concern and passion. Just check out the live version of the title track.

The Kill Devil HillsMark ‘Looch’ Lewis – (Wifey/Handsome Young Strangers)
The Kill Devil HillsIn On Under Near Water
I have always loved this band. In all their incarnations and styles whether that is folk, country, gospel, rock or what I call the “WA dirge” (Kim Salmon, Drones type bass driven tunes). Hard to believe it is now 12 years since the release of their debut Heathen Songs when that “Drinkin’ Too Much” song first got my attention. And while it has been 7 years since the last studio album Man You Should Explode, the good news is that I reckon this is the most cohesive album yet. Cracking harmonies, great playing and strong tunes. Tracks like “The Nets”, “Chinese Burns” and notably “The Kid” are 3 of the best tunes they have released. Let’s hope there is more output and touring to come.

Austin LucasMatt Golotta (The Sweet Jelly Rolls)
Austin LucasBetween the Moon & the Midwest
I spend a fair bit of time on the road traveling to see my partner and this record became the perfect traveling companion for me. Took a few listens to get into and also realise it’s a concept album which draws from Lucas’ own past experiences. Without spoiling the outcome, it follows the luckless musician Richard, his partner Kristie Rae and his best friend William. It features killer song writing with pedal steel, twangy tele, country influences with punk rock subtlety, numerous guest vocals from the likes of John Moreland and Corey Brannan, and a cracker duet with Lydia Loveless “Wrong Side of the Dream”, dealing with the struggles and plights that many musicians face. My song of the record is “William”, the solo acoustic number at the end that makes you feel like you’ve just been kicked in the guts. Songwriting at its finest.

Cody JinksAndrew Cavalieri (The Sweet Jelly Rolls)
Cody JinksI’m Not the Devil
Raw, honest and heartache. That is this album! The first track really sets the mood for the rest of the album, but is broken up by “Chase This Song” which is a damn banger of a driving song! The outlaw vibe flowing from Junks’ music really prepares you for some hard times and disappointment in life. Bloody hell I love this album! Honorable mentions: Murlocs – Young Blindness, Jonny Fritz – Sweet Creep and Mudcrutch – 2.

Wartime SweetheartsLaura Bishop (Chaika)
Wartime SweetheartsSo Long Sparta
A killer voice, some super awesome writing skills, and an obsession with bodybuilders (hello Ms Olympia!) make this my favourite album of 2016. Wartime Sweethearts, aka singer-keyboardist-loop artist-songwriter Louise Nutting, signed to Art As Catharsis Records this year and released an album full of all the beats and electric piano and vocal harmony sounds that I like to hear (and I wish I could make) – and my favourite track “Figure It In, Figure It Out” has all the unexpected twistings and turnings of chord progressions that I wish I could write. One day Chaika will make sounds like this! One day…

Neil YoungTristan Goodall (The Audreys)
Neil YoungPeace Trail
Well with everyone saying we should just put 2016 behind us (although to be honest we should probably be approaching 2017 with a little trepidation too) I’ve decided not to dig too deeply into the past when thinking of my favorite record release of the year. I’ve loved many, but my recent love is the just-released 37th album by Neil Young. Peace Trail is short, musically experimental within its tight three piece band approach, and lyrically angry and poignant. I love it for the drummer’s drummer Jim Keltner and the way his delicate touch chases Neil’s quirky phrasing around the songs. I love it because it captures another freeze frame moment from a restless and undaunted songwriter, and I love it, of course, for those mighty guitar tones.

Davey CraddockLachlan Bryan
Davey CraddockCity West
2016 was a great year for my friends releasing good music. Melody Pool comes to mind, as do The Weeping Willows, Henry Wagons, Ange Boxall and Bill Jackson. It’s actually really hard to contribute to a “best of” list when you’re close to many of the artists – it’s hard to be objective – even after I rule out the records I was actually involved in making. Actually – it’s always hard to be objective, whether you know the artists or not. Furthermore, judging a whole body of work is hard – and for me, more than ever, 2016 was the year of the song (as opposed to the album or EP). And as songs go, the one that’s really stuck with me this year is the song “Number 9” by Davey Craddock. I love the cricket references. I asked Davey if he was a diehard cricket fan like me. He’s not. I was bitterly disappointed.

The Stray BirdsThe Mae Trio
The Stray BirdsMagic Fire
The Stray Birds made our fave album of 2014 and they’ve done it again in spectacular style with Magic Fire. It’s everything about this album and this band, the playing, the three part harmony and songs that are unabashed, true and unadorned. Magic Fire is a reminder of the things that matter, it’s definitely a fire and maybe a little bit magic.

Tori ForsythAndrew Swift
Tori ForsythBlack Bird
This EP is right up there as one of my favourite releases of 2016. From the moment I heard the opening title track, “Black Bird”, I knew that I was in for a treat. The diversity on display within the 5 tracks of Tori Forsyth’s debut release excites me. The songs are so well crafted and presented with such a mature sound, especially for someone so young. I’m eagerly awaiting the next release from one of Australia’s most promising young songwriters.

Hayden CalninRoscoe James Irwin
Hayden CalninCut Love Pt 1
A beautiful album from Melbourne artist Hayden Calnin. Drenched in melancholy and ambient awesomeness, this album had me at hello. (One of my favourite live shows of 2016 as well).

Jordie LaneNadine Budge (The Stetson Family)
Jordie Lane & The SleepersGLASSELLLAND
Have to say I’ve been particularly digging Jordie Lane’s GLASSELLLAND this last couple of months – with mighty input from the multi-talented Clare Reynolds. Let’s face it, Jordie’s a bit of an all-round talented guy!

Melody PoolDavey Craddock
Melody PoolDeep Dark Savage Heart
One of my fave local album’s of the year was Melody Pool’s Deep Dark Savage Heart. I’m a sucker for strings and a massive chorus and I love the way the songs build from really intimate, delicate and ornate passages into full-blown, wailing-on-a-mountain top with Stevie Nicks, 100 soaring bats and a thunderstorm moments. I saw her launch it at the Abbotsford Convent earlier this year and it was a really powerful and affecting show for me.

Methyl EthylTim Guy
Methyl Ethel – “No.28”
I know it’s not an album, but I’ve listened to this song more than any other this year, and it only came out a little while back. It has a lot going for it – great rhythm behind a smart piece of songwriting and then the whole thing is bathed in a deep silver mercury type thing. An Australian classic I swear.

DocksThe Staves
Amanda BergmanDocks
Our favourite album of 2016 is Docks by Amanda Bergman. Her voice is utterly sublime. You want to listen to every word she says. The music is dreamy, deep, soft, moody with melodies that whirr deliciously around your mind for days and weeks on end.

