Thank Folk It’s Friday – 28th July

TFIF

This Week in Folk

All the News From The Week That Was

Billy Bragg released his new single “The Sleep of Reason”. Details here

Willie Watson has announced plans to release his second solo album Folksinger Vol. 2 in September. Details here

Vance Joy released his first new music in three years with the video “Lay It On Me”. Details here

– American super-trio I’m With Her released their new video “Little Lies”. Details here

– Melbourne indie-folk duo Charm of Finches are celebrating the one year of their debut album with a home town show tonight. Details here

– Americana festival Out On The Weekend announced their 2017 lineup including Justin Townes Earle, Son Volt, Traveller (Jonny Fritz, Robert Ellis & Cory Chisel), All Our Exes Live In Texas, The Deslondes, Robbie Fulks, Fanny Lumsden, The Sadies, Joshua Hedley, Raised by Eagles, Freya Josephine Hollick, Davidson Brothers and The Moonee Valley Drifters. Details here

– Speaking of Fanny Lumsden she just announced her massive 2017 Country Halls Tour. Details here

– Hobart folk-punk festival HOBOFOPO announced its first 12 artists including AJJ, Paddy McHugh, The Dead Maggies, This Is A Robbery, The Berkeley Hunts, Fox ‘N’ Firkin, Medusa’s Wake, Quinton Trembath, Wilson and The Castaways (NSW), The Dominic Francis Grief Ensemble, BrodyGreg and Hairyman. Details here

The Queenscliff Music Festival has added a bunch more artists to its 2017 lineup including Allysha Joy, The Bamboos, Beccy Cole, Bob Evans, Hat Fitz & Cara, Jazz Party, Little Georgia, Mia Dyson, Sammy J, The Southern River Band, Stella Donnelly and The Wilson Pickers. Details here

The Cake & Cordial Sessions comes to Brisbane today featuring Paddy McHugh, Kelly Cork, Megan Cooper and Fanny Lumsden. Details here

Blog

We pick the top ten albums and EPs you should own from the first half of 2017 including releases from All Our Exes Live in Texas, Charlie Fink, Emily Barker, Fleet Foxes, Johnny Flynn, Kasey Chambers, Laura Marling, The Ahern Brothers, The Morrisons and Timothy James Bowen. Blog here

Releases This Week

Dan Sultan
KillerDan Sultan
iTunes

Come All Ye
Come All Ye – The First 10 YearsFairport Convention

Gillian Welch
The Harrow & The Harvest LPGillian Welch
Official Site

Passenger
The Boy Who Cried WolfPassenger
iTunes

Shane
Love and BloodShane Nicholson
iTunes

Timber and Steel Recommends – Go To This Gig

Charm of Finches w/ Loren Kate

Charm of Finches

Sister duo Charm of Finches celebrate the one year anniversary of their debut album Staring at the Starry Ceiling with a home town show supported by Loren Kate

Friday 28th July – Thornbury Theatre, Melbourne, VIC

Gigs Next Week

245T, Rick Hart’s Bare Bones, Michael Plater, Tom Redwood
Sunday 30th July – Open Studio, Melbourne, VIC

America
Friday 28th July – International Convention Centre, Sydney, NSW
Saturday 29th July – The Events Centre, Caloundra, QLD
Sunday 30th July – Broadbeach Country Festival, Broadbeach, QLD
Wednesday 2nd August – WIN Entertainment Centre, Wollongong, NSW
Thursday 3rd August – Royal Theatre, Canberra, ACT

Arygle Sun-Sets feat. Ackers, Dale Ostridge, Dande & The Lion
Sunday 30th July – Upstairs at Fred’s, Camden, NSW

BEMAC presents World Music Cafe: MZAZA & Vardos
Friday 4th July – Queensland Multicultural Centre, Brisbane, QLD

Bluestone Junction
Friday 28th July – Golden Vine Hotel, Bendigo, VIC
Saturday 29th July – The Spotted Mallard, Melbourne, VIC

Broadbeach Country Music Festival
Friday 28th to Sunday 30th July – Broadbeach, QLD

Cake and Cordial Sessions feat. Fanny Lumsden, Kelly Cork, Megan Cooper, Paddy McHugh
Friday 28th July – Ashgrove Bowls Club, Brisbane, QLD

Charm of Finches w/ Loren Kate
Friday 28th July – Thornbury Theatre, Melbourne, VIC

Claire Patti w/ Mandy Connell, Kelly Auty
Wednesday 2nd August – The Lomond Hotel, Melbourne, VIC

Echuca Winter Blues Festival
Thursday 27th to Sunday 30th July – Echuca, VIC

Fanny Lumsden
Friday 28th July – Cake and Cordial Sessions, Ashgrove Bowls Club, Brisbane, QLD
Saturday 29th to Sunday 30th July – Broadbeach Country Music Festival, Broadbeach, QLD

FolkSwagon feat. Liam Gale, The Burley Griffin, Julia Johnson
Wednesday 2nd July – Cafe Lounge, Sydney, NSW

Forever Son
Friday 4th August – Quicksilver Bar 61, Torquay, VIC

Georgia Fields and Phia
Friday 28th July – The Unorthodox Church of Groove, Newcastle, NSW
Sunday 30th July – Point Lonsdale, VIC
Thursday 3rd August – The Toff In Town, Melbourne, VIC

Grigoryan Brothers
Wednesday 2nd August – Orbost Exhibition Centre, Orbost, VIC
Thursday 3rd August – Twyford Hall Merimbula, Canberra, ACT
Friday 4th August – St Peter’s Anglican College, Canberra, ACT

Heath Cullen
Saturday 29th July – Majors Creek, NSW

High Tea feat. Brett Winterford
Thursday 3rd August – House Concert, Sydney, NSW

Jeff Lang
Saturday 29th July – Caravan Music Club, Oakleigh, VIC

Jim Lawrie
Friday 28th July – Northcote Social Club, Melbourne, VIC

Josh Pyke w/ Kyle Lionhart
Friday 28th July – Enmore Theatre, Sydney, NSW
Saturday 29th July – Cambridge Hotel, Newcastle, NSW
Friday 4th August – The Corner Hotel, Melbourne, VIC

Julia Johnson
Wednesday 2nd August – FolkSwagon, Cafe Lounge, Sydney, NSW

Kelly Brouhaha
Friday 28th July – The Austral Hotel, Adelaide, SA

Lachlan Bryan & The Wildes
Friday 28th to Sunday 30th July – Broadbeach Country Music Festival, Broadbeach, QLD

Loren Kate
Friday 28th July – Thornbury Theatre, Melbourne, VIC
Monday 31st July – Rosanna Fire Station Community House, Melbourne, VIC

Lucy Wise
Friday 28th July – St Margaret’s Anglican Church, Eltham, VIC

Mick Flanagan
Sunday 30th July – The Last Jar, Melbourne, VIC

Miles and Simone
Saturday 29th July – Balmoral, NSW
Friday 4th August – Major Toms, Kyneton, VIC

Nigel Wearne
Friday 4th August – Saint Monday, Yackandandah, VIC

Not Good With Horses w/ Jason Walker
Sunday 30th July – Union Hotel, Sydney, NSW

O’Shea
Friday 28th July – Leadbelly, Sydney, NSW
Saturday 29th July – Centro CBD, Wollongong, NSW
Sunday 30th July – Lizotte’s Newcastle, Newcastle, NSW
Thursday 3rd August – Black Bear Lodge, Brisbane, QLD

Paul Reid
Sunday 30th July – Fox Hotel, Melbourne, VIC

Pete Murray
Friday 28th July – The Entrance Leagues Club, Bateau Bay, NSW
Saturday 29th July – Enmore Theatre, Sydney, NSW
Thursday 3rd August – Nautilus Theatre, Port Lincoln, SA
Friday 4th August – Her Majesty’s Theatre, Adelaide, SA

Ramblin’ Nights feat. James Thomson & The Strange Pilgrims, The Sweet Jelly Rolls, Swamp Fat Jangles
Thursday 3rd August – Leadbelly, Sydney, NSW

Rich Davies & The Low Road w/ The Jaycos, Belle Harvey
Sunday 30th July – Four5Nine, Perth, WA

Shane Nicholson
Friday 28th to Sunday 30th July – Broadbeach Country Music Festival, QLD
Wednesday 2nd August – Ararat Live, Ararat, VIC
Thursday 3rd August – Spotted Mallard, Melbourne, VIC
Friday 4th August – Caravan Club, Oakleigh, VIC

Sofar Sounds Melbourne
Saturday 29th July – Melbourne, VIC

Songwriters in the Round feat. Amber Lawrence, Steve Passfield, Katie Brianna
Sunday 30th July – Wenty Leagues, Wentworthville, NSW

Steve Smyth
Wednesday 2nd August – The Street Theatre, Canberra, ACT
Friday 4th August – The Workers Club, Melbourne, VIC

Stray Hens
Friday 4th July – Selby Folk Club, Selby, VIC

The Ahern Brothers
Friday 28th July – Green Door Wines, Ferguson Valley, WA
Saturday 29th July – The Church, Donnybrook, WA
Sunday 30th July – The Pottery-Restaurant, Bridgetown, WA
Thursday 3rd August – Secret Show, Mandurah, WA
Friday 4th August – Wild Vinegar, Bunbury, WA

The Bean Project
Friday 28th July – No. 5 Church Street, Bellingen, NSW
Saturday 29th July – Sun Bistro, Byron Bay, NSW
Tuesday 1st August – The B.U.G, Brisbane, QLD
Wednesday 2nd August – Cambus Wallace, Gold Coast, QLD
Friday 4th August – Pacific Hotel, Yamba, NSW

The Collingwood Casanovas
Friday 28th July – The Lomond Hotel, Melbourne, VIC

The Demon Drink
Saturday 29th July – Club Hotel Motel, Lowood, QLD

The Morrisons
Friday 4th August – The Basement, Sydney, NSW

The Royal High Jinx
Friday 4th July – Open Studio, Melbourne, VIC

The Settlement
Saturday 29th July – The Toff In Town, Melbourne, VIC
Thursday 3rd August – Brooklyn Standard, Brisbane, QLD
Friday 4th August – Nightquarter, Gold Coast, QLD

The Teskey Brothers
Thursday 27th to Sunday 30th July – Echuca Winter Blues Festival, Echuca, VIC
Friday 4th August – Music on the Hill, Red Hill, VIC

The Water Runners, The Lurkers
Friday 4th July – The Yo-Yo Bar, Wollongong, NSW

Tim Guy
Saturday 29th July – Rainbow Fitzroy, Melbourne, VIC

Tobias
Saturday 29th July – The Old Gregory Hotel, Winton, QLD
Friday 4th August – The Grand Hotel, Clermont, QLD

Tori Forsyth
Friday 28th to Sunday 31st July – Broadbeach Country Music Festival, Broadbeach, QLD

Vinod Prasanna, John Flanagan Trio
Sunday 30th July – St Paul’s Anglican Church, Clunes, VIC

Waterloo Sunset Sessions feat. The Fibro Cowboys
Sunday 30th July – George Hotel, Sydney, NSW

Friday Folk Flashback

“Kettle” – Killing Heidi

Charm of Finches Celebrate the One Year Anniversary of Their Debut Album

Charm of Finches
Image Courtesy of Charm of Finches

A year ago Melbourne sister duo Charm of Finches released their celebrated debut album Staring at the Starry Ceiling and since then they gone from strength to strength.’

