Timber and Steel’s Artists’ Top Albums of 2013

Listening to Records

In what is now an end of year tradition Timber and Steel are following up our own list of the top albums of 2013 with a piece that opens the floor to some of our favourite artists.

We reached out to musicians far and wide, from big international names to local up-and-comers, to get their thoughts on the best albums and EPs of the year and the result is once again incredible. If you ever wanted to know what the artists you listen to are listening to then look no further as we present to you Timber and Steel’s Artists’ Top Albums of 2013:

Back on the MilksThomas Busby (Busby Marou)
The Starry FieldBack on the Milks
It’s almost impossible to slot this album into a genre because it covers almost all styles yet somehow it works perfectly. Mark Myers could be from another planet, because this seems to be a soundtrack from another world.

Picture of YouDarren Cross (Jep & Dep, Darren Cross Band)
Guy ClarkMy Favorite Picture of You
Guy Clark and Townes Van Zandt have to be mentioned in the same sentence. The masters of the Texan Troubadour Genre- minimal powerful melodies and stories that change your mood-help you live. Townes is no longer around – Guy Clark is in his 70s, his songs getting stronger and more powerful. These guys wrote the rule book. Guy Clark’s latest album is amazing. In a world of autotune – Racscal Flatts / Taylor Swift mediocrity – a true country artist without any of the rhinestone cowboy bullshit is still alive and kicking and relevant and still breaking our hearts. I dare you to listen to “My Favorite Picture of You” or “Hell Bent On A Heartache” and not feel something. A true Inspiration.

Sam AmidonDevon Leger (Hearth Music)
Sam AmidonBright Sunny South
Because Sam Amidon is the most visionary folk artist of his generation. He understands musical traditions deep into his bones, and though he goes very far afield in his interpretations, he’s so grounded in the traditions that his experimentation serves as a vehicle to delve farther into the source material than ever before. He’s an uncompromising artist that reminds me again why I love folk music.

Melody PoolKristy Cox
Melody PoolThe Hurting Scene
The Hurting Scene has to be one of the most amazing debut releases of an Australian artist in a long time. It’s an album that more often than not touches on the topics of hurt and sadness – yet a notion of positivity shines through each of the songs. Melody’s vocals are shine on each track, however it’s her lyrics and the melody in each song that draw you in so you have to keep on listening! By far my favourite release of 2013! This girl is amazing!

Tiny RuinsOscar Lush
Tiny RuinsHaunts
For me, this six track EP has more depth and honesty than any other full length album of 2013. Tiny Ruins is the moniker of UK born, New Zealand based, singer-songwriter Hollie Fullbrook. Following up from her 2011 album Some Were Meant For Sea, the Haunts EP is a beautifully flowing fusion of modern folk, jazz and old-school country blues. Fullbrook’s rich and captivating vocals roll so smoothly over her laid back picking style as she draws you further and further into the veil of fog that hovers over this charming collection of songs. What I love most about Haunts is the way it pays tribute to so many traditional styles, from the Townes Van Zandt style of guitar on “Cold Comfort” to Fullbrook’s flawless cover of “Rolling Mill Blues”, yet I fail to compare the sound of Tiny Ruins to anything else because it’s also completely of its own world. I promise that this one really is worth all of your time.

Daft PunkKim Churchill
Daft PunkRandom Access Memories
Whilst I’ve been dancing around possible answers in my head I really have to go for one which I’ve barely stopped playing since I bought it. I know the whole world seems to have been won over, but Random Access Memories by Daft Punk has been my favourite album this year. It has such respect for music and its evolution over the past 50 years. It also has most of my favourite session players from as far back as the 60’s as well. Using drummers like JR Robinson and Omar Hakim and experimenting with things like Gorgio Moroder’s monologue over the top of those drums was incredible. Its the kind of music I dream of hearing and the ultimate experimentation in excess. Over a million dollars, 5 years the best studios and session players in the world and the occasional full orchestral and choir movements! Finally though, what mainly draws me to an album is the songs. Though I never thought I would look to Daft Punk for inspiration, the songwriting is really exquisite. Particularly the Paul Williams collaboration, “Touch’.

StreetsMike McCarthy
Isaac de HeerStreets
I am a huge fan of Isaac De Heer, his records are on high rotation here. On Streets Isaac continues on this well built path of unorthodox folk songwriting. Again, as on his previous two records, the production captures his quirky approach to writing and performing music. The melodies are strong, the lyrics are the kind you want to pore over and try to understand. Every broken piano sound and haunting backing vocal has it’s place in a very well thought out and enjoyable EP.

The PreaturesAshleigh Mannix
The PreaturesIs This How You Feel?
I cannot tell you how may times I have listened to this EP since it’s release. Its absolute killer first single “Is This How You Feel?” still has me shamelessly breaking out in dance wherever and whenever I hear it. I actually cannot stop myself! The entire EP is filled with a catalogue of influences – Fleetwood Mac, Prince and Neil Young are a few that I immediately note. Yet at the same time, The Preatures have their own captivating sound that I personally cannot get enough of. Listening to female lead, Isabella Manfredi’s voice makes me want to put on my LBD and leather jacket and paint the town red. While the lead vocals of Gideon Benson in “Dark Times” leaves me completely devastated that I’m not single … It’s funny where music can take you. Is This How You Feel? is the sound of a band doing what they do, and doing it fecking well!

Jim JamesIsaac de Heer
Jim JamesRegions of Light and Sound of God
A couple of years back I was struck by the Yim Yames EP Tribute To which is a collection of George Harrison songs – I loved how rushed the recording sounded, full of pure longing blasted into its delivery. I hadn’t heard anything about the Regions… album but bought it on a whim when I was wandering through Polyester Records, judging from the strength of that EP. What I found was a real grower with a gospel sorta vibe, mixed with huge drum sounds and wonderful imaginative lyrics and soundscapes. The whole album has a naivety and innocence about it that is captivating, flowing from song to song effortlessly, with a great instrumental track halfway through that lets it breathe. It’s well worth a few listens!

Stolen ViolinMark Myers (The Starry Field)
Stolen ViolinTemperate touch, Tropical Tears
I don’t listen to much music outside of the studio but I spent a lot of time with this album. It might not be everyone’s thing with it’s lofi guitars and hard to hear lyrics but I had tears in my eyes by the end of it.

Jimi HendrixJustin Thurgur (Bellowhead)
Jimi HendrixPeople, Hell and Angels
My album for 2013 is Jimi Hendrix’s People, Hell and Angels a previously unreleased studio album that was supposed to be the follow up to Electric Ladyland. This album is full of refreshingly strong, raw, bluesy songs with a healthy funk influence played by instrumentalists who are true virtuosos and unafraid of expressing themselves. The soul pours out of these recordings.

Keston Cobblers ClubRachael McShane – (Bellowhead)
Keston Cobblers’ ClubA Scene of Plenty
This sounds like a really fun band to be in! The rich instrumentation featuring tuba, squeeze-box, banjo, strings, percussion and vocals, coupled with catchy melodies and massed group vocals on the song “Beam” make you want to sing along, put on your dancing shoes and join the party. Keston Cobblers’ Club have a very refreshing DIY attitude to recording and packaging. They designed their CD case as a train set with cut-out-and-stick trains, tents and animals. Well worth checking out their videos on YouTube too.

Jimi HendrixBenji Kirkpatrick (Bellowhead)
Jimi HendrixPeople, Hell and Angels
I would have to say People, Hell and Angels by Jimi Hendrix is my favourite album of 2013. The reasons being I’m a massive Hendrix fan and although there’s nothing really very new on this release it’s a great collection of Hendrix tunes and displays his fluid mastery of the guitar very well. Also some nice cameos from the likes of Stephen Stills and Lonnie Youngblood. Essential stuff for us Hendrix geeks.

Midnight Follows MeJulian Cue (The Barons of Tang)
BJ MorriszonkleMidnight Follows Me
Ridiculous and beautiful, this album is essentially the mad ramblings of a one man band let loose in a studio. I love the every changing and complex compositions, demented keyboard sounds and the delicate balance between “tongue in cheek” and sincerity. Also it seems to me that BJ Morriszonkle is one of the finest male vocalists / crooners playing around at the moment. His voice makes this album. 5 out of 5 exploding cakes

Vance JoyWoody Pitney
Vance JoyGod Loves You When You’re Dancing
Since first hearing a demo of “Riptide” in 2012, i’ve been a big fan of VJ’s music and his debut EP didn’t disappoint! James Keogh has a killer voice and there isn’t a dull moment throughout the entire 5-track EP. All of the songs are beautifully written, yet simple enough to have you singing along after one listen. With catchy melodies, slinky ukelele strumming and powerful storytelling, it’s clear to see why people compare the great man to the likes of Paul Kelly and Bernard Fanning.

Vic ManuelScott Collins (The Mid North)
Vic ManuelBury Me Deep
Vic Manuel is someone you probably would not have heard of……yet. ‘Bury Me Deep’ is his first solo album and it is a cracker. A melding of folk, old-time and Americana, with lyrics that are as good as Leonard Cohen and Dylan. He can rip your heart out and have you horny as a hound in a matter of a few words. There are road trip songs, ballads, bluegrass toe tappers and dark tales from older days. The song ‘Oh Mother’ will have the hardest of you shedding tears. As a songwriter myself, i hold Vic in awe. I am amazed by him and a little bit (ummm…..whole lot) envious of his talent, he is quite simply Brilliant.

Vance JoyThelma Plum
Vance JoyGod Loves You When You’re Dancing
Because it makes me feel sad, but good sad.

Liz StringerCara Robinson (Hat Fitz and Cara)
Liz StringerSoon
I actually have been listening to the album Soon by Liz Stringer with its powerful tales of personal experiences written so poetically that grasps my attention every time it is played. With its beautiful delicate and honest intent it is a raw masterpiece. I love this.

