Preparing for The Gum Ball

The Gum Ball 2011The Gum Ball 2011 by KTBell

After last year’s taste of The Gum Ball, we are very keen to be heading back to Belford for what is sure to be a folkin’ great weekend away. We’re making plans to catch as much of the weekend as possible by packing the car on ANZAC day so we can get the jump on the traffic on Friday afternoon. We’ve got our gumboots at the ready, just in case of rain, and we’ve been going over the playing times and are hanging out to see the newly reformed The Bakery, TnS fave Kim Churchill, the country swagger of Wagons, raw roots power of Ash Grunwald with Vika and Linda and can’t wait to see where Jinja Safari are taking their tunes too. And they’re only the ones we’re familiar with, with the Perch Creek Family Jug Band opening Saturday’s bill and a raft of our faves from other genres, this is going to be an exciting festival in the perfect setting!

With less than a week to go, and with a spate of struggling festivals cancelling across media headlines for months, it’s dishearteneing to see a news story this past week about the struggle the event is experiencing with lower than anticipated ticket sales and the bureaucratic red tape faced every year. The most inspirational part to come out of the struggles is that the festival still manages to support Beyond Blue, The National Depression Initiative.

In an effort to make the Bedford location more accessible for all, The Gum Ball have announced on their facebook page that they will run a shuttle service from Newcastle on Friday with a return service at 10am Sunday, all accessible by train from Sydney. Bookings for all are essential for all services info@thegumball.com.au.

The Gum Ball 2011

That’s all well and good if you live near-by, but this festival is really the perfect escape for any Sydney-sider but it’s like Sydney just haven’t grasped that yet. Perhaps The Gum Ball needs to be compared to something a little more familiar. Stu and I have been looking forward to the Gum Ball for a year, and I’ve been contemplating why. The Gum Ball has the crowd participation and pleasure of The Falls Festival (Falls is like the Op Shop Bop on steroids), the atmosphere and idyllic setting of Peats Ridge Festival and the community spirit and village vibe of Woodford Folk Festival, it just doesn’t have the sense of occassion of New Years Eve.

Perhaps the problem is the comfort zone – the big, established festivals are a given and punters will make the trek. It’s boutique festivals like The Gum Ball, tucked away in the most divine bush setting, that are an unkown quantity, but music lovers should bite the bullet and make the effort because what awaits you is a spectacular and unique experience. Still not convinced? Check out their blog for details of the Op Shop Bop, Sid’s Circus Playground, Yoga, Tai Chi and Hula Hoop workshops, the Silent Disco for all those night owls that want to rage in to the early hours of the morning. If you’re worried about camping and food – the festival food on site is guaranteed to be great once again – we’re not planning to pack anything to eat! However, it is a BYO festival (no glass!), so no queues at the bar and no disappointment at having to choose from drinks you don’t like.

In reality – this is the kind of festival punters have been crying out for for years after over-regulation of the large scale events have placed more rules and regulations on the festival experience. This is the chance to get back to great music and a brilliant music festival experience. With tickets still available for only $120 for Saturday or $165 for the whole weekend, plus a tank of petrol split between some friends – this is the perfect way to spend a cheeky weekend away with mates.

The Gum Ball 2011

Not coming this year means you might not get another chance if numbers don’t rise. So come and support Australian music and a family run festival. They’re welcoming you on to their property, we guarantee you’ll welcome them in to your hearts.

Peats Ridge Festival – Highlights and Wrap Up

Peats Ridge
Image Courtesy of The Peats Ridge Festival

We may have only managed about 36 hours of The Peats Ridge Festival over New Years but what an amazing time was had by all. You can probably tell from our reviews of the folk, acoustic and alt country artists at the festival (see this link for more details) that we fell head over heels in love with the music at Peats Ridge and we even managed to see and enjoy some bands outside of our genre scope.