After numerous festival appearances, high profile support slots and headline shows Charm of Finches have announced plans to celebrate the one year anniversary of Staring at the Starry Ceiling with a special hometown show at The Thornbury Theatre this Friday 28th July. Joining them in support will be Timber and Steel favourite Loren Kate.

Charm of Finches will also be playing in Sydney and Bendigo at the start of August. The full list of dates are below:

Friday 28th July – Thornbury Theatre, Melbourne, VIC
Saturday 5th August – Golden Age Cinema, Sydney, NSW
Sunday 6th August – Bendigo Folk Club, The Old Church on the Hill, Bendigo, VIC

Thank Folk It’s Friday – 14th April

TFIF

This Week in Folk

All the News From The Week That Was

– American singer-songwriter Joe Pug is heading to Australia for a string of dates in July. Details here

Fanny Lumsden released her new video “Totem Tennis”. Details here

– UK songstress Beth Orton announced Australian tour dates. Details here

– Northern Territory based festival The Top Half Folk Festival has announced The Ten Cent Shooters as its 2017 feature artist. Details here

– Ex-Noah and The Whale frontman Charlie Fink has announced plans to release his debut solo album Cover My Tracks. Details here

Interviews

“I am fortunate to know a couple of really great musicians who will be joining me on stage. They have an amazing ability to know what sound I want to create without me having to ask, and because of this they compliment my style and create space and depth to my writing”Sally Balfour chats to Gareth Hugh Evans. Interview here

“My sister Ivy creates beautiful and sometimes surprising vocal harmonies. We’ve been told our voices together sound like one voice singing two notes, yet our voices individually are quite different” – Mabel Windred-Wornes from Charm of Finches chats to Gareth Hugh Evans. Interview here

“When I hear a song, and I know and read it’s background and history and meaning, and if it sings to my heart then I need to sing it”Aoife Scott chats to Gareth Hugh Evans. Interview here

Releases This Week

Take Care
Take Care Take CoverThe Mae Trio
Bandcamp

Timber and Steel Recommends – Go To This Gig

Bluesfest and The National Folk Festival

Majestic

It’s that time of year again where folk, roots and acoustic fans are faced with the Easter dilemma: do you head to Byron Bay for Bluesfest or Canberra for The National Folk Festival. We can never decide so this year we’re doing both!

Thursday 13th to Monday 17th April – Bluesfest, Byron Bay, NSW
Thursday 13th to Monday 17th April – National Folk Festival, Canberra, ACT

Gigs Next Week

Alan Reid & Rob van Sante
Thursday 13th to Monday 17th April – National Folk Festival, Canberra, ACT

Andrew Bird
Saturday 15th April – Sydney Opera House, Sydney, NSW
Tuesday 18th April – Melbourne Recital Centre, Melbourne, VIC

Billy Bragg & Joe Henry
Thursday 13th to Monday 17th April – Bluesfest, Byron Bay, NSW
Wednesday 19th April – Sydney Opera House, Sydney, NSW
Thursday 20th April – The Playhouse, Canberra, ACT

Bluesfest
Thursday 13th to Monday 17th April – Byron Bay, NSW

Bob Evans
Thursday 20th April – Front Bar, Canberra, ACT
Friday 21st April – Lizottes, Newcastle, NSW

Boogie
Friday 14th to Sunday 16th April – Bruzzy’s Farm, Tallarook, VIC

Busby Marou
Thursday 13th to Monday 17th April – Bluesfest, Byron Bay, NSW

Candelo Village Festival
Friday 21st to Sunday 23rd April – Candelo, NSW

Colin Lillie
Thursday 13th to Monday 17th April – National Folk Festival, Canberra, ACT
Wednesday 19th April – Oxford Art Factory, Sydney, NSW
Thursday 20th April – Stag and Hunter, Newcastle, NSW
Friday 21st April – Sol Bar, Maroochydore, QLD

Ed Wells
Wednesday 19th April – Leadbelly, Sydney, NSW

Emily Barker
Saturday 15th April – Port City Folk Festival, Fremantle, WA

Fairbridge Festival
Friday 21st to Sunday 23rd April – Pinjarra, WA

Folkswagon feat. Nick Kingswell, Darby, Timothy James Bowen
Wednesday 19th April – Cafe Lounge, Sydney, NSW

Golden Whistler & Whoa Mule
Saturday 15th April – Old City Bank Bar, Katoomba, NSW

Gretta Ray
Tuesday 18th April – Newtown Social Club, Sydney, NSW
Thursday 20th April – Howler, Melbourne, VIC

Henry Wagons, Jonny Fritz and Ruby Boots
Friday 14th April – Newtown Social Club, Sydney, NSW
Wednesday 19th April – The Spotted Mallard, Melbourne, VIC
Thursday 20th April – Caravan Music Club, Oakleigh, VIC
Friday 21st April – Meeniyan Town Hall, Meeniyan, VIC

Irish Mythen
Thursday 13th to Monday 17th April – Bluesfest, Byron Bay, NSW
Friday 21st April – The Gum Ball Festival, Dashville, NSW

Jane Cameron & the Crazy Carnival
Saturday 15th April – St Leonards Winery, Wahgunyah, VIC
Sunday 16th April – St Leonards Winery, Wahgunyah, VIC

Jeff Lang
Saturday 15th to Monday 17th April – Bluesfest, Byron Bay, NSW

Jonny Fritz
Friday 14th April – Newtown Social Club, Sydney, NSW
Saturday 15th & Sunday 16th April – Boogie Festival, Bruzzy’s Farm, Tallarook, VIC
Wednesday 19th April – The Spotted Mallard, Melbourne, VIC
Thursday 20th April – Caravan Music Club, Oakleigh, VIC
Friday 21st April – Meeniyan Town Hall, Meeniyan, VIC

Kasey Chambers
Thursday 20th April – Geelong Playhouse, Geelong, VIC
Friday 21st April – The Regent Theatre, Yarram, VIC

Les Poules à Colin
Thursday 13th to Monday 17th April – National Folk Festival, Canberra, ACT
Thursday 20th April – South Coast Folk Club, Adelaide, SA
Friday 21st to Monday 24th April – Fairbridge Folk Festival, Fairbridge, WA

Martha Tilston
Friday 14th to Monday 17th April – National Folk Festival, ACT

Michael Kiwanuka
Thursday 13th to Monday 17th April – Bluesfest, Byron Bay, NSW
Tuesday 18th April – The Corner, Melbourne, VIC
Wednesday 19th April – Oxford Art Factory, Sydney, NSW
Thursday 20th April – Oxford Art Factory, Sydney, NSW

Monsieur Camembert
Saturday 15th April – Camelot Lounge, Sydney, NSW

Nahko and Medicine for the People
Sunday 16th April – The Triffid, Brisbane, QLD

National Folk Festival
Thursday 13th to Monday 17th April – Canberra, ACT

Neil Murray & Lucie Thorne
Wednesday 19th April – Ararat Live, Ararat, VIC

Oh Pep!
Saturday 15th & Sunday 16th April – Boogie Festival, Bruzzy’s Farm, Tallarook, VIC
Friday 21st April – Newtown Social Club, Sydney, NSW

Pierce Brothers
Friday 14th April – Barwon Heads Hotel, Barwon Heads, VIC
Wednesday 19th April – Margaret Court Arena, Melbourne, VIC
Friday 21st April – International Convention Centre, Sydney, NSW

Port City Folk Festival
Saturday 15th April – The Railway Hotel, Fremantle, WA

Round Mountain Girls
Thursday 13th to Monday 17th April – Bluesfest, Byron Bay, NSW

Sally Balfour
Thursday 13th to Monday 17th April – National Folk Festival, Canberra, ACT

St Albans Folk Festival
Friday 21st to Sunday 23rd April – St Albans, NSW

Ten Cent Shooters
Sunday 16th April – Settlers Tavern, Margaret River, WA

The Dead Maggies
Friday 14th April – The Brunswick Hotel, Melbourne, VIC
Saturday 15th to Monday 17th April – The National Folk Festival, Canberra, ACT
Thursday 20th April – The Hamilton Station Hotel, Newcastle, NSW
Friday 21st April – Junction 142, Katoomba, NSW

The End Festival
Friday 21st to Sunday 23rd April – Hill End, NSW

The Gum Ball
Friday 21st to Sunday 23rd April – Dashville, NSW

The Lumineers
Monday 17th April – Sydney Opera House, Sydney, NSW
Tuesday 18th April – Sydney Opera House, Sydney, NSW
Wednesday 19th April – State Theatre, Melbourne, VIC

The Mae Trio
Thursday 13th to Monday 17th April – National Folk Festival, Canberra, ACT
Tuesday 18th April – Brass Monkey, Cronulla, NSW
Thursday 20th April – Leadbelly, Sydney, NSW

The McClymonts
Friday 21st April – Bathurst RSL, Bathurst, NSW

The Mountain Goats
Thursday 13th to Monday 17th April – Bluesfest, Byron Bay, NSW

The Rheingans Sisters
Thursday 13th to Monday 17th April – National Folk Festival, Canberra, ACT
Wednesday 19th April – Foundry616, Sydney, NSW
Thursday 20th April – TBC, Katoomba, NSW

The Spooky Men’s Chorale
Thursday 13th to Monday 17th April – The National Folk Festival, Canberra, ACT

The Waifs
Saturday 15th April – The Roebuck Bay Hotel, Broome, WA

The Weeping Willows
Sunday 16th April – The Standard Hotel, Melbourne, VIC

Tony Joe White
Saturday 15th April – Meeniyan Town Hall, Meeniyan, VIC
Sunday 16th April – Caravan Music Club, Oakleigh, VIC
Monday 17th April – Bluesfest, Byron Bay, NSW
Thursday 20th April – The Basement, Sydney, NSW

Friday Folk Flashback

“To Be Alone With You” – Sufjan Stevens

National Folk Festival Interview: Charm of Finches

Charm of Finches
Image Courtesy of Charm of Finches

Melbourne based dream-folk sister duo Charm of Finches have had a massive year so far, launching their album Staring at the Starry Ceiling and picking up some high profile support slots around the country. We sat down with one half of the band, Mabel Windred-Wornes, before they head to Canberra this weekend for The National Folk Festival.

Gareth Hugh Evans: You describe your music as “dream folk” – what can audiences at The National expect from your shows?

Mabel Windred-Wornes: Well, it’s dreamy sounding music I guess – it’s full of harmonies. My sister Ivy creates beautiful and sometimes surprising vocal harmonies. We’ve been told our voices together sound like one voice singing two notes, yet our voices individually are quite different. Also, our album has a lot of cello and violin, which we played ourselves, which gives it a bit of a chamber sound. We are bringing Alice Hurwood up to The National with us to play cello. She’s 14 and she’s an amazing cellist.

GHE: You’ve been playing a lot of shows lately – how do festival audiences differ from audiences at a regular gig ?

MW-W: We love festival audiences. Really, they are there for the music and respect musicians. They are there to listen, and they pay attention to the lyrics and love hearing the stories about the songs. Also, a festival audience is usually really relaxed – why wouldn’t they be. They are spending a whole weekend listening to music.

GHE: To those outside of the folk scene, folk music is not considered a “young persons” genre. What is it about this music that’s attracted you at such a young age?

