Interview: Jeff Lang Talks About Sound and Instrumentation

Jeff Lang
Image Courtesy of Jeff Lang

Article Originally Published by Bill Quinn on Overheard Productions

Bill Quinn walked into a tent where Jeff Lang was playing at the Candelo Village Fair in 2011 and was promptly blown back out by a wall of sound that might have had Phil Spector raising an eye-brow.

Or possibly his whole head.

Ever since, he’s been intrigued (that’s Bill, not Phil — as far as most pundits are aware, Spector’s views on Candelo are yet to be canvassed) by the sound level created by Lang and band, and was reminded of this at the 2013 Illawarra Folk Festival when one of Lang’s sets had the songs seemingly bouncing off the escarpment.

Finding an opportunity to bail Jeff up in the green room (ie the grass behind the tent), Bill whipped out the all-terrain microphone and quizzed Jeff on the sound matter, among others.

(Please excuse the seven second déja vu moment at the start of the audio; the post-producer still has his ‘L’ plates on for the use of Microsoft Movie Maker…)

Upcoming gigs: Jeff Lang will be appearing at the Snowy Mountains of Music Festival at Perisher on the June long weekend.

National Folk Festival Interview: Grimick

Grimick
Image Courtesy of Grimick

Article Originally Published by Bill Quinn on Overheard Productions

Chris “Griff” Griffiths is one third of the membership of Sydney band Grimick and one half of its name.

Confused? Never fear. (Small band member joke there; we move on.) Yes, never fear because Griff has a black belt in algebra, and is not afraid to use it.

Grimick are Griff, Mick (join the nomenclature dots there) and Dr Fear.

I first encountered them at Kangaroo Valley Folk Festival several years ago and was quite mesmerised by the songs and music. Later listening to their wonderful album ‘Dazzle’, I was even more enchanted. Firstly for the stunning production values and warm, rich sound, and secondly for the fact that Grimick have this tendency to give their music away.

Griff explains more about this ethos in the interview, and the fact that you can download the whole shooting match at their website.

I interviewed Griff at Punchbowl Boys’ High School in Sydney’s south-west earlier this week and we spent a bit of time talking about the benefits to be had from inter-meshing music and education.

And by and by we did discuss music, and Grimick’s first foray to the National Folk Festival this weekend.

Highly recommended. See them if you can.

Grimick’s performances at the National Folk Festival:

Friday 29 March – Scrumpy, 9pm
Saturday 30 March – Flute and Fiddle, 7pm
Sunday 31 March – Scrumpy, 6pm

National Folk Festival Interview: Tony Pyrzakowski, Wheeze and Suck Band

Wheeze and Suck
Image Courtesy of The Wheeze and Suck Band

This Article By Bill Quinn Originally Printed on Overheard Productions.

As I’ve said many a time on stage and in print, I don’t even try to have a veneer of objectivity when it comes to some bands.

They’re just my favourites and I adore their music and I’ll hunt them down at every festival and sing along, and sometimes dance along, and that’s just the way it is and ever shall be, Wheezer World without end, amen.

So yeah, I quite like the Wheeze and Suck Band.

There, we’ve got that bit established.

If you think age shall weary them, just click on the video link below and suspend disbelief. What says so much with music and dance in this shaky clip I took at St Albans Folk Festival a couple of years ago (Anzac Day weekend — put it in your calendar now; thank me later) is the range of ages the Wheezers appeal to.

What child could resist jumping around to a bunch of men in funny hats and cloaks? And that’s for the young at heart and the young in the head.

And the young.

It’s enough to even make you groan with empathy (and maybe a little sympathy) to John ‘Red Tips’ Milce’s jokes, trotted out at irregular intervals in pure Lancashire-ish.

Fiddler-player Tony Pyzarkowski is one third of a regular trio along with Butch Hooper and Kevin ‘Bodhranworld dot com‘ Kelly who form “Kelly’s Heroes” and bash out three hours of stuff you probably know, stuff you may know and stuff you may not have heard of in PJ O’Brien’s pub in Sydney every Sunday night from 6-9pm. (No chance on Easter Sunday — that’s National Folk Festival central.)

After last Sunday’s session, Tony had a bit of a chat about what’s going on with the Wheezers and looked forward to the National Folk Festival starting this Thursday 28 March 2013 in Canberra.