Katie BriannaRaechel Whitchurch
Katie BriannaVictim or the Heroine
I picked this album up when Katie and I did a songwriters showcase together. Sitting beside her listening to her songs was so magical – her voice is one of the most enchanting I have ever heard and her lyrics hit you right in the feels every time. Reminds me of a young Lucinda!

James KenyonMandy Connell (Stray Hens)
James KenyonImagine You Are Driving
James’ lyrics have that magic of time and place usually associated with voices like Paul Kelly or Bruce Springsteen. You can practically smell his scenes. You’re there. This album captures the voice but better than that, like a Tim Winton book, its a record that makes you present in Kenyon’s stories.

Jordie LaneLiz Stringer
Jordie Lane & The SleepersGLASSELLLAND
It’s no secret that Jordie Lane and I are good mates. We grew up together, musically speaking, and I am more familiar with his work than with most other artist’s. His new album, his first full-length release in five years, is called GLASSELLLAND, recorded by Jordie himself in various make-shift recording spaces in North Los Angeles and co-produced by his fiercely talented partner, Clare Reynolds, who also co-wrote half of the songs and sings and plays a heap of instruments on the record. Jordie’s songwriting and musicianship continue to evolve and stretch out with the years and these songs, and the way they’re recorded, ache with longing while driving forward with a swagger and a playful showmanship, melodically rich and hooky as fuck. I always become a bit weepy listening to Jordie sing. And, now, the combination of him and Clare ruins me every time. Beautiful.

David BowieColin Jones (Colin Jones & The Delta Review)
David BowieBlackstar
An exceptional reflection on final days and the unknown. Every note by Bowie, McCaslin and the band emphasize the chaos and fragility of life. There is no better swansong for an artist.

A Moon Shaped PoolEmma Anglesey
RadioheadA Moon Shaped Pool
A Moon Shaped Pool completely surrenders to simple truths that both lie in plain sight and in the messy tangled, kicking and screaming realities of life. The epic levels of angst in the opening track “Burn the Witch” are like an exorcism – Jonny Greenwood’s sharp string arrangement take you right to the edge – and then from there it’s like Alice falling through the rabbit hole of raw emotion and you go deeper and deeper.

DawesTim Hart (Boy & Bear)
DawesWe’re All Gonna Die
Some of the best lyric writing welded on to some pretty simple, but catchy, pop songs. Produced by Blake Mills (Alabama shakes, Laura Marling), this is a great record start to finish if you can forgive some slightly John Mayer sounding guitars that pop their head up from time to time. This I the record I keep coming back to this year

Oh PepRebecca Bastoli
Oh Pep!Stadium Cake
I don’t think I have ever been so entranced, excited or exhausted by the journey of listening to an album start to finish.

Bon IverDustin Tebbutt
Bon Iver22, A Million
Bon Iver has once again exceeded expectations on this release. It’s both familiar and foreign, delicately coloured, softly focused yet angular and stark. It’s brave, honest and all the things that I loved about Justin’s earlier works, without coming close to formulaic. It’s colloquial and conversational, yet inherently profound. Incredible stuff both musically and sonically.

Margo PriceJosie Rothwell (Peasant Moon)
Margo PriceMidwest Farmer’s Daughter
There’s something comforting about Margo Price’s debut album, almost like I’d listened to it before, but not in an overly familiar sort of way. Perhaps there’s something in her glorious voice that reminds me of my parent’s Dolly Parton records. She’s a great story teller, and I want to know more about her heartaches and headaches, particularly when accompanied by her crack band. I’m also proud to say my 4 year daughter keeps calling for “Hurtin’ (on the Bottle)” when we’re in the car – and I can’t think of anything else I’d want her to be listening to right now.

BJ BarthamHarvey Russell (Peasant Moon)
BJ BarhamRockingham
It pains me to say this but BJ Barham’s new-found sobriety has coincided with a serious coming of age as a songwriter. Taking a (very) short break from American Aquarium duties, BJ’s solo release (a genuine side-project) is seriously hard-hitting stuff. It rivals Aquarium’s 2012 release Burn. Flicker. Die. for intensity, but of a completely different nature. With sparse arrangements (often acoustic) Barham, as storyteller, gives you an uncensored and unashamed glimpse into how rural America has been left behind. Not for the faint hearted.

William CrightonSam Newton
William CrightonWilliam Crighton
I’d caught Crighton perform a bunch of times at local venues around Sydney and really dug his tune (and especially the music video) “Woman Like You” prior to this album’s release. So I was anticipating this release. Really excited for it. I was stoked when I heard that he and producer Matt Sherrod came through with the goods. Big time. Highlights for me are “Riverina Kid”, “Priest” and “2000 Clicks”. In my mind, this one is about as strong as debut albums get.

Chaim TannenbaumEliza Carthy
Chaim TannenbaumChaim Tannenbaum
The album that I have most enjoyed and most visited this year is the debut of the kind, quiet genius Chaim Tannenbaum (Storysound Records). I’ve had the privilege of working with Chaim over the years but it was only recently I realised that I have lived with his distinctive voice and gorgeous humility since I first began to love music. It’s his voice that forms the third harmony in “Complainte pour St Catherine” on the first McGarrigle sisters’ album, a song I played over and over as a child until you could almost see through the record, and he has been quiet companion and producer to theirs and their extended family’s work ever since. It’s somewhat typical of his humility that he has waited this long to make an album, produced by his dear longtime friend and collaborator Loudon Wainwright III. It’s a collection of avuncular stories told in his gorgeously expressive voice with beautiful, minimal production. Some trad, some conversational originals covering everything from the fate of the baseball stadium Ebbets Field to living in a depressing grey London in the endless rain in the 1960s. An album to listen to with your eyes closed by the fire. Again and again, and again.

PinegroveQuinton Trembath
PinegroveCardinal
The lyrics on this album read like the private diary of a well spoken (and well read) guy filled with both anxiety and excitement for life. The musicianship and dynamics complement this introspectiveness well, making it perfectly suited for intense solo listening as well as for being cranked on road trips with friends.

Sean McMahonAlison Ferrier
Sean McMahon and the MoonMenShiner
Sean McMahon’s laid back yet somehow intense vocal brings this fantastic collection of songs to life in my living room. Shiner’s ragged elegance is full of the sort of raunchy country rock I can’t get enough of. Stand out tracks for me: “Shiner” and “Here Comes the Night Again”.

WhitneyEddie Boyd
WhitneyLight Upon the Lake
This album just grew and grew on me since my first listen. Simple, catchy tunes that make me wanna dance or go driving for a long time. I think Whitney nailed everything about this album – the instrumentation, the production, obviously the songs. Also, they’re heaps good live.