MW-W: It’s common for people to wonder why we are attracted to folk music in the traditional sense, but we know heaps of young bands and singer songwriters you would classify as folk – like The Mae Trio, who we have always loved a lot, and Rowena Wise. They are writing songs about their lives, playing instruments usually associated with folk music like guitar, uke, banjo and fiddle. The definition of folk music as you would hear it at a folk festival today is very very broad. Our influences definitely include traditional folk music, old-time Appalachian songs, Old English and Celtic folk songs and Celtic fiddle music (we love going to Celtic fiddle camps) as well as classical music which we have been playing on our cello and violin since we were little. Our Dad filled our home with Bob Dylan from an early age, but we are also influenced by Americana artists like Gillian Welch and we love Sufjan Stevens so much, who is essentially a folk artist who uses unconventional instruments (even electronic sounds) on his albums.

GHE: You released your debut album Staring at the Starry Ceiling in the middle of last year. How was the reception when it first came out? And are you feeling about it six months on?

MW-W: We were thrilled people really loved our album when it was released last year. People were contacting us after hearing a song on Radio National. Words like “unique” and “beguiling harmonies” were used, which of course made us feel very pleased. We had an amazing experience working with producer Nick Huggins. It was quite a magical experience and being by the ocean in Point Lonsdale (Victoria) really influenced the album. We felt expansive, a bit spellbound and open to ideas. We couldn’t listen to it after we finished it for a while- we needed some distance after recording. Not long ago we were driving home from Port Fairy Folk Festival listening to the new albums we had gathered from the various artists we had seen. We got curious to listen to our own album, and we felt really proud and kind of amazing at what we had created. It felt really good.

GHE: What’s next for Charm of Finches after The National?

MW-W: Well, to be honest, I’m quite keen to take some time to get some homework done! I’m in Year 11 now and love the subjects I’ve chosen – theatre, music, art and sound production! Of course, we will be playing shows in and around Melbourne, as well as house concerts, which we love as much as playing festivals. We also have a whole bunch of half-finished songs that are begging to be finished. We love writing new songs so we’ll be making time for that! And then, I guess we’ll record a new album some time!

Charm of Finches are performing at The National Folk Festival this weekend. Check out their dates below:

Thursday 13th to Monday 17th April – National Folk Festival, Canberra, ACT
– Friday 1:30pm – Central Park
– Saturday 12:40pm – Flute ‘n’ Fiddle
– Sunday 10:00am – Borderland
– Monday 12:40pm – Flute ‘n’ Fiddle

The Full Port Fairy Folk Festival Line Up

Port Fairy
Image Courtesy of the Port Fairy Folk Festival

The Port Fairy Folk Festival is undoubtedly one of the biggest events on the folk music calendar and once again 2017 is shaping up to be an amazing event.

The full lineup of the 2017 Port Fairy Folk Festival has been released and it features a bunch of amazing artists including Willie Watson, Melody Pool, Lior, Marlon Williams & The Yarra Benders, Afenginn, Boo Hewerdine, Charm of Finches, Eddi Reader, Folk Uke, Gretta Ray, Martha Tilston, Mel Parsons, Paul Kelly & Charlie Owen, The Changing Room, The Crooked Fiddle Band, The Dead Maggies, The Waifs, The Wilson Pickers, The Young Folk and many more.

The Port Fairy Folk Festival takes place from the 10th through to the 13th March in Port Fairy, Victoria. For more information including how to get your hands on tickets check out the official site here.

The full Port Fairy Folk Festival lineup is below:

8 Foot Felix, Afenginn, Aoife Scott, Backsliders, Barry Versus Kelly, Bazzookas, Bennett, Bowtell & Urquhart, Big Rory & Ochie, Bikerina, Boo Hewerdine, Buckman Coe, Buried Country, Burke & Wills: The Expedition By Ashley Davies, Bush Gothic, Chaos Magnet, Charles Jenkins, Charm of Finches, Christine Collister & Michael Fix, Circular Circus – Heidi Hoops, Cookin’ On 3 Burners with Tex Perkins & Stella Angelico, Danny Spooner, Deborah Conway & Willy Zygier, Dog Trumpet, Don Walker, Dori Freeman, Dubmarine, Eddi Reader, Ewen Baker, Featherhead, Fem Belling, Folk Uke, Gawurra, Giant Seagulls, Graeme James, Gretta Ray, Hey Mammoth, Hollie Smith, Jemma & The Clifton Hillbillies, JVG Guitar Method, Karma County, Krazy Koala Puppet Show, Kutcha Edwards Trio, Les Poules a Colin, Lior, Lisnacrieve, Manu Delago, MarimbaTaters, Marlon Williams & The Yarra Benders, Martha Tilston, Mel Parsons, Melody Pool, Mercan Dede, Mexrrissey, Mick Thomas & The Roving Commission, Miss Amber & Stukulele, Mr Qwirk, Mr Wizowski, Mundy, Nancie Schipper, Neil Murray, Nhatty Man & Gara, Nick Nicholas, Paul Kelly & Charlie Owen, Phil Wiggins & Dom Turner, Red the Clown, Roo Panes, Sarah Carroll & the Left Wing, Seamus Begley Trio, Sport Suzie, Steve Boyd’s Rum Reverie, Suzannah Espie, Kerri Simpson, Barb Waters & Alison Ferrier, Tash Sultana, TEK TEK Ensemble, The Bean Project, The Changing Room, The Chipolatas present ‘Chipolatino’!, The Crooked Fiddle Band, The Dead Maggies, The Drowsy Maggies, The Jerry Cans, The Low Down Riders, The Mik Maks, The Mission Songs Project, The New Savages, The Pinks Play The Blues, The Scrims, The Skeleton Club, The Southern Ocean Sea Band, The Waifs, The Wilson Pickers, The Young Folk, Thomas Hugh, Tim Wheatley, TimTim, Van Morrison’s “Masterpieces” Presented by Vince Jones & The Astral Orchestra, Vika & Linda, Warsaw Village Band, Willie Watson, Yirrmal

Timber and Steel’s Artists’ Top Albums of 2016

Child Records

You’ve heard what we think the top albums of 2016 were, but lets be honest this is the piece you’ve really been waiting for.

Every year we reach out to the community of folk and acoustic musicians in Australia and around the world to ask them to pick their favourite album or EP of the year, and this year they came through in spades.

So without further waffle may we present to you this year’s Timber and Steel’s Artists’ Top Albums of 2016.

Bill ChambersEagle & The Wolf
Bill ChambersCold Trail
What a record. Bill just turns up when he feels like it and shows us all how it’s done. The title track is one of the best driving songs ever written and we’ve done A LOT of driving this year! This record has been with us on every trip and inspires us as artists of the alt. country genre to dig deep and keep being real, in life and in music. He’s the baddest and the best.

James KenyonAnna Cordell
James KenyonImagine You Are Driving
This album takes me into such a beautiful space, it is so beautifully written and produced, I find myself smiling every time I listen to it – I’m entranced and inspired.

Joe MungovanImogen Clark
Joe MungovanWay Down South
Joe totally embodies the Joni Mitchell quote about songwriting, “The closer you get to your heart is the closer you get to everyone else’s”. This EP is an evolution for him, the production is so sparse and spacey, almost Bon Iver-ish, and very different from the folky style of his first EP. But what remains is Joe’s amazing ability to capture so perfectly the melancholy of the human condition with his beautiful melodies and heart-wrenching lyrics. A big 5 stars from me. Love ya, Joe!

Piers FacciniSam Lee
Piers FacciniI Dreamed An Island
This album only came out a couple of weeks ago but I think needs mentioning in this years crop. Piers is one of the finest male singers and his musicianship is exquisite. It’s an album of great sensitivity with deep thought and poetry inside. The songs are so well formed, he has a knack at creation of timeless soundings orgs.

DD DumboDan Flynn
D.D DumboUtopia Defeated
Oliver has really found his own unique sound while incorporating some diverse influences including folk, electronic and world music. I was really impressed with his songwriting and his ability to draw you in to his strange little world. I also love the production with all those sonic layers that reveal themselves over repeated listens. Amazing debut.

Michael KiwanukaSkyscraper Stan
Michael KiwanukaLove and Hate
I got hooked on this album while touring around New Zealand. The songwriting is melodic, the dynamics are masterful and the closing track, “Final Frame”, kicks me in the guts.

William CrightonJosh Rennie-Hynes
William CrightonWilliam Crighton
I first heard William at Nannup at the start of this year and loved it. He’s a great performer and his songs are top notch. This album captures all of that perfectly. The production is spot on and is a testament to the benefits of what a more DIY approach to recording can achieve.

Bon IverTanya Batt (BATTS)
Bon Iver22, A Million
There have been a lot of amazing releases this year, Canary, Braille Face and Hayden Calnin were three I wanted to choose too. However, it had to be Bon Iver. The most highly anticipated album in my life, it did not disappoint. This album means so much to me, It’s an extremely innovative album within soundscapes and also so raw, filled with emotion. Many tears were shed when I first listened.

MoulettesClaude Hay
MoulettesPreternatural
Moulettes new album Preternatural really grabed me from the first second, Distorted Cello, Oboe, guitar bass drums and they all sing insane harmonies perfectly live….Audio candy

Bill HuntLiam Gale (Liam Gale & the Ponytails)
Bill HuntUpwey
Conversational, melodic, witty and hooky songwriting flood through the beautiful ebb and flow of Upwey, Hunt’s first of many offerings. The songs are hued by a consistent arrangement of drums, bass, violin and Hunt’s subtle and precise guitar style. But they don’t rely on these arrangements; each song a story, assisted by the swell of instrumentation to convey the tales that swing from the near Latin grooves of “Odalik” to the slow sexy grind of “Sea of Love”. At six tracks long, it leaves you wanting more. Perfect.

Childish GambinoSahara Beck
Childish GambinoAwaken, My Love!
Listening to this album is like switching off the real world and stepping into an original and new world. I find it very inspiring.

Oh PepThe Little Stevies
Oh Pep!Stadium Cake
I think the songwriting on Stadium Cake is really interesting. The songs take me to a place that I’m not expecting both lyrically and musically when I begin listening to them and they keep me guessing, which I absolutely love. The arrangements and production are also super cool, and I’m simply just a big fan of talented women and female partnerships doing great things in the arts.

Side PonyFanny Lumsden
Lake Street DiveSide Pony
It seriously makes me the most joy filled human ever. Side Pony is possibly my biggest songwriting envy of late and they just really nail that motown meets pop retro good times.

Nick CaveMiles O’Neil (Miles and Simone)
Nick Cave and The Bad SeedsSkeleton Tree
I was scared to listen to this album due to the tragic circumstances surrounding it. Finally
mustering the courage one bright morning I listened to it through while walking beside the sea.
I stopped many times during that walk to sit and, floored, marvel at the breathtakingly
sadness and beauty captured in what is, to me and I’m sure many others, a masterpiece.

Hayden CalninForest Falls
Hayden CalninCut Love Pt 1/2
Hayden is an absolute stayer of the Melbourne music scene, but it’s for good reason. This record is world-class. Sparse, rich, cinematic, and desperate in its feel, it holds on to you long after the first listen.