The Wheeze and Suck Band at the National Folk Festival:

Friday 29 March – The Majestic, 10pm
Saturday 30 March – Scrumpy, 10pm
Sunday 31 March – Marqee, 5pm

Interview: SANS performing at the 2013 National Folk Festival (Australia)

SANS
Image Courtesy of SANS

Piece Originally Published by Bill Quinn on Overheard Productions

Interviewing Andrew Cronshaw is a bit like watching Waragamba Dam in flood.

There’s a mighty capacity, but the volume contained therein and the urge for it to surge out means there’s a fair old splashing and cascading over the spillway.

(This is a musical knowledge thing, not early-onset incontinence — just did want to clarify that one.)

Andrew Cronshaw (and the relatively more calm, still waters of Ian Blake) have been comrades in music of the world for many a year, and delighted audiences at the National Folk Festival in 2010.

A very salient memory is a packed performance in the Coorong on the Saturday evening when the MC (me) had been directed erroneously to the Budawang and ended up sprinting twixt venues, doing a slide into home base staying upright to collect a microphone and bounce on to stage to give a slightly breathy but knowledgeable intro courtesy of having seen them both at the National Library of Australia mid-week.

Andrew Cronshaw and Ian Blake were performing at a fantastic afternoon on Aspen Island, literally in the shadows of Canberra’s Carillon, on a balmy Monday afternoon in mid-March as Canberra celebrated a day before turning 100 years young. I grabbed a few minutes with Andrew and Ian as the zephyrs zephyred and the dragon boats came in and the sound guys eventually started to test the drums on stage.

Andrew and Ian will be performing with the new collective badged SANS:

Andrew Cronshaw – electric zither, fujara, marovantele, kantele, ba-wu etc.
Sanna Kurki-Suonio – voice
Tigran Aleksanyan – Armenian duduk
Ian Blake – bass clarinet, soprano sax etc.

Performance times at the National Folk Festival:

Friday 29th March – Trocadero, 9pm
Saturday 30th March – Budawang, 12.30pm
Sunday 31st March – Marquee, 4pm

Interview: Ann Vriend (Canada) 2013 Australian Tour

Ann Vriend
Image Courtesy of Ann Vriend

Piece Originally Published by Bill Quinn on Overheard Productions

Ann Vriend (Canada) is a very regular and very welcome visitor to Australia and this week she’s touched down in Sydney to kick off a month of shows that will take her south to Tasmania and north to Queensland — with appropriate stops along the way.

Ann’s first shows are in Sydney at The Basement where she’s received some great support from David Hand and Newport Consulting; the tour opener was fairly bursting with staff thereof.

In between set-list writing, sound-checking and dress-up* for the show, Ann took some time out to talk with me about weather, Aus-stray-lee-an pronunciation, more weather and suburb names. And music.

* When Ann came back in for the show, I dead-set wondered who was this elegant woman who looked like she was off to the races. And why was she waving at me from across the room?

I’m blaming it on jet lag.

P.S. Check out Ann Vriend on Facebook and that photo she was talking about of leaving Edmonton for sunny Australia!

Ann Vriend’s Australian tour dates:

Wednesday 27th March – Bulli Heritage Hotel, NSW
Saturday 30th March – The Stage, Hobart, Tas
Sunday 31st March – Jazz at Mona, Hobart, Tas
Monday 1st April – private rural house concert, Tas
Tuesday 2nd April – Skwiz Cafe Gallery, Sheffield, Tas
Friday 5th April – The Upfront Club, Maleny, Qld
Saturday 6th April – Music by the Sea, Sandgate, Qld
Friday 12th April – Albert Park Yacht Club, Vic
Saturday 13th April – Candelo Music Festival, NSW
Monday 15th April – venue TBA, Wagga Wagga, NSW
Wednesday 17th April – private concert, Jan Juc, Vic
Thursday 18th April – private concert, Geelong, Vic
19th to 21st April – Mt Beauty Music Festival, Vic

Fun Machine: Tipping Folk on its Glittery Head

Fun Machine
Fun Machine at Canberra Centenary Celebrations. Photo courtesy of Martin Ollman

You don’t have to go back too far ago to a time when Fun Machine were an energetic three-piece band making underground waves in Canberra’s lively, teeming independent music scene.

But in a couple of short years (as opposed to the long ones which sadly died out in the late 1800s), Fun Machine’s star has been rising, thanks in no small part to some solid support from the Canberra Musicians Club.