Secret PathThe Once
Gord DownieSecret Path
The Tragically HipMan Machine Poem
This year was a hard year in Canadian Music. We have a fella here by the name of Gord Downie. He is a legend. He has helped raise Canadians to be more real with his music. He is the frontman for the band The Tragically Hip. There are not many people in Canada who don’t know who The Hip are. Their music has become part of our DNA. Gord, this year, made a statement saying he has terminal brain cancer so he obviously fighting for the men and women of the north. The folks that have needed a voice for far too long. He is being that voice. He is showing us how to be Canadian and that we can’t be without acknowledging the needs of all of our people, without respecting all of our people. This year, instead of succumbing to his illness, he put out two albums. One with The Hip and one solo. Here they are. They are magic and will go down in history in our great nation. It’s amazing to watch one man build his second legacy.

Cash SavageJessica Cassar (Jep and Dep)
Cash Savage & The Last DrinksOne Of Us
This has everything you want from a record. It’s dirty and beautiful, and dark as hell. Cash sings with a thunderous anguish that cracks, rumbles and echoes so perfectly any sorrow you might have ever had. And like any good storm, the album’s darkness reveals a little light, one that roars some sort of painful end, or much needed beginning. I love this record!

Tracy McNeilGretta Ziller
Tracy McNeil & The GoodlifeThieves
I’ll be the first to admit I’m late to the game when it comes to Tracy McNeil & The Goodlife. I caught their set at Out on the Weekend and was captivated! Their 2016 album Thieves is just so dang easy to listen to, I will confess it is turning into a “chilling on the deck summer favourite” of mine! Please, if you haven’t already, pick up or download a copy of this album and chill!!

Bill JacksonRosie McDonald (RAPT, Trippy Hippy Band, Seanchas)
Bill JacksonThe Wayside Ballads Vol. 2
Bills’ reputation had preceded him before I heard him at Fairlight folk with Ruth Hazelton and Pete Fiddler. I grabbed the opportunity to contribute to his The Wayside Ballads Vol. 2 crowd funding campaign to get Bill and Pete over to Nashville to record with some very fine session players. Bill kept me updated with postcards and messages so I felt like a sideline cheerer in this whole project. Then the CD arrived! Magnificent songs, co-written with Bills’ brother Ross. Bills’ time worn voice, rich and mellow, rootsy, Americana-ish but very very homegrown, local accent, stories big and small, tender and big hearted. Pete’s playing shines in amongst the session guys, a great listen. Music for travel, the cabin, the verandah, anywhere.

Kate Burke and Pete WildMelanie Horsnell
Kate Burke and Pete WildLive at St Peters
In my small town we have the most marvellous artists touring through, but I also love our sweet locals, and I adore this live record by Kate Burke and Pete Wild. Pete Wild’s “Mars 1” is a love song about a person who goes on the Mars mission leaving his forever love behind, the Martin-Martin song is an old village favourite and the last love song between Doris and Arthur makes me giggle and lament at the same time. And I adore playing Kate Burkes version of Frozen Man on repeat when everything in life gets a bit much.

MontaigneGretta Ray
MontaigneGlorious Heights
My favourite record that was released in 2016 is without a doubt, Montaigne’s Glorious Heights. What impresses me most about this record is the fact that it is rather evident that the artist went into this project with the intention of experimenting with her sound and taking risks, drawing inspiration from a range of her influences and assuring that each song conveyed a slightly different emotion from the previous track. I believe it was this approach of 20-year-old Jess Sero’s (Montainge) that resulted in the production of what I perceive to be a very imaginative and bold debut album. This record showcases the fact that Jess has, unquestionably, one of the strongest and most commanding voices in the Australian music industry, this being exemplified through the outstanding production and arrangements of the songs that make up Glorious Heights. As well as this, each song is demonstrative of Jess’ incredibly clever and unique songwriting, which I cannot wait to hear more of in years to come; the simplicity yet complexity and quirkiness of a lyric such as “when you touch my skin, I think ‘this isn’t boring'” makes one ponder on such a line, as Jess’ way of writing is different, daring and something that never fails to make me smile. Glorious Heights made me so very excited about how extravagant pop music is becoming in this day and age, and on the whole made me very proud to be a young woman in the Australian music scene.

WhitneyTreetop Flyers
WhitneyLight Upon the Lake
I first started hearing about this band online, so was waiting for the album with anticipation. When it dropped I must have played it back to back straight away, which rarely happens. They are hard to put in a genre, which is really great. No Woman is one of our faves of the year. They are great live and do a version’s of NRBQ’s Magnet, so happy campers over here.

Drive By TruckersShane Nicholson
Drive-By TruckersAmerican Band
In a year of many great records, this stands tall above the crowd. It’s everything I love about the Truckers: gutsy and raw, clever and thoughtful, sometimes irreverent and full of attitude, and sometimes tender and restrained. Imagine a bastard-child born to Son Volt, Matthew Ryan and Uncle Tupelo, but all dressed up in those well-worn and unmistakable Drive-By Truckers clothes. How could that not make for the coolest kid on the block this year?

Conor OberstJack Carty
Conor OberstRuminations
It’s bloody beautiful in its simplicity. Gorgeous songs performed honestly. It seems like every track is a complete performance and any imperfections only enhance the sincerity of it all for me. Such an incredibly good songwriter.

Hayes CarllThe Weeping Willows
Hayes CarllLovers and Leavers
Lovers and Leavers is Hayes Carll’s most personal, introspective and “exposed” album to date, both in terms of the intimate, confessional songwriting and the stripped back arrangements, reminiscent of Heartbreaker era Ryan Adams, never saying too much – or too little. This intimacy draws you in, while Carll’s vulnerability captures you and takes you on a journey through heartache and reflection. Hayes was always in good hands with dynamic duo Joe Henry (producer) and Ryan Freeland (engineer) at the wheel, steering gently towards a common, graceful goal. Henry’s arrangements are characteristically unique yet elegant and tasteful, while Freeland brings his trademark clarity and warmth. Check it out if you’re fans of the late, great Guy Clark and/or Townes Van Zandt or fellow Texans, Steve Earle and Kevin Welch. Stand out tracks: “Sake of The Song”, “The Magic Kid” and “Drive”.

Iggy PopKelly Day (Broads)
Iggy PopPost Pop Depression
Sometimes you’ll find a record that makes you feel high from the moment it begins. Iggy’s new album, channelled through the hooky sounds of Josh Homme and given a Bowie-esque lean, made me grin like a mad person. And then immediately take it for another spin.