Abbe MayEli Wolfe
Abbe MayKiss My Apocalypse
A diverse and experimental artist from WA, with quite few different releases. This album evokes an intense feel, from a strong and highly expressive woman – cathartic in love and release – in a lemon juice squeezed on a paper cut kinda way.

Chance McCoyJimmy Daley (The Morrisons)
Chance McCoy & The Appalachian String BandChance McCoy & The Appalachian String Band
I love old time music and this album by Chance McCoy & The Appalachian String Band is packed full of it. The newest member of Old Crow (replacing Willie Watson), and educator of Old Time Music at The Augusta Heritage Centre, West Virginia, Chance McCoy really knows his stuff. He is an amazing old time fiddle and banjo player with a really sweet sounding voice to top it of. The collection of tunes here feature some of my favourite old time numbers like “Lazy John”, “Greasy Coat”, “Little Birdie” and “Gospel Plow”, while also introducing me to some great tunes I had never heard before, like “Davy Come Back and Act Like You Ought To”. That’s the thing about old time music, it’s an endless well of incredible songs, I don’t think I’ll ever stop digging through them. With fantastic playing and singing, this album has a more slick sound that what you usually get with old time music and in that sense would be a great introduction for someone looking to get into this genre.

CapercaillieEddi Reader
CapercaillieAt The Heart of it All
This is a beautiful traditional album using the tradition and bringing it right up to date. Karen is one of my favourite Scottish vocalists and this album is class as is their live performances. A little bit of Scotland for your ears.

Josh PykeChris Collins (Tigertown)
Josh PykeThe Beginning and the End of Everything
One of the best song writers that we have in Australia, Josh has been a major influence on our music since the start. All four albums are filled with honest stories so it’s cool to be able to follow someone through different stages of their life. For a fourth album, this one seems to have a certain youthfulness and energy to it, which could come from having a toddler running around in this record. It’s a very Australian sounding record which is something we love and would love to harness ourselves one day. This album makes you excited about love, life and family.

Bobby AluBrianne Curran (Takadimi)
Bobby AluTake it Slow
Refreshing, groovy and chilled out all in one. Bobby Alu’s album of 2013 just makes you feel like having a great day!

Melody PoolKevin Mitchell (Bob Evans)
Melody PoolThe Hurting Scene
This is an insanely good debut album. The lyrics and songwriting are so good it’s hard to believe they come from a someone of such a tender age. The production is subtle and honest and Melody’s voice is weighty and substantial. She must be an old soul or something. I can’t get enough of this album.

Katie BriannaAndrew Wrigglesworth and Laura Coates (The Weeping Willows)
Katie BriannaDark Side of the Morning
Katie’s voice will instantly capture you but it’s her lyrics that will hold you; one part heartbreak, two parts introspection, a dash of sass and one hundred percent original. Her tone may evoke some of the greats (Iris DeMent, Lucinda Williams, Nanci Griffith, Kasey Chambers…) but Katie holds her own and her album packs a punch. It’s definitely one of those rare finds you can appreciate from beginning to end without any temptation to reach for the “skip” button. Dark Side of the Morning is Americana at its best; at times dark and moody, other times hopeful, even audacious. Our favourite tracks are “What It Means”, “Dark Side of the Morning” and the vulnerable last track, “Risk it All”.

The VaccinesAndrew Davie (Bear’s Den)
The VaccinesMelody Calling
I bloody love this EP. We recently had the honour of touring with The Vaccines on the Mumford and Sons Full English Tour and we just had the best time. An amazing group of people and an incredible band. We listened to this EP religiously in the van between shows and I constantly had “Melody Calling” and “Everybody’s Gonna Let You Down” stuck in my head. Freddie’s guitar parts are so unconventional and interesting and the chord progressions and band dynamics flow in such a beautiful and unpredictable kind of way. It’s an incredibly inspiring piece of work and Justin’s songwriting has always been brilliant but just keeps getting better and better.

Kurt VileJordan Wilson and Benjamin Riley (Georgia Fair)
Kurt VileWakin’ on a Pretty Daze
It’s a beautiful sounding record. He’s a cool cat and has been a favourite of ours for a while. It’s a great record to get you through whatever you’ve been dealt, especially when combined with wine and cigarettes in your lounge room.

0Roscoe James Irwin
Ichiko Aoba0
A super beautiful (if not odd) collection of tracks from this Japanese alt/folk singer-songwriter. It’s strikingly bare, but really intimate as a result. You feel like you’re there with her, listening to her play her songs in your bedroom. The classically inspired nylon string guitar parts, mixed with Ichiko’s etherial vocal melodies create something really unique and honest, (even though I have no idea what she’s singing about). Track 8, “Haru Natsu Aki Fuyu” is a standout.

Ghost BoyGregory Alan Isakov
Sanders BohlkeGhost Boy
Beautiful and dark electric landscapes behind songs that make you dream, and remember how important music is.

The DronesMark “Looch” Lewis (Handsome Young Strangers)
The DronesI See Seaweed
This band is so far ahead of the pack it scares me. I didn’t think the Drones could top their last album Havilah – but they have. Gareth Lilliard’s lyrics slowly weave into your brain as always whilst the delivery and more specifically the passion in the delivery still kills me everytime. The final track “Why Write A Letter That You’ll Never Send” (all 9 minutes of it) is stunning. The best album from 2013 from Australia’s best band. Simple really.

Anna CalviBity Booker
Anna CalviOne Breath
Anna did not start singing until she was in her mid twenties. Now she is singing her hearth out. Her songs explode like colour onto a canvas. She slowly draws the listener into her world. Her guitar is like a voice, sometimes a weep, sometimes a laugh. This album makes me feel close to the beautiful beast she has within.

Josh PykeJackson McLaren
Josh PykeThe Beginning And The End Of Everything
(Ok I might be a bit biased but it’s a great album!). Josh sets the bar high and this record is an absolute cracker. Grappling poetically with legacy and morality. The BIG themes! Beautiful harmonies and clever arrangements. It sounds like Josh is having fun and that’s what I like about it.

Katy PerryGemini Downs
Katy PerryPrism
Yes I know we’re in an indie band and our taste is music is meant to be all indie and alternative – and primarily it is – but everyone has their guilty pleasures, right? For what it’s worth – chuckling at the new “Roar” film clip, feeling creative when looking at the fairyland live sets that this chick pulls off and winding up the windows in the car in order to sing along as loudly as possible was enough to bring Katy Perry to the top of the pile. Plus she got dumped by a tonne of record labels before she cracked it which makes her success all the more impressive.

Cloud ControlJosh Pyke
Cloud ControlDream Cave
I love Cloud Control, and this record really saw them push themselves, whilst still remaining true to the almost primitive innocence that their music captures for me. Al’s voice has taken on a strangled desperation in some songs that makes the whole thing a lot tougher in a very engaging way. Love it.

Sam AmidonBayden Hine (Packwood)
Sam AmidonBright Sunny South
An artist who’s work I’d been meaning to listen to for a few years dropped into my lap when I was asked to support his Australian tour earlier this year. I couldn’t have been happier! His albums are effortlessly beautiful, and his live set all the more so. Sam Amidon reworks American trad tunes from way back when into his own brand of contemporary folk. On his previous two albums he paired up with one of my favourite composers Nico Muhly (Grizzy Bear, Jonsi, Sufjan Stevens), but on Bright Sunny South he mirrored his live set – recording with minimal instrumentation as well as a few guest accompanists (most notably Jazz trumpet legend Kenny Wheeler – so, so cool). The winning track for me is “As I Roved Out” – my favourite choice for singing along to in the car when stuck in traffic. Freaks people out every time!

Christy MooreDamien Dempsey
Christy MooreWhere I Come From
A legendary Irish folk singer. 45 tracks that he wrote or had a hand in. An incredible album full of human spirit and empathy and stories and wisdom and humour, Christy is everything I aspire to be as a singer, a great role model, check out “Viva La Quint Brigada”, “Johnny Connors”, “The Boy from Tamlaghtduff”, “Lisdoonvarna”, “Whacker Humphries” or “Strange Ways”. Sublime.

The NationalIsaac Graham
The NationalTrouble Will Find Me
My brother bought me Trouble Will Find Me for my birthday this year. On his way to buy it he fell off his push bike and fractured his wrist in two places and ended up in hospital for a few days. He was all fine but the whole incident totally overshadowed my birthday. Fortunately he’d bought me such a great present so I forgave him. I’ve always had a passing interest in The National but for me this album is the perfect combination great songwriting, considered progressions, beautiful arrangements and flawless production. Not a bad song on the whole thing.

John SmithGibson Bull
John SmithGreat Lakes
There is something very honest about John’s music. You get the feeling he really believes in the songs he sings. This is certainly the case with Great Lakes. A beautiful album.

Sam BuckinghamHeyMun
Sam BuckinghamI’m A Bird
An album that tickles the senses with its dreamy folk-sical setting whilst hitting the high notes of honesty is one of the valiant traits of Sam as a musician. If she’s in love Oh, Bahbo she’ll say it’s so. If she’s got to Leave This Town, she will, but not without a song. A spirited gem in the indie music scene here in Australia, her recent live performance of this album when on tour with Buffalo Tales was a beautiful delivery of tunes that draws smiles on faces.

Kacey MusgravesFanny Lumsden
Kacey MusgravesSame Trailer Different Park
It surprised me how much I love this album so “trying to be a cool indie kid” wont fly this year for me as it’s a major label country pop album that has done it. It’s my hell yeah to “small town up-bringings” and overall is just a really well crafted album that lyrically has the right percentage of sass, apple pie and trailer parks. (Also I have serious caravan plans so it teams with the theme).