And the amazing advocacy provided by 666ABC (AM Radio) Canberra for all things Canberra indie, but specifically Fun Machine. I may be wrong, but I believe that breakfast announcer Ross Solly may want to adopt them all, which is no mean feat as over this time, the band has doubled in size.

At Canberra’s ‘One Very Big Day’ this week to celebrate the city’s centenary, Fun Machine played to a heaving, sweaty mess of young and old beautiful people, as the last of the fireworks fell away (some into the crowd, allegedly!) as they put a fairly massive stamp on their cross-genre and cross-market universal appeal.

See a full photo set by photographer Bron King (aka guitarist Sam’s mum) here on Facebook

Gigging around Canberra in various formats and bands, the members will rejoin as Fun Machine at this year’s National Folk Festival at EPIC in Canberra over the Easter Long Weekend.

If I were you, I’d … wonder whether those red pumps go with that skirt.

No, if I were giving you a serving suggestion for your Nash experience, I’d be taking a very brightly-coloured Spandex highlighter and putting a golden ring (eh you?) around Fun Machine in your programs.

On Tuesday last, as Canberra celebrated 100 years young with a mass of parties at the shops, I caught up with Bec Taylor and Chris Endrey from the band. Bec starts us off and that would be Chris you can hear crunching his way through the first of Canberra’s autumn leaves as we stood in salubrious surroundings outside the gents at O’Connor Shops. Bec and Chris had just done a stripped-back, rootsy, acoustic set under their duo moniker Yes/No.

Times for Fun Machine at the National Folk Festival:

Thursday 28 March, 11pm — Scrumpy
Friday 29 March, 11pm — Majestic
Saturday 30 March, midnight — Majestic
Sunday 31 March, 3pm — Majestic
Monday 1 April, 5pm — Majestic

Article Originally Published on Overheard Productions.

National Folk Festival: Two Weeks and Counting

NFF
Image Courtesy of The National Folk Festival

In two weeks’ time, on Thursday 28 March 2013, the grounds of EPIC (Exhibition Park in Canberra) will eschew all traces of horse floats, cattle-judging, burnouts and street cars named ‘WarnieRoolz’, and will burst into life, colour, song, dance, percussion, spoken word and related arts for the 2013 National Folk Festival.

I stopped across its threshold in 2005 for the first time ever; never mind that I grew up two decent golf swings away from its front door.

I’ve been making up for this yawning gap in my musical life ever since.

On that first night in situ at Flemington Road, Mitchell I fell hopelessly in love with an event and a music genre/genres.

(I also fell in love and found another almost-ex-Mrs-Quinn in the CD Shop, but that’s another story…)

Bodhrans

Eight years down the track, gearing up for a ninth consecutive, I’m excited again as the Canberra air chills in the early mornings and late evenings, as the leaves decide they’ve had a good run over summer and now it’s time to turn brown, red, or amber and see if they can jag an invitation to go meet the ground.

I’m excited as I drive past the EPIC show grounds every couple of days, and sense movement at the station and strange new structures being erected or imagined.

No, it’s not a car show. Dorothy, we’re not in Deniliquin anymore.

It’s the National Folk Festival. Arrayed in a slightly different configuration this year, with some changes, tweaks and sundry twists and turns.

If you were sat at home thinking, aw, might give it a miss this year, my suggestion would be this.

Don’t.

Firstly, for Canberrians, ACT is the feature state in this Canberra’s centenary year. So Canberra will be well-represented for the festival and the world to see.

Choice

Secondly, there is an eye-watering line-up of quality music and song and all that other stuff catalogued above.

Over the next two weeks and across the festival itself, I’ll be bringing some tastes and teasers and forecasts of things to come and those that are here and now.

The microphone’s primed, the camera (lol) is warmed up and the video camera has just been fished out of the garage sale pile.

Join me as I preview the National Folk Festival 2013, and please do join us all as we welcome the world in this year again at Easter at our church of the blessed folklore in Canberra. And much as in Rome there will be white and black smoke issuing from the … fire buckets. Where did you think I was going with that?!

Full program available in read only format here.

Tickets available here (early bird tickets on sale until Sunday 24 March).

Handy set of FAQs here.

All Original Photos By Bill Quinn. Article Originally Published on Overheard Productions.

Kim Churchill Off to Tour USA and Canada

Kim Churchill
Image Courtesy of Kim Churchill

Article Originally Published By Bill Quinn On Overheard Productions

Kim Churchill has a few more shows to go in Australia before he heads off to USA to join the tour of one Stephen William Bragg (aka Billy Bragg).