Robert EllisMegan Cooper
Robert EllisRobert Ellis
I was waiting to go on air for an interview. While we were pfaffing around getting ready “The High Road” came on. I pretended I knew who Robert Ellis was when I was advised who the artist was that had pretty much hypnotised me in 30 seconds flat. I went out and paid cash money for the album the next day. Every song got me on first listen. Cinematic moments. Super personal bits. Non-standard approaches. Aspirational.

PassengerSam Brittain
PassengerYoung As The Morning, Old As The Sea
Mike has always had a wonderful way of crafting simple and memorable melodies. Combine this with his always captivating lyrics and you have a master songwriter who’s tunes that sneak their way into your day. Songs that sooner or later without realising you find yourself humming whilst waiting in line for your morning coffee. Although often his storytelling veers on on the darker side of heartbreak and loss this latest album has a lighter touch, proving Passenger is and a yard stick for the aspiring modern folk troubadour. A dynamic artist who’s albums have been true to his own brand since day one. Additionally his band on this record are also fantastic live. I recently caught his show to a sold out Vicar Street in Dublin, it was one I won’t soon forget.

Bon IverAde Vincent (The Tiger and Me)
Bon Iver22, A Million
Another great record from Bon Iver – I have loved all three so far. I like how it also pushes into some new and interesting territory with the production. The auto-tuned a cappella of “715 – CR∑∑KS” is a particular highlight

Margaret GlaspyMaia Marsh
Margaret GlaspyEmotions and Math
It makes me feel really empowered whenever I listen to it, as a woman myself playing music. The songs are strong, guitar tone is great and her voice has this amazing growl that cuts through a sincere sensitivy at the same time.

BlondDirewolf
Frank OceanBlond
My hat is profusely off to an artist who can seamlessly bridge so many facets of musical integrity. What I mean by that nonsensical shit is that the entire record is some kind of highly strung soundboard (literally) which either sends you flying high just to get high, or high because you’re just too fucking upset. “Skyline To” and “Seigfried” are perfect examples. The whole collective arrangement kills me too, it’s like listening to recent Bon Iver whilst playing Sega in a radio store – the musicality is superb. I could say a lot more, but I’ll safely surrender by saying it definitely influenced the direction of my mind in doing another record.

Bon IverWildwood Kin
Bon Iver22, A Million
Easily. We’ve never heard anything quite like it. It’s just genius.

Tattletale SaintsGeorge Jackson (The Company, Buffalo Nickel, One Up, Two Down)
Tattletale SaintsTattletale Saints
Nashville based, New Zealand duo Tattletale Saints released their self-titled, second album this year, and it’s beautiful. Cy Winstanley (Guitars, Vocals) can pen songs with the best of them, his offerings on this album range from self-reflective and insightful, to sometimes cynical and cutting but always with a masterful craftsmanship. Vanessa McGown (Double Bass, Vocals) provides both solid and virtuosic Double Bass playing and vintage tinged country vocals. The new album is definitely a departure from their earlier acoustic recordings – but for a new fan, like me coming along, this is a bold and engaging listen complete with a production dripping in vintage tones and depth. Listen, and enjoy!

Genni KaneBill Jackson
Genni KaneSelfies
Ex-member of seminal Australian band, The Flying Emus, Genni Kane has a voice that can’t be denied. This long awaited record shows she is also a very gifted songwriter and the opening track “Little White Dog” is the beginning of a beautiful journey that deserves your attention.

Nancy KerrRuth Hazleton (http://www.billjacksonmusic.com/, Kate Burke & Ruth Hazleton)
Nancy KerrInstar
A heady mix of poetry, politics and social commentary, Nancy Kerr’s Instar is an achingly beautiful collection of original songs framed within the landscape of traditional folk music. Beautifully performed and produced, Instar is, without doubt, one of the masterpieces of folk from 2016 and a work that will inform the tradition for a long time to come.

Fanny LumsdenThe Pigs
Fanny LumsdenSmall Town Big Shot
This album is full of great songs written from Fanny’s heart. She’s the real McCoy. Whenever we see her play live her songs get stuck in our head for weeks after. “Bravest Of Hearts”, “Soapbox” and “Don’t Let The Bastards Get You Down” are just a few of the crackers on this rekid. This is a breath of fresh air for Australian Country Music. We love Fanny! More… More…

Side PonyHannah Acfield (The Acfields)
Lake Street DiveSide Pony
Give me a bit of 60’s sounding soul any day of the week! The songs are catchy, nice melodies and make you wanna move. I’m a sucker for a sterling vocalist. This was fav album for me.

Julia JacklinWillowy
Julia JacklinDon’t Let The Kids Win
An album about the little things in life that somehow manages to sum up the bigger things as well, cutting right through the mess to the heart of it all. Beautifully written and perfectly executed. It’s lovely to see an artist from the Sydney folk music family reaching great heights with an exceptional debut album.

John FlanaganSal Kimber (Sal Kimber & The Rollin’ Wheel)
John FlanaganThere’s Another Way To Where You’re Going

Bill ChambersRicky Pann (The Willing Ponies)
Bill ChambersCold Trail
Jen MizeWarnings and Wisdom
Sam BushStoryman
Bill Chambers is an Australian Journeyman troubadour. Songwriter, producer, sideman and front man, Bills live shows have influenced many and earned him a legion of devoted fans. Cold trail is Bills first studio album in four years and reminds the rock pop acts infiltrating modern country of where the heart of country lies. Cold Trail is a collection of honky-tonk “life lived” country that is the real deal. Produced by Bill and Recorded at his son Nash Chambers foggy mountain studios, Cold Trail is a world class record that draws on many influences to deliver country authenticity with Aussie perspective. A cracker record.
It’s a long way from Jen Mize roots in the Appliacian mountains of Georgia and North Carolina as a decedent of Lumbee Tribe of native Americans to the Sunshine coast of Queensland. Jen Mize is the real deal in every respect. An American songwriter with an incredible voice delivering an album packed with dynamic, well-crafted songs that’s all killer no filler. Shane Nicholson’s earthy production, arrangments and playing provide a tastefully rich sonic pallet that does this fine singer justice. The album glides from old-timey to traditional country and honky tonk, setting a very high bar of authenticity. An absolute stand out record.
Sixty-four-year-old Sam Bush has many stories to tell as a musician, innovator, writer and singer. One of my favourite musicians on the planet, Sam is a bluegrass master and the father of newgrass music spawned from his groundbreaking band the New Grass Revival. Sam is arguably one of the most influential mandolin players in history having played with just about everyone from Bill Monroe to Leon Russell. This record is a collection of finely crafted songs with a crack band featuring vocals from Emmylou Harris and Alison Kraus. A masterful record.