Vampire WeekendRoland K Smith
Vampire WeekendModern Vampires of the City
I’ve been pretty slack at keeping up with new music this year, but I’m okay with that, the good stuff I missed will find its way to me eventually. One record I did enjoy was Vampire Weekend’s Modern Vampires of the City. The too-cool-for-school Indie rockers seem to have made the jump out of ironic subject matter and into more emotionally effective territory. I think it works for them. The production’s great too – mixing hard blues with vocal pitch shifters in “Diane Young”, the harpsichord is put to good use in album highlight “Step”, and industrial percussion in “Obvious Bicycle”. I’ll get around to listening to more new music once Bob Dylan stops releasing his excellent Bootleg series.

Big ScaryLittle May
Big ScaryNot Art
This is an album that I can listen to on repeat for hours on end, and it reminds me of staying up until 4am drawing and drinking red wine. It is a collection of beautiful songs produced perfectly with everything in it’s rightful place.

Rhye WomanBec Sandridge
Great title, magical album cover, a beyond brilliant opening track and sob-worthy film clips. Being a sucker for tales of heartbreaking romances, understated vocal melodies and gentle synths, this Canadian duo definitely have my vote. They had me like a fool playing “Open” on repeat for weeks. (Note: I may very-well still be sobbing and smiling and listening to this track whilst typing this).

VasenGeorge Jackson (The Company)
Swedish super group Väsen have produced a new album this year featuring their trademark melodic invention and effortless virtuosity, it’s simultaneously modern while still tradition based, balancing on that fine line, like they always do, with ease. The Fiddle, Nyckelharpa and Guitar trio offers unending creativity of textures throughout the album, defying their seemingly minimal lineup, and of course, there’s plenty of Polska’s to get your feet tapping to. These guys are simply, brilliant. I’ve had Mindset on repeat in my car and on my computer and have even learnt four of the tunes already. If you haven’t heard Väsen, do yourself a favor, this is a good place to start. If you know and love them already, this new offering is another classic.

Frank SolivanMustered Courage
Frank Solivan and Dirty KitchenFrank Solivan and Dirty Kitchen
This album has everything we appreciate in modern bluegrass. Flawless three part harmonies and the kind of virtuosic pickin’ that makes you wanna sell your shit on eBay, or work a lot harder. The band has a unique and modern take of bluegrass, while still maintaining integrity to the tradition.

Buffalo TalesPerch Creek Family Jugband
Buffalo TalesRoadtrip Confessions
We first had the pleasure of meeting and hanging out with Wes (aka Mr Buffalo Tales) at Wintermoon Folk Festival in May this year. Great voice, great guy, great songs, great performer, and (you guessed it) great album! It’s a gold mine of catchy, rootsy folk gems that always end up stuck in our heads!

Volcano ChoirMatthew Oastler (Little Bighorn)
Volcano ChoirReprave
I thought my fascination/addiction to anything Justin Vernon did hadn’t carried over when I first listened to Repave by The Volcano Choir, however his genius, and the emotions that come with it are slow burning. It has now been the only thing I’ve listened to for 3 months, and I hear something new every time. It feels a lot more anthemic and hopeful than any of his previous works. Only a special few can make you feel like Vernon does, and this album is a classic example.

CirclesLachlan Bryan
Chris PickeringCircles
I got to know Chris on the road in the USA and each night he quietly blew me away with not only his songs, but the way he played and sang them. His music is subtle – delicate but nourishing – filled with the warmth and self-deprecation that are trademarks of his live performance. Whenever Circles comes on my iPod I am reminded that CP is a proper artist, and I can’t imagine paying a fellow songwriter a greater compliment. Bravo Sir!

Kurt VileEdward Deer
Kurt VileWakin’ on a Pretty Daze
Whenever I describe Kurt Vile’s music to someone, I manage to make it sound like something to be avoided. Really long, meandering songs with numerous guitar solos and a guy mumble-singing in almost a monotone. But the textures and atmosphere in his music are so rich and evocative. I kept coming back to this record this year, and it has to be one of my fave driving albums ever.

Volcano ChoirImogen Clark
Volcano ChoirReprave
I’ve never found another artist whose songwriting moves me quite as much as Justin Vernon of Volcano Choir and Bon Iver, which is why I couldn’t wait for this album’s release. I think the best songs often take a couple of listens before you say “yes, I get it, and I love it”, which is what happens to me every time I listen to a project Vernon has been a part of. In Repave, the vocals are so raw and the dynamics so great that it just builds you up and tears you down in a kind of frenzy of emotion. To me, the album sounds like how I imagine listening to someone’s soul would sound – completely pure, heart-wrenching, honest, complex and unpredictable. That’s why I think this record is magic.

Loren KateSarah Humphreys
Loren KateMoving On
Loren is a folk artist like no other, her songs punch me right in the heart til I’m crying my eyes out and her voice is like honey. A beautiful record.

Neko CaseAchoo! Bless You
Neko CaseThe Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You
We’ve both been huge fans of Neko Case for a few years, in particular her ’06 album Fox Confessor Brings the Flood, what an album. This record is just awesome as well. Her voice is beautiful as usual, and her lyrics are bad ass! “Man” is a particular fave. She writes absolute cracking pop songs, and the production of her records are always really rich and lush. I particularly love the edgier kind of grit and distortion that features a fair bit on this one, Neko gettin’ back to her punk roots via whimsical pop. So good!

Ainslie WillsAlison Avron
Ainslie WillsYou Go Your Way, I’ll Go Mine
This record gives me all I need in music: tingles and toe taps. The subtle and sexy grooves combined with the beautiful and rich tone of Ainslie’s vocals get me every time. “Weighing The Promises” and “Liquid Paper” are the standout tracks for me. Miss Wills is representing everything that is right about the Australian music scene.

NgaiireSam Buckingham
I can’t quite say why I love this album. I think it’s a combination of her voice, interesting production and the fact that it’s not like anything I’ve listened to before. It feels experimental but perfectly thought out, bold but humble, surprising but familiar … truly creative and original.

DaughterHayden Calnin
DaughterIf You Leave
I played this album on repeat for the few weeks after hearing it for the first time. It’s depressing, but motivating, which is totally my kind of jam. Stand out track was, and still is “Smother”, with the lyric “I wish I’d stayed inside my mother, never to come out” it pretty much sums up the whole album. Daughter’s blend of shoegazey guitar lines, slow bass and simple, yet well composed drum lines, matched up with her gorgeous vocals and lyrics, is so mature, intricate and worth a listen.

Ainslie WillsAll Our Exes Live In Texas
Ainslie WillsYou Go Your Way, I’ll Go Mine
The vocals and arrangements are incredible and Ainslie’s lyrics are so evocative. We particularly love “Liquid Paper” – such a universal sentiment. We listened to the entire album about a million times in the van on the way back to Sydney after we played a show with her in Melbourne. She also happens to be an amazingly good egg.

Mark KnopflerThe April Maze
Mark KnopflerPrivateering
This is actually a 2012 release but we only just discovered it … So it is new to us! A friend of ours who had toured with Mark Knopfler made us a mix CD for our Canadian tour and one of his songs was on there – we loved it, so we went online and bought the rest of the album. It is fantastic. It really takes you on a journey – lots of ups and downs and there are lots of goosebump moments. Our favourite tracks are “Haul Away” and “Kingdom of Gold” – these songs are super folky, just the way we like it. The production and instrumentation are spot on. This is a truly inspirational album for any songwriter. 100 stars.

JoJo SmithLucie Thorne
JoJo SmithStanding In The Lovelight
When it comes to soul not much beats being in the same room as JoJo Smith singing straight in to your heart. But this mighty collection – from one of our mightiest vocalists – comes pretty darn close. A national treasure!

Abbe MaySweet Jean
Abbe MayKiss My Apocalypse
Abbe May’s album is a blistering synth pop romp that takes you through all the ups and downs of imploding love. One of the many great things about this album is that she doesn’t “tell you about her feelings”. Instead, every song actually makes you feel something as a listener, which can be both uncomfortable and uplifting. It’s a funny, dark, smart, poignant and really well put together album.

The NationalEmily Barker
The NationalTrouble Will Find Me
I picked up this record just before heading out on a solo tour across the UK. It was a beautiful summer and I was driving myself around the country doing record shop in-stores and promoting our new record. Trouble Will Find Me quickly became my driving soundtrack. The songs are fantastic. Brilliant lyrics: a combination of abstract, ironic, heartfelt and just plain silly sometimes (ie. “I was teething on roses, I was in guns and noses”). I love the effortlessly, out-of-the-ordinary time signatures they use; the epic, but still intimate, production value; the melodies and arrangements; and Matt Berninger’s croonery, deep voice is always killer. A great record to drive to!

LordeRosie Catalano
LordePure Heroine
Given that we’re in an age where number one singles are as much about taking bootylicious selfies as writing good music, it took me a while to figure out how Lorde managed to dominate the Billboard charts, especially as my initial listen to her album Pure Heroine didn’t register highly on the excitement scale. I’ve happily eaten my words since then as Lorde and her producer Joel Little are a match made in heaven – the harmonies are beautiful, her lyrics take me to another world (albeit a teen world that I’m not sure I’d like to go back to), and I have a soft spot for Kiwis.

Mali MaliJack Carty
Mali MaliGather ’round the Goose Clock
I love this record because it feels anxious and intimate and fragile. The songs are strong, and tell their stories, but they go about it quietly so you really have to tune in to catch them. “Peace In My Chest” is the highlight for me, it feels like an affirmation.

