Breaking Trad Announce Australian Tour Dates

Breaking Trad
Image Courtesy of Breaking Trad

Irish trad three piece Breaking Trad – made up of Dónal Murphy (accordion), Niall Murphy (fiddle) and Mike Galvin (Guitar/Vocals) – will be teaming with renowned singer and bodhran player Gino Lupari for an Australian tour this January.

Breaking Trad will be touring off the back of an appearance at the Woodford Folk Festival with a bunch of dates up and down the East Coast, finishing up at next year’s Illawarra Folk Festival.

Check out the full list of dates below:

Friday 29th December to Monday 1st January – Woodford Folk Festival, Woodford, QLD
Tuesday 2nd January – The Rails, Byron Bay, NSW
Thursday 4th January – Mullumbimby Ex Services Club, Mullumbimby, NSW
Friday 5th January – Mick O’Malleys Irish Pub, Brisbane, QLD
Saturday 6th January – Leadbelly,  Sydney, NSW
Sunday 7th January – The Black Malabar, Newcastle, NSW
Thursday 11th January – Yuin Folk Club, Cobargo, NSW
Friday 12th January – Heyfield, VIC
Saturday 13th January – The Spotted Mallard, Melbourne, VIC
Sunday 14th January – Hotel Nicholas, Beechworth, VIC
Monday 15th January – Tathra Hotel, Tathra,  NSW
Friday 19th to Sunday 21st January – Illawarra Folk Festival, Bulli,  NSW

Review: 5 things we learned at Bluesfest

Kale plays at Bluesfest 2016Kaleo playing Bluesfest
Photos by Stuart Bucknell

Year after year, Bluesfest manages to bring the big names and the impressive acts to Byron Bay for the annual Easter pilgrimage. Heading to Bluesfest this year, we really didn’t know many of the acts listed on the bill and wondered just what was in store for us, Timber and Steel wise. So here’s 5 things we learned at this year’s wildly successful, ultimate music sampler opportunity that is, Bluesfest.

#1 – Peter Noble knows how to program…

One thing is for sure, Peter Noble knows how to curate an inclusive, diverse and engaging festival. The big names drew enormous crowds to all their sets. City and Colour had the crowd from the first note and Dallas Green was on form all night.  The Decemberists gave their usual charming set delving in to a fabulous back catalogue of favourites. Not to go without a bit of political comment, they also played a song they thought to offer Donald Trump as his new campaign tune, ‘The Calamity Song’. The Cat Empire delivered a solid hour and a half set jam packed with both new tracks and past hits and favourites to wow the crowd. The biggest coup was probably The Original Blues Brothers Band closing out the weekend with a stellar set of their signature blues.

The festival was dappled with big names throughout the program. Archie Roach was in fine form, weaving his musical spell over the crowd and telling the tales of the land with strength and beauty, and a focus on songs from Charcoal Lane, the title track being a particular stand out moment of the set. Jason Isbell had his one an only set up against The Original Blues Brothers Band, so splitting our time between the two was challenging but rewarding as Isbell’s enigmatic style caught watchers in it’s thrall delivering a contemporary counterpoint to the old school blues on the other stage.

Kim Churchill plays BluesfestBut one of the most notable names for me, still playing midday sets, was Kim Churchill. Getting his big break on the Bluesfest Buskers stage all those years ago, Churchill has been a staple name on the line up ever since. His absence in 2015 was noted and the crowds that gathered for this sets this year spoke strongly of his popularity for the Bluesfest crowd. Watching him command the stage, with the occasional accompaniment of a fiddle player or percussionists, was a joy to witness and testament to the following he has. It felt like he had come home, and in the process had evolved from a keen boy with a guitar to a passionate man with a solid musical career stretching before him.