Before we wrap up our coverage of Peats Ridge we thought we might bring you some of our highlights and observations from the festival that didn’t make it into our reviews:

  • The La Toosh Caravan Stage. One of the hidden gems of festival was this french style coffee shop complete with an acoustic stage on its roof. The stage was not featured in the program and felt very much like a rooftop folk club featuring sets from the likes of Cj Shaw and Leroy Lee. Oh and of course there was the nightly burlesque show whose performers then went on to sell coffee from the caravan – and damn good coffee at that.
  • Flair Bar Tending. Despite running out of cider early on New Years Eve the bar staff remained professional and helpful throughout the festival. And not once, not twice but three times we witnessed some top notch flair bar tending from the staff – a little bit of class in the bush
  • Stonefish. The swimming holes in the creek around Glenworth Valley were closed reportedly due to a couple being stung by a stonefish. The creek may be tidal but we thought we were a little too far away from the ocean for stonefish?
  • San Cisco. These kids are not folk so this is probably the only time you’ll read about them here. But wow they play some fine indie rock
  • Costumes. Everyone loves a dress up and Peats Ridge on New Years Eve brings out the best. Check out their gallery on Facebook. Our favourite? The Gotye and Kimbra duo killed it.
  • King of the Kids. We loved the family atmosphere at Peats Ridge having grown up at festivals ourselves. So many kids rocking out to some awesome music (many of them in comically oversized noise canceling headphones)
  • We’re All in This Together. There’s such a collaborative, community atmosphere at Peats Ridge whether it’s people making sure the right rubbish is going into the right bins, the politeness in line to toilets or food stalls or the willingness of people to strike up a conversation with just about anyone. Our favourite moment was when a volunteer overbalanced their trolley spilling a load of glasses everywhere only to have people running from all over to help clear them up.
  • Artists Watching Artists. You know it’s a festival artists want to be at when you spot them in the crowds at each other’s gigs. Throughout the weekend we spotted Husky at listening to Passenger, Thomas Busby (Busby Marou) taking in the Husky gig, Luke Escombe poking his head into Fanny Lumsden and Leroy Lee pretty much everywhere.
  • 2011 – Somebody That I Used To Know. Like 10,000 other people on NYE we were watching Gotye’s band jam as they killed time before midnight. And when the clock struck twelve we got what is probably going to be remembered as the song of the year.

Peats Ridge is such a unique and wonderful way to spend New Years Eve in a beautiful part of the country. If you’ve never been we think it’s time you started planning for NYE 2012 – it’s never too early.

Check out highlights from the Peats Ridge Festival via their official YouTube channel

Peats Ridge Festival Review: Hanggai

Hanggai
Image Courtesy of Hanggai

Hanggai
Saturday – Bellbird

Hanggai were definitely one of our unexpected highlights at 2011′s WOMADelaide Festival so when we saw they had made the Peats Ridge Festival lineup we were suitably excited. We arrived at their Bellbird set a little late due to a clash with Fanny Lumsden and a sea of people were already rocking out in front of the festival’s largest stage.

If you haven’t come across Hanggai before you’re in for a treat. Think of the them as a Mongolian Mumford and Sons – a contemporary folk-rock band who draw on the traditional music of China (in particular Mongolia) to create new and exciting sounds.

Hanggai may not sing in English, they may not play music that is recognisable to the majority of Australian ears, they may have a banjo player, but when these guys get going they get the crowd jumping. The pure energy pouring off stage during Hanggai’s set was incredible, infectious and unstoppable. Watching the band members bounding around the stage while they performed their own brand of folk-rock fusion you could tell they were in their element, loving every moment of it. Watching the shirtless lead singer crack a beer, shout a thickly accented “Cheers!” and having the crowd roar in return was just a perfectly executed rock and roll moment.

With a handful of shows left around the country (details here) we’d recommend going out and experiencing Hanggai for yourself. They are a stellar festival act so we can only imagine that their headline sideshows would be amazing. Here’s hoping they keep coming back to Australia again and again.

Peats Ridge Festival Review: Fanny Lumsden

Fanny Lumsden
Image Courtesy of Fanny Lumsden

Fanny Lumsden
Saturday – Chai Temple

Peats Ridge is not strictly a folk or acoustic music festival but they have a lot of Timber and Music friendly music on offer. And while most of programing was helpful for us Saturday evening was challenging: Husky and Fanny Lumsden (and later Hanggai) overlapped. But never ones to let a challenge get in our way we raced from Husky to Fanny Lumsden and managed to catch the final half of her set, enough to (hopefully) write a decent review.

