Take Something Beautiful a Tribute to Jesse Younan

Take Something Beautiful
Image Courtesy of Source Music

In 2008 singer and songwriter Jesse Younan was admitted to hospital for acute myeloid leukemia just days after finished up recording his album A Good Day for a Migraine. He passed away shortly after the release of the album which went on the garner critical acclaim.

To celebrate the work of this amazing talent some of Australia’s finest up and coming artists (many of them familiar to Timber and Steel audiences) have banded together to record their interpretations of Younan’s songs on the album Take Something Beautiful. Abbe May, Lucie Thorne, Jordie Lane, Jai Pyne (The Paper Scissors), Jen Cloher, Emily Lubitz (TinPan Orange) Greg J Walker (Machine Translations), Cameron Potts & Gabby Huber (Dead Letter Chorus) and M Jack Bee have all contributed to make sure the work of Jesse Younan is not forgotten

Take Something Beautiful is due to be released on the 14th May this year. A live performance of the album is due to take place at this year’s Mullumbimby Music Festival 22nd to 25th November.

Check out a live video of Younan’s “Bea” below

“I don’t sound like Robert Johnson, but the way I approach music is similar to the blues. Both have honesty and rawness at the root of them. It’s about making the soul audible.” – Jesse Younan

New Tinpan Orange Video, Single and Shows

TinPan Orange
Image Courtesy of TinPan Orange

If you’re anything like us you’re probably wondering why it’s been a while since we’ve heard anything out of Melbourne’s TinPan Orange. They released their new track “Barcelona” via their Unearthed page last August and then, after a couple of shows around the place, seemed to disappear.

Well it turns out TinPan Orange have been over in Canada touring with good friends The Cat Empire and now they’re back with a whole slew of goodies for us. First up the long awaited video for “Barcelona” which was made with “the help of many friends on a deserted beach in the dead of night”:

They’ve also unleashed their new track “Flowers” on the world which is already garnering national airplay. Check it out below and then head over to Unearthed to download it:

“Flowers”

Finally TinPan Orange have a couple of dates coming up to celebrate their return to the country. If you like what you hear from the new songs you should get along to one of these gigs:

Sunday 20th May – Rhythm and Rights (The Human Rights Arts and Film Festival), Abbotsford Convent, Melbourne
Friday 15th June – Art Gallery of Western Australia, Perth
Saturday 11th August – Adelaide International Guitar Festival, Space Theatre, Adelaide

Guide to Summer Festivals Part 2: Look the Part


Photo courtesy of Bon Iver

Ok, ok, secretly, I’ve been dying to do a folky fashion story, and what better time than in preparation to hit up the festivals? It all started because of Timber and Steel’s own Evan Hughes who is rarely seen at any folk influenced festival or gig without a vest on. Wandering the roads of Woodford last year, I noticed some particular elements that identified musically like minded people. So let’s go top to toe on how to look your folky best during the festival season.

Bob Dylan Lanie Lane

I’ve spent the last few days looking at photos of some of our favorite Timber and Steel artists to really pin down the look, and to be honest, most of it is about choosing a base and accessorising. Obviously there is always going to be an element of your own tastes and flair or style that will determine your overall look, but here’s a few simpler pieces you can pull together possibly from your Christmas haul and Boxing Day sales if you want to get in the folky spirit of it.

John Butler and Mama Kin

For they guys, the base is easy, jeans and a t-shirt are staples with the shirt usually being plain, though wearing your favorite band shirt will always be acceptable. For the ladies, unsurprisingly the base has followed the recent retro/ vintage fashion trend and more often than not either a floating vintage style dress or a modern floral dress inspired by the retro look. Whack a pair of opaque stockings on underneath and you’re set. That or a high waisted skirts or shorts with a plain top would provide a perfectly suitable base too.

Kate Miller-Heidke at Bluesfest Skipping Girl Vinegar at Snowy Mountains Of Music Festival April Maze Snowy Mountains Of Music Festival

Then it’s time to accessorise. Let’s start at the top.

