Preparing for The Gum Ball

The Gum Ball 2011The Gum Ball 2011 by KTBell

After last year’s taste of The Gum Ball, we are very keen to be heading back to Belford for what is sure to be a folkin’ great weekend away. We’re making plans to catch as much of the weekend as possible by packing the car on ANZAC day so we can get the jump on the traffic on Friday afternoon. We’ve got our gumboots at the ready, just in case of rain, and we’ve been going over the playing times and are hanging out to see the newly reformed The Bakery, TnS fave Kim Churchill, the country swagger of Wagons, raw roots power of Ash Grunwald with Vika and Linda and can’t wait to see where Jinja Safari are taking their tunes too. And they’re only the ones we’re familiar with, with the Perch Creek Family Jug Band opening Saturday’s bill and a raft of our faves from other genres, this is going to be an exciting festival in the perfect setting!

With less than a week to go, and with a spate of struggling festivals cancelling across media headlines for months, it’s dishearteneing to see a news story this past week about the struggle the event is experiencing with lower than anticipated ticket sales and the bureaucratic red tape faced every year. The most inspirational part to come out of the struggles is that the festival still manages to support Beyond Blue, The National Depression Initiative.

In an effort to make the Bedford location more accessible for all, The Gum Ball have announced on their facebook page that they will run a shuttle service from Newcastle on Friday with a return service at 10am Sunday, all accessible by train from Sydney. Bookings for all are essential for all services info@thegumball.com.au.

The Gum Ball 2011

That’s all well and good if you live near-by, but this festival is really the perfect escape for any Sydney-sider but it’s like Sydney just haven’t grasped that yet. Perhaps The Gum Ball needs to be compared to something a little more familiar. Stu and I have been looking forward to the Gum Ball for a year, and I’ve been contemplating why. The Gum Ball has the crowd participation and pleasure of The Falls Festival (Falls is like the Op Shop Bop on steroids), the atmosphere and idyllic setting of Peats Ridge Festival and the community spirit and village vibe of Woodford Folk Festival, it just doesn’t have the sense of occassion of New Years Eve.

Perhaps the problem is the comfort zone – the big, established festivals are a given and punters will make the trek. It’s boutique festivals like The Gum Ball, tucked away in the most divine bush setting, that are an unkown quantity, but music lovers should bite the bullet and make the effort because what awaits you is a spectacular and unique experience. Still not convinced? Check out their blog for details of the Op Shop Bop, Sid’s Circus Playground, Yoga, Tai Chi and Hula Hoop workshops, the Silent Disco for all those night owls that want to rage in to the early hours of the morning. If you’re worried about camping and food – the festival food on site is guaranteed to be great once again – we’re not planning to pack anything to eat! However, it is a BYO festival (no glass!), so no queues at the bar and no disappointment at having to choose from drinks you don’t like.

In reality – this is the kind of festival punters have been crying out for for years after over-regulation of the large scale events have placed more rules and regulations on the festival experience. This is the chance to get back to great music and a brilliant music festival experience. With tickets still available for only $120 for Saturday or $165 for the whole weekend, plus a tank of petrol split between some friends – this is the perfect way to spend a cheeky weekend away with mates.

The Gum Ball 2011

Not coming this year means you might not get another chance if numbers don’t rise. So come and support Australian music and a family run festival. They’re welcoming you on to their property, we guarantee you’ll welcome them in to your hearts.

Jesca Hoop’s Australian Tour Dates

Jesca Hoop
Image Courtesy of Jesca Hoop

American songwriter Jesca Hoop has one hell of a bio. Not only has she toured with the likes of Peter Gabriel, Elbow, The Eels, Polyphonic Spree and The Flaming Lips she also has the fairly unique privilege of once serving as nanny to Tom Waits’ children.

Hoop is currently in Australia for the Woodford Folk Festival and she is hanging around for a couple of weeks after for a series of intimate solo shows in Sydney, Jervis Bay and Eumundi. The full list of dates are below:

Wed 28th December – Sun 1st January – Woodford Folk Festival
Tues 3rd January – The Newsagency, Sydney w/ Get Folked, Lyall Moloney
Fri 6th January – Tomerong Hall, Jervis Bay w/ Lyall Moloney, Southerly Change
Sat 7th January – Joe’s Waterhole, Eumundi

Guide to Summer Festivals Part 1: Preparation

The Gum Ball 2011 Story and photos by KT Bell

Everyone’s excited about Christmas, but here at Timber and Steel we’re gearing up for a huge Summer Festival season, especially for the New Years period. There have been 4 main festivals lining up loads of Timber and Steel friendly acts to get excited about, namely Woodford Folk Festival in QLD (you may remember my 35 Hour Woodford experience from last year), Peats Ridge Festival in NSW and two VIC festivals on either side of Port Phillip Bay, Pyramid Rock Festival and The Falls Festival (also on in Marion Bay, TAS). We’ve managed to rustle up a couple of reviewers to give you the wrap up of some of these festivals in the New Year. But in preparation, let’s take a look at how to make the most of the New Years festival experience.