Thank Folk It’s Friday – 9th December

TFIF

This Week in Folk

All the News From The Week That Was

– Sydney folk punks Handsome Young Strangers released their new single “Mrs Jones”. Details here

Bernard Fanning and Kasey Chambers have announced a co-headline tour early next year. Details here

– A single show has been announced for Conor Oberst in Sydney next year. Details here

– Brisbane based singer-songwriter Sian Evans released her new video “Cold Feet”. Details here

– The last Bluegrass @ Yulli’s of 2016 is this Wednesday featuring The Sweet Jelly Rolls. Details here

– We premiered the new Justin Bernasconi single “Speed Camera”. Details here

Timber and Steel Recommends – Go To This Gig

Julia Jacklin

Julia Jacklin

Julia Jacklin is wrapping up a massive 2016 in style with a show in her hometown of Sydney and then more around the country. If you have tickets to any of these shows count yourself lucky

Friday 9th December – Oxford Art Factory, Sydney, NSW
Saturday 10th December – FourFiveNine, Perth WA
Friday 16th December – The Carrington Hotel, Katoomba, NSW

Gigs Next Week

Acoustics Anonymous feat. Skinny Legions, Merpire
Wednesday 14th December – Newtown Social Club, Sydney, NSW

Anders
Friday 9th December – The Newsagency, Sydney, NSW

Andy Baylor’s Cajun Christmas Party
Sunday 11th December – Marrickville Bowling Club, Sydney, NSW

Australian Bluegrass Conference
Thursday 8th to Sunday 11th December – Tranquil Park, Maleny, QLD

Bears with Guns
Saturday 10th December – Tommy’s Beer Cafe, Sydney, NSW

Bluegrass at Yulli’s feat. The Sweet Jelly Rolls
Wednesday 14 December – Yulli’s, Sydney, NSW

Boy & Bear
Friday 9th December – Waves, Wollongong, NSW
Saturday 10th December – Wests City, Newcastle, NSW

Country by the Beach
Tuesday 13th December – Old Dave’s Soul, Sydney, NSW

Ellie Jane with Mudshadows, Olivia Ruth & Sian Evans
Friday 16th December – The Zoo, Brisbane, QLD

Finders Keepers Market Sydney feat. Taryn La Fauci, Martha Marlow, The Vegetable Plot, Elizabeth Hughes, Rachel Maria Cox, Jep & Dep & more
Friday 9th to Sunday 11th December – Australian Technology Park, Sydney, NSW

Hannah Robinson
Sunday 11th December – Different Drummer, Sydney, NSW

Husky
Thursday 15th December – Howler, Melbourne, VIC

James Kenyon
Friday 9th December – Cedar Bar, Bellingen, NSW
Saturday 10th December – Queen St Mall, Brisbane, QLD
Sunday 11th December – Lefty’s Old Time Music Hall, Brisbane, QLD

Joseph Tawadros
Friday 16th December – Candelo Town Hall, Candelo, NSW

Josh Pyke & Bob Evans
Friday 9th December – The Factory, Sydney, NSW
Saturday 10th December – The Street Theatre, Canberra, ACT
Thursday 15th December – Sooki Lounge, Belgrave, VIC
Friday 16th December – Corner Hotel, Melbourne, VIC

Julia Jacklin
Friday 9th December – Oxford Art Factory, Sydney, NSW
Saturday 10th December – FourFiveNine, Perth WA
Friday 16th December – The Carrington Hotel, Katoomba, NSW

Justin Bernasconi
Saturday 10th December – Guildford Hotel, Guildford, VIC
Sunday 11th December – Retreat Hotel Brunswick, Melbourne, VIC
Friday 16th December – Tanswells Hotel, Beechworth, VIC

Kasey Chambers w/ Eagle & The Wolf
Friday 9th December – The Entrance Leagues Club, Bateau Bay, NSW
Saturday 10th December – Batemans Bay Soldiers Club, Batemans Bay, NSW

Kaurna Cronin, Myles Mayo
Friday 16th December – Trinity Sessions, Adelaide, SA

Kelly Dance
Sunday 11th December – Django Bar, Sydney, NSW

Little Wise
Friday 9th December – Basement Discs, Melbourne, VIC
Saturday 10th December – Brookfield Shed, Margate, TAS
Sunday 11th December – Marakoopa Cafe, Mayberry, TAS

Live and Acoustic feat. Julianne Jessop, Nikita Rolleston, Taylor King
Wednesday 14th December – LazyBones Lounge, Sydney, NSW

Liz Stringer
Friday 16th December – Settlers Tavern, Margaret River, WA

Lucy Wise, Rowena Wise, John Flanagan
Sunday 11th December – House Concert, Melbourne, VIC

Mal Webb and Kylie Morrigan
Sunday 11th December – 303, Melbourne, VIC

Pat and Kellie, Imogen Clark
Friday 9th December – Acoustic Picnic, Sydney, NSW

Paul Kelly and Charlie Owen
Friday 9th December – St John’s Cathedral, Brisbane, QLD
Saturday 10th December – St John’s Cathedral, Brisbane, QLD
Wednesday 14th December – Darwin Entertainment Centre, Darwin, NT
Friday 16th December – Tanks Arts Centre, Cairns, QLD

Peta & The Wolf, Kit & Cub
Friday 9th December – Fitzroy Hotel, Windsor, NSW
Thursday 15th December – LazyBones Lounge, Sydney, NSW

Queen Porter Stomp, Whoa Mule, Golden Whistler
Friday 16th December – Gasoline Pony, Sydney, NSW

Robyn Hitchcock w/ Emma Swift
Sunday 11th December – Newtown Social Club, Sydney, NSW
Thursday 15th December – Grace Emily Hotel, Adelaide, SA
Friday 16th December – New Globe Theatre, Brisbane, QLD

Songbirds feat Katie Brianna, Brielle Davis, Raechel Whitchurch
Sunday 11th December – Union Hotel, Sydney, NSW

Steve Poltz
Friday 9th December – Spotted Mallard, Melbourne, VIC
Saturday 10th December – Caravan Club, Oakleigh, VIC
Sunday 11th December – Memo Club, St Kilda, VIC
Tuesday 13th December – Lizottes, Newcastle, NSW
Wednesday 14th December – Clarendon Guesthouse, Katoomba, NSW
Thursday 15th December – Camelot Lounge, Sydney, NSW
Friday 16th December – The Bunker, Coogee, NSW

Temperance
Wednesday 14th December – Grumpy’s Green, Melbourne, VIC
Thursday 15th December – Ancient World, Adelaide, SA
Friday 16th December – The Corporate Moose, Mildura, VIC

