Review: 5 things we learned at Bluesfest

Kale plays at Bluesfest 2016Kaleo playing Bluesfest
Photos by Stuart Bucknell

Year after year, Bluesfest manages to bring the big names and the impressive acts to Byron Bay for the annual Easter pilgrimage. Heading to Bluesfest this year, we really didn’t know many of the acts listed on the bill and wondered just what was in store for us, Timber and Steel wise. So here’s 5 things we learned at this year’s wildly successful, ultimate music sampler opportunity that is, Bluesfest.

#1 – Peter Noble knows how to program…

One thing is for sure, Peter Noble knows how to curate an inclusive, diverse and engaging festival. The big names drew enormous crowds to all their sets. City and Colour had the crowd from the first note and Dallas Green was on form all night.  The Decemberists gave their usual charming set delving in to a fabulous back catalogue of favourites. Not to go without a bit of political comment, they also played a song they thought to offer Donald Trump as his new campaign tune, ‘The Calamity Song’. The Cat Empire delivered a solid hour and a half set jam packed with both new tracks and past hits and favourites to wow the crowd. The biggest coup was probably The Original Blues Brothers Band closing out the weekend with a stellar set of their signature blues.

The festival was dappled with big names throughout the program. Archie Roach was in fine form, weaving his musical spell over the crowd and telling the tales of the land with strength and beauty, and a focus on songs from Charcoal Lane, the title track being a particular stand out moment of the set. Jason Isbell had his one an only set up against The Original Blues Brothers Band, so splitting our time between the two was challenging but rewarding as Isbell’s enigmatic style caught watchers in it’s thrall delivering a contemporary counterpoint to the old school blues on the other stage.

Kim Churchill plays BluesfestBut one of the most notable names for me, still playing midday sets, was Kim Churchill. Getting his big break on the Bluesfest Buskers stage all those years ago, Churchill has been a staple name on the line up ever since. His absence in 2015 was noted and the crowds that gathered for this sets this year spoke strongly of his popularity for the Bluesfest crowd. Watching him command the stage, with the occasional accompaniment of a fiddle player or percussionists, was a joy to witness and testament to the following he has. It felt like he had come home, and in the process had evolved from a keen boy with a guitar to a passionate man with a solid musical career stretching before him.

#2 – It’s never just about the Blues. Folk, Country, and Americana all strongly represented in 2016

Strolling from stage to stage, the peeling licks and plucky chords of the more folky persuasion were both notable and popular with punters, letting us stumble across all kinds of gems.  LA based Lord Huron made quite the entrance with a tension building soundscape and crescendo, an upbeat strummy and infectious style, inventive percussion beneath the acoustic lead and an ability to morph between styles, from the old school feel reminiscent of the 50s and 60s summer soundtracks, through alt country and indie folk rock vibes. A particular highlight from the four-piece was ‘Hurricane’, billed as a song about “getting in trouble”, turns out it was aptly named.

Described as an Icelandic Indie pop/rock/folk band, Kaleo was a light and lyrical delight. Building from their delicate opening style to gutsy, rhythm driven choruses, through alt-country sensibilities to deep southern style blues, and a soulful cover of Bang Bang, Kaleo didn’t hesitate to transcend styles and genres to sign off with a blues rock riff and howling vocals when warranted.

The Bros Landreth, hailing from Canada, brought their alt-country and folk laden cover of Wings’ ‘Let ‘Em In’ to break the ice and then let the Americana tinged goodness flow forth. A family affair, big brother David couldn’t attend so father Wally came in his place and whipped the crowd in to a cheering craze.

The Mastersons were touring with Steve Earle & The Dukes, and made appearances both on Earle’s sets and one of their own solo shows for Bluesfest. Their lyrical country styling, featuring voices working together in diverse melodic harmony gave their day opening set a contemplative mood, transporting the crowd to simpler days. Earle’s set was one great big treat of blues soaked tunes with toe-tapping jivey bluegrass edge, all with the sweet country counterpoint of The Mastersons.

Hound mouth playing Bluesfest 2016

It seemed to be a fatherly affair this Bluesfest, with Hussy Hicks welcoming Julz’s dad Greg to their set to deliver some blistering harmonica to their upbeat tempo and at times Joplin-esque wails and passion. Indiana’s Houndmouth however had no dad’s on their line up but did have plenty of twangy blues and American drawl to open their show and unravel your soul where you stood.