Our four festivals are all multi-day festivals set in lush settings away from the hustle and bustle of the city, leaving festival goers two accommodation options. 1. pay for a hotel away from the site and drive to and from the event every day (access to some festivals are limited on 31 Dec) and limit your experience ,which is no fun, or, 2. camp. Having camped through a number of different scenarios, here’s a short list of tips which will make your camping festival experience that much better. Peats Ridge offers some sustainable camping tips to check out before the festival too.

Bluesfest Saturday
Tent Options
Woodford offers Tent City which is a great option for those who need to travel light – a tent, bed, light and basics are supplied for an additional fee, you just need to buy tickets with camping and bring your own bedding (pillow, blankets etc).  Peats Ridge has begun offering Tepee camping in recycled Tepees with both 2 person and up to 4-6 person camping options and you even get to take your Teepee sleeping bags home with you.  Both are a stress free, easy way to experience a camping festival, with none of the effort of camping.

For all the other camping events, either take a tent you can stand up right in, or be prepared to spend very little time in your tent, most of which will be in a half sitting/ laying position.

Dealing with Mud and Rain
Proof I was there, in my gumboots. Given the very unseasonal start to Summer, it would be wise to steel yourself for the likelihood of rain and eventual mud. Lots of mud. Best things to do are to take gumboots, extra socks (thick socks deal with chaffing better) and why not think about a gel or wool inner sole for your gumboots while you’re at it – I can say from days dancing in boots at Peats Ridge 2009, your feet will be worn out before the end of the festival.

Take a poncho or rain coat – not umbrellas. Alternately take a couple of heavier hoodies, they’re also quite good at keeping the rain off, but they do soak through. If you’re at Woodford, I did pick up a beautiful waterproof parasol from a vendor who I believe goes regularly and it’s gotten me through a number of both sunny and rainy days since.

Take extra changes of clothes and some gear that you don’t care if it’s ruined by mud. If you are going to go sliding in the mud, whether in clothes or not (yes, another fun Peats Ridge image yet to be removed from my memory), make plans to get through the shower or dip in a creek before your favourite act hits the stage, otherwise you’ll be sweaty, tired and still muddy.

Best tip: Take a bucket, an old towel and/ or a bathmat – leave them outside your tent and use them as a door mat and to rinse off your feet before climbing in to your tent to avoid the mud spread through all your belongings. And make sure to take your gumboots off outside before entering, leave them outside or just inside the door.

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Hygiene
There are a couple of elements to the whole multi-day camping festival and keeping yourself clean. Showers are often hugely sought after at the usual peak times, mornings and early evenings. Mind you at both Peats Ridge and Woodford, I walked past the shower blocks very late at night (as late as 2am) and they were well in use. Plan your showering/ bathing times ahead, have a look at the timetable and see if you can pop back from a quick shower before the next act.

Alternately, if you’re tough, you could forgo the showers altogether – in some locations there’s rivers to have a nice dip in and keep yourself fresher, but you will need to wear something in, be decent people. Even if you take to bathing, take along some baby wipes or wet ones and give yourself a good wipe down all over at least once a day and apply deodorant liberally. You might be able to cope with no showering, but the people around you might not cope with your odour.

Toilets at most of these festivals have moved towards the sustainable compostable toilets. No flush toilets can be challenging, especially after a few days in to a festival. Firstly, learn how the toilets work – usually there’s a tub or pile of sawdust available. If you’re heading for number 1s, just go without sawdust, and you can pop some toilet paper in after you if you need. If you’re going number 2s, take a cup/ handful of sawdust to throw in after you’ve finished. If it’s a big number 2, well, take some back up sawdust. ALWAYS close the lid no matter what number you’ve been to so that insects are not attracted to the contents – no one wants to use a fly infested loo. If everyone uses them properly, these toilets can work very well. And boys, you’re always welcome to take to the bushes if that’s easier.

Supplies
Bluesfest Saturday Most festivals are no BYO and all would be No Glass – there’s nothing worse than some broken glass to ruin your day by slicing your foot, or worse, your butt, open. Some festivals have fire bans – check the FAQs for your festival and check what you can and can’t take in. If you can afford it, budget to buy your meals, it supports the vendors which in turn supports the festival and allows it to go ahead every year. The same goes with alcohol and festival bars, bringing your own alcohol might seem like a sneaky and clever idea but it jeopardises the festivals liquor licence and can have a detrimental effect on the bar provider which may lead them to choosing not to be involved in the future. Everyone likes to save a buck, but bars and food vendors are the life blood of funding for festivals and events, so spend with them to help your favourite festival continue year to year.