Vance JoyPierce Brothers
Vance JoyGod Loves You When You’re Dancing
Since seeing him at The Hills Are Alive festival earlier this year, we picked up this EP. It’s a soulful and beautifully paced EP with awesome range from the indie pop rhythms of “Riptide” to the heartfelt and intimate lyrics of “Snaggletooth”. The crescendo in “From Afar” is our favourite. Well done sir. Well done indeed.

PikeletRose Wintergreen
Entrancing from the very first listen (start with the track “Calluses”), this album still tickles my brain in unexpected and exciting ways. I’m not sure I understand it, but it’s unlike anything else I’ve heard, and I keep going back for more. YES!

Mark MoldreJessica Cassar (Jep & Dep)
Mark MoldreAn Ear To The Earth
If Tom Waits, Elvis Costello and Jeff Tweedy were pushed out to sea in a rickety old boat they’d come up with something like this. Mark Moldre’s An Ear to the Earth is a boisterous yet soulful musical journey worth the fare. You’ll be stomping and crying and laughing, and if you’re lucky to catch Moldre live, you’ll be doing all three with a whiskey in hand.

PowerlinesBeth Stephen (The Little Stevies)
Mustered CouragePowerlines
I’m a sucker for great harmonies and catchy melodies, and Mustered Courages’ album Powerlines has both, so I’m a big fan. Powerlines was produced by Jimi Maroudas, who also produced our first album Love Your Band. And for me it ticks all the boxes of a great album. The songs remind me of those off Foggy Highway, by Paul Kelly and The Stormwater Boys; strong and well-constructed, front and centre. Followed secondly by great musicianship and vocal harmony to present the full kick-ass package. And although their musicianship is apparent, luckily for these talented lads their songs don’t need to be dressed up head to toe in an overkill of instrumental licks to try and hide a weak song, but instead have successfully shown off their musicianship when it counts and in a very tasteful way. When I listen to the album I hear it as a collection of great pop songs first, and secondly as a bluegrass album. And in my opinion I think that’s clever, and the sign of good bunch of songwriters. There’s also nothing more impressive than when a group can reproduce an already top-notch studio album to an even higher standard live, and that’s what Mustered Courage can do. It’s a tasteful album, one of great energy and diversity in mood and who sings the lead on each song, and I recommend a listen to anyone who calls themselves a music lover.

Everything EverythingArc
The perfect sophomore release, Arc built on all that was good about Everything Everything’s punchy, dramatic and down-right enviable musical style presented by their debut album three years prior. It’s the kind of record we listen to and think “Man, how did they do this? How can we do this?” as we listen through every track on repeat. Incredible production – good luck topping that one boys (they will)!

Vance JoyMark Wilkinson
Vance JoyGod Loves You When You’re Dancing
Emotive vocals and great songs. “Riptide” has obviously been huge, but the rest of the EP really stands up as well.

Bear’s DenAgape
Bear’s Den produce an organic brand of music that resonates in its beautiful and powerful simplicity. Disarmingly honest lyrics accompany soaring and often haunting melodies backed by 3-part harmonies, and there are obvious folk influences to their songwriting. These guys are a must-see live act, and seem to be going from strength to strength, recently following up in magnificent style with their new EP Without/Within. There is an unassuming and captivating charm in this EP that is hard to resist.

HaimImogen Bel
HAIMDays Are Gone
There seemed to be a lot of highly anticipated releases this year, and for whatever reason, I missed out on a lot of them! One band that caught my attention early on however, was HAIM. This is a really solid album – so many hooks jam packed into each song, both melodically and rhythmically. I love that these girls obviously love pop music, but they play around with structures and mix things up to keep it fresh and surprising. They are obviously very accomplished musicians but they never let it get in the way of creating fun, interesting pop music. Standout tracks: “The Wire”, “Don’t Save Me”, “Go Slow” (no filler on this album though!).

Steal The LightKyle Vause (The Timbers)
The Cat EmpireSteal The Light
This is my favorite Cat Empire album to date. I seriously can’t fault this album, every song is a winner. My top three tracks off this album are “Still Young”, “Open Up Your Face” and probably the first single “Brighter Than Gold”.

Lucy WiseNigel Wearne
Lucy Wise & The B’GolliesWhen We Wander Far From Home
It makes me very happy to nominate this album as my favourite for 2013. The first time I heard Lucy Wise, I was struck by the originality and honesty of her songwriting. There are so many layers at work in this ten song offering. She’s included songs about organic farming and broken families, sailing, family connections, sculpture gardens and even Google Earth! Three members of the B’Gollies double in their own right as The Sting Contingent and they, with Mischa Herman on accordion, bring sophistication and tastefully woven arrangements to Lucy’s beautiful songs. “Lay of the Land” and “Mother’s Song” are stand-out tracks. A slow-burner that keeps giving.

InnocentsKate Martin
This was difficult to narrow down so I’ll say that ONE of my favourite LPs of 2013 is Innocents by Moby. Seven of the twelve tracks are collabs, it’s nice cross-pollination. The highlight track for me is a very moving instrumental called “Going Wrong”.

Step BrothersAidan Cooney (Boy Outside)
PalmsStep Brothers
A vehicle back to care free summers that lasted for ever. Yes that feeling. Play loud! Jump around aimlessly. Throw shapes at friends. A real shot in the arm. This shit works.

Josh PykeDan Acfield (Dan and Hannah Acfield)
Josh PykeThe Beginning And The End Of Everything
I must admit that although I’ve been listening to lots of music that’s new to me this year, most of it was not actually released this year! However, I have been enjoying Josh Pyke’s recent release The Beginning and End of Everything. After watching Josh Pyke perform tunes from this album from side of stage earlier in the year, I went home and immediately purchased the album. It’s deliciously folk-pop with that special (but evolved) Josh flavour which is quite difficult to not enjoy.

Josh RitterJack McNeill and Charlie Heys
Josh RitterThe Beast in Its Tracks
Josh Ritter has always been a favourite listen, he seems to grow more subtly insightful with each new album. A thoughtfully connected collection with the ghost of the Golden Age of Radio walking quietly through it. Ritter has the knack of catching you off-guard, gifted with a quiet wit, a sharper tongue than most and a real eye for the detail.

Warp and WeftEmma Davis
Laura VeirsWarp and Weft
Laura Veirs makes me happy. In fact, I think I would go as far as saying, I love her. Her unique way of phrasing things, her incredible ability to put into words the way that nature effects us, the delicate but interesting production- I couldn’t get enough. Laura’s newest release, Warp and Weft once again seems to deliver that Veirs-y charm that I have grown fond of. It is definitely a more mature album than Saltbreakers and the slightly Fleet-Foxy previous album July Flame. Some of the tracks are a little rockier with the beefy sounds of her Gibson shining through, and the arrangements are loaded full of weird and wonderful instruments, but the songs don’t seem to get lost at any point. Every little thing has its place and works together to carry her strong melodies and endearing way with words. As with her past releases, the album works well as a entire composition, so a little listening time is needed to start appreciating the tracks separately, but I think it makes this record a real grower. Overall, it’s a beautiful and carefully produced album that seems to communicate the warmth of nature and our place in it, so darn well.

Melt Yourself DownJoe Gould (The Crooked Fiddle Band)
Melt Yourself DownMelt Yourself Down
This debut is most original album I heard all year, a mix of electronics and afrobeat that is dark and danceable. Saturated sax riffs and tribal drums collide and make me feel euphoric that there’s still sounds out there I haven’t heard. What a great feeling to evoke in a listener!

LuxGordon Wallace (The Crooked Fiddle Band)
My album pick of 2013 is Lux by Danish band Afenginn. I have been a fan of the band’s “bastard ethnopunk” for a while now and their back catalog is well worth checking out. Lux is their latest offering and has quite a chilled out/ambient vibe and the most amazing fold-the-cd-digipak-into-a-lantern I have ever seen! Last year we realized we would cross paths at a festival in Sweden, so met Kim the main composer and became friends. The outcome of that is that they will be in Sydney playing at the Basement on the 16th January and Crooked Fiddle are lucky enough to be playing support! A great success of cross-continental mutual musical appreciation!

Big ScaryMark Leahy The Twoks
Big ScaryNot Art
After listening to Not Art I cannot help but walk around with a bounce in my step. This album is so confident, so diverse, so intricate and yet really simple. Fantastic production and really great songwriting. The performances have such dark commitment and awesome personality about them that I cannot help but love it.

Lucy WiseEmily-Rose Sarkova (Chaika)
Lucy Wise & The B’GolliesWhen We Wander Far From Home
I would say Lucy Wise’s newest album, When We Wander Far From Home. Her incredibly personal way of writing songs seems to capture so perfectly the very small delicate goings on of everyday life as well as the touching poignantly on deep environmental and social issues. All in a collection of songs that are truly beautiful and you cannot help but want to sing along with her.

The HeistCJ Shaw (CJ Shaw and the Blow Ins)
I have two:
Big ScaryNot Art
Beautiful and purposeful. Every nook and cranny of this album has been sculpted with the up most of care.
Macklemore and Ryan LewisThe Heist
A powerhouse. Big sound, big ego, big belief, big purpose. It is big and wonderful, makes you think and groove. It enlights and inspires.

The Woodford Folk Festival Announce 2013 Lineup

Woodford Folk Festival
Image Courtesy of The Woodford Folk Festival

Over the weekend The Woodford Folk Festival revealed its 2013 program and it’s pretty darn impressive. With over 500 artists announced in 28 venues over six days Woodford 2013 is arguably Australia’s biggest and most diverse folk festival.