#3 – Word of Mouth is King

You know when you look at a line up and you’re not really sure what acts to check out? Well Bluesfest was that way inclined for many but within the first 8 hours, gossip was abuzz with recommendations and wild tales of phenomenal shows and must see acts to catch. So here’s what we checked out based purely on word of mouth.

Steve Smyth plays at Bluesfest 2016

OK, so Steve Smyth isn’t exactly news to us, but the stir on site had his name on the tips of peoples tongues and boy did he live up to the hype. Sheer genius stood on that stage in the form of master lyricist and vibrant stage presence. Smyth’s beautiful voice and stunning vibrato was just powerful solo as with the support backing instrumentalists. His performance of ‘Southland’ blew socks off across the festival.

Shooglenifty, also known as ‘that band I can’t pronounce’, was not what you expect when you read “Celtic” on the program, but a glorious blend of traditional highland derived tunes that were heavy on the fiddle and a mandolin at the ready, intricately twined with modern rhythms, a few electric guitars and a toe tapping beat, drew punters in before they could saunter too far past the heaving tent.

Blind Boy Paxton plays at Bluesfest 2016

The was no way to walk through the site without hearing the name, Blind Boy Paxton. Listening to his set was like a walk through time, from a fiddle calling a country dance and bransles, to a lightning speed banjo frenzy, a soothing guitar tune and even a lone harmonica telling you it’s tale. All this from one man on stage – simply astonishing.

#4 – The Ladies are out in force! And you should catch all of them live

There was a lot of talk about various acts, and word of mouth certainly got us to see some great performers, but thanks to emphatic and multiple recommendations from all kinds of punters, we discovered some of the most phenomenal women who stamped their mark and left as some of the powerhouses of Bluesfest.

We caught Sahara Beck for her last set and were immediately struck by her stage presence, the smooth set up with band and back up singers added the pizazz to her swag and gave her sultry vibe a ‘pop’ on stage.

Elle King had tongues wagging as word spread that after her first, expletive laden set, her set list had to be ‘revised’. However her husky, growling vocal licks were well and truly flowing when we caught her set in a heaving tent overflowing in to the customary Bluesfest rain. Sass and attitude would be the plainest way of describing King, her vibrancy comes from her musical versatility and ability to weave country vibes and bluegrassy panache throughout her ballsy bluesy set. A chameleon of style, King bowled over crowds with big notes, fiery wit and feisty repartee.

Elle King plays at Bluesfest 2016

Hailing from Ireland, via Canada, Irish Mythen is a modern troubadour equipped with a powerhouse voice and emphatic lyrics. Mythen might have been the grittiest, most real musician seen at Bluesfest this year, armed only with her guitar and her stories, she held hundreds of people spellbound, hanging on her every word any time she took to the stage. We caught her multiple times, and laughed, cried, cheered and sung along to songs we had only heard the first time days before. She regularly had the crowd in stitches with her sense of humour and story telling capers, and woe betide any punter brave enough to heckle her! Four stand out moments stayed with me, even though I saw them all more than once. Her performance of ‘Tullamore Blues’ almost defies description, except that the crowd was with her, in that space, singing every word and feeling every sentiment. Jesus is an experience to behold, hilarious in it’s explanation and empowering in it’s performance, I sincerely hope every person gets to experience it live. Her a Capella rendition of ‘The Auld Triangle’ gives me chills and is simply astounding.  And finally ’55 Years’ had me (and most in the crowd) in tears for the beauty it captures in it’s tale. A truly moving experience. Irish Mythen is awe inspiring and we’re excited she’ll be visiting Australia again soon.

Rhiannon Giddens plays at Bluesfest 2016

And finally, probably the all-singing, all-dancing highlight of the ladies was Rhiannon Giddens. Establishing herself originally as a part of Carolina Chocolate Drops, Giddens’ solo work is a sight to behold and a treat to hear. Her stunning vocals are soulful yet soar high in beautiful arcs and trills of an almost Celtic style. The skill of her band melds electric with acoustic in wonderful instrumental breaks, bouncing off one another jamming to a crescendo and returning the spotlight to her lead when the time was right. Her banjo crept through tunes to pounce on you unawares, yet could alternate and become the hero of the song. Old Bob Dylan lyrics never previously turned in to songs until Giddens got her hands on them offered a treasure trove to discover. Doing a Dolly Parton cover can be tough, but Giddens’ rendition of ‘Don’t Let It Trouble Your Mind’ saw her own the song completely, from every element of style through to her emotive connection with both lyrics and sentiment. From start to finish and for each and every set, she wowed the crowd with fiddle, banjo, modern takes on traditional style, soul stirring lyrics and even a step back in time to the 1920s. Her fancy footwork went down a treat and her ability to connect with the audience and tether them to her tale as the most exquisite experience to behold. She could chat to the crowd but make you feel like she spoke to you and you alone, and yet at all times Rhiannon Giddens continued to exist as her own ineffable self.