As I skulked into the Chai Temple and found a cushion up the back Lumsden was asking the crowd whether they’d caught the Crooked Fiddle Band set the night before. Apparently Gordon Wallace from The Crooked Fiddle Band had borrowed the pants from Lumsden’s bass player Dan Stanley Freeman, a fact that the entire band seemed quite proud of. I missed whether Dan Stanley Freeman was back wearing the same pants again but given how energetic Wallace was during The Crooked Fiddle Band gig I can’t imagine they smelt any good.

But enough about pants – we need to talk about Fanny Lumsden’s music. Lumsden has her feet firmly in the “country” side of the folk genre with her big Dolly Parton voice and a band that features drums, bass, guitar, mandolin, banjo and piano-accordion. Her melodies are fun, danceable numbers that sometimes verge on the ridiculous (“Here’s a song about how my Granddad shot his toe off with a shotgun”) but always induce toe tapping from the audience. Part of what makes Fanny Lumsden so good live is the skill of her band in particular Adrian Leighton on mandolin, Kate Parson on the piano-accordion and the ever-wondeful Leroy Lee wielding his mighty banjo.

The encore is a rare occurrence at a festival so the fact that Lumsden and co were cheered back on stage to perform a medley that included “You Are My Sunshine” speaks volumes for just how appreciative her audience at Peats Ridge was. By all accounts it looked like she was having an absolute ball up on stage and the result was one of the most joyful performances of the festival.

You can catch Fanny Lumsden at Crooked Fiddle Band’s Post Festival Party at the Annandale Hotel on the 28th Januray. Details here.

Peats Ridge Festival Review: Husky

Husky
Image Courtesy of Husky

Husky
Saturday – Lyrebird

At some point in 2011 Husky went from a little known Melbourne four piece that Timber and Steel was trying to convince everyone to go and see to a band who could fill out Peats Ridge’s second biggest venue the Lyrebird stage. The triple j airplay may have had something to do with it (Husky were named among triple j’s Next Crop artists to watch in 2012). Or it could be their gorgeous 2011 debut album Forever So. Or maybe it’s the relentless touring and amazing support slots the guys have managed to score. Whatever the reason we sure are glad that the Australian music going public has woken up to Husky.

One of the first things I noticed when Husky began their Lyrebird set was just how good the sound was. Festival sound can be pretty hit and miss (although all sorts of credit has to go to sound engineers at these events – dealing with minimal sound checks and all the problems outdoor stages must cause is no doubt a nightmare) so it was refreshing to see Husky put on a show that was just as good as anything you’d hear at a dedicated venue. When I was chatting to the Husky guys at the festival later on and complimenting them on their sound they told me they’d used their own sound engineer – obviously the secret to a successful festival set.

Husky’s dreamy, ambient melodies and acoustic folk-pop sensibilities were exactly what Peats Ridge needed in the late afternoon of New Years Eve. Just as the crowd was about to drift off to their tents to get their costumes on for the night they were treated to the perfect soundtrack – I couldn’t have placed Husky better on the festival program myself.

My favourite songs from the set are probably a bit predictable – “Dark Sea”, “History’s Door” and “Hundred Dollar Suit” – but it’s these songs that got me to fall in love with the band in the first place. “Hundred Dollar Suit” is a particular favourite of mine live due to it’s unique rhythm, a fact I always find strange as it’s no where near my favourite track on the album – I guess some songs were just made to be performed in front of an audience.

I get the sneaking suspicion that Husky’s set at Peats Ridge will be among the favourites of so many of the festival goers and has probably gained the band a legion of new fans. If you’re yet to catch these guys live make it a must in 2012 – you won’t be sorry.

Peats Ridge Festival Review: Busby Marou

Busby Marou
Image Courtesy of Busby Marou

Busby Marou
Saturday – Bellbird

It’s a fitting that the song Busby Marou were playing when I made my way to the Bellbird was “Better Be Home Soon”, the Crowded House cover which kicked off a massive 2011 for the Rockhampton duo. Their inclusion on the He Will Have His Way tribute album (the only independent artist to do so) was followed by the widespread re-release of their self titled debut album, their first national tour, support slots with Birds Of Tokyo, Pete Murray and Dolly Parton, nominations for AIR, Deadly and Queensland Music Awards and of course that cover of “Girls Just Want To Have Fun” for triple j’s Like a Version – 2011 is going to hard to beat for Busby Marou.