At the Cobargo Folk Festival in February, Kim Churchill was the recipient of my vicarious joy at this news, and we spontaneously had a chat, leaning on someone’s trailer, outside a venue, out in the open — which was a bit of a mistake because as I now know: don’t try to do these things in a flukey, swirling breeze.

I’m sure you’ll cope. Muggins here did the best he could with the sound balance.

Kim Churchill’s remaining Australian dates:

Thursday 14th March — Beav’s Bar, Geelong, VIC
Friday 15th March — Thornbury Theatre, Melbourne, VIC
Saturday 16th to Sunday 17th March — Blue Mountains Music Festival, Katoomba, NSW

Claymore (VIC) to Play the Flying Saucer Club This Friday

Claymore
Image Courtesy of Claymore

Originally published (unedited) on Overheard Productions here by Bill Quinn

Claymore will be playing live at The Flying Saucer Club in Elstenwick, VIC this Friday 8th March.

From the press release:

“Claymore’s reputation as outstanding entertainers has led them to perform at many local and international festivals, they have performed in New York, Scotland, France at the “Festival Interceltique“, the largest Celtic festival in the world many times, New Zealand, Sydney, Melbourne, Launceston (Tasmania), National Celtic Festival, Port Fairy Folk Festival, Queenscliff Music Festival, Big Blues Day Out, Perth International Arts Festival, Brunswick Music Festival and many more.

The band has played many live radio and television performances in Australia and overseas. With a mixture of traditional Scottish and Irish music and modern self penned Celtic rock the band represents the best of new age Folk Music. Through a diverse and unique mix of sound’s featuring guitar, mandolin, fiddle, military snare, the highland bagpipes and even a didgeridoo, it is little wonder Claymore are one of Australia’s most popular festival acts. A not to be missed extravaganza”

Claymore are one of the first bands to spark my interest in folk music. Unless you count that village fair in Surrey in 1979 where I first experienced Morris Dancing (and have been in therapy ever since).

But in the modern era, it was the Beechworth Celtic Festival in 2001 and I had been taken there by my squeeze of the time and we had a mighty fine weekend. It was where I first saw Jigzag, The Beenies and Bahn Tré.

Nothing was ever quite the same after that, even if it did take another three and a half years to distil the experience and step over the threshold of the National Folk Festival in Canberry for the very first time. My ninth is coming up this month.

If you get yourself down to The Flying Saucer Club on Saturday night: I’ll see you if I’m looking at you (I’ll be the one bouncing around on bruised and cut legs to “Firkin Point Set”).

Check out Bill Quinn’s interview with WIlliam Hutton from Claymore here:

Interview: Rory McLeod

Rory McLeod
Image Courtesy of Rory McLeod

How to explain Rory McLeod to the uninitiated…

If you took a bright yellow trombone with a social conscience, and a battered old guitar with a wry, observational perspective on the human condition, and then threw them in to a blender with a Mariachi band from Essex then…

You’d probably have some explaining to do to the authorities.

And the cleaning staff.

Conversely, you’d be a fraction on your way to getting Rory McLeod.

Last weekend, Bill Quinn (Overheard Productions) grabbed a few very late night words with Rory McLeod at Illawarra Folk Festival.

Bill Quinn: It’s very early or very late, depending on your perspective, and I’m talking with a man with a bright yellow trombone. His name is Rory McLeod.

The first thing I want to do is clear…

Rory McLeod [FX]: Bbbbbbbrrrrrrrrpppppppppppp.

BQ: He had the burritos for lunch.

RM: ‘scuse me; it’s something I ate.

BQ: I actually mentioned you in an article just recently, and I put “Scotland” in (brackets). What is your heritage?

RM: Oh, McLeod? Well, my Dad’s Scottish. He’s from Glasgow, from Govan Shipyards there on the Clyde. And my mum’s side, my Mum’s South African but her mum was Russian; they were Russian Jews. She was a baby when she left Russia, my grandma was, brought up in the east end of London.

So I was born in London so I could be near my mum. So I’m either a foreigner forever, or a Northern Hemispherian from me mum!

BQ: So which side if any did the music come from?

RM: I don’t know. There was no one who really played music. My gran danced.

My dad liked whistling; my mum liked dancing to rock and roll. Jiving and that.

I just taught myself, really.