That Red Head
Friday 16th December – Leadbelly, Sydney, NSW

The Ramshackle Army
Friday 16th December – The Workers Club, Melbourne, VIC

The Rhythm Hut Christmas Party feat. 19-Twenty, Lime and Steel, Night Kite
Friday 9th December – The Rhythm Hut, Gosford, NSW

Tom Stephens w/ Lazy Colts, Sunscreen
Thursday 15th December – Sly Fox, Sydney, NSW

Village Idiot w/ Peta & The Wolf, Kit & Cub
Friday 9th December – Fitzroy Hotel, Windsor, NSW

Wallis Bird
Wednesday 14th December – Hibernian House, Sydney, NSW
Thursday 15th December – Pelican Playhouse Theatre, Grafton, NSW
Friday 16th December – The Bellingen Brewery, Bellingen NSW

Friday Folk Flashback

“Lanigan’s Ball” – Christy Moore

Listen to the New Handsome Young Strangers Single “Mrs Jones”

HYS
Image Courtesy of Handsome Young Strangers

Sydney folk-punks Handsome Young Strangers have just released a second track for streaming from their new mini album Battle Of Broken Hill. The track is “Mrs Jones” and was apparently inspired by the Lee Marvin tune “Stabitha Jones”.

Take a listen below:

Handsome Young Strangers will be performing a rare acoustic show this Thursday 8th December at The Hideaway Bar in Sydney. Check out the official Facebook invite for more details.

Thank Folk It’s Friday – 18th November

TFIF

This Week in Folk

All the News From The Week That Was

– The National Folk Festival announced its first round of artists for 2017 including The Bridge Project, Daoiri Farrell Trio, The Galax Bogtrotters, Himmerland, Les Poules à Colin, Martha Tilston, Phil Wiggins & Dom Turner, The Rheingans Sisters, Ami Williamson, Barry Skipsey, Charm of Finches, The Dead Maggies, Fanny Lumsden, Loren Kate, The Low Down Riders, Sally Balfour, The Spooky Men’s Chorale, Stray Hens and many more. Details here

– Folk-punks Handsome Young Strangers released their new single “Battle of Broken Hill”. Details here

Josh Pyke and Bob Evans announced a co-headline tour. Details here

– Alt-country duo Eagle & The Wolf released their new video “Hips”. Details here

– Folk and bluegrass trio Buffalo Nickel will release their self titled EP this Sunday. Details here

Releases This Week

Levellers
Levelling The Land: 25th Anniversary EditionThe Levellers
Official Site

Timber and Steel Recommends – Go To This Gig

Fanny Lumsden & The Thrillseekers

Fanny

Fanny Lumsden wraps up her Country Halls tour with a massive show in Sydney, in the same week she’s up for an ARIA award

Saturday 19th November – St Stephen’s Church Hall, Sydney, NSW

Gigs Next Week

Áine Tyrrell
Thursday 17th to Sunday 20th November – Mullum Music Festival, NSW

Ben Harper & The Innocent Criminals
Tuesday 22nd November – Sydney Opera House Forecourt, Sydney, NSW
Thursday 24th November – Riverstage, Brisbane, QLD

Boy & Bear w/ All Our Exes Live In Texas
Friday 18th November – Beach Hotel, Byron Bay, NSW
Saturday 19th November – Lake Kawana Community Centre, Sunshine Coast, QLD
Sunday 20th November – The Mills Precinct, Toowoomba, QLD
Wednesday 23rd Novemeber – Pilbeam Theatre, Rockhampton, QLD
Thursday 24th November – MECC, Mackay, QLD
Friday 25th November – Tanks Art Centre, Cairns, QLD

Broads
Sunday 20th November – Golden Barley Hotel, Sydney, NSW

Buffalo Nickel w/ Rachel Baiman
Sunday 20th November – The Retreat Hotel, Melbourne, VIC

Crowded House
Friday 25th November – Sydney Opera House Forecourt, Sydney, NSW

Davey Craddock
Friday 18th November – The Retreat, Melbourne, VIC

Eilen Jewell
Saturday 19th to Sunday 20th – Mullum Music Festival, Mullumbimby, NSW
Tuesday 22nd November – Newtown Social Club, Sydney, NSW
Thursday 24th November – The Corner Hotel, Melbourne, VIC
Friday 25th November – Meeniyan Town Hall, Meeniyan, VIC

Fanny Lumsden & The Thrillseekers
Saturday 19th November – St Stephen’s Church Hall, Sydney, NSW

FolkSwagon feat. Bad French, Lisa Heller & Jordan Millar, Tullara
Wednesday 23rd November – Cafe Lounge, Sydney, NSW

Green Mohair Suits w/ Luke Escombe
Friday 25th November – Camelot Lounge, Sydney, NSW

Hat Fitz & Cara
Thursday 17th to Sunday 20th November – Mullum Music Festival, NSW

Henry Wagons
Friday 18th & Saturday 19th November – Mullum Music Festival, NSW

Hootenanny feat. Mark Lucas
Sunday 20th November – Miss Peaches, Sydney, NSW

Joe Mungovan
Friday 18th November – Willie Smiths, Grove, TAS
Saturday 19th November – House Concert, Hobart, TAS

Jordie Lane
Friday 18th to Sunday 20th November – Mullum Music Fest, Mullumbimby, NSW
Thursday 24th November – Major Tom’s, Kyneton, VIC
Friday 25th to Sunday 27th November – Queenscliff Music Festival, Queenscliff, VIC

Josh Pyke & Bob Evans
Thursday 24th November – The Gov, Adelaide, SA
Friday 25th November – The Pretoria, Mannum, SA

Julia Jacklin
Friday 18th to Saturday 19th November – Mullumbimby Music Festival, NSW
Wednesday 23rd November – Jive Bar, Adelaide, SA
Thursday 24th November – Howler, Melbourne, VIC
Friday 25th November – Paradise Music Festival, VIC

Ken Nicol
Friday 18th November – West Gippsland Arts Centre, Warragul, VIC

Laura Jean
Friday 18th November – Newtown Social Club, Sydney, NSW

Leah Flanagan
Saturday 19th November – Darwin Railway Club, Darwin, NT

Liam Gerner & The Sunset Pushers
Friday 18th November – Stone Pony, Adelaide, SA
Saturday 19th November – Spotted Mallard, Melbourne, VIC
Thursday 24th November – Bison Bar, Nambour, QLD
Friday 25th November – Leftys, Brisbane, QLD

Lime and Steel
Friday 18th November – Leadbelly, Sydney, NSW
Saturday 19th November – The Old City Bank, Katoomba, NSW

Little Wise
Friday 18th November – Smith’s Alternative, Canberra, ACT
Saturday 19th November – Commonground Festival, Seymour, VIC
Thursday 24th November – Bella Union, Melbourne, VIC
Friday 25th November – Martians Cafe, Deans Marsh, VIC