The sun peaked itself from out behind the clouds for the first time on Saturday as Busby Marou played to a very chilled out crowd at the main Peats Ridge stage. Complete with a full band Busby Marou have come a long way since I first interviewed them in March for the Blue Mountains Folk Festival – gone was the I-can’t-believe-we’re-here stage presence and in its place a confidence and showmanship that was perfectly suited to the size of crowd that had turned out to see them. Thomas Busby was in his element, playing the crowd, throwing solos to Jeremy Marou and generally having a lot of fun playing the rock star. The boys had already completed a couple of sets at the Woodford Folk Festival so it was a great to see them still full of energy for their only Peats Ridge show.

The sound at the Bellbird was a little hit and miss over the festival (understandable given the size of the outdoor stage) and at times I felt the bass overpowered Busby Marou, but the crowd didn’t seem to mind rocking out to duos songs. Highlights would have to have been the tracks “Biding My Time”, “Girls Just Want To Have Fun” and “Underlying Message” which not only showcased Jeremy Marou’s amazing ukulele skills but also featured an electric guitar solo from Marou performed using the ukulele’s neck as a slide – amazing.

Busby Marou Really are at the top of their game at the moment and their set at Peats Ridge was yet more evidence of this. The guys have rounded out an amazing year with their Bellbird show and it’ll be interesting to see what comes ext for Busby Marou in 2012.

Peats Ridge Festival Review: Passenger

Passenger
Image Courtesy of Passenger

Passenger
Saturday – Chai Temple

I haven’t actually managed to catch Passenger live since he made his way back to Australia for the southern summer so seeing he was playing twice at Peats Ridge made me very happy indeed. The two shows were set to showcase the two sides to Passenger’s on stage persona – the solo acoustic set in the Chai Temple and the full band experience for the Bellbird, Peats Ridge’s “main stage” – and I intended on catching both.

The Chai Temple is one of the smaller venues at Peats Ridge, decked out with cushions and silks and smelling slightly of incense. Normally the Chai Temple is an oasis from the festival with its focus on acoustic music and (in the evenings) ambient electro. But when you put an artist with the following and reputation of Passenger on the stage the pink and purple tinged room became a packed-to-the-rafters hotbox where space on the floor, even sans cushion, was at a premium.

Passenger began his set as he always does by apologising for his depressing songs before launching into the beautiful “Underwater Bride”. I know that Passenger’s lyrics do tend to deal with the more heartbreaking side of life but his melodies are so sweet I’ve never found any of his shows (or his recorded music for that matter) to be as downer. As more and more people attempted to squeeze into the Chair Temple Passenger worked his way through his acoustic material that was perfectly suited to the venue.

No review of the Chai Temple gig could be complete without mentioning Brendan. If you’ve listened to Passenger’s new song “I Hate” (which you can do here) you’ll know there’s a wonderful “Piano Man”-esque singalong section in it – a singalong that a fan named Brendan was very enthusiastic about when Passenger started teaching it to the audience. So enthusiastic in fact that Brendan ended up on stage and proceeded to pose for photos, dancing and taking over the mic during the chorus. We don’t know whether Passenger was entirely convinced that bringing Brendan up on stage was the right thing to do but he did comment at the end of the set that it was one of his most fun live experiences.

It was great to see Passenger back in solo acoustic mode and I couldn’t wait to park myself in front of the main stage a couple of hours later to watch him with the full band – he was definitely a highlight of Peats Ridge for me.

Passenger
Satuday – Bellbird

We’d parked ourselves in front of the Bellbird stage under the shade of a gum tree for much of Saturday afternoon (more reviews from the stage to come) by the time Passenger made their way on stage. The full band, which included Stu Larsen on guitar and backing vocals, transformed Passenger’s sweet acoustic songs into wonderful toe tapping numbers in particular the opener “Shape of Love” which had benefitted so much from the backing of Boy & Bear on the recorded version.