#2 – It’s never just about the Blues. Folk, Country, and Americana all strongly represented in 2016

Strolling from stage to stage, the peeling licks and plucky chords of the more folky persuasion were both notable and popular with punters, letting us stumble across all kinds of gems.  LA based Lord Huron made quite the entrance with a tension building soundscape and crescendo, an upbeat strummy and infectious style, inventive percussion beneath the acoustic lead and an ability to morph between styles, from the old school feel reminiscent of the 50s and 60s summer soundtracks, through alt country and indie folk rock vibes. A particular highlight from the four-piece was ‘Hurricane’, billed as a song about “getting in trouble”, turns out it was aptly named.

Described as an Icelandic Indie pop/rock/folk band, Kaleo was a light and lyrical delight. Building from their delicate opening style to gutsy, rhythm driven choruses, through alt-country sensibilities to deep southern style blues, and a soulful cover of Bang Bang, Kaleo didn’t hesitate to transcend styles and genres to sign off with a blues rock riff and howling vocals when warranted.

The Bros Landreth, hailing from Canada, brought their alt-country and folk laden cover of Wings’ ‘Let ‘Em In’ to break the ice and then let the Americana tinged goodness flow forth. A family affair, big brother David couldn’t attend so father Wally came in his place and whipped the crowd in to a cheering craze.

The Mastersons were touring with Steve Earle & The Dukes, and made appearances both on Earle’s sets and one of their own solo shows for Bluesfest. Their lyrical country styling, featuring voices working together in diverse melodic harmony gave their day opening set a contemplative mood, transporting the crowd to simpler days. Earle’s set was one great big treat of blues soaked tunes with toe-tapping jivey bluegrass edge, all with the sweet country counterpoint of The Mastersons.

Hound mouth playing Bluesfest 2016

It seemed to be a fatherly affair this Bluesfest, with Hussy Hicks welcoming Julz’s dad Greg to their set to deliver some blistering harmonica to their upbeat tempo and at times Joplin-esque wails and passion. Indiana’s Houndmouth however had no dad’s on their line up but did have plenty of twangy blues and American drawl to open their show and unravel your soul where you stood.

#3 – Word of Mouth is King

You know when you look at a line up and you’re not really sure what acts to check out? Well Bluesfest was that way inclined for many but within the first 8 hours, gossip was abuzz with recommendations and wild tales of phenomenal shows and must see acts to catch. So here’s what we checked out based purely on word of mouth.

Steve Smyth plays at Bluesfest 2016

OK, so Steve Smyth isn’t exactly news to us, but the stir on site had his name on the tips of peoples tongues and boy did he live up to the hype. Sheer genius stood on that stage in the form of master lyricist and vibrant stage presence. Smyth’s beautiful voice and stunning vibrato was just powerful solo as with the support backing instrumentalists. His performance of ‘Southland’ blew socks off across the festival.

Shooglenifty, also known as ‘that band I can’t pronounce’, was not what you expect when you read “Celtic” on the program, but a glorious blend of traditional highland derived tunes that were heavy on the fiddle and a mandolin at the ready, intricately twined with modern rhythms, a few electric guitars and a toe tapping beat, drew punters in before they could saunter too far past the heaving tent.

Blind Boy Paxton plays at Bluesfest 2016

The was no way to walk through the site without hearing the name, Blind Boy Paxton. Listening to his set was like a walk through time, from a fiddle calling a country dance and bransles, to a lightning speed banjo frenzy, a soothing guitar tune and even a lone harmonica telling you it’s tale. All this from one man on stage – simply astonishing.

#4 – The Ladies are out in force! And you should catch all of them live

There was a lot of talk about various acts, and word of mouth certainly got us to see some great performers, but thanks to emphatic and multiple recommendations from all kinds of punters, we discovered some of the most phenomenal women who stamped their mark and left as some of the powerhouses of Bluesfest.

We caught Sahara Beck for her last set and were immediately struck by her stage presence, the smooth set up with band and back up singers added the pizazz to her swag and gave her sultry vibe a ‘pop’ on stage.