Button CollectiveThe Bottlers
The Button CollectiveThe Lonesome Sea
As a softly lilting mandolin emerges from the silence of the opening track, Brodie’s haunting lyrical ballad begins to unravel the story of the heartbreak of a man, torn between travelling the lonesome sea and those who he has left behind. This beautiful yet bittersweet combination of well-travelled wordsmithing and an instrumental palate carrying a nostalgically truthful warmth, could be heard in any far-flung tavern in the dead of night, as tired candles flicker. Finishing with a raucous fling titled “Adieu Sweet Lovely Nancy”, the Button Collective’s release concludes on a stirring high, twisting your arm to crave another ale. The EP’s recording, mixing and mastering add a special flair, as you hear the charismatic live-elements that give you a heart-swelling, beer-swilling singalong that you can partake in at any time. Well done fellas!

The Dreaming RoomPhia
Laura MvulaThe Dreaming Room
Her lyrics explore feminism, faith, self-worth, race, and her harmonies, arrangements and production are deep and multi-hued. One of the most exciting songwriters around, unafraid to experiment with multi-genre collaborations, like the London Symphony Orchestra and Nile Rodgers.

JoyGordon Wallace (The Crooked Fiddle Band)
The Peep TempelJoy
This is a great third album by the Melbourne based three piece that has initial flavours of 90s Aussie pub punk/bloke rock (like Cosmic Psychos) but that is just the beginning – the album is musically quite varied, with intelligent, dark, caustically humorous and often political lyrics with moments of honest beauty.

Wartime SweetheartsJoe Gould (The Crooked Fiddle Band)
Wartime SweetheartsSo Long Sparta
It’s always great when a local artist drops something as fully formed and self-assured as Louise Nutting’s second album under the Wartime Sweethearts moniker. Experimental without forgetting the songcraft, it deserves its rightful place amongst the St Vincents, Dirty Projectors and My Brightest Diamonds of the art pop world. Props to local label Art As Catharsis, whose releases in October alone spanned from Wartime Sweethearts to Hashashin’s eastern mathrock and No Haven’s dark hardcore. Eclecticism rules the day!

BeyonceTaryn La Fauci
BeyoncéLemonade
To create and release a piece of work that is so intricately linked and ordered, one you must listen to from start to finish to understand the whole was really refreshing! The film that accompanied the album was also richly interesting, deep and powerful. To address themes such as infidelity and race and then to weave them powerfully into a full album, which on release caused so much controversy and started a conversation world wide, I thought was really great.

Melody PoolKevin Mitchell (Bob Evans)
Melody PoolDeep Dark Savage Heart
Another beautiful record from the most under-rated songwriter in Australia. “Love, She Loves Me” gives me goose bumps every time.

Winter WheatFrank Turner
John K SamsonWinter Wheat
I am a long term partisan of John’s work, so it’s not surprising that I liked this record. But god-DAMN, the man just keeps delivering. This record had me in tears three times on my first listen through, and it gets better with age.

David BowieWilliam Crighton
David BowieBlackstar
My favourite album from 2016 is Blackstar from David Bowie. There were a lot of great albums but I listened to it the most.

TigallerroSteven Barnard (Arbori, Jon Cotton)
Phonte and Eric RobersonTigallerro
Smooth grooves, dope rhymes, sweet melodies. You’d be hard pressed to find another 2016 record his year that has this flow, though Anderson Paaks’ Malibu is a close second. It rolls effortlessly from track to track and the inevitable ass shaking comes with a no “slutty table top twerking” guarantee. It’s rare that a hip hop record explores what it means to be a man of sexual fidelity, a family man, and even man of faith in higher power. Getting hype or turning down, my morning wake up or my party starter, this record has been a solid find.

Julia JacklinJesse Lubitz (TinPan Orange)
Julia JacklinDon’t Let The Kids Win
This album is a gem. The more I listen to this record, the more the songs shimmer and shine with a beautiful honesty. Jacklin’s songwriting is earnest and her voice perfect – it feels like an important voice which dances delicately on a wire between mundanity and profundity.

Bon IverOliver’s Army
Bon Iver22, A Million
Although becoming more and more electronic heavy, Justin Vernon’s signature haunting melodies and dynamic vocals remain consistently endearing. I found the production to be quite bold and experimental, and I love that they’re continuing to explore their sound and push it in new directions. Sonically, it’s spacious and beautiful.

RadioheadKim Churchill
RadioheadA Moon Shaped Pool
My top album of 2016 has probably got to go to A Moon Shaped Pool by Radiohead. It really hit me at the perfect moment. I was deep in the studio and sometimes getting a bit overly flustered by how complex the process of recording can be. I think Radiohead have done something incredible in the way this album is so relaxed, so subtle, but so powerful. There is this beautiful calm confidence that I am completely in awe of. To be alive whilst their legacy is still being added to is a real treat!

Conor OberstThomas Busby (Busby Marou)
Conor OberstRuminations
Brave, personal and heart achingly real. It feels like you’re in the room with him as he’s pouring his heart out.

Iggy PopEm George
Iggy PopPost Pop Depression
It would be a total lie for me to say that I have been patiently and politely waiting for a new Iggy Pop record because I’ve been extremely impatient and downright rude, mouthing off to my vinyl copy of Lust for Life, begging to the Iggy Pop gods for a new release and then Post Pop Depression hit in March this year. Produced by Josh Homme (Queens of the Stone Age), the entire album is gritty and dark, sharp and tight with that small hint of sadness that lies just under the surface of Iggy Pop’s music. However in true Iggy fashion, the melodies and heavy drums lift the album into something that is hard to define, taking you to another place. My pick for 2016!

KaleoGerrit Gmel (Citizen of the World)
KaleoA/B
I came across these guys on Spotify a few months ago as they were our number one associated artist then. I had never heard of them before but their album has been on repeat ever since. Their album is incredibly varied, with high-energy songs like “Way Down We Go” and soft ballads like “Save Yourself”. An emotional rollercoaster from start to finish.

Gregory PorterJoe Glover (Shelley’s Murder Boys, Backsliders)
Gregory PorterTake me to the Alley
I watched a YouTube clip of Gregory Porter performing on NPR’s Tiny Desk Concert and watched it several times over, absolutely mesmerised. The album is just as mesmerising; full of soul, jazz and RnB, beautiful arrangements and Porter’s effortless delivery; just enough grit and soul to keep the jazz interesting! I listen to this album when I want something that will absolutely zone me out of where I am and what I am doing, Porter’s soothing voice is like being wrapped up in blanket and given a cup of hot cocoa.

Bruce MolskyShell Eves (Shelley’s Murder Boys)
Bruce MolskyCan’t Stay Here This a-Way
Bruce Molsky always manages to bring such a rich, unique sound to the old-time classics. His latest album is no exception. His fiddle-singin’ gives me warm fuzzies akin to sitting by a campfire under a starry sky.

David BowieJimmy Murray (Shelley’s Murder Boys)
David BowieBlackstar
It was hot, humid January afternoon driving through a sun-shower when I first listened to David Bowie’s Blackstar album. Released just 2 days after his death aged 69 this is an amazing final piece of work from this incredible artist. The hauntingly beautiful voice and instrumentation echos with songs about finality and death. Listening to this I was filled pure joy, sadness and reflection of this artist’s inspirational legacy.

Black Mountain String bandThe Plough
Black Mountain String BandTime Traveller
This year The Plough discovered the Canberra based Black Mountain String Band and can’t get enough of them. The exuberance and variety they bring to a live show is showcased beautifully in their recording. Their mix of traditional and original songs and instrumentals take the listener back in time through a landscape of high energy Old Time, Western Swing, triangle pumping Cajun and plucky Fiddle polkas. This CD’s been on high rotation in the Lancer’s CD stacker ever since it was launched in the bush capital on a chilly winters night.

TyrannamenFraser A Gorman
TyrannamenTyrannamen
A brilliant, gruff mixture of Memphis Garage-soul blended deep in a gravel filled, VB bottle of Australian 70’s pub rock. Eight tracks long, all killer no filler.

Margo PriceNick Payne (Dear Orphans)
Margo PriceMidwest Farmer’s Daughter
Margo is one of the first of a new breed of Americana artists to come out of the new epicentre of country music in East Nashville. Alongside Cale Tyson, Michaela Anne, Erin Rae, et al., these guys are playing authentic honky-tonk reminiscent of 1970s outlaw country, yet with their own fresh take. Midwest Farmer’s Daughter reminds me of the edgiest tracks from Dolly Parton, and the fact she is the first country act signed to Jack White’s Third Man Records is a testament to the quality of this album.

Oh PepJames Kenyon
Oh Pep!Stadium Cake
Stadium Cake is a brilliant album – brave arrangements, tight pop writing, great lyrics and Liv’s voice is a pleasure. I love the ambition of the album, and the assuredness the result. It’s an inspiring record

Julia JacklinAinsley Farrell
Julia JacklinDon’t Let The Kids Win
I’ve had the chance to see Julia perform these songs over the past couple years so I’ve been very excited for her album. She has an incredible songwriting talent topped by this powerful yet vulnerable voice that’ll break your heart and put it back together again all in one go. If you get the chance to see her and her band live I wouldn’t miss it.

Liz StringerMel Parsons
Liz StringerAll The Bridges
I have been a fan of Liz for a good few years now, I’m completely smitten with her voice – all husk, beauty and pain. I had high expectations for her new album, and All The Bridges delivers and then some, it’s been on repeat in my house since it arrived.

CanaryKathleen Mary Lee
CanaryI Am Lion
I like this because it is a celebration of very big, very beautiful feelings that I reckon have no other way of being celebrated other than through this kind of emotionally epic music. The lyrics are attempts at honesty and the music is always their non verbal emotional equivalent, making the album a very cathartic experience. If you want it to be. A bit of a masterpiece

Eagle and the WolfSam Buckingham
Eagle & The WolfEagle & The Wolf
Sarah brings out Kris’s sweetness and Kris brings out Sarah’s no bullshit strength – making this album the perfect balance of heart and “fuck you”. It just sounds like two musicians being real and having a ball. Awesome songwriting, perfect harmonies – it’s golden.

Sian EvansTori Forsyth
Sian EvansHow Time Has Treated Thee
This EP has only swept across my table recently but it is hands down a stand out. It makes me feel happy, sad and inspired all in one hit!

Songs From DanLucie Thorne
Dan TuffySongs From Dan
Aussie expat (now Dutch resident) and legend Dan Tuffy (Big Low, Wild Pumpkins at Midnight) has made one of my favourite albums not just of 2016 but of all time (seriously!). Co-produced by Melbourne’s Matt Walker, and recorded partly here in Melbourne, and partly in Holland, this album is an extraordinary collection from a true poet who sings straight to the heart of it all. Check it out folks!

Sian EvansHusky Gawenda (Husky)
Damien JuradoVisions Of Us On The Land
While this is Damien Jurado’s twelth album, it is the first I heard of him. Visions is a psychedelic, mystical odyssey, one that takes place within and without. The internal wanderings, the struggles and revelations, mirror an external landscape that is both beautiful and haunting. Each listen draws you further into these mirror worlds and all the while Jurado’s songs and sounds are immediately and undeniably striking.

Tracy McNeilLeah Flanagan
Tracy McNeil and the Good LifeThieves
Thieves is such an enjoyable record to listen to. It’s poppy and catchy yet underneath the veneer of fun singalong good times the songs themselves incredibly well crafted and arranged. Tracey writes a damn good song and if you’re lucky enough to see her band live, you’ll see them play those songs damn well too.