Despite promises to the contrary the Bellbird set included many of the same songs we’d heard at the Chai Temple earlier in the day including “Holes”, “Golden Thread”, “Rain”, a cover of “Sound of Silence” and “I Hate” causing the audience to yell out “Where’s Brendan?” – obviously we weren’t the only ones at both shows. We didn’t mind the repeated songs though, it was great to see how the full band took them on.

I do have to call out the wonderful version of “Caravan” Passenger performed on the Bellbird – not only is this among my favourite of his songs the emotion he was able to convey to the huge outdoor crowd during this track was amazing. “Caravan shouldn’t be a festival song but it just worked.

Seeing Passenger twice in different settings within a few hours was what made Peats Ridge just so special for me. With a new album on the way and an East Coast tour that is just about to be kicked off there’s a very good chance that 2012 is going to be an amazing year for Passenger and we feel privileged to have been there right at the very beginning.

Peats Ridge Festival Review: The Crooked Fiddle Band

The Crooked Fiddle Band
Image Courtesy of The Crooked Fiddle Band

The Crooked Fiddle Band
Friday – Lyrebird

If there’s one band that has become synonymous with the Peats Ridge Festival it’s The Crooked Fiddle Band. The Gypsy-infused Sydney foursome have been at almost all of the Peats Ridge Festivals over the years and always draw a massive crowd. The fact that they refer to the Peats Ridge stage as “home” shows just how comfortable they are at the festival.

When The Crooked Fiddle Band took to the stage at this years festival it was to a roar of a full Lyrebird tent and they did not disappoint. Their live show crackles with an energy few other bands can match and their frantic brand of gypsy-instrumental music had the audience up and dancing immediately.

Peppering their set with old favourites (like “The Rom Rebellion”) and tracks from their new album Overgrown Tales The Crooked Fiddle Band delivered an amazing show that was over far too soon (as is the trouble with stringent festival schedules). Somewhat surprisingly my favourite song from the set was not one of the danceable numbers but instead was The Hobbit inspired “Over Hill and Under Hill”, a rambling, medieval piece that really transports the listener into the narrative of the piece (no mean feat considering the track is an instrumental).

Jess Randall on fiddle continues to be an inspiration to musos everywhere – the mastery she has over her instrument is simply unparalleled both in the speed at which she can play and the huge array of sounds she can illicit from it. Mark Stevens on bass is a joy to watch and was perfectly mixed by the sound team at the Lyrebird. Gordon Wallace may be the only bouzouki-playing rock star in the country but that man just knows how to own the stage. And of course Joe Gould’s drums (and occasional vocals) brought everything together and filled the tent with that amazing energy that The Crooked Fiddle Band are known for.

Peats Ridge wouldn’t have been Peats Ridge without a show from The Crooked Fiddle Band and we’re so happy we managed to catch them. And with The Crooked Fiddle Band once again hosting their post festival party in January (more details to come) here’s hoping we get more of the same from these guys in 2012.

Peats Ridge Festival 2011 – An Introduction

Peats Ridge
Image Courtesy of Peats Ridge Festival

Arriving halfway through a festival is never a recommended course of action. For one thing you miss a bunch of artists who are doing the multi-festival thing and may have only been scheduled in for one show early in the proceedings. Secondly finding a camping spot among a sea of established tents and vehicles is a near impossibility. And of course there’s the day and a half old festival toilets to contend with – but we don’t need to go into much detail there I’m sure.

Sadly circumstances beyond our control had meant that we found ourselves descending into the picturesque Glenworth Valley for the Peats Ridge Festival late on Friday afternoon long after the event had kicked off. It had been three years since any of us had spent our New Years Eve at Peats Ridge and while a lot has changed in terms of the size of the event, the state of the facilities (thank the festival gods for flushing toilets!) and the slickness of the organisation the vibe still remains the same – Peats Ridge may be the most relaxed festival on the summer circuit.

Our late arrival had meant we’d missed a lot of our Must-See acts including The Rescue Ships, Xavier Rudd, Claude Hay, Todd Sibbin and the Opposite Ends, Graveyard Train and Inland Sea but there was still one hell of a lineup ahead of us.