Elle King had tongues wagging as word spread that after her first, expletive laden set, her set list had to be ‘revised’. However her husky, growling vocal licks were well and truly flowing when we caught her set in a heaving tent overflowing in to the customary Bluesfest rain. Sass and attitude would be the plainest way of describing King, her vibrancy comes from her musical versatility and ability to weave country vibes and bluegrassy panache throughout her ballsy bluesy set. A chameleon of style, King bowled over crowds with big notes, fiery wit and feisty repartee.

Elle King plays at Bluesfest 2016

Hailing from Ireland, via Canada, Irish Mythen is a modern troubadour equipped with a powerhouse voice and emphatic lyrics. Mythen might have been the grittiest, most real musician seen at Bluesfest this year, armed only with her guitar and her stories, she held hundreds of people spellbound, hanging on her every word any time she took to the stage. We caught her multiple times, and laughed, cried, cheered and sung along to songs we had only heard the first time days before. She regularly had the crowd in stitches with her sense of humour and story telling capers, and woe betide any punter brave enough to heckle her! Four stand out moments stayed with me, even though I saw them all more than once. Her performance of ‘Tullamore Blues’ almost defies description, except that the crowd was with her, in that space, singing every word and feeling every sentiment. Jesus is an experience to behold, hilarious in it’s explanation and empowering in it’s performance, I sincerely hope every person gets to experience it live. Her a Capella rendition of ‘The Auld Triangle’ gives me chills and is simply astounding.  And finally ’55 Years’ had me (and most in the crowd) in tears for the beauty it captures in it’s tale. A truly moving experience. Irish Mythen is awe inspiring and we’re excited she’ll be visiting Australia again soon.

Rhiannon Giddens plays at Bluesfest 2016

And finally, probably the all-singing, all-dancing highlight of the ladies was Rhiannon Giddens. Establishing herself originally as a part of Carolina Chocolate Drops, Giddens’ solo work is a sight to behold and a treat to hear. Her stunning vocals are soulful yet soar high in beautiful arcs and trills of an almost Celtic style. The skill of her band melds electric with acoustic in wonderful instrumental breaks, bouncing off one another jamming to a crescendo and returning the spotlight to her lead when the time was right. Her banjo crept through tunes to pounce on you unawares, yet could alternate and become the hero of the song. Old Bob Dylan lyrics never previously turned in to songs until Giddens got her hands on them offered a treasure trove to discover. Doing a Dolly Parton cover can be tough, but Giddens’ rendition of ‘Don’t Let It Trouble Your Mind’ saw her own the song completely, from every element of style through to her emotive connection with both lyrics and sentiment. From start to finish and for each and every set, she wowed the crowd with fiddle, banjo, modern takes on traditional style, soul stirring lyrics and even a step back in time to the 1920s. Her fancy footwork went down a treat and her ability to connect with the audience and tether them to her tale as the most exquisite experience to behold. She could chat to the crowd but make you feel like she spoke to you and you alone, and yet at all times Rhiannon Giddens continued to exist as her own ineffable self.

#5 – Soul is in, along with BIG bands

Now strictly speaking, Timber and Steel doesn’t really cover Soul, but the prevalence of the big band style soul injections at Bluesfest is worthy of admiration and appreciation, so it gets a gong here.

Emma Donovan & The Putbacks were a sight to behold as Donovan put her own stamp on soul, with earthy tones and a voice that rolled over the crowd, calling to them, beckoning them to hear her story. The combination of her stories and passionate, soulful delivery made for a tight set and profound performance.

I wrote down 4 words when seeing The Word, and two of them were expletives… “holy f***ing sh*t wow.” The couple of songs we caught were incredible, full of funky groves and some sweet slide guitar, all topped off with an electric organ. Very smooth and cool indeed.