Hats are great, they protect you from the sun and the rain, keep your head warm at night and can cap off your look, excuse the pun. Broad brim hats are an easy choice for guys or girls, just take a look at Matt Corby and Florence Welsch of Florence and the Machine or even Jack Thompson in his Akubra for inspiration.
  Jack Thompson at Bluesfest

For guys, there’s a broad range of hat style to try until you find the one that suits you, Panama, Trilby and Fedora styles mainly differ in the brim size and shape. The ever popular Flat Cap has a cousin, the Ascot Cap of a very similar style, but rounder and more stiff. Or in a similar but roomier style, there’s always your classic variations of the Gatsby/ newsboy/ train driver cap which work for both guys and girls.

Eric Bibb at Bluesfest  Jeff Lang

For the girls, while you could pick any of the styles I’ve noted for guys, the more vintage looks are far more fun. For a very feminine look, try a cloche like Lisa Mitchell, a 50s style do-rag like Lanie Lane, or just a simple headband as Julia Stone often wears.

Lisa Mitchell Lanie Lane Julia Stone

Elvis Costello at Bluesfest If guys are after a very vintage addition, there’s always bowler and top hats, but it takes a bit of confidence and dedication to carry it off well. A bit zany, but a great look if you own it. And if you are going to own it, you can even go the whole hog with a three piece suit, but that’s not really convenient for Australian summers nor festivals.

CW StonekingWorking down for top to toe, the next item is mainly for the guys. If you’re going for an old style, the a bow tie is a fantastic edition, especially if you can tie a real one yourself rather than the clip on ones. Though I have it on good authority, they’re not terribly comfortable to start with. Not really practical for camping and festivals, it’s a good one to wear out for a night on the town, or as a feature of your look, much like CW Stoneking’s red and white check bow tie on his signature white ensemble.

If ties are not your style, then your options include the quintessential vest, in almost any material, but I know Evan Hughes likes his leather and suede options. Vest have been turning up across genres for years and are a feature for musos and punters both young and old.

Josh Pyke  Cat Empire at Bluesfest Snowdroppers at Bluesfest

If a vest is too warm or not quite your thing, try out the old school suspenders as Johnny Wishbone, lead singer of The Snowdroppers, is frequently seen wearing. Our modern ladies of folk have a true eye for style throwing cardigans and sweaters in to the mix, or using leather belts to create a classic cinched or high waist look.

Snowdroppers at Bluesfest Florence Welsch Secret Sisters at Bluesfest

Boy and BearWhile vintage is a strong theme, the folk style transcends conventional fashion rules, and borrows often from cousins in country genre. Take a leaf out of Henry Wagons’ book and style up every day with country flair. If you think I’m cheating by using alt-country as a folk example, instead take a good look at Boy & Bear who have had multiple members sport checkered shirts, plus a few other folkies teaming a checked shirt with a vest or other accessory. And it’s not just for guys, take a look at how Lisa Mitchell and Jen Cloher carry off bold checks for a country, folky feel.

Henry Wagons at Rhythms Magazine Q&A at Bluesfest Lisa Mitchell Jen Cloher

So, once you’ve got your base, found the accessories that work for you, all that’s left is to throw on some sunnies (Rayban style is a staple) and for the ladies, grab a leather or leather/ animal print look small handbag to sling across your body, slap on some sunscreen and you’re set for a folkin’ good time.

Bob Dylan Florence Welsch Julia and Angus Stone

Once you’ve got the hang of it, you can start to mix and match pieces, create layers and get a group of friends together and take the scene by storm. Maybe some time down the track you’ll even turn up in a future folky fashion post right here!

Mumford and Sons at Laneway Festival SydneyMumford and Sons at Laneway Festival – I love the Panama hat, t-shirt, vest and overalls as shorts combination!

The Good Ship at WoodfordOh the combinations from The Good Ship! Loving the Fedora, bowtie and vest, plus a small gatsby and one out there shirt!