Check out your festival’s website for information about the dos and don’t's at your festival and travel information. Also don’t forget to take some important items that are often forgotten including sunscreen, a hat, jumper/ warm clothes, a water bottle, toothbrush and paste. It’s a good idea to invest in some ear plugs, they cancel out much of the noise and volume but none of the music, you can even hear the lyrics plus they save your hearing. Having now attended a few festivals with ear plugs, they’re a staple in my stash.

Woodford has both an Eating at Woodford and a What to Bring section available from their home page.
Falls Festival has a What to Bring section which reminds punters to bring tickets. Believe it or not, I’ve seen it happen.

If all of that planning and packing seems like too much trouble, you could check out a new venture called Festival Kits which is an online service able to deliver a package to your at home before you depart which contains all the essentials, and they’re catering to all of our festivals and more.

Get In To It!
The Gum Ball 2011
Plan your festival, work out who you want to see, and read the bios of acts you’ve never heard of and check them out, you might find a brand new favourite you would have otherwise missed. Make a note of what non musical things you want to see like arts, workshops, talks and displays so you don’t forget to catch them. A number of the festivals have lantern and New Year parades complete with fancy dress or masquerade themes which you can get right in to the thick of helping create and perform. If you don’t want to be involved, at least make sure you have your camera handy for some amazing photo opportunities.

Bluesfest Saturday If you’re taking technological devices like phones and iPhones, why not download relevant information to your phone, or if you’re lucky, there will be an app for that. However, think twice about how you’re going to power and recharge your device – it’s a good idea to take a car charger with you and plan some time recharging. Also keep an eye out for recharge bars seen at many festivals which allow you to plug in to solar power and recharge your devices. However, you’ll need to stick around and wait for your device to charge as the people running it sure aren’t going to babysit your phone for you.

If you’ve got some time free, or you’re not really feeling the festival experience, try volunteering. All of these festivals rely on volunteers to make the magic happen and being involved in helping the festival run can be really rewarding. All of the volunteering programs have closed except for Woodford, however no matter which festival you’re at, if you’re bored, find the volunteer tent/ center and ask about volunteering. If you do enough hours, you might even get your ticket price refunded – but you will definitely have a unique experience of the festival.

Tickets are still available to all of these festivals, except the Lorne edition of The Falls Festival, however if you feel like crossing the ditch to Tassie, you can still get tickets to The Falls Festival at Marion Bay. Why not treat yourself to an early Christmas present and grab yourself a ticket if you haven’t already!

Plan and prepare now, and stay tuned for our next installment of our Guide to Summer Festivals.

Hanggai Announce Australian Tour

Hanggai
Image Courtesy of Hanggai

After their blistering performance at WOMADelaide earlier this year Chinese folk group Hanggai have announced a national tour after being announced for Peats Ridge, The Woodford Folk Festival and the Adelaide Festival Centre Sessions.

Hanggai are champions of traditional Mongolian culture taking the music of their heritage and making it accessible to audiences around the world. After seeing them on the WOMADelaide stage our reviewer Thom Owen Miles said “It’s probably fairly likely that you’ll have someone trying to preach to you the quality of Hanggai’s music again soon. Take my advice: believe the hype and assume they’re underselling it”. And now’s your chance to see what everyone is talking about. Check out the full list of dates below:

Tuesday 27th to Friday 30th December – Woodford Folk Festival
Saturday 31st December – Peats Ridge Festival
Tuesday 3rd January – The Basement, Sydney
Wednesday 4th January – The Basement, Sydney
Thursday 5th January – Lizottes, Kincumber
Friday 6th January – Adelaide Festival Centre
Saturday 7th January – Corner Hotel, Melbourne
Sunday 8th January – Ruby’s Lounge, Belgrave
Friday 13th January – Mona Foma, Tasmania

Timber and Steel First: 2011/12 Woodford Folk Festival Lineup

Woodford
Image Courtesy of the Woodford Folk Festival

Timber and Steel is proud (and just a little bit excited) to be among the first to bring you the 2011/12 Lineup for the Woodford Folk Festival.

The theme for this year’s Woodford Folk Festival – held from the 27th December to the 1st January in Woodfordia, QLD – is “Pieces of the Puzzle” which focuses on the idea that we all contribute to making this world a better place. And with a lineup like this, it looks like Woodford are doing just that. So let’s get into it shall we:

Gotye
De Pedro
Cloud Control
Xavier Rudd
Tinpan Orange
Eagle and the Worm
Husky
Owl Eyes
The Herd
Jesca Hoop (USA)
Andy Bull
Daily Meds
Dubmarine
Jordie Lane
The Red Eyes
Graveyard Train
Mountain Mocha Kilimanjaro
Sticky Fingers
Band of Frequencies
Benjalu
OKA
BLAKwax (USA/AUS)
Buffy Sainte-Marie
Busby Marou
Hanggai
The Bakery
The Ninth Chapter
Charlie Mayfair
Tuba Skinny (USA)
The Medics
Crooked Still (USA)
Daniel Champagne
Danny Widdicombe
Die Roten Punkte
Skipping Girl Vinegar
Faux Pas
Frank Yamma
Swamp Thing (NZ)
Gambirra
Watussi
Haitus Koiyote
Hugo and Treats
Jack Carty
Jamie MacDowell & Tom Thum
The Sunshine Brothers
Jess Beck
John Flanagan and The Begin Agains
Lola the Vamp, Rita Fontaine, Flavella L’Amour,
Lucy Wise and The B’Gollies
Sol Nation
Sue Ray
Dougie Maclean (SCOT)
Tim Edey & Brendan Power (IRE/NZ)
Tripod
More Fiddles Than Frocks
Andre Soler
Amelia Curran (CAN)
David Myles (CAN)
DJ Mike Ford
Elixer (feat. Katie Noonan)
Dachambo (JAP)
Monsieur Camembert
Kira Puru & The Bruise
My Friend The Chocolate Cake
Roesy
Sherman Downey & The Silver Lining
The Transylvaniacs
Brothers Grim
Charlie A’Court (CAN)
Genevieve Chadwick
Joe Robinson
Pugsley Buzzard
Invisible Friend
The Old Spice Boys
The Re-Mains
Benny Walker

Pretty impressive right? There are far too many names there that we’re excited about to list each individually but lets just say that we can’t wait for New Year!

Woodford Early Bird Tickets Now on Sale

Woodford Folk Festival
Image Courtesy of Woodford Folk Festival

So get this – the Woodford Folk Festival is a full 8 and a half months away early bird tickets have just been released. There’s no lineup yet and no one we know plans this far in advance. So why would you buy tickets now?

Well that would be the difference in price.

You see an adult ticket to Woodford right now is going to cost you $392 for the weekend. If you buy it the day before the festival? $536. That’s a saving of $144!

You know the festival is going to be fantastic regardless of the lineup. Why not buy tickets today and save yourself some money in the process?

Details on Woodford tickets can be found here.

Woodford Folk Festival Artists Applications Open

Woodford Folk Festival

It seems like only yesterday that we were wrapping up our coverage of the wonderful Woodford Folk Festival. But it appears the merry-go-round is about to start again with artist applications open for this year’s event.

If you’re a budding folk muso looking to get into the lineup of one of Australia’s premiere festivals head over to the Expressions of Interest page on the official Woodford web site. Applications close on the 5th of May which essentially gives you less than a month to get yourself together.

The Woodford Folk Festival is held annually between the 27th December and 1st January in Woodfordia, Queensland.

Juno Award Nominees- A Folk Lover’s Guide

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Image courtesy of Basia Bulat

Those who read Timber & Steel religiously would know that we tend to follow the Canadian music scene pretty closely. It’s not just the quality of music permeating the great northern land that we’re interested in, it’s the fact that there’s an overwhelming proportion of musicians blending folk influences amongst others, and creating new, however less traditional, breeds of folk. Although the majority of the exciting movements in Canadian music aren’t so much recognised in the mainstream frontier (which is no doubt the same in every country), the Juno awards aren’t completely void of excitement, as we hope to show. Check out a full list of nominees here.

Arcade Fire

There’d be very few readers out there now that aren’t well versed in Arcade Fire. If you hadn’t heard of them before, you’d have probably heard their name connected with their recent Grammy success. There’s no doubt that these guys are indie-rockers first and foremost, but their weaving of traditional influences and instrumentation into their music has made them a T&S friendly act, right from the get-go. This year they’ve been nominated for Album of the Year, Group of the Year, Songwriter of the Year and Alternative Album of the Year.

Basia Bulat

This young lady might just be the most exciting artist on this list. As an old-time folk lover, you can easily hear a traditional Irish-like sound in there, which is only thinly veiled by a more contemporary and alternative exterior. She has a fantastic voice, and is one hell of an autoharpist. She’s been nominated for New Artist of the Year.

Broken Social Scene

Broken Social Scene are in the same boat as Arcade Fire, being an outright indie-rock group with a folky twist. This collective is undoubtedly Canadian music royalty, including members of Stars, Apostle of Hustle, The Weakerthans, Metric, Jason Collett and Feist. They utilise strings, woodwind and brass instruments to achieve large, glorious and layered sounds. They’ve been nominated for Group of the Year and Alternative Album of the Year.

Del Barber

Del Barber is a roots artist with a strong American folk influence, and enough of an indie stripe to have been pedalled by younger audiences. He has a couple of albums, but to be honest, this is the first time I’ve checked him out. I’ve been very impressed with what I’ve heard so far, and intend to keep a close eye on him. He has been nominated for Solo Roots & Traditional Album of the Year.