Adora EyeMusketeer
Adora EyeIf You Need A King, I’ve Been Prepared All My Life
This is probably the most raw and enduring folk album I have listened to all year. I am sure that this Swedish singer-songwriter was up all night writing this album in a smokey boat in the Stockholm harbour somewhere. You can almost see him clutching that ink pen with a red right hand, as his pet raven swings in a cage above his head eating dead beetles.

Hiss Golden MessengerDave Powys (The Paper Kites)
Hiss Golden MessengerHeart Like A Levee
I heard this album playing in a record store in London, and as I flicked through racks of vinyl I was drawn into the melodies and depth of his song writing. Every now and then you come across an artist who really moves you, or scratches an itch you never knew you had – this album has done both for me.

The Kill Devil HillsCatherine Traicos
The Kill Devil HillsIn On Under Near Water
This album encapsulates all that I love about the The Kill Devil Hills. A mad racket of noise, it pulses with life and is as ripe with heartfelt ballads as it is with sexy, sinister, badass, guitar driven numbers. Enjoy with whiskey.

Robert Ellis10 String Symphony
Robert EllisRobert Ellis
His first self-produced effort combines thoughtfully crafted songs with unique and interesting arrangements, expertly performed by him and his killer band. It’s the full package real deal and we love it so much.

The Dead MaggiesThe Dead Maggies
The Cloves and The TobaccoAcross The Horizon
TCATT are one of many celt-punk bands making great music in Java, and this album is a standout. It’s straight up driving celtic punk, with big powerful singalong choruses that tug the heartstrings. Good arrangements and musicianship help make this album great. We played with them in their hometown of JogJakarta, in the attic of a vegetarian cafe. The power cut out just before the gig, so the bands went ahead and played unplugged, it was a great moment of sweaty singalongs.

Howe GelbMark Moldre
Howe GelbFuture Standards
Late night meanderings. Laid back, whisky infused jazz piano. Wordplay and lyrical twists that stand alongside the wit of Ira Gershwin and Hoagy Carmichael with the quiet phrasing of Chet Baker. Gelb continues to walk to his own beat – confounding expectations whilst smashing and recreating genres. His history has always hinted towards a love of jazz and occasionally detoured into Monk style musings – here Gelb embraces it wholeheartedly.

TullaraSian Evans
TullaraBetter Hold On
Earthy folk and roots with a dash of dirty grunge, Tullara presents her debut EP Better Hold On. Featuring her superb guitar slinging and percussive finger tapping wizardry, genius pop-roots arrangements and powdery vocals; it’s as if an Aussie Taylor Swift, John Butler and Andy Mckee were entrapped in a love triangle and spawned gold threads of wild honesty weaving together this admirable little Roots record. It’ll jerk a tear and invoke a bit of primal badass equally.

TaliskJake Pember (The Button Collective)
TaliskAbyss
Ever since first hearing Mohsen Amini’s amazing concertina playing earlier this year I have been a little bit obsessed with this band. They have the perfect blend of traditional and modern styles, and each member has such command of their instruments that every track feels as natural and flowing as a conversation.

Max SavageKaurna Cronin
Max SavageTrue Believers
Max has a brilliant ability to invite his audiences into the narrative of his works. With brilliant imagery and musicianship True Believers captures a great snapshot of true Australian culture, while also creating a great sense of nostalgia by grasping that 80’s Australian rock sound perfectly. The perfect soundtrack for an Australian road trip or any suburban household.

Nick CaveAlex L’Estrange
Nick Cave and The Bad SeedsSkeleton Tree
Amongst all the huge artists that dropped albums in 2016, and the loads of Australian artists that arguably dropped career highlights (Ball Park Music, These Guy, D.D Dumbo), there was one album that I found myself frequently listening to, uninterrupted, alone on the hi-fi, and that was Skeleton Tree by Nick Cave and The Bad Seeds. It’s not necessarily my favourite, I think it’s an impossible task to name a favourite, but it was the first album that came to mind for this list, and that means more than anything. Hearing it coupled with the film One More Time With Feeling was challenging, given its subject matter. But its atmosphere was expertly executed; dynamic, fluid, smooth and heartbreaking. The rooms of Air, La Frette and Retreat studios are beautifully on display in songs like “Girl in Amber”, where the wispy backing vocals of The Bad Seeds hauntingly resonate across the walls. These contrast the desperate and almost maddening mantras of “I Need You”. What makes it a truly extraordinary album, is that it isn’t just doom and gloom. ‘Skeleton Tree’ doesn’t dwell on tragedy, it addresses it as part of the human condition, and there is an underlying beauty in that.

William CrightonClaire Ann Taylor
William CrightonWilliam Crighton
The storytelling and the whole atmosphere created by Crighton on this album is incredible. His dark, brooding voice and emotive style of delivery, commanded my attention from the first moment I heard it.

Andy ShaufWilliam Fitzsimmons
Andy ShaufThe Party
This was my favorite album of the year for one simple reason: MELODY!!! Andy is everything that’s right about classic “pop” music; never playing a note without a damn good reason for doing so, and songwriting that makes you feel something deep in your gut. He’s the worthy musical son of Harry Nilsson that we’ve longingly been waiting for.

LuciusRuby Boots
LuciusGood Grief
I have to choose this album because I’m still, since its release, pulling away the layers on it. Although it’s a predominantly pop record, the lyrical content and melodic arrangements are so intelligent and accessible all at once – a fine line that is hard to walk. The girls’ voices are otherworldly and tend to make me forget where I am and what I’m doing every time I put this album on. I still can’t get enough of it.

WetLacey Cole (Lazy Colts)
WetDon’t You
If you have a soft spot for B-grade pop ballads/R&B this Brooklyn-based three piece may just have written the soundtrack of your 90s-nostalgia drenched dreams. Their latest album Don’t You is a not-so-guilty pleasure of mine. Helmed by the stunning front-woman Kelly Zutrau, her unusual vocal inflections and impassioned delivery suggest an emotional complexity in what may otherwise be confused as banal sentiments (one song is called “Baby, You’re The Best”). Once combined with the lush production and rhythms of the band – assigned with the noble task of turning tears into toe-tappers – these songs are wonderfully earnest, rarely overwrought and exactly what you need right now.

James KenyonJoe Murphy (The Timbers)
James KenyonImagine You Are Driving
I have been lucky enough to see James play a couple of times. His beautifully crafted songs are reminiscent of great songwriters like Paul Kelly. The album is a stunning representation of his work.

JRHMabel Windred-Wornes (Charm of Finches)
Josh Rennie-HynesFurthermore
I love this album. It’s got so much warmth, it’s spacious. I listen to it late at night doing my homework and it’s so calming. It’s like the energy he captured recording it in the hills of Woodford transmits. We met him at Bendigo Blues and Roots Fest this year and felt we’d discovered a rare gem. He’s an amazing songwriter.

Tom BrosseauMatt Bauer
Tom BrosseauNorth Dakota Impressions
Beautiful storytelling, vivid imagery, and an incredible sense of place. I’ve always loved Tom’s records and he’s at the top of his game here writing about his native North Dakota.

Jim JamesTimberwolf
Jim JamesEternally Even
It’s a pretty passionate political plea and America needed a timely voice. He even released it the day before election day. I think his voice is very much from another world, so that’s an important “third person” kind of perspective. It’s a well sequenced collection of songs, and I really love the warm psych and soul inspired production/composition. Maybe I’m just biased because I know that Jim James and Blake Mills would make up my sonic dream-team.

Nigel WearneJustin Bernasconi (The Stillsons)
Nigel WearneDrawing Circles
Nigel has really forged his own fingerpicking techniques on both the banjo and guitar on this album, and his voice tenderly delivers every song with intense concern and passion. Just check out the live version of the title track.

The Kill Devil HillsMark ‘Looch’ Lewis – (Wifey/Handsome Young Strangers)
The Kill Devil HillsIn On Under Near Water
I have always loved this band. In all their incarnations and styles whether that is folk, country, gospel, rock or what I call the “WA dirge” (Kim Salmon, Drones type bass driven tunes). Hard to believe it is now 12 years since the release of their debut Heathen Songs when that “Drinkin’ Too Much” song first got my attention. And while it has been 7 years since the last studio album Man You Should Explode, the good news is that I reckon this is the most cohesive album yet. Cracking harmonies, great playing and strong tunes. Tracks like “The Nets”, “Chinese Burns” and notably “The Kid” are 3 of the best tunes they have released. Let’s hope there is more output and touring to come.

Austin LucasMatt Golotta (The Sweet Jelly Rolls)
Austin LucasBetween the Moon & the Midwest
I spend a fair bit of time on the road traveling to see my partner and this record became the perfect traveling companion for me. Took a few listens to get into and also realise it’s a concept album which draws from Lucas’ own past experiences. Without spoiling the outcome, it follows the luckless musician Richard, his partner Kristie Rae and his best friend William. It features killer song writing with pedal steel, twangy tele, country influences with punk rock subtlety, numerous guest vocals from the likes of John Moreland and Corey Brannan, and a cracker duet with Lydia Loveless “Wrong Side of the Dream”, dealing with the struggles and plights that many musicians face. My song of the record is “William”, the solo acoustic number at the end that makes you feel like you’ve just been kicked in the guts. Songwriting at its finest.

Cody JinksAndrew Cavalieri (The Sweet Jelly Rolls)
Cody JinksI’m Not the Devil
Raw, honest and heartache. That is this album! The first track really sets the mood for the rest of the album, but is broken up by “Chase This Song” which is a damn banger of a driving song! The outlaw vibe flowing from Junks’ music really prepares you for some hard times and disappointment in life. Bloody hell I love this album! Honorable mentions: Murlocs – Young Blindness, Jonny Fritz – Sweet Creep and Mudcrutch – 2.

Wartime SweetheartsLaura Bishop (Chaika)
Wartime SweetheartsSo Long Sparta
A killer voice, some super awesome writing skills, and an obsession with bodybuilders (hello Ms Olympia!) make this my favourite album of 2016. Wartime Sweethearts, aka singer-keyboardist-loop artist-songwriter Louise Nutting, signed to Art As Catharsis Records this year and released an album full of all the beats and electric piano and vocal harmony sounds that I like to hear (and I wish I could make) – and my favourite track “Figure It In, Figure It Out” has all the unexpected twistings and turnings of chord progressions that I wish I could write. One day Chaika will make sounds like this! One day…

Neil YoungTristan Goodall (The Audreys)
Neil YoungPeace Trail
Well with everyone saying we should just put 2016 behind us (although to be honest we should probably be approaching 2017 with a little trepidation too) I’ve decided not to dig too deeply into the past when thinking of my favorite record release of the year. I’ve loved many, but my recent love is the just-released 37th album by Neil Young. Peace Trail is short, musically experimental within its tight three piece band approach, and lyrically angry and poignant. I love it for the drummer’s drummer Jim Keltner and the way his delicate touch chases Neil’s quirky phrasing around the songs. I love it because it captures another freeze frame moment from a restless and undaunted songwriter, and I love it, of course, for those mighty guitar tones.

Davey CraddockLachlan Bryan
Davey CraddockCity West
2016 was a great year for my friends releasing good music. Melody Pool comes to mind, as do The Weeping Willows, Henry Wagons, Ange Boxall and Bill Jackson. It’s actually really hard to contribute to a “best of” list when you’re close to many of the artists – it’s hard to be objective – even after I rule out the records I was actually involved in making. Actually – it’s always hard to be objective, whether you know the artists or not. Furthermore, judging a whole body of work is hard – and for me, more than ever, 2016 was the year of the song (as opposed to the album or EP). And as songs go, the one that’s really stuck with me this year is the song “Number 9” by Davey Craddock. I love the cricket references. I asked Davey if he was a diehard cricket fan like me. He’s not. I was bitterly disappointed.