The Gum Ball 2011These two from the crowd at The Gum Ball look great!

TinPan Orange

TinPan Orange combined managed almost the entire shebang, get that group some hats!

Timber and Steel First: 2011/12 Woodford Folk Festival Lineup

Woodford
Image Courtesy of the Woodford Folk Festival

Timber and Steel is proud (and just a little bit excited) to be among the first to bring you the 2011/12 Lineup for the Woodford Folk Festival.

The theme for this year’s Woodford Folk Festival – held from the 27th December to the 1st January in Woodfordia, QLD – is “Pieces of the Puzzle” which focuses on the idea that we all contribute to making this world a better place. And with a lineup like this, it looks like Woodford are doing just that. So let’s get into it shall we:

Gotye
De Pedro
Cloud Control
Xavier Rudd
Tinpan Orange
Eagle and the Worm
Husky
Owl Eyes
The Herd
Jesca Hoop (USA)
Andy Bull
Daily Meds
Dubmarine
Jordie Lane
The Red Eyes
Graveyard Train
Mountain Mocha Kilimanjaro
Sticky Fingers
Band of Frequencies
Benjalu
OKA
BLAKwax (USA/AUS)
Buffy Sainte-Marie
Busby Marou
Hanggai
The Bakery
The Ninth Chapter
Charlie Mayfair
Tuba Skinny (USA)
The Medics
Crooked Still (USA)
Daniel Champagne
Danny Widdicombe
Die Roten Punkte
Skipping Girl Vinegar
Faux Pas
Frank Yamma
Swamp Thing (NZ)
Gambirra
Watussi
Haitus Koiyote
Hugo and Treats
Jack Carty
Jamie MacDowell & Tom Thum
The Sunshine Brothers
Jess Beck
John Flanagan and The Begin Agains
Lola the Vamp, Rita Fontaine, Flavella L’Amour,
Lucy Wise and The B’Gollies
Sol Nation
Sue Ray
Dougie Maclean (SCOT)
Tim Edey & Brendan Power (IRE/NZ)
Tripod
More Fiddles Than Frocks
Andre Soler
Amelia Curran (CAN)
David Myles (CAN)
DJ Mike Ford
Elixer (feat. Katie Noonan)
Dachambo (JAP)
Monsieur Camembert
Kira Puru & The Bruise
My Friend The Chocolate Cake
Roesy
Sherman Downey & The Silver Lining
The Transylvaniacs
Brothers Grim
Charlie A’Court (CAN)
Genevieve Chadwick
Joe Robinson
Pugsley Buzzard
Invisible Friend
The Old Spice Boys
The Re-Mains
Benny Walker

Pretty impressive right? There are far too many names there that we’re excited about to list each individually but lets just say that we can’t wait for New Year!

Corinbank Festival Announces 2012 Interstate Lineup

Jack Carty
Image Courtesy of Jack Carty

Wait a minute. Wait just one minute. What’s going on here? Did we miss something? Did the Corinbank Festival in Canberra ask Timber and Steel to program the interstate acts for 2012 and we just don’t remember? Because after today’s announcement it sure seems like it.

Let’s break it down: Of the 18 acts announced for Corinbank next year a whopping 14 have a regular following on this site, many of which we’ve spotlighted, reviewed and interviewed over the last couple of years. 14!!! That’s insane!!

In case you haven’t seen it yet the interstate lineup includes Josh Pyke, Bonjah, Busby Marou, Skipping Girl Vinegar, The Bamboos, Barons of Tang, Crooked Fiddle Band, Ganga Giri, Jen Cloher, Sietta, The Little Stevies, Thundamentals, Tinpan Orange, The Beez, Lucie Thorne, Jack Carty (above), Cilla Jane and The Pigs.

Considering we’ve still got the local Canberran announcement to come (and it’s going to make up over 50% of the lineup) this festival is going to be huge! And folky! Corinbank will be held in Canberra from the 2nd to the 4th March next year. Stay tuned for more details!