Martin Pearson
Friday 18th November – House Concert, McLaren Vale, SA

Matt Andersen
Friday 18th to Sunday 20th November – Mullum Music Festival, NSW
Wednesday 23rd November – Republic Bar, Hobart, TAS
Thursday 24th November – Red Hot Music, Devonport, TAS
Friday 25th November – Memo Music Hall, Melbourne, VIC

Mel Parsons
Thursday 24th November – The Wheatsheaf, Adelaide, SA

Mountaingrass
Friday 18th to Sunday 20th November – Harrietville, VIC

Mullum Music Festival
Thursday 17th to Sunday 20th November – Mullumbimby, NSW

Nigel Wearne
Saturday 19th November – Caz Reitop’s Dirty Secrets, Melbourne, VIC

Paul Kelly and Charlie Owen
Friday 18th November – St Stephen’s Uniting Church, Sydney, NSW
Tuesday 22nd November – St David’s Cathedral, Hobart, TAS
Wednesday 23rd November – St Michael’s Uniting Church, Melbourne, VIC
Thursday 24th November – St Michael’s Uniting Church, Melbourne, VIC

PJ Michael & The Banditas
Saturday 19th November – The Gasoline Pony, Sydney, NSW

Queenscliff Music Festival
Friday 25th to Sunday 27th November – Queenscliff, VIC

Ramblin’ Nights feat. Emilee South, Bill Jackson, Brielle Davis
Friday 18th November – Django Bar, Sydney, NSW

Roadhouse feat. Cruisin’ Deuces
Thursday 24th November – Miss Peaches, Sydney, NSW

Rob Ickes & Trey Hensley
Friday 18th to Sunday 20th November – Mountaingrass Festival, Harrietville, VIC
Monday 21st November – Petersham Bowling Club, Sydney, NSW
Tuesday 22nd November – Ferntree Gully Bowling Club, East Melbourne, VIC

Rhythm Hunters
Friday 18th November – Onespace HQ, Sydney, NSW
Saturday 19th November – Katoomba Community Centre, Katoomba, NSW

Steve Poltz
Friday 25th November – The Warrimoo Sound Lounge, Warrimoo, NSW

Taasha Coates
Saturday 19th November – The Milk Factory, Brisbane, QLD

The Button Collective
Friday 25th November – The Bellingen Brewery & Co, Bellingen, NSW

The Company
Friday 18th to Saturday 19th November – Mountaingrass Festival, VIC
Saturday 19th November – House Concert, Healesville, VIC
Sunday 20th Novemeber – Union Hotel, Melbourne, VIC

The Cutting
Friday 18th November – Mr Boogie Man Bar, Abbotsford, VIC
Saturday 19th November – Surrey Hills Music Festival, VIC
Sunday 20th November – Heritage Tavern, Balnarring, VIC

The Haywood Billy Goats w/ The Tawny Owl Stringband
Friday 25th November – House Concert, Sydney, NSW

The Pigs
Friday 18th November – Central Hotel, Shellharbour, NSW
Saturday 19th November – Quarterdeck, Narooma, NSW
Friday 25th November – Street Theatre, Canberra, ACT

The Plot Festival
Saturday 19th November – Parramatta Park, Sydney, NSW

The Wilson Pickers
Friday 18th to Sunday 20th November – Mullum Music Festival, Mullumbimby, NSW

Friday Folk Flashback

“Hard To Love” – Old Crow Medicine Show

Listen to the New Handsome Young Strangers Single “Battle Of Broken Hill”

HYS
Image Courtesy of Handsome Young Strangers

Sydney based folk-punk legends Handsome Young Strangers are celebrating signing to Tasmanian label Folk ‘Til Ya Punk with the recent release of their new mini-album Battle of Broken Hill.

The mini-album was officially released at the start of the month and features six tracks including three originals and three covers. The album’s title track has also been released as a single which you can listen to here:

If you like your folk heavy on the punk then we recommend picking up Battle of Broken Hill and then heading down to Handsome Young Strangers’ official Sydney launch at the Union Hotel on Friday 2nd December. The show will feature Sam Shinazzi and Buddy Glass in support – check out the official Facebook event here for more details.

New Tasmanian Folk Punk Festival HOBOFOPO Announces

Dead Maggies
Image Courtesy of The Dead Maggies

The geniuses behind Tasmanian convict-folk band The Dead Maggies and folk-punk label Folk ‘Til Ya Punk Records have announced Australia’s first folk-punk dedicated festival HOBOFOPO.

Taking place in Hobart from the 10th to 13th November HOBOFOPO promises a four day folk-punk orgy across the cities many pubs and venues including The Republic Bar, Willie Smiths Apple Shed, The Brisbane Hotel, Big Dan’s Franklin Tavern, Frankies Empire Cafe and more.

So far the festival has revealed a who’s who of Australian folk-punk bands on its lineup including The Dead Maggies (above), The Go-Set, The Ramshackle Army, Handsome Young Strangers, The Australian Beefweek Show, Fox ‘N’ Firkin, The Stragglers, This Is A Robbery, Squid Fishing and Hairyman with more announcements coming soon.

For more information about HOBOFOPO check out the official Folk ‘Til Ya Punk site here.

Review: Illawarra Folk Festival, Bulli, NSW

Illawarra
Image Courtesy of Illawarra Folk Festival

As the summer roles around each year I take a look at the packed folk festival calendar and try to work out which events I’ll be attending over the season. There are always a few festivals that fall into the “one day” category because of the effort required to get to them (making it down to Cygnet and Georgetown in Tasmania for instance is a two week commitment I’m yet to make). And then there’s those events that have to be a trade off – if I head to WOMADelaide it means I’m missing out on Nannup or Port Fairy.

Then there are those events that are a must – and the Illawarra Folk Festival is at the top of that list. Just an hour and a half from Sydney by train, the Illawarra Folk Festival is a no brainer, even if just for a day or two over the long weekend. The festival sits somewhere between the smaller boutique folk festivals hosted by country towns and the “big three” folk festivals of Woodford, Port Fairy and The National – it manages to attract the best and brightest of the international and Australian folk scene while maintaining a unique community vibe.

For the first time in ages I committed to heading to the Illawarra Folk Festival for the three main days this year, even if it meant commuting to and from my base in Sydney every day. I was determined to see as much music as possible without dealing with the inevitable clashes that comes from trying to see everything in one day. This year I was going to lose my weekend to the Illawarra Folk Festival.