The festival doesn’t really have headliners as such but we’ve spotted a bunch of international and Australian Timber and Steel favourites including Bearded Gypsy Band, Beth Orton, Buffalo Tales, Busby Marou, Castlecomer, Clare Bowditch, Darren Hanlon, Jordie Lane, Rose Cousins, Matt Corby, Sam Amidon, The Crooked Fiddle Band, The Quarry Mountain Dead Rats, The Twoks, Andrew Winton, Claude Hay, Hat Fitz & Cara, Whitetop Mountaineers, Andrew Clermont, Andy Irvine, Spooky Men’s Chorale, Thelma Plum and many many more.

The Woodford Folk Festival takes place from the 27th December to 1st January. Tickets are available now – for more information including the full program visit the official site here.

Thank Folk It’s Friday – 4th October


This Week in Folk

All the News From The Week That Was

Nick Mulvey debuted his brand new video for the track “Nitrous”. Details here

– The new video from Edward Sharpe & The Magnetic Zeros, “Life Is Hard”, shows the band doing what they do best – playing live. Details here

– Singer-songwriter Cass McCombs, who will be in the country next year for Laneway, has released his new single “Brighter” featuring Karen Black on vocals. Details here

– To celebrate the release of his new album Country Mile this week Johnny Flynn has released the title track as his new video. Details here

– Two of Timber and Steel’s favourites, Sam Buckingham and Buffalo Tales, are heading out on tour together. Details here

– Melbourne’s Kate Martin has released her new single “Awaken” and will be touring this November. Details here

Arbori have released their new single “Flannelette and Feather Beds” ahead of their tour for Timber and Steel. Details here

Mark Moldre has a new video, “Four Winds”, and a free NSW south coast tour with Sarah Humphreys. Details here

Tomas Strode and The Tour Guides are streaming their new album Graceful Mistake online before the official launch in Melbourne this Wednesday. Details here

Mia Dyson, Liz Stringer and Jen Cloher are teaming up to tour as Dyson Stringer Cloher this October, November and December and are streaming a stunning tour EP to get you in the mood. Details here

– The Illawarra Folk Festival revealed the first artists for 2014 including Andy Irvine, The Beez, Dom Flemons, Whitetop Mountaineers, The Miss Chiefs, The Timbers and many many more. Details here

– This month’s MoFo at The Gaelic in Sydney will feature All Our Exes Live in Texas and Oh Pep! Details here

– We exclusively debuted “Feet In The Sand”, the new video from Rose Wintergreen. Details here

– The new single from The Head and the Heart, “Another Story”, is just stunning. Details here

– Two of the Falls Festival’s more folky acts, James Vincent McMorrow and Tom Odell, have announced sideshows. Details here


“I do feel joy in my life. I don’t live in that place of my music all the time. Even though, it’s totally always just under the surface. It’s just here (touches chest under vest) and it can come out very easily”Scott Matthew spends an evening with Janine Estoesta. Interview here

“I stopped listening to the album a little while ago. Occasionally I’ll see it there and spin one or two tracks but I want to start again with everyone else. When it [comes out] I’ll start listening with everyone else to feel like it’s new for me as well” – Thomas Busby of Busby Marou chats to Gareth Hugh Evans. Interview here

“The first reason why I started to do the house concert tours is because I just wanted to be able to play more and I felt like I was exhausting all my options around the country. The size of venue that I was playing at at the time and how I was doing things meant I couldn’t necessarily go to Melbourne and play three or four gigs and actually make that work for me. I thought what if I did one gig in Melbourne and a couple of gigs in people’s homes around Melbourne so that I could spend three or four days there, I could play to more people and potentially not lose money by doing that”Sam Buckingham chats to Gareth Hugh Evans. Interview here

Releases This Week

Busby Marou
Farewell FitzroyBusby Marou

Rosie Catalano
Dreams Are Just MoviesRosie Catalano

Crooked Fiddle Band
Moving Pieces of the SeaThe Crooked Fiddle Band

Little Stevies
Diamonds For Your TeaThe Little Stevies

AfterdustWoody Pitney

Timber and Steel Presents

Friday 4th October – Some Velvet Morning, Melbourne, VIC
Saturday 5th October – Revolt Studios, Melbourne, VIC
Tuesday 8th October – The Front, Canberra, ACT
Friday 11th October – Triple Menace Studio, Sydney, NSW

Gigs Next Week

Foy Vance
Thursday 10th October – The Basement, Sydney, NSW

Jack Carty
Friday 4th October – The Clarendon, Katoomba, NSW
Saturday 5th October – The Heritage, Bulli, NSW
Sunday 6th October – The Front, Canberra, ACT

Jinja Safari
Friday 4th October – Settlers Tavern, Margaret River, WA
Saturday 5th October – The Astor, Perth, WA
Sunday 6th October – Prince Of Wales, Bunbury, WA

Liz Frencham
Friday 4th October – Humph Hall, Nth Sydney, NSW
Sunday 6th October – The Clarendon Guesthouse, Katoomba, NSW

Loren Kate
Thursday 10th October – Kidgo Arthouse, Fremantle, WA
Friday 11th October – Nanga Music Festival, Dwellingup, WA

Mark Moldre and Sarah Humphreys
Thursday 10th October – Bottlerocket Bar & Cafe, Nowra, NSW
Friday 11th October – Shellharbour Workers Club, Shellharbour, NSW

Matt Corby with Bear’s Den
Wednesday 9th October – Wollongong University, Wollongong, NSW
Thursday 10th October – ANU Bar, Canberra, ACT
Friday 11th October – Hordern Pavilion, Sydney, NSW

Nigel Wearne
Friday 4th October – Harmonie German Club, Narrabundah, ACT
Saturday 5th October – St Leonards Vineyard, Wahgunyah, VIC
Saturday 5th October – Tanswells Hotel, Beechworth, VIC

Olivers Army
Friday 4th October – The Spotted Mallard, Melbourne, VIC

Oscar Lush
Thursday 10th October – Sofar Sounds, Sydney, NSW

Potato Potato
Friday 4th October – Brunswick Hotel, Brunswick Heads, NSW

Roscoe James Irwin
Thursday 10th October – The Wheatsheaf Hotel, Adelaide, SA

Rose Wintergreen with Rosie Catalano
Friday 4th October – The Hideaway, Brisbane, QLD
Thursday 10th October – The Oxford Arts Factory, Sydney, NSW

Friday 4th October – Paris Cat Jazz Club, Melbourne, VIC
Saturday 5th October – Ceres Markets (morning), Brunswick East, VIC
Saturday 5th October – Secret House Concert, Brunswick East, VIC
Sunday 6th October – Popup Gig, Melbourne, VIC

Tanya Batt
Saturday 5th October – FBi Social, Sydney, NSW

The Bon Scotts
Thursday 10th October – The Front Bar, Canberra, ACT
Friday 11th October – Grand Junction, Maitland, NSW

The Lamplights and Buffalo Tales
Friday 4th October – The Soundlounge, Gold Coast, QLD
Saturday 5th October – Greenslopes Bowls Club, Brisbane, QLD

The Stillsons
Friday 4th October – 5 Church St, Bellingen, NSW
Saturday 5th October – The Wickham Park Hotel, Newcastle, NSW
Sunday 6th October – The Junkyard, Maitland, NSW

Tomas Strode & The Tour Guides with Aluka, Amy Alex
Wednesday 9th October – The Toff in Town, Melbourne, VIC

Friday 11th October – Hotel New York, Launceston, TAS

Xavier Rudd, Donavon Frankenreiter and Nahko and Medicine for the People
Friday 4th October – Big Top, Sydney, NSW
Sunday 6th October – Caloundra Music Festival, Caloundra, QLD
Monday 7th October – YAC Ampitheatre, Byron Bay, NSW
Tuesday 8th October – The Tivoli, Brisbane, QLD

Friday Folk Flashback

“October” – Tunng

Can you believe it’s October already? My how the year flies.

Sam Buckingham and Buffalo Tales Announce Joint Tour

Sam Buckingham
Image Courtesy of Sam Buckingham

Two of Timber and Steel’s favourite folk troubadours, Sam Buckingham and Buffalo Tales (Wes Carr), have announced plans to head out on tour together over spring. The two artists have long been friends and collaborators with Sam Buckingham appearing on Buffalo Tales’ recent album Road Trip Confessions singing backing vocals on the track “Tricks to Magik”.

The tour will see Sam Buckingham and Buffalo Tales play dates up and down the east coast over the next few months. The full list of dates are below:

Thursday 24th October – Dowswe Bar, Brisbane, QLD
Wednesday 30th October – Royal Exchange Theatre, Newcastle, NSW
Thursday 31st October – The Rhythm Hut, Gosford, NSW
Friday 1st November – Venue 505, Sydney, NSW
Wednesday 4th December – Revolver, Melbourne, VIC

Thank Folk It’s Friday – 20th September


This Week in Folk

All the News From The Week That Was

Jinja Safari officially released the unofficial video for the track “Mombassa On The Line”. Details here

Daughter have revealed the new track “Smoke” which is a b-side on the “Youth” single. Details here

– When he’s in the country for Bluesfest next April Iron & Wine has announced a couple of side shows. Details here

Edward Sharpe & The Magnetic Zeros have also announced Bluesfest sideshows in Sydney and Melbourne. Details here

– Following her Mercury Award nomination Laura Marling has released the video for her track “Devil’s Resting Place”. Details here

– Byron Bay locals Potato Potato are launching their debut EP tonight. Details here

– After successfully launching her EP last week Tanya Batt is about to hit the road with shows in Sydney, Melbourne and Adelaide. Details here

Bear’s Den have announced plans to release a new EP Without/Within following their Australian tour with Matt Corby. Details here

– The Nexus Multicultural Arts Centre in Adelaide has announced its Spring world music series lineup. Details here

The Head and The Heart have announced details of their second album due in October. Details here

The Lamplights and Buffalo Tales are teaming up for a handful of shows in October. Details here