Ash Grunwald plays at Bluesfest 2016Ash Grunwald hasn’t moved in to soul, but his Bluesfet setup did resemble the big backing bands of the soul acts and boy did it compliment his wailing blues. Never conforming to just one genre, Grunwald drew on bluegrass vibes, some indie rock to his blues and of course his signature commentary on Australian life. Playing River from his new album, Grunwald spoke about the anti-CSG message prevalent throughout his most recent recordings and confirmed he was among friends int he Bluesfest crowd. His set was punctuated with old favourites as highlights, crowds rollicking in his passionate performance and joining in to sing along on choruses, and the utter delight when Kasey Chambers joined him on stage for a brand new song was palpable.

Another of the tongue wagging recommendations was for Vintage Trouble, and my first impression was that lead singer Ty Taylor was sex on legs, with enough swagger stuffed in to a cravat and suit to fell an army. And when the full band kicked in, it blew the show off the Richter scale. A set full of southern blues, call and response, screaming and wailing blues breaks and enough on stage antics to warrant a lie down after watching. This was my kind of place, 1950s style jazzy blues, complete with energy and onstage charisma!

Vintage Trouble plays Bluesfest 2016

Now, if you haven’t yet heard of the phenomenal popularity and praise for Bluesfest debutants St. Paul and The Broken Bones, then you haven’t been doing the internet properly. Of all the word of mouth recommendations, St Paul and The Broken Bones was THE most talked about act at Bluesfest, and not without good reason. A big band blues-laden soul outfit, oozing funk, with a big personality for a front man in Paul Janeway. Opening with an almighty wail and sliding in to a crooning style track, the crowd knew exactly where they stood and were rooted to the spot to witness the explosive show by one of the most engaging acts we’ve seen in years. Janeway, on behalf of the entire band, exclaimed that Bluesfest was the best experience they had ever had and they would definitely be coming back to Australia, to which the crowd erupted with delight. A set filled with rumbling soul, emotive ballads and big, ballsy blues, St Paul and The Broken Bones is sure to be a high rotation favourite on many punters playlists for some time to come.

St Paul and The Broken Bones plays Bluesfest 2016

Without a doubt, Bluesfest’s skillfully curated 2016 lineup was a smash hit success, sure to be spoken of for years to come. Can’t wait to see what Peter Noble comes up with for 2017!

World Tour of Celtic Music at Cobargo Folk Festival

The East Pointers
Image Courtesy of The East Pointers

By Peter Logue

Most people, young and old, could name singers and bands they associate with what’s broadly known as Celtic music.
For the younger folk, it might be the Pogues (even though they’ve been around for decades) or hard pumping bands like Dropkick Murphys who made their name in Boston.

For older folk, it might be The Corrs, the Dubliners, The Clancy Brothers, The Chieftains or even balladeer Daniel O’Donnell, who is still enormously popular on the Australian seniors’ concert and club circuit.

But dig a bit deeper and you’ll find there are many genres under the Celtic music banner in such places as Asturias and Galicia in Spain, parts of Portugal, Brittany in France, and Newfoundland, Prince Edward Island and Cape Breton in Canada.

The music of Ireland, Scotland, Wales, the Isle of Man, Cornwall, Brittany and Asturias provide the base from which much of the Celtic music styles emerged, though each of those has been shaped by other forms of local traditional music.

American bluegrass, old-timey and country music and Australian bush music owe their roots to the various Celtic musical styles brought from Ireland and Britain.

In modern times a whole range of Celtic fusion music – bands like the Afro-Celtic Sound System, Shooglenifty and Gaelic Storm (from the movie Titanic) have emerged.

Then there are the many Celtic dance forms and their offshoots, from Riverdance and Lord of the Dance, to the ever popular Scottish county dancing and, of course, our own bush dancing.

This year’s Cobargo Festival presents a great opportunity to take a world tour of the different styles of Celtic music and dance mentioned above.

From Canada’s Prince Edward Island come the dynamic East Pointers whose toe-tapping tunes make you want to do your own Riverdance impersonations in the aisle.

Ireland provides The Rambling Boys, four top class traditional musicians who have paid their dues over the years and who bring humour and pathos to their traditional tunes and songs.