Hannah Georgas

This Vancouver-based acoustic singer-songwriter is making really interesting pop songs with lavish arrangements. Her fresh interpretation of Tori Amos-like alt-pop is really refreshing, and has earned her nominations for New Artist of the Year and Songwriter of the Year. Definitely T&S friendly. Earlier in the week, editor Evan Hughes credited me with publishing the first female nipple on Timber & Steel, so by posting the video below, I’m really hoping to build somewhat of a rep. for “bringing the sex”, so to speak. It’s a great song, though…

Justin Rutledge

We’ve been covering Rutledge’s goings on here at Timber & Steel ever since he won my heart with the live version of “Don’t Be So Mean, Jellybean” on his myspace (seriously, go check it out!). He’s signed to Six Shooter Records, who give us some great Canadian acts, and you won’t regret spending the time to get to know him, especially his latest album The Early Widows, for which he’s been nominated for Solo Roots & Traditional Album of the Year. He’s made a couple of short films/acoustic performance videos. An older one is embedded below, but follow this link for another really good one.

Le Vent Du Nord

This is a really cool act, and I’m glad I came across them. They play traditional Quebecois folk music, and yes that’s exactly how it sounds- French, Celtic music. Confused? Canada loves them. They’re nominated for the Group Roots & Traditional Album of the Year.

Luke Doucet

Luke Doucet is a country styled singer-songwriter who has been a landmark on the Canadian roots-music landscape for some time. He’s released 8 records on Six Shooter Records (solo and with his band Veal), the latest of which has been nominated for Adult Alternative Album of the Year. Watch him perform a song about an ex-girlfriend with his wife, Melissa McClelland, below. So awkward.

Old Man Luedecke

Old Man Luedecke has recently finished a decent tour of Australia which saw him wowing crowds across the eastern states and Tasmania with his traditional, quick-picking banjo stylings. I’ve heard people say that he was one of the highlights at Woodford Folk Festival, and I’m not surprised. Old Man Luedecke‘s laid back country charm allows him to really engage with the listener. He’s no stranger to the Juno Awards either, taking out the Solo Roots & Traditional Album of the Year in 2009. And he’s been nominated for the same award again for his latest album, My Hands Are On Fire and Other Love Songs.

Owen Pallett

Owen Pallett is a very rare talent. His brand of indie-folk is often compared to Andrew Bird and Sufjan Stevens, and with good reason. Pallett is a fantastic instrumentalist and vocalist who masterfully uses loop-pedals to create swirling layers of full and textured compositions that have all the power of a small orchestra. He has recently toured Australia as well, and played alongside Sufjan Stevens as part of Sydney Festival at The Opera House. His first release under his name (he previously released material as Final Fantasy), Heartland, has been nominated for Alternative Album of the Year. I hope he wins.

Royal Wood

Royal Wood is a creator of classic, organic, and usually acoustic pop music.  From what I’ve heard of him, he favours the piano as his fundamental instrument. He’s a little bit Lior, in that his sound is obviously very derivative, but unique and personal enough to an extent that allows people to become very loyal to it. He’s been around for a while, and i look forward to checking out his past works. He’s been nominated for the Songwriter of the Year award.

Said The Whale

I was surprised to see Said The Whale nominated for New Group of the Year, mainly because I thought they were already an established act. They’ve certainly been gracing my iTunes for some time. Regardless, they do deserve some accolades swung their way. They’re an indie-rock band, who utilise acoustic instruments a lot of the time. I’m a folk lover, and they do something for me. Embedding is disabled for my favourite folk track of their’s, but you can follow this link to view it, or take your chances on the video below.

Interview: Anthony D’Antonio

Image courtesy of Anthony D’Antonio


The first time I ever saw Anthony D’Antonio I was blown away. I was at Live on Light Square in Adelaide to check out The Bearded Gypsy Band as a potential feature for a music-documentary series I work on called 6 on the St. As I made my way downstairs into the basement I thought I was listening to someone’s mix CD of assorted old-time folk songs from the golden era; but I was met by a twenty-something D’Antonio belting out outstandingly authentic sounding folk songs with his banjo, harmonica and stomping foot. He’s an artist who I’ve wanted to spotlight for Timber & Steel for a long time, but I knew my basic background knowledge on the folk masters that were obviously influencing his music wasn’t going to be able to do him justice. So I thought I’d get my information straight from the horses mouth, and spent an hour this afternoon quizzing Anthony D’Antonio about all things old-time and traditional.

Thom Miles: I showed your music to my editor Evan a couple of days ago, and he said you sound a lot like Woody Guthrie, and I’d have to agree. You have a very old-time sound about you. You seemed to have honed in on a specific time in folk history, and built your own musical styling around it…

Anthony D’Antonio: Yeah, I prefer to work within the boundaries of the folk masters: Woody [Guthrie], Pete Seeger, as i grew up on this music.

TM: I find that our generation really only seems to dabble in exploring the folk masters. I listened to Woody Guthrie a bit after getting into earlier Bob Dylan stuff, and I started looking into Pete Seeger not that long ago after hearing Billy Bragg‘s version of “Which Side Are You On”. How did you begin listening to this kind of stuff?