– Sydney folk-jazz fusion five piece Takadimi are touring the east coast. Details here

– Irish folk music legends Clannad are returning to Australia for the first time since 1995. Details here

Junip have released their latest video “Walking Lightly”. Details here

– Following on from some impressive support slots (Josh Pyke and Billy Bragg to name two) Patrick James has announced a national tour this November. Details here

The Crooked Fiddle Band released their brand new video “The Deepwater Drownings – Part 1”. Details here


Jack Carty has given Timber and Steel exclusive videos of a recent performance at The Front in Canberra. The remaining tracks we posted this week are below:
“Tunnel Vision”
“Giveth and Taketh Away”
“What Does Your Heart Say?”
“Master Of All Things”

Releases This Week

Barons of Tang
Into The Mouths Of Hungry GiantsBarons of Tang

WastedRoscoe James Irwin

Timber and Steel Presents

Mark Wilkinson
Mark Wilkinson with Little Bighorn
Friday 20th September – Lizotte’s, Central Coast, NSW
Saturday 21st September – The Clarendon Guesthouse, Katoomba, NSW

Official Site

Roscoe James Irwin
Roscoe James Irwin with Ben Wright Smith, Al Parkinson
Sunday 22nd September – The Workers Club, Melbourne, VIC
Tickets on the Door

Gigs Next Week

Ashleigh Mannix
Friday 20th September – The Coffs Harbour Hotel, Coffs Harbour, NSW
Saturday 21st September – 5 Church Street, Bellingen, NSW
Thursday 26th September – The Joynt, South Brisbane, QLD
Friday 27th September – The Up Front Bar, Maleny, QLD

Friday 20th September Byron Theatre, Byron Bay
Saturday 21st September – Meeniyan Town Hall, Meeniyan, VIC
Sunday 22nd September – Sydney Opera House, Sydney, NSW
Tuesday 24th September – Athenaeum Theatre, Melbourne, VIC
Wednesday 25th September – Corner Hotel, Melbourne, VIC
Thursday 26th September – The Gov, Adelaide, SA
Friday 27th September – Astor Theatre, Perth, WA

Dustin Tebbutt with Packwood
Saturday 21st September – Southside Tea Gardens, Brisbane, QLD

Jack Carty
Friday 20th September – The Royal Oak, Launceston, TAS
Saturday 21st September – The Waratah Hotel, Hobart, TAS
Friday 27th September – Ya Ya’s, Perth, WA

Jinja Safari
Friday 20th September – Cambridge, Newcastle, NSW
Saturday 21st September – The Metro, Sydney, NSW
Wednesday 25th September – Loft, Warrnambool, VIC
Thursday 26th September – Barwon Club, Geelong, VIC
Friday 27th September – Forum, Melbourne, VIC

Lanie Lane
Friday 20th September – Black Bear Lodge, Brisbane, QLD

Little Features feat. Betty & Oswald, Arbori, Bexley De Lion, Rainy Day Women
Saturday 21st September – Hibernian House, Sydney, NSW

Loren Kate
Saturday 21st September – The Black Cockatoo Arthouse, McLaren Vale, SA
Sunday 22nd September – The Wheatsheaf Hotel, Thebarton, SA
Friday 27th September – Maleny Community Centre, Maleny, QLD

Potato Potato
Friday 20th September – Ewingsdale Hall, Byron Bay, NSW
Sunday 22nd September – Queen Street Mall, Brisbane, QLD

Nigel Wearne
Saturday 21st September – The Pizza and Wine Club, Kyneton, VIC
Wednesday 25th September – The Yinnar Hotel, Yinnar, VIC
Friday 27th to Sunday 29th September – Wallaby Creek Festival, Rossville, QLD

Olivers Army
Saturday 21st September – The Rhino Room, Adelaide, SA

Roscoe James Irwin
Sunday 22nd September – The Workers Club, Melbourne, VIC
Thursday 26th September – The Newsagency, Sydney, NSW

The Paper Kites
Friday 20th September – Jive, Adelaide, SA
Saturday 21st September – Fly By Night, Fremantle, WA
Friday 27th September – The Waratah Hotel, Hobart, TAS

The Stillsons
Thursday 26th September – Sol Bar, Maroochydoore, QLD
Friday 27th September – The Sound Lounge, Currumbin, QLD

The Woohoo Revue
Saturday 21st September – Escape Arts Festival, South Coast, NSW
Friday 27th September – Nexus Arts Centre, Adelaide, SA

Turning Wave Festival
Friday 20th to Sunday 22nd September – Yass, NSW

Xavier Rudd, Donavon Frankenreiter and Nahko and Medicine for the People
Wednesday 25th September – Thebarton Theatre, Adelaide, SA

Zoe Elliot and Christopher Coleman
Friday 20th September – House Concert, Newcastle, NSW
Saturday 21st September – Smallest Gig sideshow, Sydney, NSW

Friday Folk Flashback

“Rolling Home” – Roy Bailey

I love a good singalong and “Rolling Home” is just one of those songs that you’ll inevitably hear at a session or festival with the audience happily joining in. The song is originally by John Tams but the Roy Bailey version is the one I’m most familiar with.

The Lamplights and Buffalo Tales Announce Joint October Tour

The Lamplights
Image Courtesy of The Lamplights

Two of Australia’s brightest folk stars – Gold Coast five piece The Lamplights and Wes Carr’s Buffalo Tales project – are teaming up for a series of shows at the start of this October. The two artists are putting together some pretty special gigs with a promise that they’ll be invading each other’s sets.

Check out the full list of gigs below:

Thursday 3rd October – Bangalow Bowls Club, Bangalow, NSW
Friday 4th October – The Soundlounge, Gold Coast, QLD
Saturday 5th October – Greenslopes Bowls Club, Brisbane, QLD

Thank Folk It’s Friday – 30th August


This Week in Folk

All the News From The Week That Was

Johnny Flynn has revealed another track from his upcoming LP, the T.S. Eliot inspired “After Eliot”. Details here

– While he’s in the country for BIGSOUND Billy Bragg has announced a single showcase in Sydney. Details here

– Sydney singer-songwriter Rosie Catalano has revealed the details of her new EP including a stream of the first single “Hearts” featuring Jack Carty. Details here

Boy & Bear have released their new video for the single “Three Headed Woman”. Details here

Bluesfest announced their first round of artists for 2014 including John Mayer, The Dave Matthews Band, John Butler Trio, Edward Sharpe & The Magnetic Zeros, Iron & Wine, Michael Franti & Spearhead, Devendra Banhart and many many more. Details here

The Little Stevies have revealed details of their upcoming album along with a video of the first single. Details here

– The new EP from Zoe Elliot, Black Dog, has been officially launched along with a video for the first single plus a handful of tour dates this September have been announced. Details here

Caitlin Rose released her new single “Waitin'”. Details here

– Adelaide folk favourites The Timbers have announced an East Coast tour this October. Details here

– It’s great to see the Georgia Fair boys back with some new music and a national tour. Details here

Busby Marou have a new album and a massive national tour due this October. Details here

Tanya Batt will be launching her new EP Atlas in Melbourne next week. Details here

– The latest single from Buffalo Tales is “Puppet Strings”. Details here

– The full lineup for the Dorrigo Folk and Bluegrass Festival has been announced including Mustered Courage, The Company, Lucy Wise and the B’Gollies, The Mid North, Bellyache Ben and The Steamgrass Boys, The Lurkers, Oh Pep!, Rhiannon and Monique and many many more. Details here

– Check out the brand new video from Catherine Traicos and the Starry Night, “Light In The Dark”. Details here

– All of the details of the new album from Lachlan Bryan and The Wildes have been been revealed. Details here

Pete Roe has a brand new video for the track “A Strange Kind of Mystery in the Air”. Details here

– Irish singer-songwriter Foy Vance has announced plans for his first ever Australian tour. Details here

Liam Gale & The Ponytails will be launching their new single “Antipodean Honour” in Sydney next month. Details here


“I’m a big fan of Nick Cave and PJ Harvey, all these guys they just go on stage and you just want to look at them. And, you’re like, ‘I just want to go and have a beer with them afterward,’ I don’t like people coming on stage and you just don’t know who they are. I don’t know, I really like people where you can really feel their personalities”Mélanie Pain chats to Janine Estoesta. Interview here

Releases This Week

StatesThe Paper Kites

Timber and Steel Presents

Asheigh Mannix
Ashleigh Mannix with Al Parkinson, Dan Parsons
Sunday 1st September – The Workers Club, Melbourne, VIC
Tickers on the Door

Buffalo Tales
Buffalo Tales
Frdiay 30th August – Sandbar, Mildura, VIC
Saturday 31st August – Club Legion, Broken Hill, NSW
Sunday 1st September – Cobdolga Club, Cobdolga, SA

Official Site

Fanny Lumsden
Fanny Lumsden & The Thrillseekers
Friday 30th August – Wesley Ann, Melbourne, VIC
Saturday 31st August – Baha Tacos, Rye, VIC
Sunday 1st September – Pure Pop Records, St Kilda, VIC

Tickets From Venue

Mark Wilkinson
Mark Wilkinson with Little Bighorn
Friday 30th August – The Heritage Hotel, Bulli, NSW
Saturday 31st August – The Basement, Sydney, NSW
Friday 6th September – The Promethean, Adelaide, SA

Official Site

Gigs Next Week

Ashleigh Mannix
Friday 30th August – Baha Tacos, Rye, VIC
Sunday 1st September – The Workers Club, Melbourne, VIC
Thursday 5th September – The Bridge Hotel, Castlemaine, VIC
Friday 6th September – Babushka Lounge, Ballarat, VIC