Review: TinPan Orange at The Northcote Social Club, Melbourne

TinPan Orange
Image Courtesy of gifas

TinPan Orange single launch, supported by Leon Thomas
22nd September 2011, The Northcote Social Club
Melbourne

Although TinPan Orange have taken a few months off and are only now easing their way back into the live music thing after the birth of Emily Lubitz’s son in August they certainly haven’t been idle. There’s a whole bunch of new songs that have been written including the new single “Barcelona” and the addition of a drummer to the band in the form of Danny Farrugia (The Bamboos). So it was with eager anticipation that I made my way to The Northcote Social Club (my first time in the iconic Melbourne venue) to watch TinPan Orange on their home turf.

Leon Thomas is not a name I was familiar with but the Melbourne audience showed the singer-songwriter genuine affection when he came on stage armed with his electric guitar. Thomas’ stripped back, bluesy sound was complimented by multi-instrumentalist (and TinPan Orange member) Alex Burkoy’s accompaniment. As the set progressed Thomas gradually lost or removed items of clothing (he had entered the stage dressed for winter it seemed), added a drummer to his band and settled into a groove that resulted in some really catchy tunes. I feel that Leon Thomas worked much better with the “full band” sound and that his performance improved throughout the set – he’s definitely an artist worth checking out if you’re a fan of the Jack White school of blues.

By the time TinPan Orange arrived on stage, complete with new drummer Danny Farrugia and sometimes-keyboard player Harry James Angus, The Northcote Social Club was packed full of fans eager to see the band following their brief hiatus. Launching into their much loved track “Like Snow” you could tell the band were happy to back on stage and excited to be showcasing their “new” drummer-inspired sound.

On Farugia’s drumming, I did feel it was a little understated, especially on the older songs. There were times when I wasn’t sure whether he was playing at all (apart from the occasional crash cymbal) but I guess this did show respect to the original arrangements of many of TinPan’s much loved songs. It was the newer songs, especially the latest single “Barcelona”, where Farrugia demonstrated the depth and gravitas he has added to TinPan’s sounds – I found myself watching him closely throughout the new single, marvelling at just how skillful a drummer he is.

TinPan Orange played a really balanced set covering most of their earlier work and a smattering of newer songs. Emily Lubitz was as charismatic as ever, winning the audience over with her relaxed banter (apparently her new born baby was back stage, a bottle of whiskey in hand). Probably my favourite of the new songs was performed by guitarist Jesse Lubitz – although for the life of me I couldn’t tell you the name. “Broken Heart” maybe? And of course Alex Burkoy’s skill on the violin, electric mandolin, bass and more are simply not rivaled on the indie-folk scene – the man quietly steals every show he’s involved in.

A special mention has to be made of the cover songs from the night. “Walk Like an Egyptian” suited the band right down to the ground but it was TinPan Orange’s version of the “Round the Twist” theme (from the 80s/90s children’s television show) that both surprised and delighted the crowd. Emily’s haunting voice over the sparse arrangement and perfectly timed backing vocals from the rest of the band achieved the fine balance needed in a cover song – keeping it recognisable while stamping your own unique style on the song.

As an introduction to The Northcote Social Club I couldn’t have asked for a better show than the return of TinPan Orange. I left the gig eager to hear more of the new stuff and thanking the folk-gods that Emily had chosen to return to the stage so soon. A truly wonderful gig – I can’t wait for the next one!

TinPan Orange Ticket Giveaway!

TinPan Orange
Image Courtesy of TinPan Orange

UPDATE: All Double Passes Have Been Given Away for Both Melbourne and Sydney. Good Luck Next Time! T&S

The fantastic folks at TinPan Orange are offering Timber and Steel readers the chance to see them for free on their upcoming mini-tour with two double passes in Melbourne (22nd September) and Sydney (24th September) to give away.