#5 – Soul is in, along with BIG bands

Now strictly speaking, Timber and Steel doesn’t really cover Soul, but the prevalence of the big band style soul injections at Bluesfest is worthy of admiration and appreciation, so it gets a gong here.

Emma Donovan & The Putbacks were a sight to behold as Donovan put her own stamp on soul, with earthy tones and a voice that rolled over the crowd, calling to them, beckoning them to hear her story. The combination of her stories and passionate, soulful delivery made for a tight set and profound performance.

I wrote down 4 words when seeing The Word, and two of them were expletives… “holy f***ing sh*t wow.” The couple of songs we caught were incredible, full of funky groves and some sweet slide guitar, all topped off with an electric organ. Very smooth and cool indeed.

Ash Grunwald plays at Bluesfest 2016Ash Grunwald hasn’t moved in to soul, but his Bluesfet setup did resemble the big backing bands of the soul acts and boy did it compliment his wailing blues. Never conforming to just one genre, Grunwald drew on bluegrass vibes, some indie rock to his blues and of course his signature commentary on Australian life. Playing River from his new album, Grunwald spoke about the anti-CSG message prevalent throughout his most recent recordings and confirmed he was among friends int he Bluesfest crowd. His set was punctuated with old favourites as highlights, crowds rollicking in his passionate performance and joining in to sing along on choruses, and the utter delight when Kasey Chambers joined him on stage for a brand new song was palpable.

Another of the tongue wagging recommendations was for Vintage Trouble, and my first impression was that lead singer Ty Taylor was sex on legs, with enough swagger stuffed in to a cravat and suit to fell an army. And when the full band kicked in, it blew the show off the Richter scale. A set full of southern blues, call and response, screaming and wailing blues breaks and enough on stage antics to warrant a lie down after watching. This was my kind of place, 1950s style jazzy blues, complete with energy and onstage charisma!

Vintage Trouble plays Bluesfest 2016

Now, if you haven’t yet heard of the phenomenal popularity and praise for Bluesfest debutants St. Paul and The Broken Bones, then you haven’t been doing the internet properly. Of all the word of mouth recommendations, St Paul and The Broken Bones was THE most talked about act at Bluesfest, and not without good reason. A big band blues-laden soul outfit, oozing funk, with a big personality for a front man in Paul Janeway. Opening with an almighty wail and sliding in to a crooning style track, the crowd knew exactly where they stood and were rooted to the spot to witness the explosive show by one of the most engaging acts we’ve seen in years. Janeway, on behalf of the entire band, exclaimed that Bluesfest was the best experience they had ever had and they would definitely be coming back to Australia, to which the crowd erupted with delight. A set filled with rumbling soul, emotive ballads and big, ballsy blues, St Paul and The Broken Bones is sure to be a high rotation favourite on many punters playlists for some time to come.

St Paul and The Broken Bones plays Bluesfest 2016

Without a doubt, Bluesfest’s skillfully curated 2016 lineup was a smash hit success, sure to be spoken of for years to come. Can’t wait to see what Peter Noble comes up with for 2017!

Watch the New Little May Video “Remind Me” Plus National Tour Dates

Little May
Image By Stuart Bucknell

Little May have already had a killer year and that’s set to continue with the announcement of a national tour. The trio have been kicking a bunch of goals since the release of their debut For the Company in October last year and this year you’ll get to see them supporting City and Colour in March and April before a headline national tour in May.