Friday 6th September – Ya-Ya’s, Perth, WA

Jack Carty
Friday 30th August – The Spotted Cow, Toowoomba, QLD
Saturday 31st August – Joe’s Waterhole, Eumundi, QLD
Sunday 1st September – Black Bear Lodge, Brisbane, QLD
Friday 6th September – Brighton Up Bar, Sydney, NSW

Josh Pyke
Friday 30th August – The Soundlounge, Gold Coast, QLD
Saturday 31st August – The Tivoli, Brisbane, QLD
Thursday 5th September – Prince of Wales, Bunbury, WA
Friday 6th September – Fly By Night, Fremantle, WA

Little Features feat. Joshua Chamberlin, Betty and Oswald, The Conversations, Jacob Pearson
Saturday 31st August – Hibernian House, Sydney, NSW

Major Chord with Brighter Later
Saturday 31st August – Bella Union, Melbourne, VIC

Paul Kelly
Friday 30th August – City Hall, Hobart, TAS

Sam Brittain
Friday 30th August – The Beresford, Sydney, NSW
Saturday 31st August – Barossa Regional Art Gallery, Tanunda, SA
Thursday 5th September – The Grace Emily Hotel, Adelaide, SA

Sam Buckingham
Friday 30th August – The Wheatsheaf, Adelaide, SA

Tanya Batt with Timberwolf, Eliza Hull
Wednesday 4th September – The Toff in Town, Melbourne, VIC

The Go Set with The Real McKenzies
Friday 30th August – Brisbane Hotel, Hobart TAS
Saturday 31st August – Espy Gershwin Room, Melbourne VIC
Sunday 1st September – Barwon Club, Geelong VIC
Wednesday 4th September – ANU Bar, Canberra ACT
Thursday 5th September – Manning Bar, Sydney NSW
Friday 6th September – Miami Tavern Shark Bar, Gold Coast QLD

The Paper Kites
Friday 30th August – The Small Ballroom, Newcastle, NSW
Saturday 31st August – Metro Theatre, Sydney, NSW
Thursday 5th September – The Soundlounge, Gold Coast, QLD
Friday 6th September – The Hi-Fi, Brisbane, QLD

The Timbers
Friday 30th August – The Grace Emily Hotel, Adelaide, SA

The Woohoo Revue
Friday 30th August – Northcote Social Club, Melbourne, VIC
Saturday 31st August – Theatre Royal, Castlemaine, VIC
Friday 6th September – Venue 505, Surry Hills, NSW

Vance Joy with Fraser A. Gorman
Friday 30th August – Oxford Art Factory, Sydney, NSW
Saturday 31st August – The Zoo, Brisbane, QLD
Tuesday 3rd September – The Corner, Melbourne, VIC

Friday Folk Flashback

“Two Step” – The Dave Matthews Band

With the announcement of The Dave Matthews Band on the 2014 Bluesfest lineup this week I couldn’t help but share with you the song that made me fall in love with them so many years ago. Their appearance at Bluesfest is going to be epic!

New Buffalo Tales Single “Puppet Strings”

Buffalo Tales
Image Courtesy of Buffalo Tales

By now you’ve no doubt heard the awesome new album from Buffalo Tales, Roadtrip Confessions, and possibly even seen the man himself live as he’s toured the country for Timber and Steel. If you haven’t we’ve got another taste for you with the brand new Buffalo Tales single “Puppet Strings” now streaming online.

When we interviewed Buffalo Tales, AKA Wes Carr, in July he made it clear that “Puppet Strings” is not necessarily about his experience working with a major record label. “It’s really a comment on general society,” Carr explaned. “I can only write from my own experience and my own thoughts and opinions. It’s more of a comment about how people are coaxed into this way of life that they think they should be – they’ve got to get the top job because Dad’s going to be proud of me or whatever. But really inside they want to travel or do something. I think everybody has a certain thing that they’ve had to compromise to fit into a certain pigeon hole.”

Take a listen to “Puppet Strings” below:

Thank Folk It’s Friday – 19th July


This Week in Folk

All the News From The Week That Was

– Sydney alt-country troubadour Boy Outside has revealed details of his debut self-titled EP. Details here

– Brisbane local Vancouver Sleep Clinic has a new Bon Iver inspired single “Vapour” that we’re really digging. Details here

JamGrass have added The Morrisons and The Rusty Spring Syncopators to their Sydney showcase next month. Details here

– The Kangaroo Valley Folk Festival revealed their 2013 lineup including Alanna & Alicia Egan, Andrew Clermont, Chaika, Fig Jam, Jack Carty, Julia & the Deep Sea Sirens, Loren Kate, Mal Webb, Penelope Swales, Phil Garland, Stiff Gins, Totally Gourdgeous and many many more. Details here

Bears With Guns released their new EP Only the Quick and the Hungry yesterday and have a new video for the track “Wandering Soldier”. Details here

Gemini Downs combine folk music and marriage equality in their catchy new video “Will You Marry Me?”. Details here

– Adelaide’s The Timbers will be releasing their new single “Gallantry” at the start of next month along with a residency at The Grace Emily Hotel. Details here

– Gypsy party band The Woohoo Revue have announced a massive 22 date tour starting next week. Details here

The Tiger & Me are heading out on the road to celebrate the release of their new single “Jack Middle of the Broken Heart”. Details here

– Australian songwriting legend John Williamson releases his best of album A Hell Of A Career today. Details here

Little Features in Sydney announced their July lineup including Son of Sun, Chris Neto, Dominic Youdan, Charlie Gradon and headlined by Emma Beau. Details here


“What defines me most is songs that have an honest, raw truth from what I feel and think through my songs. There’s no real intention to go out and try and capture one thing, it’s all about whatever feels right at the time. And that was the mantra for this album – if it feels right then that’s what it is” – Wes Carr from Buffalo Tales talks to Gareth Hugh Evans. Interview here

Releases This Week

Bears With Guns
Only the Quick and the HungryBears With Guns

Elephant Eyes
Elephant EyesElephant Eyes

John Williamson
A Hell Of A CareerJohn Williamson

I'm a Bird
I’m A BirdSam Buckingham
Official Store

Timber and Steel Presents

Buffalo Tales
Buffalo Tales
Friday 19th July – The Elsternwick Hotel, Elwood, VIC
Saturday 20th July – Ferntree Gully Hotel, Ferntree Gully, VIC
Sunday 21st July – The Workers Club, Melbourne, VIC

Official Site

Pierce Brothers
The Pierce Brothers w/ Five Mile Town
Sunday 21st July – The Workers Club, Melbourne, VIC
Tickets on the Door

Gigs Next Week

Alison Avron
Saturday 20th July – The Newsagency, Sydney, NSW

Bears With Guns
Friday 19th July – The Railway Hotel, Parkes, NSW
Monday 22nd July – The Phoenix, Canberra, ACT
Thursday 25th July – Brighton Up Bar, Sydney, NSW

Tuesday 23rd July – The Corner, Melbourne, VIC
Wednesday 24th July – Oxford Arts Factory, Sydney, NSW

Folk Club feat. OXBLVD, All Our Exes Live In Texas, Breaking Hart Benton
Wednesday 24th July – The Soda Factory, Sydney, NSW

Fraser A Gorman w/ Tim Neilson (The Death Rattles)
Wednesday 24th July – The Spotted Mallard, Melbourne, VIC

Grizzly Jim Lawrie
Thursday 25th July – The Toff In Town, Melbourne, VIC
Friday 26th July – The Newsagency, Sydney, NSW

Isaac Graham
Friday 19th July – Yours And Owls, Wollongong, NSW
Friday 26th July – The Bunker, Coogee, NSW

Laura Marling
Monday 22nd July – St Stephen’s Uniting Church, Sydney NSW
Tuesday 23rd July – St Stephen’s Uniting Church, Sydney NSW
Wednesday 24th July – St Stephen’s Uniting Church, Sydney NSW
Thursday 25th July – Flinders Street Baptist Church, Adelaide SA
Friday 26th July – St Joseph’s Church, Perth WA

Paul Kelly
Tuesday 23rd July – Civic Theatre, Cairns, QLD
Wednesday 24th July – Civic Theatre, Townsville, QLD
Friday 26th July – Pilbeam Theatre, Rockhampton, QLD

Sam Brittain
Saturday 20th July – Wesley Anne, Melbourne, VIC
Sunday 21st July – Secret House Gig, Melbourne, VIC
Friday 26th July – The Wheatsheaf, Adealaide, SA

Sam Buckingham
Sunday 21st July – The Bird, Northbridge, WA

Sarah Blasko
Monday 22nd July – The Playhouse, Canberra, ACT
Tuesday 23rd July – Joan Sutherland Performing Arts Centre, Penrith, NSW
Wednesday 24th July – City Hall, Newcastle, NSW

Splendour in the Grass
Friday 26th to Sunday 28th July – North Byron Parklands, Byron Bay, NSW

Sweet Jean
Friday 19th July – Singing Gallery, McLaren, SA
Saturday 20th July – Barossa Regional Gallery, Tanunda, SA
Sunday 21st July – Wheatsheaf Hotel, Adelaide, SA

The Tiger & Me
Thursday 25th July – The Basement, Sydney, NSW
Friday 26th July – Blue Beat, Sydney, NSW

The Woohoo Revue
Friday 26th July – The Hot Club, Blackheath, NSW

Thelma Plum
Thursday 25th July – Grace Emily, Adelaide, SA
Friday 26th July – Northcote Social Club, Melbourne, VIC

Friday 19th July – The Hi Fi, Melbourne, VIC

Friday Folk Flashback

“Three Drunken Maidens” – Planxty

I’ve probably posted this song as a FFF before but I just listened to this version from 1973 and just had to repost. Love this song – both to listen to it and to sing it!