To get your hands on these double passes and catch one of our favourite Australian folk acts all you have to do is be among the first to e-mail us your full name and which city you’re in and we’ll let you know if you’ve been successful. Our e-mail address is timberandsteelaustralia@gmail.com.

If you’re not successful don’t let that get you down – we highly recommend you get out to see TinPan Orange this month regardless. The full details of their mini-tour are below:

Thursday 22nd September – Northcote Social Club, Melbourne, VIC
Saturday 24th September – Camelot Lounge, Sydney, NSW
Saturday 15th October – Fly By Night, Fremantle, WA

New TinPan Orange Single “Barcelona” and Mini Tour

TinPan Orange
Image Courtesy of TinPan Orange

If thinking it’s been a while since you’ve heard anything from Melbourne’s TinPan Orange you’d be right. Not that they haven’t been busy, they’ve just been busy with things other than making music. Like having a a baby.

Emily Lubitz, lead singer of TinPan Orange, welcomed a healthy baby boy into the world recently so the band has taken a much needed break. But you’ll be happy to hear that that break is not for long with the band adding a brand new drummer (Danny Farugia from The Bamboos), recording a new single and announcing a handful of in September and October.

The single, “Barcelona”, perfectly captures Tinpan’s somewhat new sound. Listen to it here:

“Barcelona”

If you head over to the band’s triple j Unearthed page you can download “Barcelona” – and don’t forget to rate the song so we can get TinPan Orange some radio play.

TinPan Orange will be playing gigs in Melbourne, Sydney and Fremantle to support “Barcelona”. Check out the full dates below:

Thursday 22nd September – Northcote Social Club, Melbourne, VIC
Saturday 24th September – Camelot Lounge, Sydney, NSW
Saturday 15th October – Fly By Night, Fremantle, WA

Review: Storm in a Teacup, Sydney

Storm in a Teacup
Image Courtesy of Johnny Au at The AU Review

Storm in a Teacup featuring TinPan Orange, Jordie Lane, Husky, Jen Cloher, Harry Angus and Liz Martin
17th June 2011, The Factory Theatre
Sydney

Storm in a Teacup was always going to be something special. When you take some of Australia’s best folk and acoustic artists (TinPan Orange, Jordie Lane, Husky, Jen Cloher, Harry Angus and Liz Martin) and throw them all together in a collaborative environment the result is bound to be nothing short of amazing. And they delivered in spades.

When Harry Angus (The Cat Empire, Jackson Jackson) walked out on stage to start the show armed with nothing but an acoustic guitar I have to say I was surprised. As a regular contributor to TinPan Orange (Angus is often seen playing keys for the band) I had assumed that he would be a session player in the concert, providing keys, trumpet and vocals where required, and that his individual inclusion on the lineup was down to the audience he could attract. How wrong I was. Opening with “The Batsman”, Angus has added yet another string to his impressive bow as an accomplished writer and singer of sweet, funny folk songs. And I couldn’t think of a better way to start the show.

Reviewing Storm in a Teacup chronologically is almost an impossible feat given the collaborative nature of the concert – with so many combinations of the musicians on stage at any given time I’d be hard pressed to remember exactly what happened when (I can tell you what the first song was and what the last song was but the rest is a massive blur of wonderful folk music). But suffice to say there wasn’t a single moment that didn’t captivate me throughout the entire night – from start to finish Storm in a Teacup was simply amazing.

Jodie Lane, a man I’ve been meaning to see live for longer than I can remember, was my standout among a group of standouts on the night. Whether armed with his banjo accompanying the other artists or strapping on his Gibson to sing his own songs, Lane seemed to be everywhere. The fact that he played my two favourite songs of his – “The Publicans Daughter” and “I Could Die Looking At You” – no doubt contributed to my love affair with Lane’s performance. The latter song (“I Could Die Looking At You”) saw all the artists from the night huddle around Jordie Lane and a single mic Bluegrass-style (see the photo above), turning the chorus from one of heart wrenching longing into one of gospel-like reverence. Absolutely magical.