The full list of dates, plus the video for their rocking new single “Remind Me”, are below:

City and Colour Support Dates:
Saturday 26th March – The Tivoli, Brisbane, QLD
Monday 28th March – Thebarton Theatre, Adelaide, SA
Wednesday 30th March – Red Hill Auditorium, Perth, WA
Saturday 2nd April – Sidney Myer Music Bowl, Melbourne, VIC
Monday 4th April – Enmore Theatre, Sydney, NSW
Tuesday 5th April – Enmore Theatre, Sydney, NSW
Friday 8th April – Anita’s Theatre, Thirroul, NSW

Headline Tour Dates:
Thursday 5th May – Wollongong Uni Bar, Wollongong, NSW
Friday 6th May – Metro Theatre, Sydney, NSW
Saturday 7th May – Small Ballroom, Newcastle, NSW
Thursday 12th May – ANU Bar, Canberra, ACT
Friday 13th May – Max Watts, Melbourne, VIC
Saturday 14th May – Waratah Hotel, Hobart, TAS
Friday 20th May – Adelaide Uni Bar, Adelaide, SA
Saturday 21st May – Amplifier Bar, Perth, WA
Friday 27th May – Solbar, Sunshine Coast, QLD
Saturday 28th May – The Zoo, Brisbane, QLD
Sunday 29th May – Studio 56 @ Miami Marketta, Gold Coast, QLD

Watch the New You+Me Video “Break the Cycle”

You+Me
Image Courtesy of You+Me

Another new track has emerged from the upcoming album from You+Me, the folk collaboration between Dallas Green and Pink. The track is called “Break the Cycle” and is taken from the album Rose Ave., due for release on the 10th October.

Check out the video below:

Thank Folk It’s Friday – 12th September

TFIF

This Week in Folk

All the News From The Week That Was

The Green Mohair Suits have announced an east coast tour in support of their new album Wooden Duck. Details here

– Sydney quartet All Our Exes Live In Texas have released their new single “Tell Me”. Details here

– To support his new album Daniel Lee Kendall has announced an east coast tour this November. Details here

MountainGrass announced their 2014 lineup including Special Consensus, The Flying Emus, Lonesome Still, String Theories, Little Rabbit, The Davidson Bros, Pipi Pickers, Old South, Coolgrass, Bluegrass Parkway, Appalachian Heaven, Karen Lynne, The Company, Fat Cousin Skinny, Flying Engine Stringband, Pete Denahy, One Up, Two Down, Chris Henry & the Hard Core Grass, Harman and Hellens, Banjo Boys and more. Details here

– Roots troubadour Steve Smyth has just kicked off a truly massive national tour from now until December. Details here

Damien Rice has announced plans to release his first album in eight years. Details here

Dallas Green (City and Colour) and Pink have been secretly recording as brand new folk duo You+Me, and it’s sounding pretty good! Details here

– Sydney’s Liam Gale & the Ponytails released their new single “Self Righteous Blues”. Details here

Reviews

Recordings

“Interestingly, the songs I most enjoyed on the album are those that break it from the steadiness of its groove. Live Simply delves less deeply into blues than his debut, but its single foray delivers the goods in the form of “Rats” – the dirtiest song on the record”Thom Owen Miles reviews the new Sam Brittain album Live Simply. Read the review here

Releases This Week

Dabiel Lee Kendall
Daniel Lee Kendall Is DeadDaniel Lee Kendall
iTunes

Ryan Adams
Ryan AdamsRyan Adams
iTunes

Timber and Steel Recommends – Go To This Gig

Ari & Mia with Lucy Wise Trio

Ari and Mia

Boston duo Ari & Mia will join local favourites the Lucy Wise Trio for their east coast tour of Australia this week and their shows are not to be missed.

Monday 15th September – House Concert, Melbourne, VIC
Tuesday 16th September – Smiths Alternative Bookshop, Canberra, ACT
Wednesday 17th September – Mechanics Institute Hall, Moruya, NSW
Thursday 18th September – House Concert, Araluen, NSW
Friday 19th September – Mofo at The Crate, Sydney, NSW

Gigs Next Week

Angus and Julia Stone
Friday 12th September – Thebarton Theatre, Adelaide, SA
Saturday 13th September – Llewellyn Hall, Canberra, ACT
Sunday 14th September – Sydney Opera House, Sydney, NSW
Monday 15th September – Sydney Opera House, Sydney, NSW
Wednesday 17th September – Civic Theatre, Newcastle, NSW
Thursday 18th September – The Tivoli, Brisbane, QLD
Friday 19th September – The Tivoli, Brisbane, QLD

Ari & Mia with Lucy Wise Trio
Monday 15th September – House Concert, Melbourne, VIC
Tuesday 16th September – Smiths Alternative Bookshop, Canberra, ACT
Wednesday 17th September – Mechanics Institute Hall, Moruya, NSW
Thursday 18th September – House Concert, Araluen, NSW
Friday 19th September – Mofo at The Crate, Sydney, NSW