Peats Ridge is a festival that has found its feet, definitely found its audience and has attracted one of the most diverse lineups of any New Years Eve event in the country. While we only have a day and a half ahead of us you can be guaranteed it will be crammed full of music (some of it even folk), dancing and some amazing times – if you haven’t managed to make it this year don’t worry, there’s plenty of reviews from Timber and Steel to come.

Happy New Years!

Guide to Summer Festivals Part 1: Preparation

The Gum Ball 2011 Story and photos by KT Bell

Everyone’s excited about Christmas, but here at Timber and Steel we’re gearing up for a huge Summer Festival season, especially for the New Years period. There have been 4 main festivals lining up loads of Timber and Steel friendly acts to get excited about, namely Woodford Folk Festival in QLD (you may remember my 35 Hour Woodford experience from last year), Peats Ridge Festival in NSW and two VIC festivals on either side of Port Phillip Bay, Pyramid Rock Festival and The Falls Festival (also on in Marion Bay, TAS). We’ve managed to rustle up a couple of reviewers to give you the wrap up of some of these festivals in the New Year. But in preparation, let’s take a look at how to make the most of the New Years festival experience.

Our four festivals are all multi-day festivals set in lush settings away from the hustle and bustle of the city, leaving festival goers two accommodation options. 1. pay for a hotel away from the site and drive to and from the event every day (access to some festivals are limited on 31 Dec) and limit your experience ,which is no fun, or, 2. camp. Having camped through a number of different scenarios, here’s a short list of tips which will make your camping festival experience that much better. Peats Ridge offers some sustainable camping tips to check out before the festival too.

Bluesfest Saturday
Tent Options
Woodford offers Tent City which is a great option for those who need to travel light – a tent, bed, light and basics are supplied for an additional fee, you just need to buy tickets with camping and bring your own bedding (pillow, blankets etc).  Peats Ridge has begun offering Tepee camping in recycled Tepees with both 2 person and up to 4-6 person camping options and you even get to take your Teepee sleeping bags home with you.  Both are a stress free, easy way to experience a camping festival, with none of the effort of camping.

For all the other camping events, either take a tent you can stand up right in, or be prepared to spend very little time in your tent, most of which will be in a half sitting/ laying position.

Dealing with Mud and Rain
Proof I was there, in my gumboots. Given the very unseasonal start to Summer, it would be wise to steel yourself for the likelihood of rain and eventual mud. Lots of mud. Best things to do are to take gumboots, extra socks (thick socks deal with chaffing better) and why not think about a gel or wool inner sole for your gumboots while you’re at it – I can say from days dancing in boots at Peats Ridge 2009, your feet will be worn out before the end of the festival.

Take a poncho or rain coat – not umbrellas. Alternately take a couple of heavier hoodies, they’re also quite good at keeping the rain off, but they do soak through. If you’re at Woodford, I did pick up a beautiful waterproof parasol from a vendor who I believe goes regularly and it’s gotten me through a number of both sunny and rainy days since.

Take extra changes of clothes and some gear that you don’t care if it’s ruined by mud. If you are going to go sliding in the mud, whether in clothes or not (yes, another fun Peats Ridge image yet to be removed from my memory), make plans to get through the shower or dip in a creek before your favourite act hits the stage, otherwise you’ll be sweaty, tired and still muddy.

Best tip: Take a bucket, an old towel and/ or a bathmat – leave them outside your tent and use them as a door mat and to rinse off your feet before climbing in to your tent to avoid the mud spread through all your belongings. And make sure to take your gumboots off outside before entering, leave them outside or just inside the door.

_DSC0234

Hygiene
There are a couple of elements to the whole multi-day camping festival and keeping yourself clean. Showers are often hugely sought after at the usual peak times, mornings and early evenings. Mind you at both Peats Ridge and Woodford, I walked past the shower blocks very late at night (as late as 2am) and they were well in use. Plan your showering/ bathing times ahead, have a look at the timetable and see if you can pop back from a quick shower before the next act.

Alternately, if you’re tough, you could forgo the showers altogether – in some locations there’s rivers to have a nice dip in and keep yourself fresher, but you will need to wear something in, be decent people. Even if you take to bathing, take along some baby wipes or wet ones and give yourself a good wipe down all over at least once a day and apply deodorant liberally. You might be able to cope with no showering, but the people around you might not cope with your odour.