BQ: You’re here in Australia; what’s been happening for you?

RM: I’ve been catching up with lots of old friends; it’s been great. Seeing friends’ grandchildren. I remember when I was here years ago, driving down to Myall Lakes, all the way down overnight, then stopping at the lakes just there – like glass.

And just lying on a bench, and all the birds – the first time I’d heard any Australian birds: kookaburras, currawongs – they had two voices.

But mostly catching up with friends. There’s friends I’ve known from Byron Bay, they’ve come down on a house-swap, and they’ve got their kids here.

And I’ve done gigs where people have brought their grandmas, and grandmas who’ve brought their grandchildren!

And the grandmas look really younger than their grandchildren!!

Lovely. It’s great.

BQ: Now, for this month only, I’m asking every Northern Hemispherean this question: Bit ‘ot, innit?

RM: Oh, I don’t mind the heat. I’ve always liked the desert. Actually, it’s funny, I’ve never seen anything like “The Alic”’: big sky, you’ve got 180 degrees, saw the shooting stars.

I quite like dry heat. Yeah, it’s been really hot today [42.4 degrees Centigrade on the thermometer, about 50 degrees bouncing off the bitumen at the showgrounds.]

I think it’s just keeping out of the heat in the shade. But you know; mad dogs and Englishmen! So they say.

There’s snow now where I live. I think if you stay here, you might miss the seasons if I stayed here every summer. I don’t mind the heat at all.

You gotta drink a lot of water. I drink tea, actually. I drink cups and cups of it – a hot drink in the hot sun.

You can take the man out of England but… no, in Asia, China they drink a lot of it.

It’s better for you.

BQ: Getting ever so slightly back to music, you’re here in Australia for a couple more weeks: what’s coming up?

RM: Singing songs! New songs, old songs. Where am I? Sydney. We’re at the Cat and Fiddle in Balmain next Tuesday. I’m hoping to catch up with Jim Conway.

Then I go from there to the Blue Mountains, the Clarendon Hotel there for a gig, [Wednesday 23 January].

That’s me birthday!

Then after that I drive down to Canberra, then from there I go to Yackandandah for a gig – that’s Invasion Day weekend, innit?

From there to Newstead Festival – looking forward to that. Then after Newstead, I’m looking forward to catching up with more friends down near Castlemaine.

And then I end up out at Broome. I’ve been to Broome but I’ve never played a gig there. Well, I played outside the bars.

I can remember, some of the blokes weren’t allowed in the bar, so I remember sitting outside and having a yell with them and played outside the bar.

Some of them Pigram blokes’ll be there: Steve and Tonchi’ll be there. I haven’t seen them for a good while – six years – so I’m looking forward to catching up with them.

Then the Workers’ Club in Fremantle, and then I’m going to Guthrie’s – I’ve never been there. That’s named after WoodyGuthrie – Guthrie’s bar in Adelaide.

Then I end up in Victoria. The Spotted Mallard or something in Melbourne.

BQ: In terms of recording material, have you got anything new out?

RM: It might be new to yourself, yeah, I’ve got a band and when we play as a band, my friend Diego [Laverde Rojas] plays harp – he’s from Columbia and he plays beautiful, lyrical harp. An old brother of mine, Bob Morgan plays clarinet and sax. And they’re on the album. We’ve got double bass, cello, vibes, pedal steel. And a bunch of new songs. Some sad, some happy.

But they’re not gonna make you sad. They’ll take the sadness out of ya. I want to take sadness out of people. So yeah, stories. Take ya on a journey.

BQ: Rory, thanks for talking with me.

RM: Thanks very much.

Rory McLeod’s remaining gigs in Australia:

Wednesday 23rd January - Clarendon Guesthouse, Katoomba, NSW
Thursday 24th January – Merry Muse, Canberra, ACT
Friday 25th January – Yackandandah Town Hall, Victoria
Friday 1st February – Fremantle Workers Club, WA
Sunday 3rd February – Divers, Broome, WA
Wednesday 6th February — Guthries, Adelaide, SA
Thursday 7th February — Briagalong Hotel, Vic
Friday 8th February – Harvester Moon, Bellarine, Vic
Saturday 9th February – Spotted Mallard, Melbourne, Vic

The audio file of Bill’s interview is a bit muddy with so many sessions going on in the background at Illawarra Folk Festival, but on this short grab recorded two days later, you can hear the crowd acknowledge Rory as only they should this week!

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