AD: Well, my dad was born in Austin, Texas and moved to Australia as a teen… He had a whole load of records, The Carter Family, Jimmie Rodgers, Hank Williams, Woody Guthrie, cowboy songs, union songs and all the great old-timey banjo type stuff. So it started at home from a very young age.

TM: Like all great musical journeys do.

AD: So true.

TM: I’ve been to a few of your gigs. People are really enthralled to witness music, and a performance, that seems like it’s from another world, from a man that just stepped out of a time-machine. Most of the people I’ve spoken to after seeing you aren’t really familiar with the artists you’re channelling- and yet they think it’s fantastic. It seems to suggest that this style of music has some kind of timeless appeal to listeners…

AD: For sure, and that’s the beauty ‘folk music”. It’s about folks… For the everyday person. One can relate when they hear a tune sung about how one does not get enough money for the job they do, or how their baby left etc.

TM: Yeah, I find that as well. When I started listening to Pete Seeger I was surprised to find he has entire albums of traditional American industrial action sing alongs. It’s like the songs are public property and each artist is just doing their duty in singing and sharing them.

AD: That’s what it’s all about- getting songs on people’s lips and hoping they can carry on some of these songs… You can sing to the whole world if you just get others singing these songs too.

TM: Is a lot of the stuff that you perform traditional songs from historic or unknown sources?

AD: Yeah, there’s a lot of trad in there; using old tunes for new ideas. There is no need to muck around too much with what has already got the perfect sound.

TM: Have you recorded albums, EPs or anything, or do you just go about your business live?

AD: I have heaps recorded, floating around on different EPs. No studio album as yet, but I am in the process of weeding out the songs that could use on one though.

TM: Ok, well I look forward to hearing one someday. Would you record original material, or a collection of classics, etc.?

AD: A mix of both I’d say. People often can’t tell my originals from the oldies so I’ll keep ‘em guessing!

TM: You must have very different aspirations to most modern musicians. Generally the dream is to play big shows, get famous and rich, and have your songs all over the radio… What do you hope to get out of it?

AD: I just want to be heard, and share with as many folks as I can; the songs and sound of an era that today’s “roots” music owes a great deal to… Oh, and a few beers.

TM: Do you think institutions like the Folk Federation of SA have a great value as the catalyst for the sharing of folk music?

AD: Sure, they have had a lot of the great folkies and country acts drop in there.

TM: You’re playing a show at the Adelaide Folk Centre with The Whitetop Mountaineers later in the month, all the way from Virginia, USA! Have you ever seen these guys before?

AD: I was playing Woodford Folk Festival in 2009 and saw them up there. It was amazing to hear that mountain music going through the valley. If you like old-time folk music, you wouldn’t want to miss this one.

TM: Fantastic! I’m looking to go to as many folk festivals as I can over the next year. Woodford is always a stellar line up, Port Fairy is just amazing this year (Joe Pug- enough said), and the Fleurieu Folk Festival is another nice and convenient one for us South Aussies. What other gatherings and events are there that you’ve come across and recommend that folk fans get out to?

AD: Frances Folk Gathering is always fun. It’s 2.5 hours sorta south-east of Adelaide… There is always a folk-fest somewhere in Australia wherever you might be.

TM: Thanks, I’ll look into it. Finally, I know you’ve done a lot of busking around Adelaide in your day, and play a lot at the Governor Hindmarsh Hotel, but Timber & Steel is in fact an interstate publication and I’d be shunned if I didn’t ask; do you have any plans to tour interstate in the works?

AD: It looks as though I’ll be in Melbourne and Sydney later on this year, so I plan to get about as much as i can whilst I’m over in the big smoke.

TM: Brilliant! Thanks for your time.

Keep an eye out on folk festival line-ups and your gig guide, because Anthony D’Antonio is definitely an act you wouldn’t want to miss. Timber & Steel will be on top of news surrounding any tours or releases from Anthony in the future, but in the meantime, check out the video of him playing the Folk Centre in Adelaide last year.

The 35 hour Woodford Experience

I have wanted to go to Woodford for a few years now and finally this past year I managed it, if only for 35 hours. After a brief festive season holiday in Far North NSW, Tuesday afternoon saw me driving to Woodfordia. Arriving in the dark some time after 7.30pm QLD time, I was greeted at the gate by some thoroughly excited volunteers and their big red sniffer dog… the kind you’d win on a carnival game. After warnings to avoid the grassy bits for fear being sucked in to a swamp like mess, I carefully navigated the incredibly wet and muddy streets and managed to find a relatively non-boggy looking spot. With gumboots at the ready, I was set.

Now, I’ve been to a few festivals in the last couple of years and had heard much about Woodford and how much I would like it. I went in search of Timber and Steel’s Milady Red and as I entered the festival site, I was struck with the enormity of it all, looked at the map and wondered how on earth I would find her. I wandered the night time streets of the festival, lit up by all manner of stalls, features, displays and Marquees full of performers and delighted crowds. In spite of the drizzle – this was magical.