Husky, who have been busy recording their debut album, treated the crowd to a collection of new songs (at least I think they were new – I can’t say I recognised them) further cementing exactly why these guys are a band to watch this year. I have to admit that I didn’t catch any names of the new songs (I know – what kind of reviewer am I?) but I’m pretty sure favourite from the boys had a title that was something about trees – “In the Trees” maybe? Either way the song itself was gorgeous and I seriously can’t wait until this August to get my hands on the new album.

To be honest I was curious to see how the only Sydney-sider, Liz Martin, would integrate into the rest of the group. While all of the other musicians have been playing together in various outfits in and around Melbourne for years, Martin told us she in an interview that not only had she never met the other artists before (outside of e-mails) but she was only flying down to Victoria a day before the first performance to rehearse. With all that in mind I have to say I was really impressed with Martin’s contributions to the night, adding a rockier edge to the folk-tinged songs of the other performers. And just watching the way TinPan Orange, Jen Cloher, Husky, Harry Angus and Jordie Lane filled out and expanded on Liz Martin’s songs after just a day of rehearsal and one previous performance shows just how talented and professional these guys are – you would have thought they’d been playing together for years.

Emily Lubitz (TinPan Orange) and Jen Cloher unveiled a brand new song on the night titled “Bridesmaid 3am” which really epitomised the wonderful creative and collaborative nature of the Storm in a Teacup project. Lubitz and Cloher tread quite different musical paths in their regular musical incarnations yet together they brought something extra special. In fact Cloher’s diversity was probably the key to the success of the night – her ability to manipulate her voice to suit the style of each song proved to be the glue that held many of the collaborations. A heavily pregnant Emily Lubitz, along with her brother Jesse (also from TinPan Orange) absolutley shone throughout the night, obviously enjoying every minute on stage (and offstage considering Jesse Lubitz and Jordie Lane’s shirt swapping antics).

A very special mention has to go out to the “band” that provided backing to most of the night’s performances – Gideon Preiss (Husky, TinPan Orange) on keys, Luke Collins (Husky) on drums and the absolutely incomparable Alex Burkoy (TinPan Orange) on everything from fiddle to mandolin to bass ukulele. The night may have belonged to the singer-songwriters but it was owned by the wonderful musicians in the “back row”.

After two and a half hours of music the artists returned to the stage for a couple of encores – two covers, “Love Hurts” by The Everly Brothers and “The Weight” by The Band. The latter, involving every single Storm in a Teacup contributor, was the perfect singalong/group song to finish what had been a spectacular night. I’ve managed to see some pretty amazing gigs this year but in terms of pure enjoyment Storm in a Teacup would have to up there with the best. Let’s hope this isn’t the last we see of these amazing collaborations.

Check out Emily Lubitz and Jen Cloher performing the Storm in a Teacup original “”Bridesmaid 3am”" for BalconyTV Melbourne:

Over the last few months we’ve interviewed each of the artists from Storm in a Teacup. If you missed one of the interviews make sure you click on the links below:

Interview: The Cat Empire

Harry of The Cat Empire performing at Bluesfest 2011The Cat Empire performing at 2011 Bluesfest – Photo and interview by KT Bell

Without a doubt, one of the most influential and popular Australian acts of the past decade has to be The Cat Empire. Currently touring to celebrate their 10th birthday and delivering a sterling performance at Bluesfest over the Easter weekend, we asked The Cat Empire‘s Harry Angus about the last 10 years, folky influences and how the world of Australian music is changing.