Candelo multi-instrumentalist Kate Burke is a founder member of Trouble in the Kitchen, an Aussie quartet who are more traditional in style than many Irish bands.

Also from Australia, Senor Cabrales play the tunes of Asturias, Galicia, Brittany, Ireland and Scotland on a range of instruments, including the Asturian pipes.

American Beth Patterson brings Celtic rhythms to her songs and tunes, played on the eight string bouzouki – taken from the Greeks and refined into a popular Irish instrument.

Finally Australian Nicola Hayes and Helene Brunet from France demonstrate the Celtic influence in Brittany as well as belting out some traditional Irish tunes.

Hang around the festival session bar and you’re sure to hear fabulous tunes and songs from all over the Celtic musical diaspora.

The Cobargo Folk Festival will be held this weekend from the 26th to 28th February in Cobargo, NSW. For more information and tickets check out the official site here.

Dougal Adams, Ado Barker & Ben Stephenson Set to Release The Freewheeler

The Freewheeler
Image Courtesy of Dougal Adams, Ado Barker & Ben Stephenson

This Saturday three of Australian Irish music’s best, Dougal Adams, Ado Barker & Ben Stephenson, will officially release their brand new album The Freewheeler.

Barker and Stephenson are well known to folk and trad fans as half of Trouble in the Kitchen, with master Irish flute player Dougal Adams joining them to round out the trio.

“Anyone who’s been caught by this music will know the feeling, when it’s really flowing, of the tunes somehow playing themselves,” the trio explained. “Perhaps it’s the combination of time and shared experience that does it, but often when we sit down to play it feels like the music just sets itself loose. Recorded live over a chilly Melbourne weekend, this album is an effort to capture a few of those fleeting moments, to catch the elusive sound of the music rolling free.”

The album features some amazing tunes collected by Dougal Adams, Ado Barker & Ben Stephenson over many years of playing in Australia, Ireland and abroad. You can listen to the album below and then pick it up via Bandcamp here.

Dougal Adams, Ado Barker & Ben Stephenson will be launching The Freewheeler at the Golden Glory Studio in Melbourne on Saturday 17th October – for more information check out the official site here.

Details of the St Patrick’s Day Celebrations at the Gaelic Club Sydney

Sasta
Image Courtesy of Sásta

It’s March which means it’s time to dust off your emerald green suit, polish your Guinness glass and pretend your Irish for the annual St Patrick’s Day celebrations.

St Patrick’s Day itself is on Tuesday 17th March, but the Gaelic Club in Sydney have a full week of events in the lead up to the day itself with more traditional and contemporary folk and celtic music than you can poke a bodhran at.

The celebrations kick off this Friday with Australia’s premiere Irish trad band Sásta taking to the Gaelic Club stage. Hailing from Brisbane, Sásta are folk festival favourites and definitely a must see act live.

Then on Saturday 14th March local folk-punk nine-piece The Bottlers will put the party into high gear bringing traditional music well and truly into the modern world.

Sunday 15th March it’s time for Victoria folk band ZeoN to take over The Gaelic club with their unique brand of Irish-Australian music.

Come Monday 16th March the mood turns decidedly Caledonian when Scottish instrumentalists Ross Ainslie and Jarlath Henderson bringing a fusion of pipes and flutes to traditional and original tunes.

Finally on St Patrick’s day itself the Gaelic Club opens it’s doors for the finest celebration (and best Guinness) in Sydney.

For more information on all these events and more check out the official Gaelic Club web site here.

Happy St Patrick’s Day – The Craic live at The Quiet Man

The Craic
Image Courtesy of the National Museum of Australia

A couple of years ago the National Museum of Australia put together a series of videos on Youtube, hosted by Jimeoin, on Irish Music in Australia. Titled “The Craic live at The Quiet Man” the series covers tunes, songs and dance and really celebrates the Irish tradition in this country.

As it’s St Patrick’s Day we thought we’d bring you the entire series to provide you with a soundtrack for the day.

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