Interview: Buffalo Tales, Roadship Confessions

Buffalo Tales
Image Courtesy of Buffalo Tales

With the release of his new Americana tinged album Roadtrip Confessions the reinvention of Wes Carr as Buffalo Tales is complete. The former Australian Idol winner and pop singer has gone back to his roots and is producing some of his best music to date. Currently touring NSW and VIC for Timber and Steel we sat down with Wes Carr to talk about the album, the tour and what Buffalo Tales really means.

Gareth Hugh Evans: The last time we chatted was about 18 months ago just before you played at Folk Club in Sydney the last. That was kind of the beginning of what has eventually become the Buffalo Tales project…

Wes Carr: Yeah! That would be the initial explosion – as soon as I did that gig heaps of people saw the video including my manager now [Jesse Flavell]. That’s how he found me. He saw the video of that night at Folk Club that we did, of “Blood and Bone” and he contacted over Facebook. It was the birth of the new direction. That was such a definitive moment in the whole plan that was Buffalo Tales and what it is. It created a huge opportunity for me. It was amazing actually because I met [Jesse] and then we had a chat about where I wanted to go and what I wanted to do. He was the first person I’d heard in the industry that actually talked to me about being an artist and talked to me about my songs. Everyone else wanted to talk about how much money I could make in a short amount of time. So yeah it was an incredible moment – thanks Folk Club and you guys!

GHE: It’s kinda cool that I had a small part to play in that.

WC: It was definitely one of those moments that you’ll never forget – it changed my whole life, my whole belief into who I am and what I do. I’ll forever be in debt to that night.

GHE: And it’s great that your manager is in the same headspace as you were when I chatted to you 18 months ago.

WC: You get bogged down – and fair enough too. If anyone takes their eye off the ball these days they’re pretty quickly assassinated because it’s such a competitive industry no matter what you do, no matter who you are. Everyone’s looking to get more money, more notoriety, more success or whatever. In the world of pop music it’s desperate times for every artist – it’s hard to be heard and get your art out there, get what you want to say to the world out there to an audience and to be able to live off it, to make a living. In saying that, it’s changing as well and I’m really positive about it. On one hand you can look at it negatively and on one hand you can look at it positively and I choose the positive. My experience was I had a choice – I could have gone off and do a covers album and tour it, which is completely fine for artists to do but that’s really not who I was, and at the end of the day I would have been really dissatisfied with that. There would have been no passion whatsoever and no creative outlet at all. I just want to be remembered for my songs and who I am as an artist more so than how much I get from it. I’m very much positive and looking forward to what’s in store.

GHE: 18 months ago it felt like the foundations for Buffalo Tales were already there. A lot of the songs you performed at Folk Club that night appeared on the new album Roadship Confessions and you were kind of in the midst of defining your sound. You started with the EP and now the album’s out and you’re in the middle of a national tour which has included some high profile TV appearances – your exposure has just gone through the roof. Would you say that you’ve defined who the new Wes Carr is or what Buffalo Tales means as a project?

WC: I don’t think you can ever define yourself because I’m constantly changing. One day I’ll wake up and listen to a Bon Iver record or whatever and the next minute I’m listening to Indian chant music or something and then the next minute I’m checking out Kanye West’s new stuff. I’m so eclectic with my choices of music and I think a lot of people are these days – they buy death metal records and they buy Miley Cyrus records in the same sitting. What defines me most is songs that have an honest, raw truth from what I feel and think through my songs. There’s no real intention to go out and try and capture one thing, it’s all about whatever feels right at the time. And that was the mantra for this album – if it feels right then that’s what it is. When we recorded it we layered all this stuff up – we put banjos and mandolins and stuff on every track – and then it was by muting all the instrumentation and bringing it back to the core of the song to actually hear what I was saying. And that was a thing I had to relearn I think, coming from the last bubble where everything’s overloaded with production. For me to be able to let the song speak for itself and let it go so to speak.

GHE: The reason I ask about defining your sound is that Buffalo Tales does have a leaning towards folk, west coast and Americana. And the name itself evokes Americana elements as well.

WC: It’s funny because I never really thought about any of that, it just sort of all happened. It was so natural to me. The story behind Buffalo Tales is that if the native American Indians would dream of a buffalo they would have to return back home again. I read that in a book of different cultures of the world and thought that was really cool. It’s what really rang true to me and what I wanted to do at the time – I thought “if only I could dream of a buffalo I’ll return back home to where I came from”. A lot of people are commenting on the Americana thing and some of it really is. And some of it is really Australian too – it reminds me of where I grew up in Adelaide as well.

GHE: I know Roadship Confessions isn’t a concept album as such but there is the through line in the album, a sort of roadtrip theme. And it starts with the sound of feet crunching on gravel, walking up what I assume is a driveway, and then there’s these little interludes all the way through the album as well. What was the decision behind linking the album like that?

WC: It was originally going to be interludes between every song – so basically you’d put on the album, you’d get the car and you’d go off while it just runs with music all the way through it. But then we realised that there needs to be quiet time on the album for it to give the next song a chance. We left three or four interludes on there, the best ones. I’ve spent a lot of time on the road and it’s meant to just evoke that being on the road nature where you put on a mix tape or something. So yeah, it’s loosely based on a roadtrip confessional – I suppose when you’re on a road trip with someone you start talking about things that would probably never talk about with other people. I find sometimes my gigs are like that. I’ll stand up and tell a story of the song and it will all of a sudden come to me what the song’s about, and I haven’t told the story ever or haven’t told it like I’d tell a whole bunch of strangers in a room at a gig.

GHE: I imagine you’ve been getting some questions about whether any of the songs on Roadship Confessions are about your time on Australian Idol and with a major label. There are a few allusions through the album – “Puppet Strings” feels like an obvious one and there’s lyrics about fair-weather friends in some of the songs as well as getting too close to the flame. Is that something people should be reading into the songs?

WC: It’s really a comment on general society. I can only write from my own experience and my own thoughts and opinions. It’s more of a comment about how people are coaxed into this way of life that they think they should be – they’ve got to get the top job because Dad’s going to be proud of me or whatever. But really inside they want to travel or do something. I think everybody has a certain thing that they’ve had to compromise to fit into a certain pigeon hole. You’ve only got yourself to blame but it takes a long time to realise that. I was experiencing a whole bunch of stuff that I don’t think a lot of people normally experience – all of a sudden I was in the public eye and I had to work out what that meant to me. There were times where I felt I couldn’t really relate to people anymore – I felt really alone in it all at one stage. There’s a lot of stuff I needed to get off my chest. But “Puppet Strings” for me is loosely based on what Dad’s story was. He was really a great painter, he’s an amazing artist, and when he was 16 he got the opportunity to show all his paintings of Australian landscapes over in London. His parents turned around and told him no, he was never going to do that, he was going to go get a job with the council. And then his whole life he spent working his way up in local council and becoming the CEO of the biggest local council in Australia. But all he wanted to do was to be a painter and do his art and he was denied that. His whole life he’s been working his arse off to get recognition through something that everybody at the time was like “if you do that then you’ll be accepted in our society but if you’re a painter you’re a hobo no hoper”. That’s what he was told when he was a kid and he’s always felt that way. He just always said, “I wish I’d kept up my painting, who knows where I could have been”. For me that story really rang true at a very poignant time in my life.

GHE: I think my favourite track on the album, and probably my favourite track of yours live as well, is probably “Crazy Heart”. That’s the one that gets stuck in my head. I recently did a roadtrip through Tasmania and Roadship Confessions was my soundtrack. And “Crazy Heart” was the song I just had to skip back and play again any time it came on. The track features Rachel Sermanni right?

WC: She’s an amazing artist. She’s got a beautiful record out [Under Mountains] and my favourite track on there is “Bones”. It was done over email, the whole thing. I sent her the song and she really really loved it and I wanted her to sing the second verse to make it more of a conversation. In my mind her part is my conscience so for me it’s like me talking to me but in a different voice. “Crazy Heart” was a break through song for me as I remembered how I used feel when I used to write a song. That was the first time I got that feeling back because I felt like it had died when you’re creating something for a certain thing – to get your peer approval or radio play or whatever. There was no real agenda with all of the songs on the album, that’s why I chose these songs. They’re just songs that I needed to sing. The best part about this album for me lately is I’ve actually sent it to a lot of my old friends in the mail and wrote a little excert with things like “this verse is about the time when we la la la”. Then after about 3 or 4 days I get a very cheery voicemail or an email or something saying “Oh my god I can’t believe it. You’re album’s great. We’ve been waiting for you to do this since you were 12”. For me that’s been the best part about doing this as well. It’s a sense of release.

GHE: You’re in the middle of a Timber and Steel presented tour of NSW and VIC. How are you feeling now that you’re a few shows in? How is the audience responding to Buffalo Tales?

WC: Slowly but surely people are coming to the shows and actually getting what Buffalo Tales is about and who I am as an artist, more so than the guy they see on the television or read about in the paper. It’s perfect because the people that are coming are actually appreciating my music which is everything that I wanted to achieve. It’s awesome. What else could you ask for?

GHE: Thanks so much for chatting with me today – and good luck with the rest of the tour!

WC: Cheers mate.

Roadtrip Confessions is available now. The remaining dates for the Timber and Steel supported Buffalo Tales tour are below:

Friday 19th July – The Elsternwick Hotel, Elwood, VIC
Saturday 20th July – Ferntree Gully Hotel, Ferntree Gully, VIC
Sunday 21st July – The Workers Club, Melbourne, VIC
Frdiay 30th August – Sandbar, Mildura, VIC
Saturday 31st August – Club Legion, Broken Hill, NSW
Sunday 1st September – Cobdolga Club, Cobdolga, SA

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