The Stray BirdsThe Mae Trio
The Stray BirdsMagic Fire
The Stray Birds made our fave album of 2014 and they’ve done it again in spectacular style with Magic Fire. It’s everything about this album and this band, the playing, the three part harmony and songs that are unabashed, true and unadorned. Magic Fire is a reminder of the things that matter, it’s definitely a fire and maybe a little bit magic.

Tori ForsythAndrew Swift
Tori ForsythBlack Bird
This EP is right up there as one of my favourite releases of 2016. From the moment I heard the opening title track, “Black Bird”, I knew that I was in for a treat. The diversity on display within the 5 tracks of Tori Forsyth’s debut release excites me. The songs are so well crafted and presented with such a mature sound, especially for someone so young. I’m eagerly awaiting the next release from one of Australia’s most promising young songwriters.

Hayden CalninRoscoe James Irwin
Hayden CalninCut Love Pt 1
A beautiful album from Melbourne artist Hayden Calnin. Drenched in melancholy and ambient awesomeness, this album had me at hello. (One of my favourite live shows of 2016 as well).

Jordie LaneNadine Budge (The Stetson Family)
Jordie Lane & The SleepersGLASSELLLAND
Have to say I’ve been particularly digging Jordie Lane’s GLASSELLLAND this last couple of months – with mighty input from the multi-talented Clare Reynolds. Let’s face it, Jordie’s a bit of an all-round talented guy!

Melody PoolDavey Craddock
Melody PoolDeep Dark Savage Heart
One of my fave local album’s of the year was Melody Pool’s Deep Dark Savage Heart. I’m a sucker for strings and a massive chorus and I love the way the songs build from really intimate, delicate and ornate passages into full-blown, wailing-on-a-mountain top with Stevie Nicks, 100 soaring bats and a thunderstorm moments. I saw her launch it at the Abbotsford Convent earlier this year and it was a really powerful and affecting show for me.

Methyl EthylTim Guy
Methyl Ethel – “No.28”
I know it’s not an album, but I’ve listened to this song more than any other this year, and it only came out a little while back. It has a lot going for it – great rhythm behind a smart piece of songwriting and then the whole thing is bathed in a deep silver mercury type thing. An Australian classic I swear.

DocksThe Staves
Amanda BergmanDocks
Our favourite album of 2016 is Docks by Amanda Bergman. Her voice is utterly sublime. You want to listen to every word she says. The music is dreamy, deep, soft, moody with melodies that whirr deliciously around your mind for days and weeks on end.

Katie BriannaRaechel Whitchurch
Katie BriannaVictim or the Heroine
I picked this album up when Katie and I did a songwriters showcase together. Sitting beside her listening to her songs was so magical – her voice is one of the most enchanting I have ever heard and her lyrics hit you right in the feels every time. Reminds me of a young Lucinda!

James KenyonMandy Connell (Stray Hens)
James KenyonImagine You Are Driving
James’ lyrics have that magic of time and place usually associated with voices like Paul Kelly or Bruce Springsteen. You can practically smell his scenes. You’re there. This album captures the voice but better than that, like a Tim Winton book, its a record that makes you present in Kenyon’s stories.

Jordie LaneLiz Stringer
Jordie Lane & The SleepersGLASSELLLAND
It’s no secret that Jordie Lane and I are good mates. We grew up together, musically speaking, and I am more familiar with his work than with most other artist’s. His new album, his first full-length release in five years, is called GLASSELLLAND, recorded by Jordie himself in various make-shift recording spaces in North Los Angeles and co-produced by his fiercely talented partner, Clare Reynolds, who also co-wrote half of the songs and sings and plays a heap of instruments on the record. Jordie’s songwriting and musicianship continue to evolve and stretch out with the years and these songs, and the way they’re recorded, ache with longing while driving forward with a swagger and a playful showmanship, melodically rich and hooky as fuck. I always become a bit weepy listening to Jordie sing. And, now, the combination of him and Clare ruins me every time. Beautiful.

David BowieColin Jones (Colin Jones & The Delta Review)
David BowieBlackstar
An exceptional reflection on final days and the unknown. Every note by Bowie, McCaslin and the band emphasize the chaos and fragility of life. There is no better swansong for an artist.

A Moon Shaped PoolEmma Anglesey
RadioheadA Moon Shaped Pool
A Moon Shaped Pool completely surrenders to simple truths that both lie in plain sight and in the messy tangled, kicking and screaming realities of life. The epic levels of angst in the opening track “Burn the Witch” are like an exorcism – Jonny Greenwood’s sharp string arrangement take you right to the edge – and then from there it’s like Alice falling through the rabbit hole of raw emotion and you go deeper and deeper.

DawesTim Hart (Boy & Bear)
DawesWe’re All Gonna Die
Some of the best lyric writing welded on to some pretty simple, but catchy, pop songs. Produced by Blake Mills (Alabama shakes, Laura Marling), this is a great record start to finish if you can forgive some slightly John Mayer sounding guitars that pop their head up from time to time. This I the record I keep coming back to this year

Oh PepRebecca Bastoli
Oh Pep!Stadium Cake
I don’t think I have ever been so entranced, excited or exhausted by the journey of listening to an album start to finish.

Bon IverDustin Tebbutt
Bon Iver22, A Million
Bon Iver has once again exceeded expectations on this release. It’s both familiar and foreign, delicately coloured, softly focused yet angular and stark. It’s brave, honest and all the things that I loved about Justin’s earlier works, without coming close to formulaic. It’s colloquial and conversational, yet inherently profound. Incredible stuff both musically and sonically.

Margo PriceJosie Rothwell (Peasant Moon)
Margo PriceMidwest Farmer’s Daughter
There’s something comforting about Margo Price’s debut album, almost like I’d listened to it before, but not in an overly familiar sort of way. Perhaps there’s something in her glorious voice that reminds me of my parent’s Dolly Parton records. She’s a great story teller, and I want to know more about her heartaches and headaches, particularly when accompanied by her crack band. I’m also proud to say my 4 year daughter keeps calling for “Hurtin’ (on the Bottle)” when we’re in the car – and I can’t think of anything else I’d want her to be listening to right now.

BJ BarthamHarvey Russell (Peasant Moon)
BJ BarhamRockingham
It pains me to say this but BJ Barham’s new-found sobriety has coincided with a serious coming of age as a songwriter. Taking a (very) short break from American Aquarium duties, BJ’s solo release (a genuine side-project) is seriously hard-hitting stuff. It rivals Aquarium’s 2012 release Burn. Flicker. Die. for intensity, but of a completely different nature. With sparse arrangements (often acoustic) Barham, as storyteller, gives you an uncensored and unashamed glimpse into how rural America has been left behind. Not for the faint hearted.

William CrightonSam Newton
William CrightonWilliam Crighton
I’d caught Crighton perform a bunch of times at local venues around Sydney and really dug his tune (and especially the music video) “Woman Like You” prior to this album’s release. So I was anticipating this release. Really excited for it. I was stoked when I heard that he and producer Matt Sherrod came through with the goods. Big time. Highlights for me are “Riverina Kid”, “Priest” and “2000 Clicks”. In my mind, this one is about as strong as debut albums get.

Chaim TannenbaumEliza Carthy
Chaim TannenbaumChaim Tannenbaum
The album that I have most enjoyed and most visited this year is the debut of the kind, quiet genius Chaim Tannenbaum (Storysound Records). I’ve had the privilege of working with Chaim over the years but it was only recently I realised that I have lived with his distinctive voice and gorgeous humility since I first began to love music. It’s his voice that forms the third harmony in “Complainte pour St Catherine” on the first McGarrigle sisters’ album, a song I played over and over as a child until you could almost see through the record, and he has been quiet companion and producer to theirs and their extended family’s work ever since. It’s somewhat typical of his humility that he has waited this long to make an album, produced by his dear longtime friend and collaborator Loudon Wainwright III. It’s a collection of avuncular stories told in his gorgeously expressive voice with beautiful, minimal production. Some trad, some conversational originals covering everything from the fate of the baseball stadium Ebbets Field to living in a depressing grey London in the endless rain in the 1960s. An album to listen to with your eyes closed by the fire. Again and again, and again.

PinegroveQuinton Trembath
PinegroveCardinal
The lyrics on this album read like the private diary of a well spoken (and well read) guy filled with both anxiety and excitement for life. The musicianship and dynamics complement this introspectiveness well, making it perfectly suited for intense solo listening as well as for being cranked on road trips with friends.

Sean McMahonAlison Ferrier
Sean McMahon and the MoonMenShiner
Sean McMahon’s laid back yet somehow intense vocal brings this fantastic collection of songs to life in my living room. Shiner’s ragged elegance is full of the sort of raunchy country rock I can’t get enough of. Stand out tracks for me: “Shiner” and “Here Comes the Night Again”.

WhitneyEddie Boyd
WhitneyLight Upon the Lake
This album just grew and grew on me since my first listen. Simple, catchy tunes that make me wanna dance or go driving for a long time. I think Whitney nailed everything about this album – the instrumentation, the production, obviously the songs. Also, they’re heaps good live.

Secret PathThe Once
Gord DownieSecret Path
The Tragically HipMan Machine Poem
This year was a hard year in Canadian Music. We have a fella here by the name of Gord Downie. He is a legend. He has helped raise Canadians to be more real with his music. He is the frontman for the band The Tragically Hip. There are not many people in Canada who don’t know who The Hip are. Their music has become part of our DNA. Gord, this year, made a statement saying he has terminal brain cancer so he obviously fighting for the men and women of the north. The folks that have needed a voice for far too long. He is being that voice. He is showing us how to be Canadian and that we can’t be without acknowledging the needs of all of our people, without respecting all of our people. This year, instead of succumbing to his illness, he put out two albums. One with The Hip and one solo. Here they are. They are magic and will go down in history in our great nation. It’s amazing to watch one man build his second legacy.

Cash SavageJessica Cassar (Jep and Dep)
Cash Savage & The Last DrinksOne Of Us
This has everything you want from a record. It’s dirty and beautiful, and dark as hell. Cash sings with a thunderous anguish that cracks, rumbles and echoes so perfectly any sorrow you might have ever had. And like any good storm, the album’s darkness reveals a little light, one that roars some sort of painful end, or much needed beginning. I love this record!

Tracy McNeilGretta Ziller
Tracy McNeil & The GoodlifeThieves
I’ll be the first to admit I’m late to the game when it comes to Tracy McNeil & The Goodlife. I caught their set at Out on the Weekend and was captivated! Their 2016 album Thieves is just so dang easy to listen to, I will confess it is turning into a “chilling on the deck summer favourite” of mine! Please, if you haven’t already, pick up or download a copy of this album and chill!!