I traipsed past the Sedge Pond, filled with illuminated ships, to The Grande  where Milady Red was soon located with a seat saved for me in the thick of things. Much to my delight, I’d managed to arrive in time to see Felix and the Phoenix, an act I’ve been dying to see for some time but their December Sydney shows had been cancelled. We surmised that a number of people would be there in the hopes of a mini Cat Empire show, but we had figured Felix’s solo project would be more laid back and we weren’t disappointed. Felix seemed incredibly comfortable behind the bongos (they probably have another name) as we have come to see in the Cat Empire live shows, but the music of Felix and the Phoenix has a different feel to it. Certainly the style you would put on and wash away your day’s worries while your foot taps and your fingers click all on their own. There was a special guest appearance by Cat Empire band mate Harry to play trumpet on one song, but it was still a different sound and vibe. I’m certainly looking forward to Into the Rain being released in February and the tour that will no doubt follow. While we wanted to stay up and see a number of other acts, the drive had caught up with me and bed called.

Wednesday was a bright, if not drizzley day. Although the rain continued, I had missed the worst of the week’s weather. We started the day with Mr Percival’s Vocalous Ensembleous, Spontaneous – A pavillion full of people making music together, exploring rhythm, harmonies and positive mantras for the day. Sounds hippy, I know, but it’s a blast of looping, beats and fun. After singing a bit of Stand By Me, Milady Red and I ventured forward into the Woodford landscape for some much needed breakfast! Milady Red also works at the Dive Bar, next to the Duck. So while I left her to her shift, I set to work deciding what acts I was going to try and cram in to my only day at Woodford. To say my schedule was ambitious would be an understatement – it was downright huge!

12pm @ Trailer Trash – The Good Ship
The Good Ship had been recommended to me by a good friend in Canberra, and happily they were first on my whirlwind Woodford experience. I do like a stage full of characters and these guys do not dissappoint! With a piratical theme and vigour abound, this 8 piece had the place pumping. Hugely upbeat with plenty of fiddle, it was a high energy, crowd pumping set. All kinds of instruments graced the stage, from acordians to canastas and even a ships’ bell by the looks of it. With nautical songs like “Sea Monster” and “Ghost Ship”, there was no shortage of toe-tapping, mud splashing good times. I particularly liked their way of weaving popular songs, like R.E.M’s “End of the World”, into their own renditions. It was quite obvious they were having a good time on stage, I’ll certainly track them down again.

1pm @ The Grande – The Gadflys
My interest in the Gadflys stemmed purely from their exposure years ago on the TV Show Good News Week where Paul McDermott regularly sang with them. I caught only a portion of their set, their sound was as I remembered but sans Paul. While they were jazzy and full with sound, I didn’t find their performance hugely engaging, which was a shame. I’m not 100% sure they’re a band for a big stage, they always had more impact with a more intimate setting, if you can call national television to millions of viewers intimate, but I found on stage they were either lost or perhaps only focussed with what was happening on stage.

3.20pm @ The Grande – Kim Churchill
Kim Churchill was recommended to me for a festival line up nearly 2 years ago but the stars didn’t align and I’ve been waiting ever since to actually see him live. To watch him on stage, you would never imagine he’s only 19. With bags of talent and a real presence to him on stage, he’s quite the captivating performance to see. Playing acoustic guitar and harmonica with a kick drum at his disposal, he manages to create some really rich pieces of music. For his second ever Woodford, Kim expressed great humility and gratefulness for both the crowds and the many people involved in producing the festival. As a treat for the crowd, Kim invited good friend Tom Richardson on stage to join him for a song. Tom’s guitar and sliding added a wholle new depth to the sound and there really was a party going on onstage in front of our very eyes. Kim presents rich, mature vocals and sounds like a seasoned performer – not surprising given how much travelling and gigging he’s done over the last couple of years. He manages to weave together moments of pause and stillness, together with wild harmonica howls and high energy breaks to have the entire crowd on edge. I’ll certainly make the effort to see Kim again some time soon.

4.10pm @ The Grande – Jeff Lang
Having not seen or heard much of Jeff Lang except for Milady Red’s enthusiastic endorsement, I quite enjoyed being up close to watch him perform. Being a Woodford veteran, he commented that he felt bad for not playing every day of this year’s festival in order to make it to another festival. He was so at home on the Woodford stage, it was clear to see why he is a favourite. His selection of guitars is impressive and makes every song different and a joy to watch him deliver. His interaction with both the crowd and this band made the performance feel very intimate.