KT Bell: Thank you so much for your time! It’s a real pleasure to interview you for Timber and Steel, as you might know, we are named for your lyrics to ‘The Chariot’.  
Your music and your messages inspire so many, whether it’s musicians inspired by your style, or your fans who take your messages about the world and how we live in it, and begin to live the change you speak of – how does it feel to make such a social impact?
Harry: It always makes you feel good to know that your music has influenced someone else, especially another musician. But I don’t know if I think too much about our social impact… It’s a big wide world, full of worthy things and worthy people. I just concentrate on what I do, which is playing the trumpet and singing…
KT: We recently celebrated Timber and Steel’s 1st birthday and you are celebrating your 10th birthday as The Cat Empire. You’ve certainly seen and experienced a lot in that time (in fact I remember meeting Felix in line for food before your gig at the Yallah Woolshed in about 2004) so what are the biggest changes you’ve seen in the music industry/ scene and what advice can you give to us (and our readers) to achieve such longevity?
Harry: Music is always changing – obviously the fashions change, and the era changes, but also, music is like a big conversation. Everyone is contributing to it, some things we pick up and explore, and reshape and change, and other things are left by the side of the road. This is the side of music that doesn’t have anything to do with the word ‘industry’. It’s a cultural conversation that has been going on for thousands of years. The ‘industry’ is a much more recent thing – it popped up some time last century and people say it’s in crisis already – but I don’t really think it matters. There will always be people who play good music, and people who want to listen to music, and people who bring them together.
The most important thing with music is to enjoy yourself. Seriously. You’re practising one of the oldest trades known to man. It’s right back there in the mists of time with prostitution, slavery, and farming, but it’s way more fun.
KT: At Timber and Steel we try to focus on folk music, which has evolved over many years and has certainly reached a new level of popularity and sound in recent years with acts like Mumford and Sons and Angus & Julia Stone taking the world by storm. We recently saw you at Bluesfest and wondered, do you have any past or current folky musicians who influence your music?
Harry: Well, sorry to jump ahead to your next question, but Tinpan Orange, obviously, I dig them, and Em (my wife) is a brilliant songwriter who I’m sure is constantly influencing me. Other than that…. I love Ewan MacColl (past) for his booming voice and his scholarly approach… for something a little bit local I couldn’t recommend Van Walker more highly (my favourite gig of the year so far was Van Walker at the Apollo Bay surf club) and I have also only just discovered the John Meredith collection of Australian field recordings online… that stuff is very moving, very important. That’s real Australian folk music.
KT: We’re fans of the Empire, but we’re also fans of your side projects, Jackson Jackson and Felix and the Phoenix, plus don’t think we haven’t noticed you playing keys for TinPan Orange. Do we have anything to worry about for the future of the Cat Empire? (And if not, how are you going to top 10 years?)
Harry: Eleven years should top ten. But we’ll just keep going until we get sick of it… it’s a good band to be a part of, I don’t see things ending any time soon.
KT: Speaking of TinPan Orange, we’re looking forward to you appearing alongside TinPan Orange, Husky, Jen Cloher, Jordie Lane and Liz Martin in the Storm in a Teacup tour. How does heading out on a tour like this (almost a structured jam session between Melbourne’s biggest and brightest) differ from the usual tours bands do?
Harry: These kinds of shows are fun, because they’re one-off. It’s an occasion, an event. Things happen, collaborations and improvisations, that haven’t happened before, and might not happen again. Take the musicians out of their comfort zones and they’ll play something different. Open up, let loose, share a little, make a mistake, sing a song you’ve never sung before – we get to be more spontaneous.
KT: Finally, Timber and Steel make a great effort to highlight and promote upcoming and emerging acts of the folky persuasion. You always have amazing support acts (I have discovered many favourite bands through your shows), are there any bands that you think we should take a look at or keep an eye on?
Harry: Van Walker, Eagle and the Worm, Leon Thomas, Clairy Brown and the Banging Rackettes. I don’t know if they’re folky but they’re awesome.
KT: Thank you so much for your time and we’re really looking forward to seeing you at your last 10th birthday concerts in Sydney!

The Cat Empire are playing four sold out shows in Sydney this week. If you missed out on tickets, why not catch them headlining the Funk n Grooves Festival on 10 September at Pokolbin in the Hunter Valley with Timber and Steel favourites Ash Grunwald, Lanie Lane plus many more great acts.

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