Bill JacksonRosie McDonald (RAPT, Trippy Hippy Band, Seanchas)
Bill JacksonThe Wayside Ballads Vol. 2
Bills’ reputation had preceded him before I heard him at Fairlight folk with Ruth Hazelton and Pete Fiddler. I grabbed the opportunity to contribute to his The Wayside Ballads Vol. 2 crowd funding campaign to get Bill and Pete over to Nashville to record with some very fine session players. Bill kept me updated with postcards and messages so I felt like a sideline cheerer in this whole project. Then the CD arrived! Magnificent songs, co-written with Bills’ brother Ross. Bills’ time worn voice, rich and mellow, rootsy, Americana-ish but very very homegrown, local accent, stories big and small, tender and big hearted. Pete’s playing shines in amongst the session guys, a great listen. Music for travel, the cabin, the verandah, anywhere.

Kate Burke and Pete WildMelanie Horsnell
Kate Burke and Pete WildLive at St Peters
In my small town we have the most marvellous artists touring through, but I also love our sweet locals, and I adore this live record by Kate Burke and Pete Wild. Pete Wild’s “Mars 1” is a love song about a person who goes on the Mars mission leaving his forever love behind, the Martin-Martin song is an old village favourite and the last love song between Doris and Arthur makes me giggle and lament at the same time. And I adore playing Kate Burkes version of Frozen Man on repeat when everything in life gets a bit much.

MontaigneGretta Ray
MontaigneGlorious Heights
My favourite record that was released in 2016 is without a doubt, Montaigne’s Glorious Heights. What impresses me most about this record is the fact that it is rather evident that the artist went into this project with the intention of experimenting with her sound and taking risks, drawing inspiration from a range of her influences and assuring that each song conveyed a slightly different emotion from the previous track. I believe it was this approach of 20-year-old Jess Sero’s (Montainge) that resulted in the production of what I perceive to be a very imaginative and bold debut album. This record showcases the fact that Jess has, unquestionably, one of the strongest and most commanding voices in the Australian music industry, this being exemplified through the outstanding production and arrangements of the songs that make up Glorious Heights. As well as this, each song is demonstrative of Jess’ incredibly clever and unique songwriting, which I cannot wait to hear more of in years to come; the simplicity yet complexity and quirkiness of a lyric such as “when you touch my skin, I think ‘this isn’t boring'” makes one ponder on such a line, as Jess’ way of writing is different, daring and something that never fails to make me smile. Glorious Heights made me so very excited about how extravagant pop music is becoming in this day and age, and on the whole made me very proud to be a young woman in the Australian music scene.

WhitneyTreetop Flyers
WhitneyLight Upon the Lake
I first started hearing about this band online, so was waiting for the album with anticipation. When it dropped I must have played it back to back straight away, which rarely happens. They are hard to put in a genre, which is really great. No Woman is one of our faves of the year. They are great live and do a version’s of NRBQ’s Magnet, so happy campers over here.

Drive By TruckersShane Nicholson
Drive-By TruckersAmerican Band
In a year of many great records, this stands tall above the crowd. It’s everything I love about the Truckers: gutsy and raw, clever and thoughtful, sometimes irreverent and full of attitude, and sometimes tender and restrained. Imagine a bastard-child born to Son Volt, Matthew Ryan and Uncle Tupelo, but all dressed up in those well-worn and unmistakable Drive-By Truckers clothes. How could that not make for the coolest kid on the block this year?

Conor OberstJack Carty
Conor OberstRuminations
It’s bloody beautiful in its simplicity. Gorgeous songs performed honestly. It seems like every track is a complete performance and any imperfections only enhance the sincerity of it all for me. Such an incredibly good songwriter.

Hayes CarllThe Weeping Willows
Hayes CarllLovers and Leavers
Lovers and Leavers is Hayes Carll’s most personal, introspective and “exposed” album to date, both in terms of the intimate, confessional songwriting and the stripped back arrangements, reminiscent of Heartbreaker era Ryan Adams, never saying too much – or too little. This intimacy draws you in, while Carll’s vulnerability captures you and takes you on a journey through heartache and reflection. Hayes was always in good hands with dynamic duo Joe Henry (producer) and Ryan Freeland (engineer) at the wheel, steering gently towards a common, graceful goal. Henry’s arrangements are characteristically unique yet elegant and tasteful, while Freeland brings his trademark clarity and warmth. Check it out if you’re fans of the late, great Guy Clark and/or Townes Van Zandt or fellow Texans, Steve Earle and Kevin Welch. Stand out tracks: “Sake of The Song”, “The Magic Kid” and “Drive”.

Iggy PopKelly Day (Broads)
Iggy PopPost Pop Depression
Sometimes you’ll find a record that makes you feel high from the moment it begins. Iggy’s new album, channelled through the hooky sounds of Josh Homme and given a Bowie-esque lean, made me grin like a mad person. And then immediately take it for another spin.

Robert EllisMegan Cooper
Robert EllisRobert Ellis
I was waiting to go on air for an interview. While we were pfaffing around getting ready “The High Road” came on. I pretended I knew who Robert Ellis was when I was advised who the artist was that had pretty much hypnotised me in 30 seconds flat. I went out and paid cash money for the album the next day. Every song got me on first listen. Cinematic moments. Super personal bits. Non-standard approaches. Aspirational.

PassengerSam Brittain
PassengerYoung As The Morning, Old As The Sea
Mike has always had a wonderful way of crafting simple and memorable melodies. Combine this with his always captivating lyrics and you have a master songwriter who’s tunes that sneak their way into your day. Songs that sooner or later without realising you find yourself humming whilst waiting in line for your morning coffee. Although often his storytelling veers on on the darker side of heartbreak and loss this latest album has a lighter touch, proving Passenger is and a yard stick for the aspiring modern folk troubadour. A dynamic artist who’s albums have been true to his own brand since day one. Additionally his band on this record are also fantastic live. I recently caught his show to a sold out Vicar Street in Dublin, it was one I won’t soon forget.

Bon IverAde Vincent (The Tiger and Me)
Bon Iver22, A Million
Another great record from Bon Iver – I have loved all three so far. I like how it also pushes into some new and interesting territory with the production. The auto-tuned a cappella of “715 – CR∑∑KS” is a particular highlight

Margaret GlaspyMaia Marsh
Margaret GlaspyEmotions and Math
It makes me feel really empowered whenever I listen to it, as a woman myself playing music. The songs are strong, guitar tone is great and her voice has this amazing growl that cuts through a sincere sensitivy at the same time.

BlondDirewolf
Frank OceanBlond
My hat is profusely off to an artist who can seamlessly bridge so many facets of musical integrity. What I mean by that nonsensical shit is that the entire record is some kind of highly strung soundboard (literally) which either sends you flying high just to get high, or high because you’re just too fucking upset. “Skyline To” and “Seigfried” are perfect examples. The whole collective arrangement kills me too, it’s like listening to recent Bon Iver whilst playing Sega in a radio store – the musicality is superb. I could say a lot more, but I’ll safely surrender by saying it definitely influenced the direction of my mind in doing another record.

Bon IverWildwood Kin
Bon Iver22, A Million
Easily. We’ve never heard anything quite like it. It’s just genius.

Tattletale SaintsGeorge Jackson (The Company, Buffalo Nickel, One Up, Two Down)
Tattletale SaintsTattletale Saints
Nashville based, New Zealand duo Tattletale Saints released their self-titled, second album this year, and it’s beautiful. Cy Winstanley (Guitars, Vocals) can pen songs with the best of them, his offerings on this album range from self-reflective and insightful, to sometimes cynical and cutting but always with a masterful craftsmanship. Vanessa McGown (Double Bass, Vocals) provides both solid and virtuosic Double Bass playing and vintage tinged country vocals. The new album is definitely a departure from their earlier acoustic recordings – but for a new fan, like me coming along, this is a bold and engaging listen complete with a production dripping in vintage tones and depth. Listen, and enjoy!

Genni KaneBill Jackson
Genni KaneSelfies
Ex-member of seminal Australian band, The Flying Emus, Genni Kane has a voice that can’t be denied. This long awaited record shows she is also a very gifted songwriter and the opening track “Little White Dog” is the beginning of a beautiful journey that deserves your attention.

Nancy KerrRuth Hazleton (http://www.billjacksonmusic.com/, Kate Burke & Ruth Hazleton)
Nancy KerrInstar
A heady mix of poetry, politics and social commentary, Nancy Kerr’s Instar is an achingly beautiful collection of original songs framed within the landscape of traditional folk music. Beautifully performed and produced, Instar is, without doubt, one of the masterpieces of folk from 2016 and a work that will inform the tradition for a long time to come.

Fanny LumsdenThe Pigs
Fanny LumsdenSmall Town Big Shot
This album is full of great songs written from Fanny’s heart. She’s the real McCoy. Whenever we see her play live her songs get stuck in our head for weeks after. “Bravest Of Hearts”, “Soapbox” and “Don’t Let The Bastards Get You Down” are just a few of the crackers on this rekid. This is a breath of fresh air for Australian Country Music. We love Fanny! More… More…

Side PonyHannah Acfield (The Acfields)
Lake Street DiveSide Pony
Give me a bit of 60’s sounding soul any day of the week! The songs are catchy, nice melodies and make you wanna move. I’m a sucker for a sterling vocalist. This was fav album for me.

Julia JacklinWillowy
Julia JacklinDon’t Let The Kids Win
An album about the little things in life that somehow manages to sum up the bigger things as well, cutting right through the mess to the heart of it all. Beautifully written and perfectly executed. It’s lovely to see an artist from the Sydney folk music family reaching great heights with an exceptional debut album.

John FlanaganSal Kimber (Sal Kimber & The Rollin’ Wheel)
John FlanaganThere’s Another Way To Where You’re Going

Bill ChambersRicky Pann (The Willing Ponies)
Bill ChambersCold Trail
Jen MizeWarnings and Wisdom
Sam BushStoryman
Bill Chambers is an Australian Journeyman troubadour. Songwriter, producer, sideman and front man, Bills live shows have influenced many and earned him a legion of devoted fans. Cold trail is Bills first studio album in four years and reminds the rock pop acts infiltrating modern country of where the heart of country lies. Cold Trail is a collection of honky-tonk “life lived” country that is the real deal. Produced by Bill and Recorded at his son Nash Chambers foggy mountain studios, Cold Trail is a world class record that draws on many influences to deliver country authenticity with Aussie perspective. A cracker record.
It’s a long way from Jen Mize roots in the Appliacian mountains of Georgia and North Carolina as a decedent of Lumbee Tribe of native Americans to the Sunshine coast of Queensland. Jen Mize is the real deal in every respect. An American songwriter with an incredible voice delivering an album packed with dynamic, well-crafted songs that’s all killer no filler. Shane Nicholson’s earthy production, arrangments and playing provide a tastefully rich sonic pallet that does this fine singer justice. The album glides from old-timey to traditional country and honky tonk, setting a very high bar of authenticity. An absolute stand out record.
Sixty-four-year-old Sam Bush has many stories to tell as a musician, innovator, writer and singer. One of my favourite musicians on the planet, Sam is a bluegrass master and the father of newgrass music spawned from his groundbreaking band the New Grass Revival. Sam is arguably one of the most influential mandolin players in history having played with just about everyone from Bill Monroe to Leon Russell. This record is a collection of finely crafted songs with a crack band featuring vocals from Emmylou Harris and Alison Kraus. A masterful record.

First Major Artists Announcement for the 2017 National Folk Festival

Sally Balfour
Image Courtesy of Sally Balfour

The National Folk Festival, held in Canberra over the Easter long weekend, has announced their first official round of artists for 2017 and it’s very very exciting.