5.15pm @ The Grande – Passenger
Another act I have been meaning to see for some time, and having had Steve Parkin of the Basement Birds tell me Passenger is not to be missed, I made sure I was there. Mike Rosenberg (aka Passenger) has a very comfortable presence on stage and really takes the entire audience along for the ride. I loved his sense of humour, given the inclement weather, he played “Rain”, a fun filled song lamenting the rain and had us all laughing. With the new album Flight of the Crow released last September, there was much anticipation to hear the new tracks, however, he pointed out it’s much harder to do those tracks on the road given the number of collaborating artists on the album. He performed a stripped back, solo version of “Golden Thread”, the track originally recorded with Matt Corby, which was a soft and beautiful rendition. He commented that he was impressed with an audicen that listens, it’s a rarity. To round out the set, he chose to play “Rivers”, and to perform it properly, he invited Lior to the stage (to much applause) to perform it as it was recorded. The two of them created magical and beautiful harmonies that had the audience transfixed.

6.20pm @ The Grande – Basement Birds
I had been waiting for this for some time and was eagerly anticipating their second last performance together. A crowd of all ages had gathered, the front of the stage was swamped with keen fans and as the foursome took to the stage, the masses cheered with delight. An energetic and jovial performance took the boys through all the favourites including “Waiting for You” and “Cinnamon and Smoke”. Mid set, Kav commented that normally the next song would not be played at your usual rock festival, but upon discussion with the Birds, they had decided that it might work for Woodford, and broke out into a heartfelt rendition of “Ghosts” which had the whole crowd swaying and singing along. On stage they boys were clearly having a fantastic time, joking with each other, switching happily between instruments and songs all the while keeping up the witty banter. Poor Josh Pyke had a moment mid song as a huge moth dive bombed him and took up residence on his guitar, it turns out he’s not so great with bugs and very cautiously blew it off before continuing with the song. As has become tradition, Julia Stone was not available to help out with their hit “Bus Stop” so two lucky girls were plucked from the audience to sing her part, which they both did very well, in fact I do believe at least one of them had done it before at a previous gig. To round out what what a hugely popular and enjoyable set, they finished on their Like a Version cover of “My People” which can also be viewed on their home page! It was sad to see their set end, but also incredibly satisfying to see them one last time before they head back to their own bands. An all round fantastic set and a wonderful farewell.

8.45pm @ Blues n Roots – Captain Matchbox Whoopee Band
The Captain Matchbox Whoopee Band came together, reached the height of their success and disbanded all before I was born. However, I have seen and enjoyed both Mic Conway‘s National Junk Band and Jim Conway‘s Big Wheel over the last few years and enjoyed them immensely, so it is fair to say that the Whoopee Band would likely impress me too. The Blues n Roots Pavilion was full, people were on the dance floor and the stage was full of crazily dressed band members having a great old time. Mic Conway took centre stage complete with his bag of tricks and rack of silly noise-makers. Jim Conway directly to his right and read to treat us with his brilliant harmonica stylings. With a cast of both familiar and new faces, the Captain Matchbox Whoopee Band was off to a great start. The music was upbeat and happy, on stage gags from the good old days were still present with witty thought and speech bubbles being held over band member’s heads and the infamous megaphone making an appearance. The performance was full of energy and delight while the crowds danced, sung, and clapped along to each song. Mic’s magic tricks featured along with solos from each band member. For a band that hasn’t performed together for some decades, the cohesion and frivolity from the band was brilliant, the reception was fantastic and the applause well worth it. Hopefully this is not the only reunion of the band. True it’s not in it’s original form, however, it is certainly an excellent meld of old faces and new talent to create some terrific nostalgia and a rollicking good time.

The rain and mud was just a part of the experience, everyone seemed to cope well with a mixture of gumboots, crocs, thongs and once recognisable shoes making the rounds along with umbrellas, parasols, raincoats and ponchos. Happily on Wednesday night the rain had eased for long enough and the ground firmed up to allow the roving performers take to the streets of the festival. With a huge cart being pulled through the site and stilt walking, storytelling delights entertaining the wandering crowds, the night time became a magical place of discovery. Milady Red and I sat in a cosy cafe for a short while taking in all that is the hustle and bustle of Woodford.Sadly, the long day and time had caught up with me, and I took my exhausted, muddy, damp, gum-booted self to bed. I stopped at the Festival Store and bought a huge stack of CDs of performers I had seen and will slowly get through them all. In my time at Woodford, it became clear that a person could turn up to festival with nothing but the clothes on their back and perhaps a sleeping bag and be set for the entire week – everything you need could be found on site and there was no end of delicious food to indulge in, you could eat from a different nation at almost every meal. Staying in Tent Hotel was absolutely brilliant, took all the hassle out of camping. They supply the tent already assembled, a bed, a chair and in spite of the sogginess underfoot, the stay was quite dry and pleasant. Bright and early Thursday morning the sun appeared from behind the clouds assuring all of Woodford they would have their first sunny day, and I hit the road bound for Sydney in time for New Years Eve celebrations. Perhaps my next Woodford experience will allow me more time and include the great Fire Event of New Year’s Eve.

But one thing is for sure – Woodford is one of the most intense and amazing festivals in Australia and every music lover should make an effort to experience it in their life time.

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