Friday

I walked into the festival on Friday morning nursing a slight hangover courtesy of The East Pointers, The Button Collective and a few too many Guinnesses at The Gaelic Club the night before. I had decided against patronising the opening night of the Illawarra Folk Festival in favour of The East Pointers’ headline show in Sydney – I knew I was going to catch them over the weekend but the opportunity to see them in my own backyard was just too appealing.

It’s been a long while since I’ve spent a Friday at the Illawarra Folk Festival and I have to say it was the perfect way to kick the event off. The smaller Friday crowd made for a lazy day wandering around the Bulli showground taking in music at all of the venues and getting a feel for the place.

I kicked off my day getting on top of my hangover hiding out for a couple of acts in the Grandstand restaurant. I managed to catch the amazing bouzouki player Beth Patterson who is touring the country at the moment spreading her take on traditional and contemporary folk. I’d never considered the bouzouki as a solo instrument before but Patterson brought a maturity to the instrument that was just spellbinding. I hung around for Adelaide based singer-songwriter Banjo Jackson on the recommendation of Kaurna Cronin and was not disappointed – Jackson can stand tall with the new breed of folk singers coming out of Adelaide at the moment with the type of music that is instantly relatable and the perfect pairing of solo, finger-picked guitar and effects laden fiddle.

I’d drunkenly promised Rebecca Bastoli the night before that I would be at her debut programmed festival show at 2:15pm so I staked out my spot in the Nags Lounge early. Despite a couple of unavoidable technical problems (she was mortified when she broke a string halfway through the performance) Bastoli delivered a stunning set, backed by a full band of fiddle, flute, box and bass. It boggles my mind how talented Rebecca Bastoli is – in such a short time she has mastered both the guitar and mandolin and written some of the most poignant songs I’ve heard in ages.

A revelation of the festival was Irish singer O’Leary. If I’m honest I only caught his set by accident but I was mesmerised throughout. The way he brought a humility and reverence to traditional songs was amazing and the backing percussion, electric guitar and flute just enhanced his music.

It wouldn’t be an Illawarra Folk Festival without Australiana-punks Handsome Young Strangers so I made a point of catching their set at The Miners Camp before wrapping my day up and jumping on the train back to Sydney. Handsome Young Strangers are a folk music institution and they tore through their catalogue with the usual devil-may-care attitude. It’s amazing seeing Australian bush and folk music updated for a modern audience while still maintaining respect for the work.

Saturday

Saturday at the Illawarra Folk Festival is always hectic and this year was no different. Watching the crowd stream through the front doors and fill up the venues. Watching a packed festival like this fills me with joy – it proves once again that folk music is thriving and that the people behind the Illawarra Folk Festival should be so proud of the community that they’re created.

I was determined to see local singer-songwriter Kay Proudlove after I missed her set last year, and I was not disappointed. Proudlove is the consummate performer, delighting crowds between songs and delivering lyric driven music that is instantly relatable. I am now determined to see Kay Proudlove every time she ventures north to Sydney (or at least to program future Illawarra Folk Festivals around her sets).

Having heard nothing but amazing things about Irish Mythen I just had to see what all the fuss was about – and I have to say I was not disappointed. Watching one woman with a guitar command the largest stage at the Illawarra Folk Festival was astounding – her stage presence and the way she worked the audience was truly a masterclass in performance. Her version of “The Auld Triangle” is a crowd favourite for a reason and absolutely brought the house down.

The next few hours were a blur of amazing music. Shane Howard once again proved why he is Australia’s best songwriters for those people who braved the mud to venture into the Black Diamond Marquee. Out Of Abingdon added touch of jazz to the festival with their vibey folk tunes. The Redfern Shanty Club turned their performance at The Miners Camp into an all-in singalong session. The Button Collective’s impromptu blackboard session at the Tantric Turtle was the perfect accompaniment to an afternoon coffee. And The Dead Maggies rounded out a bunch of amazing music by tearing up the stage with a mostly cobbled together new lineup.

I rounded out the day by catching trad band Fresh Off The Boat at their intimate Café de Rude. Made up of some of Sydney’s best trad players (most of which you can catch at the Friday night Gaelic Club sessions) Fresh Off The Boat breathed fresh life into traditional Irish music and delighted the local crowd. The sound at the gig was not amazing, mainly owing to the fact that the entire band couldn’t fit on Café de Rude’s stage, but just watching the skill of the players was enough to overcome any issues. The perfect way to round out a hectic Saturday of music.

Sunday

On the third day the Illawarra Folk Festival became about two things – catching all the artists I hadn’t seen yet and revisiting those that had made an impression over the weekend.

I kicked off my day with Queensland based singer-songwriter Mia Wray. Alternating between guitar and piano Wray brought a maturity to her music that seemed to defy her young age. Her original songs were just stunning and she had the audience eating out of her hand with her easygoing stage presence.

I’d seen Japanese Irish trad band John John Festival a couple of years ago at the Illawarra Folk Festival a couple of years ago so I jumped at the chance to catch bodhran player Toshi Bodhran and fiddle player Mana Okubo again as part of Tim Scalan’s band – and I was not disappointed. While I loved Scalan’s masterful singing and harmonica playing it was Toshi Bodhran who stole the show – the man can turn the bodhran into a melody instrument like no one I’ve ever seen before. Special mention has to go to Mana Okubo who performed the entire set with her baby strapped to her back.

The Wish List proved that the fiddle is all you need to accompany a voice and that three fiddles with three voices is even better. This was one of the most innovative bands at the Illawarra Folk Festival – I can’t wait to see these girls live again.

In the afternoon I dragged myself up the hill to the Small Halls Concert in order to catch Liz Stringer and then The East Pointers. For too long people have been telling me that Liz Stringer is the best songwriter in Australia and watching her set at the Illawarra Folk Festival those same people may be proved right. Stringer has an intensity to her songwriting that is tempered with a warmth in her performance not matched by many. I implore you to see Liz Stringer wherever and whenever you get the chance.

Despite having seen The East Pointers in Sydney a couple of days earlier there was no way was going to miss their final set at the Illawarra Folk Festival. These guys are probably the most exciting trad band I have seen in the last 12 months and their live set is incredibly tight. Their use of foot percussion and bass effects on the guitar elevate this three piece from session band to festival headliners and the ease at which they interact with their audience makes you feel included in the experience.

The rest of Sunday evening was spent drifting from tent to tent catching whatever music was playing before idling my way to the Grandstand Restaurant for a final set from The Button Collective and then jumping on the train home.

The organisers of this year’s Illawarra Folk Festival have a lot to be proud of, building an event that caters to almost every facet of the “folk” genre all the while maintaining a community spirit. There’s a reason why performers and punters come back to the Illawarra Folk Festival every year and why it remains a must attend on my festival calendar. Bring on 2017!

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