Bare Bones feat. Limbo, Little Lord St Band, Husband
Saturday 13th September – The Swan Basement, Perth, WA

Boy & Bear
Friday 12th September – The Arts Centre, Gold Coast, QLD
Saturday 13th September – The Tivoli, Brisbane, QLD

Casey Driessen
Wednesday 17th September – Melbourne Folk Club, Bella Union, Melbourne, VIC
Thursday 18th September – Flying Saucer Club, Melbourne, VIC
Friday 19th September – Petersham Bowling Club, Sydney, NSW

Castlecomer
Friday 12th September – Transit Bar, Canberra, ACT

Cat Canteri
Friday 19th September – Ararat Live, Ararat, VIC

Green Mohair Suits
Friday 19th September – South Side Tea Room, Brisbane, QLD

Jep and Dep
Friday 12th September – Some Velvet Morning, Melbourne, VIC

Katie Noonan w/ Jack Carty
Friday 12th September – Bangalow Bowlo, Banaglow, NSW
Saturday 13th September – 5 Church Street, Bellingen, NSW
Sunday 14th September – Pier One @ Panthers, Port Macquarie, NSW

MoFo feat. Laura and Susie, Golden Whistler
Friday 12th September – The Gaelic Club, Sydney, NSW

MoFo at the Crate feat. Ari & Mia, Lucy Wise Trio
Friday 19th September – The Record Crate, Sydney, NSW

Olivers Army
Friday 12th September – Treehouse on Belongil, Byron Bay, NSW

Patrick James
Friday 12th September – Lizottes, Newcastle, NSW
Saturday 13th September – Oxford Art Factory, Sydney, NSW
Thursday 18th September – Transit Bar, Canberra, ACT

Sahara Beck
Saturday 13th September – The Originals Music Festival, Sunshine Coast, QLD
Sunday 14th September – The Empire Theatre, Toowoomba, QLD
Wednesday 17th September – Sunshine Coast University, Sunshine Coast, QLD

Spookyland
Friday 12th September – Boney, Melbourne, VIC
Friday 19th September – Goodgod Small Club, Sydney, NSW

Steve Smyth
Friday 12th September – The Pier, Pt. Macquarie, NSW
Saturday 13th September – The Lass O’Gowrie, Newcastle, NSW
Sunday 14th September – Grand Junction Hotel, Maitland, NSW
Thursday 18th September – The Front Gallery & Café, Canberra, ACT
Friday 19th September – Howlin Wolf, Wollongong, NSW

The Living Room feat. Laura Zarb, Brother Jimmy, The Morrisons
Sunday 14th September – Lewisham Hotel, Sydney

The Pierce Brothers
Friday 12th September – The Northern, Byron Bay, NSW
Friday 19th September – Mitchell Creek Rock and Blues Festival, Sunshine Coast, QLD

The Timbers
Friday 12th September – The Rails, Byron Bay, NSW
Sunday 14th September – Queen St Mall, Brisbane, QLD

Todd Sibbin and The Acadian Driftwood
Saturday 13th September – Secret Rooftop Party, Adelaide, SA

Tom West
Saturday 13th September – Secret Party, Adelaide, SA

Friday Folk Flashback

“Florida Rain” – Matt Bauer

Hear the First Track from Dallas Green and Pink’s Secret Folk Project

You+Me
Image Courtesy of You+Me

Things you probably didn’t know: Dallas Green (of City And Colour fame) and Pink (of “Get The Party Started” fame) have secretly formed a new folk duo – and they’re sounding good. The duo is called You+Me and they’re planning on releasing their debut album Rose Ave. on the 10th October this year.

“I’ve been keeping a huge secret and i’m ready to share it,” Green explained via Facebook. “A few months ago I headed off to California to meet up with my good friend Alecia, who you know as Pink. I brought a guitar and a book with a few songs i’d been working on. I had no clue what would come of it, but was hoping for the best; the best being one song. Better than the best happened and after two weeks of just the two of us in the studio, we wrote and recorded a full album. I’m so proud of these songs and can’t wait for you to hear them. It’s not City And Colour and its not Pink – it’s You+Me.”

Along with the announcement came a brand new track and lyric video for the track “You and Me”, and you know what? It’s really good. Have a listen below and let us know what you think:

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