Toilets at most of these festivals have moved towards the sustainable compostable toilets. No flush toilets can be challenging, especially after a few days in to a festival. Firstly, learn how the toilets work – usually there’s a tub or pile of sawdust available. If you’re heading for number 1s, just go without sawdust, and you can pop some toilet paper in after you if you need. If you’re going number 2s, take a cup/ handful of sawdust to throw in after you’ve finished. If it’s a big number 2, well, take some back up sawdust. ALWAYS close the lid no matter what number you’ve been to so that insects are not attracted to the contents – no one wants to use a fly infested loo. If everyone uses them properly, these toilets can work very well. And boys, you’re always welcome to take to the bushes if that’s easier.

Supplies
Bluesfest Saturday Most festivals are no BYO and all would be No Glass – there’s nothing worse than some broken glass to ruin your day by slicing your foot, or worse, your butt, open. Some festivals have fire bans – check the FAQs for your festival and check what you can and can’t take in. If you can afford it, budget to buy your meals, it supports the vendors which in turn supports the festival and allows it to go ahead every year. The same goes with alcohol and festival bars, bringing your own alcohol might seem like a sneaky and clever idea but it jeopardises the festivals liquor licence and can have a detrimental effect on the bar provider which may lead them to choosing not to be involved in the future. Everyone likes to save a buck, but bars and food vendors are the life blood of funding for festivals and events, so spend with them to help your favourite festival continue year to year.

Check out your festival’s website for information about the dos and don’t's at your festival and travel information. Also don’t forget to take some important items that are often forgotten including sunscreen, a hat, jumper/ warm clothes, a water bottle, toothbrush and paste. It’s a good idea to invest in some ear plugs, they cancel out much of the noise and volume but none of the music, you can even hear the lyrics plus they save your hearing. Having now attended a few festivals with ear plugs, they’re a staple in my stash.

Woodford has both an Eating at Woodford and a What to Bring section available from their home page.
Falls Festival has a What to Bring section which reminds punters to bring tickets. Believe it or not, I’ve seen it happen.

If all of that planning and packing seems like too much trouble, you could check out a new venture called Festival Kits which is an online service able to deliver a package to your at home before you depart which contains all the essentials, and they’re catering to all of our festivals and more.

Get In To It!
The Gum Ball 2011
Plan your festival, work out who you want to see, and read the bios of acts you’ve never heard of and check them out, you might find a brand new favourite you would have otherwise missed. Make a note of what non musical things you want to see like arts, workshops, talks and displays so you don’t forget to catch them. A number of the festivals have lantern and New Year parades complete with fancy dress or masquerade themes which you can get right in to the thick of helping create and perform. If you don’t want to be involved, at least make sure you have your camera handy for some amazing photo opportunities.

Bluesfest Saturday If you’re taking technological devices like phones and iPhones, why not download relevant information to your phone, or if you’re lucky, there will be an app for that. However, think twice about how you’re going to power and recharge your device – it’s a good idea to take a car charger with you and plan some time recharging. Also keep an eye out for recharge bars seen at many festivals which allow you to plug in to solar power and recharge your devices. However, you’ll need to stick around and wait for your device to charge as the people running it sure aren’t going to babysit your phone for you.

If you’ve got some time free, or you’re not really feeling the festival experience, try volunteering. All of these festivals rely on volunteers to make the magic happen and being involved in helping the festival run can be really rewarding. All of the volunteering programs have closed except for Woodford, however no matter which festival you’re at, if you’re bored, find the volunteer tent/ center and ask about volunteering. If you do enough hours, you might even get your ticket price refunded – but you will definitely have a unique experience of the festival.

Tickets are still available to all of these festivals, except the Lorne edition of The Falls Festival, however if you feel like crossing the ditch to Tassie, you can still get tickets to The Falls Festival at Marion Bay. Why not treat yourself to an early Christmas present and grab yourself a ticket if you haven’t already!

Plan and prepare now, and stay tuned for our next installment of our Guide to Summer Festivals.

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