As always there’s also a bunch of international acts making their way to Canberra next year including The Bridge Project (TUR/ISR), Daoiri Farrell Trio (IRL), The Galax Bogtrotters (USA), Himmerland (DNK), Les Poules à Colin (CAN), Martha Tilston (UK), Phil Wiggins & Dom Turner (USA) and The Rheingans Sisters (UK).

Joining them will be local artists and Timber and Steel favourites including Ami Williamson, Barry Skipsey, Charm of Finches, The Dead Maggies, Fanny Lumsden, Loren Kate, The Low Down Riders, Sally Balfour (above), The Spooky Men’s Chorale, Stray Hens and many more.

The National Folk Festival is held from the 13th to the 17th April in 2017 – for more information and tickets check out the official site here. The feature states for next year’s National Folk Festival are South Australia and the Northern Territory.

The full lineup so far is below:

Ami Williamson, Andrew Galan with Okinawa Girls, Barry Skipsey, The Bridge Project (TUR/ISR), Charm of Finches, Claymore, Conchillia, Daoiri Farrell Trio (IRL), The Dead Maggies, Desert Child, The Drowsy Maggies, Fanny Lumsden, Forté, The Galax Bogtrotters (USA), Greg Champion, Himmerland (DNK), Les Poules à Colin (CAN), Loren Kate, Low Down Riders, Martha Tilston (UK), Phil Wiggins & Dom Turner (USA), Rheingans Sisters (UK), Rory Faithfield, Sally Balfour, The Spooky Men’s Chorale, Stray Hens, Tracey Bunn and her Band of Handsome Devils, Trioc

Fleurieu Folk Festival Announces 2015 Lineup

Beccy Cole
Image Courtesy of Beccy Cole

The Fleurieu Folk Festival is one of Australia’s hidden folk gems and they’ve just announced a lineup that’s bound to get you excited. Held in Willunga, South Australia from the 23rd to 25th October, the Fleurieu Folk Festival has built a reputation as one of the states premiere events.

This year’s lineup will be headlined by country music star Beccy Cole (above) and will also feature the likes of Senor Cabrales, Appalachian Heaven String Band, The Timbers, The BordererS, Danny Spooner, Charm of Finches, Josh Rennie-Hynes, Kaurna Cronin, Tom West, Scott Balfour and a host of other local and interstate acts.

“The Fleurieu Folk Festival brings together a whole range of great acts across genres, from traditional folk to Celtic, country and blues,” festival organizer Peter Thornton explained. “We’re excited to have Beccy Cole at the festival this year. Beccy is an outstanding performer and songwriter. Given the strong list of performers we’ve included in this year’s program, festival goers will be spoilt for choice across the entire weekend”

For more information on the festival and lineup, including how to get your hands on tickets, make sure you check out the official Fleurieu Folk Festival site here.

Thank Folk It’s Friday – 9th January

TFIF

This Week in Folk

All the News From The Week That Was

Lachlan Bryan and Aleyce Simmonds have announced a collaborative east coast tour. Details here

– US singer-songwriter Sean Rowe covered “1952 Vincent Black Lightning”. Details here

– Melbourne alt-country band The Wild Comforts released their new album Silver City Sorrow this week and are heading out on tour. Details here

– Sydney’s Darren Cross released his new video “And The New York Rain Came Down”. Details here

The Pigs announced details of their new album The Pigs’ Home Brew: 13 Aussie Classics as well as releasing the video for the track “Devil Inside”. Details here

– Brisbane alt-folk quartet Elbury released their brand new video “Caught Out Alone”. Details here

Nova and The Experience released their new video “We Made” from their brand new EP Where We Go. Details here

– Perth singer Husband released his new video “The Money”. Details here

– US Americana singer-songwriter Ryan Bingham has announced a new album, Fear and Saturday Night. Details here

– Next week will see The Wild Wild Inner West Review hitting sydney featuring Michael Carpenter & The Cuban Heels, Amber Rae Slade, Fanny Lumsden and Chris Murphy. Details here

– Watch “Home”, the new single from young sister duo Charm of Finches. Details here

– Melbourne singer-songwriter Alanna Eileen is set to launch her new EP Absence next weekend. Details here

– Folk-blues artist Seasick Steve has announced details of his new album due this March. Details here

– Perth based singer-songwriter Joel Barker kicks off his national tour in Sydney tonight. Details here

Jim Lawrie (now without the Grizzly prefix) gave us a taste of his upcoming album EONS. Details here

Interviews

“We always make a new setlist for each concert, and for festivals we usually add quite a few up-tempo tunes to fire up under the dancers”Afenginn chats to Gareth Hugh Evans. Interview here

“Festival shows are always a bit special- the audiences are always a bit excited because there’s been a lot of word of mouth about us, and they’ve read about us in the program. There’s always the opportunity to bring guests up on stage too, which we haven’t had much chance to do in 2014. But ultimately I think we are always a bit excited to be at a festival and that boosts the energy of the set. We’re all festival babies and ge a buzz from the babel of culture at a big gathering- the music, food, seeing people we haven’t seen in ages- meeting new ones”Stray Hens chat to Gareth Hugh Evans. Interview here

“At Illawarra this year I will be concentrating on my audio-visual presentation The Anzacs: 100 Years On. It runs for 75-80 minutes and Nerys (Evans) and I do it together. I present, she presses the buttons. There is a great deal of audience participation and even reluctant singers find themselves joining in. Was that me singing??? I think I do Anzacs twice at Illawarra and have a couple of other “concert spots” as well. Looking forward to it as usual”Ted Egan chats to Gareth Hugh Evans. Interview here

“We are really looking forward to 2015. More touring is on the cards; new songs and a new album are on the way. Plenty of gigs and good times to be had for sure”Big Erle chats to Gareth Hugh Evans. Interview here

Blog

“I had probably my most memorable NYE a few years ago in the then Duck and Shovel, at a Beatles Singalong of all things, but this year, it was a case of same venue, completely different music on offer” – bring in the New Year again with the Woodford Folk Festival, Black Market Tune and Bill Quinn here

“I was like an excited 10yo boy. Heightening the experience just behind me was an almost two year old who was in paroxysm and frissons of delight and was joining in, improve-style, during the choral bits. Wonderful. An absolutely stunning achievement” – Bill Quinn enlightens us on the Woodford Folk Festival Fire Event. Check it out here

Releases This Week

Nova
Where We GoNova and the Experience
iTunes

The Wild Comforts
Silver City SorrowThe Wild Comforts
Bandcamp

Timber and Steel Recommends – Go To This Gig

Cygnet Folk Festival

Cygnet

Tassie’s little festival has become a must stop for many touring folk musicians and this year’s lineup is spectacular including Afenginn, Black Market Tune, Charm of Finches, Dan and Amy, Daniel Champagne, Dear Orphans, Fred Smith, John Smith, Lucy Wise, The BordererS, The Company, The East Pointers, The Mae Trio, The Spooky Men’s Chorale, The String Contingent and many many more.

Friday 9th to Sunday 11th January – Cygnet, TAS

Gigs Next Week

Archie Roach
Saturday 10th January – The Aurora, Sydney, NSW
Sunday 11th January – The Aurora, Sydney, NSW

Black Market Tune w/ Folklore
Friday 9th to Sunday 11th – Cygnet Folk Festival, TAS
Tuesday 13th January – Gaelic Club, Sydney, NSW
Wednesday 14th January – Smith’s Alternative, Canberra, ACT
Friday 16th to Sunday 18th January – Illawarra Folk Festival, Bulli, NSW

Charm of Finches
Friday 9th to Sunday 11th January – Cygnet Folk Festival, TAS

Cygnet Folk Festival
Friday 9th to Sunday 11th January – Cygnet, TAS

Debashish Bhattacharya
Thursday 15th January – City Recital Hall Angel Place, Sydney, NSW

Illawarra Folk Festival
Thursday 15th to Sunday 18th January – Bulli, NSW

Jessica Pratt
Saturday 10th January – The Famous Spiegeltent, Sydney, NSW

Joel Barker
Friday 9th January – Oxford Arts Factory, Sydney, NSW
Thursday 15th January – Bar 303, Melbourne, VIC
Friday 16th January – Smiths Alternative, Canberra, ACT

John Smith
Friday 9th to Sunday 11th January – Cygnet Folk Festival, Cygnet, TAS

Kim Churchill
Thursday 15th January – The Corner, Melbourne, VIC
Friday 16th January – The Abbey, Canberra, ACT

Lachlan Bryan w/ Jack Henderson, Sam York, Aleyce Simmonds
Wednesday 14th January – Lizottes, Newcastle, NSW
Thursday 15th January – Lizottes, Kincumber, NSW

Olivia Chaney
Sunday 11th January – The Famous Spiegeltent, Sydney, NSW

Paper Lions
Friday 9th January – Northcote Social Club, Melbourne, VIC
Saturday 10th January – Transit, Canberra, ACT

Passenger
Friday 16th January – Theatre Royal, Hobart, TAS

Slow Club
Thursday 15th January – Northcote Social Club, Melbourne, VIC
Friday 16th January – Black Bear Lodge, Brisbane, QLD

Tamar Valley Folk Festival
Friday 16th to Sunday 18th January – George Town, TAS

Tamworth Country Music Festival
Friday 16th to Sunday 25th January – Tamworth, NSW

The East Pointers w/ The Button Collective
Wednesday 14th January – Gaelic Club, Sydney, NSW

The Melbourne Folk Club feat. David Francey, James Kenyon, Lucy Wise
Wednesday 14th January – Bella Union, Melbourne, VIC

The Wild Comforts
Friday 9th January – Babushka Bar, Ballarat, VIC
Saturday 10th January – The Bridge Hotel, Castlemaine, VIC
Thursday 15th January – Brighton Up Bar, Sydney, NSW

The Wild Wild Inner West feat. Michael Carpenter & The Cuban Heels, Amber Rae Slade, Fanny Lumsden, Chris Murphy
Thursday 15th January – The Vanguard, Sydney, NSW

Thredbo Blues Festival
Friday 16th to Sunday 18th January – Thredbo, NSW

Tim Edey
Friday 9th and Saturday 10th January – Cygnet Folk Festival, TAS
Thursday 15th to Sunday 18th January – Illawarra Folk Festival, Bulli, NSW

Tiny Ruins
Friday 16th January – The Aurora, Sydney, NSW

Upstairs & Underground feat. Betty & Oswald, Jacob Pearson, Caitlin Harnett, Goodtimes She Wrote
Saturday 10th January – Gaelic Club, Sydney, NSW

Friday Folk Flashback

“Shape of My Heart” – Noah And The Whale

Noah and the Whale were always going to move away from their acoustic roots so much so that we haven’t covered their latest album Heart of Nowhere anywhere on Timber and Steel. But we still love the music these guys make and we’re sure you do too!

Watch the Charm of Finches Video “Home”

Charm of Finches
Image Courtesy of Charm of Finches

Charm of Finches are a young sister duo from Melbourne who make really sweet folk music together. The duo is made up of Mabel and Ivy who at the ages of 12 and 14 are creating some very mature music.

Check out their latest music video “Home”:

Charm of Finches will be appearing at the Cygnet Folk Festival and New Stead Live over the coming weeks. Check out the full list of dates below:

Friday 9th to Sunday 11th January – Cygnet Folk Festival, TAS
Friday 23rd to Monday 26th January – Newstead Live Music Festival, VIC
Wednesday 28th January – Some Velvet Morning, Melbourne, VIC